#use the swears and 'fanfiction terms' pretty often

[transingthoseformers]

At what point does a hyperfixation turn into a soecial interest /gen

Because I've been in the transformers fandom for threeish years now and know way too goddamn much

[eiirisworkshop]

The Fanfic Author's Guide to Metatext

(As Used on Ao3) by Eiiri

Also available as a PDF here. This thing is 13,000 words.  The PDF is recommended.

Intro: What is Metatext?

Metatext is everything we fanfic authors post along with our story that is not the story itself: title, tags, summary, author's notes, even the rating.

It is how we communicate to potential readers what they're signing themselves up for if they choose to read our story, how we let them make informed decisions regarding which fics they want to read, how we get their interest and, frequently, how they find our story in the first place. A lot of metatext acts as a consent mechanism for readers, it's the informed part of informed consent.

Since most of us who write fanfic also read it, we understand how important this is! But, for the most part, no one ever teaches us how to use metatext; we have to pick it up by osmosis. That makes it hard to learn how to use it well, we all suck at it when we first start out, and some of us may go years without learning particular conventions that seem obvious to others in our community. This creates frustration for everybody.

Enter this guide!

This is meant to be a sort of handbook for fic writers, particularly those of us who post on Archive of Our Own, laying out and explaining the established metatext conventions already in use in our community so we (and our readers!) are all on the same page. It will also provide some best-practices tips.

The point is to give all of us the tools to communicate with our audience as clearly and effectively as possible, so the people who want to read a story like ours can find it and recognize it as what they're looking for, those who don't want to read a story like ours can easily tell it's not their cup of tea and avoid it, nobody gets hurt, and everybody has fun—including us!

Now that we know what we're talking about, let's get on with the guide! The following content sections appear in the order one is expected to provide each kind of metatext when posting a fic on Ao3, but first….

Warning!

This is a guide for all authors on Ao3. As such, it mentions subject matter and kinds of fic that you personally might hate or find disgusting, but which are allowed under the Archive's terms of use. There are no graphic descriptions or harsh language in the guide itself, but it does acknowledge the existence of fic you may find distasteful and explains how to approach metatext for such fics.

Some sexual terminology is used in an academic context.

A note from the author:

This guide reflects the conventions of the English-language fanfiction community circa 2021. Conventions may differ in other language communities, and although many of our conventions have been in place for decades (praise be to our Star Trek loving foremothers) fanfiction now exists primarily in the realm of internet fandom where things tend to change rather quickly, so some conventions in this guide may die out while other new conventions, not covered in this guide, arise.

This is not official or in any way produced by the Archive of Our Own (Ao3), and though some actual site rules are mentioned, it is not a rulebook. Primarily, it is a descriptivist take on how the userbase uses metatext to communicate amongst ourselves, provided in the interest of making that communication easier and more transparent for everyone, especially newer users.

Contents

How To Use This Guide Ratings Archive Warnings Fandom Tags Category Relationship Tags Character Tags Additional Tags Titles Summaries Author's Notes Series and Chapters Parting Thoughts

How To Use This Guide

Well, read it.  Or have it read to you.

This isn't a glossary, it's a handbook, and it's structured more like an academic paper or report, but there's lots and lots of examples in it!

Many of these examples are titles of real media and the names of characters from published media, or tags quoted directly from Ao3 complete with punctuation and formatting.

Some examples are more generic and use the names Alex, Max, Sam, Chris, Jamie, and Tori for demonstration purposes. In other generic examples, part of an example tag or phrase may be sectioned off with square brackets to show where in that tag or phrase you would put the appropriate information to complete it.  This will look something like “Top [Character A]” where you would fill in a character's name.

This guide presumes that you know the basics of how to use Ao3, at least from the perspective of reading fic. If you don't, much of this guide may be difficult to understand and will be much less helpful to you, though not entirely useless.

Ratings

Most fanfic hosting sites provide ratings systems that work a lot like the ratings on movies and videogames.

Ao3's system has four ratings:

General

Teen

Mature

Explicit

These seem like they should be pretty self-explanatory, and the site's own official info pop-up (accessible by clicking the question mark next to the section prompt) gives brief, straightforward descriptions for each of them.

Even so, many writers have found ourselves staring at that dropdown list, thinking about what we've written, and wondering what's the right freaking rating for this?  How do I know if it's appropriate for “general audiences” or if it needs to be teen and up? What's the difference between Mature and Explicit?

The best way to figure it out is often to think about your fic in comparison to mainstream media.

General is your average Disney or Dreamworks movie, Cartoon Network or Nickelodeon shows, video games like Mario, Kirby, and Pokemon.

There may be romance, but no sexual content or discussion. Scary things might happen and people might get hurt, but violence is non-graphic and usually mild. Adults may be shown drinking alcohol or smoking tobacco, and some degree of intoxication may be shown (usually played for laughs and not focused on), but hard drug use is generally not shown or discussed.  There is little to no foul language written out and what language there may be is mild, though harsher swears may be implied by narration. There are no explicit F-bombs or slurs.

Teen is more like a Marvel movie, most network television shows (things like The Office, Supernatural, or Grey's Anatomy), video games like Final Fantasy, Five Nights at Freddie's, and The Sims.

There might be some sex and sexual discussion, but nothing explicit is shown—things usually fade to black or are leftimplied. More intense danger, more severe injuries described in greater detail, and a higher level of violence may be present.  Substance use may be discussed and intoxication shown, but main characters are unlikely to be shown doing hard drugs. Some swearing and other harsh language may be present, possibly including an F-bomb or two.  In longer works, that might mean an F-bomb every few chapters.

Mature is, in American terms, an R-rated movie* like Deadpool, Fifty Shades of Grey, The Exorcist, and Schindler's List; certain shows from premium cable networks or streaming services like Game of Thrones, Shameless, Breaking Bad, and Black Sails; videogames like Bioshock, Assassin's Creed, Grand Theft Auto, and The Witcher.

Sex may be shown and it might be fairly explicit, but it's not as detailed or graphic or as much the focus of the work as it would be if it were porn. Violence, danger, and bodily harm may be significant and fairly graphic. Most drug use is fair game. Swearing and harsh language may be extensive.

Explicit is, well, extremely explicit. This is full on porn, the hardcore horror movies, and snuff films.

Sex is highly detailed and graphic. Violence and injury is highly detailed and graphic. Drug use and its effects may be highly detailed and graphic. Swearing and harsh language may be extreme, including extensive use of violent slurs.

Please note that both Mature and Explicit fics are intended for adult audiences only, but that does not mean a teenaged writer isn't going to produce fics that should be rated M or E.  Ratings should reflect the content of the fic, not the age of the author.

Strictly speaking, you don't have to choose any of these ratings; Ao3 has a “Not Rated” option, but for purposes of search results and some other functions, Not Rated fics are treated by the site as Explicit, just in case, which means they end up hidden from a significant portion of potential readers. It really is in your best interest as a writer who presumably wants people to see their stories, to select a rating. It helps readers judge if yours is the kind of story they want right now, too.

Rating a fic is a subjective decision, there is some grey area in between each level. If you're not quite sure where your fic falls, best practice is to go with the more restrictive rating.

*(Equivalent to an Australian M15+ or R18+, Canadian 14A, 18A or 18+, UK 15 or 18, German FSK 16 or FSK 18.)

Warnings

Ao3 uses a set of standard site-wide Archive Warnings to indicate that a work contains subject matter that falls into one or more of a few categories that some readers are likely to want to avoid.  Even when posting elsewhere, it's courteous to include warnings of this sort.

These warnings are:

Graphic Depictions Of Violence

Major Character Death

Rape/Non-Con

Underage

Just like with the ratings, the site provides an info-pop up that explains what each warning is for. They're really exactly what it says on the tin: detailed descriptions of violence, injury, and gore; the death of a character central to canon or tothe story being told; non-consensual sex i.e. rape; and depictions of underage sex, which the site defines as under the age of 18 for humans—Ao3 doesn't care if your local age of consent or majority is lower than that.

In addition to the four standard warnings above, the warnings section has two other choices:

No Archive Warnings Apply

Choose Not To Use Archive Warnings

These do not mean the same thing and cannot be used interchangeably. “No Archive Warnings Apply” means that absolutely nothing in your fic falls into any of the four standard warning categories. “Choose Not To Use Archive Warnings” means that you the author are opting out of the warning system; your fic could potentially contain things that fall into any and all of the four standard warning categories.

There's nothing wrong with selecting Choose Not To Use Archive Warnings! It may mean that some readers will avoid your fic because they're not sure it's safe for them, and you might need to use more courtesy tags than you otherwise would (we'll talk about courtesy tags later), but that's okay! Opting out of the warning system can be a way to avoid spoilers,* and is also good for when you're just not sure if what you've written deserves one of the Archive warnings. In that case, the best practice is to select either the warning it might deserve or Choose Not To Use Archive Warnings, then provide additional information in other tags, the summary, or an initial author's note.

Unless you're opting out of using the warning system, select all the warnings that apply to your fic, if any of them do. So if a sixteen year old main character has consensual sex then gets killed in an accident that you've written out in excruciating detail, that fic gets three out of the four standard warnings: Underage, Major Character Death, and Graphic Depictions Of Violence.

*(Fandom etiquette generally favors thorough tagging and warning over avoiding spoilers. It doesn't ruin the experience of a story to have a general sense of what's going to happen. If it did, we wouldn't all keep reading so many “there was only one bed” fics.)

Fandom Tags

What fandom or fandoms is your fic for?  You definitely know what you wrote it for, but that doesn't mean it's obvious what to tag it as.

Sometimes, it is obvious! You watched a movie that isn't based on anything, isn't part of a series, and doesn't have any spinoffs, tie-ins or anything else based on it. You wrote a fic set entirely within the world of this movie. You put this movie as the fandom for your fic. Or maybe you read a book and wrote a fic for it, and there is a movie based on the book, but the movie is really different and you definitely didn't use anything that's only in the movie. You put the book as the fandom for your fic.

All too often, though, it's not that clear.

What if you wrote a fic for something where there's a movie based on a book, but the movie's really different, and you've used both things that are only in the movie and things that are only in the book?  In that case you either tag your fic as both the movie and the book, or see if the fandom has an “all media types” tag and use that instead of the separate tags.  If the fandom doesn't have an “all media types” tag yet, you can make one! Just type it in.

“All media types” fandom tags are also useful for cases where there are lots of inter-related series, like Star Wars; there are several tellings of the story in different media but they're interchangeable or overlap significantly, like The Witcher; or the fandom has about a zillion different versions so it's very hard, even impossible, to say which ones your fic does and doesn't fit, like Batman. Use your best judgement as to whether you need to include a more specific fandom tag such as “Batman (Movies 1989-1997)” alongside the “all media types” fandom tag, but try to avoid including very many. The point of the “all media types” tag is to let you leave off the specific tags for every version.

In a situation where one piece of media has a spinoff, maybe several spinoffs, and you wrote a fic that includes things from more than one of them, you might want use the central work's “& related fandoms” tag. For example, the “Doctor Who & Related Fandoms” tag gets used for fics that include things from a combination of any era of Doctor Who, Torchwood, and The Sarah Jane Adventures.

And don't worry, from the reader-side of the site the broadest fandom tags are prioritized. The results page for an “all media types” or “& related fandoms” search includes works tagged with the more specific sub-tags for that fandom, the browse-by-fandom pages show the broadest tag for each fandom included, and putting a fandom into the search bar presumes the broadest tag for that fandom.  A search for “Star Wars - All Media Types” will pull up work that only has a subtag for that fandom, like “The Mandalorian (TV).” You don't have to put every specific fandom subtag for people to find your fic.

If you wrote a fic for something that's an adaptation of an older work—especially an older work that's been adapted a lot, like Sherlock Holmes or The Three Musketeers—it can be hard to know how you should tag it. The best choice is to put the adaptation as the fandom, for instance “Sherlock (TV),” then, if you're also using aspects of the older source work that aren't in the adaptation, also put a broad fandom tag such as “Sherlock Holmes & Related Fandoms.” Do not tag it as being fic for the source work—in our Sherlock example that would be tagging it “Sherlock Holmes - Arthur Conan Doyle”—unless you are crossing over the source work and the adaptation. Otherwise, the specific fandom subtag for the source work ends up clogged with fic for the adaptation, which really is a different thing.

By the same token, fic for the source work shouldn't be tagged as being for the adaptation, or the adaptation's subtag will get clogged.

The same principle applies to fandoms that have been rebooted. Don't tag fic for the reboot as being for the original, or fic for the original as being for the reboot. Don't tag a fic as being for both unless the reboot and original are actually interacting. Use an “& related fandoms” tag for the original if your fic for the reboot includes some aspects of the original that weren't carried over but you haven't quite written a crossover between the two. Good examples of these situations can be seen with “Star Trek: Alternate Original Series (Movies)” vs. “Star Trek: The Original Series,” and “She-Ra and the Princesses of Power (2018)” vs. “She-Ra: Princess Of Power (1985).”

Usually, this kind of mistagging as a related fandom happens when someone writes a fic for something that is or has a reboot, spinoff, or adaptation, but they're only familiar with one of the related pieces of media, and they mistakenly presume the fandoms are the same or interchangeable because they just don't know the difference.  It's an honest mistake and it doesn't make you a bad or fake fan to not know, but it can be frustrating for readers who want fic for one thing and find the fandom tag full of fic for something else.

In order to avoid those kinds of issues, best practice is to assume fandoms are not interchangeable no matter how closely related they are, and to default to using a tag pair of the most-specific-possible sub-fandom tag + the broadest possible fandom tag when posting a fic you're not entirely sure about, for instance “Star Trek” and “Star Trek: Enterprise.”

The Marvel megafandom has its own particular tagging hell going on. Really digging into and trying to make sense of that entire situation would require its own guide, but we can go through some general tips.

There is a general “Marvel” fandom tag and tags for both “The Avengers - Ambiguous Fandom” and “The Avengers (Marvel) - All Media Types.” Most of us who write Marvel fic are working with a cherry picked combination of canons from the MCU, various comics runs, both timelines of X-Men movies, and possibly several decades worth of cartoons. That's what these tags are for.

If your cherry picked Marvel fic is more X-Men than Avengers, go for the “X-Men - All Media Types” tag.

If you are primarily working with MCU canon, use the MCU specific tags rather than “all media types” and add specific tags for individual comics runs—like Earth 616 or the Fraction Hawkeye comics—if you know you're lifting particular details from the comics.  If you're just filling in gaps in MCU canon with things that are nebulously “from the comics” don't worry about tagging for that, it's accepted standard practice in the fandom at this point, use a broader tag along with your MCU-specific tag if you want to.

Same general idea for primarily movie-verse X-Men fics. Use the movie-specific tags.

If your fic mostly draws from the comics, use the comics tags. If you're focusing on an individual run, show, or movie series rather than an ensemble or large swath of the megafranchise, tag for that and leave off the broader fandom tags.

Try your best to minimize the number of fandom tags on your Marvel work. Ideally, you can get it down to two or three. Even paring it down as much as you can you might still end up with about five.  If you're in the double digits, take another look to see if all the fandom tags you've included are really necessary, or if some of them are redundant or only there to represent characters who are in the fic but that the fic doesn't focus on. Many readers tend to search Marvel fics by character or pairing tags, it's more important that you're thorough there. For the fandom tags it's more important that you're clear.

If you write real person fiction, you need to tag it as an RPF fandom. Fic about actors who are in a show together does not belong on the fandom tag for that show. There are separate RPF fandom tags for most shows and film franchises. Much like the adaptation/source and reboot/original situations discussed earlier, a fic should really only be tagged with both a franchise's RPF tag and its main tag if something happens like the actors—or director or writer!—falling into the fictional world or meeting their characters.

Of course, not all RPF is about actors. Most sports have RPF tags, there are RPF tags for politics from around the world and for various historical settings, the fandom tags for bands are generally presumed to be RPF tags, and there is a general Real Person Fiction tag.

In order to simplify things for readers, it's best practice to use the general Real Person Fiction tag in addition to your fandom-specific tag. You may even want to put “RPF” as a courtesy tag in the Additional Tags section, too. This is because Ao3 isn't currently set up to recognize RPF as the special flavor of fic that it is in the same way that the site recognizes crossovers as special, so it can be very difficult to either seek out or avoid RPF since it's scattered across hundreds of different fandom tags.

On the subject of crossovers—they can make fandom tagging even more daunting. Even for a crossover with lots of fandoms involved, though, you just have to follow the same guidelines as to tag a single-fandom work for each fandom in the crossover. The tricky part is figuring out if what you wrote is really a crossover, or just an AU informed by another fandom—we'll talk about that later.

There are some cases where it's really hard to figure out what fandom something belongs to, like if you wrote a fanfic of someone else's fanfic, theirs is an AU and yours is about their OC, not any of the characters from canon. What do you do?! Well, you do not tag it as being a fanfic for the same thing theirs was. Put the title of their fic (or name of their series) as the fandom for your fic, attributed to their Ao3 handle just like any other fandom is attributed to its author. Explain the situation in either the summary or the initial author's note. Also, ask the author's permission before posting something like this.

What if you wrote a story about your totally original D&D character? The fandom is still D&D, you want the “Dungeons & Dragons (Roleplaying Game)” tag.

What if there's not a fandom tag on the Archive yet for what you wrote? Not a problem! You can type in a new one if you're the first person to post something for a particular fandom. Do make sure, though, that the fandom isn't just listed by a different name than you expect. Many works that aren't originally in English—including anime—are listed by their original language title or a direct translation first, and sometimes a franchise or series's official name might not be what you personally call it, for instance many people think of Phillip Pullman's His Dark Materials series as The Golden Compass series, so it's best to double check.

What if you wrote an entirely new original story that's not based on anything?  Excellent job, that takes a lot of work, but that probably doesn't belong on Ao3!  The Archive is primarily meant as a repository for fannish content, but in a few particular circumstances things we'd consider Original Work may be appropriate content for the Archive as well. Double check the Archive's Terms of Service FAQ and gauge if what you wrote falls under the scope of what is allowed. If what you wrote really doesn't fit here, post it somewhere else or try to get it published if you feel like giving it a shot.

Category

What Ao3 means by category is “does this fic focus on sex or romance, and if so what combination of genders are involved in that sex or romance?”

The category options are:

F/F

F/M

Gen

M/M

Multi

Other

The F/F, F/M, and M/M categories are for stories focused on pairings of two women, a woman and a man, and two men, respectively.  These refer to sexual and/or romantic pairings.

The Other category is for stories focused on (sexual and/or romantic) pairings where one or both partners are not strictly male or female, such as nonbinary individuals, people from cultures with gender systems that don't match to the Western man-woman system, and nonhuman characters for whom biological sex works differently or is nonexistent, including aliens, robots, and inanimate objects or abstract concepts. There are some problems with treating nonbinary humans, eldritch tentacle monsters, sexless androids, and wayward container ships as all the same category, but it's the system we currently have to work with. Use Additional Tags to clarify the situation.

Multi is for stories in which several (sexual and/or romantic) relationships are focused on or which focus on relationships with multiple partners, including cases of polyamory, serial monogamy, strings of hookups with different people, and orgies.  A fic will also show as “Multi” if you, the author, have selected more than one category for the fic, even if none of those are the Multi category. Realistically, the Archive needs separate “Multiple Categories” and “Poly” options, but for now we have to work with this system in which the two are combined.  Use Additional Tags to clarify the situation.

Gen is for stories that do not contain or are not focused on sex or romance. Romance may be present in a gen fic but it's going to be in the background.  While rare, there is such a thing as a sexually explicit gen fic—solo masturbation which does not feature fantasizing about another character is explicit gen fic; a doctor character seeing a series of patients with sex-related medical needs following an orgy may qualify if the orgy is not shown and the doctor is being strictly professional—but such fic needs to be rated, otherwise tagged, and explained carefully in the summary and/or author's note.

Much like the warnings section, category is a “select all that apply” situation. Use your best judgement. For a fic about a polyamorous relationship among a group of women, it's entirely appropriate to tag it as both F/F and Multi.  A poly fic with a combination of men and women in the relationship could be shown as both M/M and F/M, Multi, or all three. A fic that focuses equally on one brother and his husband and the other brother and his wife should be tagged both M/M and F/M, and could be tagged as Multi but you might decided not to just to be clear that there's no polyamory going on. If you wrote a fic about two characters who are both men in canon, but you wrote one of them as nonbinary, you could tag it M/M, Other, or both depending on what you feel is representative and respectful.

When dealing with trans characters, whether they're trans in canon or you're writing them as such, the category selection should match the character's gender.  If there's a character who is a cis woman in canon, but who you're writing as a trans man, you categorize the fic based on his being a man. If there's a character who is a cis man in canon, but whom you're writing as a trans man, he is still a man and the fic should be categorized accordingly. When dealing with nonbinary characters the fic should really be classed as Other though, by convention, fics about characters who are not nonbinary in canon may be classed based on the character's canon gender as well or instead. When dealing with gender swapped characters—i.e. a canonically cis male superhero who you're writing as a cis woman—class the fic using the gender you wrote her with, not the gender he is in canon.

Most of the time, gen fics should not be categorized jointly with anything else because a fic should only be categorized based on the ships it focuses on, and a gen fic should not be focusing on a ship in the first place.*

*(One of the few circumstances in which it might make sense to class a fic as both gen and something else is when writing about Queerplatonic Relationships, but that is a judgement call and depends on the fic.)

Relationship Tags

The thing about relationship tagging that people most frequently misunderstand or just don't know is the difference between “Character A/Character B” and “Character A & Character B.”

Use a “/” for romantic or sexual relationships, such as spouses, people who are dating, hookups, and friends with benefits. Use “&” for platonic or familial relationships, such as friends, siblings, parents with their kids, coworkers, and deeply connected mortal enemies who are not tragically in love.

This is where we get the phrase “slash fic.” Originally, that meant any fic focused on a romantic paring, but since so much of the romantic fic being produced was about pairs of men, “slash fic” came to mean same-sex pairings, especially male same-sex pairings. Back in earlier days of fandom, pre-Ao3 and even pre-internet, there was a convention that when writing out a different-sex pairing, you did so in man/woman order, while same-sex pairings were done top/bottom. Some authors, especially those who have been in the fic community a long time, may still do this, but the convention has not been in consistent, active use for many years, so you don't have to worry about putting the names in the “correct” order. Part of why that died out is we, as a community, have gotten less strict and more nuanced in our understandings of sex and relationships, we're writing non-penetrative sex more than we used to, and we're writing multi-partner relationships and sex more than we used to, so strictly delineating “tops” and “bottoms” has gotten less important and less useful.

The convention currently in use on Ao3 is that the names go in alphabetical order for both “/” and “&” relationships. In most cases, the Archive uses the character's full name instead of a nickname or just a given name, like James "Bucky" Barnes instead of just Bucky or James. We'll talk more about conventions for how to input character names in the Characters section. The Archive will give you suggestions as you type—if one of them fits what you mean but is slightly different from how you were typing it, for instance it's in a different order, please use the tag suggested! Consistency in tags across users helps the site work more smoothly for everybody.

This is really not the place for ship nicknames like Puckleberry, Wolfstar, or Ineffable Wives. Use the characters' names.

Now that you know how to format the relationship tag to say what you mean, you have to figure out what relationships in your fic to tag for.

