#this is about specs

[devious-little-milkmaiden]

the bad thing about having a crush on a fictional character is the fact that they aren’t real but the good thing about having a crush on a fictional character is that there’s like hundreds of people on the internet who feel the same way you do and will draw fanart and make memes and edits about your little guy. That never happens for real life crushes. Imagine if someone on tumblr made sopping wet cat fanart of Carl from your accounting class.

[shhhhimwatchingthis]

My favourite underrated thing about Louis de Point du Lac is that he truly is the least curious vampire to ever be made and he does not give fuck about vampires despite being one.

Its Claudia who goes to libraries, reads the folklore, tries to learn as much as she can and pushes Lestat for answers about who made him and where the others are. Claudia says Vampire Pride and Louis says hmmm Vampire Tolerance.

And Louis...truly does not care about vampire history,law, culture. He's never even thought to ask. There are vampire laws?...ok...Lestat never cared about them and he's not going to either, lol. He's broken a few and he will continue to do so. Oh you have a coven? he's not gonna join it, he's gonna do his own thing. but good for you good for you.

the 500+ year old Coven Leader, he's gonna call Louis, Maitre, actually.

He has fire powers? thats kinda cool. he'll learn that but only cause it lets him vent his feelings about Lestat.

Lestat and Armand say the name of the vampire queen in front of him and Lestat straight up says, "Louis has no idea who that is" and do you think Louis cares, outside of the fact that for some reason it means he can't kill Lestat? No! Do you think in the 77 years he's been with Armand he ever took 5 minutes to ask a follow up question? No!

Do you think he will care about Akasha in season 3? Doubt it! Outside of her obsession with Lestat, who is the only person left on the planet he seems to be able to filter Caring About This Shit through

He blatantly breaks the 3rd law and publishes a book about being a vampire and when the other vampires get pissed not only does he not apologise he literally sends them his location and says 'you wanna fight? lmao don't miss'

I love him. Daniel Molloy is gonna need to bring his A game because Louis will not be solving a single mystery next season, nor would it even occur to him to try.

[mist-the-wannabe-linguist]

Hot take

Night furies are actually perfectly evolved for hunting and killing other dragons and the only reason they aren't a dragon-hunting species like the death song or deathgrippers are is because DreamWorks couldn't have their adorable main character dragon be a "cannibal"

(below I'm gonna try to summarize what we've figured out in a convo with friends on discord)

(also tw animal death via predator)

First of all yes I'm aware that pretty much every decision made about their design was with consideration of the effect it would make on human audiences but hear me out

Night furies are most iconically known as dive-bombers. They are built for speed, high maneuverability, night-time camouflage and for striking targets from above. If we remove human settlements out of the equation (which would not have existed long enough to actually influence night fury evolution, come on), what does that leave us with?

They aren't built for catching fish for sure, they aren't very hydrodynamic and their head is round, wide, and their teeth are dull. Honestly, the monstrous nightmare is much better suited for catching fish, with its long neck, almost pelican-like jaw and rhamphorhynchus teeth

Compare to

Yeah the jaws look kinda like a porpoise of some sort but for that the whole body would have to be a lot more aquatic imo. The light fury looks a lot closer to an aquatic diver, it has a sleeker body, rounded fins instead of spikes, and a long neck.

I don't really see them hunting land animals either, they just don't look like they're adapted for that minus the resemblance with large felines and even then, they're too large to effectively hunt in forests.

The one thing I can kinda imagine them hunting is large mainland megafauna, but we're working with a setting that takes place pretty much exclusively on islands. And overall, dragons are the only abundant species there with the exception of fish and human-bred sheep and chickens.

In general, night furies have duller teeth, smaller claws and are smaller than most dragons. Disregarding the movies making Toothless weirdly OP, a night fury would be disadvantaged against most dragons in a 1v1 fight and besides, it has four huge weak spots that would highly discourage it from a direct physical fight - the primary and secondary tail fins. One unlucky rip in the membrane and the night fury is fucked.

The night fury however noticeably resembles falcons, given their dive-bombing ability and high maneuverability.

Falcons too have smaller beaks and weaker claws compared to most birds of prey, and for that they compensate by simply picking up speed, balling up their talons and Punching. Really. Hard.

And they use that ability to kill other birds, even much larger ones, by knocking them right from the sky.

