#we don't know that she's right but emotionally i feel she is

[utilitycaster]

@disastergenius replied to your post “perhaps unpopular but while I do agree the EXU...”:

re: this party doesn't talk much; i think that narratively, fcg's death isn't the call for them to talk in the way that molly's was? Molly's death happened early and bc of molly, but it was the wake-up call the party needed while separated and to actually begin to work together. bh's have different problems and fcg's death wasn't a result of party but was fcg's decision. so it also makes sense that it's not bringing the group together or anything, it's just mourning

​So I think this is part of it but I also wanted to post this as a full response because I've been thinking a lot about this! In short...having experienced a death within a friend group, people respond in weird ways, and for the most part, with the caveat that this was a friend among my friends from college and she died when we were all adults in various different cities and therefore not necessarily closely in touch all the time, we did not have a big sit-down and go around talking about our feelings. It's much slower. And I've talked a lot with people who have experienced a death within a friend group that was closer. Sometimes the group falls apart dramatically. Sometimes it just drifts apart. Sometimes it's sort of a weird blank space no one knows how to deal with.

I found Ashton's behavior in particular to be really well done on Taliesin's part and deeply affecting. They're exhausted not just mechanically but emotionally, and they don't want to really talk to anyone, but they do very much want some kind of comfort that doesn't require a lot of effort and most importantly, they don't want to be alone. When I had to learn about the (Jewish) religious practices surrounding grief and mourning, one of the things they tell you about sitting shiva (and to be clear this is not unique to shiva, it's just that Judaism has very clear time delineations of the mourning process) is that sometimes you just go there and sit with someone who doesn't want to talk much. His reaction felt incredibly real and natural, is what I'm saying. Grief can be isolating and tiring and difficult to talk about.

It feels right for the others too. Like...we can talk about the rapid pacing but that's been the case for much of the campaign, and no, I didn't like the EXU decision but what's done is done. I think deciding to, as Chetney said in 92, "make it count" seems very natural. I do hope there are conversations in Zadash and/or Aeor but at this point "we're drunk and tired and aren't ready to really feel this", especially since in-world, everything might be over in a week or so, makes a lot of sense. I also think FCG's death has united the party at least in the sense of purpose, and I think some people just dislike that the purpose is "double down on the moon plot." I think at the very least we'll have to visit it when they tell Imahara Joe (and hopefully Dancer, too.)

Ultimately, again, while I do love the episodes after Molly's death, episode 27 only has three party members in it, and episode 30 is arguably more about Fjord and Jester and Yasha being rescued (and on a meta level, welcoming Travis and Laura back to the table after parental leave) and incorporating Caduceus into the group as it is about Molly being dead. A lot of the conversations are about that, and 31 is very much about fucking around in Zadash and doing weird shit! Jester and Veth make Molly illusions not long after while on Darktow! The effects of Molly's death ripple through, quite honestly, the entire rest of the campaign and the grief is very nonlinear. Again, I adore episode 2x30, but I think one should be careful not to overly romanticize it; the party is still very much working through those initial feelings throughout the entire pirates arc, which takes place over the span of a couple of months. Bells Hells might not have months, and it might not get explored to the same extent, but I do think we'll see the effects nonetheless.

[revvethasmythh]

watching cr2e97 with my friend who's only watched c3, and upon hearing essek say "maybe you should try friends some time" to ludnius da'leth, she said "ah. and here we have the origin of his toxic relationship with liliana" and she's right

[corset]

What is the point of "family" by the way. I don't really get it

[burger-goblin]

.

[transgender-catboy]

I love my friends

[brittlebutch]

still can't help but empathize deeply with Hob's anger and affront over the duel during the 'Southern Lawn' episode, mostly because I also cannot understand the social steps taken to land him in that position during any part of those confrontations

[musicalchaos07]

Thinking about how every "romantic" action Nancy performs for Steve in s4 can be viewed as maternal and what that's trying to say about St*ncy

[gas-stxtion]

//sorry i haven't been working on replies lately! you see, it's because [mid-sentence i slowly lie down on the floor and start crying really hard. i do not finish my explanation]

[dana-chan-the-control-brain]

TADC: Thoughts on Jax in Episode 2

Thoughts on Jax after Amazing Digital Circus Episode 2 Dropped.

Massive spoilers below the cut. Just watch the ep before you read.

Amazing Digital Circus had an amazing second episode as we're introduced more to what the adventures are like, and what NPCs are like and ofc the existential horror of being a living AI only created for a source of entertainment.