The answer is you tag the relationships that are important to the story you're telling, the ones you spend time and attention following, building up, and maybe even breaking down. Tagging for a ship is not a promise of a happy ending for that pair; you don't have to limit yourself to tagging only the end-game ships if you're telling a story that's more complicated than “they get together and live happily ever after.” That said, you should generally list the main ship—the one you focus on the most—first on the list, and that will usually be the end-game ship. You should also use Additional Tags, the summary, and author's notes to make it clear to readers if your fic does not end happily for a ship you've tagged. Otherwise readers will assume that a fic tagged as being about a ship will end well for that ship, because that's what usually happens, and they'll end up disappointed and hurt, possibly feeling tricked or lied to, when your fic doesn't end well for that ship

You don't have to, and honestly shouldn't, tag for every single relationship that shows up in your fic at all. A character's brief side fling mentioned in passing, or a relationship between two background characters should not be listed under the Relationship tag section. You can list them in the format “minor Character A/Character C” or “Character C/Character D – mentions of” in the Additional Tags section if you want to, or just tag “Minor or Background Relationship(s)” under either the Relationship tag section or in the Additional Tags section.

There are two main reasons to not tag all those minor relationships. The first is to streamline your tags, which makes them clearer and more readable, and therefore more useful. The second reason is because certain ships are far more common as minor or background relationships than as the focus of a work, so tagging all your non-focus focus ships leads to the tags for these less popular ships getting clogged with stories they appear in, but that are not about them. That is, of course, very frustrating for readers who really want to read stories that focus on these ships.

If your fic contains a major relationship between a canon character and an OC, reader-insert, or self-insert, tag it as such. The archive already has /Original Character, /Reader, /You, and /Me tags for most characters in most fandoms. If such a relationship tag isn't already in use, type it in yourself. There are OC/OC tags, too, some of which specify gender, some of which do not.  All the relationship tags that include OCs stack the gender-specific versions of the tags under the nongendered ones. Use these tags as appropriate.

For group relationships, both polycules and multi-person friendships, you “/” or “&” all the names involved in alphabetical order, so Alex/Max/Sam are dating while Chris & Jamie & Tori are best friends. For a poly situation where not everyone is dating each other you should tag it something like “Alex/Max, Alex/Sam” because Alex is dating both Max and Sam, but Max and Sam are not romantically or sexually involved with each other. Use your judgement as to whether you still want to include the Alex/Max/Sam trio tag, and whether you should also use a “Sam & Max” friendship tag.

Generally, romantic “/” type relationships are emphasized over “&” type relationships in fic. It is more important that you tag your “/”s thoroughly and accurately than that you tag your “&”s at all. This is because readers are far more likely to either be looking for or be squicked by particular “/” relationships than they are “&” relationships. You can tag the same pair of characters as both / and & if both their romance and their friendship is important to the story, but a lot of people see this as redundant. If you're writing incest fic, use the / tag for the pair not the & tag and put a courtesy tag for “incest” in the Additional Tags section; this is how readers who do not want to see incestuous relationships avoid that material.

Queerplatonic Relationships, Ambiguous Relationships, Pre-Slash, and “Slash If You Squint” are all frequently listed with both the “/” and “&” forms of the pairing; use your best judgement as to whether one or the other or both is most appropriate for what you've written and clarify the nature of the relationship in your Additional Tags.

Overall, list your “/” tags first, then your “&” tags.

Character Tags

Tagging your characters is a lot like tagging your relationships. Who is your fic about? That's who you put in your character tags.

You don't have to and really should not tag every single background character who shows up for just a moment in the story, for pretty much the same reasons you shouldn't tag background relationships.  We don't want to clog less commonly focused on characters' tags with stories they don't feature prominently in.

You do need to tag the characters included in your Relationship tags.

A character study type of fic might only have one character you need to tag for. Romantic one shots frequently only have two. Longfics and fics with big ensemble casts can easily end up with a dozen characters or more who really do deserve to be tagged for.

Put them in order of importance. This doesn't have to be strict hierarchal ranking, you can just arrange them into groups of “main characters,” “major supporting characters,” and “minor supporting characters.” Nobody less than a minor supporting character should be tagged. Even minor supporting characters show up for more than one line.

If everyone in the fic is genuinely at the same level of importance (which does happen, especially with small cast fics), then order doesn't really matter. You can arrange them by order of appearance or alphabetically by name if you want to be particularly neat about it.

Do tag your OCs! Some people love reading about OCs and want to be able to find them; some people can't stand OCs and want to avoid them at all costs; most people are fine with OCs sometimes, but might have to be in the mood for an OC-centric story or only be comfortable with OCs in certain contexts. Regardless, though, Character tags are here to tell readers who the story is about, and that includes new faces. Original Characters are characters and if they're important to the story, they deserve to be tagged for just like canon characters do.

There are tags for “Original Character(s),” “Original Male Character(s),” and “Original Female Character(s).” Use these tags!  If you have OCs you're going to be using frequently in different stories, type up a character tag in the form “[OC's Name] – Original Character” and use that in addition to the generic OC tags.

Also tag “Reader,” “You,” or “Me” as a character if you've written a reader- or self-insert.

You can use the “Minor Characters” tag to wrap up everybody, both OC and canon, who doesn't warrant their own character tag. Remember, though, that this tag is also used to refer to minor canon characters who may not have their own official names.

Just like when tagging for relationships, the convention when tagging for characters is to use their full name. The suggestions the Archive gives you as you type will help you use the established way of referring to a given character.

Characters who go by more than one name usually have their two most used names listed together as one tag with the two names separated by a vertical bar like “Andy | Andromache of Scythia.” This also gets used sometimes for characters who have different names in an adaptation than in the source text, or a different name in the English-language localization of a work than in the original language. For character names from both real-world and fictional languages and cultures that put family or surname before the given name—like the real Japanese name Takeuchi Naoko or the made up Bajoran name Kira Nerys—that order is used when tagging, even if you wrote your fic putting the given name first.

Some characters' tags include the fandom they're from in parentheses after their name like “Connor (Detroit: Become Human).” This is mostly characters with ordinary given names like Connor and no canon surname, characters who have the same full name as a character in another fandom, such as Billy Flynn the lawyer from the musical Chicago and Billy Flynn the serial killer played by Tim Curry in Criminal Minds, and characters based on mythological, religious, or historical figures or named for common concepts such as Lucifer, Loki, Amethyst, Death, and Zero that make appearances in multiple fandoms.

Additional Tags

Additional Tags is one of the most complicated, and often the longest, section of metatext we find ourselves providing when we post fic. It's also the one that gives our readers the greatest volume of information.

That, of course, is what makes it so hard for us to do well.

It can help to break down Additional Tags into three main functions of tag: courtesy tags, descriptive tags, and personal tags.

Courtesy tags serve as extensions of the rating and warning systems. They can help clarify the rating, provide more information about the Archive Warnings you've used or chosen not to use, and give additional warnings to tell readers there are things in this fic that may be distasteful, upsetting, or triggering but that the Archive doesn't have a standard warning for.

Descriptive tags give the reader information about who's in this fic, what kind of things happen, what tropes are in play, and what the vibe is, as well as practical information about things like format and tense.

Personal tags tell the readers things about us, the author, our process, our relationship to our fic, and our thoughts at the time of posting.

It doesn't really matter what order you put these tags in, but it is best practice to try to clump them: courtesy tags all together so it's harder for a reader to miss an important one, ship-related info tags together, character-related info tags together, etc.

There are tons and tons of established tags on Ao3, and while it's totally fine, fun, and often necessary to make up your own tags, it's also important to use established tags that fit your fic.  For one thing, using established tags makes life easier for the tag wranglers behind the scenes. Using a new tag you just made up that means the same thing as an established tag makes more work for the tag wranglers. We like the tag wranglers, they're all volunteers, and they're largely responsible for the search and sorting features being functional. Be kind to the tag wranglers.

For basically the same reasons, using established tags makes it easier for readers to find your fic. If a reader either searches by a tag or uses filters on another search to “Include” that tag, and you didn't use that tag, your fic will not show up for them even if what you wrote is exactly what they're looking for.  Established tags can be searched by exactly the same way as you search by fandom or pairing, your off the cuff tags cannot.

Let's talk about some well-known established tags and common tag types, divvied up by main function.

Courtesy

A lot of courtesy tags are specific warnings like “Dubious Consent,” “Incest,” “Drug Use,” “Extremely Underage,” “Toxic Relationship,” and “Abuse.” Many of these have even more specific versions such as “Recreational Drug Use” and “Nonconsensual Drug Use,” or “Mildly Dubious Consent” and “Extremely Dubious Consent.”

Giving details about what, if any, drugs are used or mentioned, specifying what kinds of violence or bodily harm are discussed or depicted, details about age differences or power-imbalanced relationships between characters who date or have sex, discussion or depictions of suicide, severe or terminal illness, or mental health struggles is useful. It helps give readers a clear sense of what they'll encounter in your fic and decide if they're up for it.

One the most useful courtesy warning tags is “Dead Dove: Do Not Eat” which basically means “there are things in this fic which are really screwed up and may be disturbing, read at your own risk, steer clear if you're not sure.” This tag—like all courtesy warnings, really—is a show of good faith, by using it you are being a responsible, and thoughtful member of the fanfic community by giving readers the power and necessary information to make their own informed decisions about what they are and are not comfortable reading.

Saying to “Heed the tags” is quite self-explanatory and, if used, should be the last or second to last tag so it's easy to spot.  Remember, though, that “Heed the tags” isn't useful if your tags aren't thorough and clear.

“Additional Warnings In Author's Note” is one of only things that should ever go after “Heed the tags.”  If you use this, your additional warnings need to go in the author's note at the very beginning of the fic, not the one at the end of the first chapter.  If your additional warnings write up is going to be very long because it's highly detailed, then it can go at the bottom of the chapter with a note at the beginning indicating that the warnings are at the bottom. Some authors give an abbreviated or vague set of warnings in the initial note, then longer, highly detailed, spoilery warnings in the end note. It's best to make it as simple and straightforward as possible for readers to access warnings.

Tagging with “Dead Dove: Do Not Eat,” “Heed the tags,” or “Additional Warnings In Author's Note” is not a substitute for thorough and appropriate courtesy tagging. These are extra reminders to readers to look closely at the other warnings you've given.

While most courtesy tags are warnings, some are assurances like “No Lesbians Die” or “It's Not As Bad As It Sounds.”  A fic tagged for rape or dub-con may get a tag assuring that the consent issues are not between the characters in the main ship; or a fic with a premise that sounds likely to involve lack of consent but actually doesn't may get a tag that it's “NOT rape/non-con.” A tag like “Animal Death” may be immediately followed by a freeform tag assuring that the animal that dies is not the protagonist's beloved horse.

Descriptive

There are a few general kinds of descriptive tags including character-related, ship-related, temporal, relation-to-canon, trope-related, smut details, and technical specifications.

Many character- and ship-related tags simply expand on the Character and Relationship tags we've already talked about.  This is usually the place to specify details about OCs and inserts, such as how a reader-insert is gendered.

When it comes to character-related tags, one of the most common types in use on Ao3 and in fandom at large is the bang-path. This is things like werewolf!Alex, trans!Max, top!Sam, kid!Jamie, and captain!Tori. Basically, a bang-path is a way of specifying a version of a character. We've been using this format for decades; it comes from the very first email systems used by universities in the earliest days of internet before the World Wide Web existed. It's especially useful for quickly and concisely explaining the roles of characters in an AU. Nowadays this is also one of the primary conventions for indicating who's top and who's bottom in a ship if that's information you feel the need to establish.  The other current convention for indicating top/bottom is as non-bang-path character-related tags in the form “Top [Character A], Bottom [Character B].”

Other common sorts of character tags are things like “[Character A] Needs a Hug,” “Emotionally Constipated [Character B],” and “[Character C] is a Good Dad.”

Some character-related tags don't refer to a particular character by name, but tell readers something about what kinds of characters are in the fic. Usually, this indicates the minority status of characters and may indicate whether or not that minority status is canon, as in “Nonbinary Character,” “Canon Muslim Character,” “Deaf Character,” and “Canon Disabled Character.”

Down here in the tags is the place to put ship nicknames!  This is also where to say things like “They're idiots your honor” or indicate that they're “Idiots in Love,” maybe both since “Idiots in Love” is an established searchable tag but “They're idiots your honor” isn't yet. If your fandom has catchphrases related to your ship, put that here if you want to.

If relevant, specify some things about the nature of relationships in your fic such as “Ambiguous Relationship,” “Queerplatonic Relationships,” “Polyamory,” “Friends With Benefits,” “Teacher-Student Relationship,” and so on. Not all fics need tags like these. Use your best judgement whether your current fic does.

Temporal tags indicate when your fic takes place. That can be things like “Pre-Canon” and “Post-Canon,” “Pre-War,” “Post-Captain America: The Winter Soldier,” “1996-1997 NHL season,” “Future Fic,” and so on.  These tags may be in reference to temporal landmarks in canon, in the real world, or both depending on what's appropriate.

Some temporal tags do double duty by also being tags about the fic's relationship to canon. The Pre- and Post-Canon tags are like that.

Other relation-to-canon type tags are “Canon Compliant” for fics that fit completely inside the framework of canon without changing or contradicting anything, “Alternate Universe - Canon Divergence” for fics that are compliant up to a certain point in canon, then veer off (maybe because you started writing the fic when the show was on season two but now it's at season four and you're not incorporating everything from the newer seasons, maybe a character died and you refuse to acknowledge that, maybe you just want to explore what might have happened if a particular scene had gone differently), and the various other Alternate Universe tags for everything from coffee shop AUs and updates to modern settings, to realities where everyone is a dragon or no one has their canon superpowers.

The established format for these tags is “Alternate Universe – [type],” but a few have irregular names as well, such as “Wingfic” for AUs in which characters who don't ordinarily have wings are written as having wings.

If you have written an AU, please tag clearly what it is! Make things easy on both the readers who are in the mood to read twenty royalty AUs in a row, the readers who are in the middle of finals week and the thought of their favorite characters suffering through exams in a college AU would destroy the last shred of their sanity but would enjoy watching those characters teach high school, and the readers who really just want to stick to the world of canon right now.

Admittedly, it can get a little confusing what AU tag or tags you need to describe what you've written since most of us have never had a fandom elder sit us down and explain what the AU tags mean. One common mix up is tagging things “Alternate Universe - Modern Setting” when what's meant is “Alternate Universe - Canon Divergence.”  The misunderstanding here is usually reading “Alternate Universe - Modern Setting” and thinking it means an alternate version of the canon universe that is set at the same time as the canon universe, but is different in some way. That's not how the tag is meant to be used, though.

The Modern Setting AU tag is specifically for fic set now (at approximately the same time period it was written), for media that's canonically set somewhere that is very much not the present of the real world. This can mean things set in the past (like Jane Austen), the future (like Star Trek), or a fantasy world entirely different from our own (like Lord of the Rings or Avatar: the Last Airbender). Fic for a canon that's set more or less “now” doesn't need the Modern Setting AU tag, even if the world of canon is different from our own. If you're removing those differences by putting fantasy or superhero characters in a world without magic or supersoldier serum, you might want the “Alternate Universe - No Powers” tag instead.

Some of the most fun descriptive tags are trope tags. This includes things like “Mutual Pining,” “Bed Sharing” for when your OTP gets to their hotel room to find There Was Only One Bed, “Fake Dating,” “Angst,” Fluff,” “Hurt/Comfort” and all its variants.  Readers love tropes at least as much as we love writing them and want to be able to find their favorites. Everyone also has tropes they don't like and would rather avoid. Tagging them allows your fic to be filtered in and out by what major tropes you've used.

Explicit fics, and sometimes fics with less restrictive ratings, that contain sex usually have tags indicating details about the nature of the sexual encounter(s) portrayed and what sex acts are depicted. These are descriptive tags, but they also do double duty as courtesy tags. This is very much a situation in which tags are a consent mechanism; by thoroughly and clearly tagging your smut you are giving readers the chance to knowingly opt in or out of the experience you've written.

Most of the time, it's pretty easy to do basic tagging for sex acts—you know whether what you wrote shows Vaginal Sex, Anal Sex, or Non-penetrative Sex.  You probably know the names for different kinds of Oral Sex you may have included. You might not know what to call Frottage or Intercrural Sex, though, even if you understand the concept and included the act in your fic. Sometimes there are tags with rectangle-square type relationships (all Blow Jobs are Oral Sex, but not all Oral Sex is a Blow Job) and you're not sure if you should tag for both—you probably should. Sometimes there are tags for overlapping, closely related, or very similar acts or kinks and you're not sure which to tag—that one's more of judgement call; do your best to use the tags that most closely describe what you wrote.

Tag for the kinks at play, if any, so readers can find what they're into and avoid what they're not. Tag for what genitalia characters have if it's nonobvious, including if there's Non-Human Genitalia involved. Tag your A/B/O, your Pon Farr, and your Tentacles, including whether it's Consentacles or Tentacle Rape.

Technical specification tags give information about aspects of the fic other than its narrative content.  Most things on Ao3 are prose fiction so that's assumed to be the default, so anything else needs to be specified in tags. That includes Poetry, Podfics, things in Script Format, and Art. If it is a podfic, you should tag with the approximate length in minutes (or hours). If a fic is Illustrated (it has both words and visual art) tag for that.

Tag if your fic is a crossover or fusion.  The difference, if you're not sure, is that in a crossover, two (or more) entire worlds from different media meet, whereas in a fusion, some aspects of one world, like the cast of characters, are combined with aspects of another, like the setting or magic system.

If the team of paranormal investigators from one show get in contact with the cast of aliens from another show, that's a crossover and you need to have all the media you're drawing from up in the Fandom tags. If you've given the cast of Hamlet physical manifestations of their souls in the form of animal companions like the daemons from His Dark Materials but nothing else from His Dark Materials shows up, that's a fusion, the Fandom tag should be “Hamlet - Shakespeare,” and you need the “Alternate Universe - Daemons” tag. If you've given the members of a boy band elemental magic powers like in Avatar: the Last Airbender, that can be more of a judgement call depending how much from Avatar you've incorporated into your story. If absolutely no characters or specific settings from Avatar show up, it's probably a fusion.  Either way, if the boyband exists in real life, it needs to be tagged as RPF.

Tag if your fic is a Reader-Insert or Self-Insert.

You might want to tag for whether your fic is written with POV First, Second, or Third Person, and if it's Past Tense or Present Tense (or Future Tense, though that's extremely uncommon).  For POV First Person fics that are not self-inserts, or POV Third Person fics that are written in third person limited, you may want to tag which character's POV is being shown. Almost all POV Second Person fics are reader-insert, so if you've written one that isn't, you should tag for who the “you” is.

A fic is “POV Outsider” if the character through whom the story is being conveyed is outside the situation or not familiar with the characters and context a reader would generally know from canon. The waitress who doesn't know the guy who just sat down in her diner is a monster hunter, and the guy stuck in spaceport because some hotshot captain accidentally locked down the entire space station, are both potential narrators for POV Outsider stories.

Other technical specifications can be tags for things like OCtober and Kinktober or fic bingo games.  Tagging something as a Ficlet, One Shot, or Drabble is a technical specification (we're not going to argue right now over what counts as a drabble). Tagging for genre, like Horror or Fantasy, is too.

It's also good to tag accessibility considerations like “Sreenreader Friendly,” but make sure your fic definitely meets the needs of a given kind of accessibility before tagging it.

Personal

Even among personal tags there are established tags!  Things like “I'm Sorry,” “The Author Regrets Nothing,” “The Author Regrets Everything,” and “I Wrote This Instead of Sleeping” are common ones.  Tags about us and our relationship to the fic, such as “My First Work In This Fandom,” “Author is Not Religious,” and “Trans Porn By A Trans Author,” can help readers gauge what to expect from our fic. Of course, you are not at all obligated to disclose any personal information for any reason when posting your fic.

The “I'm Bad At Tagging” tag is common, but probably overused. Tagging is hard; very few of us have a natural feel for it even with lots of practice.  It's not a completely useless tag because it can indicate to readers that you've probably missed some things you should have tagged for, so they should be extra careful; but it can also turn into a crutch, an excuse to not try, and therefore a sign to readers they can't trust your tagging job. Just do your best, and leave off the self depreciation. If you're really concerned about the quality of your tagging, consider putting in an author's note asking readers to let you know if there are any tags you should add.

You might want to let readers know your fic is “Not Beta Read” or, if you're feeling a little cheekier than that, say “No Beta We Die Like Men” or its many fandom-specific variants like the “No Beta We Die Like Robins” frequently found among Batman fics and “No beta we die like Sunset Curve” among Julie and The Phantoms fic. Don't worry, the Archive recognizes all of these as meaning “Not Beta Read.”

The Archive can be inconsistent about whether it stacks specific variants of Additional Tags under the broadest version of the tag like it does with Fandom tags, so best practice is usually to use both.  You can double check by trying to search by a variant tag (or clicking on someone else's use of the variant); if the results page says the broader or more common form of the tag, those stack.

There's no such thing as the right number of tags. Some people prefer more tags and more detail, while other people prefer fewer more streamlined tags, and different fics have different things that need to be tagged for.  There is, however, such a thing as too many tags.  A tagblock that takes up the entire screen, or more, can be unreadable, at which point they are no longer useful. Focus on the main points and don't try to tag for absolutely everything.  Use the “Additional Warnings In Author's Note” strategy if your courtesy tags are what's getting out of hand.

Tag for as much as you feel is necessary for readers to find your fic and understand what they're getting into if they decide to open it up.

A little bit of redundancy in tags is not a sin.  In fact, slight redundancy is usually preferable to vagueness. Clear communication in tags is a cardinal virtue. Remember that tags serve a purpose, they're primarily a tool for sorting and filtering, and (unlike on some other sites like tumblr) they work, so it's best to keep them informative and try to limit rambling in the tags. Ramble at length in your author's notes instead!

Titles

Picking a title can be one of the most daunting and frustrating parts of posting a fic. Sometimes we just know what to call our fics and it's a beautiful moment. Other times we stare at that little input box for what feels like an eternity.

The good news is there's really no wrong way to select a title. Titles can be long or short, poetic or straight to the point. Song lyrics, idioms, quotes from literature or from the fic itself can be good ways to go.

Single words or phrases with meanings that are representative of the fic can be great. A lot of times these are well known terms or are easy enough to figure out like Midnight or Morning Glow, but if you find yourself using something that not a lot of people know what it means, like Chiaroscuro (an art style that uses heavy shadow and strong contrast between light and dark), Kintsukuroi (the Japanese art of repairing broken pottery with gold), or Clusivity (the grammatical term for differences in who is or isn't included in a group pronoun), you should define the term in either a subtitle, i.e. “Chiaroscuro: A Study In Contrast,” or at the beginning of the summary.

As a courtesy to other writers, especially in small fandoms, you may want to check to make sure there's not already another fic with the same title in the same fandom, but this is not required. In large fandoms, there's no point in even trying. After all, there are only so many puns to be made about the full moon and only so many verses to Hallelujah.

It may be common practice on other platforms to include information such as fandom or ship in the title of a fic, but on Ao3 nothing that is specified by tags belongs in the title unless your title happens to be the same as a tag because, for instance, you've straightforwardly titled your character study of Dean Winchester “Dean Winchester Character Study” and also responsibly tagged it as such.

Summaries

Yes, you really do need to put something down for the summary. It might only need to be a single sentence, but give the readers something to go off of.

The summary is there to serve two purposes: one, to catch the interest of potential readers, give them a taste of what's inside, and make them want to know more; and two, to give you a space to provide information or make comments that don't really fit in the tags but that you want readers to see before they open the fic.

We've already talked some about that second function. When you put an explanation of the title or clarification about tags in the summary, that's the purpose it's serving. You can also put notes to “Heed the tags” or instruct readers that there are additional warnings in the author's note here in the summary, rather than doing so in the tags.

The first function, the actual summarizing, can be very hard for some of us.  It's basically the movie trailer for your fic, butwhat are you even supposed to say?