Here, the night fury's plasma blast works the same way as a falcon's punch. Dragons are fire-resistant, so what the plasma blast does is really just a densely packed bolt of energy that has the effect of either stunning or outright killing prey by damaging its spine. And what the plasma bolt doesn't do, rapid contact with the ground would finish. And if even that doesn't do it, the night fury's wide jaws and dull teeth are just fine for simply clamping around the unlucky dragon's neck and strangling it, like a lion or a pitbull.

The night-time camouflage allows the night fury to soar for extended periods of time perfectly unnoticed in the night sky, and by the time it strikes, the dragon wouldn't even know what's coming.

Unless

Say the hunting night fury is aware of other dragons sleeping under the trees, as most dragons probably would at night (village raids aside, most dragons seem to be diurnal), so how does the night fury get them in position where it can use its signature attack? Well, there's That Iconic Screech Of Death. Since in the movies it tends to appear not just during dive-bombings but also when charging up a blast, I imagine it's something the night fury is able to control to some degree. So by simply fake-diving in close proximity to sleeping dragons, it can effectively terrify them into leaving their hideout and fly out into the open where it can easily take them out.

I dunno, the possibility of night furies as predators to other dragons just makes so much sense to me, I really don't know what other reasons there would be for them to evolve these particular adaptations.

And one more little headcanon to add to this whole rant - since night furies are significantly smaller and less equipped for dragon vs dragon fights and are primarily speed-based predators, I imagine there is this very likely scenario:

There is one dragon who resembles a hyena, a lil bit

Ok, rant over

[taraxippos]

I think people tend to assume that any criticism of worldbuilding is ultimately a demand for a story to grind itself to a halt and give the reader 20 paragraphs of exposition, and like. Most of the time good-faith criticism of this nature is coming from a core aspect of the story not being grounded in the setting in a way that outright detracts from the story's quality. You fix it not by Explaining but by Showing it passively in the makeup of the world.

Like the last instance I saw this critique in was like 'you can't expect an author to stop and exposit the nuances of gender roles/Queerness in a fictional society' and it's like yeah I don't, and in fact this is actually one of the easiest things to show in the text without exposition. If a society has gender norms to begin with you'll see aspects of these norms baked into EVERYTHING. You'll see it in its stories, its religion, its taboos, its etiquette, its clothing, its family structures, its language, its insults, its labor, its leadership, etc. It will have massive impacts on how characters interact with one another and how they perceive themselves. It will help Shape your characters.

If you do this legwork to begin with for the core facets of your story, you will find very natural places for these concepts to be demonstrated without derailing the plot and with little to no exposition. THAT sort of thing is what's being asked of you.

[paradoxbeta]

Who wants a bit of Minecraft spec bio?

In my headcanon for Minecraft the majority of mobs share a very recent common ancestor with a slime-mold adjacent organism called the "root node," meaning most mobs (villagers, illagers, skeletons, zombies, mooshrooms, others) are fungoid/plantoid-appearing creatures.

Villagers are among the most complex of them all, boasting an intricate method of expression through extendable facial "petals" (thin, mostly transparent membranes) that shift in color, pattern, and intensity to express a vast and dynamic field of emotions. The protrusions on their head resembling eyebrows and a nose light up in patterns to convey information. Conversation is occasionally emphasized by vocal cues (the iconic "hrms").

While impossible to translate standard villager conversation into something intelligible to humans without advanced technology, Steve is the most "fluent in villager," with a baseline understanding of what different colors mean on a villager's petals and even dyed paper cards to replicate the expressions himself. He also has established a rudimentary sign language with the nearby village.

Steve works with a certain villager he's nicknamed The Language Guy, or "TLG," to propose new signs or revise existing ones. TLG distributes language updates to the village when they happen. TLG is the most "fluent in human," so they are the village's Steve equivalent when it comes to diplomacy with humans. They are also working on writing a book with every established sign and its definition. Since villagers don't have a written language yet, it consists of easily interpreted pictograms.

Humans and villagers have rather shallow avenues of communication due to their complete lack of intuition about each other's natures. However, due to their frequent interactions, TLG and Steve are very close friends for creatures with a compatibility gap bigger than the Grand Canyon.

Alex would really like to learn about all of this, but she's not quite got the hang of it yet.

[kisiel-do-netu]

It's almost 3 am i can't remember so many projects namees (and much of spec bio stuff i like is just earth many years from now so idk if it counts)

[genderqueerdykes]

why do people assume aromantic people just hate everyone. i see this all the time people assume that just because someone is aro it means they hate them. just because i don't experience romantic love doesn't mean i can't experience other types of love, and even if i couldn't, it doesn't mean i automatically hate everyone i meet.

why is our culture so fucking weird about romance. it's disturbing- that's not the only form of love you will receive as an adult, i promise you this.

