#tumblr has moved to mastodon

[theelusivepoetalien]

I logged on to let you guys know that I uninstalled mobile and am finishing mastodon migration TODAY after getting a bonus mini panik from autoplay audio ads.... I haven't been on desktop in a few weeks... Want to guess how long it took me to find my own blog on this nightmare desktop UI? Too long. Too. fucking. Long. It's called "unintuitive ui" if it's not downright hostile (ie: stay longer for ads!). Feel free to reply "why don't you just remember to turn your sound down every single time you stop listening to music like any of us have that kind of time and attention" to be autoblocked. Stay tuned. I'll probably drop the new location in the next few hours as I tweak things. I am moving ALL the sub-blogs, so we can understand that takes a little time, yes? Yah, you can drop useful Mastodon related asks in my box.

[memorys-skyscraper]

honestly big shoutouts to el*n m*sk for fucking up twitter so bad

the fact that i literally can't use the site at all now without running the risk of my "impressions" resulting in alt-right chuds getting paid, even just an extra cent, has finally given me the motivation i needed to uninstall/block twitter on all my devices

and since im at it i've finally switched from chrome to firefox, added a bunch of ad blocking/privacy/QoL extensions, changed my default search engine to duckduckgo, the whole nine- all stuff i should've done ages ago but just never did

so, uh, hey! shoutouts to him for being a fucking idiot and driving me off the platform for good, thereby prompting me to change all this other stuff

[anaquariusfox]

I spent the evening looking into this AI shit and made a wee informative post of the information I found and thought all artists would be interested and maybe help yall?

edit: forgot to mention Glaze and Nightshade to alter/disrupt AI from taking your work into their machines. You can use these and post and it will apparently mess up the AI and it wont take your content into it's machine!

edit: ArtStation is not AI free! So make sure to read that when signing up if you do! (this post is also on twt)

[Image descriptions: A series of infographics titled: “Opt Out AI: [Social Media] and what I found.” The title image shows a drawing of a person holding up a stack of papers where the first says, ‘Terms of Service’ and the rest have logos for various social media sites and are falling onto the floor. Long transcriptions follow.

Instagram/Meta (I have to assume Facebook).

Hard for all users to locate the “opt out” options. The option has been known to move locations.

You have to click the opt out link to submit a request to opt out of the AI scraping. *You have to submit screenshots of your work/face/content you posted to the app, is curretnly being used in AI. If you do not have this, they will deny you.

Users are saying after being rejected, are being “meta blocked”

People’s requests are being accepted but they still have doubts that their content won’t be taken anyways.

Twitter/X

As of August 2023, Twitter’s ToS update:

“Twitter has the right to use any content that users post on its platform to train its AI models, and that users grant Twitter a worldwide, non-exclusive, royalty-free license to do so.”

There isn’t much to say. They’re doing the same thing Instagram is doing (to my understanding) and we can’t even opt out.

Tumblr

They also take your data and content and sell it to AI models.

But you’re in luck!

It is very simply to opt out (Wow. Thank Gods)

Opt out on Desktop: click on your blog > blog settings > scroll til you see visibility options and it’ll be the last option to toggle

Out out of Mobile: click your blog > scroll then click visibility > toggle opt out option

TikTok

I took time skim their ToS and under “How We Use Your Information” and towards the end of the long list: “To train and improve our technology, such as our machine learning models and algorithms.”

Regarding data collected; they will only not sell your data when “where restricted by applicable law”. That is not many countries. You can refuse/disable some cookies by going into settings > ads > turn off targeted ads.

I couldn’t find much in AI besides “our machine learning models” which I think is the same thing.

What to do?

In this age of the internet, it’s scary! But you have options and can pick which are best for you!

Accepting these platforms collection of not only your artwork, but your face! And not only your faces but the faces of those in your photos. Your friends and family. Some of those family members are children! Some of those faces are minors! I shudder to think what darker purposes those faces could be used for.

Opt out where you can! Be mindful and know the content you are posting is at risk of being loaded to AI if unable to opt out.

Fully delete (not archive) your content/accounts with these platforms. I know it takes up to 90 days for instagram to “delete” your information. And even keep it for “legal” purposes like legal prevention.

Use lesser known social media platforms! Some examples are; Signal, Mastodon, Diaspora, et. As well as art platforms: Artfol, Cara, ArtStation, etc.

The last drawing shows the same person as the title saying, ‘I am, by no means, a ToS autistic! So feel free to share any relatable information to these topics via reply or qrt!

I just wanted to share the information I found while searching for my own answers cause I’m sure people have the same questions as me.’ \End description] (thank you @a-captions-blog!)

[reasonsforhope]

Hi, where would you go tumblr does go (I doubt it will, the same has been said about twitter)? I mean, I have bluesky, but it gets too defeatist for me to check out often.

Hey!

If tumblr collapses or becomes too unusable, I'll be moving to either Mastodon or Cohost, barring some kind of big change in the social media landscape.

Why those two? Because they're the only other (afaik) social media sites of any prominence that don't have an algorithm. And algorithms on social media sites, as it currently stands, have a strong tendency to suppress good news and push bad news (because anger and sadness get higher engagement), so as a good news blog, I don't think I'd do very well anywhere else!

(Also because the big social media sites routinely hide users' posts from said users own followers to try to force people to buy ads, and I would like people to actually see my good news posts, weirdly enough!)

Sources on the social media bs things: x, x, and I can't find verification of the hiding posts from your followers bit, but I promise it's a thing - it's one of the reasons I stopped running a page for my business on facebook a year or so ago

[gabbomanestamuyloco]

I made a tumblr clone

It has custom CSS themes.

Its fast

It has good moderation

If you dislike my moderation style you can host your own

You SOON will be able to move to another service without losing all your followers. (will be able to, not yet this one. WIP)

It has custom emoji reactions to posts

You can use custom emojis in your nickname!

You can follow people from mastodon and other services in the fediverse

SOON you will be able to connect with people using bluesky too (if you want to)

ONLY IF YOU WANT TO you will be able to connect with people in threads (facebook/meta instagram twitter clone)

Its not empty

Its trans friendly. You wont get banned for posting a transition timeline

You wont get banned for posting lewed content (please mark it as such, we have content warnings ;D)

Sold on the idea?

[tagedeszorns]

Okay, dear mutuals and followers .. with Tumblr obviously struggling hard and very ominous downscaling in the future - what is your raft to safe your stuff on if Tumblr will go down sometime next year?

Hopefully Tumblr will paddle back towards the stuff its userbase really wants (like adult content!). But what if they do what they are best at and worsen our experience to the point of absolute non-usability?

Where will you go? Where are you already having a holiday home at?

For me it's Mastodon and Bluesky.

I won't return to Twitter or Reddit because of their pure, unbridled toxicity. I won't move to Instagram, because it's so anti-adult content, it's laughable. DeviantArt does nothing for me and feels so very clunky with the slow UI-of-a-thousand-pulldown-menus. Cohost is dead as the dodo bird. Dreamwidth has such a horrible 90s experience if you are trying to post pics.

So, what is your exit-strategy? I don't want to lose contact with all of you! You are my kind of people!

(Of course, I really, really, REALLY hope Tumblr will recover and move back to its old, glorious, anarchic, NSFW ways. But I'm so very wary. And weary.)

[duckprintspress]

Learn More About the "Many Hands" Stories: Three MORE Teasers!

In case you haven’t seen, the campaign for Many Hands: An Anthology of Polyamorous Erotica is now funded! Our base funding goal is just the beginning, though, because now we aim for our stretch goals, which are geared toward enabling us to pay our authors more. They’ll earn DOUBLE their current pay if we can hit $11,000 – only about $2,000 more than we’ve raised thus far. Backers at our two merch levels will also get an extra merch item – temporary tattoos!

Want to get more awesome stuff and help us give our creators a raise? Give us a hand in promoting the anthology!

Bluesky

Facebook

Mastodon

Pillowfort

Tumblr

Today, we're sharing three more teasers, too. Today's are from the works by contributors Terra P. Waters, Mina Kramek, and YF Ollwell!

-

Author: Terra P. Waters Title: The Missing Prince

Excerpt:

Ala scrambled off the mattress and circled it until she could see Théophile’s face. He was bound, blindfolded, and had a dirty gag in his mouth. The urge to play with him was strong, but she resisted, pulling out the gag and removing the blindfold. “Hello, love.”

“Kiss me,” he groaned. “Please, Princess…”

“Théophile,” she said, grasping Kormac’s wrist so he would stop moving his hand. “We’re coming to get you, but we need your help. Where are you?”

“The port city. Channois. They say we’ll sail with the noon tide.” He turned his head toward the mattress, letting Kormac kiss his neck. “Oh, gods!”

She grasped his bound hands and squeezed them. “Is there anything else? Anything you want to tell us?” She looked past Kormac’s shoulder and saw a shadow standing in the doorway.

“Hester,” Théophile groaned, nodding toward the shadow. “Find Captain Hester, here in Channois. Her boat is The Blue Macaw. She’ll help you find me.”