There are two main strategies as to how to approach this: the blurb, and the excerpt. Blurbs are like the synopses you at least used to see on the backs of published books, or the “Storyline” section on an IMDb page. Writing one is a matter of telling your readers who does what, under what circumstances.

Depending on the fic, one sentence can capture the whole thing: “Sam and Alex have sex on a train.” “Tori tries to rob a bank.” “If anybody had mentioned Max's new house was haunted, Jamie wouldn't have agreed to help with the move.”

Sometimes a blurb can be a question! “What happens when you lock a nuclear engineer in a closet with a sewing kit, a tennis ball, and half a bottle of Sprite?”

Of course, plenty of blurbs are more than one sentence. Their length can vary pretty significantly depending on the type and length of fic you're working with and how much detail you're trying to convey, but it shouldn't get to be more than a few short paragraphs. You're not retelling the entire fic here.

An excerpt is a portion of the fic copied out to serve as the summary. This, too, can vary in length from a line or two to several paragraphs, but shouldn't get too long. It should not be an entire scene unless that scene happens to be uncommonly short. It's important to select a portion of the fic that both indicates the who, what, and under what circumstances of the fic and is representative of the overall tone. Excerpts that are nothing but dialogue with no indication of who's talking are almost never a good choice. Portions that are sexually explicit or extremely violent are never ever a good choice—if it deserves content warnings, it belongs inside the fic, not on the results page.

Counterintuitively, some of the best excerpts won't even look like an excerpt to the reader if they don't contain dialogue. They seem like particularly literary blurbs until the reader reaches that part in the fic and realizes they recognize a section of narration.

Some of us have very strong preferences as to whether we write blurbs or use excerpts for our summaries. Some readers have very strong preferences as to which they find useful. Ultimately, there's no accounting for taste, but there are things we can do to limit the frustration for readers who prefer summaries of the opposite kind than we prefer to write, without increasing our own frustration or work load very much. Part of that is understanding what readers dislike about each type so we know what to mitigate.

Blurbs can seem dry, academic, and overly simplified. They don't automatically give the reader a sense of your writing style the way an excerpt does. They can also seem redundant, like they're just rehashing information already given in the tags, so the reader feels like they're being denied any more information without opening the fic.

Excerpts can seem lazy, like you, the author, don't care enough to bother writing a blurb, or pushy like you're telling the reader “just read the fic; I'm not going to give you the information you need to decide if you want to read or not, I'm shoving it in front of you and you just have to read it.” That effect gets worse if your tags aren't very informative or clear about what the plot is, if the excerpt is obviously just the first few lines or paragraphs of the fic, if the except is particularly long, or, worst of all, if all three are true at once.

A lot of the potential problems with blurbs can be minimized by having fun writing them! Make it punchy, give it some character, treat it like part of the story, not just a book report. A fic for a serialized show or podcast, for instance, could have a blurb written in the style of the show's “previously on” or the podcast's intro.  Make sure the blurb gives the reader something they can't just get from the tags—like the personality of your writing, important context or characterization, or a sense of the shape of the story—but don't try to skimp on the tags to do it!

Really, the only way to minimize the potential problems with excerpts is to be very mindful in selecting them. Make sure the portion you've chosen conveys the who, what, and under what circumstances and isn't too long.  You know the story; what seems clear and obvious from the excerpt to you might not be apparent to someone who doesn't already know what happens, so you might need to ask a friend to double check you.

The absolute best way to provide a summary that works for everybody is to combine both methods. It really isn't that hard to stick a brief excerpt before your blurb, or tack a couple lines of blurb after your excerpt, but it can make a world of difference for how useful and inviting your summary is to a particular reader. The convention for summaries that use both is excerpt first, then blurb.

If you're struggling to figure out a summary, or have been in the habit of not providing one, try not to stress over it. Anything is better than nothing.  As long as you've written something for a summary, you've given the reader a little more to help them make their decision. What really isn't helpful, though, is saying “I'm bad at summaries” in your summary. It's a lot like the “I'm Bad At Tagging” tag in that it's unnecessarily self depreciating, frequently comes across as an excuse not to try, and sometimes really is just an excuse. Unlike the “I'm Bad At Tagging” tag, which has the tiny saving grace of warning readers you've probably missed something, saying you're bad at summaries has no utility at all, and may drive away a reader who thought your summary was quite good, but is uncomfortable with the negative attitude reflected by that statement. Summaries are hard. It's okay if you don't like your summary, but it's important for it to be there, and it's important to be kind to yourself about it. You're trying, that's what matters.

Author's Notes

Author's notes are the one place where we, the writers, directly address and initiate contact with our readers. We may also talk to them in the comments section, but that's different because they initiate that interaction while we reply, and comments are mostly one-on-one while in author's notes we're addressing everyone who ever reads our fic.

The very first note on a fic should contain any information, such as warnings or explanations, that a reader needs to see before they get to the body of the story, as well as anything like thanks to your beta, birthday wishes to a character, or general hellos and announcements you want readers to see before they get to the body of the story. On multi-chapter fics, notes at the beginning of chapters serve the same function for that chapter as the initial note on the fic does for the whole story, so you can do things like warn for Self-Harm on the two chapters out of thirty where it comes up, let everyone know your update schedule will be changing, or wish your readers a merry Christmas, if they celebrate it, on the chapter you posted on December 23rd but is set in mid-March.

Notes at the end of a fic or chapter are for things that don't need to be said or are not useful to a reader until after they've read the preceding content, such as translations for that handful of dialogue that's in Vulcan or Portuguese, or any parting greetings or announcements you want to give, like a thanks for reading or a reminder school is starting back so you won't be able to write as much. End notes are the best place to plug your social media to readers if you're inclined to do so, but remember that cannot include payment platforms like Patreon or Ko-fi.

As previously mentioned, warnings can go in end notes but that really should only be done when the warnings are particularly long, such that the length might cause a problem for readers who are already confident in their comfort level and would just want to scroll past the warning description. In that case, the additional warnings need to go in the note at the end of the first chapter, rather than at the end of the fic, if it's a multi-chapter fic; and you need to include an initial note telling readers that warnings/explanations of tags are at the bottom so they know to follow where the Archive tells them to see the end of the chapter/work for “more notes.”

When posting a new work, where the Preface section gives you the option to add notes “at the beginning” or “at the end” or both, if you check both boxes, it means notes at the beginning and end of the entire fic, not the beginning and end of the first chapter. For single-chapter fics this difference doesn't really matter, but for multi-chapter fics it matters a lot. In order to add notes to the beginning or end of the first chapter of a multi-chapter fic you have to first go through the entire process to post the new fic, then go in to Edit, Edit Chapter, and add the notes there.

Series and Chapters

Dealing with Series and Chapters is actually two different issues, but they're closely related and cause some of us mixups, especially when we're new to the site and its systems, so we're going to cover them together.

Series on Ao3 are for collecting up different stories that you've written that are associated with each other in some way. Chapters are for dividing up one story into parts, usually for pacing and to give yourself and your readers a chance to take breaks and breathe, rather than trying to get through the entire thing in a single marathon sitting (not that we won't still do that voluntarily, but it's nice to have rest points built in if we need them).

If your story would be one book if it was officially published, then it should be posted as a single fic—with multiple chapters if it's long or has more than one distinct part, like separate vignettes that all go together. If you later write a sequel to that fic, post it as a new fic and put them together in a series. It's exactly like chapters in a book and books in a series. Another way to think of this structure is like a TV show: different fics in the series are like different seasons of the show, with individual chapters being like episodes.

If you have several fics that all take place in the same AU but really aren't the same story those should go together as a series.  If you wrote a story about a superhero team re-cast as school teachers, then wrote another story about different characters in the same school, that's this situation.

Series are also the best way to handle things like prompt games, bingos, or Kinktober, or collect up one shots and drabbles especially if your various fills, entries, and drabbles are for more than one fandom. If you put everything for a prompt game or bingo, or all your drabbles, together as one fic with a different chapter for each story, what ends up happening is that fic gets recognized by the Archive as a crossover when it isn't, so it gets excluded from the results pages for everyone who told the filters to Exclude Crossovers even though one of the stories you wrote is exactly what they're looking for; and that fic ends up with tons and tons of wildly varying and self-contradictory tags because it's actually carrying the tags for several entirely different, possibly unrelated stories, which also means it ends up getting excluded from results pages because, for instance, one out of your thirty-one Kinktober entries is about someone's NoTP.

Dividing these kinds of things up into multiple fic in a series makes it so much easier for readers to find what of your work they actually want to read.

If you've previously posted such things as a single fic, don't worry, it's a really common misunderstanding and there is absolutely nothing stopping you from reposting them separately. You may see traffic on them go up if you do!

Parting Thoughts

Metatext is ultimately all about communication, and in this context effective communication is a matter of responsibility and balance.

Ao3 is our archive. It's designed for us, the writers, to have the freedom to write and share whatever stories we want without having to worry that we'll wake up one day and find our writing has been deleted overnight without warning.  That has happened too many times to so many in our community as other fanfic sites have died, been shut down, or caved to threats of legal action. Ao3 is dedicated to defending our legal right to create and share our stories. Part of the deal is that, in exchange for that freedom and protection, we take up the responsibility to communicate to readers what we're writing and who it's appropriate for.

We are each other's readers, and readers who don't write are still part of our community. We have a responsibility as members of this community to be respectful of others in our shared spaces.  Ao3 is a shared space. The best way we have to show each other respect is to give one another the information needed to decide if a given fic is something we want to engage with or not, and then, in turn, to not engage with fic that isn't our cup of tea. As long as our fellow writer has been clear about what their fic is, they've done their part of the job. If we decided to look at the fic despite the information given and didn't like what we found, then that's on us.

Because metatext is how we put that vital information about our fics out in the community, it's important that our metatext is clear and easy to parse. The key to that is balance. Striking the balance between putting enough tags to give a complete picture and not putting too many tags that become an unreadable wall; the balance between the urge to be thorough and tag every character and the need to be restrained so those looking for fics actually about a certain character can find them; the balance between using established tags for clarity and ease and making up our own tags for specificity and fun.

Do your best, act in good faith, remember you're communicating with other people behind those usernames and kudos, and, most importantly, have fun with your writing!

[radexchangeprogram]

This is a random one but can I request head cannons of the Brothers and Dateables reacting to an MC that’s actually a half demon but was really great at hiding her demon side since she grew up in the human world? They see a demon man just bounding towards MC before the boys could do anything MC’s like “DAD! 😃” before jumping in his arms like a child. Around her Dad she gains fangs and horns like him but she reverts back to normal when she wants to. The boys are like “Why didn’t you say anything?” And she’s like “I’m just used to my human side” or “You never asked 🤷🏾‍♀️”

Of course! I love this idea. I didn’t get a chance to proof read this so I apologize for any grammatical mistakes.

Author’s notes at the end (marked by *s)

Spoiler warning for up to chapter 17 to be safe. Especially with Belphie.

Half Demon GN!MC Headcanons

General

Everyone noticed that you never seemed too bothered by the fact that you were surrounded by demons, but figured you were just rather good at adapting.

This theory was proven wrong at a party Lord Diavolo hosted.

As you chatted with the brothers, a large demon with griffon wings, a lion’s mane, and horns similar to a gazelle began to head in the direction of your group.

The demon, who the others instantly recognized as Duke Vapula, walked up to them with a cheeky grin.

The brothers were instantly on guard, Mammon even growling slightly, as it was extremely uncommon for anyone to approach them so casually.

Diavolo, Barbatos, Simeon, Luke, and Solomon all took notice and were prepared to intervine should something happen.

You turned around to see what the issue was and let out a loud gasp.

“DAD!”

Lucifer

Absolutely dumbfounded. How did he not know about this? He read your files to the point of practically memorizing them before you came here and he swears there was nothing about you being a half demon.

He was honestly a bit embarrassed that he didn’t know about something this major.

When confronting you, all you did was say that it wasn’t that big of a deal and that you figured they already knew.

You really give him a migraine sometimes.

He feels a bit relieved that he doesn’t have to worry as much about you dying, though.

If you wish, he may start teaching you demonic etiquette, such as having you shift form at formal events.

If you prefer your human heritage, he won’t pressure you to conform to your demonic ancestory.

Mammon

WHAT THE HELL DO YOU MEAN HIS HUMAN ISN’T ENTIRELY HUMAN?!?

The loudest about his displeasure about not knowing.

“I’m your first man! I’m supposed to know everything about you!”

When you explain to him that you’re more comfortable with your human half, he calms down a little.

Tries to call you ‘stupid half-demon’ but it doesn’t feel the same as ‘stupid human’ :(

You tell him he can just keep calling you ‘stupid human’ :D

Wonders if he can get your dad to pay him for ‘providing his child with such incredible protection’.

You immediately tell him no.

Leviathan

Holy shit this sounds like something straight out of an anime!!!

Very upset that you didn’t tell him, you’re his Henry! You’re supposed to tell him these kind of things!

When you shrug and simply say that no one asked, he gets even more pouty.

You make up with him quickly by offering to play games with him all night.

Extremely curious about your demonic form for the primary purpose of cosplay. Do you know how many more characters you can be if you have a tail or wings?!?

You might inspire some fanfiction. (half demon Henry x Lord of Shadows au slow burn 100k words, def not Leviathan projecting no not at all-)

Satan

He is extremely shocked. Not only did he have no idea, but half demons are extremely rare.

From what he’s read, most half-human half-demon offspring don’t survive past birth and all documented cases that have survived reside in the Devildom so that their powers can be better managed.

He asks you about this and you reply that you’re actually quite good at controlling your powers, but that you prefer living as a normal human.

He’s not upset that you didn’t tell him, but he has a billion questions.

How long is your lifespan? Do you take more after your demonic father or your human mother in terms of power?What are your weaknesses?

He really wants to learn more about human-demon hybrids and will ask you to help in his studies.

Also a bit excited as your father is well known for some for his knowledge and writing about the sciences. He wants to discuss some of it with you, assuming you’ve read what your father has written.*

Asmodeus

Oh he is so excited.

A bit relieved that his charm isn’t wearing off, it just doesn’t work because you’re the child of a demonic duke!

You know those boiling hot springs he talks about visiting? Well he’s happy to learn that you actually can join him without fear of your skin melting off!

He’s not upset that you didn’t tell him, getting mad over stuff like that can cause wrinkles.

He will absolutely want to help you groom your horns/wings/scales/tail.

He already has shown you a lot about demonic fashion trends, such as extra clothing that can be fitted around demonic extremities, but now he actually can actually have you try on some! Do you prefer gold tail bangles or jeweled horn cuffs?

Beelzebub

Relieved that Duke Vapula wasn’t looking for a fight.

He can’t help but smile a little when you hug your dad. It makes him happy that you love your family.

When you blush and tell him that it just slipped your mind to tell everyone about your heritage, he isn’t upset.

Happy that he doesn’t have to be so scared of accidentally hurting you with how strong he is.

If you’re able to safely eat some more demonic food, he will absolutely get you to try some of his favorite foods that normal humans would die upon eating.

Overall, you’re still the MC he has grown to love and doesn’t treat you too differently.

Belphegor

Is now more awake than he has been the entire evening.

Half demon? Nah this is just some dream.

Is understanding when you explain to him that you prefer being human and living as a human.

He’s happy he found out after making amends with you. He used to despise half-demons just as much as normal humans, seeing them as repulsive.

He still very much treats you the same, but is a bit annoyed with his brothers.

With knowledge of your demonic blood coming to light, they drag you out even more often and naps with you are becoming rarer.

If you get too overwhelmed with his brothers constantly wanting to try things they thought would previously kill you, he will be more than happy to lend you some of his hiding spots. He does charge the small fee of getting to take a nap with you though.

Diavolo

Similar to Lucifer, is shocked that he didn’t know before you came to the Devildom.

You aren’t the first half-demon he’s met, but he is surprised that a demon of Duke Vapula’s rank had a child with a human.

He’s actually very excited to learn that you’re a half-demon who is in more in touch with your human side. He feels a lot more relieved that you aren’t as defenseless as previously thought.

He does, however, make absolute sure that you have full control over your demonic powers. Every other half-demon lives in the Devildom for a reason and he can’t have someone who is technically one of his subjects accidentally cause mass destruction.

He invites you for tea more frequently, asking so many questions about how being raised in the human world as a half-demon was.

He likes to exchange stories with you about your younger years and the power fluxes you both struggled with as you grew.

Tells you that should you ever wish to live in the Devildom that he would be more than happy to make the needed arrangements.

Barbatos

He knew the whole time. When Diavolo asked him to look into the success of the program, he made note of your heritage right away.

However, he decided that keeping this information hidden when he saw that you were raised human and preferred to be seen as human.

When he explains this to everyone, you can’t help but feel thankful.

While some of the others make no effort to hide how annoyed this makes them, he doesn’t mind. He knows he made the right choice keeping this from everyone and doesn’t regret it at all.

Barbatos is actually a pretty good friend of your father’s and grew up with him. He actually met you when you were a baby because of this.*

Solomon

He has seen a lot in his years in the world of magic, but nothing like this.

Usually, half-demons were very easy to spot as they struggled to control their powers, but you practically had it down to an art!

You explain to him that you’re actually pretty good at keeping your powers under control. He’s rather impressed by this and will ask to see your spell work.

Thinks it’s a little funny that he has a pact with your dad.*

Like Satan, he wants to know all about you. Unlike Satan, he is going to actually conduct experiments instead of stick to interviews.

He has a new potion that he wants you to try almost every day now.

Can half-demons make pacts? If so, you have now been added to the list of demonic beings he wants to make a pact with.

Simeon

Very surprised considering he’s blessed you before.

Blessings aren’t supposed to work on anything of demonic nature so he’s baffled.

When you explain to him that you were raised human and prefer to live as human, he smiles.

He comes to the conclusion that you being a good person must be greater than the demonic blood in your veins.

He treats you the same overall, knowing that you’re still you no matter your heritage.

Luke

Absolute denial.

There is no way someone as nice as you is part demon! He refuses to believe it!

Gets upset and accuses you of trying to manipulate him, which you quickly deny.

When you explain to him that you prefer being human, he huffs.

Simeon gives him a bit of a talking to, about how you’re still the same MC who he sees as a big sibling.

He bakes you some apology cupcakes for being rude to you.

You sometimes shift form to mess around with him, it never fails to make him let out a shocked yelp before he snaps at you for picking on him.

Everyone (except Luke) thinks it’s funny tbh.

Author’s Notes:

*Duke Vapula is described as being able to bestow knowledge about all science contained in books.

*Barbatos is also a duke in The Goetia. I thought a fun nod to this would be to have them as friends.

*The Goetia talks about the 72 demons that King Solomon evoked. Vapula is one of the demons that he evoked. The game actually references this by talking about his 72 pacts. Asmodeus and Barbatos are both included in the 72 demons which is why he has pacts with both of them in the game :)

[its-afucking-mess]

A little guide on ao3 (by an ao3 user and writer)

Friendly reminder for mobile users! Ao3 is a website. It doesn't have (as far as im concerned) an official app for mobile, so better get comfy with using crome on your phone.

Some video links ill leave for people who prefer video and audio:

- navigating the fanfiction sites

- popular fandom terminology part 1 and part 2

- shipping etiquette

i really reccomend coley's videos if you want to get to know more fandoms, or get an inside look to how some stuff works. There also might be more vids about fandom's and fan works, so don't hesitate to look through some of her stuff!

the explaining under the 'read more' ao mutuals wont kill me :)

(also tagging @ethanesimp since they asked for this advice )

So, what is Ao3 really?

Ao3 is a website made by fans for fans. There are no ads, and all content is free on Ao3. Anyone can post (with some age restrictions) and they can post anything.

How can I browse Ao3?

Ao3 does not require an account to view stories. You can easily browse as an anonymous user. You just are not able to view certain works, as creators have the ability to show their works to registered users only. Some cases, commenting is possible while anonymous, but again, it's up to the creator of the work.

If you want to be a creator and share works, you need an account.

An account also gives you the ability to bookmark works, so you can re-visit them, mark works for later, keeps a history of the works you've visited and allows you to favourite tags.

How do I get an Ao3 account?

When you first open the site, it gives you the option to "Get Invited". An invitation will be sent to your email anywhere from 24hrs later to a week later, depending on the amount of people in the automated queue.

After the invitation, you are able to set up your account like any other social media account. Pick a username, pseuds (name), description and bio. You can have a profile picture as well.

How do I navigate the site?

There are few ways to do so efficiently, but there's countless of ways you can experiment with to find which is more comfortable.

1st option: As the website loads, you can go to the 'Fandoms' tag.

Then, after clicking on it, this column appears. Through there, you can pick which media your fandom is from and from there, browse the huge list of different fandoms until you spot your own.

The list is in alphabetical order, so if your fandom begins with an "C", it shouldn't be too far down.

2nd option: At the top right, under your profile, and the options 'Post' and 'Log Out' should be a white oval search bar.

(im using my own account for demonstration)

When searching, there are many ways to work around it.

Personally, I press search as it is. It will lead you to a page where all the fanworks of the site are listed. (i believe its easiest, but always feel free to experiment)

From there, you press the 'Edit Your Search' button, located near the top right.

It will then lead you to a page with multiple fields.

Don't panic when you see all the fields. Only half those are of interest when you want to browse works for a fandom.

The most important ones are those under the Field name 'Work Tags'

Whatever you select under this field will be included in the works the site presents you with.

What are the work tags? What do they do?

Lets go through the options.

Fandom(s): when typing on this option, multiple fandom names will autofill in a list under the white space. If your fandom shows up, you can just click on it.

example:

From there, you can select the fandom you want to see works from. If your fandom doesn't show up, it can mean one of two things:

-there are no works for it

-it isn't popular enough to be picked up by the algorithm

After selecting one fandom, you can select another fandom, or more, to see works that are crossovers over universes.

Ratings: Ratings are selected by author. It defines the level of maturity it has in the work

- General audiences is the tag you want to use when nothing bad happens in the work. No swearing, no sexual activities, no violence or gore. It wont contain scenes that minors are not allowed to see.

- Teen and up audiences is the tag used for most works on the site. It is what would be used when you have mentions of/vague sexual content or violence. Normally, the most extreme stuff on there is excessive swearing, heavy angst and hurt/comfort with no excessive details

- Mature is the tag that is for 18+. It is mostly filled with one of following : Violence, Sexual Content, Ab*se, R@pe, Death and SH.

Reader descretion is advised by looking at the additional tags the author has provided, especially for those with triggers.

- Explicit is like Mature, but contains more graphic content. Works rated explicit mostly fall under the 'Graphic depictions of sexual content', 'Graphic depictions of Violence and Gore' or 'Graphic depictions of Ab*se, R@pe, or Self H*rm

Reader descretion is advised, stronger than mature, since it can be much more triggering. The works are scarily detailed sometimes.

- Not rated: the author has not given this work a rating because none of the other ratings fit the work. Pay special attention to the tags.

Warnings: Also known as Archive warnings by older users. The trigger warnings of Ao3. There are 6 archive warnings:

-Creator Chose Not To Use Archive Warnings: The author didn't use the warnings, either because none of them fit the work's theme and warnings, or to avoid spoiling the story. Pay attention to the tags for any warnings.

-Graphic Depictions Of Violence: It is pretty self explanatory. Can contain any sort of violence, from wars, to simple fights, to ab*se of any kind. Can and often contain death. The type of violence is in the tags.

-Major Character Death: A main character in the story will die in this work. Pay attention to the tags always. The name of the character will be mentioned, as well as the way they die.

-No Archive Warnings Apply: None of the warnings apply. It is most times a perfectly safe work. Check the tags to make sure though!

