#traditions kept

[amerricanartwork]

Look! Over there!

It's another little creature!

And look... I think it recognizes the first!

Awww~! What a sweet reunion!

-.-.-.-.-.-.-.-.-

I'm back with another felted slugcat! Like I said, I think I'm going to try felting all the characters, and since I began with Survivor, it felt fitting I'd do their sibling next (especially since it'd be good practice for making colored slugcats)!

Other than the yellow hue and the happier-looking expression I gave it, it's pretty much the same as before:

ALSO...

Thank you SO, SO MUCH to everyone who showed support on my needle felted Survivor!!! I was hoping it'd turn out both cute and accurate to the official art, but I did NOT expect the sheer volume of love everyone sent its way (you guys made it my most-liked and most-reblogged post by FAR in just a few days)!

I always adore seeing people enjoy my art, so I hope you all continue to enjoy seeing the rest of the cast as they come out in woolen form! Until then, the scug siblings say thank you!

[crabsnpersimmons]

This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!

Inspired by @bamsara's “Solar Lunacy” fic.

If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!

so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:

and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!

you thought the animatic itself was sad?

*writing muse laughs maniacally* IT'S ALL A METAPHOR

Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.

Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.

Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.

Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.

Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.

Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.

Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.

Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.

Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.

The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.

This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.

(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)

Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.

The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.

From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.

Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.

Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.

There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.

Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.

Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?

Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.

The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.

Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)

Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.

Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.

But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.

Thanks for reading and watching!

We'll be back to our regularly scheduled fun and games shortly!

[boy-wonderoncologist]

what ‼️ another house md character ranking ⁉️ no way ‼️ (thanks for voting)

[im-not-a-sheep-art]

A portal piece I made for a school assignment :)

Reference underneath

[intermundia]

i AM glad that anakin, even inside ahsoka's imagination or force communion or whatever that was, made sure to mention obi-wan by name at least once. it just wouldn't be anakin (or vader) if he didn't do that lmao

[kabukiaku]

where was this band when i was a wee teen questioning my religion man. anyways art dump cause I couldn’t hold myself back. i love Ghost so so so much ahHHHHH- 🖤🤍✨💀

[kawaiialeisha]

What is Wally up to? ✨

Hmm.. nothing suspicious, I hope!

[doodlesdreaming]

Quick 💀🧼 before I call it a day.

[relaxxattack]

every time someone calls moirallegience just an alien qpr i wilt a lil like YEAH thats more or less the CLOSEST human thing but its also Literally Not That. like a qpr is fundanmentally not romantic and thats not even going into moirails whole Actual Purpose of calming ppl down. its just. aughhhhh pisses me off i see the confusion but, as aformentioned, aughhhhh

OH MY GOD THIS HAS BEEN BOTHERING ME TOO.... but i don't want to get petty at the people in my notes always saying "moirails are QPRs!" because in some ways that is the closest human thing so it's hard to be mad...

i think there's definitely some overlap in some ways. but NOT because moirallegiance and qprs are the same at all really, but INSTEAD because both relationships have unconventional boundaries defined by the people within them.

you know... like every relationship.

like the only reason the two have overlap is because they are both partnerships that emotionally care for each other but can choose to not bang (which is true for any romance anyway, even if it's considered abnormal). they're both just romances* that are unconventional to human norms, which makes people view them as the same thing when they're not.

i think the REAL issue here is that humans insist on using human words to understand things that are just, fundamentally, alien. can't we just appreciate alien romance for being... alien romance?

no, it's not platonic, it's romantic. it's just romantic in a way you aren't quite wired to understand, is all.

*in generalization, most QPRs are not romantic, because they are made up of aroaces who are life partners in a non-romantic way. however i want to disagree with you that none of them are romantic, because that is up to the partners in question.

[medusas-daughter]

The necklace happened because Shauna wanted to say "goodbye and I love you and I hope you're safe wherever you're going" to Nat one last time before she lost her

The hunt happened because Shauna couldn't do it in cold blood, couldn't just look in Nat's eyes and slit her throat, only the run and the blood pumping and the hunt could bring her in a state capable of killing her friends

The face masks happened because Shauna couldn't look at Javi's face while she dismembered him, needed to do it by feel alone so she could keep pretending it was an animal and not the boy she had bonded with and protected all of last season, the boy who came back traumatized and non verbal yet still sought her out and followed her advice and took his thoughts to pen and paper like she does

[diamondsheep]

Monster Trio Redraw !! (2023-2016 )

Lineart :

This is a redraw of (apparently) my first One Piece fanart ! I drew this long before i became an OP fan and also this was a gift for a friend who told me for YEARS to watch OP lol 😅

[hemovanadin]

busted out the ol' pen and ink at the library last monday.