-

Author: Mina Kramek Title: Shadow Dealings

Excerpt:

“Gerald Fitzgibbons, your debt has come due.” She manifested gum in her mouth for the express purpose of blowing a bubble in his face, a pointed expression of boredom. It popped, and he whimpered. “Twenty years of wealth and debauchery for an eternity in Hell. There is no escape. Hope it was worth it.”

They always found, in the end, that it had not been.

“Wait, wait!” Gerry squeaked, followed by a garbled name that would’ve been unintelligible if Niya hadn’t found its owner infuriating yet intriguing: “Temerity Jones.”

Niya loosened her grip just enough to allow Gerry to speak clearly. “You have thirty seconds to make this worth my while."

-

Author: YF Ollwell Title: Hippie Ipsum

Excerpt:

In the haze of smoke, Heathcliff looked gorgeous as ever. Abernathy hadn’t known him in life, only this strange afterward, but he imagined the living Heathcliff in perfect detail. There was an exuberance in him that in Abernathy was long dead. When he looked sidelong at Abernathy, flashed fangs to him and him only…

It wasn’t fair. When he wasn’t considering the object of his desire, he considered the evil, opposite-of-object—Edmund, silent as ever. He knew nothing about his master’s husband, an odd shadow over his afterlife. The two had exchanged perhaps fifty words in the last century. This was for the best, as Abernathy thought Edmund might like to kill him if he knew the way he felt about Heathcliff. He also thought, in his more pathetic jags, that Edmund would be perfectly justified in said killing. It was sick. It was wrong. Heathcliff and Edmund were committed to each other.

Abernathy turned from Edmund—who was taller than him, who was much bigger and stronger, who was Heathcliff’s Dark Intended and not merely his thrall—and settled on the fiery curls framing Heathcliff’s ear.

Fat white worms of want writhed in his stomach.

Learn about the campaign, read more teasers, check out the merch, and more – on Kickstarter NOW!

[otherkinnews]

Twitter promotes hatred against transgender people, furries, therians

Summary: Since buying Twitter, Elon Musk has been pushing the platform into fascist politics by either manually or algorithmically suppressing LGBTQ content, welcoming back neo-nazis who’d been banned, and boosting hate speech. This Pride month, he used the platform to promote a stream of an anti-transgender movie, What Is A Woman? (2022). The movie attempts to ridicule transgender people by comparing them to other groups, so it contains misinformation about furries: the litter box urban legend again. It also had an interview about therianthropy with Naia Okami, who rejected therianthropy again a few months afterward. The free stream gathered more than 62 million views that day, so it will be how many people first heard of furries or therians. Twitter keeps getting worse for marginalized groups, and now for furries and therians too. If you and your friends haven’t already migrated away from the nazis-and-transphobes site, we have advice on how to move to safer alternatives: Mastodon, Tumblr, Discord, Dreamwidth, and forums. We also have advice on media literacy skills, how to recognize nazis and transphobes on social media, how to guard against this happening in the future, how to support transgender rights, and some options for what to do with your Twitter when you leave. At the end of this article, we have a timeline of events that happened in this story.

--

Musk promoted an anti-transgender movie

Since last October, billionaire Elon Musk has owned Twitter, a social media site with 450 million users. He started June by pinning his quote retweet of an anti-transgender movie. He remarked, "Every parent should watch this." The movie is What Is A Woman?, by Daily Wire columnist Matt Walsh. The Daily Wire invited everyone to stream the 95 minute movie for free. It is a propaganda piece that uses misinformation to oppose the existence of transgender people. Until then, the movie had been behind a paywall. Media Bias Fact Check describes the Daily Wire as a right-wing news and opinion site that has medium credibility. The civil rights nonprofit Southern Poverty Law Center’s Hate Watch has called Walsh and his boss “peddlers of fear and disinformation about LGBTQ people” (Wilson, Nov 22, 2022). Musk has been known for his transphobia since before he bought Twitter (Garofoli, San Francisco Chronicle, Dec 13 2022). NBC reported that the Daily Wire’s CEO and other anti-transgender influencers such as Robby Starbuck had demanded for Musk to make the site stop suppressing the movie for its hate speech. Musk complied. Walsh, who had released the movie in June last year, said “What a great way to ring in Pride Month.” (Tolentino and Ingram, NBC, June 2, 2023).

What is that movie, and why is it so harmful?

The movie’s title refers to how they spend the movie interviewing various people about what a woman is, with the goal to discredit the validity of transgender people. Matt Walsh and Justin Folk had a bad enough reputation that no transgender people or allies would willingly appear in their movie, so they tricked people into showing up. They founded a front group called the Gender Unity Project LLC, and used a registered agent to mask their connection to it. Their producer used a fake name when reaching out to people to interview. They advertised the movie and LLC to potential interviewees as being “about transgender and LGBTQIA+ communities, and the challenges they face in today’s culture” and that it would “[explore] the real lives of people in the LGBTQIA+ communities, and to shed some light on the topics of gender identity, and gender fluidity, in a way that will capture the attention of all Americans and be educational.” Transgender rights activist Eli Erlick discovered they were not who they seemed, and exposed them immediately.

The movie intentionally misrepresented and disparaged a variety of professionals and transgender individuals who Walsh misled into interviewing with him. He used deceptive editing and ambush interview tactics to make it look like the interviewees were either in complete agreement with his hateful perspective, or were contradicting themselves and didn’t make sense. He used the movie to push false claims about transgender people, including trying to connect transgender identity to sexual predation and implying that transgender individuals will regret transitioning or that transitioning is dangerous.

Far-right director Robby Starbuck plans to release a similar movie this summer, titled “It Takes a Village.” This will also be a hateful propaganda movie opposing the existence of transgender people. Starbuck, like Walsh, lied about the movie goals to potential interviewees. Erlick caught and exposed this trick even earlier than the last one. Starbuck’s team members misrepresented the project as “highlighting gender affirming care and the issues facing trans youth.” Erlick believes that Starbuck may have planned to arrest her should she have agreed to fly to Tennessee for the offered interview.

How did this movie misrepresent furries and therians?

A common illogical argument that bigots use to criticize LGBTQ people sounds something like this: “If we let women marry one another, then wouldn’t it be just as absurd if we let people marry animals? If someone can identify as a woman, wouldn’t it be just as absurd if someone identifies as an animal?” Walsh used that tactic in his picture book Johnny the Walrus. Walsh’s movie has segments about furries and therians, in an effort to say that saying you are a woman is as absurd as saying you are an animal.

In one segment in the movie, Walsh interviews Sara Stockton, a family therapist. She incorrectly tells him that furries have demanded litter boxes in schools. Reuters Fact Check has an article that debunks that part of the movie. It’s well-known to be an urban legend that has never happened in any school. Conservatives have circulated it for the past few years to satirize transgender students asking to use the restroom of their choice. An alterhuman community historian did a presentation about how the legend has developed (House of Chimeras, 2022). The legend is why a few of this year’s hundreds of anti-transgender bills in the US say they also oppose people who identify as animals. Those are Montana Senate Bill 544, North Dakota House Bill 1522, Oklahoma Senate Bill 943, and Indiana Statehouse Bill 380.

In the next segment, Walsh interviewed Naia Okami. Okami has frequently sought and accepted media publicity for the past decade, even with producers her peers advised her to avoid (Okami, Oct 18, 2022). Around the same time as when she interviewed with Walsh, she accepted interviews with two other far-right media known for their hostility toward openly transgender people such as herself: The Sun (Jan 23 2022) and Fox News (Feb 7 2022). In these three interviews, she described herself as a wolf otherkin and therian. When Walsh tried to get her to describe herself as transspecies, she “vehemently rejected” that, so Walsh didn’t use those parts of the interview in the movie (Okami, June 5, 2022). (Okami has never called herself transspecies, and had spoken against the word for years.) Instead, against her wishes, he referred to her as a “trans wolf,” a label that she never used and which makes her “want to vomit” (Okami, June 8, 2022). A few months after the movie came out, she announced that she no longer calls herself a therian. She said, “I will always be a wolf girl; but I am not nor do I want to be … a member of the alterhuman, therianthropy, or otherkin communities” (Okami, Oct 18, 2022).

Like many of the other interviewees, Okami has explained how she was interviewed under false pretenses by a producer who used an alias. She shared records of her correspondences with the producer. She was not aware that Walsh would be the one interviewing her. He asked “intentionally provocative and leading questions.” She was looking into taking legal action, because the movie used the appearances of herself and others without informed consent (Okami, May 21, 2022).

By the end of the day, Musk’s promotion of the free movie on Twitter had caused it to have more than 62 million views (Tolentino and Ingram, NBC, June 2, 2023). This may be how most people in the world first hear of anything like otherkin, therians, furries, or transspecies identity. This may contribute to more widespread attitudes that are misinformed about and hostile toward these groups.