-R@pe/Non-Con: The work contains non-consensual activities. Ranges from non-consensua sex to non-consensual use and ab*se of substances. Very close attention to the tags!

-Underage: The main character(s) in this work are underage/minors. This is normally tagged along sexual content so be aware and pay close attention to the tags!

Categories: This regards the relationships in the work:

- M/M, or better known as mlm or a relationship between two non-woment (men mostly, can include characters under the non-binary umbrella)

- M/F, a heterosexual relationship (is inclusive of trans characters too!)

- F/F, or wlw, or a relationship between two non-men (women mostly, can include characters under the non-binary umbrella)

- Gen, no sexual or romantic relationships are in this work, or if there are any, they arent of main focus.

- Multi: Polyamorous relationships, or multiple relationships are included in this work (this is also where threesomes+ are tagged in sometimes)

- Other relationships: One of the two people in the relationship is non-human (mostly), or the relationships are platonic/family.

Characters: The characters you want to be included in the story. This works just like the 'Fandom' filter, so the same things apply. You can tag as many characters as desirable.

Relationships: The relationships that you want present in the work. This includes both major and minor relationships. It can also include ended relationships (tagged Past x/y) and implied/referenced relationships. This works just like the Characters and Fandom filter.

Additional Tags: These are things the author has included to give potential readers an insight to the story. 'Angst', 'Fluff' and 'Smut' are additional tags. Works like the Relationships filter, so all same applies.

Is there anything I have to avoid/ I should avoid?

There is this very infamous tag, 'Dead Dove: Do not eat.' This tag is a warining to readers that the things in the work are really messed up, and can include anything illegal in it. PAY VERY CLOSE ATTENTION TO THE REST OF THE TAGS IF YOU STILL ARE INTERESTED.

How else can I filter works?

You can choose how they are:

sorted (Titles, Authors, Hits, Kudos, Comments, Bookmarks, and Best Match)

the word count (from 1 word to millions)

the language (most are on there)

the amount of chapters

if the work is complete of not

when it last updated/when was posted

and if there are crossovers.

These are all options that author has to include, and therefore you can sort freely. Most are bulletin options you can click on.

What if I want to find a specific work?

If you happen to know one of these: Author, Title, Fandom or Rating, you will find it. If you were reccomended one, it's better to ask for the author or the title, to make looking for it easier.

Can I find a specific author/ user?

People search is for finding users on the site

Bookmark search helps you look through other people's public bookmarks. Not really used.

Tag search finds works that include this specific tag you searched. Also not used a lot.

People can see my bookmarks?

When bookmarking a work, you are able to do a lot.

if you do not want your bookmarks to be visible to the public, make sure to check off the Private bookmark box at the bottom left.

Common terms thrown around by Ao3 users:

-tags: the additional tags of the work

-kudos: liking a story

-bookmarks: saving/saved stories. makes it easy to revist. you can see your bookmarks from your profile

-hits: the amount of people that have clicked on a story. Isn't necessary they liked it, but they did click on it.

And those are the basics! If you had to take one thing only, its ALWAYS READ TAGS

I hope this helped the clueless souls even a bit :)

Im open to reply to any other questions, and you can send me them in my asks, messages or comments of this post

[radbutsafe]

ALL FUCKIN 35 OF THEM SKLNWESDJFPXO

I SHOULDVE EXPECTED THIS FROM YOU

1. From one to five stars, how would you rate your writing? (No downplaying yourself!)

A three! I think I’m mid range cause I ain’t terrible but there is still shit I gotta improve and grow in my writing

2. Why do you write fanfiction?

to manifest what canon won’t give me and to write more! (though yes it is mainly about the smooching and the— I’ll stop there LOL)

3. What do you think makes your writing stand out from other works?

Hm! My weird research details? I’m that “fun fact, did you know...” in my fics sometimes LOL! I plan on giving a penthouse for erina in a fic and I went through penthouse listings in Japan for floor layouts and locations💀 my research gives me inspo and depth to stuff I think I lack in comparison to others sometimes.

4. Are there any writers that inspire you?

In terms of fellow fic writers, one of them I can’t name here but she’s an inspiration with her exceptional gift for prose period and her lovely skill at comedy! I want to be as funny as her when I write, I love her ironic situational humor. Other fic writers are @takoyakitenchou, @royaldragonsevgisi15 who I always love sharing ideas with and motivate me to create more! For non-fic writers it would be V.E. Schwab, Leigh Bardugo, Oda, and Horikoshi! The last two may be mangaka, however they are writers as well to create their stories! The depth these creators have given their worlds and interesting characters theyve given life to are all what I aspire to be like!

5. What’s the fic you’re most proud of?

so far uh?? hm everything I’m currently writing are wips lol!! im proud of my wip that has been nicknamed ‘soma panics’ that is a multi-chapter fic that spans like probs 20 plus chapters maybe

6. What element of writing do you find comes easily?

dialogue! it’s so much fun! and character thoughts. I’ve said to people I may be better suited for script writing

7. What element of writing do you struggle with most?

I think it’s description, of like setting and showing action. also an expansion of my vocabulary LOL

8. Which character(s) do you find easiest to write?

erina! I think it’s because canon has shown us many of her different faces and range of emotion.

9. Which character(s) do you find most difficult to write?

SOMA!! chill ass mofo whos more carefree compared to the common shonen protagonist! for other shokugeki characters I’m not sure just yet because I haven’t flexed my fingers enough for the rest of them.

10. What’s your favorite genre to write for?

I guess I should say romance cause that’s what I mostly write LOL!

11. Who or what do you find yourself writing about most?

sorina and I try to get them to smooch eventually KEK and yeah it’s..usually romantic fluff lmao

12. Tell us about a WIP you’re excited about.

HONESTLY ALL OF THEM but “soma panics” is my brain child

13. First fandom you ever wrote for?

pretty sure it’s digimon....

14. What’s your favorite fandom to write for?

currently shokugeki no soma!!!!

15. What’s the weirdest fandom you’ve ever written for?

uhhhh I guess SNS? LMAO fandoms...all have their quirks to them.

16. Any guilty pleasure trope(s)?

characters cuddling!!!! or getting the urge to smooch!!!!

17. A trope you’ll never, ever write for.

unrequited love GOOD FUCKIN BYEEEEEE

18. Wildest fic you’ve ever written?

I have plot ideas thst can be wild potentially but so far nothing fits this criteria so far that I actually have written.

19. Do you prefer canon-compliant, AUs, or something in-between?

depends on the fandom, but if written well, all of it!

20. Gen fic or shippy stuff?

shippy 100% like I said I like smoochin

21. Favorite pairing to write for? (platonic or romantic!)

romantic is...*drumroll* SORINA! platonic, soutaku and erina and alice!

22. Do you listen to anything while you write?

Sometimes! There are times songs will be on loop and times I just shuffle a playlist. and if I’m writing in random bursts it’ll be with no music but it really does depend lmao I think music is when I’m forcing myself to write?

23. Do you prefer prompts and challenges, or completely independent ideas?

completely independent ideas, I’ve realized in the past prompts shoot me in the foot often unless I luckily figure something out. but I’m often driven by my own sporadic self interest with shitty ping ponging attention

24. One-shots or multi-chaptered works?

multi-chap I guess cause I can post without being finished LOLLL but tbh can I really answer? I haven’t finished anything.....

25. Have you ever daydreamed about side adventures/spin-offs from your fic? Tell us about them!

I can’t answer this question imo because I haven’t finished a fic yet so technically stuff could all fit in the one fic?

26. Is there anything you’ve wanted to write, but you’ve been too scared to try?

MYSTERY AND CRIME! I love the genre and I have plot ideas once a blue moon but I can’t dive in because I want to make details that work and reduce plot holes where suspension of disbelief isn’t as needed. I need to study it more (I need to study all the details for any of my fics imo to be confident sometimes LOL)

27. What’s the nicest comment you’ve ever received?

I don’t think I can say one comment was the nicest because I’ve gotten comments that have given me quite the smiles to my face many times! I know this is a cop out but it’s true!

IS WHAT I WAS GONNA SAY UNTIL REINA SENT ME THE FOLLOWING ON DISCORD LIKE TWENTY MINS AGO:

and also rad. i am never this vocal about my emotions like EVER but this needs to be said your fics are obviously far from perfect, as are mine and everyone else's. but the thing about your works is that they're so well-sanded that it's impossible to find any rough edges or faults in them in terms of cohesion to a plot. your cast is never OOC and the amount of effort you devote to developing your takes on the characters as accurately as possible is unimaginably awe-inspiring.

BITCH I WANNA CRY 😭

28. How well do you handle criticism when it comes to your writing?

I’d like to believe I take it often well to try and improve because that’s always my goal. if someone is rude lol that’s not constructive snd is unhelpful. If I disagree with criticism I’ll explain why !

29. Have you ever gone outside of your comfort zone for a fic? How did it turn out?

Not yet, but I have some plot ideas I think will let me test this.

30. Tooth-rotting fluff or merciless angst?

F L U F F.

31. Do you have any OCs? Tell us about them!

elliott fuji, a japanese-american award winning photographer who is erina’s boyfriend in ‘soma panics’ which..causes soma’s panic LOL he’s 30 with slightly wavy black hair. I still haven’t pinpointed his personality just yet...he kind of humble brags for sure an artsy fucker and flirts maybe I’ll make him a lil shy though. he teaches sometimes, and becomes an adjunct photography professor in Tokyo so he can be with erina.

32. Summarize a random fic of yours in 10 words or less.

a cook is unfashionably late in realizing his feelings.

33. Is there anything you wish your audience knew about your writing or writing process?

I am a slow. so slow. motivation who is she? I also write out of order, unfortunately a bit too often.

34. Copy and paste an excerpt you’re particularly fond of.

this should be for the fic ‘soma panics’ it’s either megumi or satoshi talkin to him rn, I’m leaning towards satoshi

“You thought she would always wait for you, didn’t you Soma-kun? To always welcome you home.”

Soma drags his palms down his face and groans. He doesn’t like this at all. He doesn’t shy from confrontation but this is a whole different ballgame. Soma doesn’t play any ball.

“I guess..?” Is his reply, because he thinks he isn’t sure how to answer that.

“You guess?”

Just being questioned again is enough to crack Soma’s pathetic facade as if it was dropped chinaware and he lets out the longest sigh.

“No.”

Coming home means coming home to Nakiri Erina too.

Nakiri Erina is his forever.

this is @takoyakitenchou’s excerpt she’s most proud of that I’ve written, which is also from you guessed it, the long fic soma panics

SOMA: I am, I mean I will be, I swear I will always come home to you, not spend as much time abroad, once I’m done with work I’ll come right back. I’ll make sure to message you. Nakiri, I’m in love you with you. Maybe for a really long time. You know how I say I dedicate my food to you? My dad—my dad said that the key to become a good chef is to find someone to dedicate your cooking to. A special someone. For my dad it was my mom, you know? For me it’s...

(this is a good piece of dialogue tbh so I am also proud of this)

35. Ramble about any fic-related thing you want!

I’ve mentioned it throughout this but the WIP I’ve nicknamed ‘soma panics’ is something I’m super excited to write, but it’s going on slowly...and almost completely out of order. out of all of my writing it showed off that particular habit of mine, along with “what is this, a shoujo manga?!” though the latter is currently being written chronologically now that I’ve posted chapter one and is pretty solid in direction. it was originally supposed to be a one shot but I got impatient and wanted to post at least something for the sorina / soueri fandom.

however, because ‘soma panics’ (I won’t call it that LOL) is my baby I want to keep true to my rule of refusing to post it until I have a draft of the entire fic finished and I’m satisfied with the main points pretty much. due to my writing out of order, I’m worried I’ll change my mind about scenes or want to reflect things in earlier chapters for later ones etc etc

I joined the SnS fandom extremely late, as season five was airing. I was a fan of the manga five years ago and dropped it because I forgot to check for updates when I caught up 😔 I really want to bang out the different fics and aus for sorina that I have before the fandom fizzles out entirely but tbh I’m writing for myself, I’m manifesting what I want to see and I’ll just share it with all my friends to read if no one else will. cause I’m slow broski I dunno what writing fast even is like LMAO I do really want to write faster though, so I can contribute more and let the words free from the discord dms....

[sillyrabbit81]

Her Heavy Cross

Summary: Three years after tragedy hits, Lana she decides to start dating again. She meets Will through a dating app and they begin an online romance. After months of constant requests, Lana relents and agrees to meet and go on an irl date with Will. But is Will who he says he is? Lana is quickly pulled into an intense relationship forcing her to confront her tragic past. Will Lana face it or will she close her heart forever?

Pairing: OMC x OFC

Word Count: approx 3.8k

Warnings: swearing, angst, mentions of death,

Authors Note: The story started as a Henry Cavill fanfiction but I changed it to be an original character, but shades of Henry are still there. Hope you enjoy the story and thanks for reading.

Part 17 Part 19

Part 18

It was a crazy week, and by Wednesday, I had had enough and wanted it to be all over. It was the last day of school for the term. The kids were rowdy, and it was hard for them to concentrate. I gave up structured lessons after the morning session, and we did Easter craft. Still, even craft was hard for my kids. Most of them can't use scissors without assistance or had to use modified ones set into a wooden block. It wasn't a bludge, but it was much less stressful for both the kids and myself.

I had playground duty at lunchtime. Some of the older mainstream kids had heard about Liam, and a few would walk past me and sing the theme song to his superhero movies. Others would have a conversation with me and sneak in a movie quote. Lucky for me, most of Liam's films weren't appropriate for children, so there were only a few they could use. The kids would run away giggling, and I would shake my head. I wasn't upset by it, kids are kids, and at least they made their fun to my face.

The parents were awful. The mums would go quiet when I was near them, and I would hear laughter or whispering as I walked away. The dads looked at me just that little bit longer, making me feel uncomfortable. I just tried to remember Liam's arms around me, the way he made me feel safe in his arms. I found myself touching my earrings a lot. They soothed me.

The worst part was the other staff. Not all of them, just a couple of the younger ones and newer ones. Their eyes seemed to bore into me in the staff room and in meetings. The ones who had been here when Andy died were good. They appeared to be on the same page as Marla had been. The rest of the support class teachers and TA's were kind. They actually asked me to my face about it, seemed happy for me, and then that was it they moved on.

My boss, Michael, did call me into his office on Monday afternoon. He was good about it mostly, just concerned because apparently, the office staff had received a few phone calls from a couple of media outlets trying to get in contact with me. The staff were good enough to hang up on them. I was honest with Michael and said I didn't know what my plans were, just that we were dating. I did tell him about how it would be official on Thursday, but it worked out well because the office would be empty for two weeks, and by then, I'll be old news.

When I spoke to Liam on the phone, I had told him about how I was feeling. I was honest about it as much as I could be.

Liam was empathetic and seemed sincere when he said I didn't have to go. "If it's too much, we can wait for another time. The dress you have will be as good in a few months as it is now. Or we can return it all and try again later." Cheekily he said, "I'll let you keep the earrings."

I declined. I wanted to get it over with. I figured the quicker it was done, the quicker no one would care, and I can go back into hiding. It was like ripping off a band-aid. Just do it.

When I had gotten home from work on Tuesday, I had decided to do the hardest thing of all. I called Andy's mother.

Anthea was born in Greece and immigrated to Australia with her family in her early teens. She had met Andy's dad, Tim, a white Australian with Irish heritage, and they had a beautiful marriage. They had five children, three boys and two girls. Andy was the youngest son and was the unofficial favourite. She had always been lovely to me. She always called me Little Lana and would always hug me and insist I ate. On my birthday, she would make me galaktoboureko. She still calls me for my birthday and invites me over for Orthodox Easter and Christmas. I don't go, but I always make sure to call and send presents for my two godchildren.

"My Little Lana," Anthea gushed. "It is so good to hear from you. How are you going? Tim, Lana is on the phone! He will be so happy you called. Yes, Timothy, it's Lana. Yes, Tim says g'day. How are you? We miss you. How is work? How are your precious children? You do such good work, Little Lana."

Did I mention she talks a lot? She was one of those people who seemed to speak without having to take a breath.

"Hi Anthea, I'm doing well. Work is great, really good. I have a great bunch this year."

"Yes, you sound happy, Little Lana. Your new boyfriend must have something to do with it? He is very handsome. Not as handsome as Kamari mou but handsome. I showed all my friends, and they tell me you are still so beautiful and your hair is still so pretty and long. So long now. You've grown it."

I was stunned. I tried to talk, but the lump in my throat was so big, I couldn't swallow. I tried to say something, but all that came out was a huge sob, and I broke down.

"I'm sorry, Anthea, I am so sorry."

"Why are you crying? Stop it. Alana, why would I be upset? Why are you crying? Don't cry, silly girl. You should be happy. I do not expect you to be wearing black, like an old lady from my old country, for the rest of your life. I know you loved my son. but you're too young to grieve forever."

"I wanted to call you and tell you, but it happened so fast." I was still crying, but it wasn't so bad now. Anthea had comforted me in a way that I hadn't even known I needed. That she still loved me when I had started dating another man was incredible to me.

"You shhh, Little Lana. Listen to me. You have obviously called me for permission whether you know that's what you were doing or not. You have it, my blessing. Kamari mou wanted you to be happy also. He would not want you to be alone forever. You know this. Go speak to him, speak to Andy, and you will know."

"Thank you, Anthea."

"There now, Little Lana, you will be ok. Now no more speaking of sadness. I must tell you all the wonderful news. You will be an Aunty again soon."

Anthea talked to me for a little over an hour. Talking to Anthea was being talked at, but I needed it. I promised to call her again soon. She, of course, invited me to Easter but didn't expect a reply.

I felt lighter after talking to her. She was right. I had needed to know from her that she was ok with it. I don't know what I would have done if she hadn't been. I don't think I would have ended it with Liam. I think I was in too deep, but it would have been much harder to go on.

Anthea was right about something else too. I needed to talk to Andy.

So after school on Wednesday, I drove to the cemetery. I went and saw my Dad first. I didn't have much to say to him. I just sat there and let the memories come to me.

I remembered when I was six, and he shaved his moustache off, and I hadn't recognised him. I had run screaming to my Mum that there was a stranger in the house. I remembered how he would take us to see the fireworks on New Year's Eve, getting there early to get good spots and watch in awe as the fireworks exploded over Sydney Harbour. Nothing was as breathtaking as my home city on New Year's Eve. I thought about how he loved David Bowie, and he had even convinced my mother to name my brother after him. Dave and I had taken Dad to see David Bowie a few years before he passed away, and it was one of the most incredible nights of my life. The Labyrinth is still my favourite kid's movie, and Jareth was my first crush. He looked so good in those tights.

I went to see Andy. I don't see him very often. I go on Boxing Day, his birthday and our anniversary. As had become my ritual on those visits, I had his old phone and listened to his playlist. I laid down on the grass next to him and looked up at the sky. After a while, I started talking.

"Hey Butthead," I started, smiling as I said our private nickname. "I've got some things to tell you. First of all, I miss you. But surely you know that. And I know you know I will always love you. You were such a beacon in my life. A light for me when everything else was dark. I was like a moth to your flame. You drew me in, making me want to be close to you. You always made me feel like everything would be ok if I just stayed in your light. Things were so dark when you were taken from me. For so long, I felt nothing. Everything was dark.

"But then I started feeling better. I still missed you every day, but I wanted to find that again. Feel that love and safety again. I started dating about six months ago. Online mostly, you know, how the kids do it these days. I went on a few dates but felt nothing. Or if I did feel something, I felt like they weren't as good as you. Why would I settle for anyone who wasn't as good as you?

"I don't mean the same as you. I mean someone who moves me the way you did. Someone who showed me kindness like you did, someone who made me laugh, made me feel giddy. Someone I was attracted to. But also someone I wanted to do things for, someone who I wanted to go out of my way for, not because they forced me, but because I wanted to because I knew they would do it for me.

"I was about to give up. I only tried dating for a few months, but it felt so futile that I didn't care anymore. Then this guy started messaging me. He was sweet and funny, a Pom, but don't hold that against him. Anyway, I liked him instantly. It scared the shit out of me. I made him wait three months before I agreed to meet him. I was so scared because I knew I could fall for him.

"And when I met him, the sparks were there. It was instant. He was all the things I wanted. He's not like you. You're both very different. I mean, he doesn't like Mad Max for God's sake. But he makes me feel the way you made me feel. And Andy, I am falling for him."

*********************

"Lana, hold still." Jen was pulling my hair. I looked over at Riza, who was covering her mouth with a magazine. Her shaking shoulders gave her away, though, and I could see she was laughing her arse off. "I only have a couple more to do, and then you can go home and sleep."

I was at Riza's place. I had to see Jen after I spoke to Andy. Jen wanted to put my hair in pin curls. She had washed my hair and then got started pinning small sections of my already curly hair into curls.

I thought it was weird, but she said the hair has to be curled in the right direction for the style to work. She also said that the longer the curls were in, the better the result. That's why I was at her place, getting my hair done 24 hours before the event. How do celebrities live like this?

"How the hell am I going to sleep in this?" Riza's dropped all pretence and was laughing openly at me now. "Get bent, Riza."

"Hey! You're the one who looks like a 1950's housewife right now."

"1940's babe," Jen admonished. "Get it right."

When she finished, she wrapped my hair in a silk scarf. "Did you buy me an apron to go with the barefoot in the kitchen look?" I asked.

Jen laughed. She knew me well enough to know it was a joke. "Trust me. You're gonna love it."

"So when do I take the clips out?" I asked Jen.

"Not until I do your hair."

My eyes bulged. "I'm going to Liam's place hours before you're going to get there."

Riza pissed herself laughing, and Jen just said, "trust me."

When I got in bed, I rang Liam. I Facetimed him. Maybe if he laughs at me now, he won't laugh at me when I'm there, which would break my heart. His reaction surprised me.

"Why are you wearing a scarf? Please tell me you didn't dye your hair." He looked devastated.

"And what if I did?" I asked.

"You would still be you. It wouldn't change anything." He sputtered.

"Nice save," I laughed.

"I think being a redhead suits you. It makes you a little different."

I told Liam it was to protect the pin curls so they don't frizz. "You don't have to worry about me dying my hair until I start going white. I've never died my hair. It's my natural colour."

Liam's lip twitched. "I've noticed." He said.

I could have died.

On Thursday morning, I skipped the gym for obvious reasons, showered carefully so as not to wet my hair and started to get ready. I packed my bag and packed a bag for Perrin with his bed, crate, and food. I did a quick run through the shops to the dressmaker to pick the dress up from the dressmaker and to buy underwear for the dress. I didn't need a bra, but I wasn't going without underpants.

In the morning, I pottered, waiting for lunchtime to arrive and for Liam to finish his half-day at work. I was so jittery I had dropped my coffee this morning, and the mug had smashed. Not having anything to do and waiting for hours made it all worse. I had to do something, so I painted my nails and watched Kill Bill Vol. 1.

The story took me over, and soon I was transported with the action and exceptional dialogue. I decided the only person who could convince me to be an actor would be Quentin. I even went and got out my "Written and Directed by Quentin Tarantino" hoodie for added comfort. When it was over, I did feel a little better and whistling the song from the movie, I got Perrin and went to Liam's.

By the time I got to Liam's house, the nerves had come back. I found it hard to concentrate and almost just walked Perrin into the backyard. I sighed and put Perrin on his leash and texted Liam that I was here, and walked to the park with Perrin. We had planned a way to introduce the dogs during the week. The snag was I had agreed to it before I knew about the hair situation. But I found an old bucket hat of Andy's that fit and hid most of my head. I still felt ridiculous, but at least the hat somewhat normal.

