#this isn't the best drawing but it's something

[prongsx]

we are not children anymore, honey.

warning: swearing, a bit insinuating, f!reader, fluff.

where jason needs to remind you that you're not kids anymore and teasing him isn't the same anymore.

1,8k words

You met Jason Todd when you were both innocent children, well, as innocent as the crime alley allowed. He was your best friend, most of the scars he had back then were from picking fights with anyone who raised their voice at you, anyone who tried to sell you drugs or tried to be aggressive with you.

You had an easy body language, both of you touched each other often and played the usual games that children do, physical touch was never a distant thing.

You secretly had a crush on that somewhat reckless and smiling boy who protected you, always holding your hand. Maybe in the back of your mind you thought that one day you would get married.

At the time, he was a little shorter than you, a fact that deeply irritated him but made you laugh. Then he was adopted by Bruce Wayne and you thought that would be the end of your friendship, but there seemed to be a thread that connected you, not even taking on the mantle of Robin could separate you.

Then Jason was taken from you in the most abrupt way possible, by the hands of death itself. But not even that which seemed inescapable separated you for long, the grief that consumed you could have destroyed you, but something in your mind repeated that Jason would never leave you alone.

When Jason appeared at your door, years later, his blue eyes looking haunted, you cried, something in your heart that was dead seemed to come out of the ground in the same way as your best friend.

At first, you simply didn't know what to do with this new Jason, he himself seemed a little lost, the well had affected his emotions. He took up more space, his arms and hands were bigger. Doubts consumed you, afraid of never rescuing the old bond, but then you bought your old favorite cookie and he smiled at you.

That dimpled smile, which lit up his blue eyes and seemed to bring a reckless air to him. And you decided right then and there that nothing would stop you from being his best friend again.

The thing was that your friendship was based on a time when you were both younger and more naive, feelings were simpler. Jason died before you could be friends during that strange time in your adolescence when touching your friend seemed strange, the only memory your body had of your friendship with Jason was a sticky friendship.

"Only you could make me go to the other side of town to get that damn donut that tasted like paper." Jason grumbles, closing the latch on your window as he moves his huge body into your living room. At that moment, you feel the room shrink, and it feels like any false move will betray your racing heart as you watch Jason remove his helmet, his black curls messy in a cute way.

"They're great." You hum, reaching out to take the package from Jason.

"Seriously, there are so many bakeries with better donuts." He retorts, crossing his arms, drawing your attention to the outline of his biceps in his skintight uniform.

"The best isn't always going to be the tastiest."

Jason rolls his eyes at your completely nonsensical choice of words, flopping his tired body on the couch next to you.

"Jason, did you just sit on my couch in your dirty patrol gear?"

"Sweetie, I just walked halfway through this shitty city looking for that donut. I have a right to dirty your precious couch."

You let out a grunt, knowing he's right. He has the right, but that doesn't stop you from lightly pinching the side of his hip, where his suit had a layer of fabric.

He doesn't even blink at your attitude, his hands holding your wrist, his long fingers holding it as delicately as was allowed.

"I thought you gave up trying to play fight with me," he whispers, his voice heavy with that accent that makes your legs a little weak.

You shrug, your body approaching him almost as a reflex, your knee touching his. It's kind of annoying how much bigger he's gotten than you, and stronger. Much stronger, you know he could flip you over with a single hand and honestly the thought is more exciting than you want to admit.

"Sweet thing?" He calls to you, still with that sly smile on his lips. You blink slowly, coming back to reality.

"Hmm?"

"Aren't you going to eat your delicious donut?"

"Yes. Yes." You say, nodding.

If before you thought Jason was cute, now you could write ridiculous poems about him, two stanzas just about his sapphire eyes.

He snuggled deeper into your couch, spreading his thighs and letting out a sigh of relief at the comfort.

"Tiring patrol?" He opened his eyes when he felt your hands lightly pinching his nose, trying to make him pay attention to you again. You would never admit it out loud, but having Jason's undivided attention was kind of addictive and intoxicating.

"You could say that."

You dropped the donuts on the living room table, suddenly feeling guilty. Even though it was just him teasing you, the store that sold your favorite donuts was really far away.

"I'm sorry I made you take my stupid donuts." He let out a breath when you rested your chin on his shoulder, staring at him from under your eyelashes.

"No. I don't forgive you." He teased, his hands going down to your waist and drawing circles there.

"Seriously, I was selfish." You repeat, looking down at the red bat symbol on his chest.

His blue eyes continued to stare at you, his hands coming up and lightly holding your chin, his eyebrows furrowed. Jason never accepted it when you seemed sad towards him, or when you made it seem like you were a hindrance in his life.

"Stop that shit."