Musk’s Twitter welcomes fascists while suppressing LGBT speech

Musk has a history of supporting antisemitic and fascist ideology and espousing anti-LGBT rhetoric. One of Musk’s first actions when he bought Twitter was to share an anti-gay conspiracy theory published by a right-wing news source about the October 2022 attack on Paul Delosi. Twitter under Musk rolled back content policy protections for the site’s transgender users. He has also been known to quote Nazis, has reinstated the Twitters accounts of multiple neo-Nazis who were previously banned for hate speech, and has transferred his Twitter CEO title to a former Trump appointee. On Transgender Day of Visibility, users noticed that Twitter’s algorithm flags tweets for sensitive content if they contain the words LGBT, gay, lesbian, bisexual, transgender, trans, queer, gender identity, pronouns, or TERF. Meanwhile, it doesn’t flag the words gender critical (which is what many transphobes prefer to call themselves), Nazi, fascist, or fascism. The algorithm’s source code shows that it’s designed to suppress and hide tweets that contain external links, misspelled words (as happens when users to try to get around suppressed words), and all mention of Ukraine. If you wanted to stand your ground and use Twitter to speak up for good causes, that’s exactly what it makes sure nobody will hear.

Musk vows to criminalize transgender healthcare

Musk pushes his anti-transgender attitudes in more places than just in this platform he owns. He vowed that he will be “actively lobbying to criminalize” gender affirming care in individuals under the age of 18. He supports long-term imprisonment without parole for anyone who supports or assists in such care, including therapists (Thakker, New Republic, June 2, 2023). He can wield unmatched influence over politics because he is the world’s wealthiest person at more than $100 billion dollars (Toh, CNN, May 31, 2023).

What you can do

Leave Twitter and bring your friends. Musk, and the platform he has through Twitter, is a threat to our civil rights and our lives. Twitter is not a safe place to be, because it is increasingly being turned into a fascist platform. As long as you’re there, you’re handing money to fascists, even if you’re not paying a subscription (Solarbird, April 23, 2023). You can’t fight the normalization of fascism by continuing to contribute to a fascist space (Solarbird, Dec 7, 2022). If you work for free to be a content provider for Twitter, then you are supporting fascism. Remember a German proverb: “If one nazi sits at a table, and ten other people sit there talking with him, that’s a table with eleven nazis.” It will become harder to avoid sitting and talking with Nazis on Twitter, because Musk says he will get rid of the option to block users (Ngo, Washington Times, June 8, 2023). Many users have been migrating away from Twitter. We strongly advise that you do so as well, and help your friends migrate, too. You must, to protect your friends, and to quit supporting the normalization of fascism.

Follow relevant news, and sharpen your media literacy skills. Whenever a friend shares a news article with you, see what Media Bias Fact Check says about that news source, and see what Reuters Fact Check and Snopes have to say about its content. Avoid boosting or interacting with transphobes and nazis on social media by learning how to recognize their characteristic jargon and the “dog whistles” that they use to signal themselves to one another. See the Anti-Defamation League’s encyclopedia of hate group symbols. Here’s a list of dog whistles racists and nazis use, ones transphobes use, and more that transphobes use. We recommend following Solarbird’s Fascism Watch blog post series, where she has been keeping track of news about the rise of transphobia and fascism, with an eye on its rise on Twitter. If someone contacts you for interviews or media projects, your job is to research them and their previous work before you agree to anything. Document everything. If they turn out to be exploitative, spread the warning fast. Take some notes from how Erlick does it.

Donate to good causes and support marginalized peoples. Some reputable organizations that support LGBTQ people and their rights are The Trevor Project, GLAAD, Mermaids, Human Rights Campaign, and National Center for Transgender Equality, or other civil rights organizations, such as  The American Civil Liberties Union. Be cautious about sound-alikes that impersonate good organizations, and use Charity Navigator to check their backgrounds. Boost and donate to your friends’ personal fundraisers for their health, legal expenses, and moving expenses. Donate to the social media platforms that you prefer, so they can afford to keep going. Support and mutual aid means more than just sending money to the right places. Listen to your friends who are LGBTQ or members of other marginalized groups. Educate yourself.

Mastodon is a better Twitter

What is Mastodon? From the perspective of a user, Mastodon looks and behaves very similarly to Twitter. If you’ve used TweetDeck or other front-ends for Twitter, then Mastodon’s layout will look familiar. Users can create short posts, use hashtags, boost other people’s posts, and follow one another… even if those other people are on different Mastodon servers. Each Mastodon server is independently run, and has its own rules and moderators. These servers communicate with one another via the Fediverse, an interconnected network of servers. This is similar to how you can use a Gmail account to send an email to someone on a Yahoo account: they’re on different servers, with their own rules and owners, but they can communicate with one another. This decentralization protects against the owners or users of a particular server being able to ruin the whole thing for everyone.

How do you sign up on Mastodon? Click on a server in the below list of ones that we recommend, and then click “create account.” If it says an invitation is required to create an account, ask a friend for one from that server, or try another server. Don’t get overwhelmed trying to choose the perfect server before you begin. After all, you can use it to talk to people on any other servers, if its moderators haven’t chosen to block those particular servers. If you join a server, and then you don’t like its rules or moderators after all, or if the culture there goes bad, then you can move to another server, automatically bringing your follow list with you. You can carry on your Mastodon experience without a pause and without getting stuck with moderators you distrust. We recommend these servers to our readers because they’re LGBTQ friendly, welcome various sorts of alterhumans, are opposed to hate speech, and are open to new users, though some require an invitation. They’re owned and maintained by ordinary hobbyists and volunteers who care, not corporations or evil billionaires. Later, consider chipping in a little money to support your favorite server, if they offer that option.

https://awoo.space - This server “isn’t aimed at any specific audience, though there are a lot of queer furries here for some reason.”

https://bark.lgbt - This server *is* aimed at queer furries.

https://beach.city - Lightly themed around the cartoon Steven Universe.

https://chitter.xyz - For furries.

https://dragonscave.space - This dragon-themed server is especially for users who are visually impaired.

https://equestria.social - For fans of My Little Pony. The moderators speak French as well as English. (By the way, you can find servers in whatever languages you want, which is great for immersion language learning.)

https://meow.social - For furries.

https://plural.cafe - For plural systems.

https://plush.city

https://tech.lgbt

https://weirder.earth - Moderator team includes people who are POC, LGBTQ, and plural. Good track record at standing up to racism.

How do you make friends and find interesting blogs to follow on there? No algorithm plays matchmaker for you. We use hashtags, which is the only part of a post that shows up in a search. Usually people put hashtags that describe themselves and their interests in their #introduction post to help find others who share those interests.

How do you stay safe on there? Anyone with technical proficiency can create a Mastodon server and use it for good or bad. However, the Fediverse’s very design makes it easy for you to avoid the bad. Some Fediverse servers say they prohibit hate speech, but have been disappointing at enforcing that. Their moderators are overwhelmed, and unfamiliar with the needs of BIPOC, so racism goes unchecked. Those are widely-recognized problems with the servers mastodon.social and mastodon.online, so we don’t recommend joining those ones. Some Fediverse servers choose to allow hate speech, such as BlueSky. If you join a server that blocks problematic servers such as these, then those entire servers won’t be able to communicate with your server at all, period. Think of the story of the nazi bar: if a bartender lets in just one customer who wears nazi insignia but is polite, then that customer will come back with his nazi friends, everyone else will leave, and it will have become a nazi bar. A bartender who doesn’t want to accidentally find himself running a nazi bar has to prevent that from happening by kicking out even that one polite nazi. The Fediverse uses the nazi bar phenomenon against the nazis. Bigots and those who welcome them get isolated into their own space, and out of yours. By blocking entire servers because they have nazis there, your own server becomes something like Twitter without the nazis (Solarbird, Nov 6, 2022).

Mastodon has another safety feature: built-in content warnings. There is a widespread requirement to CW for content that is sexual, disturbing, or a spoiler. Followers will only see what’s beyond the CW if they click to open it. That’s good consent culture, and it makes Mastodon less stressful to scroll through than Twitter. In your settings, you can also filter out posts that use words that you don’t want to see at all.

Tumblr is great if you liked retweeting

What is Tumblr? Tumblr is a social media site that hosts 572 million blogs. It’s less similar to Twitter, but it does have a feature like retweeting, called reblogging. Even better, you can add tags to what you reblog, so you can categorize and later find things you’ve reblogged. That makes Tumblr an ideal platform for circulating fandom content, art, and memes.

How do you sign up on Tumblr? You can sign up on Twitter with just an email address, without sharing other personal information. Tumblr allows for users to have one primary blog, and as many side blogs as they want. You can customize the appearance of your blog using HTML and CSS. On desktop, install the browser extension xKit Rewritten and play with its settings to improve your experience of Tumblr.

How do you stay safe on Tumblr? You can curate your experience with blocking and filtering. Use tags to give content warnings, which others can use to filter your posts, and view them only if they consent to see that content. For that to work, don’t censor words. You can hide posts that use certain words, which helps you filter out posts from users who hate LGBTQ. Here’s a guide for how to do that. And another guide with screenshots for how to do that in the settings, and another guide. On desktop, install the third-party browser extension, Shinigami Eyes, which often helps warn you that a Tumblr account is known to express anti-transgender views.

How do you make friends and find interesting blogs on Tumblr? Tumblr tags are great for that. Use this web address, and replace the word “food” with some other key word for any topic that interests you: https://www.tumblr.com/tagged/food?sort=recent It will show you the most recent posts that people have tagged with that word. The accounts you follow will often reblog from other users, and you can use those as leads to find other interesting blogs.