When I saw Liam, my heart leapt. I wanted to run to him, have him hold me, soothe away all the pain of the last week and fear of tonight. But we had to introduce the dogs first.

We walked to each other as Perrin and Cole had a little sniff of each other. There was no immediate dislike.

"Hello, Sweetheart." His voice took my breath away.

"Hi," I said.

"Cute hat."

"Arse." I was smiling, though.

"I've missed you," he smiled broadly.

I gave him a small smile.

Liam farrowed his eyebrows. "These two look like they are ok," he said. "Let's go for a walk, shall we?"

I nodded, and Liam leaned in and gave me a quick kiss on the cheek before we started to walk. We went side by side, keeping the dogs apart. Liam put his arm around my shoulder.

"You're very quiet this afternoon," he said after a few minutes.

"I'm nervous."

"About the dogs or tonight?" He asked. "Or something else?"

"Tonight." I felt like a petulant child with all these short remarks, but I couldn't give him anymore just yet. I let my head rest on his shoulder to try to let him know he wasn't the reason I was acting distant.

Liam squeezed me. "You'll be ok. You're going to be dressed beautifully and appropriately. No one is going to laugh at you. You'll see. Myra and Boyd are all excited to meet you. This is Myra's boyfriends first red carpet, too, so you won't be the only virgin." He paused and chuckled. "Although, I had better keep you two apart. He's a sparky? I think that's the word. I don't want him stealing you away from me. I know how much you love tradies."

I laughed. Liam had said all the right things in a few moments, and I felt calm again. At least calm enough that I can have a conversation. "Thanks, Liam," I said and kissed his cheek.

We walked for about half an hour. The dogs walked together for a bit. Perrin, being so old, was pretty laid back about the whole thing and Cole, while curious, just seemed happy to be making a new friend.

When we got back to Liam's house, we let them leashes off, and Perrin had a sniff around the yard. Cole either followed behind him or bounced around in front of him as if he were saying, "come look at this place over here."

While Perrin explored, Liam stood behind me, wrapping his arms around my waist and resting his chin on my shoulder. I laid my head on his shoulder and closed my eyes a moment, listening to the sounds of the city.

"You're such a good hugger," I told Liam as I turned around in his arms and put my arms around his neck. I buried my face into his shirt, seeking his warmth and familiar scent.

"A compliment. From you? With no sarcasm?" Liam teased. "It must be my lucky day."

"Just shut up and kiss me," I said, and I lifted my head to meet his. Our kisses were soft at first, but they became more than that very quickly.

Liam pulled away and said, "we aren't alone. Ryan is here." Liam suggested that Ryan stay with the dogs while we were out. He would be back on Sunday and Monday, too, to take Cole for a walk and play.

I sighed. "Riza will be here soon anyway. We better get these guys inside and settled."

We took the dogs inside and got them set up. Then and I met Ryan, who was working in Liam's study. I don't know what I expected from Ryan, but a Scottish Hercules was not it. He was at least as large as Liam, had dark hair and green eyes and although he paled in comparison to Liam, he was handsome and instantly likeable.

We shook hands, and he said, "it's nice to meet you, Lana. I've heard a lot about you, so it's nice to put a face to the name." His accent was noticeable but not thick, and he spoke with a confident calmness that must be essential in his job. He doesn't mention or look at my scarf, which is a relief. I smiled and said, "Same. I keep hearing all these names, so it's nice to meet finally."

Liam gets me to put Ryans number in my phone. He said I should call Ryan if I need to contact him if he's not reachable while filming. I look at Ryan, and he nods as he says, "it's my job."

I do it, but I roll my eyes. He's not my assistant.

We let Ryan get back to work, and we go out to my car to bring my stuff in. By the time I've set up Perrin's things and sorted out my put my bags away, Riza and Jen arrive.

Liam opened the door for them, and Riza stood stunned for a moment. "Damn, you're built like a brick shithouse." Riza was very petite, half a head shorter than me, so you'd think she'd be used to everyone being bigger than her.

Liam, bless his cotton socks, laughed and put his hand out. "You must be Riza."

Riza took his hand, "yeah, mate, how's it going?" Liam stood aside to let her come in. She was hauling a massive makeup case, and Liam offered to take it for her. I thought she would bristle at his offer, but instead, she just gave it to him.

I raised my eyebrows and tilted my head, indicating my surprise. She just shrugged and gave me a strange look, and looked straight back at him. Riza is a pocket rocket type and prefers to be seen as one of the boys a lot of times. Andy even invited her to his bucks weekend despite her being my maid of honour, so the whole interaction was unusual.

Jen came in and introduced herself to Liam, and it was a much more civilised exchange than Riza's.

I gave them both hugs and kisses on the cheek. "Thanks for doing this, Jen and you too, Riza."

"No worries," Riza said.

Liam offered them both some wine and looked at me to see if I wanted one. I agreed, and we all sat in the lounge room.

Riza grabbed my hand when Liam had his back turned, "Sorry Lans, I think I got star struck. I'm a fucking dickhead."

Jen and I laughed at her, and I said, "serves you right for taking the piss out of me last night."

Liam came back with glasses and a bottle of white wine and poured us all a drink before taking a seat next to me. He sat next to me, resting his arm on the lounge behind me and put his ankle on his knee. His foot bounced, and I looked at him, and it struck me that he was anxious.

I put my hand on his foot to soothe him and turned to Riza and said, "did I tell you that Liam planned a trip to Mt Hotham this winter? I think it was June? Queens Birthday weekend? Before your Mum comes. Anyway, Riza, you spent a few winters there. Got any ideas for some good runs?"

That was it, the two of them talked about skiing, and the tension in the air lifted. I even swapped seats with Riza and sat with Jen for a bit. Once I could tell Liam and Riza were comfortable with each other, I asked Liam where Jen could set up.

Liam said to go to the master on the third, and he went to get up to take us there. I told him Jen, and I could be fine, and he smiled at me and kept talking to Riza. Jen and I smiled at each other and went up to get ready.

Part 19

[horansqueen]

You & Me : chapter 42

A Niall Horan fanfiction ; rated MA

Sequel to AM CONVERSATIONS

CHAPTER 1 || CHAPTER 2 || CHAPTER 3 || CHAPTER 4 || CHAPTER 5 || CHAPTER 6 || CHAPTER 7 || CHAPTER 8 || CHAPTER 9 || CHAPTER 10 || CHAPTER 11 || CHAPTER 12 || CHAPTER 13 || CHAPTER 14 || CHAPTER 15 || CHAPTER 16 || CHAPTER 17 || CHAPTER 18 || CHAPTER 19 || CHAPTER 20 || CHAPTER 21 || CHAPTER 22 || CHAPTER 23 || CHAPTER 24 || CHAPTER 25 || CHAPTER 26 || CHAPTER 27 || CHAPTER 28 || CHAPTER 29 || CHAPTER 30 || CHAPTER 31 || CHAPTER 32 || CHAPTER 33 || CHAPTER 34|| CHAPTER 35 || CHAPTER 36 || CHAPTER 37 || CHAPTER 38 || CHAPTER 39 || CHAPTER 40 || CHAPTER 41

NOTES:

-one chapter is her pov, the next is his -4.4k -im sorry, i never proofread, i hate it. -there WILL be smut. but not only smut. -this is a romance, comedy, smut story. -for the summary, check my MASTERLIST.

READ AM CONVERSATIONS AGAIN ON WATTPAD HERE

- notes: i hope you enjoy this! i really hope its worth a read! please send me requests for the few chapters left. i have the last chapters totally planned and they cant really be changed, but i can add a few things in them. as for the next few chapters, just send me anything you want for them!

if you want to be on the list of blogs i notify when this is updated, just message me :)

requests! :  i changed it a bit i hope its ok! i used an other request for the chapter but it was part of many requests in the same ask so im not adding it in case i use the rest too. basically, it says “Louis being upset at losing his roommate”

TAKE A LOOK AT THE CHARACTERS HERE

Chapter 42 : Her chapter

OLIVIA

May 21st, 2018

I was happy that Dylan hadn't asked Heidi to be there the next day since we were about to film the scene I feared the most. Niall had a few things to do but he told me he'd join me a bit later on the set. If I wanted to be honest, though, I was sort of happy he was not there, if only because this scene was going to be tough to play and knowing he would be there when I was filming it would make me even more nervous.

I jumped slightly when someone knocked at the door and walked to it with a frown. I had decided to eat in my dressing room if only to be alone and try to get back in those horrible feelings I had when Niall broke up with me. I remembered the rain, I remembered running away, I remembered the way he was looking at me and the way my heart twisted in my chest, feeling like it was stuck in a vice. I remembered the tattoo I had just got of a heart around his name, on the skin of my back, and how much it seemed to burn. I remembered running to Louis and crying with him. I remembered everything of that night. It was so vivid I felt like I would never forget. I knew this memory would never be blurry, I knew I'd remember every fucking second of it for the rest of my life.

When I opened the door, Dylan looked up, and my heart skipped a beat when I realized how vulnerable he looked with his sad eyes and his hands in his pockets. I was used to the confident and funny man who had been my rock for so many months. Now he looked exhausted and hurt.

"Can I come in?"

I nodded and licked my lips, moving away to let him in and I closed the door as he turned around to face me. We remained in front of each other just staring in each other's eyes until I moved my arm to show him the couch.

"Please, sit."

We kept silent for a few more minutes after sitting down and all I could hear was my heart thumping against my rib cage. I didn't know why he was there and I didn't want this conversation to turn bad. I knew what kind of person he was though and I knew it would most likely not end up in screams and insults, but he was with Heidi now, and I knew what she was capable of.

"I'm sorry, Olivia." he finally let out with a sigh before rubbing his eyes. "I'm sorry for bringing Heidi here yesterday. I mean, I didn't even invite her she sort of... invited herself. But that's not the point, I mean I knew how you felt about her and I promise I didn't do that to piss you off, or make you uncomfortable."

My lips parted and after a while, they curled slightly. "I know, don't worry about it." I just shook my head a bit. "But Dylan, are you serious? I mean Heidi? Really?"

"Does it bother you?" he asked with a sad smile as he looked up.

"No, it doesn't. You can date whoever you want it's just... I'm surprised. After all you said about her... After all we said about her." I corrected myself. "Just be careful okay?"

"Liv," he chuckled, raising his eyebrows. "I'm not gonna marry her. She just... eases the pain, I guess. Some sort of a rebound."

"Basically, you two fuck."

This time, he laughed and leaned against the couch. "Pretty much." he shrugged and put his gaze into mine, his smile faltering a bit. "She's no you, but she's not bad looking when naked."

This time, I let out a loud laughter that made him smile more. "As long as she keeps her mouth shut, maybe!"

"Yea, that doesn't happen often, unfortunately."

I laughed again and rolled my eyes before tilting my head and pressing my lips together, staring at him some more. "I'm sorry I hurt you, Dylan."

"No, I'm sorry." he lost his smile and closed his eyes for a few seconds before moving closer and leaning his elbows on his knees. I frowned, a bit stressed about why he was acting like that but when he sighed again, I held my breath. "I'm the one who told her. About you and Niall. I told her you cheated on me and that I said it was okay, and she asked when it was and she just.. connected the dots. It's my fault she made that instagram shit. I hope you can forgive me."

I swallowed hard still looking at him. I couldn't really blame him and I was a bit surprised that I didn't think that he could be the one who told her, especially after seeing them together a few days before. It was so obvious now and I mentally slapped myself for being an idiot.

"Done." I just replied with a small smile. "Anything else I can help with? World Peace? Starvation in third world nations? Anything?"

He laughed and sent me a small smile as I became more serious. I didn't want us to be on bad terms and yes, it felt weird to think that only a few weeks ago, we were supposed to get married, but we both needed to move on from that.

"Heidi and I we just... bonded over the fact that we felt betrayed, and we were sad and hurt, you know? We won't spend our lives together. I don't have feelings for her I'm just.. trying to move on."

I stared at him again, keeping quiet for a few minutes, not wanting to say something wrong. We had had good moments together, and I couldn't pretend I didn't miss him but at the same time, I didn't miss the love relationship we had. I was with Niall and no one else made me feel like he did. No one else ever did make me feel like Niall did, not even Dylan, whom I was ready to marry.

"I really hope it works, Dyl." I sent him a fond smile, tilting my head. "You deserve the best."

                                                      ----

May 22nd, 2018

What woke me up in the middle of my nap in the afternoon was a soft piano melody and before my eyes even opened, my lips curled into a fond smile. I put my pants on and got out of bed, following the music and yawning a bit on my way as I tugged at my hair. When I entered the living room, Niall looked up and sent me a smile as he kept playing and finally licked his lips, taking his hand away from the keys and raised his eyebrows.

"How did sleeping beauty sleep?"

"I don't know about her," I started with an other yawn. "but I slept very well, thank you."

"I was talking about you, silly!" he chuckled. "You sleep all the time, and you're beautiful. This is now officially my new nickname for you."

I raised my eyebrows and my lips parted as he laughed. "If you call me that, I'll start calling you Neil."

I smiled when I saw him grimace and finally sat next to him on the small bench, facing the piano. I've always wanted to play and at the same time, i loved watching Niall play. If only I could be as talented as he was in something... anything, really.

"You're so damn good, I swear, I'm jealous."

"My piano skills are pretty basic."

"Lies!" I quickly replied, turning my head to look at him and raising my eyebrows. "You always say that and we both know it's bullshit." I turned back to the piano and placed my hands on the keys as if I knew what I was doing. "Here's a little something I can play for you.”

I let an amused smile appear on my lips and finally used just two fingers to play a short song on the piano, missing one or two notes as I did. When I turned back to him, he was smiling big, trying not to laugh.

"Is that 'Take Me Out To The Ball Game'?" he asked, unable to stop a chuckle from escaping his mouth. "Played with literally two fingers?"

"Don't laugh! I taught myself that."

He started laughing anyway and I raised my nose up, pushing his upper arm with mine and making him laugh even more. He smelled good and he looked gorgeous. I was trying not to think about the fact that he was leaving in a few days and when I looked up at him, he licked his lips.

"Do you want me to teach you?"

My lips curled into a happy smile but I tried to hide it by pressing them together before nodding. He chuckled and proceeded to take my hands and placed them over the keys. I tried to listen to his instructions but my mind drifted away after a while as I looked at his fingers slide gently on the keys for a while before my eyes moved on his arm and up to his chest and his face. I stared at his lips moving for a few seconds before blinking a few times as I tried to get out of my thoughts.

"Are you sleeping again?" he asked, raising his eyebrows with a smile.

"No... no I just..." I shook my head and chuckled. "Play that song. The one you had in hands in my dressing room. You said you needed a piano well there's one. I want to hear you sing."

"I was teaching you how to play darling." he pointed out, making me tilt my head.

"Play Niall, please."

He stared at me and I felt my heartbeats accelerate. I couldn't believe I was here with him and that he was looking at me like that. After a while, he just nodded and licked his lips before his fingers glided on the keys again.

"Maybe we are the champagne lovers Lay in the dark, we are stargazing now Well, I don’t like it.

Rolling the dice just to feel the thunder Deep in the heart of a downward spiral Falling, we’re falling.

We should twist the knife Put it all to bed, I Need to understand what it takes to love again

So come on love me when the lights burn low Meet me underneath the sheets Cause you got a hold of me baby, enough to pull me back in deep.

You used to love me when the lights burned low Now we’re tearing at the seams We‘ve both had enough of this, baby, so promise me that when you leave You won’t say you’ll come back to me.

Maybe we are the perfect strangers Only the stories left on paper now And I don’t like it.

We should twist the knife Put it all to bed, I Need to understand what it takes to love again

So come on love me when the lights burn low Meet me underneath the sheets Cause you got a hold of me baby, enough to pull me back in deep.

You used to love me when the lights burned low Now we’re tearing at the seams We‘ve both had enough of this, baby, so promise me that when you leave You won’t say you’ll come back to me.

Come back to me You won’t say you’ll come back to me."

I felt a tear roll down my cheek and swallowed the lump in my throat with difficulty. Silent came back in the room and slowly, I brought one of my hands to his cheek, brushing my thumb on it gently. I loved how some of the lyrics really fitted us, and I couldn't explain how perfect it was. He knew how to add things in songs that were only obvious to us two, and I needed to learn how to do that, because when it came to writing my tv show, I knew it was more and more obvious with time that it was based on my story with Niall.

"Those lyrics about the sheets..." I just whispered before licking my lips and sniffing.

"We've been hiding under the sheets since we were kids." he explained even if I already knew what it meant. "Just you and me, in our world. And now I realize that it was our world because you're my world."

I started seeing blurry because of the tears in my eyes and blinked again to let them slide down my cheeks. He brought his hand over mine on his face but his eyes never left mine.

"You're so full of shit, Horan." I just replied in a whisper with a small chuckle.

"I mean it." he quickly murmured before I pressed my lips against his.

He kissed me back deeply and his arms wrapped around my waist, pulling me closer to him. His lips parted against mine and he panted, making me whimper low. I let my hands slip under his shirt and I thought he was going to laugh at how impatient I was but instead, he moved slightly away, his lips still against mine.

"I'm gonna fucking miss you."

"How many times are we gonna tell that to each other." I whispered back, sliding my hands up his chest.,

He pulled away a bit to stare in my eyes and something twisted inside me. "I don't know, petal. Now too often I hope."

I pulled his shirt off and let it fall on the floor and I kept my lips pressed against his as he got up slowly, grabbing the hem of my shirt and taking it off too. He turned me around slightly, both his hands on my waist and when he kissed me harder, I leaned against the piano without thinking, hitting a few keys and making an horrible sound. We laughed against each other's mouths and I felt him pull my pants down, along with my panties. I wiggled slightly to take them off and pushed them away from us as I moved a bit and hit a few keys again but higher notes this time.

"Clumsy ass." he whispered with a chuckle.

"Hey it's your fault." I argued in a low tone before smiling wide.

I reached for his pants and unzipped them and when he took a step back, my eyes fluttered as I started at him. He took his pants off and when he pulled his boxers down, my lips parted slightly. I watched him sit back on the bench as I stood between him and the piano and he brought his hand to his dick, stroking it slowly. I ran my hand to my breasts as I stared at him and felt my heart jump in my chest at the sight.

He brought his free hand between my thighs and I propped one of my feet on the bench next to him before two of his fingers ran on my slit. He was staring at what he was doing and I let out a low whimper as his thumb found my clit. I was already turned on but feeling him touching me while looking at him touch himself was amazing and I licked my lips, moaning slightly louder.

"I just want to sit on your cock."

He let go of me but I noticed his fingers pressed harder around his cock as he looked up at me and it only took him a few seconds to make a quick head movement.

"Turn around and sit on me."

I felt my heart jump again and slowly did what I asked. I felt him spank me once as I held myself on the piano to sit slowly on him. His hand reached my right side as his left hand positioned his dick and I closed my eyes as I felt it slowly get deeper inside me until I was sitting completely on him.

"Fuck, bend down a bit."

I did as he asked, holding myself on the piano again and making an other unpleasant noise as I hit different keys. This time though, he didn't laugh. He ran his hands on my back, pushing on it gently again and he finally held my waist to help me move up and down on his cock very slowly, watching it slip almost completely out of me and then back inside me as I sat back on him a few times until he was balls deep.

"I fucking love watching my cock disappear in that pretty little cunt of yours." he admitted in a low tone before groaning low. "Fuck me, petal. Harder."

I started going harder as he asked and I tried to grip the piano with my fingers to get balance, my fingers making an annoying sound as they slid on it. My lips parted and I held my breath when I felt him push his thumb in my asshole and I let out a curse word, my movements faltering a bit.

"Don't you fucking stop." he just let out, spanking me with his free hand. "Nothing I want more than to cum deep inside you, pet. I want to feel you clench around me. Fuck, you're such a perfect little cumdump."

I held my breath at his words, feeling my whole body throb at the way he dirty talked to me, a bit surprised but aroused by his words. I was thinking about touching myself when I felt his arm slither around me to reach between my legs as the thumb of his other hand was still fucking my ass.

"You're gonna cum so hard, yea?" he asked, rubbing my clit and making me clench around him in motion. "All over my cock?"

I felt my eyes flutter and my head fell back slightly as I started shaking over him. He brought his arm around me to hold me against him as he kept rubbing my clit hard and fast and when I started cumming, he pushed me up slightly and started moving his hips up against me to reach an orgasm too. He only kept his tip inside me as he came and his fingers sank on both sides of my waist as he groaned loud.

"Fuck."

One of my hands fell on the keys again and I shut my eyes tighter as I got down from my high slowly. I felt one of his hands carress my back and he tapped my butt gently to incite me to get up, I felt his cum fall and when I turned around, some of it slid on my thighs while I bit my bottom lip, looking at his cum mixed with mine on his thighs.

It took him a few seconds to get up and he bent his head down to reach my lips with his. I heard the few notes from the piano as he kissed me and I chuckled against his mouth, making him smile.

"Loved it." he let out low with a smirk. "We literally just composed the best song ever together.”

I laughed and shook my head a bit, my lips brushing against his. "Yea, I don't think it's gonna be a hit." I admitted with an other laugh.

He laughed too and started kissing me slowly but deeply again until we heard the doorbell and both jumped. We both smiled and chuckled at the same time before the bell rang again and someone starting hitting the door quite roughly. I quickly rolled my eyes, knowing exactly who it was. and Niall frowned at me until we heard the voice.

"OLIVIA! I KNOW YOU'RE IN THERE!" he yelled, making me laugh and roll my eyes. "PUT YOUR PANTS BACK ON AND COME OPEN THE DOOR!"

"Why does he always get here when we're naked?" Niall asked, making me laugh.

"Hey, it's Louis, I expect nothing less." I pointed out as I was putting my pants back. "I'll go see what he wants, you get dressed."

I put my shirt on as I walked to the front door before swinging it open and sending a big smile to my best friend. He opened his arms wide and it took me only half a second before throwing myself at him. He held me close and I buried my face in his neck as I felt his head lean gently against the side of mine.

"So glad to see you, my queen. I missed you." his voice was low and his words seemed sincere. I could hear emotions in his tone and it made me smile as I gripped the back of his shirt tightly.

"It's been weeks." I just let out, making him squeeze me tighter against him.

"Who's fault?"

"Mine." I confessed in a murmur. "I'm sorry it's just... Niall..."

"Yea I know, I was the same the first few months I was back with El."

We remained silent for a few seconds but when I felt Niall's presence close to us, I felt something melt inside me, like him being close made me emotional.

"Okay Tommo, let go of my girlfriend now."

I chuckled and pulled away, my lips curling more when my eyes met Louis'.

"Oh yea, I saw the video at the airport," Louis laughed, nodding. "Told you it was just a matter of time, right Neil?"

"Right."

My boyfriend groaned but didn't add anything and I moved to let Louis walk in and close the door behind himself. He was so close to me I felt his body heat emanate from him. Niall wrapped his arms around me from behind and I felt him lean his chin on my shoulder. Instinctively, I leaned my head against him and it made Louis roll his eyes with a laugh.

"Alright, double date tonight, we're going to eat, and maybe a movie or something." Louis let out quickly. "Non-negotiable, be ready in two hours, I drive."

He winked at me before turning around and opening the door he had barely just closed and walking quickly to his car. Niall and I both watched him start the car and drive aaway and after a while, I chuckled low and shook my head.

"He's so annoying." Niall admitted, mumbling under his breath.

"Oh come on, it'll be fun!"

Niall seemed to think for a few seconds and finally raised his eyebrows with an amused smile. "Okay, but you wear a skirt."

I rolled my eyes and laughed again, just shrugging. "Deal."

