#when you write stuff like this it's because you don't have real love for any of the things

[alexanderwales]

The worst thing about creative AI right now is that it produces bad results. The writing is bad, the images are bad, and the video is bad. It's impressive, sometimes, that the technology works as well as it does, but it's still bad.

I think if you sit down and go through a few hundred generations, then tweak and edit and inpaint and think intently, you can sometimes get something worth putting in front of people, if you have the right eye for it. I could definitely edit up an AI-written short story into something worth reading, especially if I was the one who had fed it the prompt and gone through the work of having my own ideas to insert. I think at least part of the output would be the AI's, and I could carve away everything that was nonsense or just bad, leaving only a few turns of phrase or some general boilerplate structure ... and this would take more time and effort than just writing the thing myself.

Most people who use generative AI do not want to do any work, and in fact, have no conception of what work would be required. Most of them are consumers, not producers, and they're used to the modes of content consumption, where you don't look closely at the details. Generative AI, in its current state, just kind of sucks when you're in a "press button, get results" mindset.

The stuff generated by "press button, get results" is the vast, vast majority of AI art that you will see, even accounting for filtering effects. There are a lot of people who have no love of artistry producing artwork via machines that are not good at making artwork, sometimes just for a lark, sometimes with profit in mind, and it's threatening to drown out other stuff in spite of being bad.

This is my thesis: generative AI produces bad results, and this is possibly the worst thing about it. If it were able to produce good results, I think that a lot of people would be less opposed to it. If you could get a short story that was worth reading, or a picture worth looking at, for no additional effort of manipulation or prompt engineering or whatever else, then we would be flooded with good art instead of bad art.

When it comes to art, I care about how it makes me feel, and what it's trying to say, and where the intent is, and what ideas it has. AI is not there. Possibly it will never get there. But sometimes I see a picture that the AI has made, and I do feel something in the sweep of the lines, or the composition, or just the juxtaposition of elements. It's just really really rare, and the product of either chance or really careful work on the part of some human. It's not something that the AI can do reliably, at least at the moment. You can also quibble about intent, because the AI "has none", but I find beauty in nature too, which is not trying to make a statement with its sunsets, and whose intents, if they can be said to exist, are mostly about things that are orthogonal to my perceptions, like the plumage of a sparrow or the curved leaves of a fern. To me, art is art because of the way that it can be read and the emotions that I feel when I look at it. Contentious, I'm sure, but I don't find other definitions all that useful.

But the art that the AI makes is, unless expertly guided, bad. And there's a ton of it, and it's impacting the ability of real artists to make superior work.

I think the future I see, if the AI doesn't get better, is one where we have a bunch of cheap shit that's replaced a lot of good expensive things. I am in favor of cheap things, but I'm not in favor of shit. I would love for translation to be as simple as pressing a button. I would love to have a good painting to go with every chapter I write. But we're in a world where the results mostly suck unless you're willing to put in quite a bit of effort and have some expertise in a field of creative endeavor, and that means we're in a world where the products are bad.

I'm interested to see how the conversation shifts if the results start getting better, because that seems to me like one of the sticking points.

[lord-squiggletits]

It kinda sucks how Optimus Prime is a character who people (in real life) expect to be so Indubitably Good All The Time that they immediately shut down and refuse to acknowledge him whenever he does bad things or fucks up. Like I don't think I've seen any other character in this fandom get the same instantly negative reaction/never talk about him ever treatment that IDW Optimus gets.

Like, it's either him being a cop or the annexation of Earth. But instead of actually engaging with the story and going "so how does being a cop affect the way he treats and is treated by others" or "what led Optimus to annex Earth and how is this a reflection of his ultimately heroic ideal to treat organics as equal to Cybertronians despite the historical racism of his species"

people just instantly shut down and go "oh he's an asshole, he's stupid, he's not my Optimus, he's a bastard, he's edgy" etc etc and refuse to even like fuckin talk about him

It's so incredibly childish lmao especially when the IDW1 continuity in particular is already rife with characters who are also assholes that do stupid/regrettable things but people have no problems talking about/analyzing their stories.

My kingdom for a fandom that's willing to talk about IDW Optimus without immediately shutting down and just going "he's bad he's a bastard he sucks"

[keeps-ache]

brrrba pa pa da de do ♩

[kurominiiiz]

The amount of incest, noncon, and pedophilic jjk smut content is getting out of hand.

"Just scroll if you don't like it!" - this doesn't negate the fact they're posting disgusting scenarios. They're targeting an audience of people who should seek therapy. That kind of shit is not okay.

It's like saying "scroll part a zoophile account on Twitter if u don't like it." See how stupid it sounds?

This Fandom is slowly becoming one i regret being in because of just how disgusting people are becoming. Come on guys, do better.

It's okay to have kinks and fetishes, but that doesn't mean they're okay. It's not okay to sexualize minors, it's not okay to sexualizw little space, it's not okay to sexualize r//pe! I get dubcon, but noncon? That's literally just nonconsensual sex.

Anyways. Rant over. Do better, people.

---

Edit: I have MUCH more to say on this now that I've read some other inputs:

The problem isn't "block and move on" or "ur arguing for fiction..." it's the fact people are exposing minors and already mentally ill people to VERY REAL and DISGUSTING scenarios. It doesn't matter that they're fictional, what they're writing about is a real issue. Blocking tags doesn't work most of the time, so stop saying to shut up and just use that feature.

Another thing is that people are making these writings so normal that they are making others think it's okay. When I was younger, I had unsupervised internet access and was exposed to smut like this. It messed me up and got me institutionalized because I didn't know it wasn't okay to talk about. Minors nowadays are also very unsupervised and will come across your stuff. I'm worried for the next generation.

Last thing, the excuse "they're just fiction" is flawed because you're ignoring the PSA! You wouldn't say this if it was about something else, right? If someone was saying: "I love lolicon!" You wouldn't block and move on. You would call their asses out and comment bomb them. It's the same concept, except on a broader spectrum. You're enabling the behavior of these vile creatures that need serious help. You're not doing anyone any good by saying "this is so unnecessary" or "they're fictional..."

(Update: read this post about my asks if you plan on sending a hate message or threat lol)

[woobie-wan]

Hurlbut, Jesse D. and Swanson, Vern G. (2009) "Dynasty of the Holy Grail: Mormonism's Sacred Bloodline,"BYU Studies Quarterly: Vol. 48 : Iss. 2 , Article 11. Available at: https://scholarsarchive.byu.edu/byusq/vol48/iss2/11

The Virgin Mary was born in England (or Ireland);, Jesus visited England to study with the Druids; Joseph Smith is a direct descendant of Jesus Christ; the Holy Grail of King Arthurian legend represents Joseph Smith and the light and truth of the gospel as restored by him.

[parfaitblogs]

false god ❀ s. reid x reader

in which spencer (literally) cannot wait to show you how pretty he thinks you are tonight. 

pairing: spencer reid x fem!reader genre: smut (18+ mdni) tags: established relationship. public stuff. fingering. the team is there. readers wearing a skirt. he looooves you. they're at a bar. kinda soft dom!spence but like only if you squint. i have never posted smut before if im missing tags tell meee word count: 1.9k a/n: biting the bullet. posting smut (shudders). i have a singular roman empire and it is spencer reid plus fingering. i think about it sooo often. i do not think he would be the type to actually do this in public so yes it is self indulgent yes u can all call me crazy!! idgaf!!! i feel like the pacing in this is kinda weird pls forgive i never write smut :< if it's bad don't tell me let me be blissfully ignorant thank YEW!!

You were pretty sure there was something wrong with him (Spencer Reid). Something fundamentally broken in his brain, because he had not said a word to you that made sense from the second he picked you up from your apartment that evening. 

