If you don't mind my asking, how do you go about drawing fat? :3
JUST THE EXCUSE I WAS LOOKING FOR
So, for me personally, a lot of the time when I draw fat characters, I'm not looking to specifically capture the specifics of fat as much as the feel of fat. Bulkier, rounder shapes in the right places that has a feeling of weight to em! A lot of that is intuition and simplification at this point, but it all works on the same frame as just any ol' person. Like take this-
For example. This is the basis for any body shape, not just the more average one that it may imply. Sure- it can be that average body shape:
But also a fat one too!
And a big part of that is knowing where fat usually tends to bunch up on the body, so lets take a look piece by piece! (Please keep in mind this is very simplified, and not completely precise in some parts)
THE FACE: Cheeks (in purple) and especially the chin (in light blue) are the places where a lot of the fat is gonna wanna gather and round out on your face! Additionally, theres a small pocket of fat beneath the cranium on the backside of your head. It's small, but it is there. I believe fat can build up elsewhere like the bridge of your nose and forehead, but generally speaking, you're gonna have a whole lot more buildup in other places first.
THE TORSO: A lot of the fat built up on the torso is gonna be sent to your tummy. More cushioning for vital organs, mostly out of the way, it just makes sense. Additionally, the lower backs fat builds up and joins with a patch of fat on your sides that forms what is typically referred to as the love handles to make that double belly look. Along with this, the immediate next target for the torso is the breasts, followed by the upper back!
THE ARMS: For this limb, a VERY notable amount of the fat present builds up on the tricep and bicep areas, lessening once you get towards the flexor and extensor areas. You can almost think of the arm as a sort of triangular shape, wide side starting from the shoulder and tapering towards the hand, which itself mostly builds up fat around the back of the hand and the fingers. The shoulders themselves don't build up too much fat unless you got a lot
THE LEGS: And finally, you can think of the legs having pretty similar curves to what you're probably already used to thinking. The front of the thighs getting a big buildup, along with the back of the calves, the other parts being flatter in turn. As far as the feet go- similarly to the hands, the top of the feet, along with the heels get most of the buildup, as fat on your soles would impede mobility. The glute, hip and crotch area will also especially build up fat, lending to the same triangular shape that you can see in the arm!
A big thing to note with fat is that it tends to taper off towards joints. Your knees, elbows, shoulders, hips, and all the other places are gonna have significantly less fat so that you remain mobile and flexible, as that's important!
Now that we have an idea of where fat builds up on the body, you might have something that looks kinda like this
Which yes, does demonstrate a solid understanding of the places fat builds up, lacks the weight you're probably trying to convey, which brings us to out next point! Fat is well... heavy! Gravity is what gives fat much of it's shape, especially as you tread towards larger and larger bodies.
This is demonstrated really well on the arms especially-
Those big ol' bits of fat'll really start to sag when left hanging, and they will squish like hell if they run into something. I like to think of these bits of fat as big ol' ovals that squash and stretch depending on if there's an obstacle in their way or not
These are the important shapes to remember when it comes to the weightiness of fat! If you take all of this into mind, you should be getting something a lot closer to that shape you've been after!
Oh, and always remember that fat bodies come in all variety of shapes and sizes! Play around with a whole lot, and seek out all the resources you can! it'll really lend to your knowledge when it comes to this kinda stuff!
And as I always recommend when it comes to learning art- look at what your favorite artists do with fat bodies. See what you really like about the fat bodies they draw and try to replicate it in your own work, I promise you it's one of the most helpful things ever.
This is like the most basic of basics when it comes to drawing fat bodies though. If there's any additional thing about fat bodies, or maybe you want clarification on something, don't be afraid to ask! If there's enough to cover, I'll make an addition to this post!