                                               ---

The restaurant was crowded and suddenly, I was scared people would take pictures and videos. I tried to push that thought away and tell myself it didn't matter but at the same time, I knew Niall liked to keep most things private so I tried not to touch him too much. I felt his hand on my naked thigh and smiled, pressing my lips together as I tried to ignore it.

"What are you wearing exactly?" Louis asked with a frown, leaning a bit against the table. "Is that a necklace with my friend Neil's face on it? How old was he back then? 12?"

"Funny." Niall let out sarcastically. "It's a gift from a fan and she won't take it off."

"That's a proof of love, Niall. Embrace it."

Eleanor rolled her eyes with a chuckle and I just laughed a bit. I looked at them and lost my smile suddenly. They were such a perfect and beautiful couple and it was a shame it had just hit me. I started wondering what people thought of the couple I made with Niall and I felt a bit nervous.

"We haven't done that in a while." Eleanor pointed out, taking a sip of her wine. "I know you've both been busy though. How's tour going? Not too hard being away from each other?"

"It's..." Niall started shaking his head.

"Hell." I finished his sentence. 

He turned his head to look at me before nodding slowly. "Exactly. But we manage."

And we did. It was not easy but we loved each other enough to actually want this to work and we both put effort into it. I knew Niall wouldn't always be on tour, and I wouldn't always be filming either. At some point, we would live together almost every day and I seriously couldn't wait. I could write from home, and he could do the same, and I knew it would go very well.

"Niall also asked me to move in with him!" I announced with a huge grin, raising my eyebrows. "About to move my stuff soon!"

I saw Louis' face change and he looked down at his plate before clearing his throat. "Really? When are you moving?"

I frowned when I noticed the emotions on his face but simply licked my lips. I didn't want to cause a scene, and I was not sure of how he felt, but knowing Louis, he was probably going to talk to me about it.

"Probably mid june, it's the only time Niall has a few weeks off. Then he'll be on tour for 3 months almost non-stop." I admitted, swallowing hard at the thought.

I didn't want to be away from him and at the same time, I didn't know if I really should follow him everywhere. I didn't want to be that kind of girl anymore but wanting to be with my boyfriend was not being needy, right? I also didn't really want to stay alone in his big house the whole time he'd be gone. It sounded quite sad.

We started discussing old memories, mostly those from the last tour, and I would roll my eyes when Louis would mention how bad I supposedly had it for Harry. I was pretty sure he knew I was in love with Niall even back then but he was trying to get a reaction out of Niall and I couldn't pretend I didn't find it a bit entertaining. Every time Louis would mention a memory of something romantic or sexual between Harry and I, Niall would squeeze my thigh without really realizing it.

I got up to go to the bathroom after a while and when I got out, Louis was waiting for me, his side leaned against the wall.

"Why are you always waiting for me next to the bathroom." I asked with a chuckle.

"I missed you, you know. I missed my best friend." he pointed out, ignoring my question. "And now you're gonna move in with him for the very first time and, I don't know, I feel betrayed."

I took a step closer to him and shook my head. "Louis, you were already supposed to be with Eleanor, remember?"

"That was when you were supposed to marry Dylan."

I tilted my head and sighed, licking my lips. "I know you hadn't changed your plans. I mean, you were going to live with El either way, and it's okay." I just explained. "I want to try it with Niall. I want it so bad, Louis. But we'll always be close, you and I. I think I need you more than you'll ever need me."

"One day every week."

"Mm?"

"I have to see you at least once a week." he specified. "Sometimes with Niall and El, sometimes just us two, but once a week. I'm not losing touch, you hear me?"

"I hear ya." I smiled and tilted my head.

"Good." he nodded, staring at me for a few seconds. "Are you sure you're ready for that? Moving in with Niall, I mean. It's not gonna be easy."

"I know. But I'm sure." I let out firmly. "He's my soulmate. He's always been. And apparently, I'm his soulmate too. Life couldn't get better than that."

[spoppersonality]

How MBTI & Enneagram affect character relatability

I have a theory, and I’m going to illustrate it with the help of Adora and Shadow Weaver. I also have a personal story there.

Fun fact:

I share an MBTI type with Shadow Weaver (INFJ)

and an Enneagram type with Adora (Social 9w1).

(Not going to go into more specific subtypes right now.)

What makes this interesting to me, is how I am, in this case, pretty much a perfect example of how people tend to relate to fictional characters with similar Enneagrams, rather than similar MBTI types. My “evidence” is anecdotal of course, but I have noticed a pattern there. I think this tendency is at least one of the reasons behind some interesting phenomena in fandom and might set some light to questions like why some characterizations are more popular in fanfiction than others. (Such as why people write characters like Keith, Sasuke, Zuko and Catra as artsy emos.) But I digress. (Might get into that another time, though.)

I had watched SPOP about three times before it even crossed my mind that Shadow Weaver shared a personality type with me. While it was apparent to me the first time around, that I shared a personality type with Adora. So, why? Because one is a hero, and one is a villain, and I would rather identify with the hero?

That seems like a nice and clean answer, but I don’t think it’s quite that simple.

I think it has more to do with how I, and I think most people, relate to fiction from an emotional point of view. We tend to watch and read stories for emotional reasons, more than intellectual ones. Not that intellectual reasons don’t play a part, just that the driving force is often emotional. We’re looking to connect emotionally with the characters, otherwise we would be watching a documentary or reading a science book instead. At least that’s how it works for me, and in my experience, a lot of other people.

MBTI is about cognition, while Enneagram is about motivation. Sometimes I like to distinguish MBTI as your “intellectual type” and Enneagram as your “emotional type”. At least from that angle, it makes perfect sense, that we would relate to a character with a similar emotional type: a similar Enneagram, when we are immersed in something with our emotions.

And this is true of MBTI “thinkers” and “feelers” alike. I can’t count how many times I’ve seen INTPs claim Sherlock Holmes simply MUST be an INTP because they relate to him. When I first got into MBTI, I was guilty of that too. I thought every character I emotionally related to, was an INFJ. LOL, NOPE. I just didn’t know anything about Enneagram. After getting into that, I can easily see that the characters I most relate to, tend to have a very similar Enneagram type to mine.

Actually, it was the fact that I related to Adora so much that made me especially blind to the possibility that I might relate to Shadow Weaver in any way. That’s why I find this personal example so juicy. It’s because in the emotional dynamic between Adora and Shadow Weaver, I related to Adora a 100% and then some. I’ve had my Shadow Weavers, and reacted to them in a way a Social 9w1 will. We are people pleasers because we lack a solid sense of self, and we do exactly as we are told to avoid conflict, separation and loss (our worst fear).

In the worst case scenario, we believe we need to constantly excuse our very existence.

(Like seriously, it can get ridiculous. When I was around ten, if I was at a friend’s house, I didn’t have it in myself to ask for a glass of water if I was thirsty. Even when it was offered to me without asking, I found it hard to accept, because I had done nothing to pay for that water. Even though I live in a country with the best access to clean water in the world, so one glass of water costs practically nothing.)

Given all that, it makes sense that I wouldn’t even consider relating to Shadow Weaver, because to me she very much represents everything toxic that I experienced as a child and needed to unlearn in adulthood.

But after taking a step back from that emotional angle, it’s pretty easy for me to see that cognitively speaking, I’m not Adora, who is an ESTJ. I’m pretty much the polar opposite. Which is Shadow Weaver, as weird as it feels to me.

As INFJs, we are very good at understanding another person’s psychological make up. We easily take anyone’s point of view and use that to influence the people around us. We don’t naturally gravitate towards the spotlight or a leadership role, we are at our most effective in one-on-one communication.

Obviously, Shadow Weaver uses all this to manipulate and abuse people, to get her way and her narcissistic supply. I use it to help my friends see their problems more accurately, and themselves in an encouraging light. (And to write fiction!) Shadow Weaver uses it to cause conflict between people by distorting their view of reality, I use it to ease conflict by an attempt to bring more clarity.

But that doesn’t mean we are not both INFJs, because we definitely are. Upon a closer look, I find many things about Shadow Weaver relatable.

She’s definitely an introvert driven by her internal vision, her idea of power, and she’s thinking leaps ahead, like she does the moment she sees Adora as a baby. (Ni) She’s a great communicator, but it’s more of a means to an end to her than it is a passion. (Fe) It seems like the very concept of power interests her more than what practical things she can do with it (Ti).

And her vision is SO MUCH BIGGER than her abilities. That’s exactly how I’ve felt my whole life, because inferior Se will do that to you. You don’t see the step-by-step approach to your GRAND VISION even though you can see the end result so clearly in your head that you swear you can touch it. Your insight can be so accurate that you can (deliberately, or accidentally) make people think you’re connected to some mystical higher power even though you’re mostly just full of sh*t (=ideas, abstractions).

It’s like, your whole life, you’ve been working towards one goal, one vision, that is just on the other side of a river, but you CAN’T FIGURE OUT HOW to get across. If you could JUST do that, then on the other side ALL your dreams would come true, everything you’ve worked for, for your entire life would COME TOGETHER in pure AWESOMENESS because you’ve been thinking, and planning and fantasizing and putting all of your mental energy into it, and just aching to get across that river. And then, a f*cking ESTP (Catra) shows up, farts a bridge, gets to the other side, and once they’re there, they have NO. CLUE. WHAT. THE F*CK. THEY. ARE. EVEN. DOING. THERE.

I’m getting carried away.

Emotionally, or, motivationally speaking I don’t relate to Shadow Weaver. Like, at all. I couldn’t care less about having power over other people. I can’t bear the thought of hurting another person. (I still cry at night sometimes because I once called my brother’s helmet “stupid” as a child, when he was annoying me.) I don’t need to be the most powerful or put others down in order to feel whole. The idea of hindering someone’s growth into their happiest and truest self is horrifying to me.

But still, my brain works similarly to hers. I’m full of ideas that are connected to the same big vision I’ve had my entire life, but getting there efficiently enough requires a lot more brain work and trial and error from me than some other types.

Emotionally speaking I relate to Adora so much. I get anxious if I’m not constantly doing something “useful”. I feel responsible for other people’s happiness. I feel tremendous guilt every time I have to say “no” to someone in order to rest and take care of myself. I feel like a failure when I’m not able to fix someone’s problem. I feel obligated to sacrifice myself because I “can”. When I was voted the least desirable girl in my class, I was just relieved it wasn’t anyone else, because I knew my friends would have shattered if it were them. (Hint: it wasn’t because I had better self-esteem. It was because my self-esteem wasn’t a concern for me in the first place.)

And yet, I’m also nothing like Adora when it comes to cognitive make up. It would be interesting to dive deep into why the ESTJ 9 combination is totally fascinating for me, but this post is too long for that already.

My point is:

1) In terms of relatability in fiction, Enneagram might play a bigger role than MBTI.

2) Sometimes people get into heated arguments about a character’s type because they can only see a character they relate to, as their own type, and that’s intellectually dishonest. (As a personality junkie, I care.)

3) It’s OKAY to relate to a character with a different MBTI from you. MBTI is not everything. Enneagram is not everything either. There might be another reason.

4) Sometimes people seem to feel like they need to be like their favourite character in EVERY way, to justify their experience of relating to that character. Well, you don’t. Having the same cognitive type doesn’t automatically lead to the same motivational type, or the same life experiences, or the same relationship style or the same neurotype, or anything else. These can all be different, and your experience is valid no matter where the relatability comes from.

5) If you relate to a character, there’s a reason for it, and you’ll get the most out of it, if you try to discover that reason as honestly as possible and not automatically assume it must be your MBTI (or something else). Those four letters are not the most important thing about anyone, so you don’t need those to “claim” a character to your side of things.

6) You have no obligation to emotionally relate to a character with the same type as yours. I can assure you my feelings towards Shadow Weaver did not become any warmer after discovering we shared an MBTI type, and that’s okay too.

[paradiselostbythedashboardlight]

Quarantine, or How I Learned to Stop Worrying and Wrote 430,943 Words of Prose in a Year

As we are coming up terrifyingly fast on a full year of quarantine with no end to the pandemic yet in sight for most people, I’ve been taking some time to reflect on the last year of my existence in a state that most people now refer to as quarantine. Since March of 2020, I, like most other sane people in my country, have stopped traveling, going to stores, seeing all but a limited group of other humans, and begun having recurring nightmares about being in crowds without a piece of cloth over my nose and mouth.

Suffice to say, it has been a bit stressful.

The other thing that I have done since COVID-19 began rapidly spreading across the globe last year is write over 430,943 words of fiction. 

The number seems insane to me still. That is (approximately) one Gone With The Wind, one entire Lord of the Rings series, or the first four Harry Potter books. That is still sadly not yet War and Peace (but who knows… the pandemic isn’t over yet).

So now that I am looking back, I find myself with one question: how did this happen? Why did I do this? What does this mean about my life this year?

Since apparently I answer best by writing a lot, let’s begin at the beginning. Let me tell you a story. I’ll keep it short, I swear.

Part 1: Blast From the Past

In March of 2020, I was still in the midst of an academic semester. There was a long academic document to write and a class to teach. However, as quarantine abruptly robbed me of most of my usual commitments, I was suddenly thrust into the position of having more time on my hands than I knew what to do with. Consequently, I decided to break out the Nintendo Switch I’d gotten for Christmas and revive a childhood interest in video games.

And boy did I. I played the games I owned for all they were worth. I played them during the evenings when I had no social engagements to attend. I played them during the Zoom meetings I was already struggling to pay attention to. By the end of March, I had finished one game, and it had set the wheels turning in my brain.

Here’s a fact about me: I don’t usually tend to write or read a lot of fanfiction about things that I consider really really good. Basically, fanfiction for me has always been an impulse born from incompletion or imperfection. I see no need to add to a perfect story (although I happily consume and create fanart). But for something enjoyable and yet slightly unsatisfying? That’s fanfic territory, bud.

So by April, I had developed a sort of epic fanfiction for this video game I was playing. It was one of those magnum opus kind of ideas, a grand retelling of the story with a huge sprawling plot and Themes (™). 

At first, it was merely a thought experiment that lived only in my head, a sort of entertainment to ponder in the hours before falling asleep. What changed? Well, a friend of mine decided to also write a fanfiction on the same video game and she kindly consented to let me read it.

Suddenly, I was ravenously hungry to read and to write and to share and to consume. I wrote a hundred thousand words of this fanfic in April and into early May, sending each chapter to my friend and being spurred onward by her kind comments. 

The fic became a gargantuan endeavor full of strange little challenges I set for myself. It was a canon-divergence, requiring plotting, worldbuilding, a darker and grimer tone. For some reason, I decided to write each chapter from a different character’s perspective, making the final product into a series of essentially short story character studies which together formed a plot.

By the end of May, the story was published for the world to see. It was well-received, although not particularly popular by fandom standards. And that was the end. I had gotten out my pandemic crazies, the semester was over and now I could move on. I had made my peace with the source material, plumbing all of the little details that I wanted to examine and creating a narrative that I found satisfying.

It was over.

Part 2: Summer Lovin?

Except that it wasn’t.

Confession: as I had been posting my giant fanfiction, I had also begun to explore the fan community itself, mostly curious to see some nice art and gather a bit of demographic info about what was popular within the community. As a result, I found a fanfic recommendations page. Among the recommendations was one author who kept popping up and i finally decided to give the fic a read.

Woah. It was good. Like, really good. Like, professional quality writing and themes that seemed designed to appeal to me. I devoured everything that the creator had posted in a week and then subscribed to eagerly wait for more.

As June rolled around, I realized that I had a problem on my hands. My great big gen masterpiece was finished, but this author had gotten me hooked on something else, something with a nefarious reputation online: shipping.

The term du jour for this seems to be “brain worms” so let’s just say that reading other fanworks had given me some brain worms. Inspired this time not just by the source material of the game, but now the fan community itself, my mind began to develop another idea.

I wrote the fic, about 11k, in a single afternoon of frantic writing. When I finished it, I knew it was one of my strongest pieces. It had just come together, a combination of all the thought that I’d been brewing up and a stylistic execution that just worked with the story I wanted to tell.

I posted it on a new account. Shipping seemed vaguely shameful to me still and my mom reads the other account.

To my surprise, the fic blew up. It got so much more attention than my long fic ever had. Even more significantly, a fan artist actually drew a gorgeous comic of the pivotal scene, completely out of the blue! I was essentially thunderstruck. Honestly, it was probably the first time in my life that I’d ever received so much positive reinforcement from a piece of writing.

While I’d written short stories for undergrad workshops, they’d never been particularly good and I’d never gotten particularly great feedback on them. I’d applied and been rejected by more MFAs and literary magazines than I could count. I’d pretty much resigned myself to writing for an audience of me and me alone (which I don’t mean to sound tragic about, writing for you is great and fun!)

But receiving so much support and praise and feeling like I’d made other people happy or sad or moved? There’s nothing better.

This makes my decision to write another fic for the ship sound vaguely cynical, the action of a person driven by an addiction to praise. I mean, no lie, aren’t we all a little addicted to approval?

But my next fic was another long one, an 80k passion project modern AU that I dreamed up while spending a slow summer alone with my books and only able to leave the house for long rambling walks in the woods. The premise was essentially about characters attending a five year college reunion, something that I myself had missed due to COVID in May of the same year. The fic quickly became a way for me to process thoughts on a lot of topics in my life ranging from relationships to politics to mental health to classical literature.

This fic was also received with far more attention than I was used to and, as a result, I finally joined the notorious Twitter dot com where I found people talking about my fic unprompted, eager to follow me and like my every random thought.

I can’t say that this process was not without its ups and downs. Fandom has changed, in many ways for the better, since my last engagement with it during the 2013 Supernatural days on Tumblr. While fan friendships are often idealized or demonized, they are pretty much like any other human friendship (okay, maybe a little bit more horny on main). There is potential for amazing connection as well as pettiness. But in a year where many people suddenly had no social spaces that were safe anymore, I’m glad that I found a new line of communication with the world.  

So I kept writing fics for the ship, producing a lot of work that I am genuinely proud of and making connections with other people who enjoyed it enough to leave a comment.

To conclude this section, I was in fandom again. While I had not seriously engaged with a fan community since around 2014, I was back with a vengeance. And I had discovered an important truth about what unlocked my ability to write more than I ever had before: community support.

Not simply the kudos and the views. It was the comments. The discourse. The discussion. To add and contribute my thoughts and ideas to a greater network of thoughts and ideas that fed off of one another.

Often I had seen people complain about there not being enough fanworks for particular media or characters. Now I knew the secret. The comments and the community created the works. If I commented on other people’s fics, the more likely they were to write more. I made a resolution I have tried to keep, to comment on any story that I legitimately enjoyed reading, even if I had no particularly intelligent thing to say about it.

Part 3: A Novel Idea

By late October, I had produced a considering oeuvre for my ship of choice and was enjoying slowing my pace as I planned a few future projects.

Remember, though, how I mentioned not having engaged with fandom for the past 5 years? Well, that didn’t mean I hadn’t been writing.

For the past 4 years, I have won NaNoWriMo and completed 4 novels of over 100k each in length. These projects have been massively fun and improved my confidence with executing stories at the scope that I desire.

And so in November 2020, I settled down to write another novel. November is always a sort of terrible time write a novel if you work in academia, but this year, I had more time than usual. I set out to write a comedy fantasy novel, something mostly lighthearted and full of hijinks in order to pretend away some of the quarantine blues (which by this point were well established in my psyche).

This year in particular, I was reminded that writing a novel is… harder than fanfic. That seems like a very obvious point, but I’d written novels before. Suddenly, though, I was realizing how much a novel requires you to set up the world and the characters, while fanfic can be pretty much all payoff all the time.

While the fanfic flowed in wild creative bursts of energy, the novel required diligence of another sort. I wrote 2,000 words every day for two months. It was a grind. Sometimes, it was a slog. 

And sometimes it just wasn't good. The thing about writing your own novels is that the first draft is way more likely to be not good. You’re balancing a lot and it’s easy to let a few balls that you have in the air drop for a chapter or two, with no recourse but to go back and edit later.

I finished the novel by writing a final speedrun of 6k on new years eve, ending my 2020 with another project under my belt. No one has read it. Not even I have reread it.

I’m still glad that I wrote it. I’ll write another one next year. No one will read that one either.

Sometimes, we write for ourselves and no external validation is necessary.

Part 4: Where are they now?

January of 2021 is somehow now behind me, which is terrifying. I’m still writing. Mostly fanfic, although occasionally I go doodle around with some original ideas that are more conceptual sketches for the next novel.

As for the fanfic, I think I still have a few more good ideas left in me, but  I will probably leave it behind before the year is out. That feels a little bittersweet, a sort of temporary burst of fun and friendship that I wonder if I’ll ever experience again.

Coming to the end of this reflection, I suppose I should make a summative statement about what it all means.

In the end, it might not mean a lot. There are some small takeaways. 

It turns out that encouragement makes you write more! Who knew? Also, more free time makes you write more! Wow!!!!

The point that I think this reflection exercise has shown me, the point that I think matters more than any other, is that writing is a way to process my thoughts. Even if it is through the lens of ridiculous video game fanfic or novels about sad wizards, my writing is my way to make sense of my own mind. 

And sharing that is special. If you share it with online strangers, with your family on Christmas Eve, with your close friend who has become even closer and dearer to you since she let you read her work, or just with your mom (the one personal legally required to read your damn novel if you want to share it). To share writing is to give someone a little peek at your beliefs about the world.

And right now? When we’re still isolated and bored and scared and in desperate need of distraction? Binge some TV, play Nintendo, read a book. Take in other people’s thoughts.

But put down your own somewhere as well. It’s a conversation.

And for once, it’s a conversation that doesn’t have to take place on fucking Zoom.

[haich-slash-cee]

Is the print publishing world picking up online/fandom terms? How they are using them? How do we feel about this?

So this is... attention-getting, for folks who like to follow publishing and meta stuff.

https://twitter.com/sapphicxrey/status/1215065948677443584

https://twitter.com/TorDotComPub/status/1233391556750647299

(2nd tweet -- TW, mentions of non-con)

Are we seeing the beginnings of book publishers directly borrowing from online/fandom culture in promoting their books? How do we feel about these examples?

More below cut.

Exhibit #1: screenshots of Bonds of Brass promo from Jan 8 2020. (Which is probably going to have reactions of “haha, cute” at most.)

Transcript of blurb: 

“If you like... 

forbidden romances, “there’s only one bed”, cityships, weaponized umbrellas, powersuits, secret princes, best friends, best friends PINING, fake dating between PINING best friends, tactical streaking, the minivan of starships, cigar-chomping cyborg ladies, scary empress moms, galactic-level bisexual disasters, LEGACY (WHAT IS A LEGACY?), rooftop hopping, golden trios, rumblin’ drums, bootleg fireworks, BIG SPACE BATTLES PEW PEW, a surprisingly functional public transit system, mob trouble, one hell of a pilot, the inherent DRAMA of empire, a nice interlude in a river, smoking a joint that’s been on the floor, sick stunts, slick grifts, hiding in a dumpster, or any combination of the above,

 Then you might like 

BONDS OF BRASS”

The Twitter responses seem to be generally enthusiastic. (And also, “FinnPoe! FinnPoe!”)

Personally, I’m intrigued from a meta-view of “oh so that’s definitely pulling from online world and fanfiction world, interesting. I wonder how much fanfiction culture is starting to influence print book culture and promotion.” Maybe I’ve got some questions like, “Ok so moneymaking companies such as Penguin are now using culture developed by the not-moneymaking-world of fanfiction? How do we feel about this?” Anyway, the book looks cute, I’m interested enough and I might get it from the library.

I suspect many people’s reactions are along the lines of “hm, interesting”, “sounds like a lark”, or “haha they’re using AO3 tags as promo”, etc. 

