#triggers: long post

[bcdbiitchx]

INTRODUCING: BLAIR HOLLIDAY .

Full name: Blair Anne Holliday.

Parents: Jess (alive) and Tyler Holliday (deceased.)

Birthday: February 14 (thirty-four).

Children: A daughter she shares with Roman Reigns.

Occupation: WWE Makeup Artist - she works for the main roster mainly on SD Live but she bounces around where she's needed.

Sexuality: Bisexual. She has no real preference between male or female, if she vibes with you, she's going to wanna spend time with you.

Backstory:

Blair is a complex and difficult individual - she grew up in extreme poverty and saw her father abuse her mother for many years until her mother got the courage to leave and take Blair with her. It took many years for Blair to really analyze the situation and see how horrible it was and how much it actually damaged her and traumatized her to witness these things. When she got older, she met Joe Anoa'i aka Roman Reigns and the two sparked up a pretty solid friendship, it wasn't until a few months later that they started dating and became inseparable. For Blair Roman was it - she knew she was going to marry him and so she did, the two eventually had a baby girl and this is where things took a turn for the worst. Blair's life felt like it completely changed from what it used to be, always with Roman and always working to now being home with a newborn, feeling all alone, and like she had no support. Her husband didn't do much to comfort her or help matters as she struggled with postpartum depression and tried her best to hold her marriage together, it became apparent that wasn't going to happen no matter how hard she tried. The two eventually grew apart and she began to resent her estranged husband. The pair divorced in 2016 and even though Blair's dated other people since, it's been nothing long term or serious as most people find her difficult to deal with. She doesn't trust a single soul besides her ex husband and so she finds it truly difficult to open up and let anyone in. Her marriage failing left her feeling like her mother did all those years prior and so she's very quick to write people off and skeptical of mostly everyone around her. Despite this she does have a good number of friends and she gets along with people as long as she feels they respect her, she gives you the energy you give her. If you are hateful to her, she'll be 10x worse. She's all about the energy you give her.

plotting is wide open for this one, however ships are completely chemistry based and will probably be very difficult to form as she's really not trusting of others since her divorce. <3 However I'm looking forward to plotting with all of you!

Plots:

Ex husband: @blocdline

[christadeguchi]

"i would know her by reformed body alone... i would know her in death"

also... there's official art

[tofixtheshadows]

I've been thinking a lot lately about how Kabru deprives himself.

Kabru as a character is intertwined with the idea that sometimes we have to sacrifice the needs of the few for the good of the many. He ultimately subverts this first by sabotaging the Canaries and then by letting Laios go, but in practice he's already been living a life of self-sacrifice.

Saving people, and learning the secrets of the dungeons to seal them, are what's important. Not his own comforts. Not his own desires. He forces them down until he doesn't know they're there, until one of them has to come spilling out during the confession in chapter 76.

Specifically, I think it's very significant, in a story about food and all that it entails, that Kabru is rarely shown eating. He's the deuteragonist of Dungeon Meshi, the cooking manga, but while meals are the anchoring points of Laios's journey, given loving focus, for Kabru, they're ... not.

I'm sure he eats during dungeon expeditions, in the routine way that adventurers must when they sit down to camp. But on the surface, you get the idea that Kabru spends most of his time doing his self-assigned dungeon-related tasks: meeting with people, studying them, putting together that evidence board, researching the dungeon, god knows what else. Feeding himself is secondary.

He's introduced during a meal, eating at a restaurant, just to set up the contrast between his party and Laios's. And it's the last normal meal we see him eating until the communal ending feast (if you consider Falin's dragon parts normal).

First, we get this:

Kabru's response here is such a non-answer, it strongly implies to me that he wasn't thinking about it until Rin brought it up. That he might not even be feeling the hunger signals that he logically knew he should.

They sit down to eat, but Kabru is never drawn reaching for food or eating it like the rest of his party. He only drinks.

It's possible this means nothing, that we can just assume he's putting food in his mouth off-panel, but again, this entire manga is about food. Cooking it, eating it, appreciating it, taking pleasure in it, grounding yourself in the necessary routine of it and affirming your right to live by consuming it. It's given such a huge focus.

We don't see him eat again until the harpy egg.

What a significant question for the protagonist to ask his foil in this story about eating! Aren't you hungry? Aren't you, Kabru?

He was revived only minutes ago after a violent encounter. And then he chokes down food that causes him further harm by triggering him, all because he's so determined to stay in Laios's good graces.

In his flashback, we see Milsiril trying to spoon-feed young Kabru cake that we know he doesn't like. He doesn't want to eat: he wants to be training.