A lot of 'mhm's' and 'yeah's', which from maybe any other man would be normal, was not from him. He didn't speak incredibly eloquently, per se. But he did always respond to you in sentences. He liked to talk, so this lack of it was concerning you. 

He was seated next to you, in the booth Penelope Garcia had scouted out the second she stepped foot into the bar you were all meeting at. It was supposed to be a simple evening. Some drinks, some talking, winding down after the awful case you had just come back from. Spencer's lack of talking had you feeling anything but (simple). 

"Are you okay?" you had asked him when half the team stood up to go purchase the second round of drinks for everyone, and he wordlessly nodded his head, staring at the glass of water on the table in front of him, condensation sweating down to the wood. 

He wasn't. But there was only so much you could do for him when he was shutting down, especially in a public setting, so you nodded your own head, and settled into conversation with JJ instead. 

His hand found your thigh at some point during the conversation, and while you had flinched at its first contact, you didn't think much of it — he was never one for huge displays of affection, but he loved having his hands on you. An act as simple as a hand on your back had you swooning now, because you knew in his mind, he was thinking everything there was to possibly think about you. 

What you did think much of, was the way it crept higher as the team returned with drinks, and the noise from your booth got louder as conversations clashed with each other. 

Your head turned to the side, eyebrows furrowing, but he was still staring at his half-drank glass of water, with no real expression on his face. Frustratingly so.

He was never cruel, you learned. It was why his next action didn't occur until you had finished your sentence to JJ, as if to prevent what would've been your vocal chords tightening and lifting the octave of your voice as you spoke. 

It was such a featherlike touch it was hardly there, and you probably wouldn't have noticed it if he didn't do it again. And again. And again. One of his fingers brushing delicately over the centre of your underwear in a quick swiping motion, that had your head snapping to the side, meeting his jawline and his unwavering gaze with his glass of water. 

"Spencer," you muttered, and it was only then did he tilt his head down to look at you, raising an eyebrow. "What are you doing?"

His hand wrapped around the side of your inner thigh and tugged you across the seat, closer to him, his head ducking down to speak. 

"You're really pretty," he murmured, and your eyebrows only furrowed further at that.

"Thank you," you decided to say. "But what are you doing?"

"I just wanna touch you. Is that okay?"

You were silent for a moment. Maybe a moment too long, because he was already pulling his hand off your thigh, nodding his head.

"I mean, yes," you quickly say, catching his wrist before it could stray too far. "I was just confused where this was coming from."

"I really like the skirt," he explained, and your lips parted and an amused huff of air left them. Of course.

"Me too."

"Need you to wear it more often," he then said, his hand finding its way back between your thighs. "Please?"

"Maybe," you said, because it was all you could say, considering he was moving things along a little bit faster now that you had consented (not that you think you would've denied it). 

His ministrations were small enough that you could keep your voice steady as you kept conversation going with JJ, but firm enough that you squirmed every thirty seconds. He, on the other hand, was acting as though he was doing nothing to you, engaged in a conversation about the origins of pasta, with David Rossi. 

"I mean, in Greek mythology, it suggests that the Greek god Vulcan invented a device that made strings of dough. Which could be classified as the first spaghetti," he said, and at the same time, his fingers slipped beneath your underwear, brushing over your embarrassingly wet folds. 

You watched him stiffen, only because you had killed your conversation with JJ with one too many 'uh-huh's', and his jaw locked.

You were merely observant as he circled your clit a few times, until you were picking up your drink and forcing yourself to sip on it in order to keep your mouth busy — instead of releasing a moan that you really didn't want the team to hear. 

His gaze flicked to you for only half a second, and you met his eyes with an embarrassingly desperate look, and he laughed, oh so quietly, before a finger slipped into you. 

It was so gentle you thought you would go insane, and he rested the finger there for a few seconds as he responded to an argument Rossi had made about the Italian's inventing bolognese or whatever. You weren't really listening. 

The internal war you were dealing with; a pool of fiery butterflies in your stomach and the constant screaming to stay quiet in your brain was a stark contrast to Spencer's relaxed state. Because he had lazily began to move his finger like it was Sunday morning and he was easing you awake, and not in the middle of a Virginia bar with conversations amongst the team happening around you. 

You hated him for that.

Your hips squirmed when he crooked his finger, and your free hand bolted to his wrist, holding his hand still just before he could do it again, and elicit a sound from you.

The second Rossi had become immersed in something Morgan had said, Spencer's gaze was returning to you, an amused smile stretched across his lips. 

"You okay, honey?" he murmured, ducking his face down to kiss your cheek, heat blossoming on the spot. 

"I am trying so hard not to make a noise," you said, and he smiled, and you could feel it against your skin, wonderfully so.

"And you're doing an excellent job of it."

"You know, if you just took me to the bathroom..." you trailed off, eyes flickering up to him. 

"Not happening. Do you know how many germs are in public bathrooms?"

"Probably as many as the seat you're currently fingering me on," you hissed, voice hushed. 

At that, he pushed the heel of his hand against your clit, and you choked out a mewl. 

"I can stop," he said, though it didn't come out as a warning. You knew he only offered it because he would get the reaction of you violently shaking your head. "Right. No bathroom."

"No bathroom," you agreed with a flip of your stomach. 

His attention was captured by a conversation again, and with it, his finger began moving again. He was moving it with such an expertise that if this was any other situation you'd be impressed. Unfortunately, you were a little preoccupied with trying not to make a sound to appreciate how well he knew your body. 

Lazy pumps of his finger had you reeling and he was hardly doing anything, which was definitely going to be embarrassing to think about later on when he brings this up. Like you knew he would. 

Your A+ streak of making no noise was interrupted — quite rudely — by him slipping another finger in, the uncomfortable stretch that only lasted a second eliciting a whimper you couldn't keep to yourself. His eyebrows shot up and you were thankful Rossi had not been looking at him when his gaze rested on you again, and that the music in the bar was loud enough to drown out the sound to anyone who wasn't listening for it. 

"Too much?" he asked, but the second you felt him slowly pulling that second finger back, you were shaking your head, nails digging into the wrist that you still had captured. 

"No. It's not. Promise."

He smiled, and wordlessly nodded his head as he allowed the finger to straighten inside of you. Then, he moved them in and out of you a few times, achingly slowly. 

"Spencer," you breathed out, frustrated. 

"Yes, angel?"

"Can you please... just... go faster," you bit out, heat flushing your cheeks. Again.

"That would make it obvious," he answered, and you let out a huff of air. You knew he was right. "But," he added, upon detecting your annoyance. "I can do this."

He was once again proving how well he knew your body, because his thumb so easily found your clit, and circled it in a way that shot sparks up through your body.

"Yes you can," you agreed, nodding your head eagerly, and he breathed out a chuckle.

It seemed to be a lot easier to do that fast enough and hide what he was doing to you at the same time, because his fingers bent upwards at the same time he flicked his thumb over your clit, and whatever self-control you thought you had was swindled.

Your teeth bit down on the disintegrating paper straw, just to stop the moan that caught in the base of your throat from leaving it, and at that, he did it again. 

Spencer Reid was good at a lot of things. Making you come from the lightest of touches seemed to be joining that long list. Your head buried itself into the forearm of the hand that was touching you, at the same time he used it to push your hips back into the seat when they had begun to lift upwards. 

"You're making it obvious," he said to you, and what you're sure would've been a wonderfully eloquent argument died in your throat when he flicked your clit again. 

"I can't," you managed to get out, shaking your head as your fingers dug perhaps a little too hard into his wrist. 

"No?" he mused, though didn't stop his movements. You shook your head. He smiled. "So you want me to stop?"

"No."

"Mm, you're conflicting yourself, angel," he said, and you groaned for more than just how he was making you feel because you knew that. 