Also, I love the dream sequence at the beginning, because we actually get some deeper insight into Pomni's thoughts on Ragatha. Feeling like her helpfulness is the guise of like "man, you're not cut out for this like the rest of us" which is typically something a lot of people who have been bullied in highschool perceive genuine acts of kindness and engagement. (which I kind of suspect Pomni might have been, or at least, been a shut-in and didn't have a lot of friends in her human life. )

Jax wasn't really the main focus of the episode, but it wasn't really until the end of the episode I understood his behavior and what this episode is foreshadowing overall.

Since while Jax isn't the focus emotionally, he is definitely the plot device to push things forward. And I mean, a plot device in a very active and quite literal way. He's the one that causes Pomni to clip out of the map, takes advantage of everyone and is just... genuinely an unpleasant person.

I actually really like this.

As, I know the first episode in the digital circus, many people (me included) could perceive or analyze Jax's actions as someone who is "helping" in a roundabout asshole way. Episode Two has none of that here. He just wants Bloodshed, And I love that we're getting additional context on his character.

It's hard to tell how much fan reception Gooseworx saw of episode one before episode two hit production, so I don't know how much of the fandom perception of Jax had an influence on the writing process, but I can't deny that might have been a factor in assuring us "no he's not secretly helpful, he's just an asshole" But I'm just going to assume that this has been part of his characterization from the start and it becomes way more clear as the episode goes on.

But there was something in his behavior throughout this whole episode that seemed off to me. Like Jax was taking up a majority of the B-plot, while Pomni had the A-plot. So I was wondering why Jax seemed to be the protagonist with the B-plot when Pomni was the A-plot when they seemed to be so disconnected with eachother in motivations and telling us things about the characters.

But then it hit me when the episode ended and the two plots merged together.

"who... knows... what could happen..."

And then it hit me.

Pomni finds comfort in an NPC who is going through a similar experience to her and can emphasize, despite their being other humans who have gone through the same thing, due to her self-admitting to being a loner in her human life. Well, she didn't admit it outright, but from how she perceives Ragatha's kindness as an act, or patronizing, it seems like she doesn't have a lot of friends...

Meanwhile... Jax... He treats the adventure like a videogame. Why shouldn't he? He's trapped in a videogame, right? But it really goes beyond that.

The fellow humans that Jax is trapped with, he treats THEM like they're NPCs, while Pomni treats the NPC like they're human.

Jax says to Gangle "Aren't you supposed to be the suggestible one?" Which you wouldn't typically wouldn't say to a person, right? That's something you would say more about a character that you maxed out the dialogue trees in.

He calls Pomni "His Bridge" even.

They're his objects. His tools, his own npcs he's exhausted the dialogue options on.

Jax dehumanizes the players in a way that Pomni humanizes the NPCS.

These are two opposite ends of the spectrum but what really sold it for me was Jax's reaction to the funeral.

And Jax is the one member out of the cast who doesn't even show up to the funeral. (aside from Caine and Bubble but they are AI.)

He does NOT want to think about the Players as real people. And showing that opposite perspective compared to Pomni I think is much as important going forward.

Jax was the plot catalyst of this entire episode, and served the thematic theme of the episode quite well, even if it didn't look like it on first glance.

I absolutely loved this episode and I can't wait for more.

Also... Poor Pomni can't have shit in Detroit

[madlori]

On Tommy Kinard

"It's not that I don't like Buck and Tommy, it's just happening so fast, he's underdeveloped!"

*clears throat*

Here is a recap of what we know about Tommy. And this is just off the top of my head, I didn't rewatch anything.

He was closeted at the 118 before and found the atmosphere repressive. He (probably) acted like a dick to fit in. When presented with the chance to make things better, he took it, and developed positive relationships with Hen, Chim and Bobby.

He was in the army and trained there as a pilot.

He knows Muay Thai and has a set up in his house.

He likes to work on cars and has a lift at his house (where TF does he live is my question - he has some nerve being agog at Buck's loft if he has a muay thai gym and a car lift)

He is down for violating departmental policy at the drop of a hat (has done so on at least two occasions) to help a friend and has no problems fucking with the fire chief.

He is a nerd. He likes pub trivia and has incorrect Star Wars opinions, and can keep up with Chim in the movie-quoting department.

His favorite movie is "Love, Actually" and he likes craft beer and monster trucks.

He came out when he transferred to Harbor and felt comfortable enough to stop lying about who he was.

He follows MMA and has friends in Vegas who like him well enough to hook him up to a frankly insane degree.

He'll risk his own life and engage in helicopter skulduggery to save people he doesn't know...I mean, apart from doing that for a living.

