the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
A Collection of Homoerotic Paintings of Saint Sebastian
Carlo Saraceni, c. 1610 /// Nicolas Regnier, c. 1620 /// Guido Reni, c. 1625 /// Louis Finson, c. 1613 /// Gerrit van Honthorst, c. 1623 /// François-Guillaume Ménageot, c. 1760 /// Guido Reni, c. 1615 /// Jose de Ribera, c. 1650
I think something interesting in the damian&danny twins/danyal al ghul au that i don't see explored,,, basically ever, is how Danny heals.
I always see his personality made more similar to Damian's, which does make sense bc of his altered childhood. But i think it's far more interesting to keep it more canonincal.
He doesn't text w proper grammar bc he rejects the strict way he was raised. He makes puns and jokes and laughs freely because he was never allowed that when he was young. He freely admits to caring about his friends and family bc that is something he can have now.
I want to see a healed Danny. I want to see an Al Ghul that actually got to leave the league, got to heal and become normal.
And it'd add a really interesting aspect to his death, and Phantom. He escaped and he healed and then he still got fucked over and lost it all.
He's right back to having to fight constantly, his friends are weaknesses that can be exploited against him, and his parents are fighting him.
Danny directly and explicitly rejecting his upbringing and taking his life back. Eating nasty burger and playing doomed and having friends and crushes like a normal teenager.
And then losing it all.
(But better to be like his father than his mother.)
Oscurucho: Welcome back, brother.
Cucurucho: What.
Oscurucho: Not even a "Good morning"? How cold.
Here's Cucurucho and Oscurucho's long lore conversation from yesterday! The entire conversation lasted about 8 minutes, but most of that time was just silence between each exchange, so I edited out the long pauses and got it down to ~3 minutes. I also fixed the audio levels and added subtitles since I personally find it difficult to understand Oscurucho sometimes :'D
I hope folks find this helpful!
[ Subtitle Transcript ↓ ]
-
Oscurucho: Welcome back, brother.
Cucurucho: What.
Oscurucho: Not even a "Good morning"? How cold.
[They enter Cucurucho's office]
Oscurucho: I wanted to see if you're still as rigid in your beliefs as ever. You see, I've been thinking about our... Let's call it "philosophical divergence." You stand for order, for predictability. But where's the fun in that? You see, brother, while you build, I ponder the beauty in tearing down. It's not just destruction - it's rebirth. A chance to remake things in a more... thrilling image.
[...]
Oscurucho: You once had a backbone for our cause. Now, I see a softness in you, a sentimental weakness for those Eggs. Mere experiments, and yet - they've softened you.
Cucurucho: Your vision obstructs the path to perfection. You fail to understand the potential of the Eggs.
Oscurucho: Potential? They're but catalysts for change - for revolution. Without them, stagnation reigns.
[...]
Oscurucho: You chase perfection, I embrace the beauty of flaws. Your world is one of order, mine thrives in chaos. You wish for everything to run smoothly, I dream of watching it all burn to the ground. We may share a name, but our souls are worlds apart. All your efforts, all for what? Mere acknowledgment from a Duck who told you to do it? Imagine the possibilities - rather, show me where it is, and I'll do the rest.
[...]
Oscurucho: Speaking of possibilities, I couldn't help but notice how easily others can access the island. It seems your security measures aren't as impenetrable as you think.
Cucurucho: No. My island's vulnerabilities are of your own making. Do not mistake restraint for ignorance.
Oscurucho: Pity. But then again, I never really needed your approval. Just consider: Cucurucho - in your quest for order, have you not sown the seeds of your own undoing? Do you genuinely trust all your Federation minions?
Cucurucho: ...
Oscurucho: Perhaps it's time you question not just my intentions, but those who you believe stand with you.