Then with Mithrun, we see him eating the least-monstery monster food he can get his hands on, for the sake of survival- walking mushroom, barometz, an egg. The barometz is his first chance to make something like an a real meal, and he actually seems excited about it because he wants to replicate a lamb dish his mother used to make him!

...but he doesn't get to enjoy it like he wanted to.

Then, when all the Canaries are eating field rations ... Kabru still isn't shown eating. He's only shown giving food to Mithrun.

And of course the next time he eats is the bavarois, which for his sake is at least plant based ... but he still has to use a coping mechanism to get through it.

I don't think Kabru does this all on purpose. I think Kui does this all on purpose. Kabru's Post Traumatic Stress Disorder should be understood as informing his character just as much as Laios's autism informs his. It's another way that Kabru and Laios act as foils: where Laios takes pleasure in meals and approaches food with the excitement of discovery, Kabru's experiences with eating are tainted by his trauma. Laios indulges; Kabru denies himself. Laios is shown enjoying food, Kabru is shown struggling with it.

And I can very easily imagine a reason why Kabru might have a subconscious aversion towards eating.

Meals are the privilege of the living.

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[parkerstorms]

im sorry i dont usually do this but this post pissed me off so fucking bad and op has replies turned off (because of course they do)

fellas. is it gay to wear pink and have long hair and sing and dance? cause i didn’t realize we were using bioessentialism in movie analysis now that’s crazy

sarcasm aside this is literally why i don’t go in tags anymore because none of you are media literate. not a single one of you. longlegs is not wearing makeup in the movie. it’s shitty plastic surgery; that’s why his lips are red. you can literally tell by just looking at him that it’s not lipstick. the clothes he wears are all off-white or white. the falsetto he’s doing is very obviously meant to mimic that sort of “goochie goo” baby talk a lot of adults unironically use towards children. also coding? ‘coding’ is not when you interpret something from a movie as anything you want because you feel like it. coding is an intentional act committed by creatives to further their story and allude to specific real life things for a specific narrative purpose. it is an intentional act of storytelling. it is not you looking at a movie and assuming something as fact based off slight vibes

and i’m just gonna say it. if you see a male character with long hair that’s acting generally creepy in the vicinity of a child and automatically assume that that character is being coded as a transwoman, YOU ARE THE ONE BEING TRANSPHOBIC.

like holy fuck some of y’all have never actually looked inwards once in your life and it shows

[soulren]

Go spend some time on male pattern baldness or male(AMAB) balding forums/subreddits and such. I did after realizing it is happening to me and the ammount of people who truly don't realize how BRUTALLY it tanks people's confidence and mental health is insane.

There's no cure to baldness by the way, and it can start at any time and there's no way to predict how fast or slow it will go. The only real working option is a daily pill that usually just halts it, but it can stop working or just slow it down or cause major side effects. To regrow you have to use a daily topical solution, or use a roller to wound your scalp. None of these are surefire by the way, and if you stop them you'll just lose your hair and whatever you regained. It's a daily involved thing that might not work and often at best just retains. The best drug, the one that occasionaly gives regrowth, also causes shedding at the start, and can have side effects from growing breasts to brain fog to EDsyfunction(sorry, censoring cause tumblr). Now, those are INCREDIBLY rare and almost never happen but it weighs heavily on the mind of those already spiraling.

But that's just background. What I'm here to talk about is the pure woe you'll see on those forums. People speak as though their lives are over, as though they've lost every chance of finding a woman(predominantly, there's a running idea in such places that women don't like bald men or like them less) or doing anything. You can read countless stories of people who describe that they no longer go outside, are now filled with anxiety and self-hate, have gone from extroverted to never showing their face. And some of these people are kids who lost their hair in high school or even before, or are holding as best they can to a very receded hairline and feel like there is nothing they can do.

And then there's something touched upon far less in those communities, but is important to bring up here; baldness and masculinity. There's the horror of knowing so much of society sees a bald guy as a very masculine guy, at seeing that the best advice for being hot and bald is "grow and beard and big muscles bro". Imagine now you're AMAB balding and nonbinary, or a trans woman who doesn't want to be on hormones.

Just genuinely take the time to look at those forums no matter who you are. Understand what these people go through, what I am currently going through. It is soul-crushing, spiraling, brutal. I have the dream of one day being like Brennan Lee Mulligan or Matt Mercer and starting to lose my hair made me feel like I could never. I felt like and still feel like I would have to be masculine, have to be a bro-y dude, have to look older than I was(I'm fuckin 22). It was the feeling that I could never dress feminine again, never present as a woman when I wanted to again, that I'd always be viewed as a bald guy before anything else.

