#this was very much the push I needed

[c-is-for-circinate]

Ok so regarding the stranger things extended universe, i definitely want to know more about nancy and her storyline, like does this become her career ? investigating government conspiracies? And how does she feel about it? About not living a more peaceful life after everything?

After something like Hawkins, there are three ways to go if you want to keep sane, Nancy thinks. Or, well. As sane as any of them are, now.

Some of them went out into the world ready to grab life and joy with both hands and all their teeth, the memory of how close death came to devouring them enough to spur them on to devour life right back. (Eddie's playing Boston next week, wants to know if she'll go to his show; Max and El, last Nancy heard, are learning to surf.) Some of them went out into the world still full of combat reflexes they didn't mean to keep and tripped into a new fight, a slower quieter more mundane one. (She saw the photos Jonathan took last time he visited Steve and Robin in Chicago, the protests last month, the signs, the flags.) And some of them...well. Some of them left the lessons of Hawkins a little less behind than that.

They won in Hawkins, inasmuch as burned-out buildings and the town memorials and the deep scars cutting through a still-damaged downtown count as winning. That battle's fought and won and done. But Nancy hasn't forgotten who started it, and it wasn't Henry Creel.

(She'll argue with Dustin about it, over a mountain of fried shrimp and a pitcher of beer he's somehow old enough to legally buy, because Dustin's always cared more about the how than the why. He thinks the important lesson of Hawkins is that the laws of physics known by everybody across the global scientific community are wrong. They spend an hour and a half going back and forth about Oppenheimer and Eisenhower, Regan and Brezhnev and Martin Brenner, because one of the only differences between Vecna and a nuclear bomb is still the fact that nobody thinks Vecna could exist, but Dustin is wrong about why that's important.)

Science can do a thousand things nobody thinks it can do. Science can split an atom. Science can split dimensions. It doesn't matter why it's possible; it doesn't even really matter what's possible, beyond the fact that massive governments with thousands of soldiers and billions of dollars can always kill when they want to. Whether it's a bomb or a child experiment or a gas leak.

What matters, every time, is that people are dead. What matters is that the public needs to know.

Nancy makes her name in college breaking a story about illegal sewage dumping near a residential neighborhood before the Boston Globe even has it. She gets a professor fired for plagiarism. She almost gets expelled for libel when she tries to run a story about date rape on campus. (She almost gets caught slashing tires, after that one, but she learned from the best. Erica Sinclair taught her plenty about stealth, and Murray's been trying to drive in the idea of patience since the first time they met.)

It's not about monsters, it was never about monsters. There aren't any more monsters, Nancy thinks. (She keeps a licensed handgun in a shoebox in her apartment, because she ran out of ammo for the Makarov years ago, because monsters aren't the only things that like to threaten too-curious reporters in the middle of the night, and because you never know.) It's always been about the people the monsters destroy.

Nobody will ever believe the story of what destroyed Hawkins, probably. (Maybe someday they'll declassify. Nancy has a four-hundred-page memoir under lock and key in the safe where she doesn't store her gun, if the world ever gets there. Maybe she'll just pass it down to Mike's grandchildren.) But people know now that it was Hawkins National Lab. That some kind of government weapons research, right there on Indiana soil, broke a small town in half. That's something.

Nancy graduates college and interns anywhere she can get a foot in the door. The Globe. The Times. The Washington Post. The Post, finally, sticks. There's an editor there who loves to give new reporters just enough slack in their leashes to hang themselves with, so they can fill the back of the paper with issue-selling scandal and then have somebody to fire if the wrong person in power gets upset. Nancy does three months of research, jotting off puff pieces and human interest stories about charity work and bills with no opposition, quietly filling up file folders of photos and receipts and evidence that nobody can prove she didn't obtain legally. Her first headline runs on a Tuesday morning and gets a White House senior staffer fired by Thursday afternoon.