You bit down on his arm through his shirt to silence another moan when he pushed his fingers in a little harder than before, and if it hurt, he didn't say anything. You decided it must not have, because he repeated that movement. 

You were fighting against the need to squirm as your stomach tightened. And he must've figured out what was happening, because he masked your incandescent need to moan by using his opposite hand to entangle within your hair, bringing your face into his chest, acting as a hug to anyone who could see you. 

"There you go," he murmured, awfully gently, in your ear, as your walls fluttered around his fingers. 

You weren't sure if you were imagining your hips jerking until he was slipping his fingers out of you and pushing them down into the seat again.

He wiped his fingers against his pants, and your lips parted, eyes staring at him, dumbfounded. 

"What?" 

You shook your head, regaining a little self control as you settled down. "Nothing. I'm wearing this skirt again, though."

"Good."

your reblogs and replies are always appreciated dearly ♡

[hellisharchive]

Hiii!!! I was wondering if you can do headcanons of what kinky/perv stuff that hazbin men (alastor, Lucifer, husk, Adam, val, etc) often do?

Plus I love your Adam fics!/headcanons

Have good day :3

・﹒・ perversions of the soul

Warnings: 18+, sexual scenarios, sexual comments

Pairings: [Separate] Lucifer, Adam, Val, Vox, and Saint Peter [Yall know I couldn't NOT include him, right?]

Notes: Hi, thank you for requesting! Because I don't write for Husk or Alastor won't include them, but I'll include the others! It's purely because I don't know how to write them in this way! I hope that's ok! :D

﹒Lucifer﹒

・He is a thighs man, he will stare at your thighs for hours if you let him. You've caught him so many times looking at your thighs and every time you lightly slap him on the shoulder because you know all he's thinking about is shoving his face in between them.

・He loves to whisper dirty nothings into your ear to make you flustered in public, he lives for your reactions and red face as you try to remain calm. Just seeing your reactions and you slowly growing horny is enough to make him hard alone.

・While that man can fuck good- he revels in giving oral sex to you whenever he can. He loves eating you out and sucking on you until you're cumming over and over again. He thinks you taste absolutely delicious and can't get enough of you. He's cum-drunk in all sense of the word.

﹒Adam﹒

・This man isn't as kinky as you would originally think- but still explores sexually occasionally. However, if you got boobs, he will never get enough of them, and will motorboat them even if Lute is around. If you got a dick, best be ready for random crotch feel-ups at any given moment. If you don't have either/or- he will grab and pinch your ass and even smack it until its red.

・He is big into you moaning, really big into it. It gets him off so easily, one little moan and he's at full mast. His main goal in bed is making you moan as loud as possible and when you do- well, expect to be getting a creampie.

・Loves fangirls/fanguys and if you love him in his band before even personally knowing him, one stop to being given a...private show. He lives to see you get excited for his band and looking down at you from his stage, gives him the biggest serotonin rush (and another kind of rush) that slowly builds up over the course of the night as he gets sweaty and out of breath.

・Valentino・

・Let's be real- what kinks doesn't this man have? There's many to chose from, but if I had to pick one- you being weak and powerless under him is one of his favorites. Watching you be completely at his disposal for any reason is a big yes to him.

・Degredation is another one, oh boy, he loves making you feel like shit at any chance possible. He will tell you that you're a whore, a dirty slut, only good for being fucked by him and him alone.

・He is possesive to the upmost degree and always makes sure to leave his marks all over you so others know that you are his. He always makes sure to parade you around the tower with you by his side so everyone knows not to fuck with you- messing with you or trying to fuck you.

・Semi-public sex is his go-to when he needs a quickie, he loves fucking you in spaces where anyone can walk in and see you two going at it. He doesn't care who sees his body, he thinks it's hot as fuck and makes him even harder inside you if he hears someone walking by.

﹒Vox﹒

・Biggest perv imaginable. Will watch you fuck yourself silly with toys even if he's just a room away. He never stops watching you, and I mean never. He always has to keep a close eye on you to make sure you don't fuck anyone else like Val or some ramdon schmuck off the street.

・Just like Val- he is extremely possessive of what's his and makes it known. He doesn't display it publicly with you around as to not scare you off, but he makes sure every single person in the tower knows not to even touch you.

・He loves getting his dick sucked above everything else, he loves the feeling of your pretty little lips wrapped around his cock swallowing all his cum down your throat. He loves to see you cry as you try to fit it all down, enjoys wiping them away and telling you that you're doing a good job.

﹒Saint Peter﹒

・That man is as innocent as can be what kinks could be possibly have? Well, he has a dirty little secret- one day he discovered that he got hard seeing you with ice cream all over your mouth and imagined it was cum. Naughty I know! Ever since he has not been able to let that thought go and guiltily imagines you sucking on his...

・He always offers you ice cream just to watch you smother it all over your mouth as you eat it and he always acts nervous around you because he oh so badly wants to make his dirty fantasies real. But he can't just avoid you! You always ask why he likes ice cream so much and he simply says that it just tastes good.

・He also would never admit that just you showing attention to him can get him riled up since almost every person that had crossed the gate never payed much attention to him. So when you showed interest in getting to know him and eventually dating him- he was down bad and it makes him act up a little.

[chansaw]

i read donald sutherland’s letter to gary ross pleading for the role of president snow and was so struck by his eloquence, wit, and humor. i’m posting it in full below. what a loss </3

Dear Gary Ross:

Power. That's what this is about? Yes? Power and the forces that are manipulated by the powerful men and bureaucracies trying to maintain control and possession of that power?

Power perpetrates war and oppression to maintain itself until it finally topples over with the bureaucratic weight of itself and sinks into the pages of history (except in Texas), leaving lessons that need to be learned unlearned.

Power corrupts, and, in many cases, absolute power makes you really horny. Clinton, Chirac, Mao, Mitterrand.

Not so, I think, with Coriolanus Snow. His obsession, his passion, is his rose garden. There's a rose named Sterling Silver that's lilac in colour with the most extraordinarily powerful fragrance — incredibly beautiful — I loved it in the seventies when it first appeared. They've made a lot of offshoots of it since then.

I didn't want to write to you until I'd read the trilogy and now I have so: roses are of great importance. And Coriolanus's eyes. And his smile. Those three elements are vibrant and vital in Snow. Everything else is, by and large, perfectly still and ruthlessly contained. What delight she [Katniss] gives him. He knows her so perfectly. Nothing, absolutely nothing, surprises him. He sees and understands everything. He was, quite probably, a brilliant man who's succumbed to the siren song of power.

How will you dramatize the interior narrative running in Katniss's head that describes and consistently updates her relationship with the President who is ubiquitous in her mind? With omniscient calm he knows her perfectly. She knows he does and she knows that he will go to any necessary end to maintain his power because she knows that he believes that she's a real threat to his fragile hold on his control of that power. She's more dangerous than Joan of Arc.

Her interior dialogue/monologue defines Snow. It's that old theatrical turnip: you can't 'play' a king, you need everybody else on stage saying to each other, and therefore to the audience, stuff like "There goes the King, isn't he a piece of work, how evil, how lovely, how benevolent, how cruel, how brilliant he is!" The idea of him, the definition of him, the audience's perception of him, is primarily instilled by the observations of others and once that idea is set, the audience's view of the character is pretty much unyielding. And in Snow's case, that definition, of course, comes from Katniss.

Evil looks like our understanding of the history of the men we're looking at. It's not what we see: it's what we've been led to believe. Simple as that. Look at the face of Ted Bundy before you knew what he did and after you knew.