[zoe-oneesama]

Chloe shows us that even if she was expelled from Paris like a villain, her influence remains strong, and people don't care what she did if she promises them a reward. Somehow, they managed to make it so that, even though she wasn't in the city, she was indirectly the driving force behind the whole situation. It's as if the series just needs her to make things happen when they run out of ideas to execute. Unexpected? Not at all. Disappointing? Definitely. Ridiculous? Absolutely.

What is your opinion about this?

I think people (viewers, not in universe) are putting more energy into this than is necessary. Chloe didn't actually do anything in this episode - she hosted an online contest and announced a winner. Those were her two scenes. It was Aurore who took it too far. Using Chloe like this is just a different spin on Aurore losing the Weather Girl contest. To me, this is a totally appropriate and clever use of Chloe.

Now, there IS something to be said about these "community" platforms that the show is introducing. We've seen two thanks to this episode - a "Bee" Community, and a "Ladybug" Community, where accounts choose hero icons to represent themselves when they like a post. The "Bee" is hosted by Chloe while the "Ladybug" host is currently unknown (though we know Marinette is a member).

In the "Bee" community, Aurore's passionate posts about weather phenomenon were basically ignored while she scaled to the Top 10 in mere hours for posting out of context photos and spreading rumors about Adrien and Marinette. But in the "Ladybug" community, the same post that would've been completely ignored immediately got multiple likes, even one from her Idol Claudie Kante.

To me, this makes sense. The "Bee" Community is hosted by Chloe and so attracts people like her, who enjoy gossip blogs over deep dives. Aurore is not exempt from this, she goes as far as copying the No.1 ranked creator instead of creating her own work and starts caring more about popularity than the prize itself. But she's accepted for who she is in the "Ladybug" Community.

Like people attract like minded people. This episode has something to say (though not very loud) about the kind of communities we attach ourselves to online, and how they effect and change us in the real world. It's important to curate your online experience and to be diligent of being too influenced by what we see and interact with online.

In the "Bee" Community, Chloe's Community, Aurore sunk low and became consumed with unimportant things, betraying her friends and caring more about being No.1 than being an authentic or even good person. And her actions got her akumatized. Even though she won the contest, she had nothing to show for it.

In the "Ladybug" Community, Aurore was embraced for being unapologetically herself and confronting her wrongs. And her actions got her recognition from the person she idolized the most.

Chloe didn't have to do anything, the community she curates (and the communities that real world people make) were all that was necessary for this akuma.

[agrebel18]

saw someone on here the other day say that we don’t need aromantic and asexual representation in media because that’s a “sanitized” identity like BITCH WHAT????? IF YOU CAN ONLY SEE ASPEC PEOPLE AS CHILDREN THAT IS A YOU PROBLEM.

[styllwaters]

Huarva beloved ---

Fanart for @ranticore’s extremely swagful siren setting. I think about it a lot

[hotshotsxyz]

hope for the future (got me on my knees)

(buddie) (s8 spec) (2.4k words) car crash spec <3 title from bastille's hope for the future, which, imo, is one of the eddie songs of all time cw: blood (like. a lot)

Eddie’s not supposed to be here. He’s not—

He’s—

God, he’s not supposed to be here again. He’s not even on shift. But Buck is.

It was a favor. He’s covering for a last minute absence on C shift. So now he’s—

He’s on shift and he’s lying in the middle of the road and he’s not moving. And Eddie. Can’t. Breathe.

“Buck!” someone shouts, and Jesus it sounds like their entire world just crumbled. Eddie’s throat feels raw like—

Oh.

He’s the one screaming.

Buck’s three feet away from him, sluggishly bleeding out on the pavement. Shannon’s six feet under in a graveyard halfway across the city. Buck’s ribs are giving way beneath Eddie’s hands. Buck’s blood is soaking through his jeans. It’s staining him, his skin, his mind.

He—

“Sir!” Someone snaps. “You need to—shit, Diaz?”

No, that’s—it’s not Eddie who’s broken and unmoving on the ground. It’s not Eddie who’s going to die with or without a tube down his throat.

It’s—

It’s—

Two pairs of hands grab him, yank him away.

“No!” Eddie screams, thrashing wildly at whoever it is that thinks they can keep him from Buck.

“Diaz, stop!”

He can’t. He won’t.

“You have to let them help him.”

