#to the point of which its the first thing I think of when people say Avengers Assemble show

[andy-wm]

AYS Behind the scenes: behind the paywall

Now that the Disney+ episodes are complete (sob), my attention is firmly fixed on my mailbox as I wait impatiently for the AYS photobook and QR code.

I was always going to buy the Jikook photobook, even though I doubt there will be much we haven't already seen in the episodes. But the inclusion of the QR code was the clincher.

I must admit, Hybe locking up the behind the scenes for AYS was not on my bingo sheet.

Making behind/additional clips available on Bangtan TV would have been more in line with their regular MO. We don't generally have to pay for what really amounts to outtakes.

Okay, yes, we have to pay for behind cuts of Run BTS, but the actual episodes are free. With everything else the behind clips are included when you buy the series (I'm thinking of BV, ITS, and concert boxed sets).

In fact I can't think of any other time a behind/ bonus clip hasn't been available to fans who pay for the main content.

Maybe it is because Hybe was only contracted to deliver 8 episodes to Disney+ and the price was fixed. Maybe they saw an easy way to make the series more profitable.

We know they will take any opportunity to lighten our wallets.

But I think there's more to it

Let's talk business:

If Hybe wanted to make money from this, having the sale point directly on Weverse would make more sense. That way anyone could buy it any time without having to buy the photobook as well. Even if they charged just a few $$ for these extra clips, the return could be substantial over time. Long tail products can be very lucrative and Hybe clearly knows this - they have heaps of old footage for sale on Weverse. Since they're hosting the content already, it makes sense to keep that 'buy now' button active and let the dollars trickle in.

So why reduce the potential pool of buyers? Why limit this to those who buy the photobook??

Well, let's consider who is going to buy the photobook?

Who is going to fork out US$28 plus postage for a keepsake of these two on their third honeymoon?

I doubt OT7 ARMYs would buy it. Even ARMYs who bias JM or JK - if they aren't part of the SGMB they probably don't want it either.

Solos sure as hell don't want it - they are probably wishing the whole thing never happened... sucks to be them haha

Who really wants to see these two living their best lives together?

We do!

And by we, I mean Jikook supporters.

People who want to see more of this:

and this

And this

We are the people who will buy this photobook (and probably never look at it more than once, let's be honest)

But let's get back to the topic at hand....

The photobook/behind combo seems like a chicken/egg situation to me.

Which came first - as a concept - the photobook or the behind clips?

Did they decide to offer a photobook, and then think of adding the extra footage to make it more appealing?

Or vice versa?

Did they decide to make the behind clips, and think of the photobook afterwards?

Hard to say, since behind clips have always been a thing and recently Hybe is putting out photobooks for everything.

But I think I have a fair idea

Consider the price point for this photobook - it's the same price as most of the others produced recently: +-US$28.

AYS photobook & behind is the same price as the Photo-Folios, Tae's Type 1 (magazine version) photobook, and the Beyond The Stage photobook

🗣 So they aren't charging any extra for the behind footage?

No, they aren't. They're basically giving it to the buyers of the photobook as a gift.

🗣 Could they be making money off it?

Yes, the could.

Long tail, remember?

Looking at the profit-making potential, it makes WAY more sense for Hybe to offer the behind footage on Weverse for a few meagre dollars and... wait for their ship to come in...

See what I did there? hahahhaha (laughing by myself)

They really aren't making any money off this!

how unlike Hybe...

So why go to the effort of setting up QR codes and putting it behind a paywall? It costs money to host content this way. They are in fact SPENDING money to bring us this footage.

Not only through the hosting costs there are also production costs to consider.

Wouldn't it make more sense to just freely share it with ARMY via Bangtan TV? Or not release it at all?

Yes, it would...

So there's only one logical answer...

Hybe has chosen to make the content available - but also make it just that little bit more difficult to access.

This whole exercise seems to be about releasing additional footage without releasing it to the general public. It's being shared specifically with those of us who support them.

Does that mean we'll see slightly more personal content?

Maybe it's a little more revealing of their undeniable bond and their hot chemistry...?

Whatever they contain, these behind clips are definitely for a limited audience - and purposefully so.

The only reason for it, that I can think of, is to safeguard Jimin and Jungkook from too much scrutiny and criticism - from within the fandom (unfortunately) and outside of it.

We will find out in a few days I guess.

In the meantime, I'm camped out by my mailbox

[hotwaterandmilk]

I'm seeing "Wedding Peach was unsuccessful" trotted out on Twitter again and it's honestly kind of funny to me. You can dislike the series, but you're rewriting history if you suggest it was a massive commercial flop/astronomical failure — it simply wasn't.

The Wedding Peach TV series maintained viewership throughout its run which is why it aired an entire year's worth of episodes (the full length it was intended to run) and didn't get cancelled like Nurse Angel Ririka SOS, for example.