Snow doesn't look evil to the people in Panem's Capitol. Bundy didn't look evil to those girls. My wife and I were driving through Colorado when he escaped from jail there. The car radio's warning was constant. 'Don't pick up any young men. The escapee looks like the nicest young man imaginable'. Snow's evil shows up in the form of the complacently confident threat that's ever-present in his eyes. His resolute stillness. Have you seen a film I did years ago? 'The Eye of the Needle'. That fellow had some of what I'm looking for.

The woman who lived up the street from us in Brentwood came over to ask my wife a question when my wife was dropping the kids off at school. This woman and her husband had seen that movie the night before and what she wanted to know was how my wife could live with anyone who could play such an evil man. It made for an amusing dinner or two but part of my wife's still wondering.

I'd love to speak with you whenever you have a chance so I can be on the same page with you.

They all end up the same way. Welcome to Florida, have a nice day!

sourced from this article

[pygmi-cygni]

writing tip - research

research is one of the pillars of writing. a poorly researched fic, essay, short story, novel, etc is immediately apparent because of several things:

lack of depth

stagnant plot or development

confusing or inconsistent setting

it doesn't matter what genre you write, if it's original or fiction, whatever. you need to research. depending on the relevance of your writing, the depth of research may vary, but it needs to happen. you do not know everything.

Fantasy

I see a lot of writers and authors use fantasy as an excuse to avoid research. Shut the fuck up. Every good fantasy is based on a real ocurrence or social dilemma. That's why we like it so much.

'but pygmi, fantasy is made up! it isn't real!'

SHUT UP. Even if you don't realize it, your story will have elements that readers are intimately familiar with. If you flub something, it will be noticed.

Besides, just because you make stuff up doesn't mean you can be inconsistent. You'll just have to fill in the cracks with made up stuff, which will even out to being about the same amount of effort. Pick your poison, either way you're gonna feel it.

Research is not everybody's favorite. I like it, personally, I think it's like going on little side quests for knowledge. But I understand if you wanna skip all the business and get to writing your baby. No shame.

Let me give you some pointers to make sure the time you spend researching is relevant and well spend.

Lists! God I love lists. after you have outlined your story and your characters and everything, make a list of all the things you need to have a deeper understanding of. This means determining priorities. - How important is The Thing? Will it majorly affect plot or character development? Is it a focal point of the setting? If the answer is yes to any of those questions, it's important. research.

Big picture, little picture. How important is The Thing (again)?. How much detail do you need to know? Especially when it comes to royalty or a hierarchal system, I see research being misguided. There are so many nuances to royal interactions that I could give a rat's ass. Big picture, general outline. I don't need to know everything, just basic courtesy, terms of address, appropriate convo. done. but if your MC is a coroner? might wanna put more detail into that; you'll be talking about the job a lot. determine how much the element will affect your story and go from there.

Don't fudge it for the plot. You'll have a preconceived notion of a certain job description, and then research it and think 'oh that's actually boring.' Don't muddle up the rules just to fit the aesthetic. It's sloppy, and your readers will notice.

To practice researching, pick your topic and after learning a bit about it, try teaching a powerpoint to your parents or friends. if you feel comfortable enough with that knowledge to do it successfully, I'd say you have a good enough understanding.

Setting

researching location is a big one that often gets overlooked. You don't always need to memorize maps, but get a general idea of the city/country layout so when you say "they drove 20 minutes from A to B" it makes sense, rather than having a reader think "Uh, A to B is closer to four hours, wtf?"

if you are making up your city, make a list of important streets and locations in relation to each other. This will help you keep it straight and organized in your head.

Get a feel for flora and fauna. Palm trees don't grow in Alaska. Don't write an Alaskan city with palm trees.

Weather? what's it like? Let me tell you, Portland doesn't get higher than 102F. rainy, cloudy, all that stuff.

Atmospheric details really add a lot, especially if your audience is from that location. It adds another layer of relatability. Also, use weather/plants/animals to your advantage! symbolism, possible curse, all that stuff.

Eras

Oh my god stop fucking this up. Baroque, Elizabethan, Edwardian, Middle Ages ARE DIFFERENT FROM EACH OTHER. STOP SLAPPING FANCY CLOTHES ON PEOPLE AND CALLING IT THE OLDEN DAYS.

get an idea of when electricity was widespread in homes. when was the refrigerator invented? did they use the word 'hella' in 1950? this kinda stuff is important for not breaking the illusion of a time difference. If you are writing a period piece and someone is chatting with a neighbor like it's 2015, we'll have some questions.

Unless it's doctor who. you guys can do literally whatever.

Plot and Character Development

If plot and characters are poorly researched, you are limiting the opportunities for growth. In researching your MC's occupation, you may discover a cool side effect that connects to a plot device. Stagnant, stale characters can be spruced up with a more developed backstory.

All in all, research is really important for your story. regardless of how professional it is, tumblr or the new york times. Do your research. As a writer, you are representing the community in your own way. Do us proud.

xox love you

[mariaace]

Can i get a kiss, and can you make it last forever? (Bungo stray dogs man)

A/n:Why am i doing these? I have no idea. Do I have 10 reqs? Yes. Do i still decided to write this instead? Also yes.

Context:Type of kisses with bsd men

Warnings: Slightly suggestive at Dazai's part and maybe Jouno's? Chuuya's part is longer. (Can you blame me?)

Genre:fluff

Pairings: Dazai, Chuuya, Atsushi, Akutagawa, Tecchou, Jouno, Fyodor, Nikolai, Sigma

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Dazai Osamu

Dazai's kisses are flirty. He likes to pull you in your lap while you kiss and it often turns inot make out sessions. His hands are always wondering around your body any chance he gets. He often smirks in between kisses when you squirm. He also loves quick kisses, because he catches you off guard with them. If you get flustered easily, he would do it even more often than usual.

Chuuya Nakhara

Chuuya's kisses are passionate. He doesn't like quick kissed more than the normal ones. Of course, he still does them. But he would always prefer to take his time when kissing you. He puts a lot of passion in every single one of them. One of his hand is usually between your cheek and collarbone (somewhere in the area) and his other is on your waist. Most of the time if he doesn't takes his hat off it bumps to your head and falls to the ground. (At first he was embarrassed about it happening, but not anymore.). He also likes when your legs wrap around his waist, because that way you feel closer, while you kiss.

Atsushi Nakajima

Atsushi's kisses are sweet. He puts all of his love into a single kiss. He loves giving you quick kisses, but he also likes the long ones, either way, he will actually show you how much he loves kissing you. His hands usually everytime have a different place, because he can't even decide where to put them. Every time after he kisses you, he tells you he loves you. Just to remind you. (Not that he didn't with the kiss.)

Akutagawa Ryonosuke

Akutagawa's kisses are careless. At first he was scared to kiss you. And to be honest, he kind of still is. His handa never have any idea where to go and he usually doesn't say anything particular after the kiss. He still kisses you so careless tho, because he knows that you love it when he kiss you, and trust me he loves it too. Would he ever admit that? Absolutely not. But you can feel it in the kiss, so.

Tecchou Suehiro

Tecchou's kisses are gentle. Let's be real, this man is strong asf, but he is also oh so gentle with you. His hands are always around your waist, even while kissing you. But is his grip tight? Nope. He holds you like you are a made of glass. Don't let me started on the kissing itself. Teruko once even asked you if you are scared of him doing something. He just is so gentle.

Jouno Seigiku

Jouno's kisses are rough. Yes, the complete opposite of Tecchou's. He bites on your lips, hands squeezing your body, pushing you against a wall, you name it. He's a sadist, what do you expect? Of course he never does it enough to actually hurt you, maybe just a little. But that's for your own pleasure trust me. He almost never kisses quick, because if those reasons.

Fyodor Dostoevsky

Fyodor's kisses are cold. Not exactly in the aay you're thinking of. They are full of love trust me, but his hands and his lips feel a little cold on your skin and when he puts more pressure onto your lips and his grip, you might squirm a little. He will wonder around with his hands, not because he doesn't know where to put them, but because he loves your reactions to it.