A laugh escaped through your nostrils.

"You still have such a dirty mouth, Todd. My mother still blames you for the variety of curses I know."

He laughed, the sound going straight to your stomach. It should be forbidden for someone to have such a delightful laugh to hear. Jason wasn't as much of a laugh now as he used to be when he was a child, his innocence had been taken away from him years ago, so you drank every drop of his laughter you could.

"Well, I blame you every time I act stupid. We're even."

You reached your hands up to his hair and pulled lightly, like you used to do when you wanted to get back at him when you were kids. But this time, he didn't laugh you away or flick you in retaliation. His lips curved into a thin line and his eyes blinked so fast you thought you'd imagined it.

"Sweetie." Jason's voice was low, the nickname sending an electric shock through your body. "We're not kids anymore."

"You're still just as annoying." You joked, praying he wouldn't notice the slight crack in your voice.

"No, sweet thing, you didn't understand what I meant." He said, his blue eyes staring straight into your face. His hands moved down to your hips, pulling you closer to him, your legs almost resting on his thigh. "I'm saying we're not kids anymore." He repeated.

"Yes. I obviously know that."

He let out a long sigh, as if you were irritating him with your stupidity.

His slightly chapped lips parted as he said something that you were momentarily lost in, your hands resting on his muscular thigh. He gripped your chin tighter when he noticed your inattention and felt your hand on his thigh.

"See? That's what I'm saying." He let out a laugh that wasn't like before, it wasn't genuine and open-hearted, it was low and had a feeling you couldn't quite grasp. "You keep touching me and teasing me like we're children."

"I can stop." You stammered, very confused and feeling a little dizzy. This new Jason Todd, with more scars and less shyness, was making your throat suddenly close up.

"You're not supposed to stop." He whispered, his other hand coming back to grab the back of your neck and pull your faces so close you could feel his warm breath. "Just letting you know that now, when you lie on top of me and stare at me like that, my first thought isn't to play fight with you, darling." His hand squeezed your chin lightly as he added, his voice lower, "When you stare at me like that, all I think about is kissing you stupid."

Forming words seemed harder than ever.

"Ah."

"Ah," he mimicked you in a thin voice, a goofy smile on his face, his grip on your chin bringing your lips close to his. "I say I want to make you sigh my name and that's all you have to say?"

You clear your throat, your eyelashes fluttering slightly. The hand resting on his thigh makes an involuntary movement to lightly squeeze the muscle there. Jason's blue eyes darken, a noise close to a growl leaving his lips.

"You keep doing these things. Fuck, baby, every time you almost climb on my lap like it's nothing." He took a deep breath, as if he was losing his mind, closing his eyes so as not to get lost in his own thoughts. "You must know what you're doing to me."

"No. I. No." You repeated, still very overwhelmed by how close you were. Your best friend, staring at you like he was about to destroy you.

He smiled again at your mental confusion, brushing his lips against yours and letting out a low moan that made you gasp. "Let me kiss you, please?"

You nodded, crashing your lips against his before you had to beg for it. Jason's lips were rough against yours, as if he was punishing you for making him wait, for making him yearn for this.

Jason's ability to focus on multitasking was evident when he pulled you to sit fully on his lap, without separating your lips, his hands moving up and down your body, swallowing the small moans that came out of your mouth.

"I think I've already thought of a way for you to pay for your stupid donuts," he whispered, pulling your lips away for a few seconds to smile at you.

You laughed, feeling lighter than you had in years. Your hands cupped his face, caressing his cheek. There were so many questions and doubts swirling around your mind, but Jason pulled you into a hug, kissing your forehead.

"Honey, it took you a long time to realize that you're mine. Just relax."

You blinked away the tears, hiding your face in the crook of his neck, a genuine smile on your lips.

Your best friend was in love with you too, and everything would be okay.

I hope you liked it, sorry for the mistakes, I need to review all my works. My epub box is open, I just want to write more for Jason!! I'm stupid for him. And I'll be dying on the hill that Jason Todd has a dirty mouth. I'm trying to write for a gender-neutral reader but I've discovered that I have difficulty, I'm sorry, but I'll keep trying.

[follows-the-bees]

The journey of the Blackbeard image from three different perspectives:

1) Ed holds up the book containing a crude caricature of himself and scoffs. He has one gun and one knife just like everybody else. From the onset we see how Ed does not agree with the public persona of himself — a monster; the audience's perspective — just like Stede's — is challenged and flipped from the celebrity to the actual person behind it. We see the brilliant tactician, but also the man who likes fine things, goofy playacting, and sitting quietly and carefully taking care of someone majorly hurt.