I'm not going to pretend it did Sailor Moon numbers, dear god, it absolutely didn't get close hence why it wrapped as it did. I would suggest looking back now, that it was the definition of a mid-performing title for the time period. It sold toys decently but not outrageously, it got viewers but not an outstanding number, and it garnered a small but dedicated fanbase of male otaku. All of which is par for the course when it comes to a mid title in 1995.

Wedding Peach DX was produced because the TV series LD sales were decent enough to warrant it. Children were not buying LD box sets at this time, adult fans were and it was this interest that justified the creation of the four DX episodes as direct-to-video releases. If a series doesn't sell well they don't make more episodes, let alone higher quality deluxe episodes specifically for the home video market (and thus for older audiences with spending power).

It is very important to point out that Wedding Peach DX had NO INVOLVEMENT from the original creative team. Tomita Sukehiro and Yazawa Nao did not contribute to its creation, Tadano Kazuko didn't provide designs. Yuyama Kunihiko was the driving force behind the production of the DX episodes and he served as both director and writer for all four episodes (bringing on Wedding Peach animator and soon-to-be frequent Pokémon collaborator, Ichiishi Sayuri to serve as character designer).

What inspired these to be fanservice dreck to the level they ended up being is honestly beyond me. I mean the otaku market definitely wanted more episodes featuring the characters (and more songs featuring the seiyuu, if you want to see how keen otaku were for FURIL please see this post) but part of what they liked about the characters at the time was their (barfbarfbarf) perceived purity and innocence. The DX including panty shots and swimsuits kind of threw them for a loop. Even now, if you look at discussions about the DX among otaku there's a bit of a divide in opinion.

The DX episode sales were (as far as I can tell based on magazines from the time) also mid, but enough to cover four episodes. Three and four don't seem to have sold as well as one and two, but again the stats from the time aren't comprehensive. I think the fact that there weren't any after episode four says it all, honestly. OVA episodes are expensive to produce and it was extremely common for them to stop immediately if the sales weren't there. DX didn't justify its existence beyond those four episodes and Yuyama moved onto a far more successful project in Pokémon.

On that topic, I think it's important to note that Wedding Peach was OLM's first television series (albeit a coproduction with KSS). If it and the studio's adaptation of Mojacko hadn't made some level of profit it would have been quite difficult for them to adapt Pokémon. Neither Mojacko nor Wedding Peach set records with their viewership or sales numbers, but they both did "OK". It was in Pokémon however, that that OLM truly found a successful property with the series still running today. Sometimes you've got to have a few runs at producing things before you find success. Wedding Peach was one of these early runs, a project where a lot of people cut their teeth but one that didn't justify its own continuation beyond a certain point. Just a very standard media mix from the mid-90s, in other words.

Wedding Peach is a problematic title with indifference through to outright objection to representing love outside of heterosexual romance. Looking back now it feels like an absolute dinosaur on so many levels. Between the anime's fatphobic episode and Momoko dropping some gender essentialism, I'm not surprised people want to relegate it to the dustbin of history.

However, I think it is very telling that Tomita Sukehiro, when presented with the opportunity to tell a similar story in the modern day, chose to represent not just queer love, but platonic and familial love in Wedding Apple. While he can't undo the regressive and cringy elements of the original series, as a creator he has progressed and I'd like to think we can all continue to improve our outlooks and output as we grow.

Disliking Wedding Peach in the modern day is completely understandable. I'm not going to pretend anyone should watch it in 2024 without knowing that it is a camp, cheaply made relic of a time when heterosexuality was considered magic. However, just because it pandered to all the worst things trending at the time doesn't mean it didn't sell enough products or hold enough viewers to justify its production. It did, it just wasn't a strong enough property to go beyond that and that's representative of mediocrity rather than mind blowing commercial failure imho.

[atamascolily]

Poor Sayaka is really going through it in Walpurgis no Kaiten. First, she loses her healing abilities and gets so badly beaten she has to wear bandages across her face, then her memories start coming back and she has to cope with the fact that her entire life is a lie and she should actually be dead. Talk about trauma!

This shot suggests to me that Sayaka will go on some sort of internal quest to confirm the truth. This show being what it is, it's difficult to say if this scene represents an "internal" journey into Sayaka's mindscape, similar to Homura's first awakening in Rebellion, which features a mosaic of mirrors, or if this is more "external" venture into the Law of Cycles, of which Sayaka is still technically a part, but it's probably "both/and" rather than "either/or". The blue color scheme makes me think the former, but the piles of books with information about witches makes me think the latter. Is the sculpture a representation of Sayaka or is it the "emptiness" of the Law of Cycles without a human avatar?

Comparable scene in Rebellion? Also, I just now noticed that either the mosaics are rotating around Homura, or something very strange is happening in space. Probably both!

I can't find the interview at the moment, but I recall someone at SHAFT discussing how girls taken by the Law of Cycles aren't running around in Valhalla, as fans once thought, but are asleep and unconscious. (Cf. Homura calling it "the salvation of oblivion" in her opening monologue in Rebellion.) In one of my fanfics (itself inspired by a gorgeous series of fanart), the Law of Cycles is an art museum; here, it looks like SHAFT has made it a library, with each "book" containing information about the infinite number of girls and witches in all the parallel universes Madokami oversees. There's a very "Library of Babel" feel to this shot from the trailer that fills me with glee.