They won’t do enough. Only Eddie will fight for him hard enough. Only Eddie knows how to bring him back. An animalistic snarl climbs out from his chest.

“I’ve got a pulse!” a paramedic Eddie doesn’t recognize shouts. She’s a floater, probably.

A floater is holding Buck’s life in her hands. Does she even know? Does she know that the world will stop turning if he’s not in it?

Eddie’s knees hit the pavement. Distantly, he feels the sting. Mostly, though, he feels Buck’s blood. It’s on his hands and soaking through his clothes, painting him red, red, red.

Two firefighters carefully roll Buck onto a body board and lift him to the stretcher. For a split second, it’s 2019. Eddie’s watching his wife die. He’s holding Buck’s hand and trying not to stare at his mangled leg.

“Diaz! Now or never, are you coming with us?”

He doesn’t feel himself move, but between one blink and the next he finds himself in the back of an ambulance staring down at his—

His—

Buck’s eyelashes flutter and Eddie can’t do this.

“Please,” he sobs, clutching Buck’s hand. “You—you have to—”

He’s squeezing too hard. So hard he might break Buck’s hand, but he’s terrified that if he lets go, so will Buck.

The floater moves to intubate, but before she can Buck heaves a shuddering breath and opens his eyes.

Eddie thinks he might be screaming again, only this time the sound is trapped deep inside him.

“Eds… hurt?” Buck manages.

He must be. He’s dying maybe, because that’s the only explanation he can think of for the creeping numbness in his limbs.

“He’s fine, Buckley,” the floater says.

She’s wrong. She doesn’t— how could she? She doesn’t know that every piece of Eddie that’s worth anything is dying right alongside his—

“I can’t wait any longer,” she says apologetically before shoving a plastic tube down Buck’s trachea. He chokes on it, and oh, Eddie’s choking too.

The ambulance slows and Eddie’s about to bang against the wall, about to demand they keep going, when the doors are flung open revealing an entire trauma team dressed in pristine scrubs.

The floater rattles off Buck’s vitals and the injuries they know of.

As they pull Buck from the back of the ambulance, one of the doctors catches Eddie’s eye. He nods, and Eddie hopes to God that means he knows that Los Angeles will be swallowed by the sea if this man doesn’t live.

All at once, Buck is gone and Eddie’s left standing next to an ambulance that could be the last place he ever hears Buck speak.

“Diaz, you okay?” The C shift captain whose name Eddie can’t be bothered to remember right now asks.

No.

No.

No.

He doesn’t answer.

…

There’s blood on his face. Buck’s blood. Eddie doesn’t— he’s not sure how it got there, but now that he sees it, he can feel it too. It’s tacky and drying and God, there’s so much.

Gentle hands turn him away from the mirror.

“No,” Eddie says as his sluggish brain recognizes Bobby. “No, no he can’t—“

Bobby was there when—

He held Eddie. Let him weep into his shoulder. Stood steady as Eddie’s world crumbled to pieces.

“He’s in surgery,” Bobby says.

“They don’t know,” Eddie babbles.

Bobby’s face creases in concern. “Know what, Eddie?”

“He’s— he—“ He can’t force the words out.

“Eddie,” he repeats forcefully.

“I love him,” Eddie croaks.

Bobby, steadfast and solid, cracks.

One sob escapes his chest, then another, and soon they’re both sliding to grimy bathroom floor, trying not to shatter entirely.

“I can’t lose another—“ Bobby gasps.

Eddie squeezes his eyes shut. Bobby can’t lose another child. He can’t lose another spouse. Not now, not when he’s just begun to understand the depth of what he’s been denying himself for what feels like his entire life. Not now, not ever. Not— not, Buck.

The bathroom door bangs open and Hen steps in. Tear tracks stain her cheeks, but Eddie can’t bring himself to analyze her expression further. If Buck’s— Eddie wants to live in a world that hasn’t quite ended as long as he possibly can.

“No update,” she says quietly.

She grabs a few paper towels and wets them in the sink. She kneels in front of Eddie and brings one to his face. He flinches back.

“Eddie?” she asks.

He swallows past the lump in his throat. “What if…”

What if the blood staining his skin is the last piece of Buck he gets to keep? What if he dies on the operating table? What if he’s already dead? Eddie can’t— he won’t let anyone take the last of him away.

A harsh sob drags itself past his lips.

“Oh, Eddie,” Hen whispers, and why do people keep saying his name?

No one— he’s never heard it so many times from anyone but Buck. He doesn’t want to hear it from anyone but Buck. He shakes his head and presses his hands to his ears.