Exhibit #2, screenshots of DOCILE promo, from Feb 28 2020 (today is March 1 2020), and screenshots of Twitter responses so far:

(*CW, non-con discussion)

Tweet transcript:

“DOCILE by @KMSzpara:  

-Dubcon/Noncon 

-Dramatic Trillionaire Content 

-BDSM and then some more BDSM and then a lot more BDSM

 -Hurt/comfort and hurt/no comfort

 -Cinnamon roll of steel 

-The most scandalous kink: love 

-Courtroom, bedroom, & Preakness drama

[Tor book website link]”

So this is getting mixed reactions on Twitter. All dozen or so reactions, so far. Here’s text transcripts and bio info from repliers, below. I’m being a little obsessive, mostly to show that there’s a mix of queer, book-ish people in the replies (including the author).)

Noncon is nonconsentual sex, rape. Even in fandom it's a content tag, not a promotional term. I can't imagine being a rape survivor and seeing this come across my TL. -- @WriteSomeGood [queer rainbow] [Cis queer homemaker, aspiring author, maker of incredible cinnamon buns. She/her] [has a Tumblr page]

I’m not a survivor but it was an instant “no thank you” from me. And I was sincerely looking forward to this prior to. This is the most immediately off-putting marketing push I’ve seen for a book in a long damn time. -- @AGAWilmot [Author, editor, artist. Co-EIC of @anathemaspec. @SFU alum. The Death Scene Artist/W&W 2018. Ace/enby. They/them. Horror is my comfort food.]

Whichever intern wrote this tweet, deserves a full time job. With benefits. -- @simeontsanev [Aspiring writer, post-aspiring musician, and overall geek  He/Him /[queer rainbow]/ To the world we dream about, and the one we live in now! http://simeontsanev.com]

Idk why everyone thinks it’s always an intern writing copy and not a team comprised of extremely skilled social media experts, editors, publicists and marketers, and their assistants  I worked on those tags with my editor and a good friend!! -- @KMSzpara [Kellan. [queer rainbow]  Speculative fiction writer. Queer agenda.  Hugo & Nebula finalist.  DOCILE 3/3/20 from Tor Dot Com Publishing.  He/him.  Rep @suddenlyjen] *The author, bio page and twitter page.

this is CUTE! -- @MSSciarappa  [queer rainbow] I do books. he/him.

I am Extremely Ready for this content thank u -- @JessicaBCooper [Journo ☽ Writer of faerie, villain fuckery & cruel desires ☽ Lestat & Loki's love child ☽ Aleksander Morozova's side-hoe ☽ Rep'd by Kate Testerman @ktliterary]

I’m listening -- @MerynLobb [Government worker. Weightlifter. Nihilist. Aspiring cult leader. Avid user of words, often bad ones. #AMM R6 Mentee. she/her]

Soon! Soon!! -- @castrophony [Geek. Gamer. Cosplayer. Bibliophile. Scientist. She/Her.]

[happy reaction gif] -- @TorDotComPub [Providing a home for writers to tell SFF stories in exactly the number of words they choose. All our titles are available globally in print and DRM-free ebook.]

[throwing stuff in dumpster, unhappy reaction gif] -- @cursedgravy  [name's xavi, im a transman and i like to daydream about making content] 

For more context, here’s the blurb from the author website. Below is the blurb from the publisher’s site:

“Docile

K.M. Szpara

K. M. Szpara's Docile is a science fiction parable about love and sex, wealth and debt, abuse and power, a challenging tour de force that at turns seduces and startles.

There is no consent under capitalism.

To be a Docile is to be kept, body and soul, for the uses of the owner of your contract. To be a Docile is to forget, to disappear, to hide inside your body from the horrors of your service. To be a Docile is to sell yourself to pay your parents' debts and buy your children's future.

Elisha Wilder’s family has been ruined by debt, handed down to them from previous generations. His mother never recovered from the Dociline she took during her term as a Docile, so when Elisha decides to try and erase the family’s debt himself, he swears he will never take the drug that took his mother from him.

Too bad his contract has been purchased by Alexander Bishop III, whose ultra-rich family is the brains (and money) behind Dociline and the entire Office of Debt Resolution. When Elisha refuses Dociline, Alex refuses to believe that his family’s crowning achievement could have any negative side effects—and is determined to turn Elisha into the perfect Docile without it.

Content warning: Docile contains forthright depictions and discussions of rape and sexual abuse.”

So that’s a lot of info and reactions.

Personally: at first glance, I absently skimmed the tweet and “hurt/comfort” popped out, and I was like “What? Mainstream publishing is cool with this now? I was wondering if ‘hurt/comfort’ would one day become commonly used in publishing [related post]. But this is way sooner than I thought.” And then I read the rest of of the tweet and thought, “Wait, what?” 

And then I started reading through the tweet replies and thought, “OK, at the risk of getting a bunch of Tumblr drama, I want to bring this to the whump community and see how people feel."

As for myself, one of my squicks is non-con, and I’m not really interested in hurt/no comfort. So just from the tweet, I know the book is not for me. The official blurbs confirmed that. In this sense, this is like skimming Ao3 tags on a fic and saying “pass” on a story.

However, I have questions about the specific promotion of the book. So the official blurbs are pretty standard. What about that tweet, which Tor (and the author, who helped put it together) put out? Because I think an official publisher’s Tweet comes with different context than Ao3 tags.

First, the different internet spaces. You can filter tags on Ao3 and Tumblr. I know you can mute words on Twitter, but is that the same thing? Also, would people be expecting these tags on Twitter? Compared to Ao3 or Tumblr or Tumblr Whump spaces?

Within the Tumblr Whump community, from what I’ve browsed, the community attitude (guidelines?) seem to be “Write and discuss what you want. Be sure to tag it, use content warnings, or otherwise clearly communicate if you have things that may be triggering. Respect people’s squicks/triggers. Walk away from what you don’t like.” Like, tumblr whump has a very specific culture of trying to balance discourse/stories about potentially very dark stuff, but also wanting to make sure the IRL people and Tumblr users are okay. There’s always posts going around about how to do this, are we doing this in the right way, ethics, so on. Also -- and people can correct me -- the whump tumblr space might be where tags are content warnings for people to stay away, and also what people might actively look for. So if any space is going to discuss if this promotional tweet checks out, I feel like it’s this space. 

Also, to note again, Tor Tweets are in the money-official-publisher-world, not unpaid-tumblr-people or unpaid-fanfiction-fandom-world.

Maybe I just want to ask, “Hey those first two tweet responses, does they have a point? Tor using ‘noncon’ as official promotion? On Twitter?” I mean, I’ve previously written, “The CW and TW tags that Ao3 writers use, I really wish those were used with published books as well.” But somehow, the Tor tweet was not quite what I was expecting. Maybe for reasons similar to that first tweet response. (I guess one could debate if a tweet is really promotion or just information... you know what someone can correct me, but I’m gonna say that a Tor.com tweet is promotion, compared to information like Ao3, and that tweet was there for promotion.)

Those tags operate within specific Ao3 and Tumblr cultures and infrastructure. I don’t hang around Twitter for whump stuff, IDK what the culture is. Anyway, does dropping these tags into a promotional tweet from Tor.... translate?

The tweet is evidently gathering the people who are there for it, and the people who aren’t there for it are quickly realizing that they are not there for it. But personally, the Tor website blurb does a better job at that, using writing that I’d expect from a publisher for communicating fictional non-con situations. (Maybe the blurb content warnings are what I wanted more of, when I said I wished for CW and TW in books.)

Anyway, there’s no huge drama about that Docile book promo on Twitter, as far as I can tell. So this is a niche thing, right now. But. The promo for Bonds of Brass and for Docile might be the beginnings of a trend of well-known book publishers borrowing from online writing / fandom culture and terminology in order to promote or categorize their books. These two promos might set a precedent or have other significance.

So if anyone has discourse on the tweets or potential future trends... 

[notdirk]

A mini guide on Jake’s language

I wanna start this off by saying I am in no way telling you how to do shit, if you wanna go off the grid then that’s cool, do what you want. I already posted this on my Twitter but I thought I’d put it on Tumblr too for anyone who’d like tips on how to roleplay/write for Jake English.

Something that definitely helps with Jake’s speech isn’t just the “old people” words, he has a tendency to talk in a way that I’d best describe as rambling, he Knows what he’d like to say, but isn’t always 100% on how to say it, he also thinks out loud. A lot.

Some people forget that he does swear quite a lot, of course there’s the occasional “frig” in there, but he also uses “fuck” quite a lot. He swears more than Roxy and Jane (but not Dirk, he’s the winner for amount of fucks said by the alpha kids). He seriously doesn’t shy away from cussing, but he tends to use more fruitful and imaginative language (save for calling Hal/AR a douche a few times). Gotta remember though, regardless of the swearing, Jake is still fairly polite to basically everyone, even people he doesn’t wanna converse with (I.E. Caliborn).

He isn’t the easiest character to write for but he definitely isn’t the hardest, it’s just a matter of balancing antiquated slang, a fair amount of fucks, talking in a rambling manner, whilst also being polite. I still can’t entirely grasp the concept, it’s difficult.

The easiest way to get a feel for a character is just people who remind you of said character, I’ve met very few people who talk like him in a non-forced manner but I’m still stumped. 

It’s definitely easier for some people to write for Jake, seeing as they talk like him or think like him but it’s still a matter of “How do I not overdo this or underdo this? How do I successfully land on both feet while executing a masterful pirouette into this character?”

It’s easy enough to tell someone how it goes, but it’s much easier to list hiccups that I’ve seen people make (I’m not spared from these, FYI, I’m constantly making errors on character judgement, a lot of these are from personal or secondhand experience).

The mistakes I usually see people make are:

Making Jake way too rude to everyone, he really is not like that, he’s a fairly impatient guy and he’s easy to rile up but he doesn’t explode onto people, he isn’t a total doormat either but he still manages to remain fairly polite and considerate. (Save for the conversations with Hal/AR and the first conversation with BGD, that’s just pure frustration instead of true anger though).

Overusing the colloquialisms and slang terms, he tends to go overboard with them when he’s upset or panicking. The more relaxed he is, the less frequently they pop up.

 A total lack of bro/dude/man and similar terms in conversations with Dirk. It’s pretty important I’d say, he uses those terms mostly only with Dirk but I see a lot of fanfiction and roleplay that completely miss out on that, Jake DOES use bro terms & he got them from his good bro Dirk.

I know his last name has English in it, but that isn’t a savory excuse for using a vast amount of English slang when writing Jake, I’m not here to dictate your shit, maybe it’s your headcanon. But canon Jake does not use English slang at all, he isn’t from England and has frankly nothing to do with it.

 I see people overuse the exclamation marks quite often, Jake is a fairly cheerful and energetic person, he’s passionate about things and is willing to die on a hill for what he loves, but he doesn’t add “!” to the end of every single sentence.

I’ve also noticed people forget about the little roleplay actions he does on Pesterchum, he isn’t like Nepeta or Terezi and doesn’t break out into FULL roleplay but he isn’t afraid to *whip up a bucket of freshly popped corn* to show that he’s genuinely interested in what you have to say. He also isn’t very sarcastic or catty but he still has his moments, he’s fairly bright, don’t forget that.

As opposed to 6, I’ve seen people remember that he’s used :( once or twice and :D once, they remember it well to the point of overusing it a little. Jake only uses text emoticons when he isn’t sure of what to say to people, but only sometimes (using "um” and “uh” as substitutes). When he told Roxy he was to bequeath his Weekend at Bernie’s poster to her, she expressed disinterest in it, to which he only replied with “:(” and the conversation moved on. It’s just the little things like that that people either overlook or pay too much attention to.

This is a very long post and I apologize for that, but I hope this helps in whatever way you’d like to use it for, if there’s anything you think I’m forgetting or am wrong about, feel free to let me know and I’ll update it accordingly.

If you’d like any personal critiques on your writing then I can’t guarantee I’ll be able to pinpoint everything wrong but I’d be happy to assist/see what you’ve got.

[thesummerstorms]

I'm starting to write a fanfiction for repcomm, how would you describe Darman POV?

Okay, um... this is a very broad question, so this is a very BROAD and extremely lengthy answer (sorry but I couldn’t not include text evidence.)

But in general? Darman...

1. often looks externally calm, even to his brothers, and is very good at hiding resentment or anger. people mistake him as calm or level several times in the series when he’s actually having a hard time in his thoughts. Eventually he reaches the point in 501st where it can no longer be hidden, but I think he’s been feeling it for a lot longer than anyone realized.

“He’d been alive for eleven standard years, coming up on twelve. He was twenty-three or twenty-four the manual said. It wasn’t enough time to live.

Sergeant Kal said we’d been robbed.

Fierfek, I hope Etain can’t feel me getting angry.

“I wish I could just sit and relax like you, Dar,” Atin said. “How’d you get to be so calm? You didn’t learn it from Kal, that’s for sure.”

There’s just Sergeant Kal and Etain and my brothers. Oh, and Jusik. General Jusik’s one of us. No one else really cares.

“I’ve got a clean conscience,” Darman said. It had come as a surprise to him after years of cloistered training on Kamino that many cultures in the galaxy regarded him as a killer, something immoral. “That or I’m too tired to worry.” 

(True Colors, Chapter 1, page number unknown because Kindle is an ass.)

2. Isn’t always up front with his emotions when he feels they’d be burdensome on a loved one and wants to be outwardly positive. See the above conversation with Atin, or his hesitance to call Etain a few chapters after Fi’s injury. 

Notably in the scene above he does make mention of talking over serious things with Etain, like what would happen to the clones after the war, but I feel like he hides some of his more in-the-moment feelings and people don’t expect it because on the surface he seems like the uncomplicated one,

Brain-dead people sometimes regained consciousness and then reported what they’d heard during the coma, and Darman could think of nothing more awful in that moment than Fi being in some terrible paralysis but feeling everything. Dead was better. He wanted a cleaner end than Fi.

“Call Etain,” Niner suggested, “She always cheers you up.”

But Darman didn’t want to call her just to rage about how unfair things were. He settled down with a holozine so no one would talk to him for a while, and the others played blades, throwing knives into a target board divided into rings and quardrants. When he’d come to terms with this, he’d have something more positive to say to her. They could talk about where they’d go when they got some leave together.

I can’t imagine a mission without Fi now.

True Colors, Chapter 16, page number unknown because Kindle is an ass.)

3. it’s a case by case basis though. like any human being, Dar is complicated. It really depends on the in the moment situation. Notably above, his reluctance to call and be a burden was for a situation that had been happening for a while, while in the immediate aftermath he called Etain pretty immediately.

Fi didn’t react, but then Darman knew he wouldn’t . The point was he’d said it, and that meant he’d do it. Reluctantly, he followed Niner back to the mess deck, and found a quiet corner to pour his heart out in a message to Etain.

He could have unburdened himself on his brothers, but they all knew what he was thinking anyway.

(True Colors, Chapter 14, page number unknown because Kindle is an ass.)

4. He notices a lot of little details. Even more specifically, he notices and is intensely focused on small changes or signals in the people he cares about. He also very much wants to provide emotional support and is watching for the cues that it’s needed, especially in Etain. 

 You can see it with Dar noticing Fi and his music, or when he goes after Etain in Triple Zero, or at the end of True Colors when he’s intensely aware of Etain’s body language radiating distress and mentally immediately tries to figure out why she’s upset and put her at ease.

Darman cut into Fi’s personal circut to speak but was instantly deafened by the volume of the music. That was how Fi dealt with things: a thick wall of noise and chatter to shut out the next moment. (True Colors, Chapter 1,  page number unknown because Kindle is an ass.)

He caught a note in her voice that said she was holding back; maybe there was someone with her. The holovids showed clandestine love affairs as exciting, but Darman just found the secrecy miserable. (True Colors, Chapter 10,  page number unknown because Kindle is an ass.)

Etain had that same expression he’d just seen on Skirata’s face. He knew he must have said something wrong, but wasn’t sure what. He unfolded her arms with a little gentle pressure and took her hand. (True Colors, Chapter 19,  page number unknown because Kindle is an ass.)

“The baby’s upset you somehow, hasn’t it? he said. Of course; being a Jedi, Etain would have never known her parents. Does it remind you of being taken from your family?”  (True Colors, Chapter 19,  page number unknown because Kindle is an ass.)

There. He’d said it, and she would feel better now, let off the hook. There was no point dwelling on his shortened life span. Neither of them knew what was around the corner. He’d take the pressure off her, because it was the responsible thing to do.

(True Colors, Chapter 19,  page number unknown because Kindle is an ass.)

The Skydome gardens were just as beautiful and fascinating as Etain had promised. He could tell she was trying to be cheerful and enthusiastic about them, but there was something sad and wondered about her that he didn’t know how to make better. 

Evacuating Qiilura must have been worse than she let on. But she tell him in her own good time. 

(True Colors, Chapter 19,  page number unknown because Kindle is an ass.)

5. He’s pretty intensely protective, and not in an entirely healthy way? It never manifests as a doubt about his loved ones’ competency so much as a desire to jump someone else for disrespecting them. He is a worrier, but it’s not in a “no, they can’t do this” kind of way that too many shitty male romance leads get stuck in. He’s defensive of his relationships in a way that exceeds normal not-fooling-around.

 Wherever it was they were sending her, she could tell him, couldn’t she? Maybe she didn’t want to worry him. Of course I’m worried. I’m always worried. (True Colors, Chapter 10,  page number unknown because Kindle is an ass.)

Darman swallowed a sudden an unexpected desire to tell  Fi to lay off Etain, and in no uncertain terms. Fi knew nothing about her, nothing. Darman was ambushed by a split moment of protectiveness, and was immediately embarrassed by it. (Hard Contact, Pg. 222.) [ Idk why this one has page numbers and not the others.]

“Open up, or stand away from the door,” Etain yelled. She had no concept of cover, but she was a Jedi and had her own early-warning system. Darman was watching her back anyway. He’d smack Sev for the wisecracks later.” (Order 66, Pg. 167.) [ Also don’t know why this one has page numbers and not hard Contact.]

“Where’s the General?” Fi said.

Darman interrupted. “Saying goodbye to Gett.” He seemed to be taking an intense interest in Etain’s whereabouts. “Can you see Sergeant Kal? She said he was meeting us.”

“So… you’ve been ordered about by a geriatric and a child, have you?”

Darman’s voice frosted over. “Scorch, do you like medcenter food?” (Triple Zero, Pg. 119.) [Seriously, Kindle just fucking hates True Colors.] 

“I think it’s kind of encouraging.” Scorch chuckled. “Atin gets a cute Twi’lek girlfriend, Dar gets his very own general-”

“-and Scorch gets a thick ear if he doesn’t shut it right now.”

The comlink was suddenly silent, except for the occasional sound of swallowing. Darman wasn’t in a joking mood when it came to Etain. He never had been, not even on Qiilura, when there hadn’t been anything between them. (Triple Zero, Pg. 245.)

“Why did he need Etain then?”

“Maybe to show her how it’s done.”

Fi watched Darman bristle. (Triple Zero, Pg. 176.)

Atin hadn’t seen Laseema since the start of the siege, and just chatted with her in snatched moments by comlink. Darman couldn’t even talk to Etain until she dropped out of hyperspace; Enacca was taking her time. He checked his comlink, saw no message, and reminded himself that Etain was fine. (Order 66, pg. 371)

6. Darman is captivated by very small things/small details/small moments of beauty.

It was definitely autumn .A mist had blanketed the countryside like a sea. A puddle had formed in the sheeting stretched over the shelter, and Darman went to scoop it out but stopped.

“What are those things?” he asked, “I saw them on the river, too.”

Ruby and sapphire colored insects were dancing above the surface of the puddle. “Daywings,” Etain said.

“I’ve never seen colors like it….”

…”They’re amazing,” he said, completely absorbed by the spectacle. (Hard Contact, Pg. 182.)

7. Like most of the clones, he starts more naive/optimistic and then becomes more and more disillusioned the further in the series you go.

It was still tough to stand back and let the convoy take it. Darman itched for an excuse to open fire. He’d gone charging to the rescue before on Qiilura, breaking cover to save civilians, but he’d been a kid then on his second deployment.  The longer you spent fighting, the more cautious you became.(Order 66,  Pg. 65.)

8. Arguably all of the above paints a little bit harsher a picture than it should. I also generally see Darman as very genuinely soft and caring with his loved ones. He’s also considerate and generous. One of his love languages is food/small gifts & gestures; I swear it.

“It’s getting light,” Darman said. He sat down cross-legged in the hide, armor plates clacking against something. “You look cold. Need any more pain-killers?”

Etain had achieved a consistent level of dampness and pain that she could live with.She was too tired to think of anything else. She’d even stopped noticing the persistent odor of wet merlie wool. “I’m okay.”

“If we light a fire, we’ll be a magnet for half the Separatist army.” He rummaged in his belt and held out a ration cube to her, still that incongruous amalgam of fresh naivete and utterly clinical killer. She shook her head. He pulled out a bag. “Dried kuvara?”

She realized from the way he had put the fruit carefully in his belt and not his pack that he prized it. He lived on rations with all the taste appeal of rancid mott hide. The sacrifice was rather touching.

 (Hard Contact, pg. 175-178 ish)

Darman leaned against the wall, all concern. “Do you want something to eat? We’re going to risk Qibbu’s nerf in glockaw sauce. Scorch reckons it’s probably armored rat.”

“I’m not sure I can face crowds right now.”

“You might be overestimating the popularity of Qibbu’s cuisine.” He shrugged. “I could probably get the cook to stun the thing with my Deecee and send it up by room service.” …

“Only if you keep me company.”

“Yeah, eating armored rat alone is probably asking for it.” He grinned suddenly, and she felt illuminated by it. “You might need first aid.”

(Triple Zero, pg. 175-178 ish)

Darman thought it was time they got on making friends with the Marits. He stood up and wandered over to the lizards, wondering if there might be anything in Eyat that he could acquire for Etain. It was hard to think of anything a Jedi might want. They avoided possessions. (True Colors, Chapter 2, page number unknown because Kindle is an ass.)

9. He does have a light-hearted side; it’s not all just ruminating.

She was suddenly aware of Darman looking up at her, grinning, and if it wasn’t for his surroundings, he could have been any young man showing off his prowess to a woman. (Triple Zero pg. 182 ish)

Even Darman had fallen happily into it. He was engrossed in the game, shoulder-charging Boss and knocking Jusik flat. (Triple Zero, pg. 158)

10. He’s just as much a romantic as Etain is.

“I never stopped thinking about you, either,” Darman said, “Not for a moment.” (Triple Zero, pg. 186)

All he wanted at the end of it was some time with Etain. (True Colors, Chapter 1, page number unknown because Kindle is an ass.)

He couldn’t even recall putting on his plates. His mind was on Etain.  (True Colors, Chapter 10, page number unknown because Kindle is an ass)

Darman was working up the nerve to say that he loved her, too, when the link closed from her end of the channel and the moment was gone. he took a deep breath before yanking the door open, broken-hearted he might never get the chance to tell her. (True Colors, Chapter 10, page number unknown because Kindle is an ass)

He was fed up finding things in common with insects. he was a man, and he missed his girl. He wanted to go home- and he realized he had no idea where home was.

Fi said it was Mandalore. Darman decided it would be wherever Etain wanted it to be.  (Order 66, pg 53 ish)

Darman was twenty meters from Etain now.He looked through the sea of strangers, and could see just one being out of all of them- Et’ika. (Order 66, pg 400 ish)

There’s honestly also plenty to be said about Dar not wanting to upset the equilibrium in his squad- he doesn’t want special treatment, or to have more than his brothers. That’s...pretty standard for this series though?

Also Darman really doesn’t react well to secrets post Venku reveal, but lbr, I’m not crawling through 501st for quotes.