2) Izzy holds up a different image of Blackbeard., ripping out the pages and telling Ed, beardless, vulnerable, cloaked in a soft robe Ed, that that version of him is worse than death. That this caricature in the book is actually Blackbeard and that's who he needs to become. He is telling Ed to only be the monster in the book — that public persona Ed made abundantly clear he does not like.

When we see Ed in the next season, he has completely shuffled on that persona: nine guns and all.

3) Stede sees the wanted posters of Ed and scoffs (just like Ed did when he saw it) and talks about how that's not Ed. Ed isn't a ghoul, he's a really great guy.

Stede takes up his own parchment and pens his own version of Ed. He creates poetry about Ed, he writes letters and "sends" them to him. He draws how Ed actually looks in the margins of the map. How he sees Ed: Not as Blackbeard with nine guns, but just a man, a man he loves, a man who loves him.

In the end, Ed takes up all sides of himself, including the leathes of Blackbeard. But not for other people, not to be that monster public persona, not to shield himself from harm, but to fight for love.

There is something to be said about the dropping of weapons completely during this scene as well. The journey of what Ed holds: weapons, the necks of colonization, the love letter, Stede (but that's for another post).

The layers of storytelling are built into the core of the show. I've written before about Pinocchio reflecting Stede's story of becoming himself, not just someone who lives in the fantasy of books, (also Jim's story) and how stories take on a journey of their own. As well as the importance of Stede's writings.

But Ed's story is also just as layered. Celebrity versus reality. We see both the good and bad of being in the public (the about turn at the French party, Ed teaching Stede about fame in Man on Fire). We see how exhausting and isolating it can be to keep up the public persona. And especially how toxic it is when others force this on you. But best of all, we see how freeing it is to have someone to see you for everything you are, flaws and all. And then being able to love yourself for those same reasons.

Ed takes back his story, the images about him out there showing a monster, and he learns to love all sides of himself, learning to be just himself: Ed.

[creatingblackcharacters]

on the topic of fandom racism.. wanted to ask an outside opinion on this.

so without much detail bc i don't wanna get this person harassed or something, i'm in a fandom where most of the characters are japanese and look pretty similar, so the diversity is Not Great. recently i saw an artist, who is white, draw a character with slightly darker skin than the rest of the cast as Black, where he was ambiguously brown before. my problem with this as an outsider is that i think that plays into a ton more stereotypes than if he was just tan or something. this character is regarded to be misogynistic, overly sexual, and especially to his #fffff white japanese (girl) friend.

i, as a white person, would like to approach this artist and ask if that's really the message they wanna send, but god forbid i do not want to sound like those people that believe in "black-washing" or just hate to see more diversity in an anime lineup. would it be white knighting to point this out, or approach that, hey, maybe your only person of color in this cast shouldn't be the one that acts Like That...

Hm. I see what you're saying. I'd suggest a few things, which is really my go-to for everyone white fighting fandom racism:

1) first, look out for the voices of Black fans in that space and see what they're saying. If they are perturbed by what they see, then I would amplify their voices and support them first. Let them know they're not crazy. They're the ones experiencing the harm, let their voices be the ones prioritized. If no one Black has said anything, that could be a sign that this entire fandom isn't safe for that kind of feedback (which... Often.)

2) look at that person's page to see how they treat this character. Do they actually offer them depth? Are they a fan? Have they shared anyone's good perspective of him? Do they actually care about him, and think his being Black serves a better narrative? Or is it really just this character is a douchebag and now he's "Black" because they wanted some diversity points without thinking about it. Hell, does the original media do right by this ambiguously brown character lol? Because that can often be the larger issue too.

3) does this person positively interact with Black people at all? Like people, opinions, topics, politics, anything at all? Or is this their Token Black Blorbo Barbie™? Because that's a red red flag lmao.

4) if you still feel strongly about it, send them a DM. I'd say make sure to be genuinely polite, not because you should be respected more because of it, but so that it's on record that you wanted to give them the space to amend ("Hello, I mean no harm, but I was worried that this may-") You're white too, so it'll be safer. DMs are really a kindness, a last chance for grace; sometimes people are just like "fuck it, that's a racist and imma treat them like it". And I don't begrudge them that, this shit is exhausting and enraging.

5) accept that you may very well approach with the best intentions, and this artist may very well act a complete asshole* about it. They may make excuses, the classic "I would never be racist", they may accuse you of all those things that you just said, try to cast you as the problem, and their friends may very well make you out to be the racist for pointing out the racism. Welcome to fighting antiblackness and racism in fandom 👍🏾 it's a minefield out here.

*keep in mind, even if they "respond sweetly", the whole "thanks 💕" schtick is still them being an asshole. Racism in sweet words is still racism.

