#very slight but it’s here

[the-emeralds-incorrect]

Barty Crouch Jr — name & origins

In spite of what one might believe, Barty Crouch Jr did not really hate his name.

His relationship with his father, Bartemius Crouch Sr, had never been good in any capacity. He never was deluded into thinking his father loved him. During his formative years, at first he tried to get his father to at least like him, but he gave up on that around his eight birthday.

Bartemius Crouch Sr had never seen Barty as anything more than an extension of himself. A legacy, a heir, his flesh and blood.

From what Barty has heard from his mama’s stories, his father’s reaction to her pregnancy had been relatively pleased. The problems started after his birth — after it became clear children need care, love. He also knew about her insistency on taking care of him by herself, of becoming a stay-at-home mom had been home of her last acts of resistance, of protecting him from his father’s treatment. An offer she extended upon finding a few weeks old Barty, Imperioused not to cry and hungry after a few hours she slept through, hours in which his father was supposed to watch him.

An extension of himself, in perhaps his most glaring display of egoism Bartemius Crouch Sr gifted his own name to.

All of which should reasonably, given Barty’s character, result in him absolutely despising the name. That was not fully the case.

He wasn’t sure why that was. Maybe it was because there was always a disconnect between ‘Bartemius’ — the father, and ‘Barty’ — the son. Barty couldn’t stand to be referred by his full name; all of his friends were familiar with his plan to legally change it to the shortened version when he turns seventeen.

Maybe it related to the way his mama’s voice, soft and gentle, well known and bringing a sense of security he could never find anywhere else, called out for him. The moments in which she looked beautiful and happy, out of the house, out of the country when they visited her family, babcię i dziadka, where they called him ‘Bartek’ and they could walk down the streets of Poland, so different than London, the city where he grew up.

Wizarding Poland was a complete mess. With the muggle wars, Nazis and currently reigning Soviets with their communism, the Iron Curtain breaking Europe into two, the population was not having a great time. Wizards had it better than muggles — the government rules allowed for Portkeys to be more available, and many were able to protect themselves from the bombings using spells and wards. Nonetheless, it didn’t erase the poverty. Barty remembered the shock the first time when he walked into a store with mama, and there was nothing on the shelves.

Wizards in Poland lived much closer with the muggles, he came to realize. They had an equivalent of the Statue of Secrecy, obviously, but the circumstances brought them together, in contrast to the separated state England unknowingly lived in. Wizarding Poland could never be nearly as removed from Muggle Poland, because Polish people were trying to simply survive and preserve their identity through over a century of their country being erased from the maps and the country being divided between Germany, Russia and Austria.

Wizards adapted to survive. Pure bloods overcame their prejudice to keep their history. The fight for freedom wasn’t over, but Barty knew they would never return to Britain’s levels of separation.

(Both of the sides of his family were Light, but Bartemius Crouch Sr could never deign himself to think about muggles as equals. It was reflected in the way he talked about them. Never with outright discrimination, but instead perpetuating the stereotypes and disrespect towards them. )

Barty loved it. It was the home London never was, with the Ministry of Magic so close, with the house he grew up in always at the back of his mind whenever he was walking the streets. He was sad every time they had to go back.

Barty loved his name, too. Not Bartemius, not Crouch (Jr). But just ‘Barty’. ‘Bartek’. He might’ve liked having his mother’s last name, too, but now, there’s no sense in changing it.

(He’ll be taking his husband’s one, after all.)

[verflares]

(draconifies your zelink) oh whoops lol

+ an extra pic of em hanging out together :]

btw, you can find these guys on inprnt! both as a pair, or apart :] You Choose.

[sakuraspoke]

RATS // RITE HERE RITE NOW

[dailyloopdeloop]

DAY 75: onehat

[samglyph]

I like when Kayne mockingly imitates Larson’s accent in “don’t forget to write” because it’s very funny whenever a voice actor has to mockingly imitate themself as a different character.

[nilqtix]

Do people still do screenshot redraws

[basilpaste]

Of Stitches In Sequence Act 6 - You won't leave them alone like this.

twohat fight sifs sprites are all actually pretty similar? their buff sprite is the same as their neutral one. but i gave isa a little smile. as a treat.

his whimsy.... the light in his eyes....... returned.

[sefynarose]

Bound - A Short Sylus Story

(Loosely based off of Sylus’s dialogue if you don’t login for 30 days (based off the tiktok I saw, I could never leave him for a DAY let alone a month but I wanted some angst) Side note this ends abruptly because I stop writing when I lose inspiration so this is just me getting out the little scenario that played in my head :<).

TW: Mentions of blood, death, sadistic sylus, hurt mc, dom!sylus (?), etc.

(Let me know if I need any other tw's. I haven't had to do this on tumblr in forever!)

Mʏ ʙʀᴇᴀᴛʜ ʜɪᴛᴄʜᴇᴅ ᴀs I ғᴜᴍʙʟᴇᴅ ᴡɪᴛʜ ᴛʜᴇ ʙᴀɴᴅᴀɢᴇs, ᴍʏ ғɪɴɢᴇʀs ᴛʀᴇᴍʙʟɪɴɢ ғʀᴏᴍ ᴛʜᴇ ᴘᴀɪɴ. Tʜᴇ ᴍɪssɪᴏɴ ʜᴀᴅ ʙᴇᴇɴ ʟᴏɴɢ ᴀɴᴅ ʙʀᴜᴛᴀʟ, ᴀɴᴅ I ʙᴀʀᴇʟʏ ᴍᴀɴᴀɢᴇᴅ ᴛᴏ ᴅʀᴀɢ ᴍʏsᴇʟғ ʙᴀᴄᴋ ᴛᴏ ᴍʏ ᴀᴘᴀʀᴛᴍᴇɴᴛ ʙᴇғᴏʀᴇ ᴄᴏʟʟᴀᴘsɪɴɢ.

Mʏ ʙᴏᴅʏ ᴡᴀs ʟɪᴛᴛᴇʀᴇᴅ ᴡɪᴛʜ ʙʀᴜɪsᴇs ᴀɴᴅ ғʀᴇsʜ sᴄᴀʀs, sᴏᴍᴇ sᴛɪʟʟ ʙʟᴇᴇᴅɪɴɢ, ᴀɴᴅ I ᴡᴀs ᴀʟᴍᴏsᴛ ᴄᴇʀᴛᴀɪɴ I ʜᴀᴅ ᴀ ʜᴀɪʀʟɪɴᴇ ғʀᴀᴄᴛᴜʀᴇ ɪɴ ᴍʏ ʀɪʙ. Iᴛ ᴡᴀsɴ’ᴛ ᴀ ᴄᴏᴍᴘʟᴇᴛᴇ ʙʀᴇᴀᴋ, ʙᴜᴛ ᴇᴠᴇʀʏ ʙʀᴇᴀᴛʜ sᴇɴᴛ ᴀ sʜᴀʀᴘ ʀᴇᴍɪɴᴅᴇʀ ᴏғ ʜᴏᴡ ғʀᴀɢɪʟᴇ ᴍʏ ʙᴏɴᴇs ғᴇʟᴛ. I’ᴅ ʜᴀᴠᴇ ᴛᴏ ᴠɪsɪᴛ ᴛʜᴇ ʜᴏsᴘɪᴛᴀʟ ᴛᴏᴍᴏʀʀᴏᴡ, ʙᴜᴛ ғᴏʀ ɴᴏᴡ, I sᴛʀᴜɢɢʟᴇᴅ ᴛᴏ ᴡʀᴀᴘ ᴍʏ ᴡᴏᴜɴᴅs, ᴡɪɴᴄɪɴɢ ᴀs I ᴅᴀʙʙᴇᴅ ᴀɴᴛɪsᴇᴘᴛɪᴄ ᴏɴᴛᴏ ᴀ ᴅᴇᴇᴘ ɢᴀsʜ ʀᴜɴɴɪɴɢ ᴀʟᴏɴɢ ᴍʏ ᴀʀᴍ.

I sɪɢʜᴇᴅ, ᴄʟᴏsɪɴɢ ᴍʏ ᴇʏᴇs ғᴏʀ ᴀ ᴍᴏᴍᴇɴᴛ, ᴛʀʏɪɴɢ ᴛᴏ ᴘᴜsʜ ᴛʜᴇ ᴘᴀɪɴ ᴀsɪᴅᴇ. Tʜᴇ ʀᴏᴏᴍ ᴡᴀs ǫᴜɪᴇᴛ, sᴀᴠᴇ ғᴏʀ ᴛʜᴇ sᴏғᴛ ʀᴜsᴛʟᴇ ᴏғ ᴛʜᴇ ғɪʀsᴛ ᴀɪᴅ ᴋɪᴛ.

I ʜᴀᴅɴ’ᴛ ᴛᴏʟᴅ ᴀɴʏᴏɴᴇ ᴀʙᴏᴜᴛ ᴛʜᴇ ᴍɪssɪᴏɴ—ɴᴏᴛ ᴇᴠᴇɴ ʜɪᴍ.