[cheerioskid]

May I request Keralis and Pearl from s8?👀

they are besties!!!

[havecouraqe]

Kitty’s adventure is beginning at the same age as Lara Jean’s! We love cinematic parallels!

[drakaripykiros130ac]

What is it with this Targaryens are blood supremacists bullshit?

Let’s make some things clear right now:

1. Targaryen blood is superior. It’s not some sort of twisted Nazi belief, like some people make it out to be. It’s actual fact.

Sue the Targaryens for constantly pointing that out and lacking modesty. It doesn’t make it less true.

Their blood gives them godly features and the ability to ride dragons. The hypocrisy of Andals never ceases to amaze me: they have a tendency to complain about how Targaryens have ‘queer customs’ but what actually bothers them is that they choose to keep their ‘superior blood’ within their family and not share it with others. Andals criticize Targaryens for being different and yet trample over one another for a chance to marry into their family so that their offspring would have godly features and ride dragons. If Targaryens are so “bad”, then why don’t Andals keep to themselves too?

2. When did it become an actual problem to want to stick to your own kind?

Valyrians are not originally from Westeros. Their home was destroyed. They found another home, of people who constantly judge them and look at them differently despite hundreds of years after conquest.

Despite the many flaws in the show, there is something that actually stuck with me: when Daemon said, “Valyria is gone. We don’t belong anywhere.”

This actually broke my heart a little and got me thinking: how many Targaryens actually felt like strangers in their own home despite having been born and raised there?

I mean, Andals constantly treat them differently and yet blame them for wanting to stick to their own Valyrian kind (Targaryens, Velaryons and Celtigars).

The Conquest in itself is no excuse. The Kingdoms were divided and at constant war with one another, which destroyed the smallfolk. The Targaryens took away their individual powers, united the Kingdoms and gave the people a better chance at peace. The Andals are pissed because they lost their autonomy? Well, considering what they used that autonomy for, they shouldn’t have had it in the first place.

I applaud the Targaryens for taking charge and conquering Westeros for a better future. I mean, do you honestly believe that they would have been accepted in Westeros if they hadn’t? That they would have showed up with their dragons, asked to be a part of the Andals’ world and they would have been accepted with hugs and kisses? Don’t make me laugh. They would have never survived if the Andals kept control of Westeros.

And do keep in mind that if their intentions were actually bad, the Targaryens would have turned Westeros into the new Valyria. They didn’t do that though, did they? They even accepted and converted to their faith.

3. Valyrians are actually attracted to their own kind. So what? It’s their custom and nature. It’s the one thing they asked for. The only exception. To be able to keep their traditions of marrying within their family, not only in order to keep their blood pure for the purpose of controlling dragons, but also because they feel comfortable with one another. They connect with one another. They don’t want to lose ties with their true home, with their history, language, culture etc.

Andals will never be able to understand Valyrians. It’s called having a connection with someone. It can be both physical and emotional (like it was with Daemon and Rhaenyra). Why is that such a crime?

Targaryens are constantly criticized for wanting to stick to their own kind, yet the Andals have been treating them like strangers for hundreds of years simply because they are different.

Who is the blood supremacist here?

Who are the ones who constantly discriminate and create the division lines? Answer: the Andals.

[scrimblyscrorblo]

My Demon Slayer OC, he’s my silly lil’ guy. His name is Hikaru and he’s an orphan, of course. This lil’ guy is 19 years old and the light of my life

And he’s a water breather, he was one of the students who attempted to train under Kyojuro rengoku but couldn’t. He knows exactly one flame breathing move TT he’s trying He’s all about trying to be as kind and giving as possible and the haori he wears is his mother’s <3

Some traditional sketches of this fella -> he likes tying back his haori sleeves when he fights

They travels with two other people who I’m gonna draw soon.

Hikaru looks pretty feminine and is sometimes mistaken for a women. Often times people can’t really tell and often refer to the them as ‘they.’ He doesn’t really mind, he doesn’t feel like either

(He’s agender he just doesn’t know it)(He’s me as a kid when I simply had 0 concept of gender)