It could have gotten her clearing out her desk by the end of Friday, but Nancy was careful. Nancy was smart. It chafes from the inside out, like a blister on her soul, but she knows all about water it down. She could've implicated a dozen elected officials in this, and ten of them would have skated right by with no trouble, just plenty of cause to make Nancy trouble right back. (There are already people in Washington who know her name. Nancy knows there are files about her in the Pentagon.) So she's careful, she's delicate, and she implies nothing at all about anybody she can't demolish outright. She waters it down. It gets her a promotion.

.

Nancy doesn't drink icewater vodka, herself. She likes whiskey instead, in her coffee, in her tea. She talks on the phone with Murray Bauman at only the most irregular intervals, and he sneers at her in a way that Nancy's pretty sure translates, on Murray's tongue, to a colleague's respect. She tries not to lie. She's better at it, nowadays.

Nancy is hungry, has always been hungry. Has always been starving, one way or another, all the way back when she was twelve years old thirsting for adventure in the basement with her little brother, fifteen and ravenous for a challenge, an experience, the chance to grow up. She's choked on what she thought she wanted enough times that you'd think she'd learn by now. Mostly what it's done is toughen her teeth and teach her to chew.

She wants truth, and she can have it for herself, if she's good enough. If she doesn't try to force-feed it to the rest of the world too hard. She wants respect, she wants justice, she's selfish and selfless and hungry for all of it.

She wants to not be so afraid. She wants to not be so alone. She wants, sometimes, just once in a while, to be a little bit quiet and a little bit soft and rest.

It didn't work with Jonathan the same way it didn't work with Steve, or Liam, or Casey, or Diane. Nancy aches to be a little less alone, but she doesn't starve for it. Never once in her life has she been hungry for a person the way she's hungry for everything else. Never once in her life has she actually fallen in love back.

But Jonathan is at her front door again, because Jonathan is a yo-yo to all the people he's ever loved: backing off to give them time and space to grow, rocketing off into the world alone just for a little while, just as long as he can bear it, and then slinging himself back. Back to her again, this time.

Jonathan knows the score. Knows she loves him as much as she's ever loved anybody, other than Barb and Mike and her mother and Holly. And if it's not hunger -- if the closest Nancy has ever gotten to hunger for another person tends to happen in that oh-so-very, very discreet bar where Nancy can wear a perfectly-tailored suit and buy whiskey sours for girls in short skirts with no nightmares behind their eyes -- well, Nancy's never wanted most of them past the next morning anyway.

So sometimes Jonathan is on her couch and sometimes he's in her bed, and sometimes they fuck and sometimes all they do is sleep. When she needs a photojournalist, he's never once let her down. When she has nightmares, she wakes up just as terrified, but it's so much easier to pull herself together with someone to pull it together for. And Nancy Wheeler has never been in love, will never be in love, but she doesn't know what it could possibly have to offer that she could want more than that.

.

Does Nancy like her life? Wrong question. Stupid question. Better to ask if Nancy would have it any other way -- and well, yeah, she'd have a president who didn't sexually harass interns, a national defense budget that wasn't ten times the size of the department of education's, and a coffeemaker in the office that didn't get grounds in everything. She'd live in a world that didn't need her, find a new thing to be hungry about. Maybe she and Barb would both be on track for tenure by now.

In this world, she has half a dozen Pulitzer nominations and a Polk Award on her bookshelf. She has a locked filing cabinet full of other people's secrets and a locked safe full of her own. There's a file with her name on it somewhere in the Pentagon, although she hasn't managed to sneak in to read it yet. She's pretty sure the files on her desk about Pentagon staff are thicker.

[sketchy-tour]

HELLO HI HELLO I AM!!! RECOVERING CURRENTLY!!!!

So I haven't posted in a small moment and planned to get myself going again soon but right now I am recovering from an accident (I won't get into the nitty gritty) that has left me quite shaken. FIRST OFF I AM OKAY! Minor injuries so nothing alarming I am physically fine besides being sore for a bit and some scrapes and bruises that are still healing, including my arms which is making drawing a bit difficult. I'm slowly getting better but cant really draw for long periods and honestly I might not draw much for a bit till I feel better both physically and mentally. its the mentally part that might take some time. But I'm resting, rest assured!