He'll take time out of his day to give a tour to the cute boy who called him up and offer to give that boy flying lessons (a significant time investment) which was probably maybe about more one on one time with said boy.

He yearns for the belonging and found family that the 118 became after his departure and probably befriended Eddie hoping to earn a plate at the cookout, aside from just clicking with him.

He likes Eddie and Chris a lot and they like him. Chimney also likes him.

He was attracted to Buck right away and was emotionally aware enough to pick up on Buck's jealous feelings over Eddie and his friendship, even if he was surprised that it was him Buck wanted to get to know.

He respects and values Buck and Eddie's friendship and wanted to make sure Buck knew that.

He's brave enough to shoot his shot by planting one on a dude.

He's a lil bitchy but also generous and ready to throw in with this insane guy who's inviting him to a family wedding after 0.5 dates.

He showed up to a bachelor party when he was on call because Buck asked him to, then showed up in turnouts after fighting a fire for like 12 hours yadda yadda we all know this part.

He has got it BAD for one Evan Buckley, who he only calls "Evan" which according to LFJR is a conscious decision by the writers, which fascinates me.

He was willing to take a chance with a man just discovering his sexuality BUT wasn't willing to put himself through that if the man in question wasn't ready for it. When Buck showed him that he was, he was all in.

He does NOT take his coffee like that.

Oh and

He's a beast.

This is VASTLY more information than we knew about ANY of Buck's previous girlfriends with the possible exception of Abby. Even Taylor did not get this much development over 20 episodes (things we knew about her: she was an ambitious and ethically flexible reporter, did not eat fudge, had a dad in jail, and sometimes jogged for exercise, she was capable of being nice and did love Buck, I believe). And as for it being fast? Sometimes it just be like that? A relationship doesn't have to have year(s) of buildup. Sometimes people do just meet, like each other, and start dating, in fact in the real world that's usually what happens. It's in TV Land that you have to have eighteen seasons of UST before pulling the trigger. Most of the time in reality people just vibe off each other and decide to go out and THEN they learn about each other.

And they've got a great start. You'd think they'd barely spoken by how a few naysayers are talking about it - the loft scene was like a solid five minutes of very open conversation, the Cringe Date seemed to have gone well and again, open and honest (if cringey) conversation before Cockblocker Eddie showed up, and the coffee meetup was again....open and honest conversation. They're not gonna show us long scenes of them exchanging firefighting stories and workout preferences (I mean, I'd watch that, but it's not what the show is about).

In conclusion, anyone saying he's poorly developed or the relationship is "out of nowhere" either is being willfully obtuse or has ridiculously unrealistic expectations for relationships and/or what constitutes character development.

As for whether they have chemistry, that's a matter of subjective opinion. Given that a TON of people watched that harbor tour scene (even when it was posted as a sneak peek) and started going "wait...what's going on here...are they flirting??" might be a clue. People were talking about Bi!Buck maybe happening with Tommy based solely off that clip of the harbor tour and what they were seeing between them. And imho that loft scene was crackling. But we all see things through the lenses of our biases, myself included.

Got that off my chest, whew.

[mrfoox]

'huh... You have abandonment issues? I thought that was usually something you got from childhood trauma. Were you abandoned as a child?'

Me, trying not to cry: haha, not in the usual sense?

[the-ellia-west]

How to make your readers Feel emotions for Dummies

(Characters crying edition!)

So... You can't write characters crying? (Or you just want to read this for some reason) Well, neither do I so let's get right into it! I should be packing for a trip but oh well who cares? Not me!

Yeah. Your character is crying and you want to know...

How to not make it cringe af

How to make the Readers relate to it

How to make the readers not only relate to it, but feel DEPRESSED

Step 1 - Do NOT over describe it I've tried to write this so many times and failed that I've realized it's just like good horror. If anything, don't describe the tears, describe their impact, describe the horror of why they're happening, what they're doing to your character. (Example at the end)

Step 2 - Make it at a time when we've had time to connect to the character Put it in the middle of the 1st or only book at the earliest. Other than that, put it later. The more time you spend with the characters, the more their breaking down will emotionally scar you. And that's what we want

Step 3 - Describe other actions for the character Deep breaths, falling to their knees, screaming, choking, cradling the body of a loved one, sad dialogue, other concerned characters, ect. Actions speak louder than words and that is sooooo true in writing. This one of those rare cases where show don't tell is a must.