Hen says something else, but all he can hear is the whoosh of his own pulse, and it’s so unfair. Shouldn’t his heart know not to beat until he’s sure Buck’s will again?

“Eddie,” Hen says, taking his hands. “Let me, please.”

He can’t bring himself to agree, but he doesn’t fight back when she raises the paper towel to his face again. She pulls it across his skin in gentle drags, but it’s cold and Eddie can’t help but think uncharitably that Buck would’ve waited for the water to warm before he wet the towels.

When she’s done with his face, Hen guides him to the sink to wash the blood from his hands too. For a split second, Eddie wonders if Buck washed his blood away in this same sink after Eddie was shot. He wonders if Buck’s hands shook the way his are shaking now.

“That’s good Eddie, there you go,” Hen encourages him softly.

He bristles at her careful tone. Nothing she says can make any of this better or worse, not unless she can tell him with absolute certainty whether or not Buck will survive the night.

“I grabbed your duffle from the station,” she continues, and it’s only then that he notices his own bag slung over her shoulder. “Think you can get changed?”

Eddie nods mutely. Distantly, it occurs to him that this is part of what makes Hen such a good paramedic— her ability to meet someone where they are. He peels off his henley and exchanges it for the long sleeve LAFD crewneck she hands him.

He swaps his pants next, and for the first time, wearing a piece of the uniform feels wrong. He couldn’t— he wasn’t a medic today. If it had just been him and Buck out there, Buck would be dead already. He’d, what? Held his torn skin together? As if that was the wound that was going to kill him. Shannon didn’t even bleed when she died.

“Maddie and Chim are waiting for you,” Hen says, nodding toward the door. “I’m going to sit with Cap for a little while, okay?”

Again, Eddie nods. He stumbles through the door and into the arms of a woman who, for all they share, he barely knows.

He can’t bring himself to look her in the eye. She’ll know, he thinks, know that he didn’t do enough. Know that he failed one of the three people she loves most in this world.

“I’m sorry,” he croaks into her hair.

“For what?” she asks shakily.

“I should’ve— I didn’t—“

“You were there,” Maddie says. “You made sure he knows he’s not alone.”

Eddie swallows harshly.

“He knows what he’s fighting for,” Maddie continues. “Thank you.”

He wants to shake her. He should’ve done more. He’d demanded it once of a different team of doctors, and then he couldn’t even—

He was there and it didn’t matter. Buck’s still dying in a sterile operating room.

Maddie pushes him toward a chair next to Chimney in the waiting room, then sits on his other side. They talk to him, Eddie thinks, but he doesn’t hear a word.

…

“Family of Evan Buckley?”

Eddie’s on his feet before he’s even made a conscious decision to stand. Maddie follows quickly behind him, and— oh, Bobby’s in the waiting room now, too.

The doctor smiles at them, and while Eddie’s sure it’s meant to be reassuring, every second that passes without news is more excruciating than the last.

“Mr. Buckley did well in surgery,” she says.

Eddie’s entire body sags, like a marionette with its strings cut. Hen’s subtle but steadying hand on his back is the only reason he doesn’t collapse to the floor right then and there.

“He’s not out of the woods yet,” the doctor continues, “but his CT was clear and we were able to locate and repair the source of his internal bleeding.”

“He’s going to be okay?” Maddie asks, high and watery.

The doctor nods. “We’d like to keep him a few days for observation, but barring unforeseen complications, we believe he’ll make a full recovery.”

Maddie presses a hand to her mouth and nods, eyes shining.

“The effects of the anesthesia should be wearing off soon, I can take two of you to his room.”

To Eddie’s surprise, Maddie takes his hand. “We’ll—us,” she says.

Eddie looks at Maddie, then Bobby. “Are you—are you sure?”

“Go,” Bobby says. “He needs you.”

Eddie’s not sure that’s true, but he sure as hell needs Buck and he—he thinks this is probably one of those times when he’s allowed to be a little selfish.

“Through these doors,” the doctor says, leading them back with a wave of her key card.

…

He’s pale, unnaturally so. It’s like, despite the massive transfusion he received, there still isn’t enough blood pumping through his veins. Eddie wishes he could wring out his shirt and return every drop he took.

“Eddie, what happened?” Maddie asks softly.

Eddie shakes his head. “I, uh, I wasn’t supposed to be there,” he says haltingly.

Maddie takes his hand with the one that isn’t holding Buck’s and squeezes.