3K notes
·
View notes
can’t talk about it
[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. The comic starts with the sounds "thud, thud, click". Vash, mid-action of peeling an apple, turns to the sound, noticing who it was that entered, and says, "Oh, Wolfwood, you're back." He resumes back to his apple in the next panel as he speaks, "Where'd you go? You snuck out of bed quickly this morning..." Wolfwood's hand then enters the panel, hovering over Vash's cheek and Vash looks up as Wolfwood asks, "Can I?" Vash responds, "Not going to talk about it?" while using a hand to gently hold Wolfwood's hovering hand and presses a kiss to his inner palm.
Vash then gets up fully, setting down the knife down on the table and the apple onto a plate, He leans into Wolfwood as Wolfwood explains, "Had to meet someone. Nothing interesting to talk about." Vash kisses Wolfwood's left cheek and a hand moves to cup his other cheek while muttering, "You're being vague." Wolfwood says neutrally, "If yer really that curious, keep askin'. We can talk about that instead of doing this." Vash leans back and responds, "Let's talk after, since... You look so tired."
The panel pans to a close up of Wolfwood's downcast eyes, bags heavy underneath his eyes. He doesn't allow Vash to sit in that moment for long though, then saying, "Yer not helping, Spikey. Being all slow with it... I could fall asleep right now." He moves his hand to start unclasping Vash's coat, starting from his collar. Vash with red cheeks, responds briskly, "Oh, shut up. I'm worried about you. I can't be worried?"
The final shot shows Wolfwood's back to the viewer while Vash's softened expression can be seen as he holds gently onto the side of Wolfwood's face and a hand firm on his waist. Wolfwood responds, "I'm fine, seriously," pausing for a moment before continuing, "Is it okay to still..?" Vash responds, "Yeah, it's okay."
The next image is a shot from later that night after the previous comic. Vash and Wolfwood are now in bed, half naked. Wolfwood's buries his face into Vash's chest, his arms wrapped around him, while Vash is petting at his hair. Vash reminds him, "Hey. You said we'd talk about it." Wolfwood pauses for a moment before piping up, "In the morning? I'm sleepy." Vash says, "Okay..."
The next two pages start from the morning after. Wolfwood is already fully awake, pulling on his outer jacket as he says to Vash, whos' still bundled in his blankets, "Breakfast is on the table. Make sure to eat it. I'm going to grab some things in town and then we're leavin'. Got it?" Vash says, "Mh." Wolfwood responds, "Good. See ya in a bit." The dialogue starts to shift into Vash's inner thoughts now, as he gets up and eats toast, thinking, "Wait. Weren't we supposed to... talk about it?" The next shot then shows him fully up, meeting Wolfwood in town. He carries a half worried expression with him while Wolfwood slides on his glasses for him. A quick panel shows Wolfwood's tired expression from the night before and quickly juxtaposes with Wolfwood in front of him who's smiling gently, the shades covering his eye bags. Wolfwood asks him, "Still not awake yet?" Vash pauses, his thoughts stirring, thinking, "Oh. I guess I was getting ahead of myself... thinking you owe me that kind of honesty." He smiles at Wolfwood and responds, "I'm awake!" His thoughts continue, "Maybe one day, you'd trust me enough to share your burdens."
The final image shows Wolfwood pulling at Vash's cheek and Vash complains, "Owwwww why..." Wolfwood quickly says, "You were thinking something stupid, right? It's all over yer face." Vash mutters, "Nooo, I wasn't..." END ID]
2K notes
·
View notes
Danny needs help. Danny needs the Ancient of Justice.
Only one small problem; there isn't one.
Or at least, there isn't one yet.
The previous Ancient of Justice had been Pariah Dark, and after seeing so many injustices he had gone mad, and sought to fix the Infinite Realms through force.
But Clockwork assures Danny that there's an Ancient of Justice in the works, he's just still mortal at the moment.
Danny...really can't wait for the guy to die to ask for assistance. The Demons only deal in absolutes, and he needs someone like the Ancient of Justice on his side to help him with the weird double speak they insist on using.
Otherwise, they'll bamboozle him into more territory and displace more ghosts.
