can I just say. coffee theory is stupid and completely cheapens the choice Aziraphale makes.
Aziraphale continues to say no to Metatron's offer until Metatron uses the real bait: if you take over Heaven, you can reinstate Crowley to his Angelic status. And that is what gets Aziraphale to say yes hook line and sinker — he can take Crowley with him so Crowey doesn't have to be afraid of Hell and Aziraphale can run things Do It Right as the Head of Heaven and no one would say anything to Crowley ever again if Aziraphale was on his side. Aziraphale doesn't know about the trial and the fact that Gabriel was fired for disagreeing w Heaven on the Second Armageddon front. He just thinks Gabriel was fired bc he fell in love w a demon (and Aziraphale's in love w a demon). Aziraphale strongly believes that if he can reinstate Crowley as an angel again then there would be no such objections from Heaven at all, because they would both be on the same side and they can be together and if anything ever goes wrong, both Crowley and he would be protected under Aziraphale's position as the new boss of Heaven. Plus, the way he remembers it, Crowley enjoyed making things creating things and still likes to do good deeds which he gets in trouble for if Hell finds out, but he won't if he's an angel, in Aziraphale's eyes then Crowley would be free to do all the good he liked. And because Aziraphale would be the boss, Crowley would be able to ask questions and work with him and make things better w his inquisitive perspective, something Crowley always wanted to do and Aziraphale wants to give him that also.
He doesn't know the full depth of things that Crowley knows, which is why when Crowley hears Aziraphale's offer, all he hears is that Aziraphale is choosing Heaven, after everything they have done to him, Aziraphale is leaving Crowley FOR Heaven. The way he sees it, Aziraphale wants him to change and be Heaven's definition of "Good" so they can both be in Heaven, conforming to a life Crowley left behind long ago, a life he knows Aziraphale wouldn't be happy in either. Which is the killing blow to Crowley's heart bc Aziraphale would choose THAT instead of coming away with Crowley? Devastating. But he doesn't know that Metatron's offer WAS Crowley's Angelification and hence forth security that got Aziraphale to say yes. Crowley hasn't communicated a lot to Aziraphale but Aziraphale also hasn't communicated a lot to him either and they're both on very different pages w the information they've got and what they feel they need to do to be together and be safe and happy.
Does Aziraphale make the naive choice? Yes. Does he make so in full control of his mind and senses? Also yes. Having his coffee poisoned is an incredibly cheap tactic because as a writer it's a cop out. It robs Aziraphale of not only his agency but also the reasonings behind his choice. It absolves him from the struggles and consequences of his actions and robs him of the growth and realization and epiphany he will have in the third act. It cheapens their inevitable reconciliation.
Metatron didn't hand him the coffee to poison him. He handed it to him so he can use the manipulative familiarity of "oh look i brought ur coffee order, isn't it cool how I know your coffee order isn't it nice how we are close like that?" that was the tactic. to get him to listen. Not some elaborate coffee poison.
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Jason Todd is stealing the tires off of the Batmobile, when a man walks up on him doing it.
The man stares at him, nods, and just says "I'll keep a look out, man, go go go!"
So Jason does, and he gets all four tires with the man's help.
The man introduces himself as Danny Foley, and asks Jason if he wants to go get some burgers.
Danny, meanwhile, has decided that yes. This is the child he will adopt. He just has to convince the kid of that.
Batman has to call in Alfred to bring around his backup vehicle with spare tires, and little Timmy gets some wonderful shots of Batman having to replace his own tires.
@simplestoryteller
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Tim and Kon the type of boyfriends to respond to declarations of love by saying " cringe" like ratio.
For ex.
Tim being overcome with sappy feelings™ for his boyfriend looks up at Kon like " hey, I love you"
Kon looks at him and lifts an eye brow and says " cringe"
But he's also holding Tim's hand so.
This exchange also works the other way!
Ex.2
Kon being over come with a warm fuzzy emotion after seeing Tim round house kick a baddie to the ground is like. " Damn I love you!"
And Tim sweaty in his robin gear glares at him from behind his domino and says " Cringe"
They take turns being the emotional one and the chronically unable to show affection one. It's balance! It's Gen Z! It's two local rat dudes macking on each other!
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Do you use references for your art (both sfw and nsfw) or are you someone who draws from your imagination most of the time?
its pretty 50/50! i tend not to draw from refs as much for comms/commercial work, whereas w personal art i use refs to Have A Good Time and help me study/improve at the same time 🤔 theres less creative brainpower needed sometimes lol...
some examples 👇
personal work = combining elements of refs to better suit the blorbos
work work - initial pose from imagination, then figuring out the details using articulated dolls
when it comes to nsfw/erotica i absolutely use refs LOL theres a lot of anatomy involved.. and tbh its a great way to study the body! when im able to draw smut w.o ref thats when ill know ive made it as an artist 🫡
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„Big Mama is too evil to be a mother figure“ this, „Big Mama gets redeemed to be a mother figure“ that, here‘s my concept; Big Mama is a mother figure AND the antagonist, that would be way funnier
her having tea with one of the boys as they‘re upsidedown and tied up by her webs, feeding them biscuits and telling them that murder solves everything as they sigh and repeat that no, Mama, no killing or maiming you know its against our rules
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Interviewer: Avatar Aang, why did you run away from home?
Aang: I was told I was the Avatar at like 12, and the pressure got to me so I childishly ran away. :( Ironically that ended up being the right choice, but that's a diff story.
Interviewer: Fascinating. Did you take anyone with you?
Aang: Of course! My best buddy, ol' pal Appa! :D
Appa: Moo
Interviewer: Avatar Korra, why did you run away from home?