It's unclear if the parallel universe thing will come up in Walpurgis no Kaiten, but people have already spotted Magia Record witches in the trailer, and the entire game takes place in a single aberrant timeline, so if it's in the library, the library has to contain everything. How this works when MR has the doppel system, I have no idea, but also MR likely didn't exist in its current state when Urobuchi originally wrote the WnK script in 2014-5, so this is just Inu Curry taking the opportunity to squeeze in some more witches they designed for the game.

However, the MR anime, which Doroinu directed, ends with the doppel system collapsing and Iroha giving the "book" that represents her story to Madokami, appropriately titled "Magia Record". The title of the episode is "No One Knows Our Record", the implication being that magical girls are completely unknown except to the Law of Cycles.

One detail I like is that the English title is "reflected" in dark witch runes like shadows.

This book had a different cover and design than the books we see in the WnK trailer, but I think the general idea is the same--these books contain information about the witches (remember, "Magia" is also the name of the music that plays during witch battles in the original series) and are thus "records" of their existence. We see more of the books in a different shot,and some covers are quite elaborate, and others are a simple gold border; none appear to be "named" like the Magia Record book, or at least their titles are not visible in this shot.

It sure looks like this girl is rifling through the books to find something, doesn't it? Hmm....

The shot of one of these books opening in the second WnK trailer and runes spilling out suggests that more witches have emerged to complicate matters for Homura and the main cast, though "how" and "why" are open questions at this point. However, it's unclear if the books actually contain the witches/familiars themselves or merely information about them.

I think this shot could appear in a cryptic opening sequence that retroactively explains the entire plot, similar to Homura's soul gem falling through the window at the beginning of Rebellion, although the background lighting suggests it takes place in the same "blue" location that Sayaka is in above. TBD!

Giving away the entire plot in the beginning, but in a way that isn't obvious until afterwards, is a Madoka Magica tradition at this point.

Anyway, this is all a very roundabout way of saying that I think that when Sayaka starts having flashbacks about Oktavia, she's going to the library to do some research! And what she finds there will confirm her worst suspicions and likely trigger a whole new personal crisis where her loyalties will be tested and she is going to have to make some difficult choices.

[mithrifer]

My thoughts on Flipside

Class of 09 Flipside was hilarious, but I don't think it approaches the original or reup in quality.

I don't think it's because the main character is Jecka, or anything. Honestly, Jecka is the best part of the game, she's consistently good whether it be in jokes or likeability. The side characters just don't... live up to her though. Aside from her it's just Nicole, Jeffery, her dad and Kelly. I don't think Nicole is very good in this game, Jeffery and her dad are rather one note as expected and Kelly... unfortunately stars in the weakest route by far and does not much even there. Barely any Emily and Ari, no Kylar, no Karen. No Kyle. Jecka's great and carries herself quite well throughout the game, but she feels really alone narratively. This could be a conscious choice, as she goes through most of her troubles as a lonely girl without anyone to rely on, but I think they could've made that point without sacrificing the interest that comes with everyone surrounding her. Most of her interactions either use the other characters as jokes or to elevate her story, which wasn't how 09 or reup felt. Nicole got to try out new things thanks to all the weirdos she was surrounded with giving her new ways to have fun, whereas Jecka only really has Jeffery and her dad in that way, and she feels trapped no matter what she does. She didn't seem that way in the first twk games, but I suppose you could say those were not about her. I think the fact that you can't see her mom even on the school routes speaks volumes though.

Every ending is there just to shock you, and I'm not saying this because there's no happy endings or anything, the first two barely had those. It's more like... the endings feel like they barely have anything to do with the routes they come from? Why does the foot route end with... that? It's just out of nowhere. Not to mention the deal with the whole FYE route. I don't think there's anything redeeming about that one, it doesn't even feel like it belongs to the same world. And the way the game cheapens one of the best endings in the original by just, inserting Jecka. Which is something people have wanted for a while now, but I don't think the idea was done justice. It feels like a cheap "here you go" moment to me. It's really upsetting because I feel like the game could have gone in a ton of great places, but there's barely any choices or routes and the abrupt, weird endings just feel like a slap on the face even to the ones that were given. I think the best route was the one about drinking because it felt honest to Jecka's character and the ending was something I could've actually foreseen in one of the earlier games. After that it's the one with Jeffery, but I'm kind of iffy on that because I don't think Nicole would do that. Not for any moral reasons but more due overall disgust. Feels inconsistent with her presently given character.

The writing feels overall different imo. It's hard to put a finger on it, because it definitely relies on the same formula it had in the previous entries, but nothing in Flipside packs the same emotional punch. The humor is fairly good, but it's not spectacular like the first two games were for me. I still laughed out a few times though, since this is right up my alley.