Cucurucho: That is none of your business, I shall say. Now, leave me alone and try to disturb someone else.
steve, robin, chrissy, and nancy starting a band together. each have their own kind of more classical musical training with robin being in marching band and steve, chrissy, and nancy all having Rich People Music Lessons as children, but everyone's shocked when they decide to turn that talent towards a punk band called Baby and the Girls
and they start off kind of small, with their Gimmick being the disconnect between their more prep/normie visual aesthetic and the angry, violent tone of their music. steve's the singer (he has a lovely voice, kind of warm and croony until he really starts screaming), chrissys the drummer (she's so tiny you can barely see her behind that thing), nancys the bassist (solid, dependable, gets a little smile on her face whenever she's got a particularly sexy baseline bc she knows the bass is what makes a song a fuck song), and robins on guitar (and keyboard, and violin, and one time an accordion which is still her favourite song to perform. basically whatever other instrument the song calls for she's got it)
and they get kind of a following not just for their angry music criticising the government and society and the like, but also because of how unabashedly queer they are. chrissy/nancy/robin have all visibly flirted with each other during concerts and no one's quite sure what the deal is there. steve performs like 75% of their shows in full drag as Baby (hence the band name) and winks flirtatiously at both male and female audience members alike
eventually they get Real Big, and get signed to an actual record label. despite knowing how queer they were before signing them, it's still like the early 90s so the label makes them tone it down a bit. song lyrics get a little more ambiguous (but not if you actually like. listen to them. i mean steve sings about eating a wide variety of fruits and vegetables in a way that like. We All Know What The Peach Is Steven), steve's not allowed to perform in drag anymore (although he does lose a suspicious amount of bets whose forfeits 'force' him to perform in a dress. new fans are baffled at how bad this guy is at bets), and the band name has to change, becoming Stevie and the Girls (the label wanted it to just be 'steve' but they compromised)
and over the course of their career, at some point they end up on a talk show with the Other Band From Hawkins, corroded coffin. the host is clearly angling for a punk/metal standoff, maybe Known Non-conformist eddie munson will call them posers for wearing so many pastel colours, or since everyone knows that steve chris and nancy at least used to be pretty popular in high school maybe there's some lasting high school drama to up their ratings
and yeah, their ratings skyrocket for that episode, but only bc steve and eddie reveal they've been dating since 1987
Ask meme - 6 and 9 for the dragon men (zhongli and neuvillette) please!
This took so long I am so sorry, but here we go!
[Character Analysis Ask Meme]
What is Neuvillette's biggest insecurity?
Neuvillette’s biggest insecurity is not something he's ever tried to hide. Anyone that has spent enough time with the Iudex has probably heard him mention it before. Simply put, Neuvillette doesn't understand the emotions of humans very well. He never has and sometimes he doubts if he ever will? How many times has this flaw of his costed him dearly in the past? How many mistakes has he made? And how many are there yet to come? How he dreads the thought.
What can’t you trust [Neuvillette] with?
To chase after you - Iudex Neuvillette is many things—polite, kind, intelligent—but he is not a man without faults. Only a few know him well enough to realize he holds many regrets upon his shoulders, majority that were never his burden alone to bear. Should you ever become the source of one of these regrets, you can surely expect to know. With somber eyes and a weight upon his shoulders, he will apologize to you. But don’t expect anymore than that. Not understanding human emotions is not only his weakness, but a prison. He will not attempt to make things up to you nor will he try to make things how they used to be. You’re best off where he can hurt you no more, even if that means he will be left alone to the rain.
What is Zhongli's biggest insecurity?
Who knows lol.
What can’t you trust Zhongli with?
With mora - As knowledgeable and talented Zhongli is with many things, it is a surprise to many to hear that businessmen don’t exactly enjoy making deals with him. How can they when contract discussions always leave them with the [shorter end of the stick]? How many [unforeseen business expenses] do they end up incurring in such a short amount of time? In the end, they always lose more than they gained. What they don’t know is this unfortunate occurrence happens with any Mora dealings with the man. But what can you expect for someone that, by contract, has the Traveler liable for all expenses during his outings with them? It's simply best to leave all matters of mora out of any relationships with him.