Mʏ sᴛᴏᴍᴀᴄʜ ᴛᴡɪsᴛᴇᴅ ᴀᴛ ᴛʜᴇ ᴛʜᴏᴜɢʜᴛ. Iᴛ ᴡᴀs ʙᴇᴄᴀᴜsᴇ ᴏғ ʜɪᴍ, ʀᴇᴀʟʟʏ. Wᴇ ʜᴀᴅ ғᴏᴜɢʜᴛ. Nᴏᴛ ᴊᴜsᴛ ᴀɴʏ ғɪɢʜᴛ, ʙᴜᴛ ᴛʜᴇ ᴋɪɴᴅ ᴛʜᴀᴛ ʟᴇғᴛ ᴡᴏʀᴅs ʟɪɴɢᴇʀɪɴɢ ɪɴ ᴛʜᴇ ᴀɪʀ ʟɪᴋᴇ ᴡᴏᴜɴᴅs ᴛʜᴀᴛ ᴄᴏᴜʟᴅɴ’ᴛ ʜᴇᴀʟ. I ʜᴀᴅ sᴛᴏʀᴍᴇᴅ ᴏᴜᴛ ᴏғ ᴛʜᴇ N109 ᴢᴏɴᴇ ɪɴ ᴀ ʙʟɪɴᴅ ғᴜʀʏ, ɴᴇᴇᴅɪɴɢ ᴛᴏ ᴇsᴄᴀᴘᴇ ᴛʜᴇ sᴜғғᴏᴄᴀᴛɪɴɢ ᴛᴇɴsɪᴏɴ ʙᴇᴛᴡᴇᴇɴ ᴜs. Tʜᴇ ᴄᴏᴍᴍɪssɪᴏɴ ғᴏʀ ᴛʜᴇ ᴍɪssɪᴏɴ ʜᴀᴅ ᴄᴏᴍᴇ ᴀᴛ ᴛʜᴇ ᴘᴇʀғᴇᴄᴛ ᴛɪᴍᴇ, sᴏ I ᴛᴏᴏᴋ ɪᴛ ᴡɪᴛʜᴏᴜᴛ ᴀ sᴇᴄᴏɴᴅ ᴛʜᴏᴜɢʜᴛ. I ᴅɪᴅɴ’ᴛ ᴛᴇʟʟ ʜɪᴍ ʙᴇᴄᴀᴜsᴇ I ᴅɪᴅɴ’ᴛ ᴡᴀɴᴛ ᴛᴏ ᴅᴇᴀʟ ᴡɪᴛʜ ʜɪᴍ. I ᴅɪᴅɴ’ᴛ ᴡᴀɴᴛ ᴛᴏ ʜᴇᴀʀ ᴛʜᴇ ʙɪᴛɪɴɢ ᴡᴏʀᴅs ᴏʀ ᴛʜᴇ ᴄᴏʟᴅ ᴅɪsᴀᴘᴘʀᴏᴠᴀʟ ɪɴ ʜɪs ᴠᴏɪᴄᴇ.

I ʟᴇғᴛ ᴍʏ ᴘʜᴏɴᴇ ʙᴇʜɪɴᴅ ᴏɴ ᴘᴜʀᴘᴏsᴇ. Tʜᴇ ᴛʜᴏᴜɢʜᴛ ᴏғ ʜɪᴍ ᴍᴇssᴀɢɪɴɢ ᴏʀ ᴄᴀʟʟɪɴɢ, ᴋɴᴏᴡɪɴɢ ᴇxᴀᴄᴛʟʏ ᴡʜᴇʀᴇ I ᴡᴀs, ᴍᴀᴅᴇ ᴍʏ sᴋɪɴ ᴄʀᴀᴡʟ. I ʜᴀᴅɴ’ᴛ ᴄʜᴇᴄᴋᴇᴅ ɪᴛ sɪɴᴄᴇ. Iᴛ sᴀᴛ ᴀᴄʀᴏss ᴛʜᴇ ʀᴏᴏᴍ ᴏɴ ᴍʏ ᴅᴇsᴋ, sɪʟᴇɴᴛ, ɪᴛs sᴄʀᴇᴇɴ ᴅᴀʀᴋ ᴀɴᴅ ᴏᴍɪɴᴏᴜs. I ʜᴀᴅɴ’ᴛ ᴅᴀʀᴇᴅ ᴛᴏ ᴘɪᴄᴋ ɪᴛ ᴜᴘ, ᴛʀᴇᴀᴛɪɴɢ ɪᴛ ʟɪᴋᴇ ᴀ ʙᴏᴍʙ ᴡᴀɪᴛɪɴɢ ᴛᴏ ᴇxᴘʟᴏᴅᴇ. I ᴡᴀsɴ’ᴛ sᴜʀᴇ ɪғ ʜᴇ ᴇᴠᴇɴ ɴᴏᴛɪᴄᴇᴅ I ᴡᴀs ɢᴏɴᴇ. Bᴜᴛ ᴅᴇᴇᴘ ᴅᴏᴡɴ, I ᴡᴀs ᴛᴇʀʀɪғɪᴇᴅ ᴏғ ᴛʜᴇ ᴀʟᴛᴇʀɴᴀᴛɪᴠᴇ—ᴛʜᴀᴛ ʜᴇ ᴅɪᴅ ɴᴏᴛɪᴄᴇ. Aɴᴅ ɪғ I ʜᴀᴅ sᴜᴄᴄᴇᴇᴅᴇᴅ ɪɴ ᴘɪssɪɴɢ ʜɪᴍ ᴏғғ… I ᴅɪᴅɴ’ᴛ ᴡᴀɴᴛ ᴛᴏ ᴋɴᴏᴡ ᴡʜᴀᴛ I’ᴅ ғɪɴᴅ.

I ᴅᴇʟɪʙᴇʀᴀᴛᴇʟʏ ᴀᴠᴏɪᴅᴇᴅ ʟᴏᴏᴋɪɴɢ ᴀᴛ ɪᴛ, ғᴏᴄᴜsɪɴɢ ɪɴsᴛᴇᴀᴅ ᴏɴ ᴛʜᴇ ᴛᴀsᴋ ᴀᴛ ʜᴀɴᴅ. Wʜʏ ᴡᴏᴜʟᴅ I ᴘᴏᴋᴇ ᴀ sʟᴇᴇᴘɪɴɢ ʙᴇᴀsᴛ?

I ʜᴀᴅɴ’ᴛ ᴍᴀᴅᴇ ɪᴛ ʜᴀʟғᴡᴀʏ ᴛʜʀᴏᴜɢʜ ᴘᴀᴛᴄʜɪɴɢ ᴍʏsᴇʟғ ᴜᴘ ᴡʜᴇɴ ᴛʜᴇ ʟɪɢʜᴛs ғʟɪᴄᴋᴇʀᴇᴅ. I ɢʟᴀɴᴄᴇᴅ ᴜᴘ ᴀᴛ ᴛʜᴇ ᴅɪᴍᴍɪɴɢ ᴄʜᴀɴᴅᴇʟɪᴇʀ, ᴀ ғᴀᴍɪʟɪᴀʀ ᴄʜɪʟʟ ᴄʀᴀᴡʟɪɴɢ ᴜᴘ ᴍʏ sᴘɪɴᴇ, ᴍᴀᴋɪɴɢ ᴍʏ ʜᴇᴀʀᴛ ʜᴀᴍᴍᴇʀ ɪɴ ᴍʏ ᴄʜᴇsᴛ. I ғᴇʟᴛ ғᴏᴏʟɪsʜ. I sʜᴏᴜʟᴅ’ᴠᴇ ᴋɴᴏᴡɴ ʜᴇ ᴡᴏᴜʟᴅ ғɪɴᴅ ᴏᴜᴛ ᴛʜᴇ sᴇᴄᴏɴᴅ I ʀᴇᴛᴜʀɴᴇᴅ, ᴡʜᴇᴛʜᴇʀ I ᴄᴀʟʟᴇᴅ ʜɪᴍ ᴏʀ ɴᴏᴛ.

I ʜᴀᴅ ʙᴇᴇɴ ɢᴏɴᴇ ᴛᴏᴏ ʟᴏɴɢ. I ʜᴀᴅɴ’ᴛ ᴛᴏʟᴅ ʜɪᴍ.

Tʜᴇ ʟɪɢʜᴛ sᴘᴜᴛᴛᴇʀᴇᴅ, ᴛʜᴇɴ ᴅɪᴇᴅ ᴏᴜᴛ ᴄᴏᴍᴘʟᴇᴛᴇʟʏ. Dᴀʀᴋɴᴇss ᴅᴇsᴄᴇɴᴅᴇᴅ, ᴛʜɪᴄᴋ ᴀɴᴅ sᴜғғᴏᴄᴀᴛɪɴɢ, ᴀs ɪғ ᴛʜᴇ ᴀɪʀ ɪᴛsᴇʟғ ᴡᴀs ᴡᴀɪᴛɪɴɢ ғᴏʀ ʜɪs ᴀʀʀɪᴠᴀʟ. Eᴀᴄʜ ʙʀᴇᴀᴛʜ ɢʀᴇᴡ ʜᴇᴀᴠɪᴇʀ, ᴀɴᴅ ᴛʜᴇ ᴛᴇɴsɪᴏɴ ɪɴ ᴛʜᴇ ʀᴏᴏᴍ ᴛʜɪᴄᴋᴇɴᴇᴅ. A ғᴇᴀᴛʜᴇʀ, ʙʟᴀᴄᴋ ᴀs ᴍɪᴅɴɪɢʜᴛ, ғʟᴏᴀᴛᴇᴅ ɢᴇɴᴛʟʏ ᴘᴀsᴛ ᴍʏ ғᴀᴄᴇ. Tʜᴇɴ ᴀɴᴏᴛʜᴇʀ. Aɴᴅ ᴀɴᴏᴛʜᴇʀ.