I'm still happy I saw it, because it was quite fun... But it wasn't really more than that. It just felt like a humor piece. I don't know what spoke out to me in the first two VN's, but I don't think Flipside has it. And honestly, considering it true to these two (canon, ig?) lessens their value for me due to the shift in the thematics and I guess writing, so I think I'll ignore it when I think about the series in general. Which is such a shame, because I want to love it, it's just... not there.

It's definitely worth the time to check it out either way though. Again, pretty funny. This is what I felt about it, and I wanted to get my thoughts out. Since it's so early in its release, I've tried to avoid putting any spoilers in the post. Maybe someone will read it and appreciate, idk. Drunk driving rules.

[deep-hearts-core]

The Competitive Barbershop Music Explainer, and Why More of Tumblr Should Be Obsessed With It.

I've been threatening this for now almost a year, so here it is. You probably have an idea in your head of what a barbershop quartet is: maybe you’ve seen The Music Man, or possibly the Louie Zong Hatsune Miku song. But barbershop exists as a hobby these days, too, and there are parts of it that are deeply cool and nerdy. Some of you--gasp--might actually enjoy it. 

What the hell is barbershop music?

Barbershop music got its name from the Black barbershop social space out of which it evolved. In the early 20th century, groups of guys would get together and harmonize as a way to pass the time. The style later got appropriated into white culture (I’m going to come back to this, keep reading) and evolved into what most people think of when they hear the phrase “barbershop quartet”. 

Barbershop got a lot less popular after the 1960s or so, but it’s not gone! Today, it’s overseen primarily by the Barbershop Harmony Society (formerly the Society and Preservation for Barbershop Quartet Singing in America, but… that’s long…), which organizes contests and codifies the “rules” of what barbershop is and how it’s different from other a cappella. Those rules are mostly music theory stuff, which I won’t go into here for fear of boring people, but if anyone is curious my askbox is open :D 

It’s not just quartets, either. There are also choruses that sing in the same four-part style, following the same music rules as the quartets, and they compete too. This is how I got involved.

Why is Tumblr supposed to enjoy this?

Reason #1: The competition. I’ve been on Tumblr for several years, and do you know what we love? Ranking things, picking favorites, and watching talented people do their thing. It’s actually kind of similar to Eurovision--there’s a jury and a points system, and people get mad about it every year; there’s a qualifying round and a nerve-wracking calloff; it’s even international! BHS operates in the US and Canada, and most competing groups are from here, but there are sizable scenes in the UK, Sweden, Australia, and Aotearoa, as well as smaller organizations across Western Europe and beyond. The Japanese organization held its first ever competition this year! Regional contests happen all over once or twice a year, culminating in the international competition the first week of July, where quartets and choruses battle it out to be the best of the best. People have favorite groups and try to guess where people are going to place each year. If you’re me, you can even do the Eurovision fan thing and overanalyze the running order. 

Reason #2: The talent. Listen, many of these people are incredibly talented singers. Take The Clementones from Denmark, for example, who delivered amazing Addams Family character work this year. Or Smoke Ring, the New York City-based quartet trying to singlehandedly make barbershop sexy again. I could give you so many examples of singers who can hold long notes forever and ever, but I’ll show restraint and only link two: Vocal Spectrum and Midtown. And of course I have to link this fucking amazing Hunchback of Notre Dame medley. Many singers also arrange songs specifically for their own groups. If you’re a music nerd in any way, this is for you.

Also, if you enjoy niche subcultures or #hobbydrama, there’s so much to rotate in your brain. This is part of what hooked me initially. 

But it's racist/culturally appropriated!

Well, you’re not wrong… but so are a lot of things. Bear with me for a second. I'm not going to come out and blindly defend the history and say oh there's nothing wrong with the organization we can't blame them. The organization was segregated for a long time. Women were only allowed to join as full members in 2018. The Black origins of barbershop singing were actively obscured by SPEBSQSA for decades and have only recently become well-known to most members. Hell, when the BHS went co-ed a splinter organization formed to try and keep the hobby all-male. There is bad history.

BUT. People are trying. There's a sizable contingent of young queer people who do well and become well-connected within BHS--including Smoke Ring, who I linked above. They’re causing a nonzero amount of controversy and are visibly queer and something new and unapologetic about that. More and more nonwhite people are joining and finding success competitively. Academics on the subject actively spread the history that barbershop is a Black genre, and this is increasingly common knowledge especially among young barbershoppers. The most successful barbershoppers in Aotearoa (BHNZ) are predominantly Māori and Pasifika. The BHS board, while they do not have any real understanding about how to execute this at all, does at least want to reckon with the history and is, in theory, trying. For all its many, many faults, there are good people here who are making change.

Ok fine, you've got me. Now what?

Go click on all the links in this post and then let the YouTube algorithm do its work. Also, send me asks! I can go on about this shit forever and ever.