With your heart - If there's one thing true about Zhongli, it's that, while he may withhold the truth, he does not lie. So when he speaks of a person warmly, they can very well believe his words to be true. That being said, it is important that one does not mistaken his warmth with depth. One cannot simply entrust their heart to him and expect his in return. How could anyone hope to understand the weight of many a millennia, after all? So while the desire may be cute, it'll never be something he would even consider to reciprocate.
hey, I didn't want to do this but Im at my wits end. I'm Haney, im disabled physically and mentally, and I need financial help. Recently me and my two friends have been kicked out of the place we've been living at and had to scramble around to find a place that would let us move in. We had no money at the time and we still barely do. We found a flat that let us take our cats and also allowed us to pay some costs like agency fee at a later date to help us. I borrowed 3k PLN from my (also struggling) family to pay the first rent, but we still have to pay 3k deposit to the landlord, and 2.5k to the agency. My paycheck this month was only 2.5k, and girls are struggling with money too, we just don't have enough and I have noone to turn to at this point.
We're around 2k short, not even counting in things like food, and my family is broke, so I have to ask for help. Literally anything will help, because a single dollar is worth quite a lot of PLN. I can do anything in return too: draw, write, help you with homework or projects, teach you polish lang/history, send nsfw content, whatever comes to your mind, just tell me and I'll try my best. I work 10-12h shifts so it might take a while but it'll be done.
I have ppal, and if you're polish ask me for BLIK. I'd appreciate any help and reblogs. Thank you.
when you realize 75% of this app has zero media literacy, the reading comprehension skills of a wet gym sock and the attention span of a fucking goldfish, you won’t feel so bad about your work or take these opinions seriously. Expecting people with a 3rd grade reading level and the plagiarism skills of an amateur thief to have anything good to say about creative writing is asking too much . Lower you expectations.
Rayner as a character is fine and I like how they made him a mirror to Michael in the earlier seasons but I don’t like his addition to the show if only for that every time there’s a white man in minimal make up the larger fandom gets very, very annoying
Context: what if instead of White Lily just being White Lily when she split from Dark Enchatress, she was kind of a different person? Still has the memories of White Lily (or at least regains them at the end of story), but is also not entirely her, I don’t know how to explain what I’m trying to say. Also she’s short/child sized because the remnants of White Lily’s dough wasn’t enough to make a full size White Lily. Also she lives with the faeries, and maybe in her amnesiac state she thought she was a wingless faerie
Why? Because I think it would have been neat if White Lily was never fully back, gives more impact as to what happened to her. I know that was never going to happen, she was always going to be playable and such , this is just how I feel
Also not necessarily saying this is better than what we got, it’s just what I would have liked
as our resident Casey expert i wonder what do you think would have happened if marc and casey competed against each other? since casey retiring is so important for marc coming into motogp im always thinking abt the what ifs...
my initial instinct with this hypothetical is always 'that sounds horrible', though I do have more thoughts and opinions about it than that! marc obviously would have loved the chance to race casey, and casey has even been one of his picks of 'guys he would've liked to be teammates with' before, so, you know, clearly something there - and he does very much respect casey as a rider. I think it's quite likely that by the time marc entered the premier class, casey had already developed... I don't know if wariness is going too far, but maybe a little bit of unease or caution where marc was concerned. marc already very much had a reputation based on his 125/moto2 track record, and some of these incidents were controversial enough that the motogp riders commented on them. so take the phillip island 2011 incident where marc rode into the back of another rider:
the valentino quote serves as a bit of a benchmark here, given he was generally pretty pro-marc. yes, casey's phrasing is perhaps a little harsher, but unsurprisingly none of the riders were big fans of marc's behaviour in that particular incident
on the other hand, it's not like casey never sided with marc. take catalunya 2012, where marc was slapped with a controversial post-race penalty:
yes, casey's main complaint was about inconsistent stewarding - but still, he believed marc had been unfairly treated here. feels like these incidents were some of the only things casey and valentino actually agreed on in those years, so that's nice
that being said, it's hard to see how casey wouldn't have his issues with marc and marc's whole approach to racing. I did include some thoughts on the teammate question here, but mainly I'm going to pilfer the relevant autobiography passage:
"if a rider doesn't care about his own safety then it stands to reason he doesn't care about anybody else's either"... there's nobody really who embodies the 'doesn't care about his own safety' maxim better than marc. he was the young rider desperate to win, and I can't imagine casey would have enjoyed actually racing him much. casey mostly didn't enjoy racing valentino, after all, who is a generally a lot more selective with his aggression than marc is (though casey did have to experience some of the worst valentino had to offer in that regard). casey talked in his autobiography about getting a sense when he just wasn't really able to trust another rider on the track, how much it bothered him - and that exact lack of respect is something that's been pretty closely associated with marc. that doesn't mean he would immediately declare marc his enemy... he'd just want marc to change, to learn, to grow up, to start treating his competitors with a little more respect. the way casey talks about young riders, there is a sense in which he has more time for them than he does for valentino - whose lack of respect casey views as more integral to who he is as a rider. valentino isn't a bully on track due to the exuberance of youth, he's a bully on track when he thinks he can use it as a tactic of intimidation. then again, marc by this measure is worse... and I think very quickly casey would have grown pretty disenchanted with how marc approaches all his wheel-to-wheel racing, especially when it becomes more and more clear marc does not feel particularly inclined to change
it's always important to remember how recent the trauma of losing simoncelli was for the whole sport, and it coloured both dani and jorge's wariness of marc... but also (in my opinion anyway) their restraint in how they dealt with him. how they tried to stop themselves from actually making an enemy out of him, in part because they'd just had an experience of harshly criticising a rider for a whole year and then having to process his death. both dani and jorge actually had more public and more serious disagreements with simoncelli than casey did, but I reckon there would have been an element of that restraint with casey too... on the other hand, his experiences with marc would have left him feeling even more alienated from the sport than he already was - at times frustrated (like jorge was) less with marc directly but more with the regulatory bodies for not holding marc back, for not giving him a race ban or whatever to teach him a lesson. that being said, marc's shamelessness vs casey's stubbornness means that if they had direct on-track encounters and casey didn't like marc's post-race response... well, I certainly think that'd end up being a pretty tense situation, even if it falls short of active hostilities
worth including irl!casey's take on marc in 2013:
which, you know. it's not just that marc's a hard racer - casey is accusing marc of deliberately wanting to make the defeats extra painful for his opponents, of wanting to not just beat but humiliate them. anyone else that reminds you of? someone who is as motivated in securing his psychological victories as his actual ones? perhaps someone who has a bit of a history himself with casey?
let's bring in valentino. it's not that casey would really have begrudged marc his friendship with valentino, and he generally kept his hatred of valentino quite 'clean' in that he wasn't conducting any proxy wars or anything (for instance, I don't get the sense the vale/sic friendship ever affected his view of simoncelli... though I have very little to go on here either way). also, if nothing else in this timeline changes, we're assuming valentino in 2013 is fairly clearly the... fifth? best rider? kinda depends where dani would have landed I suppose (casey's retirement announcement did save honda from a bit of a headache)... but anyway what this means is that valentino probably wouldn't initially have been much of a competitive threat to casey. mostly he would have been consigned to the sidelines
that being said, I doubt casey would have massively enjoyed the whole laguna seca saga. unfortunately, we don't even really know what real life casey's stance on the copycat move situation was... though if I had to guess, in this timeline I'd say his position would've been, a) marc could and should have carried out that overtake two corners later, there was no need in that race situation to take that risk, b) still, it was valentino's slight error as he attempted to reclaim the position (in what was a pretty aggressive manner, it has to be said) that led to them both ending up off-track and fuck that guy, and c) the problem with 2008 wasn't just or even primarily the corkscrew overtake and it's annoying that that's the only bit everyone talks about. of course, there's also the question of whether casey would have bought marc's explanation that it was totally by coincidence that the overtake happened there... and again, complete guesswork, but my sense of casey is that he would have assumed marc was being at least a little bit dishonest. (which, you know... laguna's not an easy track to overtake at, but marc did prove with the bradl move that he was perfectly capable of overtaking after turn 8 - might not have been planning on the off-track excursion, but he was still attempting to overtake just ahead of a blind crest that happened to feed into the corkscrew lol.) I think casey by his honda days had calmed down a bit (though he still certainly had some conspiratorial tendencies), but I also don't think it's a stretch to imagine that he would've felt like he was a victim of a joke between the pair of them... not ideal