Ex. (I'm using A and B for the character names cause I'm lazy)

The world seemed to slow as everything came crashing down around her as his body hit the ground, a soft thud the only sound she heard as the grass slowly turned from the light lively emerald of life, to the deep crimson red of death. He was gone. She ran over to him, his quickly fading labored breaths and her crunching footsteps the only sound as the sun shone into her eyes, blinding her. She dropped to her knees beside him, the tears already beginning to fall as she began to choke on her own words, unable to speak as she grabbed his hand. It felt warm in her palm as she clutched his hand close to her chest as the world came crashing back. The burning light of the sun in her eyes, the heat of it and the adrenaline on her skin, her brother's cooling hand, his raspy breaths, her sobbing gasps, the clash of metal against metal, the falling bodies, the raining blood. Then the screams. "A! A! What are you doing?! We're in the middle of a fight! Don't you remember what I taught you?" B nearly screamed at her, causing A to cry out in a mix of anguish and agony, panic finally reaching her as the impact of what had just happened finally hit her.

(Side note: If you liked the example, it will be part of my Fantasy Book series Coming out soon! More in my profile if you're at all interested)

That wasn't as sad as it could of been because you didn't know the characters, but it's definitely better than just an extended description of crying.

Anyway, thank you lovelies and I hope this helps you even a little bit! Love you, continue being awesome!

[Edit: WHY DO YOU LIKE THIS SO MUCH WHAT DID I DO TO GET SO MANY PEOPLE TO LIKE THIS???? I am flattered... Thank you?]

[sha-n-dowbannedlol]

Miguel O'Hara — Love Sick

a/n: i've been slaving over genetics (and biochemistry) lately, and when i was scrolling on tiktok during my break i saw this one superbat imagine and thought of writing it with my favorite geneticist

cw: uh just fluff ig, miguel o'hara is not good with feelings, miguel o'hara is emotionally constipated

You haven't always had the best of luck in your life.

It wasn't so bad that it made you hit rock bottom, but you've had your fair share of moments where you ended up drawing the shortest end of the stick in the game we all call life.

And as you stare at Peter's hand balled to a fist, and yours with two of your fingers pointed out, his hand forming a rock and yours forming scissors, you quickly conclude that this is one of those moments.

Under normal circumstances, you wouldn't put losing to Peter in rock, paper, and scissors as top 5 of the worst moments of your life; however, this is different. To explain just how different it was, we need to go back to a few minutes ago, the reason why you and Peter had to play in the first place.

Not long ago, you received an alert from the Spider-Man 2099 himself asking for backup. You didn't bother to respond as Jess had already reassured you that she's got him—as it turns out, she, in fact, does not have him when she teleported back with an unconscious Miguel draped over her shoulder.

That, in itself, is already worrying enough. But what worried you more was Lyla's report on your boss' situation, relaying the information to Miguel's inner circle of most trusted Spider-people, including you.

"He's been hit with a love potion, an incredibly potent one at that," Lyla reports, her holographic form adjusting her heart glasses and typing away on her holographic computer. "It hasn't kicked in yet, but it will the moment he wakes up," Lyla adds before looking up from her computer, disappearing and reappearing in the middle of the huddled-up spiders

"And when he does, he'll be head-over-heels in love with the first person he sees," The AI informed them in a serious tone, before grinning like the mischievous rascal she is.

"So... Who will the lucky person be?"

It has been decided amongst your group that whoever loses shall be the unfortunate soul that needs to deal with Miguel's affection until Lyla and the other Spiders have concocted an antidote for everyone's admired boss.

And now, you stare back at your hand, then at Peter's, and back at your own hand again. Silence fills Miguel's spacious office as all eyes land on you, and you can feel your cheeks already starting to warm up.

"Can't we just blindfold him?" You spoke before anyone else could, looking over at the holographic AI, who seemed a bit too pleased with the results. "Or lock him in a room or something?"

"Don't be so barbaric," Peter spoke with amusement in his voice.

"Right. Besides, it can't be that bad!" Lyla spoke, her voice with a hint of something that you can't quite put your finger on. Mischievousness? Teasing? Hinting at something she knows but you don't? You didn't know for sure.

"I think Miguel would prefer being locked in a room than being lovesick for an entire day." You respond with a sigh as Peter practically drags you toward where Miguel is currently lying unconscious, and you have no other choice but to let him.

You were a person of your word. You can't possibly back out now just because you lost.

You tense slightly as your spider sense alerts you that Miguel is starting to wake up, feet glued to the floor when he starts to stir.

"You'll be fine," Jess tried to comfort you with a poorly hidden amused smile on her face, followed by Peter patting your back, and you didn't have to turn around to sense that he'd already whipped his phone out to record the whole scene.