Here are some more suggestions for you:

the chorus performance that first got me interested

Panic! at the Disco but it’s barbershop

these guys also do Spiderman! 

girls who will step on you and you will like it

the air raid warden song from that one tumblr post

air raid warden guys sing about ducks

totally not never gonna give you up. what? what are you talking about?

the first ssaa group to medal in bhs have since changed their lineup but this performance reigns eternal

And if you like to sing, see if there's a chorus (click here for SSAA only) or chapter nearby. I won't get preachy and say you'll have a great experience no matter what. Sometimes people suck; I have the luck to live in a major city on the East Coast and I can say with reasonable confidence that not everyone is going to be as chill as my people are. However, this is such a small space that everyone will be excited about a new person coming in and will likely give you a little leeway. 

I've only been doing this for a year and a half, but I can easily say that I love it and it's changed me. So, even if you scrolled to the bottom of this post rolling your eyes because I should just shut up about this already, thanks for listening. <3

[horizon-verizon]

Nettles is Daemon’s daughter and absolutely no one can convince me otherwise. First of all, her personality is incredibly similar to Daemon’s mother, Alyssa, which I don’t think is a coincidence. Both are anything but refined and ladylike, Alyssa is “as bawdy a wench as any barmaid in King’s Landing, as she herself was fond of boasting”, Nettles is “a filthy girl with an even filthier mouth”, both are tearaway tomboys, they are both described as not conventionally attractive, Alyssa has a broken nose and mismatched eyes while Nettles has a scarred nose and crooked teeth. And not only Alyssa, but also Baelon’s bravery, bopping Balerion on the nose, Baela and Daemon’s personalities all echo in Nettles, particularly in how she tames Sheepstealer. There are too many similarities between them for it to be random.

Second of all, if we look at Daemon’s reaction to “Rhaenyra’s” letter, there’s something a lot of people miss:

The prince greeted me politely, but as he read I saw the joy go from his eyes, and a sadness descended upon him, like a weight too heavy to be borne. When the girl asked what was in the letter, he said, ‘A queen’s words, a whore’s work.’

He was happy when he got a letter from his queen and wife, but became very sad when he read its contents, he was crushed with grief. He then blamed Mysaria for the content of the letter. This reveals several things:

1. If he lost attraction to Rhaenyra and was cheating on her, why would he be happy to get her letter ?

2. If he didn’t care about Rhaenyra, why would he be sad instead of angry ? Why did he feel no guilt or shame, or try to cover up the truth if he was cheating ?

3. If all he wanted to do was control Rhaenyra as a puppet, if he only cared about himself having power, why didn’t he fly back to King’s Landing after letting Nettles escape and come up with a way to gaslight Rhaenyra, who at this point was beginning to lose her handle on King’s Landing ? Wouldn’t he have wanted to prioritize winning the war ? Persuade Rhaenyra to name their son Aegon heir instead of Joffrey ?

4. A “weight too heavy to be borne.” That isn’t the reaction of a man who got caught cheating and regrets it, it’s the reaction of a man devastated that his queen and wife lost faith in him and made him choose between her and his daughter.

He blames Mysaria for the letter, instead of getting angry at Rhaenyra herself. Why is that ? Because he lived with Rhaenyra in an unconventional joint family for a decade and yet Rhaenyra is unable to accept Nettles and doesn’t trust him anymore. Rhaenyra and Daemon raised all of their children together. He likely expected that he’d be able to officially introduce Nettles as his daughter after the war. But those plans were dashed terribly.

Yeah, it's exhausting to point out all of the things you say abt Mysaria, Nettles, and Daemon time and time again over the past few years to people. As for Nettles being Daemon's bio daughter, I truly believe in it. At first I was like "🤨" but then "🤔" and now I've been on board for a while. It just makes sense to me, esp when you contemplate that Daemon absolutely would have been sleeping around on Rhea while a few feet/miles from the Stepstones or slept with some pirate or whatever. And yes, it adds so much to see Nettles act Baela-Daemon-like or have more...room to behave contrary to the ideal "lady" when she's had to look out for herself perhaps from very young childhood.

[rainybyday]

This is mostly based on these three ideas I had circling in my little head please send help. 

Warring States Period - First Idea

Kaguya won in this timeline and only Team Seven survived, both past and present (Sakura, Naruto, Sai, Sasuke, Tenzo, Kakashi, and Obito (all in a total of seven :D)), and so they went into a new timeline as they used their last bit of Chakra to destroy their timeline so Kaguya will never escape and take over other dimensions 

Relationships 

ObKk because I somehow am in a toxic yaoi shipper cycle, god help

Sasuke and Sakura will stay together because I have a massive pin collection with amazing pins of these two so it made me biased

Naruto and Sai are without any partners since their timeline got fucked

Pray

Ok so let me go over some little details I like to have

Uchihas love so fucken deeply its not even funny so when their loved ones are threatened, all hell breaks loose,

Hatakes are a feral clan and while they are seen as “domestic” in modern times not so much in the Warring States, there are two reactions. One (stupid) people will try to fight them to scare them off (ha) or are scared to high heaven and back away from them

Hatakes have fangs and have habits like touching and calling their close ones pack and mate and pup if considered pack 

Yes all of his students are his pups and Tenzo is affectionately called a sapling once he realizes that is a THING for Senju’s to say to their young

Tenzo secretly loves it

But before he never said it out loud since, you know, trauma

Hatakes are territorial of their pack so if anyone messes with their pack when they can’t handle it you are going to wake up with your throat being ripped apart from Hatake teeth

Having a Hatake and Uchiha couple might be a pair made in shinobi heaven if I think in that sense

Fear them

Kakashi gives head pats like it is free candy

Everyone decided to have the Hatake clan symbol on them to place a barrier between them and other warring clans because no one likes to mess with Hatakes (only dumb people do, aka, the political greedy people)

Oh wait I found my plot!

