#us post office

[iww-gnv]

Several thousand Postal Service rural carriers say they’re in favor of decertifying their union, after USPS implemented a new pay system that led to significant pay cuts for two-thirds of the rural carrier workforce. A grassroots network of rural carriers across the country is collecting signatures from their coworkers in the hopes of joining a new union. Rural carriers have until the end of the calendar year to gather signatures from nearly a third of the total rural carrier workforce, but individuals leading the project said they have already collected about 20% of the necessary signatures. Leaders behind the effort say their current union, the National Rural Letter Carriers Association (NRLCA), has done little to prevent the Rural Route Evaluated Compensation System (RRECS) from going into effect in May, or communicating its rollout to members.

[Read the rest]

[istandonsnowpiles]

Corning Post Office

[mossfilms]

mood:

[wasyago]

salmon pearl 🤔

[wasabi-gumdrop]

Kabru has a secret admirer in the castle!

[burins]

I know this is the Take Personal Responsibility for Systemic Issues website, but I keep seeing weirdly guilt trippy posts about libraries and ebook licenses, which are a labyrinth from hell and not actually something you personally need to feel guilty about. here are a few facts about ebook licenses you may not know:

in Libby/Overdrive, which currently operates in most US public libraries, ebook licenses vary widely in how much they cost and what their terms are. some ebooks get charged per use, some have a set number of uses before the license runs out, and others have a period of time they're good for (usually 1-2 years) with unlimited checkouts during that period before they expire. these terms are set by the publisher and can also vary from book to book (for instance, a publisher might offer two types of licenses for a book, and we might buy one copy of a book with a set number of uses we want to have but know won't move as much, and another copy with a one year unlimited license for a new bestseller we know will be really moving this year.)

you as a patron have NO way of knowing which is which.

ebook licenses are very expensive compared to physical books! on average they run about 60 bucks a pop, where the same physical book would cost us $10-15 and last us five to ten years (or much longer, if it's a hardcover that doesn't get read a lot.)

if your library uses Hoopla instead, those are all pay per use, which is why many libraries cap checkouts at anywhere between 2-10 per month.

however.

this doesn't mean you shouldn't use ebooks. this doesn't mean you should feel guilty about checking things out! we buy ebook licenses for people to use them, because we know that ebook formats are easier for a lot of people (more accessible, more convenient, easier for people with schedules that don't let them get into the library.) these are resources the library buys for you. this is why we exist. you don't need to feel guilty about using them!

things that are responsible for libraries being underfunded and having to stretch their resources:

government priorities and systemic underfunding of social services that don't turn a profit and aren't easily quantified

our society's failure to value learning and pleasure reading for their own sake

predatory ebook licensing models

things that are not responsible for libraries being underfunded:

individual patron behavior

I promise promise promise that your personal library use is not making or breaking your library's budget. your local politicians are doing that. capitalism is doing that. you are fine.

(if you want to help your local library, the number one thing you can do is to advocate for us! talk to your city or county government about how much you like the library. or call or write emails or letters. advocate for us locally. make sure your state reps know how important the library is to you. there are local advocacy groups in pretty much every state pushing for library priorities. or just ask your local librarian. we like to answer questions!

also, if you're in Massachusetts, bill h3239 would make a huge difference in letting us negotiate ebook prices more fairly. tell your rep to vote for it!)

[ew-selfish-art]

Dp x dc AU: the watchtower gives out very strictly limited passes for visitors. They don’t need the world knowing that their HQ is in space after all, but sometimes family needed to visit.

Batman was the one to install the day pass system back when Dick was Robin- he needed the excuse to send Dick home to Alfred after a certain amount of time has passed and it just stuck. Unless you were a full time member, day passes were the best you got. Engineers and other supportive staff that weren’t members weren’t afforded day passes however- but Jazz is determined to be the one exception.

Jazz Fenton has been a psychologist for the JL for a year now (she just had a very productive performance review, thank you very much) and it’s been killing her to not tell Danny her office is in space. They do weekly dinners that he portals in for, and he knows that she takes a Zeta tube to work, but he’s technically not allowed to know that her office is a satellite. So, she sets a meeting with the man who started the system in the first place.

