thank you dbza for this character dynamic
based on (source)
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just thought of being scumbag patricks pretty little girlfriend and saying you love him mid-stroke and he groans, puts a hand over your mouth because you dont mean that shit - he's gonna pretend he didn't hear it, cause hes bad for you and you falling in love with him would be fucking awful for you both - doesn't stop him from fucking you deeper though, immediately after you say it. like the words have a lasso affect and his hips crash into yours, not parting this time, just grinding his cock inside - way more intimate than he usually allows. biting his palm, wrestling your mouth from under his palm in defiance like the brat you are so you can pant and whine another breathless "i love you - i love -" he fucks you harder until the words fade out into moans. acting like his balls aren't twitching to unload inside you the moment you said those words, like its just to shut you up, the desperate slam of his hips, and not like the confession means anything.
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I was thinking about the 5 year anniversary video and
it is interesting to me how Patton kind of decided for Logan what his role in the "family" would be. all the other sides chose it themselves, but he didn't get to.
even when he actively objects it's played for laughs and never addressed. this happened too when Patton revealed his name for him, and I just think it's interesting to note that after all these years, Logan still never gets to decide anything when it comes to Thomas, or even himself, to an extent. it's just kind of decided for him and he is expected to just go along with it, similar to how it was when Thomas dyed his hair.
ik it's mainly a "haha wine mom" moment, but that doesn't take away from how angsty it gets when you think about it.
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there's something to be said about gale telling peeta that katniss will choose the person she can't survive without - a sentiment that katniss notices lacks any mention of love or comfort or affection, only partnership and practicality. because survival is the basis of gale and katniss's relationship - their relationship is the product of an oppressive regime where so many people starve and die and suffer. they built a partnership out of pragmatic necessity - friendship and affection and yes, even love, did spring from that, but nevertheless, survival was the foundation for them, and the fact that the majority of their dynamic is spent in the woods and this is the only place gale sees her happy is symbolic of that.
but her relationship with peeta is extremely different. he gives her laughter and comfort and joy no matter where they are. he balances out the temperamental and volatile nature (a characteristic she shares with gale as a result of their conditions) with peacefulness and an appreciation for beauty and goodness. they have a trust and camaraderie and friendship that extends far beyond the need for survival, a bond that connects them beyond merely the need to stay alive and protect their loved ones. it is with peeta that she truly lives and laughs and loves and betters herself. peeta notices and brings out the most wonderful parts of her cold, dispassionate exterior (mockingjay, suzanne collins), gives her an appreciation for beauty in life (dandelion in the spring, the pearl on the beach, etc). he's the calmness and peacefulness that she needs to truly live and feel free and safe, while gale is violence and storms and outbursts (which she may agree with, but his tendencies to choose violence don't satisfy katniss's emotional needs in a relationship like peeta does).
to gale and katniss, love and relationships and friendships and human connection come second to practical concerns and the mere desire to simply not die. for peeta and katniss, love and life are about far more than just survival, which is why they share an emotionally charged connection that's stronger than what gale and katniss have.
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the world of Kirby is hilarious to me because Dream Land is the happiest gumdrop rainbow world you'll ever see, and its king and all his friends like to beat the crap out of each other for fun
and then you have Meta Knight, who has such a lust for violence that he must play Fight Club with Kirby every so often, or else he goes crazy and starts blasting cities with his battleship
(and even when he is so satiated, that need to fight is what things like the Jamba Heart and ID-F86 have preyed on when they tried to brainwash him into evil)
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so fucking funny to me when people talk about tlt setting like everyone in the whole society is sorted into being either a necromancer or a cavalier. like yes necromancy is an inborn trait. but cavalier? that's a wholeass job. that's a career. assigned butler at birth
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I know I talk about mdzs modern AUs a lot, but it's just somehow become a fascinating adaptation process to me, all these people making their personal calls about the nature of reality.
And a thing I keep coming back to is all the people who deliberately decide to give modern!wwx Mo Xuanyu's build.
To preserve the strength contrast that's leveraged for horny, which like, yeah that's fair, horny is an acceptable reason to make a story choice. I respect that, sometimes grudgingly.
But as a result of noticing this being done, oftentimes it seems without any reflection about why, I've developed this minor obsession with the fact that wwx in his own body at its adult height was fractionally shorter than lwj.
And this was the height he reached after a multi-year period in childhood living on scrounged garbage, plus the three months starving in the mass grave toward the end of his growth period.
Meaning that by all normal logic, a modern AU wwx who did not experience these periods of intense privation--which is most of them; it's quite rare for children to experience that particular form of total neglect in modern developed nations and modernAU!wwx's life ruining circumstances only occasionally involve intense physical torment--is going to be significantly taller as an adult.
Like. Add a few inches on there.
Where are all my adequately nourished six-foot-four Wei Wuxians???
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putting the prism into the square shaped hole
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girls band cry revolutionizing the depiction of female friendships by having three women whose friendship is unironically built entirely on the fact that they're comfortable being assholes to each other
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Snowjanus Text Posts (I have more coming babies🖤)
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Me, consuming any other media ever: how can I make this about zosan
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It's kind of funny that Kendall and Shiv are both equally delusional about their ability to charm people for business and somehow think they can do it even though they choke almost every single time, whereas it's like the one thing Roman is consistently good at despite being the "least legitimate" option.
I think part of this comes down to the fact that Shiv and Kendall both have very clear ideas of the versions of themselves they're trying to be and the images they're trying to project, and they're trying so hard to be seen that way that they end up coming off as a little desperate and off-putting. Meanwhile Roman "knows" that there's something wrong with him and he's worthless, so he doesn't get sucked into the trap of trying to force people to see his idea of himself and instead molds himself into whatever he thinks the other person wants from him because that's the only way he can compensate for "being him," which works very well in the short term but also means he's the least capable of maintaining any relationship for very long because he has no sense of self.
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After twenty years, the thing I still don't get is that everything cruel that can be said and has been said against Zutara romance can also be said against their friendship--and Zuko's friendships with the other characters!--and yet somehow friendship is always good and pure but romance would immediately make their healthy friendship dynamic bad and abusive???
But that's not how relationships work. If they can have a healthy friendship, then they could have a healthy romance. If any romance is inherently unhealthy, then the friendship must be inherently unhealthy too.
You've got the original writers saying women who think that Katara and Zuko should be together will forever have "failed relationships"... and then, at the same time, those same writers are like yay let's write them bonding and building a friendship.
People calling a brutally abused child who went on a redemption arc and turned against his father's ways a "colo/nizer" when it's a romance, but when it's friendship it's all good somehow. If lips never touch, it's not possible for a relationship to be toxic??? But if lips DO touch, then a healthy friendship based on mutual respect immediately becomes a Lifetime movie about toxic boyfriends...
The only way this logic works is if you think romantic love immediately "corrupts" or "taints" in a way friend love doesn't. And that's an incredibly ugly, sad idea to push.
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Man of The House(Katara) and Eldest Daughter(Sokka)
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