“I don’t think he knew I was there,” Eddie continues. “It was just… God, Maddie, it was a coincidence.”

Eddie closes his eyes and takes a steadying breath.

“It came out of nowhere. They were responding to a fender bender, wouldn’t have even been a call except one of the drivers was stuck in their car, I think. He was helping someone when it—there was a car. And then he was just—I couldn’t—he—”

Maddie squeezes his hand again. “You know, I—” she hesitates, then nods like she’s made a decision. “I’ve never seen him happy the way he is with you.”

Against Eddie’s will, a pained noise escapes his throat. “I don’t know why,” he admits. He looks down at his feet.

“Sure,” Maddie says, blowing out an amused huff.

“He’s so good. He walks into a room and everything gets brighter. He’s the sun,” Eddie says helplessly.

Maddie’s smile turns impossibly fond. “You love him,” she says. It’s not a question.

A smile of his own spreads unbidden on his lips. “How could I not?”

There’s a sharp intake of breath.

Eddie whips his head around and sees Buck, eyes open, lips parted.

“Eddie,” he breathes.

He should be panicking, maybe. Throat closing, heart racing, but—the singular feeling in his chest is relief.

“Hey, Buck,” Eddie says, incapable of and unwilling to keep the warmth from his voice.

“You—” Buck blinks twice, slow, like he’s trying to keep himself awake.

Eddie lays a hand on his ankle and squeezes. “Rest,” he says. “I’ll stay.”

“Stay… s’nice,” Buck slurs as he slips back into sleep.

“For what it’s worth,” Maddie says after a long moment, “pretty sure he loves you, too.”

Eddie watches the slow rise and fall of Buck’s chest. “Yeah,” he says, biting down on a grin that’s far too wide for the ICU, “I think he might.”

“Could take a second for him to work that out for himself,” Maddie says.

Eddie lets out a soft chuckle. “Oh, I know,” he says. “Gives me time to pick out a ring,” he jokes. Kind of.

Maddie laughs and shakes her head. “Is this your way of asking for my permission to propose?”

“Well I’m not going to ask your parents,” Eddie replies, wrinkling his nose.

Maddie’s eyes twinkle with amusement. “Could you imagine if I said no after all of this?”

“I’d ask him anyway,” Eddie admits.

“Good answer,” Maddie says.

Eddie laughs. “Oh, so that was a test?”

“No,” Maddie replies, shaking her head. “But he deserves someone that chooses him no matter what.”

“I do,” Eddie says with conviction. “I will.”

“Then yes,” Maddie says. “Just—don’t ask him in the hospital.”

[entelodante]

Styraphant average size ref! They're p large. Lady on the left and gentleman on the right! The males are a good percentage larger than the gals and are mainly differentiated by their 'bottom heavy' crest. Which is mainly for show.

[alchemistc]

He likes occupying the same space as Tommy. It's - every time he looks across a room and sees him he just wants all the space between them to disappear. And - okay - yeah - Tommy has, like occupied space inside of Buck so there's - there's a little Pavlovian tic somewhere in the goo Tommy's smile can turn his brain into but also -

He likes the way it feels when they're side by side - naked or clothed - and Tommy arches his shoulder to smack it into Buck's. He likes the way his eyes dart, when they're breathing the same air and he's thinking about kissing Buck - which is a look he relishes now as much for the knowledge that he's about to be kissed as for the knowledge that he'd seen this look a half dozen times before they ever got to the kissing part. He likes the way Tommy occupies Buck's space - never overbearing but always close, close, close like if Buck asked they'd melt pieces of themselves and stick them together before everything cooled back down. He likes the way they can't quite hold hands without their arms brushing, and the way Tommy ducks his head when Buck exaggerates a flirty head tilt.

He likes a lot of things about Tommy.

He likes the way he grudgingly enters a gay bar because it's not really his scene and ends the night with a drag queens feather boa wrapped around his neck while he sings the Gaga parts of Shallow even if he gets a little pitchy.

He likes the way Tommy boops his nose, out of the blue while he's listening to Buck explain something that has no bearing on either one of them or the thing they're working towards together - still listening with rapt attention but also a little devastatingly charmed by Buck's rambles, of all things.

He likes the way his nose scrunches up when he laughs, soft and genuine, the way when he's really feeling it the ears draw back too.

He likes the way he sounds, that first time (and every time after) Buck found his prostate and he whined like a fucking siren.

He likes the way his face softens even when he's tired, worn around the edges as Buck flings a sock into his laundry basket and tucks his head up under Tommy's chin.