Korra: Well the first time- I don't want to talk about the second time- it was because those jerks wouldn't let me BE THE AVATAR! So I ran away to do my duties!
Interviewer: Fascinating. Did you take anyone with you?
Korra: Of course! Only the best girl ever, Naga!
Naga: Woof
Interviewer: Avatar Kyoshi, why did you run away from home?
Kyoshi: After witnessing the death of two of my loved ones. I swore to escape my sifu's control and to get revenge by any means necessary.
Interviewer: Fascinating. Did you take anyone with you?
Kyoshi: Of course! I took my totally 100%, platonic bestie Rangi! Mmmhmmm just friends, totally, ONLY friends. Haha. No secret longing feelings here, no siree.
Rangi: Platonic???? Not by the end of this trip, not if I have anything to say about it!
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i do not want to dig a hole but i am too much of a laura bailey pc enjoyer to not make this post so:
selfishness ≠ a lack of kindness
selfishness is a theme that has come up with all of laura's main campaign pcs. that doesn't mean that her characters are always making selfish choices or that they don't care about the rest of the people they're with or that they're not good. it's just that, for the most part, the first thing they're thinking of when they take action or make choices is themselves.
in jester and vex both it is more typical and obvious selfishness. vex's developed because she needed it to keep herself and vax alive and as safe as possible and it grew into a behaviour that she had to actively work to avoid. it's evident in her greed, her theft of the broom, her reaction to her own death which relied heavily on i'm okay/i survived to which keyleth reminded her that she wasn't the only one who had to witness and reckon with her death. in jester's case, she grew up in an environment that literally trained her to make every decision based on two things - her mother's opinion and her own. so, when she's out in the world without marion for the first time, her choices are those that will benefit her and her actions are those that consider her own thoughts and not really many others' (aside from the traveler's).
it isn't a criticism of either vex or jester to say that they are characters who act selfishly. in fact, i'd argue that to claim otherwise does a great disservice to exactly how immense both of their character arcs are. because the nuance of both jester and vex is that they are selfish, and they also hold extreme room for self-sacrifice and empathy. vex is much more brash than jester is, and jester is much more trusting than vex, but both of them are characters who begin with selfish impulses who grow with them. neither ever truly shed those impulses, but they use them in new ways, typically transforming them into impulses towards things that are in the best interest of the party.
you may have noticed the lack of imogen in this post about laura bailey pcs and that's because of two reasons. one, we are an unknown amount of time into her story, i can't analyse her development the same way i can vex and jester's. two, imogen's selfishness isn't the blatant quasi-self-aware selfishness that we see in things like jester complaining about her lack of money to caleb or vex stealing a broom. instead, imogen's is very internal, like a lot of laura's character work with imogen. it is a bit similar to jester’s in the sense that it comes from a lack of awareness moreso than vex’s practiced behaviour, but imogen’s is a lot more tied to inherent beliefs she has about the world and the people in it.
as a consequence of her powers, imogen sees people's thoughts as their entirety, she holds it above their actions to be the truth of who they are - to act against what they think or to say something that doesn’t cohere with what they’ve thought is akin to lying, so for her to act empathetically is to act in tandem with what someone else’s thoughts are, not how they act, which is typically not all that wanted. the same as vex’s greed and jester’s naivety, this is a trait that makes narrative sense and it’s one i find quite compelling, especially when read in the vein of someone struggling through trauma that has made them assume that the world is against them. imogen’s cynicism is coherent cynicism, i can’t say that in a similar situation i wouldn’t have the same predisposition towards the world.
the part that is particularly self-interested comes in if you look at how imogen has actually been treated in the campaign (quite well) in comparison to the cynicism that she’s developed from her past (something that speaks to a world out to get her). certainly, a bunch of shitty things have happened to imogen in the time we’ve known her, but the same can be said for everyone in bell’s hells and pretty much everyone in exandria at this point in time. but, in a fight to save the aforementioned world, imogen’s focus was getting her mother back on her side. which, while very consistent with her character and a choice that i enjoy, is a very selfish one. the fun thing (to me, obviously) about imogen is that she has, more than most, an insight into the opinions of others and she also tends to seek others’ opinions out and genuinely engages with them and supports their choices. but she still very much acts towards what she thinks is best. it’s one reason i enjoy looking at the dynamic between her and orym as one between foils, as orym tends to be stalwart in his beliefs and doesn’t care too much for other’s opinions if he’s already sure of his own, but his actions tend to favour collaboration and protecting others.
as i mentioned earlier, imogen is a harder case to look at because she is still in the process of her story. however, the circlet is clearly influencing how she interacts with the world and in the wake of the solstice, the hostile reaction towards ruidusborn people has started to become more and more apparent and i’m interested to see what route that ends up leading imogen down and how it will influence her relationship with the rest of bell’s hells. (for better, i think, based on recent conversations, but if it's for worse i will be just as seated and excited).
all of this is just to say, please stop assuming that claiming a character has a trait you think is a bad one is criticism or a hate post. in light of the fact that i know that people who don’t believe this will continue to not believe this, i’ll encourage anyone confused about the ability of a character to be good and kind and selfish all at once to look to what the text itself says, specifically scanlan’s words to pelor when asked what vex means to him:
“Her name is Vex, and she is greedy and mean sometimes, and she can steal a lot. She’s a little bit not the greatest person, but her flaws highlight everything that is right about her, which is she does all these things to protect her friends and her family. She would give her life for any of us and for anyone who was truly in need. And she’s not perfect but she’s the most perfect of all of us.”
would you look at that... an ability to be a multitude of things, some in conflict with one another. i know that's hard for fandoms to believe, especially about female characters with agency, but i promise its true!
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