Sakura is still considered a civilian during this time, with no family name or any of that sort since, back then, a civilian was too poor to have a last name, so she, alongside Sai, are now Hatake. 

Since Hatake’s have a pack mentality they do have the occasion of adopting outside their clan and giving their last name, however, there have been very few cases in which a clan outsider is adopted into the Hatake. Usually, this is issued to the clan head of that clan and things will get sorted out. But, because Sasuke, Naruto, and Tenzo are time travelers, no one knows of them nor are they official in the clan registry they don’t do that. 

 Bastard children if you will, and while it's possible for both Naruto and Tenzo that is going to be difficult to tell with Sasuke and Obito

So they decided not to use their last names in such situations unless officially asked if they were of [instert clan here] and just said they are by blood

After all, last names are a claim so they are careful to say they are a Uchiha, Uzumaki, or Senju

Do they claim them?

I mean no?????

Let's say no

They are blood-related but do not claim name, claim blood, not name. If named they are shipped to the clan’s compound and goodbye pack member. 

NOT ON KAKASHI’S WATCH

Ok so, timeline!

I’m gonna make it about maybe a year or more before the death of Inzuma

Just because I can and because tension is still there

But not THE tension if you know what I mean

I want Tobirama to feel like something is wrong with the Chakra signatures floating around but I want Hashirama to know first what the actual problem is with the forest warning him about a pack he should not cross

Why the forest?

Because they feel another person with the forest within them

Aka Tenzo

Case and point

They find Sasuke first by accident

It was a patrol of Senju who found him and immediately didn’t know what to do but they had to capture the thing because obviously it was a Uchiha

They corner him and they are about to catch him when the trees start to move

At first, they think it's their clan head who came to trap him 

But no

The branches are capturing THEM and leaving the Uchiha alone

So now they are confused

Confused they see a man with short chestnut hair come out from nowhere, take the Uchiha into his arms, and warns them that they shouldn't mess with a Hatake cub

And

Disappears

They promptly freak the fuck out

I'll add more later and edit more of my other two ideas cus I can. Nice to do a break on the dcxdp fandom not gonna lie.

[listleven]

Simple guide on manifesting ✨

Choosing what you want to manifest. This is genuinely the hardest part. Especially if you are a beginner and you think you choose something a bit out of reach for you.... no. Anything is possible. This is classic but even the word impossible has Im possible in it. The thing with this is if you are trying for the first time and have had bad experiences or are expecting bad you are going to try and go for something more attainable or completely over consume. AND THATS OK. Practice is great. Go for what you think is smaller if it helps you ease. But you can manifest even with doubts bc despite the misinformation you don't need to "feel" like you have it. What happens a lot is people give up and stop persisting when they don't see it in the 3d. So they have "backup options". And then they create this cycle of fear that if they didn't manifest this, will this work?? RELAX!! It will.

Persisting. Of course you've heard a dozen times before but why do you think its so popular. Now here you're going to persist until your desires materialize in the 3d. AKA when your subconscious mind has been impressed. Even in doubt you will persist bc it does not make a difference. You will THINK like the person who has it not feel if you can't. Thats literally it.

TIPS:

In order to think like the person living in the end you can write a story from that POV, affirm, meditate, guided meditations to help you relax, I use subs that use present tense, affirmation tapes, SATs, and sm more.

A little tidbit of my own is affirming that the 3d is no more real than a dream. Im going to make a separate posts in all the ways dreaming and the 3d are so similar. That way you can say stuff like "ah this doesn't matter its just a dream in the true reality I have everything I want." This can also induce lucid dreams because I do reality checks and confirm to myself that im dreaming and immediately start meditating to "ground myself" for 5 seconds by doing this Ive done it in my dreams.

Refocus to the 4d if you're ever in doubt. Everything right now, isn't real not time, or physical objects. Go back to the imagination. Its kind of funny right how everyone gaslighted us into believing imagination is not the reality and we had to "come back to the real world" LMOA its literally vice versa

If you are persisting and don't see it in the 3d, don't you dare give up to manifest something more "attainable" this creates a loop where you go back to number 1 over and over. Remember you already have it. How do you know? Because this is no more real than a dream and you are the validation.

Accept the 4d as the only real reality

If you have had "failed attempts" Revise. Bc in the 4d no you didn't??? Ex. all those failed pure conscious attempts are not real , you actually have induced them in the 4d. If you keep persisting and accept that all those "attempts" worked, the 3d will conform.