Nikolai Gogol

Nikolai's kisses are funny. He smiles, giggles against your lips, tickles you while you kiss all of a sudden, pick you up out of nowhere, all kinds of different stuff. Quick kisses are soooo common with him, he does them often and out of the blue so it catches you off guard. If you do them to him tho, ohh be prepared to run, cuz he's already trapped you and showering with kisses.

Sigma

Sigma's kisses are simple. He gives the most normal kisses out of everyone, but somehow they always feel different. It sounds cliché, really, but you can feel the love through his kisses. Both of his hands are usually around on your cheeks or resting on your neck. Quick kisses are also common with him, but for the same reason. He likes them, because he thinks it's cute that every time he kisses a different place on your face.

© mariaace 2024 pls do not copy, translate, steal or claim any of my works!

Reblogs are highly appreciated!</3

@transmascaraa @dazailoveschuuya

[brionysea]

when it comes to the umbrella academy, a lot of people seem to think that the first half is great and the second half is terrible. personally, I think only the first *season* is great, or even good. here's why:

the mission statement at the end of season 1 is fixing viktor, but viktor isn't the only broken one, so you can infer that they're all going to have to fix *each other* - as a family, the one thing their abuser never let them be. and the world's burning down around them because of the most dramatic sibling confrontation to ever grace the earth, but they're holding hands and escaping together and surviving the impossible with the intent to move forward, even if that means momentarily moving backwards. it's a masterful allegory for finally growing up, accepting responsibility for your personal trauma and tragedy and how they shaped you, and the moment you take that power back by choosing to heal your inner child, only after being slapped in the face with the fact that if you don't, it *will* destroy everything you've ever built, ever cared about, and ever could.

and then the rest of the show forgets all of it. as it were, it goes in the *exact opposite direction.*

on the surface, the second season isn't *as* bad as the subsequent ones are. but season 3 and 4's faults can be traced back to season 2 by how it pivoted away from the serious subject matter that the story (not the plot - the *story*) was heavily baked in, leaning hard into the goofier elements instead, without ever understanding the contrast that those conflicting elements served to highlight. it made them both more powerful; the jokes were funnier because you were just devastated, and the trauma was more devastating because you were just in tears laughing. the emotional roller coaster is key to understanding these people, and you *have* to take the serious stuff seriously for it to work. at least half of the show doesn't, and as a result, the emotional moments feel hollow.

controversial opinion: as a character, luther is better in season 1 than he is anywhere else. he's more unlikable, but that's because he's implicitly there to show what *not* to do - even if he'd succeeded narratively by locking viktor up and saving the world, he still failed thematically by emulating their father and continuing the cycle of abuse - so luther's a character that's being very effectively used to add to the core theme of the story. he feels like a real, frustrating person, whose brain chemistry got messed up by years of abuse and isolation, all for the crime of thinking his father loved him and wanted the best for him. not like a made up guy on your screen doing silly stuff solely for your entertainment.

season 2 was also the start of the characters getting love interests instead of storylines, which season 1 never would have *dreamed* of; klaus and dave's tragic romance only served to further klaus's character arc, viktor's creepy boyfriend was actually manipulating him the whole time, five's fractured-psyche-mannequin was a narrative tool to let us see into the head of such an emotionally reticent character, and so on. the romance served the character, but fairly quickly into the show's progression, it felt like the character started serving the romance. five was immune to this curse for a long time due to aidan gallagher's age, which is why he's (for the most part) the best, most consistent character across the show, because they had to use their *imagination* for him and actually *write an arc* instead of falling back on tired romance tropes that any selection of characters could slot into to fill the dead space.

after season 1, the umbrella academy is entertaining, but it doesn't have anything to *say.* which is extremely disappointing when the show initially made such a strong case for what it wanted to be.

[freebreadmoon]

is there anyway you can write a cute, fluffy little story for Walker Scobell?

YES OMG I HAVENT BEEN ACTIVE BC I HAVE MIDTERMS

warnings: fluff, reader plays annabeth (i love leah dont come for me), no use of y/n, reader and walker aren’t dating but are obvi crushing

requests are open!!

You and Walker were filming a buzzfeed puppy interview, sitting in the middle of the floor.

Walker sat with his legs crisscrossed, smiling wide at the brown spotted dog that nuzzled his leg. “Is it on? Oh, hi, I’m Walker Scobell, and I play Percy Jackson.”

“Hi,” you introduced yourself, “I play Annabeth Chase,” you picked up the fluffy fured black one that was by your foot, “and your watching buzzfeed!” You put a thumbs up at the camera, earning a laugh from the boy beside you.

“Wait I wanted to say it, I’m literally the main character—“

“But I’m the best character. Walker, you can say it at Vanity Fair.” He rolled his eyes at you, smiling slightly.

“Okay, moving on! um…what’s the question? What was your favorite scene to film…um…oh thats a hard one. I’m gonna say…either the fight with the Ares kids in capture the flag, or falling out of the arch. The harness thing was annoying to put on, but the other parts were fun.” Walker was only half paying attention, preoccupied by the dogs.

“I think the tunnel of love scene, or the one where Annabeth pushes Percy in the water, ‘cause I got to push Walker really hard.” You glanced at him, watching the smile curl onto his face.

“Yeah. We did like 15 takes of that because she kept laughing.” Walker laughed, shaking his head. “Actually, she laughed a lot. We had to retake lots of stuff ‘cause of her, especially the tunnel of love scene. The boat flipped and she wouldn’t stop laughing.” He shifted closer to you, messing with the puppy you’re holding.

“Oh! the next question…what’s your opinion on each other? Um…walker is the best blonde dude ever i think. like he’s literally my kid i swear, and he was honestly the best choice for percy. i think he’s the reason i even got to be annabeth, im really greatful for him. Aryan is super sweet and cool, he’s my best best friend, we do the stupidest things together, and I can’t imagine a world we aren’t honorary siblings.” You scratched behind a puppy’s ear, letting it lick you.

“Well I was just gonna say you’re awesome but…I guess I think we make a great team on-screen as well as off-screen. She’s a true friend. If it weren't for her, I don't know what I'd do, y'know? She’s like my very own real life Annabeth." He glanced up at you subtly, wanting to gauge your reaction, smiling in victory when he noticed the red tint to your cheeks.

“The…the next one says, how do you feel about fan support? is it overwhelming? Well, my answer is yes, sometimes. Especially with people who are really like into the book to the point where they hated the casting over looks.” You had started to speak a lot quieter as Walker drifted closer, trying to get the puppy off your lap.

“I don’t think much of it.” Walker shurgs. “Only really the edits that I see anyway, those are fun.” He smiles encouragingly at you , finally meeting your eyes.

“…Yeah. The edits.” You smile at him, referring to the ship edits. You’d talked about it in multiple interviews, and you had a favorites folder for them on Tiktok. You raised an eyebrow at Walker, who continued to move closer until his head was on your lap, giggling softly and starting pet his hair like you did the puppys fur.

“Okay, last question…have there been any memorable moments on set? Um…probably when i first met her. I just got the feeling she was gonna be Annabeth, she gave me this ‘what is he doing?’ Look, and it just clicked.” He stayed with his head on your lap, turning so his head is on your stomach when puppies come and attack him with licks.

“They think you’re one of them!” You push him off a little so the puppies can get to him. “And my answer…um…I think when Walker gave me the piece of banana that was in my hair in the show. He kinda just tied it in and left my set trailer, and it stuck. So if you guys wondered what the weird blue fabric in Annabeth’s hair was, it was not in fact a design choice, it was a Percy choice.” You turn so the camera can see the small braid in your hair with the bandanna piece at the end.