ANYWAY this is more just an update cause I know i've been a lil absent. ESPECIALLY after this accident. I'm not abandoning the blog by any means, def still check on tumblr but couldn't seem to muster the energy to interact with much at the moment as my brain is a little rattled up.

I hope yall are all okay! I hope your days are bright and yall are taking care of yourselves!

I promise I'm doing what I can to take care of me!

[sysig]

Blind side (Patreon)

[takethelx3]

when ur platonic bro is just helping u stretch while u platonically yap about ur MAGNUM DO-- detective skills.

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[haunted-xander]

Sometimes I think about Urianger's role in and feelings on the Thancred-Ryne dynamic and I think watching it kills him a bit inside. For several reasons.

Like, to begin with there's the guilt he's been carrying with him since he ushered Minfilia to the first, how he effectively killed the person Thancred cared about the most in the world and who's "death" ended up causing Ryne's entire Situation. He looks at what's happening between them and can only think "I caused this" even though that's not really true. No one person is responsible for this outcome, it's a culmination of several circumstances and the consequences of them. Logically, Urianger knows this. But it doesn't matter, because his guilt is overpowering his logic.

And also, like. What Thancred is doing here, the way he's knowingly letting Ryne be and stay hurt because he literally cannot bring himself to tell her his feelings, is the exact same mistake Urianger made with Moenbryda. Of course, the circumstances are vastly different, and the potential consequences to Thancred telling Ryne the wrong things or her misinterperating it is far greater (being a matter of literal life or death), it's still the same sort of paralysis they are trapped in.

And he knows it. He sees it. But he can't say or do anything about it, he doesn't have the right to. He acknowledges the mistake, but he hasn't really improved upon it yet. He still doesn't voice his thoughts and feelings as he should. He's also non-confrontational by nature, he doesn't argue or try to change peoples minds, he probably doesn't think he has any place to.

So, he tries to help in what little ways he can. Because he doesn't want it to become Monebryda again, he doesn't want to know he stole not one but two people from Thancred. So he does what he can. He tells Ryne little tidbits about Thancred, things that help her understand him but are safe to share. Nothing too deep, nothing too personal. Just small things, things that are purely factual, because he can't afford to give her a false image of who Thancred is. He teacher her fun and interesting things, because Thancred isn't in the mindset to provide her with non-essential skills.

I like to think Urianger has brought it up with Thancred at least once, during one of his stays. But nothing would've come of it. Not really. Unlike Y'shtola, Urianger isn't pushy, he'll bring it up once or twice and when he sees this won't go anywhere, he gives up. He wants to help, but he knows that persistance only does do much, and he is not the person who has the resiliance needed to push and push until Thancred finally budges (because he won't budge, it won't help anything but to sour things further by adding aditional stress to an already strained dynamic).

And like. Urianger gets it. He gets it because he's been the same way- not saying what he should to someone he loves more than anything else because she was meant to figure her life out herself, and 'steering' her in any direction by telling her his feelings (regardless of if the 'steering' is intention or not) will go against that. He gets it. He gets it and it's all the more painful for it. He knows it can't just be fixed by acknowledging it or with encouragement, something needs to happen to break the stasis.

I think this is probably why he stayed behind while they went off to Nabaath Areng. This is the very last chance they have to say what they want to, and he can't afford to be the anchor anymore. This is about them, not him, he can't let their resolution be buffed by his presence, so he stays behind. Which was probably for the best. Ryne got nervous when Urianger said he's staying behind, probably not too excited about being alone with Thancred (well, not alone, but WoL doesn't count) so soon after she had ran away crying. But she needs to be nervous. For anything positive to come out of this Thancred and Ryne both can't afford to be too relaxed. As sad as it is, the stress is necessary for anything to happen. He knows it. Does he like it? Absolutely not, but nor does he like his other plots. At least no one dies this time if it goes right.