6) if they do respond like an asshole, it is not a reflection of you, but of them. 👍🏾 They are now purposely choosing racism. Block them and move accordingly.

[homunculus-argument]

Hi! I’m dithering about even mentioning this as it might just be an old fart thing, but looking at your (very cool) outfit selfie and drawing I thought I should mention that white laces in black boots used to be a racist/white supremacist thing, at least in the UK and Australia. I personally remember a nasty incident in the 90s by a couple of men who were wearing them (for background I’m white they were just homophobic and violent as well). It might be too old a thing to worry about and if it’s not something that has any meaning where you are please ignore this!

By the way I really love your pictures!

When I first got those laces, I tried asking around whether those have any kind of particular meaning so that I wouldn't give off any wrong ideas, and the answer I got was more or less "Jesse what the hell are you talking about", nobody had any idea what I was trying to ask about, so I guess if this is the first time I've heard of this after trying my best to find out whether it's a thing of any sort (specifically of any particular bad implications), then I suppose it isn't a thing anymore.

If anyone in Finland knows better, let me ask you: Where were you when I was trying to find you and ask you about this?

[squinch-depraved]

ted, cnc, but make it keeping reader stoned for freeuse purposes

do you see the vision?

you beautiful genius i see the vision and it is glorious - i hope our vision is the same because this was really fun... got rlly intense sooo yaya

CW: cnc, somno, free use, drugging someone, marijuana usage, she/her used, MDNFI

ted tossed your dab pen back to you after taking a long drag from it, pulling the smoke deep into his lungs and expelling it upwards with his head tilted back. you copied him, drawing a large cloud from the cart and hacking a few short coughs while he laughed at you.

"you're a bigger stoner than i am, how are you coughing from that?" he chuckled.

you whipped your head around to glare at him. "coughing isn't indicative of experience smoking, ted. i'm disappointed in you, you should know better." your voice was dry and matter-of-fact. "plus, i took a blinker and you didn't." you leaned back onto the couch and stared up at the ceiling, pen still clutched in your hand.

it was quiet for an unquantifiable stretch of time, distorted by the drugs you were sharing, until ted spoke. "you still down for our agreement?" his voice was quiet but hopeful.

your eyes opened (not that you had noticed they closed, you were so relaxed) and you thought back on the deal you made with him. you were only staying at his place for a long weekend, three nights and heading home monday. it was the second day, two more sleeps to go before you had to leave your boyfriend's safe haven of an apartment and head back to your chaotic life. ted had pleaded on discord calls between the two of you for weeks before you flew out to l.a., begging you to let him get you stoned beyond your usual limits and take advantage of you. the idea was actually very appealing, and the thought of what he would do to you fueled your late-night vibrator sessions whenever he couldn't be there in a call with you. you took another long hit off your pen and and spoke as you exhaled it.

"you have my full permission to do whatever you want to me teddy."

he grinned and shifted towards you slightly. "as much as i want? all day?"

you nodded and met his eyes. "all day."

he lunged at you, kissing you deeply before he made a noise and broke away to get up and walk to the kitchen.

"where're you going??" you whined, eyes glassy and hair tousled.

"bought you some edibles. i want you gone for me," his voice carried through the apartment.

"if you bring me a whole nerds rope, the agreement is off," you taunted.

he snorted and shuffled back to the couch, handing you a large, square gummy, and looked at you impatiently until you took it from him. "whole thing. eat it," he instructed.

"oh, my god, ted, this thing is huge! how much is this? am i gonna pass out?"

he rolled his eyes and sat down next to you, putting on a movie to watch while it kicked in. "it's from the dispensary down the street, and it's just a little bit more than the ones we usually take. you'll be fine," he replied, before mumbling a, "probably."

with a deep breath, you popped the square in your mouth, not realizing until you had swallowed it that you hadn't eaten at all for the day. oh well, you thought. i'm already in too deep. and so you surrendered to your high, trying your best to pay attention to the obscure film he put on to trip you out. when it finished, ted looked over at you as the credits rolled. your eyes were red and lidded, mouth hanging open in surprise at the ending as you slowly processed what you could. he smirked hungrily while he watched you for a second before reaching over and pulling your pants off, laying you on your back and pushing the stolen hoodie of his you were wearing up so he could see your breasts.

you mumbled something he couldn't understand as he eagerly stretched you on his fingers, bending your legs back so he had a better view of your dripping hole. "ted, teddy, ngh- fuck!" you mewled when he finally pressed his lips to your clit. he sucked at your sensitive nub, working and curling his fingers still while he sloppily ate you out. you glanced down at him and he shifted his eyes to look directly into yours, cutting right through you. a loud, drawn out moan tore from your lips as you laid your head back down, nearly covered by the wet sounds of ted making out with your pussy.