Mʏ ᴘᴜʟsᴇ ǫᴜɪᴄᴋᴇɴᴇᴅ. Tʜᴇ ᴀɪʀ ᴛᴜʀɴᴇᴅ ғʀɪɢɪᴅ, ᴀɴᴅ ғʀᴏᴍ ᴛʜᴇ ᴛʜɪᴄᴋᴇɴɪɴɢ sʜᴀᴅᴏᴡs, ᴄʀɪᴍsᴏɴ ᴇʏᴇs ʙʟᴀᴢᴇᴅ ᴛᴏ ʟɪғᴇ, sᴇᴀʀɪɴɢ ᴛʜʀᴏᴜɢʜ ᴛʜᴇ ʙʟᴀᴄᴋɴᴇss ʟɪᴋᴇ ᴇᴍʙᴇʀs.

“Y/N,” ᴀ ʟᴏᴡ, ᴍᴇɴᴀᴄɪɴɢ ɢʀᴏᴡʟ ғɪʟʟᴇᴅ ᴛʜᴇ ʀᴏᴏᴍ. Hɪs ᴠᴏɪᴄᴇ ᴡᴀs ᴜɴᴍɪsᴛᴀᴋᴀʙʟᴇ.

Mʏ ʙʟᴏᴏᴅ ᴛᴜʀɴᴇᴅ ᴛᴏ ɪᴄᴇ. Tʜᴇ ғᴇᴀʀ I ᴛʀɪᴇᴅ sᴏ ʜᴀʀᴅ ᴛᴏ ʙᴜʀʏ sᴜʀɢᴇᴅ ᴜᴘ, ʙᴜᴛ ᴍɪxᴇᴅ ᴡɪᴛʜ ɪᴛ ᴡᴀs sᴏᴍᴇᴛʜɪɴɢ ᴇᴠᴇɴ ᴍᴏʀᴇ ᴅᴀɴɢᴇʀᴏᴜs—ᴀ ᴘᴜʟʟ, sᴏᴍᴇᴛʜɪɴɢ ᴅᴇᴇᴘ ᴀɴᴅ ɪɴsᴛɪɴᴄᴛᴜᴀʟ ᴛʜᴀᴛ I ᴄᴏᴜʟᴅ ɴᴇᴠᴇʀ ғᴜʟʟʏ ᴇxᴘʟᴀɪɴ. I ᴛʀɪᴇᴅ ᴛᴏ sᴛᴇᴇʟ ᴍʏsᴇʟғ, ᴛᴏ ᴘᴜsʜ ʙᴀᴄᴋ, ʙᴜᴛ ᴍʏ ʙᴏᴅʏ ʙᴇᴛʀᴀʏᴇᴅ ᴍᴇ—ᴍʏ ʜᴀɴᴅs ᴛʀᴇᴍʙʟɪɴɢ, ᴍʏ ᴘᴜʟsᴇ ᴇʀʀᴀᴛɪᴄ. Tʜᴇ ғɪʀsᴛ ᴀɪᴅ ᴋɪᴛ sʟɪᴘᴘᴇᴅ ғʀᴏᴍ ᴍʏ ɢʀᴀsᴘ, ʜɪᴛᴛɪɴɢ ᴛʜᴇ ғʟᴏᴏʀ ᴡɪᴛʜ ᴀ sʜᴀʀᴘ ᴄʟᴀᴛᴛᴇʀ ᴛʜᴀᴛ sʜᴀᴛᴛᴇʀᴇᴅ ᴛʜᴇ sɪʟᴇɴᴄᴇ.

Hᴇ sᴛᴇᴘᴘᴇᴅ ᴏᴜᴛ ғʀᴏᴍ ᴛʜᴇ ᴠᴏɪᴅ; ᴛᴀʟʟ, ᴍᴇɴᴀᴄɪɴɢ, ᴀɴᴅ ʙʀᴇᴀᴛʜᴛᴀᴋɪɴɢʟʏ ɢᴏʀɢᴇᴏᴜs, ʜɪs ᴇᴠᴇʀʏ ᴍᴏᴠᴇᴍᴇɴᴛ ᴘʀᴇᴅᴀᴛᴏʀʏ. Mʏ ᴠᴇʀʏ ᴏᴡɴ ᴀɴɢᴇʟ ᴏғ ᴅᴀʀᴋɴᴇss, ᴄᴏᴍᴇ ᴛᴏ ᴄᴏʟʟᴇᴄᴛ ᴡʜᴀᴛ ᴡᴀs ʜɪs. Hɪs ɢᴀᴢᴇ ʟᴏᴄᴋᴇᴅ ᴏɴᴛᴏ ᴍɪɴᴇ, ᴀɴᴅ ᴛʜᴇ sʜᴇᴇʀ ɪɴᴛᴇɴsɪᴛʏ ɪɴ ʜɪs ᴇʏᴇs ʟᴇғᴛ ᴍᴇ ғᴇᴇʟɪɴɢ ᴄᴏʀɴᴇʀᴇᴅ, ʟɪᴋᴇ ᴘʀᴇʏ ᴄᴀᴜɢʜᴛ ɪɴ ᴛʜᴇ ᴊᴀᴡs ᴏғ ᴀ ʙᴇᴀsᴛ. Hɪs ᴍᴇʀᴇ ᴘʀᴇsᴇɴᴄᴇ ғɪʟʟᴇᴅ ᴛʜᴇ ʀᴏᴏᴍ, sᴜᴄᴋɪɴɢ ᴀʟʟ ᴛʜᴇ ᴀɪʀ ғʀᴏᴍ ᴍʏ ʟᴜɴɢs, ᴀɴᴅ ᴡɪᴛʜ ᴇᴀᴄʜ ᴘᴀssɪɴɢ sᴇᴄᴏɴᴅ, ᴛʜᴇ ᴛʜʀᴇᴀᴅ ᴏғ ʜɪs ᴄᴏɴᴛʀᴏʟ ғʀᴀʏᴇᴅ ғᴜʀᴛʜᴇʀ.

I ᴄᴏᴜʟᴅ sᴇᴇ ᴛʜᴇ ғᴀɪɴᴛ ᴛᴇɴᴅʀɪʟs ᴏғ ʜɪs ᴇᴠᴏʟ ᴄᴏɪʟɪɴɢ ᴛʜʀᴏᴜɢʜ ᴛʜᴇ ᴀɪʀ, ᴄʀɪᴍsᴏɴ sᴡɪʀʟs ғʟɪᴄᴋᴇʀɪɴɢ ʟɪᴋᴇ ʟɪᴠɪɴɢ sʜᴀᴅᴏᴡs. Tʜᴇʏ ᴡʀᴀᴘᴘᴇᴅ ᴀʀᴏᴜɴᴅ ʜɪᴍ, ᴘᴜʟsɪɴɢ ᴀs ɪғ ᴛʜᴇʏ, ᴛᴏᴏ, ʜᴜɴɢᴇʀᴇᴅ. Hᴜɴɢᴇʀᴇᴅ ғᴏʀ ʀᴇᴛʀɪʙᴜᴛɪᴏɴ. Fᴏʀ ᴄᴏɴᴛʀᴏʟ.

“Yᴏᴜ ᴛʜɪɴᴋ ʏᴏᴜ ᴄᴀɴ ᴊᴜsᴛ ᴅɪsᴀᴘᴘᴇᴀʀ?” Hɪs ᴠᴏɪᴄᴇ ᴡᴀs ʟᴏᴡ, ᴇᴀᴄʜ ᴡᴏʀᴅ ᴄᴜᴛᴛɪɴɢ ᴛʜʀᴏᴜɢʜ ᴛʜᴇ ᴀɪʀ ᴡɪᴛʜ ʙᴀʀᴇʟʏ ʀᴇsᴛʀᴀɪɴᴇᴅ ғᴜʀʏ.

Hᴇ ᴛᴏᴏᴋ ᴀ sɪɴɢʟᴇ sᴛᴇᴘ ғᴏʀᴡᴀʀᴅ, ᴀɴᴅ ᴇᴠᴇʀʏ ᴍᴜsᴄʟᴇ ɪɴ ᴍʏ ʙᴏᴅʏ ᴛᴇɴsᴇᴅ. Mʏ ғɪɢʜᴛ ᴏʀ ғʟɪɢʜᴛ ɪɴsᴛɪɴᴄᴛ sᴄʀᴇᴀᴍᴇᴅ ᴀᴛ ᴍᴇ ᴛᴏ ᴍᴏᴠᴇ, ᴛᴏ ᴅᴏ sᴏᴍᴇᴛʜɪɴɢ, ʙᴜᴛ I ᴡᴀs ᴘᴀʀᴀʟʏᴢᴇᴅ ʙʏ ᴛʜᴇ ᴏᴠᴇʀᴡʜᴇʟᴍɪɴɢ ᴘʀᴇsᴇɴᴄᴇ ᴏғ ʜɪᴍ—ʜɪs ʀᴀɢᴇ, ʜɪs ᴘᴏssᴇssɪᴠᴇɴᴇss, ᴀɴᴅ ᴛʜᴀᴛ ᴅᴇsᴘᴇʀᴀᴛᴇ, ᴅᴀɴɢᴇʀᴏᴜs ɴᴇᴇᴅ ʜᴇ ᴀʟᴡᴀʏs sᴇᴇᴍᴇᴅ ᴛᴏ ʜᴀʀʙᴏʀ ғᴏʀ ᴍᴇ.