This is an incredibly vulnerable post for me, and I hope it reaches you all as well in a kind and understanding mood. There's a tendency online for people to joke about baldness, to make fun of it, to treat it as a playfull silly thing but it fucking ruins lives, and it shouldn't. It happens to half the population's sort of bodies and very often. It should just be a neutral thing. You don't need long hair to be feminine, you don't need hair to be feminine. You don't need hair for anything. I guess I'm just saying in general that everyone should be kinder about balding, more understanding, and view it with as much import as they'd view the pixels between this sentence and the next. None at all, I mean.

And for those like me, very feminine guys who wanna keep that and don't want a beard and are terrified of balding, here's some names and I do hope others that see this will add more; Mr. Bruce (also in The Correspondents(band) Alex Ward in LA By Night Jason Carl in LA By Night Cecil Baldwin of Welcome To Night Vale Bob The Drag Queen RuPaul(in looks alone, I know about the whole fracking stuff but this post is about looks) tananasho on instagram Also your mannerisms and style of dress will convey femininity far more than your hair. Yea sure a front-on neutral shot of you may not and maybe you need makeup and stuff, and hell maybe a lot of people might reject you more but it'll just filter down to the people for you.

And to all you artists and writers and creatives; make more bald characters. Try it out. Feminine ones, masculine ones, all sorts. None of the copout nonhuman sort, just dudes and girls and mates and individuals who are all sorts of things and also bald. It might make a few of the people going through the various vortexes of pain that balding causes feel a bit better.

And to those noticing I did not adress female hair loss much here, that was intentional. I am AMAB and currently a nonbinary guy who goes by any pronouns but often likes to present as fem. I learned I was possibly losing my hair and lost two months of my life, no work or going or anything, to male hair loss forums and research and spiraling. Checking my hair twenty times a day, unable to sleep, unable to eat, unable to think. And my situation was NOT unique, but it also did not give me any experience or understanding of female hair loss and what AFAB people may go through with that, so I don't feel knowledgeable enough to speak on it. Also living with baldness WILL get easier and you will find something that works for it, by virtue of simply living with it. Things get easier with time.

[itsbl4kebitch]

CHARACTER INTRO --

I suck and am only just now posting this but fsdkjldfsajds bare with me friends, don’t hate me too much. x] below the cut is information and a little backstory on my muse !! 

Full name: Blake Penelope Marie.

Hometown: Cleveland, Ohio.

Currently resides in: Orlando FL 

Sexual Orientation: Bisexual with no real preference if she vibes with you, she vibes with you! 

Birthday: July 23, 1993 -- 29 years old. 

Occupation: A seamstress currently working with All Elite Wrestling but she does work for other people on the side as well. 

Nicknames: Blakie, Blaker. 

Blake Penelope Marie was born July 23, 1993 in Cleveland Ohio to her parents Ted and Victoria Marie -- she had a relatively normal childhood until she was 12 years old. She came home from school one day to her father letting her know that her mother had ran off to be with another man and left them. From there on out, Blake and her father were all they had of one another. Her father carrying a chip on his shoulder of why his wife would leave him and their daughter and Blake having a crack in her heart. She could never understand why her mother would leave and never even tell her why or say goodbye, try to reach out to her. She hasn’t seen her since she was 12 years old and it’s left a pretty decent sized hole in her heart ever since then. She’s always looking for a sense of belonging with people and especially looking for a family -- someone she could trust but the problem is it’s difficult for her to trust pretty much anyone because of what her mother did. However there’s always light at the end of the tunnel so they say, when she was 13 years old her grandmother taught her how to sew and that’s been her outlet and passion in life ever since. She’s never prided herself on being good at many things but sewing was always a thing she loved, fashion was always a thing she loved. When she was 24 years old she began creating clothing and costumes for a few of her friends who worked in the indy wrestling scene -- it was there she got noticed by bigger names in the industry and began working for various different companies like NJPW, Impact, etc. When she was 27 she got a job opportunity with All Elite Wrestling and she’s been working with them ever since. 

Blake is kind of loud, bratty, has lots of attitude, and some think she can be obnoxious but she really just wants to feel she belongs. She enjoys going out, drinking, and having a good time but in the end she’s really looking for someone that she could settle down with. 

Shipping is purely chemistry based for me but I’m totally down for any and all other plots! Exes, enemies, etc are all up for grabs and I love writing so don’t be shy! Hit me up for any kind of plotting or like this and I’ll come to you! <3 Thank you for taking the time to read all of this. 

[physalian]

On Writing Characters with Hyper-Specific Triggers (and a PSA)

*Trigger warning for this whole post

Once upon a time, I had a roommate. Nothing looked wrong from the outside and this narcissist probably thought nothing was wrong on the inside, but there was. I knew moving in with them was a mistake, but financial circumstances demanded I shut up and try to make the most of it. Enter the longest thirteen months of aPTSD-inducing psychological stalemate I hope to never repeat again. Seven of which were on overdrive.