Discord has many ways to communicate

What is Discord? Discord is a combination of many forms of communication in one. It supports group chat rooms, private messaging, voice calls, video calls, and streams for both one-on-one direct messages and for groups. It isn’t similar to Twitter at all, but it’s fantastic for talking with friends and meeting new people. All Discord servers are all required to follow Discord’s Community Guidelines, which bans hate speech, harassment, and violent extremism. Many plural systems enjoy using a bot on Discord, PluralKit, which lets you create something like separate accounts for each of your system members, without having to sign in and out.

What servers might you join? Discord allows for the creation of servers based around specific interests and groups of people. Servers can be tight-knit private groups, or huge public groups, or anything in-between. Most servers have a specific theme or focus that they adhere to. There are some excellent servers about being alterhuman. Ask your friends for recommendations and invitations to these and other servers.

Dreamwidth.org is the best social blog site

What is Dreamwidth? Dreamwidth is a social blogging platform based off of code from Livejournal. If you used Livejournal long ago, Dreamwidth will feel like home. If you’ve only used Twitter or Tumblr, you can adapt to the differences soon enough, because it has an especially well made FAQ. (Here is a collection of more info about how to use Dreamwidth, written for people who are more accustomed to Tumblr.) Dreamwidth focuses on creating your own original content and interacting with other folks’ original content in personal blogs and in “communities,” which are group forum blogs. Dreamwidth’s design is ideal for long pieces of writing, serialized works, and conversation threads. Because of this, many blogs that are especially active on Dreamwidth today are those that focus on fan fiction, role play, personal diaries, and essays, but you can put nearly any kind of subject matter there.

How do you join Dreamwidth? On the front page of Dreamwidth.org, click “create free account.” (Paying a subscription to help support the site will give you a few perks, but a free account is just as functional as a paid one.) Make up a username. Tell your email address and birthdate, which you can keep private in your profile settings. You can customize the appearance of your blog. We strongly recommend you use Solarbird’s theme that makes your blog mobile-friendly.

How do you find friends and interesting blogs on Dreamwidth? You can discover more blogs that focus on things you like by adding a list of interests to your profile, searching for others who put those interests in their profiles too. You can look at the Latest Things (the newest posts and tags by all users). You can also use Dreamwidth to follow the news! Dreamwidth has a built-in RSS feed reader, so you can use it to subscribe to content from other sites. Many sites offer RSS feeds: major news sources, comics, subreddits, Tumblr blogs, AO3 tags, and more. YsabetWordsmith regularly features interesting active communities in her FollowFriday tag. For the alterhuman readers of our blog, we recommend joining these communities:

Dreamwidth_therians: A members-only group for therians and otherkin.

Fictionkind: A members-only group for fictionfolk to discuss their experiences based on prompts.

Otherkin: A public group for otherkin.

Otherkin_haven: A members-only group for otherkin.

OtherkinNews (that’s us!): A volunteer-run blog for sharing news for otherkin, therianthropes, fictionfolk, plural systems, and all sorts of alterhumans.

PluralArchives: Citations of plural and pluralish phenomena collected in one place.

PluralStories: A searchable catalog of plural and pluralish stories.

TheriThere: A comic about therianthropes and otherkin.

Forums make great community spaces

If you simply want a place to talk with friends about shared interests, consider web-based forums. Each forum has its own rules, moderation teams, and features. Search for forums that are built around your fandoms or other interests. We recommend these for alterhumans:

Alt+H Forums: A quiet forum hosted by Alt+h, a nonhuman advocacy group. It is about alterhuman experiences as a whole.

Draconity: A forum focused on dragons specifically. It had a site-wide update in 2022.

Draconic: This forum for dragon otherkin has been running continuously since 1998.

Nonhuman National Park: A forum focused on inclusion and intersectionality of nonhuman, alterhuman, and plural identities.

What do you do with your Twitter after you leave?

Some people choose to delete their Twitter account completely. This erases all their tweets and connections to other users. Any conversation threads with this user will have pieces missing. That can interfere with other users’ archival efforts. Erasing your tracks that thoroughly can also make it difficult for your friends and followers to discover where you disappeared to and why.

If you don’t want to delete the account altogether, then sign into it once every 30 days, to prevent it from getting automatically deleted for inactivity. You don’t need to post anything: just sign in (Twitter, inactive account policy). Some people use a third-party tool to automatically delete all or most tweets. Removing content from the site is a good way to withdraw support from it. However, some users report that their deleted tweets come back later.

Should you leave your account public, or set it to “protected”? That status makes it so all your tweets, followers, and followed users can only be seen by users who you manually accept as your followers. Pros: this mostly prevents unwanted interactions or follows from random users, while leaving behind a signpost to let your friends know where you disappeared to and why. Cons: privating can interfere with others’ efforts to archive conversation threads just like if the account had been deleted. Archival tools can only pick up your tweets if they’re public. -- Appendix: A timeline of events related to this article

2022 January. The Gender Unity Project, LLC, invites transgender people and allies to interview in a movie. Meanwhile, Okami has interviews in The Sun, and UK breakfast TV show This Morning.

2022 February 7. Okami’s interview on Fox News. On the same day, Erlick publicly exposes that the Gender Unity Project is deceiving transgender people into interviewing with Walsh.

2022 March. Walsh publishes Johnny the Walrus, a picture book about a child being pressured to become a walrus, in parody of transgender children.

2022 May. Okami blogs a public statement about her involvement in What Is A Woman? with documentation of how they deceived her into showing up to it.

2022 June. Walsh releases What Is A Woman? Okami writes a detailed criticism of that movie.

2022 October. Okami announces that she no longer calls herself therian or otherkin. Musk buys Twitter and immediately posts an anti-gay conspiracy theory. He lays off thousands of employees, many crucial to the maintenance of the site software. He invites many users back to Twitter who had previously been banned for being nazis and white supremacists (Washington Post, Nov 11, 2022). Anticipating that Twitter will soon crash and/or become effectively a far-right site only, thousands of users leave or prepare to leave Twitter, filling their profiles and pinned tweets with links to where to find them on other social media sites.

2022 December. To discourage this, Twitter introduces an algorithm that prevents users from putting links to other social media sites in their profiles, and threatens to ban users for doing so.

2023 March and April. Users notice that Twitter’s algorithm suppresses tweets that contain external links, misspelled words, or mention of Ukraine. It suppresses LGBT related words, but not fascism related words. Twitter’s policy stops protecting transgender users against harassment. Even news agencies are quitting Twitter, such as NPR and PBS.

2023 May. To discourage this, Twitter starts banning accounts that have been inactive for a short amount of time.

2023 June. Musk quote-retweets and pins the Daily Wire’s free stream of What Is A Woman? The same day, he vows to lobby for the imprisonment of therapists who support transgender youth.

--

About the writers: Alterhuman community historians  and archivists House of Chimeras, Page Shepard, N. Noel Sol, and Orion Scribner collaborated on this article. Thanks to Solarbird for her Fascism Watch blog series, which helped us find news sources for much of what has been happening with Twitter.

This article is also on the Otherkin News Dreamwidth.

[kastelpls]

i hate social media

hello tumblr, i make interactive fiction titles and yuri visual novels and i used to write about japanese subculture media.

Completed Titles (from latest to oldest):

Ah Lim’s Chicken Rice, #01-08A - Everyone loves your chicken rice. Slice-of-life horror.

Chinese Family Dinner Moment - You haven't even had the chance to tell your parents you've gone vegan...

I MUST EAT CHILI OIL - I miss her mapo tofu.

June 1998, Sydney - Your family is moving in, whether you like it or not.

Their Time in This World - A fantasy/adventure game where you restore time to people in need

Hanna, We’re Going to School - ghosts | slice of life | trauma

Ongoing Works:

I Became Gay From Translating My Roommate’s Short Story - A mediocre translator burned out by capitalism.  A writer who has only been published once in her entire life. They meet as roommates and develop a relationship that is perhaps much more than love.

Other Works of Interest:

Mimidoshima - a blog covering a lot of random things inside Japanese media and elsewhere. people seem to like it.

Minidoshima - a substack newsletter successor doing something similar. has more articles on critical distance including their best articles roundups, so surely it must mean something.

Amelie Doree’s YouTube - i’ve collaborated with her on a bunch of videos on the history of japanese visual novels and more. you can especially blame me for the Barcode Fighter video.

Other Social Media:

cohost - tfw my tumblr for fancy people account also appears on critical distance for some reason...

mastodon - i just post esoteric game dev and interactive fiction thoughts there. follow at your own peril.

IFDB - i post reviews there once in a while.

[dimalink]

Interesting place – mysterious pyramids

Pixel art for today based on videogame Equinox for game console Super Nintendo. Yes, Super Nintendo can do a surprise! It is, also, a such isometrical videogame. With something unusual graphics.

Style a little visual – it is unusual here. Adventure - so adventure! Screenshots for a game - that’s for sure, they are bright and unusual. Bright colorful and little strange with a good and kind something. I need for myself to try emulators again! And to play some different games and adventures for 16 bits!