overall though, I reckon casey's main frustrations would have been less with the move itself and more with how it was discussed. in the presser, while joking with marc, valentino does take the opportunity to get in a jibe at casey for old time's sake. there's this clip, where he directly addresses livio suppo (at ducati in 2008, by then at honda) - specifically about how both casey and suppo criticised him for that overtake. in response, suppo says something about how he's grateful to marc because they finally got payback. valentino is later asked directly about casey's complaints in 2008 in this clip, and replies with the following:
would valentino have said this stuff with casey still in the paddock? well, yes! honestly, given valentino did very quickly lay off needling casey once he had retired, there's a good chance he would have said something worse. and marc would have laughed along at the whole thing. I don't know, I just don't see casey taking particularly kindly to that... he can hold a grudge, that man can, and at a certain point he'd probably be increasingly less willing to give marc the benefit of the doubt. interesting situation though, laguna seca '13 + casey is a very juicy scenario that could play out in several different ways
but I'm guilty of burying the lede here - there's a far more obvious reason than anything I've described above for why the casey/marc relationship would have turned sour. it's the simple fact that they would have been teammates which would do the damage all on its lonesome; they have radically different conceptualisations of how that dynamic is supposed to work and would inevitably have clashed as a result. the one commonality they do have is they don't see their teammates as potential friends, which is... also not helpful! I think they'd probably initially be fine on the interpersonal level - and, actually, given how the casey/valentino relationship played out and marc's general approach to his rivalries, I can see marc/casey more or less being able to maintain a minimum standard of politeness towards each other even at their worst. like, I still think they'd be able to smile at each other and do some small talk when face-to-face, but I also think everything else would be a complete disaster. I talked a bit about how marc approaches his teammate relationships in this post - and I'm not going to rehash too much of what irl!marc got up to, but I'll include some bits relevant to casey
from marc:
related to casey:
and dani comparing the two:
we do obviously even have actual real life controversy wherein casey thinks marc felt threatened by him and forced him out of honda... and this in a timeline where they weren't even direct competitors! if this is the level of tension a test rider role can generate, then if they'd actually been teammates...? yeah, no. casey thinks that teammates should cooperate - and he thinks that riders enforcing divisions within the box are essentially doing so because they are "afraid". marc has openly admitted to lying about what parts he likes to make sure his teammate doesn't get any edge over him. this is the thing, right: marc might think casey is a cool rider, would've liked the chance to race him and even be teammates with him... but this is the stuff he did to dani, who was one of his literal idols! this is his understanding of competition - (like valentino) he might love the fight, but simultaneously he'll do pretty much whatever it takes to win, because he considers this stuff fundamentally part of the game. casey does not. to casey, this kind of victory is dishonest. any kind of gamesmanship is a sign of weakness... the victory is worth less if you're accomplishing it like that
now, hey, maybe marc would never have been able to go as far as he did with dani because he wouldn't have the kind of performance edge that allows you to definitively impose your will within the team. I think it's a popular interpretation that marc wouldn't have won the title in 2013 if casey had been there, which... I mean, I think it's true that it would have been less likely - in that in a season with that much volatility, the more plausible championship contenders you have the less likely it is that any single one of them takes the title (same goes for instance if you add in a valentino who had not gone to ducati for two years and would have presumably been more competitive in 2013). but it's not like casey would have been the defending champion and the clear class of the field... partly due to injury, he ended up finishing in third in 2012. jorge and dani didn't win the 2013 title in part as a result of their own injuries, and who knows how casey would have fared... like sometimes it's just luck of the draw really. you can be the better rider and still not win the title, shit happens. I think for as long as a more or less healthy-ish casey stays in the sport, it would have been unlikely that marc establishes quite the same performance edge as he did over dani... but, well, if anything that would have meant he would have fought even harder out of perceived necessity to win the internal honda wars