The why doesn’t matter. The how doesn’t matter. What matters is that this roommate was so toxic, there was no point in attempting to talk things out because any little thing could be a land mine for starting an argument and it didn’t matter what casualties got caught in the crossfire, so long as this person “won”. Casualties including our friendship. So if any little thing, anything at all, could be a land mind, what do you do if not try to completely avoid them? For seven months.

This person’s work schedule was incredibly erratic, but they were gone more hours than not, and when they were home, they were usually asleep. In those few overlapping hours where we were both awake, I could not leave my room for fear of said verbal land mines. If I wanted to cook, leave the apartment, get anything from the living room or my desk that I had to abandon, get more water from the fridge, I had to do it before they got home, or after they went to bed, and I could never predict when they’d be home.

Luckily (or unluckily), my room faced the parking lot, and this roommate drove a car that made a very specific sound. From the moment I heard that car from my room, I had about 20 seconds to shut down whatever I was doing in the apartment, retreat to my room, and lock the door. Overreacting? Potentially, I wasn’t in any physical danger, but this was seven months of near complete isolation from any other friends, and the fear of making it worse kept me silent.

So, 20 seconds from the moment I hear the telltale whine of that engine. If I couldn’t hear the car, our front door had a lock that chimes and I had about 7 seconds from the first chime to the door opening to get the fuck out of the way. I lost weight that I couldn’t afford to lose from being unable to cook past a certain time in the evening and staying locked in my room on their days off.

Seven months of only having a door chime and an engine to tell me when it was safe and when I had to run.

—

These chime locks are the new normal and one year removed from that apartment, every time I hear it and I’m already stressed, it’s a trigger.

Every time I’m on the highway and I see a dark grey sedan of that make, that is the most important car on the road until I make sure it’s not their car.

Every time I see a dark grey sedan parked in reverse, as they habitually did, that is the most important car in the parking lot until I make sure it’s not theirs.

Every time I have to drive near a certain location where they work, I am watching for that car.

I could pick it out from 200 others. I know the license plate, I know the license plate frame, I know what sticks to the windshield, I know what hangs from the rearview mirror. I would know that car rusted and crushed in an impound lot.

So. Today I drive home and I pass a rear-parked car one turn before my unit, and I think to myself, “that’s not X’s car, but I noticed it, I’m never not going to notice it.” It wasn’t the same make, model, or color, it was just a sedan with its nose sticking out and that was enough.

Then I turn the corner. And there it is. My ex-roommate’s car.

I shit you not it was like I had a warning from the Universe before it hit.

I don’t need to check the windshield, I know it’s theirs. I’ve seen it in my complex once before. The last time I did, I’d parked my own car and waited, got out, and hid between two others in the dark, waiting for this person to leave.

Today, in broad daylight, that car is empty. They happened to arrive while I was gone for 30 minutes. So I park, and I wait. I watch that car from my side mirror. I scan the sidewalk for them and I don’t see anything. I have frozens that can’t wait.

I’m thinking to myself, of all the parking spots in all the parking lots, of all the apartments in this godforsaken town, you parked right behind my spot.

Nothing happened, and even if we crossed paths, nothing probably would have happened (that’s how they worked, pretending nothing was ever wrong and that I was the crazy one). But I still waited, and when I decided to leave, I moved as fast as possible without drawing attention. One whole year removed from that person.

—

It doesn’t take physical abuse, or yelling and screaming and death threats. It doesn’t need to be a parent or a sibling, a relative, or a romantic partner. This person never touched me, never screamed (though they did yell on occasion), never actually threatened anything. They never called me names, were never direct with any of their insults, were never explicitly petty. I had no proof. Ever.

I just had example after example of every time they cut me down to feel smart, picked on me to feel better about themselves and project their own insecurities and jealousy, or used me as their emotional punching bag because of choices they made.

So a year after completely cutting them out, there’s that fucking car parked outside my apartment.

Media portrays “triggers” usually only in characters who are veterans. Noises that sound like gunshots, or thunder, fireworks, because that’s what we think of when we see PTSD—people who fought in wars.

It’s not like I sit around fixating on that car or that door chime (and actually with exposure to that chime every day with no consequences it’s gotten better), but that’s the point. They come out of nowhere when you least expect it. They don’t prepare you for their arrival, they just happen.

I didn’t have anything close to a panic attack, but nothing in the universe was more important in that moment than making sure I didn’t run into this person, until I calmed down.

Trigger attacks don’t have to be this big flashy thing, born of big flashy movements. It can be something as subdued as going quiet, staring at the thing, and your brain dumping everything else except all the potential outcomes of not escaping this situation immediately. It’s just a car. It’s not like an evil Big Dick truck with smokestacks and truck nuts and a MAGA flag on the back. It’s just a nerdy sedan that could belong to anyone.