The whole room was tense, or perhaps it was just you. Ice ran through your veins the more Miguel moved, and you could feel everyone's eyes on you as his hand moved to rub one eye before finally, finally.

His eyes flutter open.

Ruby red irises land on your form, and you can see a hint of your reflection from his intense gaze. The first person he saw as he awoke.

He stares at you in silence, gaze glued to yours, raking over your visibly tense form as you stare back at him. His face remains neutral, and you're already bracing yourself for his affection—may it be in the form of verbal affection or physical affection.

Miguel then leans forward to sit, before slowly standing up.

You watch as he takes steps toward you, his hand already rising and about to reach out. Your heart skips a few beats, trying to beat right out of your chest to meet his own halfway.

When he was closer to you, you tense up even more, ready to be pulled into his arms...

Except... he just slipped past you.

The hand he raised earlier ran through his hair, his eyes now on Jess.

"Mission report," Miguel demanded in his usual neutral, gruff tone as everyone looked at him with jaws dropped, all dumbfounded by his casualness.

The drowsiness seems to have left Miguel by then as he looks at everyone. He raises a brow in confusion as he notices everyone's stupified expressions and Peter's phone still pointed at him as if they were expecting something from him.

"What?" He asks, brow still raised.

"That's... This isn't how it's supposed to go!" Peter was the first to speak, begrudgingly putting his phone in his robe's pocket.

"Peter, I'm already not feeling well." Miguel responds, brow scrunched as he turns to face Peter, "I have no time for your antics, and that goes for you, too." He adds, pointing towards you on the last part.

Lyla's hologram hen shows up on Miguel's shoulder, bent over and examining Miguel's face, a hand on her chin as she hums. Her boss raises his brow again at this, trying to shoo her away, only for her to keep insisting.

"You were hit with a love potion, Miguel. Quite a potent one, too." Lyla informs the man who's looking at her with a skeptical look in his eyes as she continues, "I calculated its effects would include being down bad in love with the first person you see when you regain consciousness."

Miguel blinks at that, his eyes landing on you, and you recognize the flicker of understanding in his gaze as he does before looking back to Lyla and to the disappointed Peter and the less-visibly disappointed but still very much disappointed Jess.

"Well, it didn't work." Was his simple response, which caused a groan to resound from Peter and a shake of a head from Jess.

"Come on, not even a bit?" Peter asks, looking at Miguel with narrowed eyes. "Look at them, don't you feel like pulling them into your arms and kissing them until the sun sets?"

"First off, that's highly inappropriate," Miguel responds, his hand coming up to pinch his nose bridge in between his fingers to nurse a headache already starting to come up. He says your name exasperatedly, "Please don't mind him. You know how he is."

Before Peter can voice out the offense he took to Miguel's words, Jess speaks up with curiosity and a hint of suspicion in her voice.

"But how come it didn't work?" Jess asks, her brows furrowing in confusion, looking at Miguel, whose face remained neutral despite her questioning. "Lyla was so sure it affected you, and it affected you enough that you lost consciousness, and suddenly it just... didn't have an effect?"

Miguel clears his throat at that, subtly looking to Lyla to give Jess an explanation that would sate her curiosity and make her suspicions die down, but you suddenly spoke to his rescue.

"Perhaps it has something to do with his DNA?" You infer, humming softly to yourself, "His DNA is different from ours, and most of the time, he's immune to potions and poisons because he isn't human enough to be affected by them. Right?"

Your eyes meet Miguel's as you ask for confirmation, and your breath hitches at the sheer intensity of his gaze as he looks back at you. Still, this wasn't anything new. Miguel can be kind of intense and intimidating, even if he doesn't mean to.

"Pretty much." It was Lyla who confirmed your theory on behalf of Miguel, and before anyone could speak, Miguel swiftly interjected.

"Alright, the show's over." He spoke, looking over at everyone and individually giving instructions in order to get all of you off of his back.

"Jess, I need that report before the end of the day. Peter, weren't you supposed to go home early today? Look after your pregnant wife." Miguel spoke before turning to look at you, "And you, I have a mission for you."

One by one, the three of you leave his office, with you being the last one after he briefs you on the mission with Lyla's assistance. Miguel's eyes were glued to your back as you left, much to your obliviousness.

"It worked, didn't it?" Lyla coos suddenly, snapping Miguel out of his thoughts, making him jump slightly and snap his eyes from your figure and towards his holographic AI.

"What worked?" Miguel tried to feign innocence, looking away from Lyla as he turned toward his many screens.

"The Love Potion. It worked." Lyla continues to tease him, grinning at him knowingly as she lays on her stomach in the air, kicking her feet. "You're just so in love with them already that it didn't make a difference."