"ted, 's getting to be too much," you cried, your own words echoing in your ears as the room began spinning. he gave your ass a quick smack and started swirling his tongue faster, holding you down when you inevitably began to squirm. "i- i can't, please, teddy, i feel so much! can't handle it! please stop!"

you bucked your hips frantically, trying both to get away from his face and bring it impossibly closer. he moaned into your core and smacked you again, much harder this time. you screamed pitifully as you clenched your thighs around his head, crying out, "stop!! baby, please, i'm gonna.." you trailed off when you started seeing stars, only able to make nonsensical noises while tears flowed down your cheeks. you swore you felt him grin against you and prayed he would finally stop, but he just kept going.

you have no idea how long you laid there, being devoured by your boyfriend like that. your sense of time was beyond fucked, and all you could do was occasionally beg, "stop? please?" before getting slapped again. he was going to eat until he had his fill, and you were going to have to deal. when he finally pulled away, you looked down at him and your stomach flipped. his face was red, lips puffy and wet, stubble soaked by your essence, and his hazel eyes peered up, and then down at you as he sat up and wiped his face with his sleeve. your eyes flicked down to the tent in his pants, adorned by a dark wet spot right where his tip would be, and you blinked slowly before looking back up.

he handed you your pen from the table and said, "smoke more and take a nap. i gotta get some shit done but we're not finished here."

you sighed and obeyed, taking a hit to appease him before he walked away. you pulled a blanket over you, not bothering to put pants back on before curling up and dozing off. ted checked back in on you after cleaning up the mess he made in his pants, and, finding you sleeping peacefully, he got a few chores done around the apartment. he wanted to be sure you were really sleeping so your reaction to him taking you forcefully would be all the more adorable. the groggy expression on your face as you pleaded for him to stop, the futile struggle you would put up as he held you down- it was all going to make tonight worth the weeks he had to put up with between your visits.

it was late afternoon when you came to. orange light filtered through the blinds, and you were suddenly very cold. you turned your head to look at what was happening and found ted kneeling between your legs on the couch, pumping his cock in his hand before shoving your legs open wider. you were stupid from the weed; your eyes only widened a little bit when you realized what was happening.

"no! nonononono! ted! please, please don't," you stuttered, brain trying to keep up with the situation.

he simply grinned and hooked your legs over his shoulders, lining himself up with you and waiting for just a moment before he said, "'anything i want,' baby. you said. this is your fault." with that, he buried himself deep into you, savoring every second and gently pumping his hips.

after a minute, he started thrusting harder, chuckling breathlessly when you resumed begging him to stop. of course, he knew you'd use the safe word if you really needed him to stop. it was so like you to put on a show for him, you really were such a performative slut. or maybe you really didn't remember.

"god, baby, you're so weak under me! hate to think of what else i could do to ya without you bein' able to stop me," he growled, still grinning. "taste these, huh, baby?" he shoved his fingers in your mouth, pressing them onto your tongue and watching as tears filled your eyes yet again, and he relished in how pathetic you looked as he ruined you.

when you started gagging on his digits, he pulled them out and wrapped his hand around your neck, squeezing lightly. "my pretty baby takes me sooo well, even when she doesn't want to," he continued, now pounding into you. all you could do was cry.

"y'know," he started with a laugh. "i really didn't think you'd be stupid enough to eat that whole gummy!" the sound of him smacking into you persisted as you slowly worked through what he said.

"wha?" you slurred, cockdrunk and higher than you had ever been.

"you just believed me so easily! one fourth-" he slammed deep into you, "- of that thing is what we usually have, but you just ate it all because i told you to." he leered down at you, continuing, "so trusting. so stupid. what if i wanted to hurt you, love? what if i used you until you were worthless and then kept going?"

you just sobbed. "and then i told you to smoke more, and you did! you stupid little slut! i bet you've never been this high, huh?" he was right in a way he couldn't imagine. you were floating, every inch of your skin tingling, and your core ached from overstimulation. you didn't think there was such a thing as too many orgasms, but here you were. your thoughts were a mess, the only thing in your mind was the name you were screaming: "teddy!!" over and over and over as you bawled, pounding your fist at his chest in a feeble attempt to stop him. but he persisted, railing you at an inhumane speed and reaching unexplored depths.

your only indication he was close was him gripping your throat far too tight, and you frantically grasped at his fingers while he jackhammered into you several final times before burying his shaft as far as it could go and cumming in you with a low, "fuuuck..."

the two of you kept your eyes locked until he caught his breath and removed his hand from your now slightly bruised throat. the sight snapped him out of his brutish state as he began to panic, kissing your neck softly and cooing about how sorry he was.

you just smiled and let your eyes fall closed, trusting him to take care of you after he had abused you so filthily.

