#want us around them for that long

[oldcurse]

Yesterday my dad told me that my cousin’s parents are taking her to Malaysia for graduating college 😐

[meidui]

aragorn and legolas at each other's sides at helm's deep ♡

[petricorah]

scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]

[turtleblogatlast]

Leo getting hit with a truth curse but instead of forcing him to admit to super sad or worrying things it’s things like “it was me who broke the remote” “I saw Mikey prank Donnie and helped hide it because it’s way funnier if he didn’t know who it was” “I rip my clothes to look more like Raph’s because he’s really cool” “my stripes aren’t even red they’re pink!”

[leapdayowo]

Trying my hand again at some digital art once again cuz I really wanted to draw Gem with her season 10 aesthetic :) I’m really excited to do some watercolor pieces of her base too!

Here’s a version with no fish:

[muffinlance]

Read "Suki, Alone". Liked it in general. But can they please, please hire someone who knows both the show's actual events and how to follow through on a character arc? Because guys. Guys. That comic is not implying about Suki what they meant it to be implying, and all because of literally one line.

So like. From a writer's standpoint:

What they meant to do: show Suki as a community-oriented person who cares for her people, and believes in everyone succeeding together.

As opposed to (spoilers): the thief girl they set her up in contrast with, who's pretty upfront and consistent on primarily looking out for herself. She betrays Suki for one (1) corn chip to improve her own life at the prison, no surprise.

But the problem is: they give Suki an inspirational line to the effect of "we're all working together and we'll all break out together"

You know

The thing she does not do in the show

So if both the show and this comic are canon, then instead of setting up a compare/contrast with the thief girl, they've just set up a comparison. One were Suki is arguably worse, because she's been leading a significant number of prisoners on with her "we'll all fight and win our freedom together!" business, only to straight up cut them out of the escape loop and abandon them, whereas the thief is only leading Suki on in the sense that Suki keeps telling her what it's morally correct to think and confuses snide replies with agreement

My dudes. My fellow writers. You people actually being paid for this. There were so many ways to fix those awful implications against our girl's character, the simplest of which would be to not include that line. Or they could have, you know, made it canon compliant with what actually happens in the show, so that this comic doesn't set Suki up as a betrayer instead of a community builder. Like... just send all her good prison buddies off to other prisons in the wake of the warden finding out they're colluding. Have it timed to be right before the next new prisoners arrive, thus setting it immediately before the Boiling Rock episodes, so Suki didn't have anyone left in the prison she'd want to take with her on a breakout. For bonus points, include a page or two of her and her Kyoshi warriors opening up the cell of one of her prison friends post-war, thus implying she's tracking down and actually fulfilling her promises. Maybe even show her doing the same with thief girl, who was established as being imprisoned on false charges anyway, and also showing that Suki is A) the bigger person, and B) willing to acknowledge her own role in mistakes (because I cannot emphasize enough how much thief girl was not hiding her own priorities, and it was Suki who approached HER with all this, not the girl ever doing anything special to weasel her way in) (this would also open up an opportunity for paralleling Suki's earlier in-comic mistake of not listening to one of her friend's very valid thoughts and feeling, which lead to the girl leaving their island alone pre-canon; a "seeing people as they are, not what you want them to be" moment)

Anyway yeah enjoyable enough for a quick read but another one for the "this can't be canon or the characters are So Much Worse than they were in the actual show" pile

At least Aang didn't promise to murder anyone in this one

[calmbigdipper]

What you mean to me

[its-your-mind]

*deep breath in*

the fears 👏 have always 👏 been (in one way or another) 👏 parallel 👏 to 👏 desire 👏

let me explain.

so many of the statements given by actual avatars center around some sort of need that was met by their entity. Lots of them even had a positive relationship with the fear that drove them.

Jane Prentiss is an excellent example - the Corruption has always been about a form of toxic and possessive love, but she personally has a deep desire to be “fully consumed by what loves her,” and finds a perverse joy and relief at allowing herself to be a home

Jude Perry is another - she fucking loved watching people’s lives be utterly destroyed. The Desolation only offered her a power of destruction on a grander scale, and then gave her a more intense rush of joy as she did its work. When she tells Jon that he needs to feed the Eye before it feeds on him, it’s almost as an afterthought; she was happily feeding the Desolation long before it burned her into a new existence.

Simon Fairchild. Every time that old loose bag of bones wanders into the picture, he is having a fucking EXCELLENT time playing with the Vast. He loves showing people their own insignificance, and he loves luring them into situations where he can throw them into the void as he smiles and waves.

Peter Lukas (hell, the whole Lukas family (except Evan. RIP Evan.)) hated. people. all he wanted was for them all to go away, to leave him alone. The Lonely only fulfilled that desire.

Daisy, Trevor, and Julia, all devoted to hunting those things they deemed monstrous.

Melanie, holding tight to that bullet in her leg because on some level, she wanted it. It felt good, it felt right, it felt like it fit right alongside the anger and spite that drove her to success.