And this is my drawing based on the same theme. So, here it is a forest and a field. And there is a sand. Whole deserted regions. And there are a mysterious pyramids. And a cursed creatures are living there. Ghosts. You, just, have some rest near the river, at the sand. And you decide to explore one of pyramids. They are all different sizes. There are big and small.

Green bug said, that in one of those pyramids he was, one day. And there are lots of dangerous creatures. They are run at him. And he only has time to runaway. So, moth try to fly there with a lamp at night. So, it was good for him to do it in the night. And it is something refreshing wind is there. Good. But, once again. He hears a noise of moves. And he saw some creatures. They also start to run at him. And he has only a time to fly away.

“Take a lamp”, – Said a moth.

“Take a little of fruits”, - Said bug.

“Looks like, now, it is you, who is interesting what is there”, – Said a green bug.

“So, there are lots of such pyramids, it is main”, – Said a squirrel.

“Take a little of nuts”, - Continue to speak a squirrel.

Mysterious place. And you are something like have prepared for this. Your friends gives you something useful items.

Dima Link is making retro videogames, apps, a little of music, write stories, and some retro more.

WEBSITE: http://www.dimalink.tv-games.ru/home_eng.html ITCHIO: https://dimalink.itch.io/ GAMEJOLT: https://gamejolt.com/@DimaLink/games

TUMBLR: https://dimalink.tumblr.com/ BLOGGER: https://dimalinkeng.blogspot.com/ MASTODON: https://mastodon.social/@DimaLink

[grimgiblog]

Why you should make a Misskey/Shonk.Social/Mastodon account.

Hi lol. As a trans artist who has been incredibly frustrated with tumblr censoring lgbt content and general transphobia. Eat shit Matt.🔨🚗💥 I wanted to offer a small guide about activitypub servers. Considering Tumblr and Threads wish to integrate with activitypub services.

It truly doesn't matter what instance or server you pick. There are a lot of them that within each individual one hosts thousands of smaller communities. You can also make your own servers and instances!

Other good servers.

Point of the matter is, you can follow anyone from any instance and have them on our dashboard. You can follow someone from mastodon and still use misskey.io Or (eventually) follow someone from tumblr on shonk.social.

Or even make your own instance. The best part is say one of these sites has another CEO meltdown, or they have harmful policies, you can migrate to another instance without losing followers or our posts.

From our experiences Misskey.io is similar to twitter AO3 and deviantart with no censorship regarding artwork (so long as you mark it as explicit). Which is good and bad. That means they allow drawn nsfw lgbt content and sex work. However being a japanese instance they allow drawn loli shota and noncon. Therefore I highly recommend using an instance blocklist and blocking any terms or words in relation. There are hatespeech instances and conspiracy instances of course. And it is always good to be aware of when a server becomes toxic. Luckily with instances and account migration we can pack up and leave. The reason I'm on Misskey currently is because its the biggest server and there are more utilities than shonk such as animated banners, decorations, and community outreach.

Mastodon works but the UI is incredibly bland and uncustomizable. It also feels mostly dead.

Shonk.Social is a fork of Misskey that is a safe lgbt space. It is a very small server currently but the people who code it are incredibly passionate. Their boosts and global timelines are really good ways to keep up to date on other servers.

You've also got custom emojis, lists, channels, antennae.

There's also cookie clicker LOL

But all the same I highly recommend it. If tumblr decides to feature activitypub integration we could eventually follow people from tumblr on any instances without all of the Transphobic ceos and app breaking ads.

[kellan2255]

Yet Another Summary of What r/196 is and the Current Reddit Drama

Some people in an apartment/dorm created a subreddit (a community on Reddit. Think a tag with its own moderators) for sharing memes called r/195, named after the room number. The only rule was that you had to post before leaving, which turned it into a shitposting subreddit and created the tradition of naming posts “rule”. After 420 weeks, r/195 was abruptly shut down and its users moved to r/196 (196 eventually had its own spin-offs like 197, 198, 19684, 196andahalf, etc).

For a subreddit with theoretically one rule, 196 was actually very moderated. Many rules got added over time like restricting certain controversial types of post to certain days, the ever changing rules about porn, and most importantly strong enforcement against bigotry. That made it one of the few mainstream shitposting subreddits with a largely left-leaning and/or LGBTQ audience.

Recently Reddit announced API changes that effectively end 3rd party apps. That forces users to use their horrible official app, which makes moderation harder, reduces accessibility for disabled people, and a bunch of other things people have written whole essays about. Users only have two ways to put any real pressure on the administrators running the site: negative media coverage (this has required multiple mass shootings by site users to be effective) and, more recently, blackouts.

All content on Reddit is made by users and posted to communities run by users. The main page is simply a collection of popular posts from these communities. A blackout is when the moderators of many large communities coordinate to make them private or block all new posts until a demand is met. This has been tried twice before and succeeded both times: one time to shut down the Covid misinformation subreddit r/nonewnormal, and one time to fire an admin who defended her pedophile father and banned any mention of her name. Also worth noting there’s a *lot* of history with Reddit admins and pedophilia that deserves its own write up.

People are less hopeful this time due to less participation in the blackout and the CEO quadrupling down on the API change. Again, there’s much more to that drama including lying about conversations, recorded phone calls, accidentally revealing he was using copy-pasted responses, and admitting the company wasn’t profitable to try and win an argument. Since it’s clear there will be no change and many communities will be gone forever, there’s an exodus of many of them, including 196, to other platforms like Lemmy, Mastodon, Discord, and Tumblr.

[andymakesgames]

Balatro-Inspired Spinning Card Tweetcart Breakdown

I recently made a tweetcart of a spinning playing card inspired by finally playing Balatro, the poker roguelike everybody is talking about.

If you don't know what a tweetcart is, it's a type of size-coding where people write programs for the Pico-8 fantasy console where the source code is 280 characters of less, the length of a tweet.

I'm actually not on twitter any more, but I still like 280 characters as a limitation. I posted it on my mastodon and my tumblr.

Here's the tweetcart I'm writing about today:

And here is the full 279 byte source code for this animation:

a=abs::_::cls()e=t()for r=0,46do for p=0,1,.025do j=sin(e)*20k=cos(e)*5f=1-p h=a(17-p*34)v=a(23-r)c=1+min(23-v,17-h)%5/3\1*6u=(r-1)/80z=a(p-.2)if(e%1<.5)c=a(r-5)<5and z<u+.03and(r==5or z>u)and 8or 8-sgn(h+v-9)/2 g=r+39pset((64+j)*p+(64-j)*f,(g+k)*p+(g-k)*f,c)end end flip()goto _

This post is available with much nicer formatting on the EMMA blog. You can read it here.

You can copy/paste that code into a blank Pico-8 file to try it yourself. I wrote it on Pico-8 version 0.2.6b.

I'm very pleased with this cart! From a strictly technical perspective I think it's my favorite that I've ever made. There is quite a bit going on to make the fake 3D as well as the design on the front and back of the card. In this post I'll be making the source code more readable as well as explaining some tools that are useful if you are making your own tweetcarts or just want some tricks for game dev and algorithmic art.

Expanding the Code

Tweetcarts tend to look completely impenetrable, but they are often less complex than they seem. The first thing to do when breaking down a tweetcart (which I highly recommend doing!) is to just add carriage returns after each command.

Removing these line breaks is a classic tweetcart method to save characters. Lua, the language used in Pico-8, often does not need a new line if a command does not end in a letter, so we can just remove them. Great for saving space, bad for readability. Here's that same code with some line breaks, spaces and indentation added:

a=abs ::_:: cls() e=t() for r=0,46 do for p=0,1,.025 do j=sin(e)*20 k=cos(e)*5 f=1-p h=a(17-p*34) v=a(23-r) c=1+min(23-v,17-h)%5/3\1*6 u=(r-1)/80 z=a(p-.2) if(e%1<.5) c= a(r-5) < 5 and z < u+.03 and (r==5 or z>u) and 8 or 8-sgn(h+v-9)/2 g=r+39 pset((64+j)*p+(64-j)*f,(g+k)*p+(g-k)*f,c) end end flip()goto _

Note: the card is 40 pixels wide and 46 pixels tall. Those number will come up a lot. As will 20 (half of 40) and 23 (half of 46).

Full Code with Variables and Comments

Finally, before I get into what each section is doing, here is an annotated version of the same code. In this code, variables have real names and I added comments:

[editor's note. this one came out terribly on tumblr. Please read the post on my other blog to see it]

This may be all you need to get a sense of how I made this animation, but the rest of this post will be looking at how each section of the code contributes to the final effect. Part of why I wanted to write this post is because I was happy with how many different tools I managed to use in such a small space.

flip() goto_

This pattern shows up in nearly every tweetcart:

::_:: MOST OF THE CODE flip()goto _

This has been written about in Pixienop's Tweetcart Basics which I highly recommend for anybody curious about the medium! The quick version is that using goto is shorter than declaring the full draw function that Pico-8 carts usually use.

Two Spinning Points

The card is drawn in rows starting from the top and going to the bottom. Each of these lines is defined by two points that move around a center point in an elliptical orbit.