[cherrylng]

Schwein interview - Sakurai Atushi and Raymond Watts [ROCKIN'ON (June 2001)]

Schwein, the Japan-German-UK trilateral industrial music collaboration - what's the story here?

Interview: Shunsuke Kosugi, Interpreter: Yoko Utsumi

Schwein is a group formed by industrial heavyweight PIG's Raymond Watts, Raymond's former colleague Sascha Konietzko of MDFMK, and Sakurai Atsushi and Imai Hisashi of BUCK-TICK. The members are from three different countries: Japan, Germany, and the UK, but the three groups that have come together are known for their activities that transcend national differences. BUCK-TICK's extremely Japanese song world is carried by an unusually cool Western sound, PIG incorporates samba rhythms into industrial music, and MDFMK showed a stage performance at Fuji that was like a motor with an unusually high revving speed. Their debut album, "Schweinstein," is an unusually high-tension work in which the elements of the three collide behind Sakurai's song world. In any case, this strangely distorted and captivating industrial world is one of a kind. It is a strange work that could only be possible with the combination of these three artists. Above all, Sakurai's ability to draw both PIG and MDFMK into his world is amazing. Schwein, which differs neither from BUCK-TICK, which is active against the backdrop of the so-called Japanese music situation, nor from a Western music band, is worth a listen. We spoke to Raymond Watts and Sakurai Atsushi.

First of all, please tell us how you came to form Schwein. Raymond Watts (R): 「A year and a half ago, I did a Japan tour with BUCK-TICK in PIG. During the tour, I started talking to the guys about various things, and before we knew it, we went into the studio together and decided to do something. I also asked Sascha from KMFDM and he said, "Let's do it", and before I knew it, this project was born. Imai, the guitarist of BUCK-TICK, and I had been in a band called Schaft before, and whenever I went to Japan we would go out for sushi together and hang out.」

What do you like about each other? R: 「The BUCK-TICK song I remixed before was an interesting song and the work itself was a lot of fun. It was also interesting to see how confused everyone was about this collaboration. The connection between BUCK-TICK, who is very active in the pop scene, and me, who has been working underground for a long time, is certainly a strange one. But we actually have a lot in common. We have a similar sense of humour, for example, and we have a similar approach to our work. We both need to be satisfied with the best in whatever we create.」 Sakurai Atsushi (S): 「That was my main question (laughs). He's a successful person in America also. But Raymond is someone who is always looking for new stimulation. He's always angry about something, he's always frustrated, he's always trying to destroy something. Well, he told me he wouldn't work with anyone he didn't like.」

What exactly are these frustrations? What are you trying to destroy with Schwein? R: 「I'm frustrated with Japanese music listeners. I mean, in Japan, there's a tendency to treat their own music differently from foreign music. It's a really stupid thing. Why is there such a gap between listeners who buy Western music like Limp Bizkit, Rage Against The Machine or KMFDM, and listeners who buy Japanese music like Luna Sea or BUCK-TICK? I have a hard time understanding it. When I buy music, I never pay attention to where the artist is from. It's really stupid. What is the point of describing one art form as inferior to another? It's really stupid. For example, if we said that American music is inferior to British music, we'd be sued for discriminatory remarks. I can't even say that one country's culture is inferior to another's. It's just a Japanese complex. Well, it's not like I don't know how you feel. For example, in the world of cinema, British films are always treated as secondary to Hollywood films, right? It's the same thing, isn't it? I actually prefer British films. But that's because we measure things by American standards. In other words, they're just comparing the amount of money they make.」 S: 「I don't listen to it because it's BUCK-TICK, or because it's PIG, or because it's MDFMK, but I also want more people to listen to it.」

Now I would like to ask Raymond, what do you think are the characteristics of Japanese rock that are not found in other countries? R: 「They wear a lot of heavy makeup. Don't you think so too?」

Yes, I do (laughs). What else? R: 「That's it.」

(laughs) Raymond, please tell us what you think are the characteristics of Sakurai-san and Imai Hisashi-san, respectively. (?) R: 「When I play him my song ideas and backing tracks, Atsushi sees them from ten different perspectives. Atsushi is a singer in the true sense of the word. He can express himself properly through his songs. I've never worked with a singer like this before, so it's very exciting to work with Atsushi. And with Imai, I'm attracted to the fact that he doesn't treat the guitar as a guitar. All the guitarists I've played with so far play a traditional style, but with Imai, he plays gorgeous noises that you can't believe are guitar sounds. I'm constantly amazed by Imai's skills.」