[beforetimes]

i also think it's fair to say that charles was projecting onto erik a tiny bit during that fight on the jet to paris. when he says that erik took raven from him. when you're watching first class it's sort of very clear to see that charles did his share in pushing raven away throughout the film. especially when she's portrayed to be in this space between acceptance and rejection of her mutation. after erik enters her life around the same time she finds more mutants to bond with, she gets positive reinforcement surrounding her blue skin. when before, she asks charles and he sidesteps the question, and hank outwardly rejects her. she was definitely a kid at the beginning of the film before transitioning into someone who decided she deserved more than to be hated for who she was at the end. and in that process left the person who had raised her but also never seemed to see things the way she did; see her the way raven saw herself. becoming mystique and shedding the name raven was a way to divorce herself from charles' influence but! erik still played his fair part in bringing her over to his side. both charles and erik pushed her away from home and both charles and erik needed to work together to bring her back to her family

[usertoxicyaoi]

found this super interesting. this person below is an acting coach and scriptwriter that's worked on/working on: kinnporsche (2022), only friends (2023), playboyy (2023) and mansruang (2023):

[claitea]

i've had these scenarios written down since volo's debut in pokemon masters and i just really wanted to scribble them down and finally release them

[lilithofpenandbook]

Seriously how can M*r*uders stans like random Slytherins (who tf are Evan Rosier, Pandora (is that Luna's mum and why tf is she Evan Rosier's twin in half of these), and I don't even want to discuss Regulus) and make them Actually Misunderstood Good People Who Were Forced Down That Path when at least one of them *coughreguluscough* was obsessed with Voldemort

And then turn around and make Snape an awful person?

[dawnthefluffyduck]

First art attack, for @lilybug-02 's character, Lost :) (this was such a cool design, and if I see waterfowl I can't help myself)

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

[sysig]

Family ♥ (Patreon)

[mewkwota]

This is the 20th time Dr. Hikari's son passed by here.

I've made it a soul mission of mine to visit Yuichiro any time I can in every game. So the people working at SciLab will be seeing Lan -A Lot-. (I'm doing it for Lan, obviously. Let him see his dad.)

[fumifooms]

You're always so on point with your posts. On that note, it made me realize that; Considering the themes of desires in DunMeshi. It's also to say that what you think you want isn't what you actually want.

Like, Marcille thinks she wants the handsome prince from the novels she reads... But what she actually wants is someone maybe more like her father who she admired so much. Kind, virtuous, caring to a fault, a family man. Things she later finds in Chilchuck.

Because as traumatizing as it was to see her mother's spiral after her father's death; Her memories of her father itself are some of the most important to her. And it fits with her pursuit to increase her loved ones' lives, because she does want what her mother and father had.

Sipping. I do go over ‘what you think you want vs what you actually want + what you need’ in my (upcoming) Marcille & Chil arc analysis ;) It’s a part of Dunmeshi that I really like and is super fascinating, I’d honestly like to make an analysis-post on the topic: all the different threads and characters in canon that reflect that, desires vs wants and themes of idealization in Dunmeshi, but it’s one of those things that’s just so huge to make. See this is the freaking problem with doing Dunmeshi meta you start talking about the themes or a narrative and everything is so interwoven you get distracted with tangents BUT IT’S ALL COMPELLING AND RELEVANT

I know that’s something laimar does a lot too, the dad thing, with Marcille in a post-canon comic knitting beside him paralleling her parents and whatnot. I don’t know if I fully agree on the angle but there’s definitely stuff to dig at there…