Reminding yourself you have something and reality checks are the same thing. The most biggest similarity in the 3d and dreaming is you can control both using the 4d. We all know how reality checks work right. Persisting works the same way. I mentioned this in a previous tip above. I’ll do many reality checks confirming the 3d is a dream (bc it’s not real and stuff) and I’ll “ground myself” this allows me to trigger lucid dreams when I sleep AND I’ll add in something like “ofc I’m dreaming in the true reality I have —-“. That’s literally how manifestation works. If something “ fails” NO IT DIDNT. If you got a bad grade after manifesting in a good one, what? But you did get a good grade. In your 4d the real reality. Remember. Remind yourself that none of this is real. You did get that A. You are dreaming. None of this is real.

There are no such things as failed attempts. That did happen. You did shift. Let’s do a “which reality am I in” check right now. Oh and would u look at that you are in your dr.

I’m definitely going to post more about the last two bullet points to give more clarification.

~ with love, Jyspire

[zeravmeta]

arc v is a story I think people always misunderstand and in part it comes down to the absurdly fumbled ending but even beforehand I think people misunderstand the point of egaoism cuz it's not really "never be sad idiot" but more "if you wear a smile, you'll feel courage and can go forward" which is the point all the way up to zarc who himself became spiteful and went insane trying to please everyone with "never be sad" ideology

yuya is deeply depressed and pessimistic and yet his aspirations to be a dueltainer (i like the dub name shut up) come not just from wanting to be like his father but in wanting to connect with others. jack himself says that yuya was only imitating his father without understanding what he himself wants because dueling is a conversation with your opponent and your audience, so if he is just parroting his father without understanding it, his dueling is meaningless. it is by design meaningless because it is not genuine to what yuya himself wants. It's why he moves on from just saying his performances out loud to an audience that doesn't care, but focuses on how pendulum is something he did not borrow from anyone else, his own voice. He uses pendulum as a way to connect with others by, as the summoning method works, combining everyone's voices, not just his own but that of his friends.

the ideas of bonds and connections extend throughout every yugioh series and with arc v the point of entertainment dueling and action duels being reijis "weapon" against academia ironically come from the fact that while solid vision can be a powerful weapon, duel monsters and dueling itself is just a game, a game people play to connect with others and make friends. yuya's whole focus on dueltaining is simply that he doesn't want to end this conflict with academia by just ruthlessly crushing his opponents and focusing on winning (which is what awakens zarc when reiji pushes him to do nothing but focus on winning), yuya wants to end the conflict by making people happy. he wants people to enjoy dueling for duelings sake and to see dueling as the game that it is, not use it as a weapon of war.

now, is this handled/conveyed perfectly throughout the series? I'll say no, because while yuya does make the effort and there IS notable pushback from his enemies, sometimes it wraps up a little too neatly, such as the city council disbanding suddenly or academias forces in heartland just giving up after like 4 duels (which is what lead to the whole egaoism meme in the first place). arc v has thematic inconsistency in how it presents its characters and yuya himself has been contentious for the longest time because he flip flops in this regard (even if the whole point of pendulum is that this dissonance will always exist by people coming into contact with other perspectives but grumble whatever its not handled perfectly here either),

BUT i would say it is followed through on up to the end of the zarc duel, because the whole point of zarc is that he was never able to take that step. he was never able to express his genuine wish to make people smile the way yuya could, which is why as the duel goes on you see zarc go from this overwhelming monster to an outright cowardly and scared person. his deck, design, everything about zarc ultimately shows him as a giant manchild who cant handle even a fraction of resistance against him because losing in and of itself (even if there would be no consequences) is the most terrifying thing to him. he's unable to win with any kind of courage. and yuya's friends, each passing the pendulum necklace between themselves, each telling yuya how his efforts pushed them all to improve as well, is what reaches him in the end. it was the culmination of their voices and how they all were willing to support yuya that reaches him, that yuya (and by extension zarc) are nowhere near being the unforgivable monsters they think they are

it's what zarc didnt understand, that he didnt need to always be happy or please an audience while ignoring his own struggles. zarc completely misunderstood how pendulum was born, because it was not his malice alone, but how it had dissonance with his heartfelt wish to make people happy as a duelist. yuya is the base personality born from his split because yuya is the embodiment of zarc's original wish, but yuya himself is never perfect either.

and yuya was okay with that. but zarc could never be.

[dxxtruction]

Louis' "You're boring!" Could mean so many things, but I think what's most apparent about that line is that Armand takes no initiative just for himself. He's not really anybody, because he never goes out and finds himself or gets attached to anyone but Louis. Without Louis as his guide he's literally just sitting on a couch picking lint! That's the thing.

He orbits constantly around what would make Louis happy, and never really fully going what would make me happy? Ultimately that drive to please Louis is what drives him to torturing Daniel, not so much that he'd care to just do it. Ultimately, not giving proper care to Louis is just a way to make sure Louis knows he has to orbit around him as well, with shoving Lestat onto him just that other nail on the coffin. So, even if he fails to figure out how to make Louis happy with him, he still knows what Armand is good for, and better than.