—

So. PSA.

What you think might be an overreaction by someone you care about, they probably think is an overreaction, too. Did I want to have fate shit on my day and spend extra minutes under the hot sun when I have chores to do? No. But it happened.

What you think a trigger is supposed to look like or what the symptoms are supposed to be are not just what’s dramatic and flashy for the TV. Here I am writing a whole blog post about it instead of just moving on and I can't go back and check for typos because I don't want to have to reread it.

Do you want to die on a hill of “get over it” when someone you care about would love nothing more? Just. Be there for them.

And to writers, artists, anyone—it doesn’t have to be dramatic to be the most upsetting part of someone’s day. Including such simple things as a door chime, or the sound of an engine, really helps with visibility so people like me don’t think “I’m not allowed to feel this way, I didn’t actually suffer like a shell-shocked veteran”.

Most of us never will. That doesn’t make any of our hardships any less valid. Please be kind.

[chinzhilla]

[Anyway, what do you think about when you run?] I imagine a huge crocodile chasing me.

Cha Joo Wan as Cha Yeo Woon in Love For Love's Sake episode 4

[perfectlyvalid49]

Today is January 27th, which is International Holocaust Remembrance Day, and I'd like to get some stuff off my chest.

First, I'd like to take a minute to point out that it is not Yom HaShoah, which is the day Israel (and by extension large portions of the Jewish diaspora population) uses as Holocaust Remembrance day. Yom HaShoah is on the 27th of Nisan, a date that was selected to commemorate the Warsaw Ghetto Uprising, centering Jewish resistance in our own story. That date was selected nearly five decades before the UN picked January 27th, which was selected to center our white saviors who came to liberate Auschwitz. This is utter bullshit. And no excuses for not being able to handle a moving date on the Gregorian calendar - April 19th would be the Gregorian equivalent, and it was not selected.

Having said that, given how many infographics I've seen over the last four months about how people are increasingly denying or doubting the Holocaust, I figure any day that acknowledges it is a good thing, so yeah, let's take two days to remember. I think it's worth it.

So given that this is the Holocaust Remembrance Day that centers our goyishe friends, let's talk about how our goyishe friends should observe the day.

1. It is likely that you never learned a lot of details about the Holocaust. Holocaust education usually boils down to, "and the Nazis put Jews in camps in order to kill them, and a lot of Jews were killed in gas chambers, and about 6 million died in all." Go learn some details. Read or watch an account from a survivor.  Learn about the medical experiments, or the death marches. Learn some details about what the gas chambers were actually like. Try to understand the horror. Learn about the SS St. Louis or the Evian conference in 1938 where almost every country on Earth decided it was better to let the Jews die in Germany than to allow them into their own countries.

2. On that note, take the time to understand that anti-semitism neither began nor ended with the Nazis, and that even the "good guys" were incredibly antisemitic.Try to recognize that the antisemitism that was present where you live right now in the 1930s didn't just disappear, it just went into hiding. Think about where it might be hiding now.

Basically, because this is the Holocaust Remembrance Day for the goyim, I want to focus our remembrance of what happened on the goyim. What did they do? What could they have done to help? Why didn't they? We can come back in May for more Jewish focused learning, but the Holocaust could not have happened without A LOT of willing goyim, and I think we should spend the day remembering them and their actions.

And as a side note: if you happen to read this and you've chosen to spend the day engaging in Holocaust denial or Holocaust inversion, then know that my hope for you is that something happens in your life to teach you empathy and basic human decency. And I hope it isn't pleasant for you.

[isagrimorie]

Criminal Minds Evolution 17x05 - Conspiracy vs Theory

"Ever since I was arrested, I have sold out every value I've held dear. And when you do that, it gets harder and harder to tell the difference between a 'conspiracy' and a conspiracy theory."

[christadeguchi]

if nothing else can save america this zero-year-old fairy baby otter with no gender can. chiitan's platform is love. and chaos.

[phleb0tomist]

did you grow up with chronic pain? did you get called sensitive as a kid/teen with chronic pain? were you bombarded with wisecracks from adults who said you won’t know real pain till you get older? join my initiative to ban this vile practice from planet earth!

i had chronic pain as a kid. (still do now.) my physical ability was best in childhood, like, i could do cartwheels then, meanwhile i can’t walk now. but istg my pain was regularly at this very same level back in childhood. ok i have extra symptoms now which make things harder, but if we’re JUST focusing on the pain part, it’s often the same. this blows my mind. the level of pain that i have now, bedbound and with opioids and a million accommodations, is the same level i had when i was 10 when i was just walkin around all day, asking my teachers nicely if i could sit indoors during playtime. (they said no btw.) back then, every time i tried to tell people how much everything hurt, adults said i was “sensitive”.

was i sensitive? is that what i was?