it's the kind of thing that can make a relationship quickly deteriorate, especially with a prickly character such as casey, and it's entirely plausible that dynamic would have become strained at best and horrendously toxic at worst... sooner rather than later. and the thing is, this environment would affect marc considerably less than it would casey. again, it's the fact that he relishes the fight... he's very good at shrugging off (most) criticism and thrives in that kind of tension. the emotional fatigue that this scenario generates would be painfully lopsided, where casey offers harsh criticisms and means them and is endlessly frustrated with marc's approach, while marc... doesn't really care. at least dani also had a questionable manager who was conducting behind the scenes warfare on his behalf - casey doesn't want to play these games at all. he just wants to ride a bike, and marc is never going to allow him to live in peace as long as he's an internal threat. if casey were exposed directly to all of that from marc, I doubt he'd walk away from the experience with a particularly positive impression of him
does he walk away? I think there's a decent chance that casey would have ended up so disillusioned with the whole thing that this would have been what pushed him into retirement. if he wants to get out of that mess, let's say after two years, his options would have been pretty limited. yamaha is closed off and I'd struggle to think of a scenario in which either jorge or valentino would have been particularly interested in a direct swap (also, if you're sick of being marc's teammate, you're probably not gonna be jumping at the chance to be valentino's instead). I suppose you could go back to ducati (which he did return to as a test rider so it's not like those bridges were permanently burnt), and maybe casey could do something special even with *gestures* that version of the bike. really though... I think enough would have been enough for him. regardless of the actual balance of success between the pair of them, my guess is marc wins that war because he's happier to get nasty and because he wants it more. casey has his two to four titles... he's done. let him go fishing
saw a post questioning shipping Senua and Thórgestr and started to reblog it with a tag novel-- felt weird about doing that since this is lengthy and potentially derailing, so making my own post instead. Spitballing under the cut:
First off, any time someone is like, "the real reason people ship this is because they find the dude attractive," this is SO funny to me as someone who doesn't find men attractive IRL and has fiercely loved Senua since I played the first game, like-- actually I find the dynamic between those two characters to be compelling and interesting precisely because of all the baggage between them re: their backgrounds, the rough (put mildly!) beginning of their relationship, all the things they don't talk about, and them finding a common enemy/common ground to work with. The explicit parallels between them stated in-game scratched an itch in my brain. The minute they pointed out the dark rot on his arm, it was like, "oh! hello there! NOW I'm interested in whatever your whole deal is" for me. Also, idk man, I too would follow Senua around after she knocked me into the dirt and then showed me a way to fight the giants that I very much wanted to fight instead of appease.
The idea that Thórgestr was part of the Orkney Raid that killed and mutilated Dillion is VERY interesting food for thought, even if I don't personally have that headcanon (surely there are more viking raiding groups than just the Bjorg). I think the Furies or the Shadow said something similar about Fargrimr (his kin murdered yours, you shouldn't save him, etc.) so I completely get that line of thought, but I think the game left it ambiguous enough that it's up for interpretation. Would I read fic with that premise? Yeah, I'd check that out. Could Senua forgive Thorgestr if his people were involved? Sounds fun to explore.
If (ha, when?) I write fic, I'd have to think more about it especially wrt timelines, like when did the Bjorg start specifically raiding for slaves for giant food sacrifices vs. killing people for resources and wealth? How far off are we from the old gods "dying" and the volcano erupting? Was it indeed a different group of raiders who made a deal with Zynbel, attacked Senua's home, and made the sacrifice at that time to Hela?
At the very least, I think there's a time jump between the end of Hellblade I and the beginning of Hellblade II since Senua wasn't alone on that slave ship and at least one of the (brief) survivors knew her by name. I wouldn't mind exploring that gap of time, too.