Miguel remained silent for a while at her teasing words, but the reddish tint blooming on his tan cheeks was enough of an answer to the AI already. Besides, she's the one subjected to Miguel's eyes, always following you around like a lost puppy whenever you're in the room.

"If you tell anyone, I'm shutting you down."

"No, you're not."

".....No, I'm not."

[caseys-breanna]

My favourite Parker episode has always been The Inside Job, y'know why? It's not just what Parker does, but rather what the others do FOR Parker.

Parker has 4 safe houses in the city, but Nate and Sophie know her well enough to know where she actually stays when she's away from the team

Parker's security code. Do you understand the level of trust someone like Parker will have to have to use their name as her security code? To the place that's her own personal sanctuary? Sophie EARNED that level of trust.

'The Sterenko can't be cracked-' 'Can you do it?' 'Nate, it can't be-' 'For Parker. Can you do it for Parker?'

This. Just this.

'I made her. I trained her, and I released her into the world.' 'She was broken! She needed you!'

This stood out so loud to me, because it's not Hardison or Sophie (the more emotionally intelligent ones of the team) saying it. Because it's NATE. It's Nate, the man who couldn't say I Love You to Sophie for so long. The man who got so caught up in his son's death that every job involving kids or medical malpractice he nearly went out of line. NATE, who pushes and pushes and is ruthless and so cold at times.

It's Nate protesting for Parker, standing up FOR Parker, and y'know why? Because Parker doesn't know what she got deprived of. Parker doesn't feel that loss because you can't grieve something you aren't even aware you could've had. But Nate does. Nate saw her injustice and loss of childhood and spoke up, KNOWING she'll never know about him defending her.

'Hardison I screwed up.' 'We're already here mama.'

Do you understand the level of trust and vulnerability it requires for her to say those words? She's never gotten anyone's help after a screwup, she's had to take care of herself on her own. And there's Hardison, right there, not upset, not angry, not disappointed. A right straight - I'm here and we'll get you out.

'Let's get our girl home.'

Do I even need to say anything.

'It's not what we do, we don't get involved!' 'No, that's what YOU do!'

Parker is not Archie Leach's protege anymore. She's Parker. She's the greatest thief in the world. She's the one person to get the entire Leverage Inc breathing down your neck to save her. She has a family who got her back. She has a life and friends and people who may not understand her always but will always support her and be there for her, no matter what, without changing any aspect of her or forcing her to change either. And she saves people, because that's what they do.

'It's your play Parker.'

The explicit trust Nate displays in her. For someone like Nate with control issues and need to be the guy calling the shots, this is practically an all out notice saying 'she's my people, she's my family, I trust her with my life, more than that I trust her with my family and our jobs.'

'No.' 'What do you mean no? This isn't time for crazy, Parker! Come on!' 'No! I need to go back. I need to put the vial back.'

Do you understand what it feels to have someone like Parker, who is practically a ghost and the prospect of getting stuck somewhere is unthinkable, to refuse an escape route? And that too because she wants to help people and not be used to hurt them? In the face of someone who brought her up to only steal? Now that's growth.

Now this is a callback, but when Sophie and Nate first enter her safehouse, Sophie says something that foreshadows the ending. She says 'Look at this. It's methodical. This could be one of your plans, Nate.'

This is a personal choice, but god it's so good when authors and writers and creators give you hints and foreshadow and reward your intuition at the end, rather than changing endings for shock value. Because Hardison isn't ruthless, Eliot isn't striving for control, and Sophie is dramatic, not clinical. None of it would have been worth it unless it went to Parker, which it did.

Man, this fucking show I swear.

[aliceramblez]

Dating The BroZone Brothers 🎤🎶

Tags: Gender-neutral reader, Fluff, Some Angst (mostly for Branch lol), Also Broppy isn't canon here, obviously. But I love them dearly so don't come at me!

Follow me @taruchinator for more structured content and/or feel free to leave a request here in asks. Enjoy!

John Dory

We all know this man is a bit self-centered, and that doesn't stop at your relationship.

He'll find any opportunity to show off for you— anything from singing, to dancing, to just his ‘incredible leadership skills that make him the perfect boyfriend!’

He also definitely introduced himself as a member of the old boy band BroZone, which you may or may not have heard of, which may or may not have left him flabbergasted.

Despite all his faults though, John Dory will do his best to be a good partner for you. It's what you deserve, after all!

Keeping you safe from wild creatures, making sure you're always happy because he loves your smile, and also being the overprotective boyfriend who'll square off against anyone who even dares to make you uncomfortable even if they're 10x his size.