I think i must have been insanely powerful as a 10 year old to be out and about with a level of pain that makes me nonfunctional as an adult. I wonder how many kids and teens are in that amount of pain right now and are being dismissed because of their age. i think the way adults treat children with long term pain is evil. “you don’t know real pain! it only gets worse as you get older! wait till you grow up!!”

okay i waited.

i’m closer to 30 now than i am to 10, and the more hindsight i gain, the more i realise what a horrific violation it is that my pain was ignored when i was the most vulnerable to the trauma of unmanaged pain and had the least frame of reference for what level of agony is normal to experience while climbing stairs

[solarmorrigan]

TW: Brief description of a panic attack, mentions of PTSD

-

Post-S3 AU with Steve who, after much badgering (and minor bribery) agrees to drive The Party out to The Good Haunted House outside of town a little before Halloween

He doesn't plan on going in, because after what happened over the summer, having people jumping out at him and screaming while possibly brandishing weapons seems like a bad idea. But then he sees the kids walking off into the dark, swarmed by people who look intentionally threatening, leaving his sight, and he decides "fuck it" and goes in after them

Unfortunately, he was correct, and being in an enclosed, poorly-lit space with occasionally flashing lights where people jump out and scream at him is, indeed, A Bad Idea. Worse, their group gets turned around and Steve gets separated from the kids, and then he's alone, he has no idea where in the house he is, or where the kids are, and he's panicking

It really sets in that he's kinda fucked when he stumbles into the the "haunted hospital" themed room and nearly decks the mad doctor in a bloody face mask and apron that comes out wielding a chainsaw. He catches himself in time, but it still makes Steve feel worse, because it's not this guy's fault that Steve can't handle a jump scare, it's not this guy's fault that Steve shouldn't be here at all, that he's fucked up and he should have known better than to come in, and Steve doesn't want to hurt anyone but he doesn't know how the fuck he's going to get out of there, he really doesn't, and -

Enter haunted house actor Eddie, who is used to being threatened with violence (and has, in fact, been punched once before), but who is less used to people having literal heaving breakdowns in the middle of his room. People get scared, yeah, but this - this is another level. This dude looks like he's about to pass out. He doesn't even really look like he's present; the look in his eyes is uncomfortably distant

So Eddie puts down the chainsaw, pulls off his mask and gloves and approaches Steve slowly. The room is fairly quiet without the revving of the chainsaw, so he manages to get Steve's attention, and asks if he wants Eddie to get him out of there

Steve can only nod

Eddie gets him out the back way, the way customers really aren't supposed to go through, but it's faster, and then they're out in the open air and Steve can almost breathe again. Eddie asks him what he can do, and Steve asks him to talk. To remind Steve of where he is

So Eddie talks; he tells Steve he's somewhere outside of Hawkins at a haunted house, tells Steve what it's like to work there, filling the space with funny stories, and it grounds him. By the time Steve feels like the world isn't caving in on him, he can hear the kids shouting from around the other side of the house, looking for him

He has just enough time to thank Eddie before The Party falls on him and he puts his attitude back on, herding them back towards the car with promises of dinner on the way back "if you can all shut up for five minutes"

In the back of his mind, though, he's wondering if he might just drive back out here on his own tomorrow night. Not to go back in--god, no--but to maybe ask at the front who the mad doctor is. Steve thinks he'd like to thank him for his kindness properly

[yandere--stuck]

AaaaaAAA I was so happy to see you already had a gore fic for Bill in the works! I have reread it like. 5 times. Your writing scratches my gore itch perfectly, and I just adore fics the intestinal stuff especially <33 and his mentions of your heart also… the romance!! I was inspired by what you wrote, I hope you enjoy it once again :D! (also im doing great, hope ur doing well too :D!!) - zagreus gore anon

Notes for anyone else: This contains gore!! So much gore!! Body horror— It’s Bill’s love language!! (intestinal trauma, mouth trauma, eye trauma…. Honestly ‘you’ here are violated in like every way possible.) No sexual content, but it’s suggestive to me. Bill Cipher is a Weirdo.

---------

You never quite get used to the pain. You wish you did.

In your memories, the sensation is dulled. You know it was painful, you know it was one of the most horrible sensations of your life, but the full extent of it… You can’t remember. Your brain must be protecting you from it. Every act of Bill’s love would constitute life-long trauma for anyone else, yet you live through another session of it day by day. No. Scratch that. They wouldn’t be alive to recall it. They wouldn’t make it half as far as you. For you, no such easy, simple fate can ever be attainable. The weirdness of his new world has conquered Death itself.