Annabelle Cane first encountered the Web when she was a child, running away from home in order to tug on her parents’ heartstrings in just the right way to have them wrapped around her little finger. Later on she volunteered to be the subject of an ESP study. Hell, she’s the one who dangled the “Is it really You that wants this?” question over Jon’s head in S4.

And that brings us to Jon, beloved Jarchivist, the Voice that Opened the Door. Ever since he was a child targeted by the Web, he was looking for answers. He joined the Magnus Institute’s Research Department looking for them, he stalked his coworkers in search for them, he broke into Gertrude’s flat and laptop out of desperation for them. And when he realized that all he had to do was Ask to get truthful answers to his questions? It was only natural for him to jump at that opportunity.

Elias told S3 Jon that he did want this, that he chose it, that at every crossroads he kept pushing onwards, and the inner turmoil that caused was one of the focal points for Jon’s character through the rest of the podcast.

There’s a certain line of thinking in many circles about the power of the Devil: he’s not able to create anything new. All he’s able to do is twist and warp that which was already present, making it something ugly and profane while still maintaining the facade of something desirable.

Jon didn’t choose the Eye. But he did wander into its realm of power, exhibiting exactly the qualities it was most capable of hijacking and warping to its own ends. Jon didn’t choose the Apocalypse. But Jonah picked at him little by little, pointing him towards each Fear individually. Jon didn’t want to release the Fears. But the Web tugged on his strings just so and laid a pretty trail for him to follow until he reached its desired conclusion.

Jon didn’t choose ultimate power, or omniscience, or even his own role as Head Archivist. But he said “yes” to the right (wrong?) orders and kept on pushing for the right (wrong?) answers. He wanted to succeed at the work he had been assigned. He wanted to protect his friends. He wanted to rescue them when they were lost. He wanted to prevent the apocalypse, to save the world. He wanted to know why he was still alive, when so many had died right in front of him.

The Great Wheel of Evil Color that is the Entities might not fit as neatly into categories in this universe - maybe there was no Robert Smirke trying to impose strict categories on emotional experiences, or maybe the ways they manifest in the world has turned on its head (goodness knows many of them have been showcased and blended in some very fun and new and horrifying ways so far) - but their fundamental foundations seem to be the same. Hell, in episode one we learned that there had been enough individual incidents to create a distinction between ���dolls, watching” and “dolls, human skin.”

Smirke’s Fourteen isn’t going to be relevant as common parlance, RQ said that already, but I don’t think that means the Fears themselves (and their Dream Logic-based rules) are different - I think it means that the levels of understanding, language used, and personal connections among people “in the know” are going to be entirely unfamiliar

[starflungwaddledee]

Oooo starstruck dee has little stars at the bottom of her feet! Are they just aesthetic or would they make imprints into the ground? (like pawprints)

exactly like that! though she's not the only one...

edit: might need to add some additional dialogue to this to make it more clear, but a clarification in the interim; he knows about his own footprints. he's just surprised to see something similar already there when he knows he's only just landed. he lifts his own shoe to confirm that they're not identical (and also to reveal this to the viewer). seems his stoicism beat off the clarity in this one, sorry 😭

[stop-breaking-my-heart-telltale]

What can I say? They're my favorite.

[tobias-hankel]

No one ever talks about the fact that Elle Greenaway, Aaron Hotchner, and Spencer Reid all lived at the same apartment complex, The Langham.

We see Elle leaving her apartment when Hotch is following her in 2x6 - maybe that is where he learned about the apartment complex. We can also see Elle getting into her car, which has Virginia plates, so we know this apartment complex is in Virginia - not D.C.

In 5x1, we see Emily go to Hotch's apartment to check on him. This is also when we learn that Hotch is on the first floor in apartment 121. We later see him in this same apartment with Jack and Beth in 7x23 and when he is arrested in 11x22, just to name a few.

We see the outside of Spencer's apartment in 9x24 when Alex goes to leave after taking Spencer home. Spencer looks outside and watches Alex get into a taxi. We can see part of the green canopy and the street when Alex walks, but we can also see Spencer standing at the window. The window matches the same windows on The Langham. We can even see a spot on the sidewalk where the street lamp used to be. This is also when we learn that Spencer is on the second floor, apartment 23.

In 1x22, we see Elle be attacked in her home - not an apartment - meaning she moved into Langham apartments after her attack.

Up until Hotch was divorced, he lived in his home in Arlington, Virginia with Haley and Jack - so we know he moved into the complex sometime around season three or four.

We didn't see Spencer's apartment until season eight but we know in 3x2 that Spencer's Volvo has Washington D.C. plates but when we see his car again in 10x13, he had Virginia plates. We can assume that means that Spencer moved from Washington D.C. to the Langham apartments in Virginia at some point between season three and season eight.

Meaning, Elle lived in the Langham apartments before Hotch and Spencer - but Hotch and Spencer lived there only one floor apart at the same time.

[bestagons]

What Dan and Phil Text Each Other 4 + Familect (article)

[phoenixcatch7]

The Wayne doll house

Have some haunted doll au, since it's been bubbling away in my mind.

The bat cave is large and sprawling, many layers and tunnels and hollowed out cracks in the walls. It takes many years to fully reinforce to prevent stray kids from tripping into stagnant waters or fall down crags as he once did. The doll cave, as it becomes known, is in one of the deepest, darkest corners, one where the lights of the furnished caverns above don't reach.

