VirtualRealPorn-At the Changing Room
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Magdalena, Hot Blonde
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Busty blonde Kelli poses outdoors
Alana Evans and Sienna Day scissor Until They Cum
Metendo na buceta da minha esposa safada
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louder for the people in the back
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a young woman in the 1800s binding her chest to pass as a boy and gets a job as a stablehand to help support her parents but the hay dust has her sneezing in fits by the end of each workday and the rich daughter of the family she works for starts falling for her and gives her a lacy handkerchief and...
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Kadokawa Shoten "Monthly Newtype" magazine (June 2000)
Illustration by Hiroshi Ousaka.
Animator Hiroshi Ousaka Illustrations & Works (2008)
Source, personal collection.
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(you can't tell me the house of Feanor doesn't have gifted jewelsmiths among their followers who can put in a protective charm or a healing spell or something)
-@disorganisedautodidact
Excised from the reblog chain for length/off-topicness, but I'm now brooding over the variety of benign beneficial forms of magic jewelry the noldor could focus on in the second and third ages. Healing, yes, good, and also I suspect a degree of... luck? Safety? Little charms to turn a blade, or at least divert it from vulnerable bits like eyes and organs. (Actually, I bet those started out as workplace safety charms in Aman, and were turned to martial uses in the early first age. They make for popular trade goods with laiquendi hunters and the marchwardens of doriath.)
But also things like bonds-breaking! An entire department of the gwaith-i-mirdain focused on how to effectively embed something like Finrod's chain-breaking spell into something small and innocuous like a belt buckle or earring, or an embroidery design on one's undershirt. And it does take a whole department, because (as finrod's example suggests) it's a trick that requires wild amounts of power and finesse, but even more so if one wants to incorporate it into everyday wear items. The department is NOTORIOUS for wandering around with buttons and bootlaces and hair ties and brooches and necklace clasps all undone, or coming undone and being re-closed every 15 minutes or so. After a certain point the department head just takes to wearing a bedsheet most of the time because the latest experiments won't even leave a stitched seam in place. She trails loose threads behind her wherever she goes.
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i need a Planet Weird documentary focusing on Greg and Dana's cats living in this haunted wonderland of a house. like what are their day-to-day experiences as tiny animals surrounded by just insane amount of weirdness
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sigil for the moment when excitement is greater than fear
(that's good baby just like that)
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I’m still thinking of “The Unbinding” Documentary the Planet Weird crew made, it completely turned the way I view the paranormal on its head over and over again. Highly recommend it if you enjoy haunted objects phenomenon.
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Welcome, weirdos!
The Haunted Objects Podcast is a bi-weekly podcast that joins full-time weirdos Greg and Dana Newkirk as they dive into the history, folklore, and paranormal activity of the haunted objects collected in their museum.
Anything weird goes! We got ghosts, aliens, auras, spoon-bending, remote viewing, thorough research, a surprising number of poop jokes, and anything else your creepy heart desires.
We're currently on hiatus but watch/listen to the first season of 19 episodes now!
Where to listen:
YouTube: https://tinyurl.com/yc5xxz9e Spotify: https://tinyurl.com/mrxrzehp
Apple Podcasts: https://tinyurl.com/3bzapmav
Amazon Podcasts: https://tinyurl.com/2p8mb35y
IHeartRadio: https://tinyurl.com/3sw8hp8h
More from Planet Weird:
Become a member of the Newkirk Museum of the Paranormal and support the podcast directly: https://patreon.com/paramuseum
Suffer a witch and stream Planet Weird's newest documentary "The Unbinding": The Unbinding | Official Trailer - YouTube
Click here to watch the only docuseries that knows that you watched it: Hellier | Season One - YouTube, Hellier | Season Two - YouTube
Who's who in the pod:
Hosted by Greg and Dana Newkirk
Produced by Connor J. Randall
Photography by Karl Pfeiffer
Additional research by Keelin Mathews (that's me 👋)
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