The center of the top of the card is x=64 (dead center) and y=39 (a sort of arbitrary number that looked nice).

Then I get the distance away from that center that my two points will be using trigonometry.

x_dist = sin(time)*20 y_dist = cos(time)*5

Here are those points:

P1 adds x_dist and y_dist to the center point and P2 subtracts those same values.

Those are just the points for the very top row. The outer for loop is the vertical rows. The center x position will be the same each time, but the y position increases with each row like this: y_pos = row+39

Here's how it looks when I draw every 3rd row going down:

It is worth noting that Pico-8 handles sin() and cos() differently than most languages. Usually the input values for these functions are in radians (0 to two pi), but in Pico-8 it goes from 0 to 1. More info on that here. It takes a little getting used to but it is actually very handy. More info in a minute on why I like values between 0 and 1.

Time

In the shorter code, e is my time variable. I tend to use e for this. In my mind it stands for "elapsed time". In Pico-8 time() returns the current elapsed time in seconds. However, there is a shorter version, t(), which obviously is better for tweetcarts. But because I use the time value a lot, even the 3 characters for t() is often too much, so I store it in the single-letter variable e.

Because it is being used in sine and cosine for this tweetcart, every time e reaches 1, we've reached the end of a cycle. I would have liked to use t()/2 to slow this cart down to be a 2 second animation, but after a lot of fiddling I wound up being one character short. So it goes.

e is used in several places in the code, both to control the angle of the points and to determine which side of the card is facing the camera.

Here you can see how the sine value of e controls the rotation and how we go from showing the front of the card to showing the back when e%1 crosses the threshold of 0.5.

Drawing and Distorting the Lines

Near the top and bottom of the loop we'll find the code that determines the shape of the card and draws the horizontal lines that make up the card. Here is the loop for drawing a single individual line using the code with expanded variable names:

for prc = 0,1,.025 do x_dist = sin(time)*20 y_dist = cos(time)*5 ... y_pos = row+39 pset( (64+x_dist)*prc + (64-x_dist)*(1-prc), (y_pos+y_dist)*prc + (y_pos-y_dist)*(1-prc), color) end

You might notice that I don't use Pico-8's line function! That's because each line is drawn pixel by pixel.

This tweetcart simulates a 3D object by treating each vertical row of the card as a line of pixels. I generate the points on either side of the card(p1 and p2 in this gif), and then interpolate between those two points. That's why the inner for loop creates a percentage from 0 to 1 instead of pixel positions. The entire card is drawn as individual pixels. I draw them in a line, but the color may change with each one, so they each get their own pset() call.

Here's a gif where I slow down this process to give you a peek at how these lines are being drawn every frame. For each row, I draw many pixels moving across the card between the two endpoints in the row.

Here's the loop condition again: for prc = 0,1,.025 do

A step of 0.025 means there are 40 steps (0.025 * 40 = 1.0). That's the exact width of the card! When the card is completely facing the camera head-on, I will need 40 steps to make it across without leaving a gap in the pixels. When the card is skinnier, I'm still drawing all 40 pixels, but many of them will be in the same place. That's fine. The most recently drawn one will take priority.

Getting the actual X and Y position

I said that the position of each pixel is interpolated between the two points, but this line of code may be confusing:

y_pos = row+39 pset( (64+x_dist)*prc + (64-x_dist)*(1-prc), (y_pos+y_dist)*prc + (y_pos-y_dist)*(1-prc), color)

So let's unpack it a little bit. If you've ever used a Lerp() function in something like Unity you've used this sort of math. The idea is that we get two values (P1 and P2 in the above example), and we move between them such that a value of 0.0 gives us P1 and 1.0 gives us P2.

Here's a full cart that breaks down exactly what this math is doing:

::_:: cls() time = t()/8 for row = 0,46 do for prc = 0,1,.025 do x_dist = sin(time)*20 y_dist = cos(time)*5 color = 9 + row % 3 p1x = 64 + x_dist p1y = row+39 + y_dist p2x = 64 - x_dist p2y = row+39 - y_dist x = p2x*prc + p1x*(1-prc) y = p2y*prc + p1y*(1-prc) pset( x, y, color) end end flip()goto _

I'm defining P1 and P2 very explicitly (getting an x and y for both), then I get the actual x and y position that I use by multiplying P2 by prc and P1 by (1-prc) and adding the results together.

This is easiest to understand when prc is 0.5, because then we're just taking an average. In school we learn that to average a set of numbers you add them up and then divide by how many you had. We can think of that as (p1+p2) / 2. This is the same as saying p1*0.5 + p2*0.5.

But the second way of writing it lets us take a weighted average if we want. We could say p1*0.75 + p2*0.25. Now the resulting value will be 75% of p1 and 25% of p2. If you laid the two values out on a number line, the result would be just 25% of the way to p2. As long as the two values being multiplied add up to exactly 1.0 you will get a weighted average between P1 and P2.

I can count on prc being a value between 0 and 1, so the inverse is 1.0 - prc. If prc is 0.8 then 1.0-prc is 0.2. Together they add up to 1!

I use this math everywhere in my work. It's a really easy way to move smoothly between values that might otherwise be tricky to work with.

Compressing

I'm using a little over 400 characters in the above example. But in the real cart, the relevant code inside the loops is this:

j=sin(e)*20 k=cos(e)*5 g=r+39 pset((64+j)*p+(64-j)*f,(g+k)*p+(g-k)*f,c)

which can be further condensed by removing the line breaks:

j=sin(e)*20k=cos(e)*5g=r+39pset((64+j)*p+(64-j)*f,(g+k)*p+(g-k)*f,c)

Because P1, P2 and the resulting interpolated positions x and y are never used again, there is no reason to waste chars by storing them in variables. So all of the interpolation is done in the call to pset().

There are a few parts of the calculation that are used more than once and are four characters or more. Those are stored as variables (j, k & g in this code). These variables tend to have the least helpful names because I usually do them right at the end to save a few chars so they wind up with whatever letters I have not used elsewhere.

Spinning & Drawing

Here's that same example, but with a checker pattern and the card spinning. (Keep in mind, in the real tweetcart the card is fully draw every frame and would not spin mid-draw)

This technique allows me to distort the lines because I can specify two points and draw my lines between them. Great for fake 3D! Kind of annoying for actually drawing shapes, because now instead of using the normal Pico-8 drawing tools, I have to calculate the color I want based on the row (a whole number between0 and 46) and the x-prc (a float between 0 and 1).

Drawing the Back

Here's the code that handles drawing the back of the card:

h=a(17-p*34) v=a(23-r) c=1+min(23-v,17-h)%5/3\1*6

This is inside the nested for loops, so r is the row and p is a percentage of the way across the horizontal line.

c is the color that we will eventually draw in pset().

h and v are the approximate distance from the center of the card. a was previously assigned as a shorthand for abs() so you can think of those lines like this:

h=abs(17-p*34) v=abs(23-r)

v is the vertical distance. The card is 46 pixels tall so taking the absolute value of 23-r will give us the distance from the vertical center of the card. (ex: if r is 25, abs(23-r) = 2. and if r is 21, abs(23-r) still equals 2 )

As you can probably guess, h is the horizontal distance from the center. The card is 40 pixels wide, but I opted to shrink it a bit by multiplying p by 34 and subtracting that from half of 34 (17). The cardback just looks better with these lower values, and the diamond looks fine.

The next line, where I define c, is where things get confusing. It's a long line doing some clunky math. The critical thing is that when this line is done, I need c to equal 1 (dark blue) or 7 (white) on the Pico-8 color pallette.

Here's the whole thing: c=1+min(23-v,17-h)%5/3\1*6

Here is that line broken down into much more discrete steps.

c = 1 --start with a color of 1 low_dist = min(23-v,17-h) --get the lower inverted distance from center val = low_dist % 5 --mod 5 to bring it to a repeating range of 0 to 5 val = val / 3 --divide by 3. value is now 0 to 1.66 val = flr(val) --round it down. value is now 0 or 1 val = val * 6 --multiply by 6. value is now 0 or 6 c += val --add value to c, making it 1 or 7

The first thing I do is c=1. That means the entire rest of the line will either add 0 or 6 (bumping the value up to 7). No other outcome is acceptable. min(23-v,17-h)%5/3\1*6 will always evaluate to 0 or 6.

I only want the lower value of h and v. This is what will give it the nice box shape. If you color the points inside a rectangle so that ones that are closer to the center on their X are one color and ones that are closer to the center on their Y are a different color you'll get a pattern with clean diagonal lines running from the center towards the corners like this:

You might think I would just use min(v,h) instead of the longer min(23-v,17-h) in the actual code. I would love to do that, but it results in a pattern that is cool, but doesn't really look like a card back.

I take the inverted value. Instead of having a v that runs from 0 to 23, I flip it so it runs from 23 to 0. I do the same for h. I take the lower of those two values using min().

Then I use modulo (%) to bring the value to a repeating range of 0 to 5. Then I divide that result by 3 so it is 0 to ~1.66. The exact value doens't matter too much because I am going round it down anyway. What is critical is that it will become 0 or 1 after rounding because then I can multiply it by a specific number without getting any values in between.