It's one late night sitting at the computer when it suddenly occurs to Bruce that his first encounter with a doll was at the well entrance, many levels above.

There was nothing there when he went back.

-

The justice league stared at the subaru. The subaru, having no eyes, did not stare back.

The seven of them had just finished a very long, arduous mission, and narrowly escaped government censure after the base they'd been raiding had turned out to belong to some corrupt official. With the alert up, they couldn't escape through city airspace, or even in their hero suits.

So civilian it was.

Batman had hotwired some bloke's car while the rest of them ducked into alleys and shop bathrooms, but the problem remained. There was seven of them. And five seats.

"I can shift into something more suitable for being carried," suggested j'onn, "but I believe one of us might have to hide."

"Foot well?" Hal tried, and everyone looked around at the tall, bulky, broad heroes.

"Think they'd have to go in the boot," Barry finally said. Everyone immediately turned to him. "No."

Batman spoke up before the discussion could devolve.

"I think.... I would be best for that."

The team stared.

"Batsy?"

Having no lungs meant he could not drag in the tired sigh he wished, but whatever force allowed this body to talk was capable of approximating something suitably resigned.

"As I am, I am... incapable of fully passing as human. It would be best if I remained out of sight."

"So just? Go change? I swear we won't be weird about whoever you are under the mask. Even if you're like, bald."

"Thank you, Wally, but I'm afraid I'm being serious." Reaching for the mask in broad daylight was unpleasant, but the glue and wires held as he gave it a few thorough tugs. "It doesn't detach."

Everyone stared. Clark reached out as if he wanted to check, but withdrew.

"Do you even have a civilian identity??" Oliver eventually asked. "Because at this point I'm genuinely not sure."

Wayne Enterprises and Queen Industries had a meeting that same evening. "Hn."

"Can we go back to the 'incapable of passing as human' part?!"

"We can discuss it in the car," he snapped, stalking past Barry and popping the boot. "In case you haven't forgotten, we're on a time limit."

For once, that seemed to encourage them, and batman, with great dignity, folded his joints and cape into the small space, ignoring Hal's mutter of 'what kind of contortionist -' as he slammed the lid. With a little shuffling he managed to activate his comms.

"I will inform the watchtower of our delay."

"Batman, they're tapping all outgoing signals, you can't -"

"It won't trigger," he interrupted, before he twisted his consciousness and sent it spiralling across the country.

Bruce awoke with a groan, stretching his limbs and taking a moment to marinate in his annoyance before he reached for the comm and voice modulator on the beside table.

"Batman to watchtower, we've encountered delays. If the Texan state government calls we haven't entered the state in six weeks. Batman out."

-

"Alien?"

"No."

"Reanimated corpse?"

"No."

"Uh... Demon?"

"Hm. No."

"You're not just a meta human, are you?"

"No."

"Vampire?"

"No."

"Robot??"

"No."

"Batsy, please, someone's got to win the bet eventually. How do we even know you're not lying?!"

"You don't," Batman said, not looking up from his paperwork and Flash groaned, letting his sticky notes fall to the floor as he buried his head in his arms.

"One day," he bemoaned to the keyboard, "one day we'll figure it out."

"Until then please keep your eyes on the monitors."

Flash groaned again.

-

Robin ducked under superman's arm as he scuttled down the corridor, laden with the night's haul of snacks. The real problem wasn't getting them - stopping league members from raiding the kitchen would be extremely counterproductive - but keeping them until he could return home to his human body to eat them. Batman had started searching him each time they left and it was really cutting into his daily sugar intake. Unfair! Just because he didn't actually use energy to stay up my night to fight crime, it felt like he did!!

'Oh, you're broken, Robin, oh, don't go out until the glue has fully set, Robin' his arm was fine! It wasn't like there was much crime to be fought on the watchtower anyway! At least not physically.

So he was pretty pleased with himself until he went to set the snacks down and found that the tar like glue they used had soaked through the sleeve and gotten all over his chocolates.

With his other hand, he tried to pry them off, wincing as the wrappers tore and stuck. He tried to shake it, ignoring the way his elbow rattled in the joint.

"Come on, come on - aw, cheezits."

The arm fell off. Robin stared despondently at the limb, surrounded by torn wrappers and dripping black glue where it connected to the elbow. The sour stink of formaldehyde filled the air.

He was going to be in such trouble with Bruce.

The click of the door jerked his head up.

Flash stood in the doorway, wide eyed. Robin stared back.

Flash screamed.

Oh yeah @dehydratedmockingbird have a thing

[dungeons-and-dragon-age]

Hiii everyone, say, how do your Hawkes go go about sharing their estate? If they do it at all? Is everyone free to come and go or are they more private? Or do they only invite their LI to stay? I'm curious!! :)

[luck-of-the-drawings]

smth smth about 'the thing that the character did that you thought was rly rly funny in the moment is actually linked to a terrible trauma that lies within said character.' or wahtever.

[moon-mirage]

"Till this moment I never knew myself."