“And Percy’s got one too, if you look hard enough.” He lifts one of his feet, showing the vans he wore during filming, and the flimsy piece of bandanna tied through his top shoe hole. You shake your head, laughing at his insistence in staying with his head in your lap.

While you layed on his bed, you scrolled through your fyp, stopping when you see the familiar scene of you two in the buzzfeed room, with his head in your lap. Nodding your head to the song in the edit as you scrolled through the comments.

“IRL percabeth?” He questioned from beside you. You looked at him, not realizing he had started paying attention to you, jumping to get your phone from him.

“No, I’m commenting! And reposting!” He laughed, rolling away from you. You got off the bed behind him, giving up taking the phone and blinking when he simply commented ‘real’.

“Well, so much for ‘it’ll blow over’.” You rolled your eyes, knowing the dating allegations will only get worse after this. Walker smiled triumphantly, waiting for the responses to come in.

taglist: @persassyxo @diorlorenzo @ilovewalkerscobell @paytonthereader @platypusbearrr @kissatelier @riptidelor

[sweetnans]

Stuck in the moment || Bakugo, K. (pt.6)

Pairing: fuckboy Bakugo/hopelessly romantic fem. reader

summary: You made a mistake, a huge mistake. You fucked the most cocky, annoying, bastard, fuckboy you knew. Bakugo Katsuki. And that fact was against all your beliefs. Now, after the rumor (truth) spread like a pandemic virus in college you'll have to live with the stormy consequences of your acts and whatever trash was brought with it.

a/c: Hey, it's me again. Here we are in a new series I plan to continue. I really hope you enjoy it. I put my favorite man in action (bakugo) being a selfish bastard that you would love eventually and I couldn't help to put another "trope" I'm a sucker for (guardian/father figure Aizawa) I'm so sorry if that bothers you. Once again, I'm sorry if I misspelled something, English is not my first language. (Not proofread yet)

Pt.1 Pt.2 Pt.3 Pt.4 Pt.5 -> Pt.7 ♡

m.list

Bakugo was kinda fun to be around with. He actually made you laugh and not because of his faces every time you blurted the most unhinged question for him. He made you laugh verbally, with his own words, and the sentence wasn't one full of hate and despise. He was, without wanting it, fun.

For you, it fell like a truce, and the thought of being friends with him didn't scare you anymore. The second thoughts and plans of getting rid of him just by ignoring him disappeared along with the security that he was going to try something with you. He didn't.

You felt lightweight. Like a feather being carried with the breeze. Or that was Denki told you when you tried to verbalize what you felt. There was no weight on your shoulders anymore trying to dodge every bullet Bakugo threw at you just by being himself. You were walking on eggshells, and now it felt amazing that you weren't feeling distraught by just thinking of bumping into him in the hallways.

Somehow, that relieved your anxiety of having an upcoming date with Todoroki. You were planning on what to wear very calmly with Jirou's help and fantasizing how it would be.

You've made your peace.

Back in your real life, outside the mess of your head, you had to complete your homework and study for midterms. So you were genuinely happy that you could accomplish that without feeling so rachet about yourself.

"Is college more difficult than school?" Eri asked while you two were both doing your school/college chores in Aizawa's apartment.

"I don't know. I think you have to find a steady pace and find a good method to study, and everything should be fine. " You hummed your response, and she squinted at you. "What?"

"But you're like a genius, that doesn't count"

Eri had entered the age where she hated school. The rebellious phase for every teenager. She was still a cute girl who didn't give Aizawa any problem, but that didn't mean that it was easy trying to get her to do her homework.

"Well, you have brains too," you shrugged. "I know you don't like to do this stuff but at least we can spend some time together, like old times"

You loved her with your entire soul, and she welcomed you with open arms when Aizawa introduced you two. You both treated each other like sisters.

"Yeah, I think you're right." She smiled and directed her eyes to her assigment. "You've been kinda missing lately"

"It's been messy, not going to lie about it," you continued your writing while she was fidgeting with her pen.

"A boy, right?" She raised her eyebrow and smirked.

"What?" You dropped your pencil and looked at her nervously. You knew that Eri was very prone to hearing things without meaning it, and that was because Aizawa and Hizashi usually forgot that she's around when they speak things about college.

"I heard Aizawa talking to...I can't remember actually who, but he said something about a guy named Bakugo. I think I remember him, a loudly blonde guy with a grumpy face"

The thing about you two is that you always shared secrets. She constantly overheard things and never stuttered on telling or asking you whatever the topic was.

You constantly forgot how she was there before you. Like you were the older and you acted like an older sister for her but it was really weird that she, when she was little, used to be around them most of the time. You knew the war provoked that the grown-ups had to take their time to fix the world, so they asked students to babysit her. Mirio, one of the oldest, always stayed around. Even now, he made sure to have time to take her out. They went to amusement parks together, to the movies, to the arcade. Mirio had a busy life as a hero but never forgot his roots.

"Uhm, I don't know exactly what you heard, but it's just a friendship, nothing romantic, I swear." You were afraid that she had heard something about the one night stand you had with him, but you knew that even if Aizawa was oblivious about Eri eavesdropping, he would never share that piece of information with anyone.

"I don't mind. Your last boyfriend was a jackass so the set bar is pretty low." She said, waving her hand mindlessly.

With the teen years and rebellious age, as you can tell, she became savage.

"Accurately rude," you stated. "Anyways, just so you know and because I love you, I'm having a date this friday with the son of Endeavor"

The way she looked at you like you were joking made you cackle. You nodded, reaffirming your sentence, and she denied not believing you.

"The guy with the mismatched eyes?" You moved your head up and down, and she put both of her hands in her mouth. "He is cute"

"I know!" You giggled while she quickly closed her books.

"I need to know everything"

Aizawa scolded both of you for not finishing your chores before dinner but it was totally worth it.

...

On the other hand, Bakugo was still reminiscing the moment you appeared in his room the day before. His bento, clean and empty, was forgotten in his desk while he could still pictured you spinning in his chair.

The moment he watched you disappear, running after Todoroki was a decisive point in his mind. He only knew two emotions when it came to you, utterly giddy feelings that he didn't know he had, and that made him feel in constant denial and the second one, rage. Those feelings evolved in things more complicated. Rage evolved in stubbornness, prideful and insecurity. Why wasn't he good enough?

But then, you turned the things in your favor again, and he felt, aside from happy, vulnerable. Was that the only thing it took to have him back? A few 'I'm sorry' and a bag of cookies? If it was anyone, he would close the door at their nose, but it was you, and he couldn't help feeling the sincerity in your actions.

"What do you think about her?" Bakugo asked Denki, who was very busy trying to win a race in Mario Kart against Sero.

They were hanging in his room. After all, it was the only place available for stuff them all without annoying anyone. Sero and Denki were challenging themselves on Mario Kart, Kirishima was reading a sports magazine, and Mina was painting her nails.

"She is my best friend. I mean, aside from Jirou, " he answered, calculating a drift and avoiding a banana peel.

"Isn't she your girlfriend?" Sero chimed in, stumbling in the banana peel that Denki avoided before. "Oh man," he whined, seeing how toad twirled many times.

Mina started talking about you, how you seemed very nice but a little shy and how she was pretending to invite you for a drink or five. Bakugo's friend knew how he was, so he didn't mind asking about you with all of them there.

"Yep, but she's also my best friend. Anyway, forget about Jirou. " he turned the conversation about you again. "She's a very good friend, loyal. She's very attached to her past, but I don't blame her. She stays in between Jirou and me, like she's goofy funny and likes to throw silly jokes, but unlike me, she can ground herself very quickly, she doesn't need a Jirou to stay put. She's always supportive, and I'm really happy to have her"

Denki meant every word he said. He was very fond of you because you were so easy to be with. You didn't judge him for his lack of intellectual (academically) it was actually the opposite. Every time he felt down, you were the first one cheering him up and highlighting some other qualities he had.