I sᴡᴀʟʟᴏᴡᴇᴅ ʜᴀʀᴅ, ᴍʏ ᴛʜᴏᴜɢʜᴛs sᴄᴀᴛᴛᴇʀɪɴɢ ɪɴ ᴛʜᴇ ᴄʜᴀᴏs ᴏғ ᴇᴍᴏᴛɪᴏɴs ᴛʜᴀᴛ ᴡᴀʀʀᴇᴅ ɪɴsɪᴅᴇ ᴍᴇ. Hɪs ᴘʀᴇsᴇɴᴄᴇ ᴡᴀs sᴜғғᴏᴄᴀᴛɪɴɢ, ᴘᴜʟʟɪɴɢ ᴍᴇ ᴜɴᴅᴇʀ. Fᴇᴀʀ, ᴅᴇsɪʀᴇ, ᴀɴᴅ ᴛʜᴀᴛ ɪɴᴇsᴄᴀᴘᴀʙʟᴇ, ᴅᴀɴɢᴇʀᴏᴜs ᴄᴏɴɴᴇᴄᴛɪᴏɴ ʙᴇᴛᴡᴇᴇɴ ᴜs sᴡɪʀʟᴇᴅ ᴛᴏɢᴇᴛʜᴇʀ, ʟᴇᴀᴠɪɴɢ ᴍᴇ ᴅʀᴏᴡɴɪɴɢ ɪɴ ᴀ ᴛɪᴅᴇ ᴏғ ᴄᴏɴғʟɪᴄᴛɪɴɢ ғᴇᴇʟɪɴɢs.

“Yᴏᴜ’ᴠᴇ ɢᴏᴛᴛᴇɴ ʙᴇᴛᴛᴇʀ,” ʜᴇ ᴍᴜʀᴍᴜʀᴇᴅ ᴀs ʜᴇ sᴛʀᴏᴅᴇ ғᴏʀᴡᴀʀᴅ, ʜɪs ᴛᴏɴᴇ ᴍᴏᴄᴋɪɴɢʟʏ ʟɪɢʜᴛ, ᴛʜᴏᴜɢʜ ʜɪs ɢᴀᴢᴇ ᴡᴀs ᴀɴʏᴛʜɪɴɢ ʙᴜᴛ. Hɪs ᴇʏᴇs ᴡᴇʀᴇ sʜᴀʀᴘ, ᴡɪʟᴅ. “Yᴏᴜ ᴄᴀɴ ʜɪᴅᴇ ɪɴ ᴘʟᴀᴄᴇs ᴇᴠᴇɴ I ᴄᴀɴ’ᴛ ғɪɴᴅ.”

Iɴ ᴀ ғʟᴀsʜ, ʜᴇ ᴡᴀs ɪɴ ғʀᴏɴᴛ ᴏғ ᴍᴇ, ʜɪs ʜᴀɴᴅ ɢʀɪᴘᴘɪɴɢ ᴍʏ ᴄʜɪɴ ᴡɪᴛʜ ᴀ ғᴏʀᴄᴇ ᴛʜᴀᴛ ᴍᴀᴅᴇ ᴍᴇ ᴡɪɴᴄᴇ. Hɪs ᴏᴛʜᴇʀ ʜᴀɴᴅ sᴋɪᴍᴍᴇᴅ ᴛʜᴇ ᴇᴅɢᴇ ᴏғ ᴛʜᴇ ᴡᴏᴜɴᴅ ᴏɴ ᴍʏ ᴀʀᴍ, ɴ���ᴛ ᴡɪᴛʜ ᴛᴇɴᴅᴇʀɴᴇss, ʙᴜᴛ ᴡɪᴛʜ ᴀ ᴘᴏssᴇssɪᴠᴇɴᴇss ᴛʜᴀᴛ sᴇɴᴛ sʜɪᴠᴇʀs ᴅᴏᴡɴ ᴍʏ sᴘɪɴᴇ. I ᴄᴏᴜʟᴅɴ’ᴛ sᴛᴏᴘ ᴛʜᴇ ᴡʜɪᴍᴘᴇʀ ᴛʜᴀᴛ ᴇsᴄᴀᴘᴇᴅ ᴍʏ ʟɪᴘs, ᴛᴇᴀʀs ᴘʀɪᴄᴋɪɴɢ ᴀᴛ ᴛʜᴇ ᴄᴏʀɴᴇʀs ᴏғ ᴍʏ ᴇʏᴇs.

“Sʏʟᴜs, I—”

I ᴛʀɪᴇᴅ ᴛᴏ sᴘᴇᴀᴋ, ʙᴜᴛ ʜɪs ғɪɴɢᴇʀs ᴛɪɢʜᴛᴇɴᴇᴅ ᴏɴ ᴍʏ ᴄʜɪɴ, sɪʟᴇɴᴄɪɴɢ ᴍᴇ. Hɪs ᴇʏᴇs ᴅᴇᴠᴏᴜʀᴇᴅ ᴍᴇ, ʟɪɴɢᴇʀɪɴɢ ᴏᴠᴇʀ ᴇᴠᴇʀʏ ʙʀᴜɪsᴇ, ᴇᴠᴇʀʏ ᴄᴜᴛ, ᴀɴᴅ I ᴄᴏᴜʟᴅ ғᴇᴇʟ ʜɪs ʀᴀɢᴇ sᴡᴇʟʟ, ғᴇᴇᴅɪɴɢ ᴏғғ ᴇᴀᴄʜ ɪɴᴊᴜʀʏ ʟɪᴋᴇ ғᴜᴇʟ ᴛᴏ ᴀ ғɪʀᴇ.

“I ᴡᴀs ᴀғʀᴀɪᴅ ᴍʏ ᴋɪᴛᴛᴇɴ ɢᴏᴛ ʜᴜʀᴛ ᴡɪᴛʜᴏᴜᴛ ᴍᴇ ᴋɴᴏᴡɪɴɢ.” Hɪs ᴠᴏɪᴄᴇ ᴅʀᴏᴘᴘᴇᴅ ᴛᴏ ᴀ ᴠᴇɴᴏᴍᴏᴜs ɢʀᴏᴡʟ. “Sᴇᴇᴍs sʜᴇ ᴡᴀs ʜɪᴅɪɴɢ ɪɴ ᴀ ᴄᴏʀɴᴇʀ ᴛᴏ ʟɪᴄᴋ ʜᴇʀ ᴡᴏᴜɴᴅs.”

Hɪs ʙʀᴇᴀᴛʜ ᴡᴀs ʜᴏᴛ ᴀɢᴀɪɴsᴛ ᴍʏ sᴋɪɴ ᴀs ʜᴇ ʟᴇᴀɴᴇᴅ ɪɴ, ʜɪs ᴄʀɪᴍsᴏɴ ᴇʏᴇs ʙʟᴀᴢɪɴɢ ᴡɪᴛʜ ᴜɴʙʀɪᴅʟᴇᴅ ᴇᴍᴏᴛɪᴏɴ. Tʜɪs ᴡᴀsɴ'ᴛ ᴛʜᴇ Sʏʟᴜs I ᴡᴀs ᴜsᴇᴅ ᴛᴏ. Hᴇ ᴡᴀs ᴀʟᴡᴀʏs ᴄᴏᴍᴘᴏsᴇᴅ, ᴇᴠᴇɴ ɪɴ ᴀɴɢᴇʀ. Tʜᴇʀᴇ ᴡᴀs sᴏᴍᴇᴛʜɪɴɢ ᴀʟᴍᴏsᴛ ɢʀᴀᴄᴇғᴜʟ ᴀʙᴏᴜᴛ ɪᴛ—ɢʀᴀᴄᴇғᴜʟ, ʙᴜᴛ ᴜɴʙᴇᴀʀᴀʙʟʏ ʟᴏɴᴇʟʏ. Bᴜᴛ ɴᴏᴡ, ʜᴇ sᴇᴇᴍᴇᴅ ᴛᴏ ʙᴇ ᴄʀᴀᴄᴋɪɴɢ. Yᴇs, ᴛʜᴇ ᴍɪssɪᴏɴ ʜᴀᴅ ᴛᴀᴋᴇɴ ᴏᴠᴇʀ ᴀ ᴍᴏɴᴛʜ, ᴀɴᴅ ʏᴇs I ʜᴀᴅ ɪɢɴᴏʀᴇᴅ ʜɪᴍ ᴀɴᴅ ɴᴏᴛ ᴛᴏʟᴅ ʜɪᴍ ᴀɴʏᴛʜɪɴɢ ʙᴇғᴏʀᴇ ᴅɪsᴀᴘᴘᴇᴀʀɪɴɢ, ʙᴜᴛ ᴛʜɪs ʀᴇᴀᴄᴛɪᴏɴ ᴡᴀs ғᴀʀ ғʀᴏᴍ ᴡʜᴀᴛ I ᴇxᴘᴇᴄᴛᴇᴅ, ʟᴇᴀsᴛ ᴏғ ᴀʟʟ ғʀᴏᴍ ʜɪᴍ.