[not-poignant]

How does dialogue research usually work?

I have written about this before! I also call them cheat sheets. They’re particularly handy for fanfiction. One of the biggest things I see in fanfiction is that because the author has done no dialogue research, the dialogue patterns fall into the author’s ‘default’ which is still very readable and very enjoyable, but doesn’t always feel very authentic to the character. Sometimes it’s really only a handful of things to keep in mind (where the cheat sheet comes in handy) that becomes all the difference between ‘this story is cool’ and ‘your characters sound really authentic / even if they’re doing something radically different / are in an AU.’

These days I use word documents instead of pen and paper, especially for lengthy projects. With a movie, it’s easier to work with pen/paper, and Stardew Valley was the same. With Detroit: Become Human, especially because I am writing for so many characters, I need a word document.

Things to pay attention to re: dialogue research:

* Specific word/language quirks. Hank is more likely to say ‘goddamn’ and ‘Jesus Christ’ than he is to say ‘fuck’ (though he uses this liberally too.) In editing, I often take out a lot of his ‘fucks’ and replace them with blasphemy.

Connor is less likely to use contractions, he will always prefer to say ‘I will’ over ‘I’ll’ and ‘going to’ over ‘gonna.’ Also notice what characters do and don’t say. Do they use manners? Do they omit standard ‘thank you’ and ‘pleases.’ Do they swear? Do they use idioms? Hilarious metaphors? Are they creative? (Hank called Connor a poodle, it was great and I wrote it down, lmao). Etc.

* Styles of conversation. Kara is a people pleaser and even once she’s Deviated, her speech patterns all centre around centring and caring for someone else, even if she’s scared for her life. Therefore, Kara will never just gossip about some really rad dress she saw in a store that she loved, unless you’re taking her extremely outside of herself. But she might say ‘Oh! I think this dress really compliments that suit you have, Luther, don’t you think we’d be good together?’ She will always circle her dialogue around another person. In Eversion she does this every time around Luther, Hank, the kids she looks after at school, Connor, even Sumo.

* Physical body language when speaking. This includes eye contact, position of the arms and legs, whether a character likes to be seating or standing, are they animate or passive.

* Volume and tone. Are they loud or soft? Do they use a lot of emphasis? Or do they not? Are they wry and quietly sarcastic, or are they earnest and is their voice full of emotion? I’ve started doing a dialogue/cheat sheet for Bungou Stray Dogs, and Dazai’s voice is pretty much only emotive in two different scenarios: When shit-stirring, or when he’s genuinely calling out to someone in alarm. (And thirdly, when he’s being petulant). And even then, his voice is very flat (or bored) when he’s say, talking to Chuuya or other characters. People can write him as very emotive in fanfiction dialogue, giving him exclamation points, making him be emotional where he’s really not at all in terms of tone and volume. Unless he’s teasing Kunikida or Chuuya, Dazai is - volume and tone wise - a straight shooter with a flat tone of voice. Fandom tends to reduce him to a singsong Chuuuuuuyaaaaaa~ and forget who he is most of the time.

This isn’t necessarily a huge problem, many people remember him at his most emotive, because they are some of the funniest, most dramatic, or most entertaining scenes - so you can still get a good story out of that. But I just like to be very loyal to dialogue patterns whenever I can be. And I can tell when someone isn’t doing that. (Most people aren’t fussy over this).

* Amount of dialogue. Connor actually speaks very little in the game, overall and he’s usually only reporting on cases. We get to see when he’s having difficulties because of changes in his LED or the ‘dysfunction’ moments. He almost never talks about his own feelings on things, except - in very careful ways - to Amanda. And even then, he does so safely, in ways  that are designed to protect and separate him from potential Deviancy. So in Eversion you’ll notice that Connor - when in conversation with others - normally only speaks in single sentences each time, unless he’s talking about a case or a different subject or another person.

Dialogue research is also sometimes when you’ll see a show doesn’t have very good writing, a lot of the characters in DBH don’t actually have distinctive verbal styles, so you have to go to body language instead, and make inferences. 

I also make cheat sheets to a point for my OCs. This is why Gwyn is more likely to say ‘okay’ than ‘all right’ (Augus is more likely to say ‘all right’), and why Eran has fairly formal speaking patterns that are earnest, whereas Mosk is informal and deceptive.

Finally, how to use a cheat sheet? Write your chapter, go back with the cheat sheet in mind and see if your character has done any of the things on the sheet. They don’t need to do all of the things. But they should have at least done some of them, if they had dialogue. Or read the cheat sheet before writing a chapter, and keep a handful of things in mind. After a few chapters in a multi-chapter story, you’ll remember those things anyway.

But it never hurts to go back and double check. Many authors (esp those who aren’t dialogue focused) will eventually subtly make the dialogue more comfortable for their own internal speech patterns, and that will very often take at least some of the characters further away from their more authentic dialogue stylings.

Dialogue is something I pay attention to innately anyway, and it’s always been that way. It’s one of my primary focuses in my writing and that works for me. But actually sitting down and researching dialogue (even for only one episode) will strengthen anyone’s writing. Especially if the characters you’re writing get so much of their character from the way they say things. And it’s so delightful to say, read an extreme AU and get an instant feel for the character in this new world and scenario, just from their voice and dialogue alone.

[a-bit-too-much-of-a-zelda-fan]

Linked Universe Fanfic Ch. 5: Smoke

Stop! You’ve Violated the Law!

So, you’ve stumbled upon this original post for my Linked Universe fanfiction. That’s okay, it happens to everyone. As of March 2021, I’ve uploaded the entirety of this fanfic to my Archive of Our Own page. Along with finally giving the story a name--Oops! All Links: A Linked Universe Story--I made substantial edits to some of the chapters. These range from minor stylistic revisions to fixing a gaping plot hole that kinda completely broke the character conflict in the earlier chapters. I also renamed and renumbered (but not reordered) the chapters. Specifically, this is now Chapter 6: Smoke.

The AO3 iterations of these chapters are the definitive versions. So, if you would like to read this fanfiction, please do so on AO3, right here. With this embedded link. Hehe. Geddit? Link?

Note: My screen name on AO3 is FrancisDuFresne. Yes, that is me. I am not plagiarizing myself.

Anyway, for posterity’s sake, the rest of the original post is below the cut.

Here we are again! Chapter 5 of my @linkeduniverse narrative. This one focuses a bit more on Warrior, who I feel that I neglected in previous chapters. Again, thank you so much @jojo56830 for creating this AU that inspires me to write more and more. Enjoy!

Word count: 1600

The sun shone brightly on the nine heroes. The breeze blew through their hair and ruffled their clothes. Metal equipment clinked with every step through the rustling tall grass. Crickets unseen chirped, ringing in their ears. Wildflowers sprouted here and there; Wild stopped every so often to inspect them.

“Why do you keep doing that?” Hyrule asked.

Wild was squatting next to a group of flowers. He looked up. “You never know what kinds of things you’ll come across in the wild, what they can do for you.”

Sky took up the rear. “Yep!” he said. “Flowers can be way more helpful than you might think.”

“Hey!” Legend called back from near the front. “You said it yourself, Wild; we have a day’s hike!”

Wild sighed. Indeed, the walk across hills and through a forest would take all day. He determined that when he looked at his Sheikah Slate’s map yesterday. He pushed himself to a stand and hurried back to the front. Having the map was an important responsibility, something he would never forget after the incident yesterday in the cave.

The chill and mist of the morning were starting to burn off now. The Links had been walking for about two hours since setting off from the beach. Warrior had them get up with the sun. He reasoned that if they did hit monsters like Wild said they might, they would still make it to the next village by sundown.

Warrior’s plans had rarely led the heroes wrong. He had told them that on his own quest, he needed to devise military-engagement-scale tactics on the fly. The best team player by far, his coordination and wit greatly overshadowed his relative conceit and pride compared to his companions. His cool head in battle was invaluable to the group.

“Let’s put our heads together here,” said Warrior. “We don’t want to walk into an ambush later on. There’s been a tad too many of those recently for my taste.”

“You’d think we would learn,” Time said with a shrug.

“Exactly! We should be learning. We’ve all been on our own adventures and saved the world multiple times, but where does that get us if we keep winding up in such danger?”

“I think I know why,” Four suggested, half-jogging to keep up with the taller of his friends. “I know this from my fragments. At first, we figured that of course four Links were better than one. If Link was an awesome swordsman hero, then four would be unstoppable.”

Wind jumped in: “Well, you all seemed pretty unstoppable to me. Those stalfos didn’t stand a chance against you.”

“Well, that’s now. We’ve come to terms that we are fragments, not copies. Green, Red, Blue, Vio. All shards of Link. Alone, we were less than Link. When we worked together, we suddenly became more than the sum of our parts.”

“Okay, how does that help us?” Legend asked.

“Here we are,” Four replied, holding his arms out to his companions, “nine Links. We’ve saved the world, slain great evil, wielded legendary swords. Put us together and of course it would seem that nine heroes are better than one. But that makes us headstrong and cocky. If we think that we’ll make it out of every encounter fine, we won’t care.”

Time nodded. “We need to remember that we can fail if we want to succeed,” he said. “Over the past few weeks, we’ve grown stronger and have begun working like a true team. Our battle yesterday was proof enough of that. We’re letting it get to our heads, though.”

“Right,” Warrior said. “In that case, let’s figure something out here.”

Wind sighed. He knew the importance of plans and strategies, but playing it be ear was his specialty. One doesn’t escape a fortress of monsters swordless by following the playbook.

Warrior was about to start discussing what they would do when they reached the forest when a scent caught his nose. Something burnt and ashy. He looked up. “I… guys?”

Plumes of thick, dark gray smoke were working their way up over the hills to their left. Orange-tinged embers floated down onto the swaying grass. The Links readied their weapons as they began sprinting up the nearest hill. “Wild!” Sky called. “Is there anything up there?”

Wild took out his Sheikah Slate and opened the map. His eyes darted across the screen. “No, it doesn’t look like it!” he yelled back. “Just more hills!”

“That’s odd,” Time muttered to himself. He shouted out: “Keep your guards up; we don’t know what we’re dea—”

His words got caught in his throat as they crossed over the top of the hill and got a good view of the land. It was unbelievable, and Time had seen many unbelievable things. There was nothing burning. There was nothing at all. Just more hills, more plains. Smoke still billowed upward, with no source in sight. Time could swear he could hear screams and shouts faintly but had no idea where it was coming from. He spared a glance at his companions.

Sky, Wind, Warrior, Wild, and Hyrule looked simultaneously concerned and confused. Flabbergasted, really. They had never seen anything like it and couldn’t make heads or tails of it. Four, Legend, and Twilight were frowning. Time suspected they were thinking along the lines he was. He started rummaging in his pouch.

“What the hell is going on?” Sky breathed. “There’s smoke, but nothing is burning.”

“What’s going on,” Time explained, “is likely that there’s something we can’t see by ourselves. Sometimes there are things hidden from our eyes that we can only see with some external help.”

Twilight spoke up. “Like a wolf’s heightened senses.”

“Or a Moon Pearl,” Four and Legend said in unison. They glanced with at each other with raised eyebrows. Clearly, neither knew the other had used a Moon Pearl before.

Time found what he was looking for. He held up his Lens of Truth. “Or this.”

He held it in front of his remaining eye. The moment the Lens passed into his line of vision, he saw what was truly happening. Indeed, there was a small village there set ablaze. Straw roofs and wooden walls burned up, churning out the thick smoke the Links could see from afar. Now he could see who was screaming.

“Well?” Wind asked. “What is it?”

Time stared at the scene. “There’s a village burning down there. The people need help.”

“How do we save people we can’t see?” Wild sounded skeptical, anxiety creeping into his voice.

“Maybe I can help,” Four said as he pulled a Moon Pearl out of his pouch. “I was hoping I was never going to need these again.”

Before the others got a good chance to look at the Pearl, he threw it further down the hill, closer to the smoke from a settlement he couldn’t see. “Let’s go! Follow me!”

He took off at a sprint, drawing the Four Sword and raising the shield his Zelda gifted him. Confused but determined, his companions ran after him. The moment the Pearl hit the swaying grass, it shattered, leaving in its place a circle a yard across. Bright blue light shot up out of it, higher than Time was tall. “What is that thing?” Wind yelled as they ran.

“A portal!” Four shouted back. “It’ll bring us into the world that village is in!”

At that moment, Four stepped into the portal and disappeared. The others dashed in after him. Hyrule brought up the rear and was the last to take the portal. He arrived to find the brightest and fiercest fire he had ever seen. His friends were standing there a few yards ahead, gaping at the scene.

Warrior’s mind raced, putting together their rescue plan. The factors ran through his head: Dozens of the small homes too burnt to save, at least two or three people per home, nine Links, four with alternate-world experience, one with superspeed, one with time-stop, one part-wolf, one capable of splitting into four…

We could cover more ground with three extra Links, Warrior thought, but using the Four Sword two days in a row could be too much for him.

“Alright,” he turned and said to the others. Any cockiness was gone from his voice, replaced by solemn determination. “Partner up. Sky with Four. Twi with Wind. Time with Hyrule. Wild with me. Legend, your Pegasus Boots’ speed will make you better alone.”

Legend nodded.

Warrior continued: “Four, your sword’s power would be helpful to cover more ground, but we’ll need you at full strength later. Do not split. Got it?”

Four waited a moment, as if contemplating arguing. Reasoning that using his sword twice in as many days could seriously hurt him, he nodded as well.

“Stick with your partner and take each house one by one. Find any survivors and send them back the way we came. Children, lame, and elderly take priority. The portal should lead them to safety. Don’t bother putting the fires out. It’s too late to save this place. We’ll cross that bridge when we come to it. Everyone understand?”

A collective grunt of assent resounded among the Links. Warrior’s voice was filled with ice as he said: “Good. Let’s do this.”

The nine seasoned heroes took off at a sprint, Legend quickly gaining a lead. Only Twilight, Time, Wild, and Wind had borne witness to any large fire, but none as big as this. Still, they charged on. These people needed help, and what kind of heroes would they be if they didn’t try to help?

[inactivebsdblog]

A/N: Okay, this is really difficult. More than the other asks. I can see you with multiple people, but in the end, there is one person I can see you having the most fun with, one who can support you best and understand your worries on a level the others can't... and one who needs your support, too.

I match you with...

Dazai Osamu!

He met you for the first time when you bumped into him on the street at night, headphones in. You apologised, saying that you didn't have your glasses at the moment. Then, you just ran away.

(What he couldn't know was that you just had a midnight mall experience your friends had forced you outside for and that you were running from security)

He was just going home from work and he had thought about jumping in front of a car, but something held him back. He didn't know what, but maybe he was just startled by your cute appearance. Or that you just appeared so... different.

(That's what you call a "crush", Dazai)

Whatever held him back, he wanted to experience that again. He searched for you and befriended you, wanting to know you better.

Dazai thought very long about starting a relationship with you. You didn't have high pain tolerance and you couldn't keep up a fight long enough. If the Port Mafia were to find out about you, you would be in serious danger.

But seeing you laugh when watching animated comedies- it warmed his heart seeing you happy. He wanted to be the cause of your happiness.

Confessing to you was rather hard, since he feared you might reject him, but when you just blushed and avoided eyecontact, he chuckled because you were just so cute-

You are constantly studying him. He is a mysterious man with many secrets and you want to understand him better. He's also a good example for someone from the "dark side" kinda entering the "light side", or much rather, actually, the grey zone. There are still remnants of his past left inside him, but he tries to hide those, fearing that you might reject him because of them.

You two cure each other. He makes you feel worthy and you give him a reason to live on another day.

Your dates are often at night and more often than not, it's just you two sitting down on a bench at the river and talking about your worries and problems. Sometimes, on the days you really want to experience something, Dazai picks the locks to anywhere you want to go and you two have a good time inside.

He's a genius when it comes to crime so you two never get caught

He is amazed by how someone like you, who seems like a perfectly cute and naïve young girl, can be so rude and lazy, swear so much and just think so dirty-

He thought thinking dirty was his job in this relationship- (Mod is slapped)

You frequently tell him about stories you have in your head- no matter if fanfiction or original content- and he just listens. After you finish, he points out logical mistakes and gives tips to fix those, if there are any. He also wants you to write them down because they are so good-

Like you, he needs a lot of alone time, but sometimes the alone time ends up with you two just chatting with each other before Dazai just decides to come over.

You two also often watch Comedies together on your dates. He brings snacks and cake. Lots of cake.

Sometimes, when he comes over without announcing, he catches you dressing in fancy clothes. During those days, he sits down on your bed and gives you prompts to dress to.

One time you stole his coat and wore it with your dress when he said "Date in the rain", he almost had a nosebleed

Oh, about rain: he enjoys it as much as you do. You two often meet somewhere on a roof to just enjoy the rain and talk.

You use him as a model for photographies, if you make some. He looks stunning during rain.

Sometimes when going out, he just watches you eat because he is just so impressed by how much you manage to eat (and he is broke, or rather, he refuses to pay, ever).

He caresses your cheek when you say sorry and tells you there is nothing to worry about.

Dazai loves seeing you flustered. He constantly compliments you on your cuteness, your fashion style, every single thing he can find- and he calls you names. He loves it when you call him names, so he does the same.

He isn't a dog person, but he tries to be on good terms with your dogs.

He goes with you on parties (or rather, you take him) and during nap breaks, he can't help but smile at you and gently stroke your hair. He loves you with all his heart.

I don't really know how to say this, but there is another reason why this one was so difficult; I could have very well written this ask myself (except I'm not girly at all, I'm actually pretty happy if people tell me I look like a boy. And I like kids, at least if they are 9 and over, when they are old enough to lead serious talks)... I'm bad with judging people similar to me.

Anyway, thanks for requesting! Hope you enjoyed it!

[roseyturtles]

Frosted Glass Door Part 4: Walk

Hey y’all. This is the final part of the @brightlotusmoon inspired fic. It’s been a pretty wild ride from research to writing to posting date, and a ride I’ve missed. (I need to post fanfictions more often. Probably in either Undertale/Deltarune or Kingdom Hearts next.)

This doesn’t get as metaphysical as the last chapter, but again, don’t be afraid to let me know if I got something wrong.

I love y’all. Thanks for joining me on this journey.

Your eyes slowly peeked, then cracked open. You felt...refreshed? Like your brain had just taken a bath in clean, cool spring water after a long day of sweating in the sun.

Shamrock, cobalt, and chocolate eyes all looked at you with the same stunned expression. It only then occurred to you that Michelangelo had been in danger of his life not even ten minutes ago. You glanced over at the monitor---everything was stable. Heart rate, breathing, blood oxygen, everything. You looked, reluctantly, back at your boyfriend, and instantly fell back in love. The sickly greenish-blue pockets of mutagen had retreated, leaving only small black scabs in various places on his face and arms. Your peaceful mood flickered when you thought about the same being left behind in his organs, but shook it off: Mikey was right. Whatever life threw at him, he could roll with it. Other than those minute pieces of evidence left behind, he was a sleeping prince. You prevented yourself, just this once, from leaning down and kissing him, choosing to squeeze his hand instead.

    “Did...did he seriously pull you into the astral plane?” Leonardo finally chimed in.

You nodded, almost excited about it, but realized something.

    “Wait. So you guys know about his psionic powers?”

A few beats of silence passed. If you strained you could hear a pin drop over the beeping of machines. Then, IMMENSE, tension-shattering laughter, as if you had just told the funniest joke conceivable to man. You stared at the trio of brothers in disbelief---they had just asked you if he had pulled you into the astral plane! How could they not believe he...O-oh. Oh. Wait. Your face flushed. These were his brothers. They had grown up with Mikey. Of course they knew about it. Raphael walked around and threw an arm around your shoulder, looking---feeling?---a lot better than he had earlier.

    “You’re alright, (Y/N). You’re alright.”

It would be a few more hours until Mikey woke up. Donatello gave you a mess of medical terms as to why, but what you gathered was that his body still had to repair quite a bit of damage before he was ready for the energy expense of wakefulness, but he didn’t require any further attention. While you waited, you asked if your game could be moved into his room; Leo and Raph agreed and went off to move the TV. Donnie just went back to monitoring the radar he had shown you before, muttering something about electromagnetic disablers. You just stayed by Mikey’s side the entire time, holding his hand and whispering to him.

…

You weren’t sure, but...after being pulled into the astral plane quite completely, after having experienced another person use telempathy on you time and again...you could swear you could feel everything---everything---much brighter and better. If you focused hard enough, you could sense Donnie’s intense focus, his curiosity, his frustration, in the corner of your eye. There was also a slight bitterness, but also a peace, in the next room over. Raphael? Leonardo? Both? ...it didn’t matter right now. The fact that you could sense their emotions at all was exciting.

In the weeks to follow, Mikey took it easy while the scabs flushed out of his system (or, more specifically, his alveoli and the folds on his brain, as that was where they could do the most damage without close supervision.) Not only was that the perfect excuse to do rematch after rematch in Smash, but also the perfect excuse to start honing your psionic skills. Mikey would even combine the two activities, randomly asking,

    “Hey, (Y/N), how am I feeling right now?”

At first you were able to pick it out easily.

    “Excited,” you’d say. Or, “Proud,” or “Content,” or “Loving.”

You particularly liked that one, because he’d reward you with a few kisses on the cheek instead of the normal high-five. Over time he started keeping up a few of the layers that kept you from seeing his colors when passing him in the hall. At first you’d have to pause the game and concentrate to make your guess, but soon enough you were able to catch little flickers of the color-scent-sound shining through without so much effort.

    “Stressed. You wanna call quits?” “Tired. Let’s go chill in your room, I’m feeling a cuddle session coming on.” “I’m calling in a pizza, you’re hungry out of your mind.”

That, too, eventually melded into learning how to soothe the negatives manually. Between all those there were lessons on keeping yourself protected, on balancing the outside struggle with the inside, on forming shields, on attacks, on healing, on countless other self-defense mechanisms, practiced so often over the course of those few weeks and beyond you could probably take on a wraith in your sleep (though Mikey was a bit sardonic at that particular thought.) Nonetheless, you were much more skilled by the time Donnie said it was okay for your love to be back on the field. So skilled that sometimes you caught yourself answering the emotions of the others.

    “Leo, dude, you want some tea? Might help those nerves.” “It’s alright, Raph. That was disrespectful of them. You’ve got every right to be mad.” “Donnie. Seriously. It’s time for bed. Now. Right now.”

You were more weirded out by it than they were, to be honest. Apparently they had all been on this wavelength the entire time, and you were just the newest member. In turn they started making it more obvious when they were reading you.

    “Need help with that paper, (Y/N)?” “C’mon, let’s go punch out some of that stress in the dojo.” “Oh---you and Mike need---okay, I’ll warn the others.”

It felt like you were living in an entirely different world than before this whole thing started. Like there had been figures behind frosted glass before, and you had just opened the door and walked through.

You felt this the strongest six months afterwards when all five of you were in the living room playing Smash Bros Ultimate. You and Mikey were in your normal beanbag, positioned out of the way of the other three, who were on the couch. Again you were playing as Meta Knight, faced off against not only Kirby, but Link, Little Mac, and Samus as well. Despite being able to guess quite accurately all four of the others’ plans and moves, you still found yourself toe-to-toe with each of them, finally being blasted off the screen by Kirby, the announcer loudly stating “GAME!”

All four of the brothers cheered and high-fived Mikey, who got up and did a victory dance in front of you. You groaned and fell back, but barely, barely caught his eye---

There was that sparkle, his “I love you,” once an enigma, now plain as day. You relished in it, thinking back to the thousand times you shared that love before, and looking forwards to the thousand times you would again.