That dependency is what drives Armand's abuse. It really just comes down to that. Armand doesn't even realize how suffocated he is by his own dependency. This is just how life is to him. (It shouldn't be lost either that dependency is a theme considering this episode also deals with addiction).

Daniel's fascinating because he's just so driven to be somebody. He's largely independent, he seeks things because he wants them. It's his drug to poke and prod at all the things that he shouldn't. Daniel's exciting because he lets Louis in to something different, lets him in to all this potential in another person that he can also do the same with for himself. It's a real connection. A two way street. It's easy to tell how Armand can be smothering then because he's never introducing him to anything really new, and most the ways both of them connect are all painful and traumatic. It's never just fun because there's always that layer of that pain. Fun died with Claudia.

50 years on they've gotten to a lot better place, both of them, but it's still that same shit. No seriously, "How is this any different from last time, Louis?"

Well... Because Armand's going to be, at the very least, making one [1] decision only for himself - and that's to hold power over Daniel's life. Fucking sick foreshadowing.

They aren't driving each other to the brink anymore but "The vampire is bored" STILL. Maybe it's even worse, despite being in better places, because Louis' sort of just been defeated by it. (I mean, can he even really leave this either?). He's accepting the dependancy cause he kind of has to. He'd literally ended up letting all the enjoyment be up where he can't reach [The book shelves]. Armand so desperately wants Louis happiness but what really ends up happening is that Louis ends up having to give Armand all his own. He's got no one or anything else to get it from. But like an iPad and an over the top eating ritual. Two extremes of what's just more lint picking.

This whole relationship is one I find just tragic inside and out. You have to just pity it, really. There's ways in which you can find yourself feeling bad for both of them. But you can only really be mad at Armand for any of it. Armand, who isn't even 'free' in any sense, having so little concept of his own independence, but is at the same time so controlling over other's. It's a tragic cycle. It's an infuriating one.

Louis at least has the mind to know when enough is enough. If just needing that extra push to get there. Armand's too scared of it being over to even try.

[cluescorner]

Arlecchino's whole deal is unbelievable

Arlecchino: Huh I wonder what's causing my weird powers? I can't really worry about that right now tho, I've gotta become King and then kill my "Mother".

*Kills Clervie and "Mother"*

Arlecchino: Huh I wonder why I was able to defeat a Fatui Harbinger when I'm like 17 or so? I can't really worry about that right now tho, I've gotta be in jail and become a Harbinger.

*Is in jail for a while and becomes a Harbinger*

Arlecchino: Huh I wonder why I am-

Pierro: Hey what's up hello, anyways you're descended from the Crimson Moon Dynasty of Khaenri'ah. I'm sure that this is a lot for you to take in so-

Arlecchino: Ok.

Pierro: ...You're just cool with that?

Arlecchino: IDK maybe? I can't really worry about that at the moment, I'm a father now. This orphanage full of children I love (who also are child soldiers and are not allowed to leave or else I'll execute them except maybe now I'm just gonna wipe their memories IDK I'm morally complex) isn't gonna run itself.

*Runs the orphanage/spy recruitment initiative*

Me, the fucking player: WHAT DO YOU MEAN YOU ARE KHAENRI'AN? WHY WASN'T THIS BROUGHT UP IN YOUR FUCKING QUEST?? OR ANYTHING ELSE????

Arlecchino, talking to me through my phone: I honestly don't know why you care, I'm too busy to give a shit. Anyways, I'm gonna go fight fate itself I guess. I'm sure that I don't share any thematic parallels with any other Khaenri'an characters (particularly as it relates to acting and family angst) and that I haven't made the idea of 'curses' on Khaenri'ans and what they entail even more complicated than they already were. See ya.

[brw]

I should stop talking about the homophobicly gay cosplay video but I've never been able to stop thinking about Simon with a weird Australian accent saying "I'm metro, if anything" like yeah that's Simon. Self described metrosexual.

[liquidstar]

a friend who'd wait :)

[toddtakefive]

btw todd’s reluctance to join the dps because he doesn’t want to read (which is then accommodated for) and is scared to put himself out there (which is also worked through) being read as todd not wanting to go AT ALL, and thus neil making the proper accommodations (“todd anderson, who prefers not to read, will keep the minutes of the meetings”) and encouraging him to step out of the box that stifles him being seen as ‘forceful’ or like he can’t take no for an answer makes me insane with rage

[lokh]

oh my god. a manga where everyones actually wearing masks???

edit: NEVERMIND jumped the gun here it was just for one scene cos they were at a nail salon 😭

edit 2: hmm actually. depending on how recently this manga was drawn it could just be reflective of how not everyone wears masks. the customers are wearing masks in the salon but outside usually not but Sometimes. they are

edit 3: I WAS RIGHT??

[snickerdoodlles]

there's a point at which someone's fear of being a dick wraps back around to them just being a dick anyways