Raymond doesn't understand Japanese, does he? R: 「Yeah, that sometimes messes up communication within the band. But it's an old saying, but in these situations, music naturally becomes the common language.」

With the album "Schweinstein," I think it's more of a clash of your own characteristics rather than an exploration of compromises between each of you. Was this something that you guys intended to do? R: 「No, it wasn't really my intention, but I knew that when the four of us went into the studio together, we could expect strange things to happen and that we should be able to produce some strange work. I'm really excited by this kind of heterogeneous combination, this mixture of disparate personalities. Because the result can be something so bizarre that you would never have thought possible.」 S: 「It's exciting in that I want change, Imai wants change, and of course Raymond wants change. But every day was a struggle, wasn't it? It was a good opportunity for me to clear out some of the naivety in me.」

What are your plans for Schwein's future activities? S: 「I think we all intend to do that, though. We have our individual activities, but deep down we want to stay connected.」 R: 「I want to continue working in the future. First, we'll tour Japan in June, and then we'll each go back to work with BUCK-TICK and PIG. But I hope we can work together again next year or so, if we feel up to it. But it's a decision we make for ourselves, not one determined by record sales. We were very lucky this time. That's because we had a record company that was willing to take the risk and pay for a project like this that we didn't know would be successful or not. All four of us took the risk. But what is success anyway? If we make something good, I think it's a success.」

Translator’s Note: I want to thank yoshiyuuki for helping me in clarifying certain parts that stumped me, the first being the title of the interview and then a particular question.

(?) This part of the question stumped me at first when I extracted the text, because when I put it into Deepl and Google Translate, this was the result:

“(笑) 櫻井さん、今井寿さん、それぞれについてレイモンドの思う特徴を聞かせてください。”

“(laughs) Sakurai-san, Imai Hisashi-san, please tell us what Raymond thinks are the characteristics of each of you.”

But then I saw that it was Raymond who answered that question, so I figured out what the question should actually look like and rearranged the words to form a sentence that made more sense. And then I asked Yoshi if what I've done was a better result.

Please do support me on my Ko-fi! ☕

[wings-of-ink]

Hiii, how are you?? I was re reading all again and I was about to choose what my new MC is going to study and then I questioned myself, what would be the best or favourite professions for each Ro? For example, would Deri like an archer MC who knows how to hunt (it would be epic to see MC hunting with a fricking giant wolf next to them, but also I don't think they like the hunters a lot lmao) or would they prefer a cook who shows them the best human cooking? Maybe someone who knows about medicine to try to heal the animals (even when animals and humans are super different to treat, I know) Would Oswin like a MC more inclined to numbers and letters, for example a merchant (Merc X merchant ship lol) or someone with whom to train the sword? I feel like choosing the cook profession to give them all the food in the world to Zahn, but I also see that he could relax with another archer or even a doctor.

Hello dear! I am doing well and I hope you are too!

This is a very good question, and it's a bit difficult for me to settle on something for each RO. Duri is probably the main one that would have a stronger draw to healer MCs because their mother was a devoted healer. But really, I can see each RO valuing any profession or hobby in different ways. Oswin isn't great with numbers, so a book-smart merchant MC would be a good balance. Then again, he could duel with an MC who has combat training. Like you mentioned, cooks and Zahn are a good mix too. Rune would have no preference in profession, but a singing hobby would be fun. ??? has something to love about each possible profession as well (which may come up especially if you try to woo him.)

There's lots of possibilities here either way you slice it.

[haveyoureadthisfanfic]

i see there's shipping discussion occurring in your ask box so i figure i'll throw in my two cents as well!

i used to be a REALLY heavy shipper, in exactly that shallow "reduce their personalities to the concept of kissing each other" way that tons of people are complaining about. i wouldn't get into ship wars or harass people or anything, but i was totally the kind of person who you couldn't just have a level character discussion with— because i would be pretty intent on just going through the motions with whatever best friend or acquaintance I'd decided they had a huge crush on.

by contrast now my biggest most important "ships" end up all being somewhere between 3-5 people with a lot of care put into the nuances of each connection on the relationship chart— i still refer to them as poly ships (as a shorthand mostly), but of the 3 to 10 different relationships between the characters, i usually only see a few of them as romantic or sexual, with the majority a lot closer to a found family or queerplatonic sort of vibe

honestly i think the biggest reason for the reductive style of shipping was that 1) i wasn't as skilled a writer then as i am now, so i wasn't really sure how to really retain all of the features of a character that i liked, and 2) i wanted the biggest feelings IMMEDIATELY and there's some kind of instant gratification to shipping where the end goal is for them to kiss and you can just draw/write/think about them kissing and you're done.