So he hunts the not-an-Ancient yet down.
Which is how Batman finds himself being stared down by a teenager with vividly glowing green eyes.
"Listen up, you're gonna be a God when you die and I need you to cash in those God Powers early; demons are getting uppity and they keep talking circles. I need you to make them listen."
The kid has black hair, is too skinny, his clothes are scuffed and dirty, and is clearly living in a vivid fantasy to escape from his harsh reality of being homeless.
The eyes speak of a clear Lazarus Contamination, and the stance speaks of someone who is trained to fight.
So he asks the only thing he can think to.
"...Are you hungry?"
1K notes
·
View notes
one thing about your art which makes me uncomfortable is you make remus conventionally attractive. the fandom all agree remus lupin is a wet noodle of a man but actually no artist draws him that and it's getting weird. make him unattractive and he can be loved by sirius. he doesn't need to be that tall and buff like why do you always make him so tall to draw him next to sirius. is it because you're aware of the fact sirius is canonically tall? if so it's baffling indi, you just had the surgery but if you have some time you'd want to read it - www.tumblr.com/carlav-blogs/741256502359228416/i-hate-joining-the-fandom-discourse-because-i?source=share - and look deep inside of yourself and think again about your art. i know you can't publish it but i gotcha. good luck /gen
Hello!
I have been thinking about responding to this at all but it seems like i have a lot to say, so here goes.
Due to contrary belief i draw for myself. I draw for me because i enjoy it and it makes me happy. And if it makes others happy then thats a lovely bonus. I draw because i love the bit of magic and creative freedom of being able to put that on paper.
What i don’t do is draw for other people to give me validation or to give them satisfaction. What’s getting weird is that you are so upset over characters that are written by a terf. Someone that is extremely harmful. Characters that DO NOT EXIST.
I’m sick of this endless debate of "oh but CANONICALLY sirius was taller" who the fuck cares. In the movies remus had like a whole head on sirius.
You know whats the one wonderful thing about this fandom? Every single artists and writers version of these characters. They take them and make them their own. I love the way i can read 10 wolfstar fics and all ten of them are wildly different versions of them. They fall in love with each other unconditionally and i with them.
I’ve been told I’m not valid, that i don’t deserve to exist, that i should have DIED in surgery. There is really vile and hateful people in this fandom but you know what. I’m not here for you, my art isn’t for you it’s for ME.
I would like to say I resent this fandom but it’s brought me so much joy as well. I’ve met some of the most talented and wonderful people. I met my very best friend because of this fandom. I traveled places to see people i love because of dead gay wizards. I have found a place that is so wonderfully accepting. A queer community that I will never have in real life. The amount of freedom and expression is something that drew me in and will make me stay.
I hope you get the day you deserve, and I will continue my life where I live it for me and no one else <3
544 notes
·
View notes
CloneTok
Cody: everyone stitch this with the most messed up war crime your general has committed right in front of you I’ll start; there was this time with a tube sock and a bottle of bleach, story started on Tenoo-
Rex: Oh, nah your General has done WAY worse than that.
Cody: Yes but this one was so out of pocket and messed up on a personal level istg he concocted this one just to watch the world burn-
Wolffe: Um??? My general has never committed a warcrime around me????
Cody: *glares at him for daring to speak in his presence* Did anyone ask you?
Wolffe: technically you did.
Cody: technically you should have been eaten in the decanting tank-
Wolffe: YOURE JUST MAD IM BABEY AND YOURE GROUCHY!!
Cody: I LIKE BEING GROUCHY YOU LITTLE PIMPLE!
Rex: *steals the comm while they fight to the death in the background* Sorry about them, 17 says they’ve been threatening to end the other since before they could talk. He’s got baby videos of them beating each other up before they could walk, it’s so cute. Sometimes he watches them and cries when drunk.
Cody: *pulling hair*
Wolffe: *trying to bite through Cody’s gloves*
493 notes
·
View notes