Batman is hard to read for most but she’s been his therapist for a while now, and she can tell he’s at least considering her request. Dinah couldn’t speak more kindly on Jazz and she’s been an asset to the JL in many ways since she was hired. Jazz’ arguments aren’t preposterous either- she’s submitted all of his identification papers, his background check, his job description and all of his friends names. She assured him that Danny will be able to keep a secret but when pressed she doesn’t reveal if he has any of his own.

Turns out, months of back and forth and negotiations were going be basically worthless- the second Danny got his little wrist band day pass, made it up via the zeta tube and got presented the view of Earth from the observation deck: he immediately transformed. Like zero caution, just went ghost and hyper fixated on the stars.

“You could have mentioned your Brother being Phantom. He’s been an ally to us for a while.” Batman grumbles in the way that only his family and she can tell through his deadpan.

“Yeah, I just thought that would’ve been a second visit conversation.”

[thorsenmark]

Going to Luckenbach, Texas by Mark Stevens Via Flickr: The famous, iconic landmark in Luckenbach, Texas. The view is looking to the east. My thinking in composing this image was to include much of the oak trees surrounding this building and structure as a complement with the more rural setting of this location. I later worked with control points in DxO PhotoLab 4 and then made some adjustments to bring out the contrast, saturation and brightness I wanted for the final image.

[istandonsnowpiles]

Fallout Shelter

[vigilskeep]

read my powerpoint boy

[iinryer]

i keep thinking about chris’s “i tried complaining once, it didn’t work” line and also how he’s super witty and funny and perceptive and also A Teenager and how that all would influence the way he navigates a world that isn’t always accessible to him…

just imagining post-ladder-truck-crush-injury buck and chris both using crutches while buck is still getting used to things suddenly being inaccessible to him and getting like, little zingers of insights and life lessons from his best friend’s kid while out and about. chris showing him how he gets up and down the tall curbs when a sidewalk is blocked off unexpectedly, and very loudly and often proclaiming his distain for the “fuck-you” steps (the 1-2 tiny steps at the front doors of houses and buildings that immediately make that entrance no longer accessible)

like buck researches a couple of easy activities for them to try while he’s is still healing and tired and is looking into the establishment’s accessibility accommodations, and hey! the place says on the website that they’re wheelchair friendly! that usually covers his and chris’s bases, so they should be good to go. but when they get there it turns out that, while there IS an accessible entrance with a “ramp”, it’s actually the cargo loading zone that’s literally on the other side of the building which would require them to walk a couple of extra blocks up and back down the street on the other side. obviously they can still get in, but buck feels awful because that’s not what he wanted out of his preparedness. chris just tells him “it’s okay, it happens a lot actually”, and buck is even MORE sad about it, but chris just conspiratorially adds “this is my favorite kind” and starts making his way towards the set of like, idk eight stairs at the front of this building. buck is obviously confused and looks at eddie who just shakes his head fondly, sighs and says “yeah, he does this sometimes” before encouraging buck to follow. when buck finally reaches chris, he’s balancing his crutches on the first stair and turns to buck to whisper “now we get to make them feel bad about it” and proceeds to very feebly, very slowly—and buck has seen chris rough and tumble and rocket his way through things that could (and do) trip him up, this is the most dramatic act of put-upon helplessness buck has EVER seen from this kid—make his way up the stairs. he even sticks his bottom lip out into a little pout for good measure. one of the staff sees them through the glass doors and comes out to tell them about the “ramp” in the back of the building, and before buck can even think of what to say in response, chris is just telling them, very sadly, that he “wouldn’t be able to walk that far without getting too tired 😔😔😔” and continues his hammed-up, sad, slow trek up the stairs while a very harried staff member kind of hovers, not knowing what to do.

buck has to bite his cheek to keep himself from laughing at chris’ act, and then again at the face the staff member makes when they catch sight of buck too, as he begins very dutifully following chris’s lead, eddie in their wake.