Small detail, but he also loves the fact that Rhonda took a liking to you instantly.

“She knows how to pick the good ones,” he'd say with a wink.

Talks about his brothers CONSTANTLY, but always in a way that makes it seem like he doesn't care and that it's their fault the band broke up in the first place. He obviously really cares about them, though.

Some nights, he'll reflect and regret all the stuff he said and did to them, and wishes he could go back and make it right. You reassure him through most of it, trying to convince him that he was young and just didn't know any better.

He stares at you in awe and disbelief because how could ANYONE think that what he did was justifiable? Abandoning his younger siblings all because of his stupid ego and personal insecurities.

“I really don't deserve you...”

Give him some time he's just emotionally constipated.

Also you BET he's gonna show you off to his brothers once they're reunited, so just let him. He just wants the most important people in his life to meet.

You can also expect them to try and embarrass John Dory with stories from their childhood, so be ready to have a good laugh as your boyfriend plots for murder in the background.

Spruce/Bruce

Probably the one who's best equipped to be in a relationship out of everyone in the group.

He is a family man, after all.

Speaking of which, if you think him settling down in the movie and having kids of his own was cute, it really is! But that just indicates that he has a way with children.

If you have a child or younger sibling, expect them to get dotted and taken care of to DEATH by this man.

He may not have been the sensitive one of the group, but was definitely the most reliable of the eldest, so he's got experience handling little trouble makers that come his way.

He still opens a cantina in Vacay Island, which is where you two met for the first time, and so you help run it occasionally whenever you have the chance. And even though you don't go there 24/7, all the regulars just think that you're the co-owner since you're dating Bruce.

You're the one who finds out that he's actually ‘Spruce’, the member of old boy band BroZone. You just happened to stumble upon an old record he kept in his room, and after confronting him about it, he reluctantly confirms your suspicions.

It was hard to recognize him since he was much older now and his body had definitely... grown over the years.

Bruce doesn't like preaching about those days, since he's quite embarrassed of the ‘immature ladies man’ he used to be back then.

But he won't deprive you of them either, since he'll happily share any stories on his misadventures with his brothers, funny backstage incidents, etc.

He misses them dearly and wishes they're all doing okay.

Two words: Hopeless. Romantic.

He's ‘The Heart Throb’ for a reason.

Roses, chocolates, dances— he can do it all!

Bruce will always make time in his busy schedule to spend time with you, taking you on dates to your favorite spots around the island, getting you meaningful gifts, and just overall expressing his love for you in any way he can.

He loves singing to you because it always serenades you and it puts a smile on his face.

People always joke that he's going to propose to you out of the blue one of these days, which always leaves him a flustered mess, but he never denies either.

“What can I say? I might be waiting for the perfect opportunity...”

Clay

Poor baby doesn't know what he's doing but he's trying, okay?

The two of you meet in the abandoned Bergen Golf Course, where you and Viva welcome him with open arms, and everything pretty much plays as in the movie, except that he really likes spending time with you and ONLY you, which he doesn't quite understand?

You're the one to ask him out cause otherwise you'd be playing this back and forth forever. He says yes.

He's never had a partner before, so he's justifiably worried that he'll mess up in some way, or that you'll end up finding him too boring after a while.

This becomes much more apparent after a particular bad night, in which after mumbling incoherently because of a nightmare, you find out that he has brothers and used to be in a boy band.

He doesn't open up about it at first, so you give him some space and reassure him that you'll be there when he needs you. Just give him some time and he'll tell you eventually.

He talks about how he could never be himself, since he was always expected to be ‘The Fun One’, and now he's basically tried to become the complete opposite in hopes of gaining some control over his life.

But he also worries that others will think he's too dull, and that he just isn't interesting enough to be around. Especially you.

You immediately take his face in your hands and look him in the eyes.

“I fell in love with Clay. Not ‘The Fun Troll from BroZone’ Clay. Also, you're fun in your own way!”

He basically falls for you all over again after hearing this.

After that, he becomes slightly less uptight and allows himself to enjoy the little things. You sometimes actually catch him dancing when he thinks no one's looking and you find it's the most adorable thing in the world, even after he realizes he's not alone and wants the earth to swallow him whole.

“Don't mind me, I'mma just crawl in a hole for a while...”

“No, no- Babe, it was amazing! I loved it! Pleaseeee show me more!”

Overall, he's a pretty good boyfriend all things considered.

He's incredibly overprotective of you, and will always give you advice and tools he thinks will be helpful if you're thinking of venturing outside of the Golf Course.