He hates the way Tommy shuts down every time Buck tries to bring up the future.

And it's not like - it's not like Buck isn't aware they'd sort of speed run some milestones. House keys swapped with the sort of flippancy you'd expect out of two guys whose schedules rarely lined up. A drawer in Bucks's loft for the clothes Tommy always left behind, because for some reason he liked to fling them over the balcony instead of stuff them back in his overnight bag. A toothbrush at Tommy's a month and a half in, which wouldn't be all that strange except for he'd gone out of his way to buy the same electric one Buck had in his bathroom vanity. The pin to each others phones, swapped and repeated until it was muscle memory and three weeks ago Buck had grabbed the wrong phone but he'd seen the lock screen of the two of them from their hike in Fern Dell and he'd punched the code in like it was rote before he'd even been fully awake.

Tommy'd hit a wall, though, the first time Buck brought up his lease. And it wasn't - Buck isn't always the best about understanding the shit going on in his own head, but he actually hadn't been going any particular direction there, it'd just been something to fill the lull that had popped in his head and -

Of course, when Tommy froze the fuck up Buck decided to poke at it like a particularly nasty yellowing bruise.

Kids - not his own, just the nebulous idea of them. (Tommy shifted to a conversation about cars so smoothly it'd taken Buck half an hour to notice.)

Marriage - not his own thoughts about it, just that Bobby and Athena had an anniversary coming up and man didn't it suck that Maddie and Chim never got the wedding they wanted and he'd gone to one once in Montana and it'd been in a barn and they'd had candles in Mason jars for their centerpieces before that was the thing to do. (Tommy booped his nose and scrunched his face and held out a ladle of tomato sauce for Buck to try and - son of a bitch he'd known it needed more acid and that Buck would get distracted with recipe talk.)

Homes - the idea of them. Tommy's century old ranch style rental and how it fit him, Bobby and Athena's hunt for a new home, how quiet Eddie's always felt without Chris there, and Tommy had spent an hour listing off all the things he'd fixed up for his landlady and the rent she'd been stubbornly stuffing back through his mail slot every time she found out exactly how much the labor alone for a full copper repipe cost.

So it's.

He's just.

He hates that he's about to do this, here, with his ankle hooked by Tommy's toes under the table at Micelli's when they're supposed to be enjoying six months but he's been on edge for weeks now and he's - God he wants this to work but if Tommy doesn't want to talk future then are they just gonna spend their whole lives stumbling into the next milestone? He doesn't want -

"I had something I wanted to ask -," Tommy starts, right as Buck opens his big mouth and blurts, "I want kids and that's kind of a deal breaker for me."

Tommy blinks.

Buck blinks back.

Not much better than Hot Chicks, as far as Buck is concerned. But Tommy's mouth quirks at the corners, and he jiggles his toes against the back of Buck's ankle, and -

Tommy blows out a breath. "Oh thank God."

"What?"

So he's -

Buck's confused.

"You've been fishing for months now and I thought you were..." Tommy grimaces. When he leans forward to reach for Buck's hand, his arms are tense and his fingers are clumsy. "I thought we'd gone too fast and you were throwing us in reverse and stepping on the gas."

"What," Buck says again, and rewinds.

Kids: where he'd tried to drop the bomb that there was one out in the world who already had half his genetic code and then blazed along to talk about how Chris was his favorite person in the world and Maddie had struggled with Jee and the whole foster debacle made him terrified of all the stress involved in state sanctioned parenthood.

Marriage: where he'd made some dumb joke about how many marriages ended in divorce and then reminded Tommy how much he hated the fact that weddings cost like a third of a years salary, and then told a horrendous anecdote about the way Eddie had asked Buck to come by one night after Shannon only to find him keyed up out back, with the fire pit going and Shannon's things still tucked into their plastic bag on a stool right next to it.

Home: where he'd told Tommy the house in Hershey was like a prison and he'd never felt more himself than wandering the continent trying to find himself and how the loft was suffocatingly open and of the two places where he always felt welcome, one had burned down and the other had been missing an occupant for so long it had felt sad and oppressive.

Foot in mouth Buckley.

"I brought up my lease and you looked like you were trying to figure out if you could hurdle three tables in one leap to get to the door."

Tommy groans. It's. Buck wants to be annoyed by it but he's charmed as ever.

"That - I did do that."

"So. I'm just. Tommy, I..." Because he's given himself time to think about it, since then, and he really doesn't want to re-up his lease but he's also not sure where to go from here.