[yridenergyridenergy]

Vicious August 1998

[s0fter-sin]

retired ghoap going on a renovation competition show

ghost takes over the budget and he's ruthless with it; tracking every paint swatch and piece of lumber down to the last cent, haggling for every purchase and making the most of their coupons. soap's in charge of design; he can visualise floor plans better than anyone, seeing the completed spaces in his mind when they’re little more than a steel shell

they run their site like a military base, treating their builders like rookies; expecting them to follow orders but also waiting for them to inevitably mess up so they can fix it

they're an immediate shock to the judges; they fully expected them to have no idea what they're doing, to have no understanding of style or trends, but they didn't sign up just for shits and giggles

they know how to hit a brief and can do physical labour faster than the actual builders. with soap's discerning eye and ghost's practically, they design gorgeous rooms and become a real threat for the prize money. they handle the stress and sleepless nights like it's second nature bc really, it is; a few all nighters painting are nothing compared to being shot at

they also take great joy in messing with the other couples

it takes a while for them to figure out they're even married; they argue like it's going out of fashion, never holding their opinions or frustrations back but it's their love language as much as their banter. you can hear them barking at each other from across the site; callsigns and “It” and “sergeant” thrown around just like in the field

the challenges are where they have the most fun

the day to day? that's work; they're strict, both with themselves and the schedule, never letting anything fall behind or go incompleted. but the challenges? that's play time. they love pushing the brief, toeing the line of the rules purely bc they can

they get to a two part art challenge and ghost's scheming before before the host even opens their mouth. part one? one half of the couple has to design some kind of art piece that will feature in their house. part two? the other person has to gather supplies and tools and make the art

there's a time limit for how long they can take to gather the supplies; once it's up, they can't go back for more and they can only use what they can carry themselves to their station. they're in a warehouse filled with scrap and paint and tools, the choices almost overwhelming

ghost politely interrupts the host to ask for a clarification; absolutely anything in the warehouse can be used so long as they can carry it?

the host confirms; anything under the roof is their's to use

ghost thanks them and steps back in line, standing at attention and waiting for round one to start

ghost volunteers to be the one to do the art, shocking everyone since soap is well known as the artist of the two of them. but soap sees the mischief in his eyes; he knows he's up to something and can't wait to see where it goes

the timer starts and ghost immediately shucks his hoodie and gets to grabbing; stuffing the impromptu bag with everything he recognises from soap's own supplies. there's seconds to go when he bolts for soap, throwing him over his shoulder in a fireman's carry

the other couples are pissed and call it cheating, trying to get them disqualified

ghost just shrugs, soap still over his shoulder, "they said we can use anything we can carry. i followed the brief"

soap just laughs like a mad man

they win the challenge by a landslide

everything's going smoothly, they've won enough room reveals that they’re in a good financial position, they’re ahead in their current room and in a great headspace

then soap gets injured

it's an honest mistake, a part of the roof they thought was stable collapsing and hitting soap

and ghost, always calm and in control, panics

he's on the other side of the site when he hears soap cry out and goes running; shoving past cameramen and builders, screaming to know what happened before he even sees him. he finds soap on the ground, blood dripping from his temple and it's too familiar; a thing he sees in his nightmares

he doesn't know what to do with all his fear so instead, he channels it into anger

he goes off on all his builders, demanding to know how they could be so useless and careless as to miss the unstable roof; screaming at them in a way he hasn't done since he was on active duty, tearing down a rookie for poor trigger management

all the while, his gentle hands tend to soap; checking the wound, if he's concussed, soothing him before he can slip into a flashback of his own. he growls at the cameras, doesn't let the onsite medics anywhere near him; he doesn't know them, doesn't trust them with his johnny. it's only soap's gentle convincing that makes him step back, that forces him to stop and breathe; glaring the medics down from soap's side as they check him and come to the same conclusion soap already reached

he'll be iust fine; a few stitches and he'll be right back in it

ghost goes with him to the hospital to get the stitches laid, abandoning the site to their terrified builders to look after. it takes a few days before he can handle them being separated again, can't even handle one of them going shopping while the other site manages

but soap doesn't begrudge him for his clinginess, not when he knows it's rooted in the fear of losing him. he just keeps him close and calls him his good luck charm when they win the room reveal that week

[meamiiikiii]

what to do when you forget your umbrella!

i will not elaborate.

((these drawings are a GSNK rain scene reference ADSAFFASD))

bonus isolated (isalated?) running isa as a treat for his birthday:

[personinthepalace]

Jenna Coleman and Ruby Stokes in The Jetty

from BBC Press Office on instagram

[thenewtitans60page22]

Something something inheritances

Jason, half dead with the league, still flipping the way Dick taught him

Tim throwing punches the way he learned watching Jason on shaky phone footage he obsessively watched as a kid

Damian smiling Dick’s robin smile, having learned it at Dicks side