Wait? If I'm rounding down, where is flr() in this line: c=1+min(23-v,17-h)%5/3\1*6?

It's not there! That's because there is a sneaky tool in Pico-8. You can use \1 to do the same thing as flr(). This is integer division and it generally saves a 3 characters.

Finally, I multiply the result by 6. If it is 0, we get 0. If it is 1 we get 6. Add it to 1 and we get the color we want!

Here's how it looks with each step in that process turned on or off:

A Note About Parentheses

When I write tweetcarts I would typically start by writing this type of line like this: c=1+ (((min(23-v,17-h)%5)/3) \1) *6

This way I can figure out if my math makes sense by using parentheses to ensure that my order of operations works. But then I just start deleting them willy nilly to see what I can get away with. Sometimes I'm surprised and I'm able to shave off 2 characters by removing a set of parentheses.

The Face Side

The face side with the diamond and the "A" is a little more complex, but basically works the same way as the back. Each pixel needs to either be white (7) or red (8). When the card is on this side, I'll be overwriting the c value that got defined earlier.

Here's the code that does it (with added white space). This uses the h and v values defined earlier as well as the r and p values from the nested loops.

u=(r-1)/80 z=a(p-.2) if(e%1<.5) c= a(r-5) < 5 and z < u+.03 and (r==5 or z>u) and 8 or 8-sgn(h+v-9)/2

Before we piece out what this is doing, we need to talk about the structure for conditional logic in tweetcarts.

The Problem with If Statements

The lone line with the if statement is doing a lot of conditional logic in a very cumbersome way designed to avoid writing out a full if statement.

One of the tricky things with Pico-8 tweetcarts is that the loop and conditional logic of Lua is very character intensive. While most programming language might write an if statement like this:

if (SOMETHING){ CODE }

Lua does it like this:

if SOMETHING then CODE end

Using "then" and "end" instead of brackets means we often want to bend over backwards to avoid them when we're trying to save characters.

Luckily, Lua lets you drop "then" and "end" if there is a single command being executed inside the if.

This means we can write

if(e%1 < 0.5) c=5

instead of

if e%1 < 0.5 then c=5 end

This is a huge savings! To take advantage of this, it is often worth doing something in a slightly (or massively) convoluted way if it means we can reduce it to a single line inside the if. This brings us to:

Lua's Weird Ternary Operator

In most programming language there is an inline syntax to return one of two values based on a conditional. It's called the Ternary Operator and in most languages I use it looks like this:

myVar = a>b ? 5 : 10

The value of myVar will be 5 if a is greater than b. Otherwise is will be 10.

Lua has a ternary operator... sort of. You can read more about it here but it looks something like this:

myVar = a>b and 5 or 10

Frankly, I don't understand why this works, but I can confirm that it does.

In this specific instance, I am essentially using it to put another conditional inside my if statement, but by doing it as a single line ternary operation, I'm keeping the whole thing to a single line and saving precious chars.

The Face Broken Out

The conditional for the diamond and the A is a mess to look at. The weird syntax for the ternary operator doesn't help. Neither does the fact that I took out any parentheses that could make sense of it.

Here is the same code rewritten with a cleaner logic flow.

--check time to see if we're on the front half if e%1 < .5 then --this if checks if we're in the A u=(r-1)/80 z=a(p-.2) if a(r-5) < 5 and z < u+.03 and (r==5 or z>u) then c = 8 --if we're not in the A, set c based on if we're in the diamond else c = 8-sgn(h+v-9)/2 end end

The first thing being checked is the time. As I explained further up, because the input value for sin() in Pico-8 goes from 0 to 1, the midpoint is 0.5. We only draw the front of the card if e%1 is less than 0.5.

After that, we check if this pixel is inside the A on the corner of the card or the diamond. Either way, our color value c gets set to either 7 (white) or 8 (red).

Let's start with diamond because it is easier.

The Diamond

This uses the same h and v values from the back of the card. The reason I chose diamonds for my suit is that they are very easy to calculate if you know the vertical and horizontal distance from a point! In fact, I sometimes use this diamond shape instead of proper circular hit detection in size-coded games.

Let's look at the line: c = 8-sgn(h+v-9)/2

This starts with 8, the red color. Since the only other acceptable color is 7 (white), tha means that sgn(h+v-9)/2 has to evaluate to either 1 or 0.

sgn() returns the sign of a number, meaning -1 if the number is negative or 1 if the number is positive. This is often a convenient way to cut large values down to easy-to-work-with values based on a threshold. That's exactly what I'm doing here!

h+v-9 takes the height from the center plus the horizontal distance from the center and checks if the sum is greater than 9. If it is, sgn(h+v-9) will return 1, otherwise -1. In this formula, 9 is the size of the diamond. A smaller number would result in a smaller diamond since that's the threshold for the distance being used. (note: h+v is NOT the actual distance. It's an approximation that happens to make a nice diamond shape.)

OK, but adding -1 or 1 to 8 gives us 7 or 9 and I need 7 or 8.

That's where /2 comes in. Pico-8 defaults to floating point math, so dividing by 2 will turn my -1 or 1 into -0.5 or 0.5. So this line c = 8-sgn(h+v-9)/2 actually sets c to 7.5 or 8.5. Pico-8 always rounds down when setting colors so a value of 7.5 becomes 7 and 8.5 becomes 8. And now we have white for most of the card, and red in the space inside the diamond!

The A

The A on the top corner of the card was the last thing I added. I finished the spinning card with the card back and the diamond and realized that when I condensed the whole thing, I actually had about 50 characters to spare. Putting a letter on the ace seemed like an obvious choice. I struggled for an evening trying to make it happen before deciding that I just couldn't do it. The next day I took another crack at it and managed to get it in, although a lot of it is pretty ugly! Luckily, in the final version the card is spinning pretty fast and it is harder to notice how lopsided it is.

I mentioned earlier that my method of placing pixels in a line between points is great for deforming planes, but makes a lot of drawing harder. Here's a great example. Instead of just being able to call print("a") or even using 3 calls to line() I had to make a convoluted conditional to check if each pixel is "inside" the A and set it to red if it is.

I'll do my best to explain this code, but it was hammered together with a lot of trial and error. I kept messing with it until I found an acceptable balance between how it looked and how many character it ate up.

Here are the relevant bits again:

u=(r-1)/80 z=a(p-.2) if a(r-5) < 5 and z < u+.03 and (r==5 or z>u) then c = 8

The two variables above the if are just values that get used multiple times. Let's give them slightly better names. While I'm making edits, I'll expand a too since that was just a replacement for abs().

slope = (r-1)/80 dist_from_center = abs(p-.2) if abs(r-5) < 5 and dist_from_center < slope+.03 and (r==5 or dist_from_center>slope) then c = 8

Remember that r is the current row and p is the percentage of the way between the two sides where this pixel falls.

u/slope here is basically how far from the center line of the A the legs are at this row. As r increases, so does slope (but at a much smaller rate). The top of the A is very close to the center, the bottom is further out. I'm subtracting 1 so that when r is 0, slope is negative and will not be drawn. Without this, the A starts on the very topmost line of the card and looks bad.

z/dist_from_center is how far this particular p value is from the center of the A (not the center of the card), measured in percentage (not pixels). The center of the A is 20% of the way across the card. This side of the card starts on the right (0% is all the way right, 100% is all the way left), which is why you see the A 20% away from the right side of the card.

These values are important because the two legs of the A are basically tiny distance checks where the slope for a given r is compared against the dist_from_center. There are 3 checks used to determine if the pixel is part of the A.

if a(r-5) < 5 and z < u+.03 and (r==5 or z>u) then

The first is abs(r-5) < 5. This checks if r is between 1 and 9, the height of my A.

The second is dist_from_center < slope+.03. This is checking if this pixel's x distance from the center of the A is no more than .03 bigger than the current slope value. This is the maximum distance that will be considered "inside" the A. All of this is a percentage, so the center of the A is 0.20 and the slope value will be larger the further down the A we get.

Because I am checking the distance from the center point (the grey line in the image above), this works on either leg of the A. On either side, the pixel can be less than slope+.03 away.

Finally, it checks (r==5 or dist_from_center>slope). If the row is exactly 5, that is the crossbar across the A and should be red. Otherwise, the distance value must be greater than slope (this is the minimum value it can have to be "inside" the A). This also works on both sides thanks to using distance.

Although I am trying to capture 1-pixel-wide lines to draw the shape of the A, I could not think of a cleaner way than doing this bounding check. Ignoring the crossbar on row 5, you can think about the 2nd and 3rd parts of the if statement essentially making sure that dist_from_center fits between slope and a number slightly larger than slope. Something like this:

slope < dist_from_center < slope+0.03

Putting it Together

All of this logic needed to be on a single line to get away with using the short form of the if statement so it got slammed into a single ternary operator. Then I tried removing parentheses one at a time to see what was structurally significant. I wish I could say I was more thoughtful than that but I wasn't. The end result is this beefy line of code:

if(e%1<.5)c=a(r-5)<5and z<u+.03and(r==5or z>u)and 8or 8-sgn(h+v-9)/2

Once we've checked that e (our time value) is in the phase where we show the face, the ternary operator checks if the pixel is inside the A. If it is, c is set to 8 (red). If it isn't, then we set c = 8-sgn(h+v-9)/2, which is the diamond shape described above.