"It wasn't what you're thinking, though," Tommy says, and there's a wry tilt to his grin. "Irene wants to sell me the house," he continues, and - there's got to be a point, here.

"Okay."

He likes that house. The lived in feel, the easy walk to a little public market where Buck can always find something healthy and Tommy can always come home with a growler of some new craft beer, the avocado tree in the yard and the renovations Tommy has spent half a decade on.

"When you brought it up I'd just spent two weeks trying to convince myself it was too early to ask you if you wanted to sign up for a mortgage with me."

Six months. A redo of their first embarrassing date. The wine, instead of pitchers of beer. I had something I wanted to ask -

"I want to be married, someday," Buck says, and Tommy's thumb skitters over his wrist. "And - the kid thing. That's still a deal breaker."

Tommy nods. Maybe not a surprise, but - still. That feels important.

"I still don't understand equity," Buck says, and Tommy. Tommy laughs.

"I can teach you," he says, and Buck swallows. He wants to call the waitress over, ask for too many canolli because Tommy's sweet tooth is a tyrant and Buck is still mystified by how he manages to always be so trim despite the amount of sugar he consumes.

Buck narrows his eyes. "How long a mortgage?"

He has a settlement from the city that's just been sitting around, mocking Buck for years. It'd make a good dent even with LA real estate. Tommy smiles. "Oh, 30 years, for sure, but we could refinance at least a few times."

"That's - a long time."

"Housing bubble might pop soon, and then we'd just be stuck in it."

"It's good we both have dependable government jobs."

Tommy's eyes crinkle, but his face gets serious after a moment. "Evan."

"Ask me."

Maddie's gonna fucking flip, Buck thinks. Eddie is definitely gonna give him a side eye. Bobby - Bobby will get it, probably.

Tommy hums. "You wanna share the tiramisu?" His grin is just this side of teasing, and Buck knocks a knee into his in retaliation. His eyes go soft and warm. "You wanna buy a house with me, Buckley?"

[wolfsnooze]

in which hunter’s possession goes a whole lot worse

[linkedin-offficial]

hymnheart birds, better known as "hymns", or "travel mount" birds, are a genus of bird derivative from todays common flocking birds of sky (doves), and the less common nightbirds.

during the days of prosperity, these birds were bred to be large and capable of carrying many passengers, as skypeople flight was not a common form of travel. similarly, it wasnt uncommon to find a smaller version of these birds (usually bred by hand, and not by known breeders), meant for single person travel, that was also often used in racing. these lesser travel mounts are known to have sparked the use of mantas for racing and speedy travel, as mantas were faster and smaller, and functionally better for the same uses.

in modern day, these birds are considered to be extinct. after great technological advantages like flying boats becoming mainstream, and soon after the modernization of 'caped' flight, hymns numbers had begun to dwindle due to simply no longer needing them for their main purpose. unlike hymn travel however, manta riding remained persistent as a practice, as the species was abundant, and did not need skypeople aid to continue to breed.

few individuals, like those of the nester families, continued to breed these birds, but eventually discontinued the practice as it became laborious and took too much time.

[filurig]

närsi in her working uniform - ive mentioned it when i posted her first, but she works in the sartrill defense force, the Sartrill Tirsekki (more specifically in the Rau-Tirsekki, the division for basilisks). and yes her wings look different bcs ive been pondering a bit of an anatomical revamp of basilisk wings... so they can have silly hands. Yey. more rambles under cut

in most basilisk communities it's not seen as indecent to not wear clothes really, as they don't really need to. but in many communities it is a fun decorative element they like engaging in and clothes may often be seen as more associated with certain events or social positions. bcs of their anatomy most clothes however extend to chest/neckpieces, hats and legpieces as it can be a struggle and a hinderance to put on stuff below the arms as their wing membrane stretches from their arms to about halfway downt he tail.

the basilisks in the Tirsekki have their own division as they are usually delegated to special reconaissance roles separate from the rest of the order, who are usually trained in more typical forms of defensive and offensive combat. the subdivision has their own leader/trainers who are usually basilisks themselves as they know their own abilities best, rather than a harpy. their shapeshifting is obviously a huge part of their work, and scouting/surveillance is their most common form of work. sometimes they are called to stuff that involves combat however too.

the sartrill tirsekki formed as a revival of an older defensive order, the kaskin tirsekki. kaskin was a crakam town that fell due to human discovery and attack, and the crakam that formed sartrill were the fleeing survivors from that siege