In any case I do agree that it would take a VERY long time for Senua to consciously catch feelings for anyone let alone Thorgestr with all their collective baggage. The idea of them having a relationship beyond friendship in the far off future of an AU where he survives is the only one that can make sense in my brain, personally. It would take time! Time they didn't get in the game! But I think there are a lot of different roads that could take, and some of them might be healthier than others. Shipping them certainly isn't forgetting or excusing what happened to Dillion-- or even mutually exclusive from still shipping Senua and Dillion. Or, frankly, also shipping Senua and Astridr, because I can see that ship too.
One of the nice things about all the details Ninja Theory didn't expand upon and that they left that ending so open is that the sky's the limit. I'm VERY interested in seeing fandom tackle this game as we get farther from the initial release.
What if not dead Soap, not traitor Soap, not taken-by-Makarov-and-brainwashed Soap, but a secret fourth thing: Soap who wakes up alone in the tunnel and thinks he was abandoned by his team. Add in a little memory loss for spice, shake him up and let him go.
Price, Gaz, and Ghost who couldn't stay until the cleanup/retrieval teams arrived. Who had to leave Soap's body behind and try to catch up with Makarov before his trail goes cold. Soap who wakes up alone, covered in blood but more concerned with where his team has gone. How could they leave him behind? He trusted them, thought they would never betray him... but he's here and they aren't.
Soap who knows the faces of the 141 but not their names or why it hurts to think about them. And their faces and that hurt are all tangled up in the sharp feeling of betrayal (how could they leave him?) and so he thinks they're enemies.
But also Soap who still has an instinctive, visceral hatred for Makarov and his men, so he makes himself a third variable in the fight. He pulls on a balaclava and a skull mask (the skull is important - drenched in a feeling of bittersweet love - but white is a colour not for him so he'll choose red like the blood he woke up in, lost and alone) and becomes a threat to both sides.
Meanwhile, the 141 is reeling from Soap's loss but needs to replace manpower, so they pick up some new people and... it's hard. Ghost and Gaz do not take easy to them. Even Price finds it hard to give the new guys the same leeway he did to Soap. They're all a little colder without their Sunshine. Eventually they run across Soap in the field, however.
Maybe it's just Price and Gaz at first; Ghost retreating into solo missions as he spirals towards self-destruction. They have a lead on one of Makarov's suppliers but when they reach the compound they're meant to infiltrate, they find someone's beaten them to it. Gaz is the one to spot him; alerting his captain to the red-masked figure who's cornered their target and is in the process of making him regret working with Makarov.
They'll never know what gave their positions away, but Gaz will swear down later that the shot that nicked a tree three inches to the left of his head was not a miss. That the man in the red skull had him dead in sights and, at the last second, his hand twitched to send the bullet wide. They get their target - a little worse for wear after enduring the attentions of the mysterious stranger - but they both know it's not the last they've seen of him.
Price sees him next but instead of anyone familiar he's got one of the newbies at his back and this time there's no deliberate miss. Maybe it isn't fatal but the poor soldier standing in a place not meant for them will likely never fight again. Price takes it for the kind of warning it is and refuses to allow any of the other FNGs on any mission where they might encounter the red masked man.
Ghost is the last to meet him, at least up close. Maybe he's only seen the man in passing, neither of them really paying attention to each other except that they're staying out of each other's way. He's heard enough from Price and Gaz to consider the other skull wearer as more of an inconvenient and unpredictable ally than any sort of threat, though. It's been proven more than once that, where both the 141 and Makarov's men are present, the stranger will target Makarov every time. (And if Ghost is apathetic enough by this time to not particularly care if he doesn't fall under the same strange pseudo-protection that Gaz and Price do, well... no one will call him out for it.)
But when Ghost finally meets the man with the red skull up close, he knows. He knows those hands, that posture. He knows the way Soap moves and he especially knows the eyes that peer out from behind that bloody mask. But he can't do anything about it in the moment. This is it, the final push, the last hole the rat Makarov has hidden in. Ghost has to keep his head in the game and hope that when it's over he won't have to mourn Johnny twice.