"That's very manly bro" Kirishima threw both of his thumbs up with a big smile plastered on his face, completely forgetting he had a magazine on his hands.

"I really hope that you talk about me like that too, bunch of assholes!" Mina mumbled.

"Nah, we mostly talk about your lack of reasoning when you decide to wear animal print. That's so last decade!" Sero joked.

"You son of a bitch!" Mina yelled throwing him a pillow who ended up being one of the many reasons he lost in the race. "Haha, you deserved that loser." She stuck her tongue out, and Sero mimicked her.

"Please don't tear up my fucking room" Bakugo scolded them and they returned to their activities.

"Also, about Mina saying she's shy, she's not... she's chaotic in a way that no one expects her to be. You always see her so composed, but she's an entire other person once she's in his comfort zone. " Denki laughed at a memory that came back to his mind from one of the nights you two went out.

The last sentence of Denki had him motivated. He didn't need an excuse when it came to you, but he was eager and stubborn, and he needed to see with his own eyes that hidden part of you.

He knew exactly what he had to do.

...

You made your way back to your room when the sun was far from down. Eri and you turned the study session into a pancake dinner day. Save to say that Aizawa's white roof would never be white again unless he put all his soul to clean the stains of the batter away.

Rubbing your eyes because of the lack of sleep, you entered your building and walking like a zombie to your floor. You were happy to be alone. Jirou sent you a message that she would be staying at Denki's room for the night and you could never be happier. You were tired in a way that was draining your soul. Midterms were coming like a wave ready to crash adding the past event in your life that wreck the normality of it. But now, you had studied all the afternoon, you sure would have a good night of sleep and the Bakugo topic was more than solved.

Everything was making sense again. Oh and don't forget your upcoming date.

You let yourself breathe again and expand the capacity of your lungs like you were inhaling oxygen for the first time. It felt actually nice, it was like rebooting yourself just by doing so mundane like breathing.

"About time"

Nevermind.

Bakugo stood beside your room door looking hot as ever. He was wearing a black hoodie with his cap on, a matching jogger in his lower part.

"What are you doing here?" you whispered. It was late and there wasn't a soul around.

"I was running and decided to check on you" he shrugged when you stood in front of him squinting your eyes in disbelief. "Fine, there's one lie and one truth in that sentence"

You crossed your arms on top of your chest and he couldn't help eyeing your neckline.

"The truth is that I was running" he smirked and you rolled your eyes trying to hide your smile. Damn bastard. "Are we going to talk here? on the hallway?"

Taking the keys out of your pocket you reached to put them inside the lock, turning the knob after. Switching the lights, you dropped your bag in your desk and sat in your bed exhaling and laying yourself on top of the duvet.

"Did you bring food?" you asked to say something. Your stomach was full of pancakes but the thought of his cooking had you almost drooling.

"Nah, I have a proposal for you and if you say yes maybe and just maybe I'll reward you with a dish"

A proposal? You pushed your body up ready to read him. Was he joking? Maybe it was just like when he asked you to be friends or maybe it was something worse, like breaking his promise. You knew that accepting his friendship would have its perks, like the possibility of him trying to get under your pants. You were making mental jumps because of it. You knew very well the men like him, cocky, unreachable with superiority complex.

"It's not what you think" he huffed annoyed. "I'm not going to start an argument because of your lack of trust"

If you thought that you could read him, you were wrong and the worst part is that he could do that to you instead. Were you that transparent?

"I'm listening" you said trying to maintain your face neutral.

The vibe in the room changed, there wasn't that fun and easy-going atmosphere anymore. You were expecting the most mischievous proposal but instead, you were surprised when he opened his mouth.

"My mom is hosting a party and she's making me go with a plus one. I invited everyone but they all have plans. If I show up by myself she's going to be the death of me for the entire night" he murmured loud enough for you to hear. It seemed that just by saying that he was losing at least half of his pride.

"So you want me to go with you..." you stated the obvious.

"You're my last resource, don't let the invitation get over your head" he said breaking eye contact with you and rumaging through your stuff.

"Oh you do know how to make a girl feel special" you said sarcastically.

Laying down, you went back to your positions now, instead of just resting, thinking. The truth was that after imagining the worst case scenario you couldn't come with an excuse good enough to said no to him.

"What's the dress code?" you asked watching at your roof. You heard how he was picking every stuff from your desk as well as you did with his stuff on his room.

"Don't worry about it, I have something for you to wear" he answered nonchalantly

Of course he has. You said under your breath in exasperation. Now you were actually caged. There was no opportunity of saying no.

"Fine" you hummed in response.

Bakugo felt like his heart was about to explode. When he asked Denki about you and came with that idea he was expecting that you would be hard to crack. He had at least three different forms of convincing you to go to the party with him. He didn't use one.

"I'm going to pick you up tomorrow at six, be ready by that. I'll send the dress first thing in the morning"

He was finding hard to keep his neutral facade with you, like he wasn't excited about it.

"Tomorrow!?" you exclaimed standing in a quick movement. "Are you fucking with me?"

The look on your face was between a bottle of water in the middle of the dessert and a loudly clown in a silent room. He didn't know that he needed to see you in distress until now and he was quite amused at your panicked state.

"Yeah it's nothing just a stupid party with a lot of people" he rolled his eyes acting bored.

It didn't sound like nothing to you. You knew Bakugo's parents were important in the fashion industry and now he was dropping a bomb like it wasn't going about to explode in your face.

He grabbed the knob of your door and twisted it until the door was open in front of him.

"Don't you worry, it's not like there will be the most important people of Japan" he paused and then a wicked smile appeared on his face. "Oh shit, yeah there will"

He left you dumbfounded and alone with the train of thoughts that appeared right after he closed the door. And you thought you will be having a nice night of sleep? The world was messing with you again.

In his room, hanging in the doors of his closet, Bakugo had the stunning dress he had picked that afternoon after he kicked out all of his friend out of his room. A red satin long dress with an opening in the right leg. He didn't know if you had matching shoes but he make sure of that when the assitant of the shop handed him the dress. Lacy high heels he knew you would love.

Everyone knew that Bakugo was a smart man, and being in the industry for years without wanting it made him learn things unconsciously like what size people were only by looking at them. He was sure that the dress and the shoes would fit you and, of course, make you way more gorgeous than you already were.

Your night was summed up in pacing all night. You walked through your room, you rearranged your desk three times, you even changed your bed sheets a week earlier trying to succumb the anxiety rising up from the pit of your stomach.

Well, what's done is done. You already said yes and there was no enough amount of excuse that would prevent you from going.

You've never attended a nice party before. You looked up Bakugo's parents on the internet and the sight of them smiling in a picture wearing haute couture made you shrink in your position in bed. You thought about biting your nails but then a reasonable thought appeared on your mind, there was no way that you would go to that party and meet those people with your nails all bitten.

Finally, the sun was up in the sky and you made it through the night sleeping the vast amount of four hours. You felt fresh like a rotten veggie rusting in the back of the fridge.

Just as he said, a few little knocks on your door startled you right after you opened your eyes.

"Why is Bakugo sending you this?" Denki raised his left brow while raising the dress covered in a gray bag.

No hello, no how are you's, straight to the damn point.

"Uhm, where's Jirou?" If you were going to explain yourself you'll rather doing it just once.

"She went to the bathroom, she's coming tho, what's going on?" He took a step inside of the room and left the dress on top of your dresser removing the wrinkles with his hands.

"Here I am! I took a piss almost standing with a feet inside the stall and the other outside the bathroom, what the hell is going on!?"