Bill had cradled his intestines in your arms, laughing as they helplessly twitched and writhed against his body, cooing at them as you howled in pain. “Aww, are you excited to see papa?” He’d said, and only the strangeness of it had kept you from repressing it. He talked to your guts as if they were puppies, as if blood smeared across his bricks were innocent licks against his skin instead. Another time, he’d wrapped your guts around his triangular body, and called it the ‘world’s most intimate hug’ as he whispered sweet nothings about how much he looooves you, and also the health of your gut bacteria. Somehow, he always outdoes himself.

Bill had dug even deeper, crumbling your ribs to smithereens in his hands, and held your still-beating heart in his palms as an object of reverence. “All mine, all mine…” He’d muttered to himself, his pupil momentarily expanding to a large, inky abyss. The pain had been so intense that you’d slipped into shock. A bad habit of yours, as Bill called it, would be your tendency to slip into memories of the past to escape the present. When you should be focusing on him.

That time, he’d jolted you back to reality by fire-hot pain slashing through your heart. All the time, it continued pumping, spurting blood in Bill’s direction with every pump. His powers were the only thing keeping you alive. When, once, blood sprayed right into his eye and he was forced to take a break, you smiled for just a moment. A lopsided, crooked grin. He’d used a mirror to show you his handiwork. In the outer flesh of your heart, he’d burned a little triangle. He’d already healed the skin. The lighter pink scarring stood out against the rest of your heart. Marked forever. Though he’s usually so talkative, at that moment, he’d been quiet for just a few seconds.

Then, he’d laughed, breaking all tension. “Wow, it sure smells like barbecue in here!”

On another occasion, he had hummed a little tune to himself, comically large saw in hand, as he cut off your limbs one by one. You could never forget the sound as the teeth sawed through your bones, bit by bit. Tearing through muscle. The clunk of your arm hitting the floor. Your leg. Rinse and repeat. You swore you could still feel your arms and legs, once you lost enough blood and your vision went hazy. Bill had hugged you against his smaller form. (He could change his body’s size, technically. But he always preferred appearing just as he was to you.)

“Without all those gangly, long limbs of yours, we can really cuddle now!” The next day, all of your limbs had regrown.

He’d cradled your face with one hand, and kept your mouth open with his other wrist. You could see nothing except for that giant eye of his as he pried your teeth out of your mouth, one by one. The taste of blood filled your mouth. He’d tug and tug and tug, not nearly using enough strength, and being entirely aware of it, until finally yanking it out once and for all. (Until it regrew, that is.) Under your gaze, he took your teeth one by one, drilled a little hole in them and strung them together on a necklace.

“Hmmmm,” he’d hummed to himself, a long, drawn-out noise. “I feel like it’s missing something. What do you think?” Before you could answer, not that you had any desire to, he snapped his fingers. “Oh! I know! For a sign of our undying love for each other, it’s a little plain with just teeth!”

In the next moment, Bill had taken out one of your eyes. You cannot comprehend how such a, relatively, small part of your face could hurt so unimaginably much. You wanted him to drape his guts all over himself again. You’re sure a point-blank gunshot to the head would’ve hurt less. Been less discomforting. His fingers had shrunk into paper-thin appendages and slipped past your eyeball, digging and cutting away at the nerves behind it. You cried tears of blood. If there was anything in your stomach, you might have thrown up.

Then, all at once, pain had blossomed into pure, mind-numbing pleasure. Compared to the pain, this is what you would like to forget the most. You’d gurgled out a moan through the spit gathered at the back of your throat. Your limbs had twitched helplessly against your restraints. When your optic nerve finally snapped, you’d whined as Bill took your eye out, exclaiming “Pop!” as he did so. For just a moment, he’d juggled your detached eyeballs in his hands, having left you panting.

“Yes, now this’ll make a good centerpiece!”

Pain had become just pain once again as soon as his touch left you. There is nothing good about a gaping, throbbing hole left in your face. You whine, sniffle softly, to get his attention. You hardly ever speak out loud anymore. Bill can read your every thought and is aware of your every idea. When speaking takes up more energy than it saves, why should you? In that moment, you had lacked the energy to think about it, your body desperately trying to recover itself.

Right now, you wonder why he’d make it feel good. Why, this one time. You don’t immediately get a response. Bill just laughs and laughs and laughs, running his fingers across the teeth of his necklace, poking the eyeball in the very middle. In your eye-socket, an exact replica of it has re-formed itself.

“You’re so funny! Why do you think I did anything at all? That was all you, baby!” His pupil transforms into a heart. It’s a blink-or-you-miss it transformation, and as soon as it happened, you think you’ve made it up. “I told you that you’d come around to it! Maybe we can even share in a little bit of pain next time, huh?”