Like I know that I’d like to analyze Marcille’s succubus more, it comes up in my analysis draft but it’s not the point I’m trying to make there so I focus on other stuff but… I always saw the focus of Marcille’s succubus as that she sought out an emotional connection most of all, it’s romantic and courtly in nature but more importantly there’s personality and behavior there and it’s a character she already loves and knows deeply from having read the series, so it’s not like Chil where it’s just a pretty face whose identity doesn’t matter. A friend of mine though, @room-surprise, goes with the angle that it shows she isn’t ready for a relationship and that the appeal is very self-centered, and I def think compelling points are made…

Point I was trying to make, the succubus is definitely at the crux of figuring what it is Marcille wants and craves in someone I’d say, where she’s emotionally at wether consciously or subconsciously, or how she sees herself being involved in romance at least… It’s true Marcille is enthusiastic about romance, but always someone else’s, never hers, and she seems unwilling to examine her own relationships with people. She oversteps boundaries either obliviously or carelessly and doesn’t like change…

And then there’s how complex people’s relationship to fiction can be on top of that and graaaaah

Edit in bc I forgot I wanted to mention this like an idiot: OH and I do think the Daltian Clan serves a role in the general tapestry of Dunmeshi as well, sometimes in in depth ways that Room-Surprise will tackle in their research paper way better than me I’m sure. My understanding of the importance of general Hagreus in a more general narrative sense is that he reinforces the theme of idealization/fantasy vs reality that’s super present through the manga. Beyond just Marcille’s arc and his importance to her he’s designed uncannily close to Mithrun, it parallels real elves and their very flawed military system and the broken people it cultivates vs the romanticized elves put on an aesthetic pedestral in novels, especially considering it’s "general" Hareus

To give some previews of the analysis wip: Thus the succubus targets Marcille’s wish for a perfect knight who could cherish her forevermore, someone safe and known and fantastical, just hers in a way, free to see and construct however she wants because he’s a character to interpret Dungeon Meshi is in part about resisting desires, the irrational cravings, mostly through the character of the demon. I mentioned needs earlier, and to ideals vs wants we also add vs needs, both emotional and physical. And needs alongside wants are what Dungeon Meshi wishes to promote for a healthier person. Dungeon Meshi illustrates very well with the dungeon lords that you can be a slave to your desires. Dunmeshi prones the important of balance for both a healthy body and a healthy mind, and the arc of optimism vs pessimism with Marcille & Chilchuck is one such case <3

Ouuuugh how flawed relationships with flawed people can still be made into somehing good and healthy that make the world brighter…

We’ve gone far from the topic of how her family shaped what she seeks in relationships haha, I think you put it well already though I don’t have much to add on that front Edit in 2: SIKE! I’ll add that there’s an interesting thread in the manga of Marcille maturing and becoming more like her mother, which would be interesting and fun to pair with the fatherhood of Chil. Because Marcille is sometimes a mother figure as well: she’s the mom friend. I go over it here, and since when I made that post I’ve seen more interesting analysis on the topic too, like noticing she hides behind her mother’s portrait in the nightmare chapter, perhaps the inspiration behind her more mature reserved academic persona she sometimes has. Her parents are def important to her so it’s interesting to see how all the dynamics and her own psychology fit into that….

But yeah I think what she (thinks she) wants out of romance has a lot of layers, both conscious and subconscious… I haven’t gone into the bigger picture of how fiction affects her relationships here but it’s the central topic of my Marcille & Chil arc analysis so. She idealizes the trope of the prince charming and finds it attractive but is that what she would actually latch onto… Is it fully superficial, is it more about herself than it is about her potential partner... Is it mainly because she wants to get validation, from being special that she typically gets from high academic performance… We do see she can be rather insecure and worried about others’ perspective of her, that they think she’s not useful or capable enough, especially in the mandrake chapter… Unconditional love perhaps

What is your emotional landscape Marcille. How emotionally intelligent are you. I don’t think she knows what she wants romantically. I think she has a job so she don’t really care about that rn I’m just not sure if we can figure out what she ~actually~ wants on her behalf that might be too many levels of interpretation but idk idk, thinking on it still

[keirientez]

band au rahhhhhhhhhhh