He asks Viva for dating advice CONSTANTLY and she DOES NOT let him live it down. Of course she has good ideas, though.

He'll pretty much do anything for you, even if it means going out of his comfort zone.

Floyd

Another great candidate for being in a good relationship.

Need I explain myself with this man?

His entire personality revolves around being caring and understanding, so he's definitely always on the lookout for anything that makes you sad or uncomfortable and will fix it ASAP.

Floyd is the kind of person who will ask for consent with pretty much anything you do— from holding your hand, to kissing you, to giving you a hug; he will ALWAYS make sure that you're okay with it even if you've given him the green light in the past.

He's not huge on PDA due to his somewhat shy nature, but if you are, he'll try his best to keep up with you.

This doesn't mean he dislikes physical affection, in fact it's his love language. He'll go out of his way to try and sneak in as many hugs as possible throughout the day and maybe a kiss or two if you'll allow it, which of course you do.

You also try your best to get involved in his own interests, because that's only fair after everything he does for you.

It isn't until one day that he sings for you that you compliment him and he nonchalantly comments that he used to be in a band when he was a teenager.

Cue the reveal of him having four brothers and you begging him to tell you all about them.

Which he does, but you can't help but notice the melancholic expression on his face, so you immediately stop him and apologize for being pushy on the matter and that he doesn't have to share anything he doesn't want to talk about.

He only looks at you with a small smile and shakes his head.

“No, I'm glad you asked. I haven't talked about them in years, so I like remembering the good times, even if they're in the past now.”

So he'll go on and on about them, one by one, and go into excruciating detail about what kind of person they are and what he loves about them. He's especially fond of his little brother Branch, based on everything he tells you.

When he gets kidnapped by Velvet and Veneer, you immediately go to Branch for help.

Once you're reunited, you two basically run to each other and hug with tears streaming down your eyes.

“Did they hurt you?!”

“No, I'm okay! Did they hurt you?!”

“Who cares?”

“I do!”

Floyd is then incredibly happy to introduce you to his brothers, who begin to affectionately tease him about getting himself a partner and you happily step in to protect him from any unwanted bullying.

You also tell him that you like the new hairdo, which only causes him to giggle and kiss your forehead affectionately.

Honestly you guys probably have the healthiest relationship out of the whole group.

Branch

I was really debating whether to include him or not since there's many Branch Reader Inserts out there, but I don't wanna leave my baby out so here we are!

You have a classic childhood friends to lovers situation with him, since you've known him ever since he was a member of BroZone, only being about a year older than him.

You'd help him practice for his concerts and would always give him pep talks whenever he felt worried that he'd ruin the show.

You're basically his number one fan— never missing a concert even if it meant dragging your parents with you so they'd let you get in.

The moment the group disbands and Branch is left all alone, you're there for him and wait alongside him for his brothers to return, reassuring him that ‘siblings would never break a promise’.

Cue his whole childhood trauma and him losing his colors, but it's only because of you that he doesn't completely isolate himself from society. He still builds his bunker though, since he's pretty much scarred for life thanks to the Bergens.

Just like with Clay, you're the one who takes initiative and asks him out, and he's just left gaping like a fish because why would you want someone like HIM?

After reuniting with John Dory, he's also dotting you about how big you've gotten and treats you like a baby, which actually irks Branch much more than it does to him.

He makes sure to remind his brothers that you both are grown adults, thank you very much.

Once the band gets back together, you kinda become a manager of some kind and help them in organizing their performances. Branch is eternally grateful and thanks you for staying by his side all these years.

[delightfullygiddy]

Realized hours in hindsight that one of my supervisors was insulting me by calling me a child just because I pushed the wrong button in a transaction. Nothing bad- nothing terrible happened and was better for the customer- but I remembered hearing her talk under her breath while the customer was still standing there “That’s why you don’t talk while the adults are talking, don’t speak when you don’t know.”

and the killing thing is I didn’t...say anything- i literally let her have control of that entire conversation (she’s the particular one who doesn’t actual look at what you are doing/have done before spouting things to do. (Most likely she just likes telling people what to do and doesn’t actually listen unless you’re a higher up.

So the fact I was still submissive in all senses of letting her handle that scenario and because I did just one thing wrong- she assumed i was trying to take over? And it was literally at the tail end of the transasction- nothing else was going to happen after that. I’d LITERALLY done all the work prior. Ive been here long enough how to do things and yet she treats me like a child. Always coming from the corner saying “you know what you’re doing right?”

its.....a disgusting irritating thing ive gotten used to- but not to the point it doesn’t rankle anymore