That's It!

Once we've set c the tweetcart uses pset to draw the pixel as described in the section on drawing the lines.

Here's the full code and what it looks like when it runs again. Hopefully now you can pick out more of what's going on!

a=abs::_::cls()e=t()for r=0,46do for p=0,1,.025do j=sin(e)*20k=cos(e)*5f=1-p h=a(17-p*34)v=a(23-r)c=1+min(23-v,17-h)%5/3\1*6u=(r-1)/80z=a(p-.2)if(e%1<.5)c=a(r-5)<5and z<u+.03and(r==5or z>u)and 8or 8-sgn(h+v-9)/2 g=r+39pset((64+j)*p+(64-j)*f,(g+k)*p+(g-k)*f,c)end end flip()goto _

I hope this was helpful! I had a lot of fun writing this cart and it was fun to break it down. Maybe you can shave off the one additional character needed to slow it down by using e=t()/2 a bit. If you do, please drop me a line on my mastodon or tumblr!

And if you want to try your hand at something like this, consider submitting something to TweetTweetJam which just started! You'll get a luxurious 500 characters to work with!

Links and Resources

There are some very useful posts of tools and tricks for getting into tweetcarts. I'm sure I'm missing many but here are a few that I refer to regularly.

Pixienop's tweetcart basics and tweetcart studies are probably the single best thing to read if you want to learn more.

Trasevol_Dog's Doodle Insights are fascinating, and some of them demonstrate very cool tweetcart techniques.

Optimizing Character Count for Tweetcarts by Eli Piilonen / @2DArray

Guide for Making Tweetcarts by PrincessChooChoo

The official documentation for the hidden P8SCII Control Codes is worth a read. It will let you do wild things like play sound using the print() command.

I have released several size-coded Pico-8 games that have links to heavily annotated code:

Pico-Mace

Cold Sun Surf

1k Jump

Hand Cram

And if you want to read more Pico-8 weirdness from me, I wrote a whole post on creating a networked Pico-8 tribute to Frog Chorus.

[sunbentshadows]

Honestly the age of fake-free technology services is ending. Sites and apps have sold all your data, tracked your every move for a literal decade and a half, and they still don't make enough money to stay afloat. Think about that: Almost every site (tumblr and a few others as notable exceptions here) has spent the past decade scraping every part of your identity to sell it to the highest bidder. Emails. Purchases. Search history. Clicks, website visits, who you have seen, what wi-fi networks you walked by, that you stayed out late last Thursday and what bookstore you stopped by. All to slice you into convenient advertising segments.

And it's still not enough. Your data, those supposedly-secret pieces of your supposedly-private life - that time you bought flowers for your mom, the time you looked up that health thing, hell, even the fucking phone number you used for multi-factor authentication - went up to sale for pennies.

Sent to dubious ad-companies to scrape whatever profit they could.

And it didn't even matter.

There is no online space that doesn't require money. Actual money, not fake ad views-money. Independent forums and Mastodon/Fediverse instances and reddit lookalikes are all put up by people's own money and volunteer time. AO3 and Wikipedia use volunteers and donation drives.

Because it isn't free. It never has been.

If you want something to exist, to continue to exist online, the only way to ensure it will stay is to give it money. Actual money. Exposure and ads just do not work, and have never worked. They sold every bit of your information to try to make it work, spent billions of dollars to bleed the internet dry, and it still hasn't.

Yes, this is a post about tumblr woes. This is also a post about Web 2.0 dying. And also a plea to literally anyone who can afford it:

Pay for sites you use. If you do not, they will not exist. You are on a sinking ship.

[foone]

One of my few problems with adopting Tumblr as my social media outlet of choice is the way reblogging your own threads to comment on them means you get this slow explosion of longer and longer posts, and all previous versions still exist on your timeline.

This got long, so musings about the differences in how long-text posts work on different social medias and the trouble with writing them on ADHD continued under the cut.

So if you scroll down my Tumblr account after a bunch of writing, you see:

FOONE: A, B, C, D, E

FOONE: A, B, C, D

FOONE: A, B, C

FOONE: A, B

FOONE: A

And this is annoyingly repetitive especially as posts get long. Which is a definite risk, I can type SO FUCKING MUCH.

And you might say "this is easily fixed: posts don't have to be short (this isn't Twitter) so just put all the content in one post", which, no. I have ADHD. Coming back in the room to go "AND ANOTHER THING!" is my modus operandi, you know? I can't think of all the things I want to say and just say them in one place and go "OK DONE" and click a button and let the internet go read it now. I don't know what I am going to say until after I have said it, and especially not what I am going to say next.

And I worry that the way Tumblr compounds your threads in this additive explosion means that the threshold for "this is too much of this punk" is much lower than other social networks, and that's a real worry for someone who writes as much as I do. I am happy to write endlessly for my own entertainment but I don't want to be annoying, and having to repeatedly scroll past multiple copies of my endless threads is going to get old fast.

Also on the subject of "one long post vs many short ones in a thread", splitting a post and continuing in a reply post/reblog has a functional use: it's like a paragraph break, but moreso. So it's good for indicating a break in the thought, to shift focus, or to take a tangent. (and as someone with severe adhd, my brain is 90% tangents)

Anyway I'm thinking I might do something weird like build a private mastodon instance and then set it up to sync threads to Tumblr.

Like, collect a full thread of small posts, turn them into paragraphs, and post that to Tumblr as one big post. It will work better, I think.

Fundamentally the problem I am facing right now is that Twitter is the best site for how my brain works. Individual tweets in a thread are a close approximation for how I think, so writing a long series of tweets is easiest for me. In that format, I can write. I can be creative. I can express myself.

And don't get me wrong: I love Tumblr. This is easily one of my favorite places on the web. But the "big open white page with plenty of room to write" model is not a good fit for my brain. I look at that and I can't get started. If I can get started, I can't finish, because I get bogged down in going back and editing and rewording.

Short small snippets in a row, like IRC or Twitter, prevent those problems. I don't have to think about the whole thing I'm writing, because I don't have room to write that. I just focus on the current line, and once that's done, I move on to the next. Did I misspell something? Could that have been phrased better? Well, too bad. That line is done now, you can only move forward.

Yeah this may not result in a work of literary genius but it at least results in something. I am not a great writer, I'm never going to be a new york times best seller... But I'm not aiming that high. Writing like this, as a series of short snippets and not going back to fix and re-edit them? It's the only way I can write at all. (and if you have ADHD that gets in the way of your writing, I recommend trying it).

I'd rather write in this specific and limited style than not write at all. There's too many ideas in my head, I need to get them out.

Anyway the reason I'm thinking about this now is that this is why I've traditionally been a heavy Twitter user (though let the record show that I have been on Tumblr for longer!). It works for that style of writing, so I could flourish there.

But it's dying. Oh God, is it dying. And I'm having to think about what to do next. Where to "go".

And as an aside, it's always weird how we always phrase these things like migrations. Like people are backing up their bags from site A and getting on a train to site B.

Maybe it's just my ADHD talking, but that's never been how I've used the web. I am in many, many places simultaneously, and have been for a long time.

I'm active, to different degrees, on Tumblr and Twitter and reddit and discord and mastodon and cohost and Facebook and LinkedIn and IRC and email chains and BBSes. The only thing that change if I "move" is how much I focus on one over an another. If I have a shitpost in my head, where do I decide to post it? If I want to talk about something more serious, where do I go?

Obviously with Twitter dying I'm focusing more on other places. I joked to someone on Twitter that I'm currently sharding what used to be my Twitter posts to Tumblr and mastodon: Tumblr gets the shitpostier and transier stuff, mastodon gets the techier stuff. But that may change as I find the right balance going forward.

Or, regarding my "persona Jubilee" post, I might just stop. I have been this Foone for a while, it might be time to stop and rethink.

Anyway, the final wrinkle in this overlong post: I wrote this much on Tumblr, despite all my talking about not being able to do it. I think I'm basically doing this by channeling my "Twitter thread mood" and not going back up and editing. Who knows if that means I've actually managed to overcome my previous inability to just write free-form long content, or if this is just a limited trick that I can't keep up. Time will tell.

[desert-palm]

Tumblr will add support for ActivityPub, the open, decentralized social networking protocol that today is powering social networking software like Twitter alternative Mastodon, the Instagram-like Pixelfed, video streaming service PeerTube, and others. The news was revealed in response to a Twitter user’s complaint about Mastodon’s complexities. Automattic CEO Matt Mullenweg — whose company acquired Tumblr from Verizon in 2019 — suggested the user “come to Tumblr” as the site would soon “add activitypub for interconnect.”

“Don’t stress,” he said, before clarifying that Tumblr first has to deal with the waves of new users coming in right now from Twitter but that support for “interop and activitypub” were due to come “ASAP.”

In short, this announcement means Tumblr would move from being only a niche blogging platform to becoming a part of a larger, decentralized social network of sorts — and one whose user base has grown in size in recent days as people flee Elon Musk’s Twitter in search of new communities.