it's kind of like the instant ramen of fictional relationships to me. it's kind of "one size fits all", low writing skill requirement, low effort, really really fast and easy, and ultimately not really that rewarding at the end of it. and just like how real actual ramen exists separately from instant noodle cups, it IS possible to write a really amazing and beautiful and deep romantic ship fic that successfully plays off of the kinds of people these characters are, but ramen still isn't the end-all be-all of relationships! there are so many different hypothetical dishes that could be made with the same characters!

and my personal favorite is polyqueerplatonic ships for this very reason, because with just a few characters you can get a whole diverse array of interactions and dynamics!!

anyway tldr; i think romantic shipping is fun, and even "cheap" reductive romantic shipping can be fun, but (to return to my instant noodles metaphor) it would be reasonably upsetting to attend an awesome community potluck only to find like 90% cup noodles. and the people serving the cup noodles frown at you whenever you ask if anyone's serving like, gourmet spaghetti or dumplings or something.

so just know that if you're bringing your silly "ouhhh they should kiss" fan works to the fandom, you're appreciated and I'm glad you're having fun, and if you're bringing the super precisely thought-out nuanced relationship fan works to the fandom, you are ALSO so appreciated and additionally i really wish there were more of you in my own fandoms.

flashbacks to the time i looked up a ship that i THOUGHT was pretty popular but it only had like 230 works on AO3 at the time and basically all of them were romantic instead of my hyper-specific one-sided queerplatonic one-sided fully platonic thing i had pictured in my mind....

Okay, as someone who has tried their hand at writing slow burn in the past, I totally get the instant gratification thing. "You know when would be a good time for them to kiss? NOW"

I'd get frustrated at my own characters for not just making out already and I was the one writing them not making out lmao

[bunnysthetics]

congratulations to @oneknightstand-if for being the thing to finally motivate me into posting oc things again after (checks notes) 2 years. had SO much fun with this story, i can't even recommend it enough. i love how in-depth and quirky the character creation is (purple eyes and red riding hood cape? say no more.)

Siobhan Woolf / "Sidhé Benoni" (because what could possibly go wrong with making your fake undercover pseudonym literally the Celtic word for your deepest secret?)

25 | Female (she/her) | Bisexual | Changeling

Appearance: Short and petite (5'3"), short wavy pink hair, violet eyes, wears a red riding hood everywhere and then acts shocked when people gawk at her for dressing like a freak. She has a pair of wings tattooed on her back, and a tattoo of foxgloves on her arm (that i did not even attempt to draw because i'm a goddamn hack).

Occupation: Fairy Princess Wildlife Biologist

Background: Abusive Childhood

Fear: Being the center of attention (no the cape does not help in the slightest)

Vice: Greed

Addiction: Prescription Drugs

She is *mute and has a chronic resting bitch face that makes her seem unapproachable at first glance, but in reality Siobhan is nothing but sweet and fully of whimsy. She has a crush on her best friend that she doesn't even try keeping a secret and her favorite past-time involves relentlessly teasing him and making his life a living hell. She's obsessed with Arthurian lore and werewolves (even though the game is determined to block me from that parameter *dies*) and felt very validated by the revelation of the hellhound because it still counts damn it.

*I like the idea of her muteness actually being a curse caused by her mom inadvertently cursing her into silence during one of her verbal rants. ("Just be quiet forever!") Something something fae magic forcing her into obedience a la Ella Enchanted idk. It doesn't make sense and isn't at all accurate to the traditional fae mythos but dammit I'm sticking with it until the game inevitably contradicts the idea.

board, playlist

[cherry-blossom-qf]

Again, his soul trait is ironic af.

[poorly-drawn-mdzs]

Dog Meshi.

[deoidesign]

It's my right to tell myself I can do just a little animation just for fun just for really quick to do some action and then spend 3 days straight on it

[bread-is-my-life]

GUYS GUYS GUYS

IT'S AN ANNIVERSARY OF THE "SOMETHING STUPID" ANIMATIC BY @seagiri OMG GUYS LET'S GOOOOOOO!!!!!

(this animatic literally was the reason why I got into tf2 so GO WATCH IT IT'S BEAUTIFUL I PROMISE!!!)

[asskylosaurus]

A story about cats.

Best wishes to the folks at Glory Society.

[blueskittlesart]

cold fruit in a hot kitchen (so i had this great watermelon last weekend)

[starlight-eclipsed]

“I’m here to ruin whatever stupid quest you have your heroes on. So don’t bother with the tricks, your holiness. Just kill me and be done with it.”

Top ten activities to do when waking up after a near death experience: number 3 might surprise you! (Brought to you by the fic A Dark Among the Lights by LuckyLectio on AO3.