“Dɪᴅ ʏᴏᴜ ᴛʜɪɴᴋ ʏᴏᴜ ᴄᴏᴜʟᴅ ᴅᴏ ᴡʜᴀᴛᴇᴠᴇʀ ʏᴏᴜ ᴘʟᴇᴀsᴇ? Nᴏᴡ ᴛʜᴀᴛ I’ᴠᴇ ᴇɴsɴᴀʀᴇᴅ ʏᴏᴜ?” Hɪs ᴠᴏɪᴄᴇ ᴡᴀᴠᴇʀᴇᴅ, ᴛʜᴇ ғᴜʀʏ ᴜɴᴅᴇʀᴄᴜᴛ ʙʏ sᴏᴍᴇᴛʜɪɴɢ ᴍᴏʀᴇ ᴅᴀɴɢᴇʀᴏᴜs—ᴅᴇsᴘᴇʀᴀᴛɪᴏɴ. 

“Yᴏᴜ’ʀᴇ ᴍɪɴᴇ.”

Hɪs ᴡᴏʀᴅs, ᴀs ᴀʟᴡᴀʏs, sᴛʀᴜᴄᴋ ᴀ ᴄʜᴏʀᴅ ᴡɪᴛʜɪɴ ᴍᴇ, ʙᴜᴛ ᴛʜɪs ᴛɪᴍᴇ, ᴛʜᴇʏ ғᴇʟᴛ ᴍᴏʀᴇ ᴘɪᴇʀᴄɪɴɢ. Hᴇ ʜᴀᴅ sᴀɪᴅ ɪᴛ ʙᴇғᴏʀᴇ, ᴛʜᴀᴛ I ᴡᴀs ʜɪs, ʙᴜᴛ ᴡʜᴀᴛ ᴅɪᴅ ʜᴇ ᴛʀᴜʟʏ ᴍᴇᴀɴ? Oᴜʀ ʀᴇʟᴀᴛɪᴏɴsʜɪᴘ ᴡᴀs ᴀɴʏᴛʜɪɴɢ ʙᴜᴛ ᴅᴇғɪɴᴇᴅ. Iᴛ ғᴇʟᴛ ᴍᴏʀᴇ ʟɪᴋᴇ ᴀ ʙᴀᴛᴛʟᴇғɪᴇʟᴅ ᴛʜᴀɴ ᴀ ᴘᴀʀᴛɴᴇʀsʜɪᴘ—ʟɪᴋᴇ ᴡᴇ ᴡᴇʀᴇ ᴇɴᴇᴍɪᴇs ᴍᴏʀᴇ ᴏғᴛᴇɴ ᴛʜᴀɴ ғʀɪᴇɴᴅs ᴏʀ ᴇᴠᴇɴ ᴀʟʟɪᴇs. Aɴᴅ ʏᴇᴛ, ᴛʜᴇʀᴇ ᴡᴀs ᴛʜɪs sᴛʀᴀɴɢᴇ, ɪɴᴇxᴘʟɪᴄᴀʙʟᴇ ᴄᴏɴɴᴇᴄᴛɪᴏɴ ʙᴇᴛᴡᴇᴇɴ ᴜs ᴛʜᴀᴛ ɴᴇɪᴛʜᴇʀ ᴏғ ᴜs ᴄᴏᴜʟᴅ ɪɢɴᴏʀᴇ.

Dᴇsᴘɪᴛᴇ ᴛʜᴇ ʜᴀʀsʜɴᴇss ᴏғ ʜɪs ᴡᴏʀᴅs ᴀɴᴅ ᴛʜᴇ ɪɴᴛᴇɴsɪᴛʏ ᴏғ ʜɪs ɢᴀᴢᴇ, ᴛʜᴇʀᴇ ᴡᴀs sᴏᴍᴇᴛʜɪɴɢ ᴇʟsᴇ ʟᴜʀᴋɪɴɢ ʙᴇɴᴇᴀᴛʜ ɪᴛ ᴀʟʟ. Sᴏᴍᴇᴛʜɪɴɢ I ᴄᴏᴜʟᴅɴ’ᴛ ǫᴜɪᴛᴇ ɢʀᴀsᴘ. I ғᴇʟᴛ ᴀs ᴛʜᴏᴜɢʜ I ᴡᴀs ᴄᴀᴜɢʜᴛ ɪɴ ᴀ ᴡᴇʙ ᴏғ ᴇᴍᴏᴛɪᴏɴs ᴀɴᴅ ᴍᴏᴛɪᴠᴇs ᴛʜᴀᴛ ɴᴇɪᴛʜᴇʀ ᴏғ ᴜs ʜᴀᴅ ғᴜʟʟʏ ᴜɴʀᴀᴠᴇʟᴇᴅ. Hɪs ᴄʟᴀɪᴍ ᴏɴ ᴍᴇ—ᴛʜɪs ᴄᴏɴsᴛᴀɴᴛ ᴅᴇᴄʟᴀʀᴀᴛɪᴏɴ ᴛʜᴀᴛ I ᴡᴀs ʜɪs—ʜᴀᴅ ᴀʟᴡᴀʏs ʙᴇᴇɴ ᴀ ᴍʏsᴛᴇʀʏ. I ᴅɪᴅɴ’ᴛ ᴜɴᴅᴇʀsᴛᴀɴᴅ ᴡʜᴀᴛ ʜᴇ ᴡᴀɴᴛᴇᴅ ғʀᴏᴍ ᴍᴇ, ᴏʀ ᴡʜʏ I ᴄᴏᴜʟᴅɴ’ᴛ sᴇᴇᴍ ᴛᴏ ᴇsᴄᴀᴘᴇ ᴛʜɪs ᴘᴜʟʟ ʙᴇᴛᴡᴇᴇɴ ᴜs.

Iᴛ ᴡᴀs ᴛʀᴜᴇ ᴛʜᴀᴛ ᴛʜᴇʀᴇ ᴡᴀs ᴀ ᴄᴏɴɴᴇᴄᴛɪᴏɴ ʙᴇʏᴏɴᴅ ᴏᴜʀ ᴇᴠᴏʟ-ʟɪɴᴋs, sᴏᴍᴇᴛʜɪɴɢ ᴅᴇᴇᴘᴇʀ ᴀɴᴅ ᴍᴏʀᴇ ᴘʀɪᴍᴀʟ. Iᴛ ᴅʀᴇᴡ ᴜs ᴛᴏɢᴇᴛʜᴇʀ ᴡɪᴛʜ ᴀ ғᴏʀᴄᴇ ᴛʜᴀᴛ ғᴇʟᴛ ʙᴏᴛʜ ᴍᴀɢɴᴇᴛɪᴄ ᴀɴᴅ ᴍᴀᴅᴅᴇɴɪɴɢ. Mᴏsᴛ ᴏғ ᴛʜᴇ ᴛɪᴍᴇ I ғᴇʟᴛ ᴘᴏᴡᴇʀʟᴇss ᴀɢᴀɪɴsᴛ ɪᴛ, ᴀɴᴅ ɴᴏᴡ ᴡᴀs ᴅᴇғɪɴɪᴛᴇʟʏ ᴏɴᴇ ᴏғ ᴛʜᴏsᴇ ᴛɪᴍᴇs.

As ʜᴇ ᴘᴜʟʟᴇᴅ ᴍᴇ ᴄʟᴏsᴇʀ, ʜɪs ʜᴀɴᴅ sʟɪᴅɪɴɢ ᴛᴏ ᴛʜᴇ ʙᴀᴄᴋ ᴏғ ᴍʏ ɴᴇᴄᴋ ɪɴ ᴀ ᴘᴏssᴇssɪᴠᴇ ʜᴏʟᴅ, I ғᴇʟᴛ ʜɪs ғɪɴɢᴇʀs ᴅɪɢ ɪɴᴛᴏ ᴍʏ sᴋɪɴ, ɢʀᴏᴜɴᴅɪɴɢ ᴍᴇ ɪɴ ʜɪs ᴏᴠᴇʀᴡʜᴇʟᴍɪɴɢ ᴘʀᴇsᴇɴᴄᴇ. Hɪs ᴏᴛʜᴇʀ ᴀʀᴍ sɴᴀᴋᴇᴅ ᴀʀᴏᴜɴᴅ ᴍʏ ᴡᴀɪsᴛ, ᴘʀᴇssɪɴɢ ᴀɢᴀɪɴsᴛ ᴍʏ ʀɪʙs ᴡɪᴛʜ ᴊᴜsᴛ ᴇɴᴏᴜɢʜ ғᴏʀᴄᴇ ᴛᴏ sᴇɴᴅ ᴀ sʜᴀʀᴘ ᴊᴏʟᴛ ᴏғ ᴘᴀɪɴ ᴛʜʀᴏᴜɢʜ ᴍᴇ. I ɢᴀsᴘᴇᴅ, ᴀ ᴄʀʏ ᴇsᴄᴀᴘɪɴɢ ʙᴇғᴏʀᴇ I ᴄᴏᴜʟᴅ sᴛᴏᴘ ɪᴛ.