You haven’t been able to stop thinking about it since, both his words and how mind-numbingly good it had felt. Maybe he’d simply lied to you, maybe it’d all been his doing. That would be the best outcome, right?… With time, you know Bill will ‘show you his love’ again— He always does. But this time, you await it with fear, largely fear, but with a little anticipation, too. There’s no need to tell him. He already knows.

ANON I AM BARKING LIKE A DOG!!!!!!!! BARKBARKBARKBARK THIS IS AMAZING!!!!! God, your descriptive voice is so good, it's so vivid!!!! Bill tricking reader into thinking they like it and them believing it...... Yummy yummy corruption in my tummy <3

Thank you so much for this, I can only hope what I write holds a candle to this!!! You never disappoint raaghh.

Bill draping your guts around as the world's most intimate hug. GOD. Also it's so fashionable! Gut scarf, teeth and eyeball necklace, literally wearing pants of your body to shoe his love and claim of you. Aaaa I'm kicking my feet!!

Thank you so much again holy smokes

[inkskinned]

im gonna start a fight; and, at the same time, i need you to take this in the most good-faith way possible, but:

videos that involve body-checking and intentionally (and uncritically) show a mealplan of an unhealthy number of calories are just a revamped version of pro-ana food diaries.

and yeah, i know there's arguments. i address some of them under the cut. but at the end of the day, we're just coming back to romanticizing mental illness; we've just found a better platform for it.

this is already something we've done. we knew it was wrong and tried to stop it. and tbh. it just wasn't enough.

there are people who argue "well, what if you have an eating disorder, you can't help it if you don't eat!" except that as someone with an ED; we are not infants. we know what we're doing. part of having an ED is that you are like, maybe too self-aware. even if we can't help our own food choices, we don't need to fucking romanticize the disorder - something we've been warning you about since 2013. there are hours of setup, filming, and editing that go into these videos. they do not happen to fall into place randomly. there is a reason they are pieced together to be beautiful, bright, inspiring.

there's this woman who pretty much only posts daily plans under a normal amount of calories, and everyone defends her saying but it's better than nothing! and i'm like. except she opens those with images of her showing off her body and provides no context in the video or caption that suggests that she believes what she's doing is unhealthy. she has hundreds of thousands of followers on a platform designed for young kids and teens. i refuse to believe that by accident her content just happens to be cheery advice on "healthy" versions of starving.

for any other symptom of mental illness, we would be incredibly enraged by this kind of placid acceptance of a "tips and tricks" fast-start guide. imagine if people posted pink & pretty videos saying "best places to cut yourself" as if it was a fucking storytime. we, as a society, are so fucking fatphobic that we would rather accept blatantly harmful displays of self harm than admit that we are obsessed with a hyper-thin body type.

i am not suggesting someone never talks about their disorder. i talk about mine. actually, it's a plot point in my book.

here's the difference: i recognize it's a fucking mental illness. i am very careful to never mention a specific weight, eating pattern, or calorie plan. i always make sure to position it as something that ruined my fucking life. i do not put cheery music in the background and hearts and sparkles over my worst moments. i do not film it in bright light. i do not start each passage with an image of a thin body followed by "here's how to look like her."

eating disorders should not be framed as aspirational. and the problem is that society worships the "after" image, so long as you don't get too sick. there is a reason so many people who quit being "influencers" will later admit - i wasn't eating well that whole time; an obsession with food was completely destroying my life.

we let any uncredited, uncertified person write the most backwards, fucked up shit about how to get the body you desire! because the underlying, secret belief is: well, at least they're thin! and the real thing that fucking gets me each time - they make fucking money off of it. their irresponsibility and societal harm literally pays off for them.

"why do you care so much." "don't like it don't look." "so what if people experiment with new ways of thinking of food?"

thank you for asking. we're about to get extremely personal. it's because when i was 18 i discovered "thinspiration"/"thinspo." and it absolutely influenced, shaped, and codified my pre-existing eating disorder. i went from having some troubling habits and traits to being incredibly unwell within what felt like a matter of days. there were actual pages designed to train me on how to have an ED correctly. it was all so suddenly easy. i was sick; and the nature of the illness meant - i wanted to be sicker.

it takes an average of 7 years for a person to fully recover. i know this personally - even now, 10 years from the worst of it, i still fucking struggle. i am so much happier now and i eat what i want and i literally don't think about food at all (19 year old me would shudder) and yet - i still fucking know the calories of plain toast with butter.

an eating disorder is one of the deadliest types of mental illness. over 1 in 4 people with an ED will attempt suicide.

and i'm sorry. i just do not see the exchange rate of "high rate of engagement" versus "the value of a human life."