#what do I call it though?

[bookshelfdreams]

yk when you see someone share a finished handmade item that they clearly spent a lot of time and money on and it's just. The absolute tackiest thing you have seen in your life. And then you ask yourself why someone would waste all those resources on such an eyesore.

(no, of course you can't relate to that because you're a much nicer person than me)

In any case.

BEHOLD!

A wool coat!

The top fabric is handwoven and handspun, the whole thing is sewn by hand, too.

Leftovers. Barely anything, all things considered, which is very satisfying.

This thing took me well over 3 years to make, on and off. And now I'm done.

Thank you for your attention.

[nelkcats]

The Crime Lord does not stop flirting with me!

When Danny ran away from home and ended up in Gotham he wasn't quite sure what to do, adrenaline was coursing through his veins and all he wanted was a place to be safe.

That's when Crime Alley lit up like a Christmas tree and Danny knew it could be his new home, something about Crime Alley was drawing him in. It wasn't long before he decided to get a job to lay low. Of course, the latter was a bust because Red Hood noticed him almost instantly.

Contrary to his expectations, the Crime Lord took an interest in him but said nothing. He simply asked him to repair his motorcycle like a normal customer in his new job. Danny did and well, he couldn't help but repair some damaged systems and add some modifications. He hoped he wasn't stepping out of line, he just couldn't help himself, it was second nature to repair damaged things.

He thought Red Hood would be angry about it but the man seemed delighted (or as delighted as he could look with the mask), he looked at Danny and asked him what else he could do. Nervously, he told him that he was somewhat good with technology and before he knew it he had been hired by a gang (more or less, they were just asking for some custom orders).

So, technically he established as the mechanic and supplier to the Hood gang, and more specifically to the Crime Lord himself. He gave Hood some upgrades and became his supplier of (mostly harmless) weapons and upgrades. This attracted the attention of most of the gangs that were against the Crime Lord and Batman himself.

Jason, noticing how nervous the guy was assured him that he would protect him and no one was going to hurt him as long as he was around, it was obvious he wasn't from Gotham. For some reason, his new employee blushed every time he said those words.

Danny didn't know if Red Hood understood what he was doing (That was totally a flirt for protection spirits!), every day it was getting harder and harder not to respond to him. His ghost side kept screaming that he got a good match!

Which was technically true, considering that Red Hood had promised him protection and let him stay in his haunt (it became obvious that Crime Alley was his haunt after a few days in Gotham but strangely it accepted him)

Jason continued to promise Danny that he would be safe (poor boy always looked nervous) and Danny wondered how many days he could take the blatant flirting.

[merlyn-red-0]

saw this tumblr ask asking about a kiss (and mr. neil gaiman responded with a kiss that was from The Sleeper and the Spindle, illustrated by Chris Riddell)

but I thought, well what if it was an aziracrow kiss after all idk

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[crowlixcx]

[kaladinkholins]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[poorly-drawn-mdzs]

Turtle Takedown Teamwork.

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[black-and-yellow]

[mr-payjay]

hpd vs bpd vs Random guy they're using as a human shield for their mentally ill nonsense

[do2faj]

The Antichrist

I made MISTAKE after MISTAKE while making this and oh my god I do not have a single idea how this piece even came this far in the first place.

I believed until the last moment that I can fix whatever was going on with my quirky little brush strokes but my patience is just out of stock and I don't think I can stand another hour staring at it

(I am very sorry that I cannot find my reference photo for this piece due to me abandoning it for a month please inform me if you recognize it.)

[sergle]

When ppl will create a "curvy" girl character and get pretty much the whole body's proportions right, obviously they're putting emphasis on bust/hips but it seems like it's being executed well--- except that they completely, fully, and deliberately, skip the stomach entirely. Just nothin there. Not even a whisper. I'm like. Just sack up, make it make sense and be honest with yourself by making it official and say it's canon that they got a tummy tuck. You cowardly ass, yellow bellied, wet brained, upside-down dog mouthed dirty bitch.

[lemongogo]

sketch pile w these two losers (affectionate)

[bluerosefox]

Of Godsons, Fruitloops, and Lois 'I will drag all secrets out into the sun' Lane

Danny loses his parents due to their own lack of safety in the lab (death? Coma? People finally putting their foot down about the Fenton's endangering their kids? Idk pick). Jazz can't take him in due to being in college and living on its campus (and he didnt want to force her into an apartment just to keep him, he saw the prices and knows she'll have to work to make rent) and Danny fears the only place he can go to is... Vlad. (Sam's parents would never let him live with her and Tucker's place doesn't have the room)

Vlad's been lording it over Danny, smug about it all, after all he IS Danny's godfather and he has the space and money to provide for the boy in his time of need.

Only, when digging into Danny's files, his social worker discovers Vlad isn't Danny's godfather, he was meant to be but the Fenton's forgot to send/sign in the final paperwork (even if those documents were the only contact they had with Vlad over the years before the reunion)

No Danny's godparent, the person to take him should anything happen to the Fenton's is....

Lois Lane.

His mom's childhood friend.

[sprucewoodmpreg]

trying out some stuff with jummbox and churned out a quick chiptune area theme for grian, cleo, and etho's base ^_^

[hrokkall]

ULTRATOBER DAY 30 /// ██████

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[cobaltfluff]

the only part time job I actually wanted