Sʏʟᴜs ғʀᴏᴢᴇ, ʜɪs ᴇʏᴇs ᴡɪᴅᴇɴɪɴɢ ᴀs ᴛʜᴇʏ ғʟɪᴄᴋᴇᴅ ᴅᴏᴡɴ ᴛᴏ ᴍʏ ʙᴀᴛᴛᴇʀᴇᴅ ʜᴜɴᴛᴇʀ’s ᴜɴɪғᴏʀᴍ. Hᴇ sᴇᴇᴍᴇᴅ ᴛᴏ sᴇɴsᴇ ᴛʜᴇ ᴇxᴛᴇɴᴛ ᴏғ ᴍʏ ɪɴᴊᴜʀɪᴇs ᴀʟʟ ᴀᴛ ᴏɴᴄᴇ, ʜɪs ɢᴀᴢᴇ ᴅᴀʀᴋᴇɴɪɴɢ ᴡɪᴛʜ ᴀ ᴍɪx ᴏғ ᴀɴɢᴇʀ ᴀɴᴅ sᴏᴍᴇᴛʜɪɴɢ ᴍᴏʀᴇ ᴘʀɪᴍᴀʟ.

"Tᴀᴋᴇ ᴛʜɪs ᴏғғ. Nᴏᴡ." Hɪs ᴠᴏɪᴄᴇ ᴡᴀs ᴀ ᴄᴏᴍᴍᴀɴᴅ, ᴄᴏʟᴅ ᴀɴᴅ ᴜɴʏɪᴇʟᴅɪɴɢ. 

Tʀᴇᴍʙʟɪɴɢ, I ғᴏʀᴄᴇᴅ ᴍʏsᴇʟғ ᴛᴏ sᴛᴀɴᴅ, ᴛʜᴇ ᴘᴀɪɴ ᴍᴀᴋɪɴɢ ᴇᴀᴄʜ ᴍᴏᴠᴇᴍᴇɴᴛ ᴇxᴄʀᴜᴄɪᴀᴛɪɴɢ ᴀs I ᴘᴀɪɴsᴛᴀᴋɪɴɢʟʏ ʀᴇᴍᴏᴠᴇᴅ ᴍʏ ᴄʟᴏᴛʜᴇs. Mʏ sᴋɪɴ ғʟᴜsʜᴇᴅ ᴜɴᴅᴇʀ ʜɪs ɪɴᴛᴇɴsᴇ sᴄʀᴜᴛɪɴʏ, ᴀɴᴅ ᴀs ᴛʜᴇ ʟᴀsᴛ ᴘɪᴇᴄᴇ ғᴇʟʟ ᴀᴡᴀʏ, ʜɪs ᴇʏᴇs ʀᴏᴠᴇᴅ ᴏᴠᴇʀ ᴍᴇ, ʜɪs ᴇxᴘʀᴇssɪᴏɴ ᴜɴʀᴇᴀᴅᴀʙʟᴇ.

“Cᴏᴍᴇ ʜᴇʀᴇ. Lᴇᴛ ᴍᴇ ɢᴇᴛ ᴀ ɢᴏᴏᴅ ʟᴏᴏᴋ ᴀᴛ ʏᴏᴜ.”

Mʏ ᴋɴᴇᴇs ᴡᴏʙʙʟᴇᴅ ᴀs I sᴛᴇᴘᴘᴇᴅ ғᴏʀᴡᴀʀᴅ, ᴍʏ ʙᴏᴅʏ ᴘʀᴏᴛᴇsᴛɪɴɢ ᴡɪᴛʜ ᴇᴠᴇʀʏ ᴍᴏᴠᴇᴍᴇɴᴛ. Hɪs ʜᴀɴᴅs—ᴍᴏʀᴇ ᴄᴀʀᴇғᴜʟ ɴᴏᴡ—ɢʀᴀsᴘᴇᴅ ᴀᴛ ᴍʏ ʜɪᴘs, ʜɪs ғɪɴɢᴇʀs ʙʀᴜsʜɪɴɢ ᴏᴠᴇʀ ᴛʜᴇ ʙʀᴜɪsᴇs ᴀɴᴅ ᴄᴜᴛs ᴛʜᴀᴛ ʟɪᴛᴛᴇʀᴇᴅ ᴍʏ sᴋɪɴ. Gʀᴏᴛᴇsǫᴜᴇ ʙᴏᴜǫᴜᴇᴛs ᴏғ ʙʟᴜᴇ, ᴘᴜʀᴘʟᴇ, ᴀɴᴅ ʙʟᴀᴄᴋ ʙʟᴏᴏᴍᴇᴅ ᴀᴄʀᴏss ᴍʏ ʀɪʙs, ᴍᴏʀᴇ ʙʀᴜɪsᴇs ᴍᴀʀᴋɪɴɢ ᴍʏ ᴛʜɪɢʜs ᴀɴᴅ ᴄᴀʟᴠᴇs. A ғᴇᴡ ᴍᴏʀᴇ ɢᴀsʜᴇs ᴅᴏᴛᴛᴇᴅ ᴍʏ ʙᴏᴅʏ, ʙᴜᴛ ɴᴏɴᴇ ᴀs ʙᴀᴅ ᴀs ᴛʜᴇ ɢᴀsʜ ᴏɴ ᴍʏ ᴀʀᴍ.

I ʜᴀᴅ ʙᴇᴇɴ ᴛʜʀᴏᴡɴ ᴀʀᴏᴜɴᴅ ʙʏ ᴀ Wᴀɴᴅᴇʀᴇʀ ɪɴ ᴛʜᴇ ʀᴜɪɴs ᴏғ ᴛʜᴇ ᴄɪᴛʏ, ᴀɴᴅ ɪᴛ ᴛᴜʀɴᴇᴅ ᴏᴜᴛ ᴛʜᴀᴛ ʀᴜʙʙʟᴇ ᴅɪᴅɴ'ᴛ ᴀɢʀᴇᴇ ᴡɪᴛʜ ᴍᴇ ʙᴇɪɴɢ sʟᴀᴍᴍᴇᴅ ᴀɢᴀɪɴsᴛ ɪᴛ.

Sʏʟᴜs ᴛᴜʀɴᴇᴅ ᴍᴇ ɪɴ ʜɪs ɢʀᴀsᴘ, ʜɪs ᴄᴏʟᴅ, ᴄᴀʟᴄᴜʟᴀᴛɪɴɢ ɢᴀᴢᴇ ɪɴsᴘᴇᴄᴛɪɴɢ ᴇᴠᴇʀʏ ɪɴᴄʜ ᴏғ ᴍᴇ. Hɪs ғɪɴɢᴇʀs ᴛʀᴀᴄᴇᴅ ᴛʜᴇ ᴏᴜᴛʟɪɴᴇ ᴏғ ᴇᴀᴄʜ ʙʀᴜɪsᴇ, ᴀɴᴅ ʜɪs ᴛᴏᴜᴄʜ, ᴛʜᴏᴜɢʜ ᴛᴇɴᴅᴇʀ, sᴇɴᴛ ɪɴᴠᴏʟᴜɴᴛᴀʀʏ sʜɪᴠᴇʀs ᴛʜʀᴏᴜɢʜ ᴍᴇ. Hɪs ʟɪᴘs ᴛᴡɪsᴛᴇᴅ ɪɴᴛᴏ ᴀ ɢʀɪᴍ ᴇxᴘʀᴇssɪᴏɴ, ᴄᴀᴜɢʜᴛ sᴏᴍᴇᴡʜᴇʀᴇ ʙᴇᴛᴡᴇᴇɴ ᴀᴍᴜsᴇᴍᴇɴᴛ ᴀɴᴅ ғᴜʀʏ.

"Yᴏᴜ ᴅɪsᴀᴘᴘᴇᴀʀ ᴡɪᴛʜᴏᴜᴛ ᴛᴇʟʟɪɴɢ ᴍᴇ, ᴅᴏɴ’ᴛ ᴋᴇᴇᴘ ɪɴ ᴛᴏᴜᴄʜ, ᴀɴᴅ ᴛʜᴇɴ ᴄᴏᴍᴇ ʙᴀᴄᴋ ɪɴ ᴛᴀᴛᴛᴇʀs, ᴋɪᴛᴛᴇɴ."

"I'ᴍ sᴏʀʀʏ," I ᴍᴀɴᴀɢᴇᴅ ᴛᴏ ᴄʀᴏᴀᴋ, ᴍʏ ᴠᴏɪᴄᴇ ʜᴏᴀʀsᴇ ᴀɴᴅ ᴛʀᴇᴍʙʟɪɴɢ. Gᴏᴏsᴇʙᴜᴍᴘs ʀᴏsᴇ ᴏɴ ᴍʏ sᴋɪɴ ᴀs ʜɪs ғɪɴɢᴇʀᴛɪᴘs ɢʜᴏsᴛᴇᴅ ᴏᴠᴇʀ ᴍʏ ɪɴᴊᴜʀɪᴇs. Tʜᴇʀᴇ ᴡᴀs ɴᴏᴛʜɪɴɢ ᴋɪɴᴅ ɪɴ ʜɪs ɢᴀᴢᴇ ᴀs ʜᴇ ʟᴏᴏᴋᴇᴅ ᴜᴘ ᴀᴛ ᴍᴇ ғʀᴏᴍ ᴡʜᴇʀᴇ ʜᴇ sᴀᴛ ᴏɴ ᴛʜᴇ ᴇᴅɢᴇ ᴏғ ᴛʜᴇ ʙᴇᴅ. Hɪs ʜᴀɴᴅ ᴛɪɢʜᴛᴇɴᴇᴅ ᴀʀᴏᴜɴᴅ ᴍʏ ᴀʀᴍ, ᴀɴᴅ ᴡɪᴛʜ ᴀ sᴜᴅᴅᴇɴ, ʀᴏᴜɢʜ ᴍᴏᴛɪᴏɴ, ʜᴇ ʏᴀɴᴋᴇᴅ ᴍᴇ ᴅᴏᴡɴ. I ᴄʀɪᴇᴅ ᴏᴜᴛ ᴀs ʜᴇ ᴇᴀsɪʟʏ ғʟɪᴘᴘᴇᴅ ᴍᴇ ᴏɴᴛᴏ ᴍʏ ʙᴀᴄᴋ, ʜɪs ʟᴀʀɢᴇʀ ғʀᴀᴍᴇ ʟᴏᴏᴍɪɴɢ ᴏᴠᴇʀ ᴍᴇ, ᴘɪɴɴɪɴɢ ᴍᴇ ᴅᴏᴡɴ.

Hᴇ ʟᴇᴀɴᴇᴅ ɪɴ ᴄʟᴏsᴇ, ʜɪs ʟɪᴘs ʜᴏᴠᴇʀɪɴɢ ᴅᴀɴɢᴇʀᴏᴜsʟʏ ɴᴇᴀʀ ᴛʜᴇ ʜᴏʟʟᴏᴡ ᴏғ ᴍʏ ɴᴇᴄᴋ. “Yᴏᴜʀ ᴀᴘᴏʟᴏɢɪᴇs ᴀʀᴇ ᴡᴏʀᴛʜʟᴇss ᴛᴏ ᴍᴇ,” ʜᴇ sᴀɪᴅ, ʜɪs ᴠᴏɪᴄᴇ ᴛʜɪᴄᴋ ᴡɪᴛʜ ᴀɴ ᴀɴɢᴇʀ ᴛʜᴀᴛ sᴇᴇᴍᴇᴅ ᴀʟᴍᴏsᴛ ᴘᴀʟᴘᴀʙʟᴇ. I ᴄᴏᴜʟᴅɴ’ᴛ sᴇᴇ ʜɪs ᴇxᴘʀᴇssɪᴏɴ, ʙᴜᴛ ᴛʜᴇ ɪɴᴛᴇɴsɪᴛʏ ᴏғ ʜɪs ʀᴀɢᴇ ᴡᴀs ᴜɴᴅᴇɴɪᴀʙʟᴇ, ʀᴀᴅɪᴀᴛɪɴɢ ғʀᴏᴍ ʜɪᴍ ʟɪᴋᴇ ᴀ ᴛᴀɴɢɪʙʟᴇ ғᴏʀᴄᴇ. I ᴡᴀs ᴘᴀʀᴀʟʏᴢᴇᴅ ᴡɪᴛʜ ғᴇᴀʀ, ᴛᴏᴏ ᴛᴇʀʀɪғɪᴇᴅ ᴛᴏ ᴍᴏᴠᴇ ᴏʀ sᴘᴇᴀᴋ. Hɪs ᴜɴᴘʀᴇᴅɪᴄᴛᴀʙɪʟɪᴛʏ ᴡᴀs ᴏᴠᴇʀᴡʜᴇʟᴍɪɴɢ, ᴀɴᴅ I ᴋɴᴇᴡ I sᴛᴏᴏᴅ ɴᴏ ᴄʜᴀɴᴄᴇ ᴏғ ᴏᴠᴇʀᴘᴏᴡᴇʀɪɴɢ ʜɪᴍ, ᴇᴠᴇɴ ɪғ I ᴡᴇʀᴇɴ’ᴛ ɪɴᴊᴜʀᴇᴅ.

“Aɴʏᴛʜɪɴɢ ᴄᴏᴜʟᴅ ʜᴀᴠᴇ ʜᴀᴘᴘᴇɴᴇᴅ ᴛᴏ ʏᴏᴜ.” Hɪs ʜᴀɴᴅ ᴍᴏᴠᴇᴅ ᴡɪᴛʜ ᴘᴜʀᴘᴏsᴇ, ɢʟɪᴅɪɴɢ ᴜᴘ ᴍʏ ʙᴏᴅʏ ᴜɴᴛɪʟ ʜɪs ғɪɴɢᴇʀs ᴄᴜʀʟᴇᴅ ᴘᴏssᴇssɪᴠᴇʟʏ ᴀʀᴏᴜɴᴅ ᴍʏ ᴛʜʀᴏᴀᴛ, ʜɪs ɢʀɪᴘ ғɪʀᴍ ʙᴜᴛ ɴᴏᴛ sᴜғғᴏᴄᴀᴛɪɴɢ. “Yᴏᴜ ᴄᴏᴜʟᴅ ʜᴀᴠᴇ ᴅɪᴇᴅ,” ʜᴇ ʜɪssᴇᴅ, ʜɪs ʟɪᴘs ɴᴏᴡ ʜᴏᴠᴇʀɪɴɢ ᴊᴜsᴛ ᴀʙᴏᴠᴇ ᴍʏ ᴇᴀʀ. “Aᴡᴀʏ ғʀᴏᴍ ᴍᴇ. Bᴇʏᴏɴᴅ ᴍʏ ʀᴇᴀᴄʜ.” Hɪs ᴠᴏɪᴄᴇ ᴅʀᴏᴘᴘᴇᴅ ᴛᴏ ᴀ ᴡʜɪsᴘᴇʀ, ᴀ ᴄᴏʟᴅ, ᴛᴇʀʀɪғʏɪɴɢ ᴘʀᴏᴍɪsᴇ. “Tʜᴀᴛ ᴡɪʟʟ ɴᴇᴠᴇʀ ʜᴀᴘᴘᴇɴ ᴀɢᴀɪɴ.”

Hɪs ʙʀᴇᴀᴛʜ ᴡᴀs ʜᴏᴛ ᴀɢᴀɪɴsᴛ ᴍʏ sᴋɪɴ, ʜɪs ʙᴏᴅʏ ᴘʀᴇssɪɴɢ ɪɴᴛᴏ ᴍɪɴᴇ ᴡɪᴛʜ ᴀ ғᴏʀᴄᴇ ᴛʜᴀᴛ ᴡᴀs ʙᴏᴛʜ sᴜғғᴏᴄᴀᴛɪɴɢ ᴀɴᴅ ᴄᴏɴsᴜᴍɪɴɢ. Tʜᴇ ᴘʀᴏᴍɪsᴇ ɪɴ ʜɪs ᴠᴏɪᴄᴇ ᴡᴀs ᴀs sʜᴀʀᴘ ᴀɴᴅ ᴜɴʏɪᴇʟᴅɪɴɢ ᴀs ʜɪs ɢʀɪᴘ, ᴀɴᴅ I ᴄᴏᴜʟᴅ ғᴇᴇʟ ᴛʜᴇ ғᴜʟʟ ᴡᴇɪɢʜᴛ ᴏғ ʜɪs ᴇᴍᴏᴛɪᴏɴs ᴘʀᴇssɪɴɢ ᴅᴏᴡɴ ᴏɴ ᴍᴇ. Iᴛ ᴡᴀs ᴄʟᴇᴀʀ ᴛʜᴀᴛ ᴍʏ ᴅᴇғɪᴀɴᴄᴇ, ᴍʏ ᴀʙsᴇɴᴄᴇ, ʜᴀᴅ sᴘᴀʀᴋᴇᴅ ᴀ sᴛᴏʀᴍ ᴡɪᴛʜɪɴ ʜɪᴍ—ᴏɴᴇ ᴛʜᴀᴛ I ᴡᴀs ɴᴏᴡ ᴛʀᴀᴘᴘᴇᴅ ɪɴ, ᴡɪᴛʜ ɴᴏ ᴄʟᴇᴀʀ ᴡᴀʏ ᴏᴜᴛ.

[callofthecorvus]

Connected Timelines Ramble: Backing off my previous 'Geno has an ex' headcanon, what if Dust happened to be that ex? I can see them bonding over shared trauma: surviving a genocided timeline and losing their brothers.

So when Dust eventually came clean about his past, that he genocided his own timeline [and others under Nightmare], even if he felt guilty and wanted to change, the heartbreak and betrayal Geno would have felt was devastating.

Even if it was originally done to stop Chara, the fact that he continued to genocide other timelines was despicable in Geno's eyes. Dust became the very same person he hated, and all Geno could see when looking at Dust was her. He broke it off instantly and Dust respected his decision and never contacted him again.

Given that Nightmare and Dream have now been at peace for decades, they're often invited to the same get togethers. They've never told anyone else about their previous relationship, so they act all awkward around each other and nobody knows why.

[wyfy-meltdown]

"As much as I wish for the happiness of someone, someone else must be equally cursed."

This is Sayaka's most icon line (next to "I won't regret anything!") and for good reason. It describes herself, but also the entire concept of "magical girls".

Kyuubey grants the wishes, and in return, a girl becomes cursed becoming a magical girl. Every character (*at least in pmmm, not magia record) becomes cursed at the expense of helping someone else.

Madoka(mi) ends the curse for all magical girls and her friends, but she and Homura becomes the most cursed of all. Madokami bears the weight of the whole universe on her shoulders; Homura's love made her into an object of worship.

Homura ends Madokami's reign (therefore un-cursing Madoka) at the expense of becoming more cursed herself, and cursing the rest of magical girls. Homura losses herself, her mind, and Madoka all for the sake of allowing Madoka to become human again. She can't interact with Madoka, but she can watch her inside her gilded cage; and that's "all" Homura needs

Sayaka is the most poignant example of this; with her "role" being to showcase the ultimate curse of all magical girls. She's determined to make a "selfless" wish (disguising her true "selfish" desires) despite how much Mami warns her against it. Sayaka losses the control she wanted to gain, and losses her mind. Mami's facade left such an impact on her she's dedicated herself to portraying herself as the "perfect magical girl" that never existed nor could exist in the first place. She becomes more cursed bearing the curse Mami left for her, and pushing away the one person who could help her because Kyoko doesn't line up with Sayaka's deluded image of how a magical girl should be. Sayaka curses the people around her up until her curse is ended by Kyoko.

Kyoko makes the most selfless wish of them all, and the most people become cursed as a result. The ones she loved and wished for the sake of in a genuinely selfless way had enjoyed her wish for a while, until the wish could not longer protect them. Kyoko's whole family and life went up in flames as a direct consequence of her wish; because of that, she's decided to live only for herself because she understands best the curse that comes with selflessness; the curse that comes with love. I don't know if it's directly confirmed when Kyoko leaves Mami, but I theorize it was shortly after the death of Kyoko's family; the time Kyoko lost her selfless heart and could not longer connect with others as a result. Kyoko stays that way until Sayaka; Sayaka is the antithesis of Kyoko and yet the same as her. Kyoko relieves the curse on herself and Sayaka with their deaths; the only way to end the curse of a magical girl.

Mami's wish is the most selfish (*objectively) and so the fewest people are cursed (one could even argue that the only one cursed by Mami's wish was Mami herself). Mami's curse is a "self-fufilling prophecy" of sorts where she isolates herself and fully dedicates herself to being a magical girl from the fear that she'll end up alone again and/or that anyone she comes into contact will suffer/die. In a sense, this is true, as the rest of the Holy Quintet do in fact suffer, die, become witches, and so on. Mami didn't even really get to make a wish; she simply had an opportunity to survive and took it, and was forced to suffer as a magical girl because of it. The impact she leaves on Sayaka and her trying to convince Madoka to become a magical girl are curses she imposes without knowing the extent of her actions, nor that her actions are in any way bad; she's gotten swept up by the lies of the incubators and has become someone who curses as a result.

Nagisa is an interesting case because she deliberately curses herself and the people around her. She knows that she COULD wish to save her mom, but prefers the idea of making her mom indulge in her revenge: the world's tastiest cheesecake. The cheesecake Nagisa wished for instead of her mother's health. She becomes a magical girl, with the knowledge she'll never not be a magical girl again, all for the sake of revenge.

[transingthoseformers]

Very crack pwp au type idea but a bot swapping out another's favored false spike toy for an identical one that's just a small smidgen bigger

Again and again

Causing bot #2 to get used to taking just a bit more each time

Will bot #2 start to catch on that something's happening? Eventually, yes

Now this idea started out as being inspired by megastar, but you can apply it to other ships

[asl-bros-incorrect-quotes]

Sabo: Stack the bowl in the other bowl.

Ace: That's a great idea, brother.

Sabo: Never call me that again.

[eikichi-supremacy]

hi please tell me im funny

[jademmoth]

Making myself a profile pic :3

[xyl4-4444]

Happy (belated) 13th anniversary Twilight Forest mod!!! Thank you for bringing so many minecraft players good memories!!

[romance-rambles]

modern clarence | an appropriate staring distance

While at the beach, you take a moment to appreciate your handsome boyfriend while he's taking a nap—and also when he's not.

1.2k, fluff + established relationship, reader is mc, series: none

NAVY BLUE STICKS OUT TO you the moment you open your eyes.

Your aching shoulder protests your decision to stay as you are, on your side, facing a still sleeping Clarence. Like this, he looks much younger—you're reminded of the time you had to force him to take a nap. Like this, he's simply the cute guy you managed to score not one but multiple dates with, just Clarence, instead of the incredibly smart and wonderful and kind Student Council President.

You glance at the circular table set between your two beach chairs, taking note of his glasses resting primly upon its surface. With him often having to juggle two different kinds of glasses, you'd offered to put them in your bag so that he could pack lighter. Or, as light as he can.

Right now, it's awkwardly squished behind you, miraculously still on the chair only because it's too big to fall out the gap under the armrest.

Filling in the blanks comes as easily to you as the smile on your face when you get to see your boyfriend, nearly the same one on your face right now—and the expression that goes with it is so endlessly fond that you find yourself with the urge to hit something.

Simply put, your boyfriend is a handsome man—the most handsome one, of all the men your keen eyes have gazed upon. And gazed, they certainly have. But even if they didn't have to pick, then they would gaze at only Clarence for the rest of their life..

You almost giggle at the thought, but think against it at the last minute.

But pressing your lips firmly into a thin line has the opposite effect on your budding smile. You imagine you look rather strange to anyone who passes by—what with your mockery of a wide smile and the silent scream building up in your throat, paired with the quiet thumping of your feet against the legrest.

If you were in a more private space, you would resort to kicking instead.

A proper squish to your still warm cheeks as you begin to sit up helps ease up the passion swirling chaotically across your body. You exhale, then allow your hands to slide off your face. One side of it bears the consequences of your actions more than the other.

With a one last longing at the sleeping Clarence, you start to dig through your bag for the only thing in your arsenal that could substitute for a sketchbook.

There are a few miscellaneous promotion emails waiting for you on the lockscreen. A message from Cael asking about dinner tomorrow too. Somewhere between them, there's a notice about the weather, with the temperature from an almost hour ago listed uselessly.

You swipe past them all and hurriedly slip into the camera app.

The hand holding your phone steadies itself against the armrest as you swing your legs over the edge of your chair. A thumb hovers over the capture button, vigilantly awaiting your command. The fingers of your other hand, meanwhile, busy themselves with zooming in on the captivating scenery.

With each pinch, the focus grows ever narrow—until all that remains is Clarence and nothing else.

At one point, you try to zoom into the mole under his eye, but it doesn't make for a very compelling photo. After a few attempts, quite a few of which involve staring at your screen for prolonged periods of time, you reluctantly give up.

Your pout is soon covered up by your phone. When its front camera presses against your upper lip, your gaze is free to wander back to the sleeping beauty beside you once more.

A healing effect, exclusive to him, takes hold of you instantaneously.

Eyes brimming with fondness narrow slightly. You slide off your beach chair, hands on your bent knees as you take a closer look. You can make out the shadows cast by his long lashes and the drool dribbling past his chin.

He's perfect.

You're content to stay there until your knees begin to ache, reminding you insistently that this isn't a very comfortable position to be in. As a compromise of some kind, you adjust your arms atop the nearby armrest.

It really would be better if you'd brought your sketchbook along—but, you think, remembering his workaholic tendencies, would he even bother to take a nap then?

You scrunch your nose up at the thought.

In that moment, Clarence seems sense to your presence. When you look back at him, you're greeted with the sight of confusion in his now opened, but still drowsy gaze. He blinks, and it earns him an amused grin from you.

"Morning," you say, though it's well into afternoon.

That seems to wake him up. His cheeks flush a warm pink, and he hurriedly wipes away the drool on his face, as though you haven't already committed the sight to your memory.

Clearing his throat, he responds in kind, careful to sit up in such a way that he avoids looking at you.

"You don't have to be so close...I can see you just fine."

You laugh, not unkindly. "What if I'm the one who's having trouble?"

For a moment, when he turns back to look at you, he looks alarmed. Then, his shoulders relax to the tune of a sigh, his groggy mind apparently having caught onto the fact that you were joking.

Without breaking eye contact, you reach for his glasses. But as with the issue of walking into a cave without a flashlight, even if you vaguely recall where your destination is, there's no guarantee you'll actually reach it.

"Give me a second," you mutter, your annoyance making your tone a bit too sharp.

You follow your words up with an apology. His glasses held are carefully by the frames as your sheepish gaze connects with his faintly amused one. Clarence reaches out, getting as far as grasping the slanted tips of the frame before the two of you reach a mutual agreement.

"Well." His cheeks return to being a rosy hue. He coughs politely. "If you would."

Cute. Biting your lip giddily, you shake his grip off. A quick once-over of your surroundings before you stand up shows that no one seems to be paying attention to you. And unless your friends and acquaintences have come to together to unlock the secrets of invisibility, no one you know seems to be present either.

Leaning over, you line his glasses up against his face, the tips of his frame brushing against his cheek. It takes only a moment to slot them into place—and you have enough experience with doing so that they don't snag against his ears.

It takes only a moment longer to give him an innocent peck on the lips.

"There," you murmur, not entirely satisfied with the kiss.

His Adam's apple bobs. Clarence adjusts his glasses with an awkward look that suggests he has some kind of solution to your dilemma. You, of course, beat him to the punch.

"Why—" Your voice cracks a little. "—don't we go find a different spot?"

He smiles, narrowed eyes watching you fondly. "I was about to suggest the same thing."