Curious Jirou was your absolute favorite when you weren't involved in the thing she wanted to know because you were almost sure that she was just a few seconds away of grabbing your bedside table's lamp to hold it above your eyes to interrogate you.

"Bakugo invited me to this thing of his parents because no one was able to go with him, not a big deal" you waved your hand at them like it was actually nothing when you were boiling on the inside.

"Not big deal??" She exclaimed. "I took a peak of that dress and girl, that didn't seem like not a big deal" she quoted you in the air and you walked to the dress to pry inside.

The way both of your hands rose to clap your mouth shut proved Jirou right.

A red satin dress whose fabric and lacy straps screamed money and luxury to you laid flat and still in your hand-me-down duvet.

"It also came with these" Denki appeared above your shoulder with a pair of strappy heels.

You shook your head several times in disapproval. No. When Bakugo said that he had a dress, you never expected for him to casually lend you a, you could guess, a few pairs of zero dress. And heels that would match its glamor and price.

"What are you doing?" Jirou asked Denki in a hum.

"Looking at the price of this thing" He scanned the dress with his phone and shook his head and then he scanned the heels. "The dress is nowhere to be found but the heels, oh my god, don't even touch that"

"Don't be ridiculous, I don't think is that exp-" Jirou's eyes widen, and you could swear that they were about to pop out of their sockets. "Don't touch them? More like, don't breathe near them!"

"Dial his number Denki. I need to talk to him now. " You rushed to your friend while he was taking his phone out of his jacket.

"Put him on speaker," Jirou commented side eyeing you.

After a few rings, the sound of static and him clearing his throat startled the three of you.

"If something happened to that dress I swear to god-" Bakugo gruff voice echoed in your room.

"It's not that! When you said a party, I thought you meant like a casual party, almost as a jeans and top party, not a champagne toast, chandeliers and limousines party" you freaked out.

"Oh, so you liked the dress," he said, and you could practically see the smirk plastered on his face.

"There's no way I'm going to use that. The shoes cost more than my whole tuition!"

"I don't see the problem. Besides, you're not that clumsy to tear them up in just one night. I assure you nothing is going to happen, I'm going to pick you up, help you walk, and stay by your side, taking care that no one put a damn finger on it, if that is your concern"

In his own room, he was trying to keep it cool while the mere possibility of you bailing it out made his leg tremble under his desk. This was his shot. He had accepted the weird feelings he had toward you, and now he needed to taste the waters to see if there was any chance for him.

"I'm picking you up at six. Don't be late, " he hung up.

He wouldn't give you the opportunity to leave him hanging.

Classes were slower than usual. Fortunately, you had most of them with Jirou, so if you thought that she would drop the incident of the morning, you thought wrong.

"I don't know what's on his mind, but the bright side is that you have the chance to wear a nice dress for once without having to sell your soul to the devil" she said while scribbling some notes. You raised your brow at her, and she gasped. "He's not the devil"

"Since when are you a Bakugo defender?" You asked, leaning on your head on your open hand.

"I'm not his defender is just he's just behaving like a normal human being, acting like a friend, and don't forget he ate that crap the other day, for me that's like the ultimate act of love" she exaggerated.

"I wouldn't go that far," you rolled your eyes at her. "I'm with you on that, except for the latter, but I still think that he has hidden intentions." Jirou titled her head in confusion. "He's used to getting everything he wants, and normally he does, and when I appeared and opened my mouth, everything went downhill for him"

"So you think that he's only using you? For revenge? I don't think he's that wicked. " Jirou bit the tip of his pen giving it a profound thought.

"I don't know"

And for once in your life, you didn't want to know.

The same afternoon, you were at your room with your makeup and hair done. Jirou helped you to look like a decent person, and she also helped you put on your dress without leaving any stains.

"I swear to god, this is gorgeous," she exclaimed.

You admired yourself in the mirror. The fabrics traced the shape of your body in a way that almost made you faint. Growing up in an orphanage, you never had the opportunity of dressing nice. This was the first time that you actually felt like a princess.

Three knocks on the door echoed in the room. You looked at the clock, and you still had a whole fifteen minutes before Bakugo's arrival. Maybe something happened, you wouldn't have the chance to know because you didn't have his number.

You hurried to pick up some jewelry, a pair of golden earrings with a matching necklace that lay on your desk.

"Sensei?" Jirou asked and gave a step back to let Aizawa enter the room. Aizawa looked for you, and when he caught the glimpse of you dressed to the ninens, he was utterly confused.

"What's going on?" He asked slowly.

"I'm going to a party," you said, clicking the earrings to your lobes. You had a few more piercings, so you decided to look for new ones to combine.

"With Bakugo," Jirou chimed in giggling at your death stare.

"What?" Aizawa turned from Jirou to you.

"He asked me to be his plus one to one of his parent's events, no biggie," you said, clasping the back of your necklace while the two of them were talking with glances. "It's not what you are thinking"

"What am I thinking?" He pretended not having understood.

"It's not meet the parents, I swear, I'll just go, eat some boujee shit and look pretty" you shrugged.

Aizawa nodded in acknowledgment and then smiled a bit.

"You do look pretty," he said like a proud dad. "You should send a picture to Eri"

"Why don't I take the picture of the two of you?" Jirou said, excited. "You didn't have any proms, right? This could be the replacement of family photos"

You wouldn't lie. The mere idea of it made you excited, too. You had your best friend and your father figure with you in a moment you never thought you would ever have.

"Fine, but I want you out before Bakugo arrives, I don't want the: bring her in one piece show"

"Oh, don't worry, I'm going to have a serious talk with that boy," he joked.

Or that's what you thought.

Bakugo was ready to pick you thirty minutes before the time he set, so now, he had thirty minutes to pace in his room with his tux on and a lot of thoughts running through his mind.

The palms of his hands were sweating, and he restricted himself to apply more perfume on his collar. He didn't want to provoke you a headache, but he didn't want to smell like caramel either.

He went straight to his car, and although your building was almost in front of his building, he waited in the car, blasting loud music to keep his nerves on the line.

When the clock marked six pm, he made sure to lock his car and, with big steps, made his way to your building, playing with the keys on his fingers he stepped into the elevator and clicked the third floor.

The door of your room opened at the second knock, and Denki's girlfriend was the one on the other side of the wood.

"Are you ready?" She smiled widely, and Bakugo felt the emotions running in his stomach.

"Don't make a fuzz over it"

You appeared in slow motion. Well, that's how he recalls it. He was absolutely right about the dress and the heels. He felt his mouth drying just at the sight of you in front of him. Your makeup was subtle but remarked the main factions of your face. Your eyes were stunning and sparkling, and your mouth highlighted with a subtle shadow of light brown lipstick and gloss on top.

"You -" he stuttered. He cursed himself on his mind for acting like a teenager. "You look beautiful"

You smiled at him, and your cheeks went red in an instant but this time it wasn't for shame, it was purely because of his compliment.

"Let's go," he offered his arm, and you happily clung to it. You needed the balance.

"Have fun!" Jirou screamed from the door when you two walked away from her.

The ride in the car was nice. The spring breeze made you shiver a few times, but he was quick enough to pull the windows up. You thanked him in your mind.

On the other hand, Bakugo was sweating like a pig. He knew he needed to look at the road, but he was so mesmerized by your beauty that he couldn't help staring at you, giving you subtle glances.

He didn't want the ride to be silent, but he didn't know what to say without giving away too much or making a shame of himself.

He was a nervous wreck.

The two of you arrived at the venue with the sun setting on your backs. You had your arm locked on Bakugo's to maintain stability in your heels. With the heels on, he was only half of a head taller than you, so know you could actually see his eyes without killing your neck in the process.

The thematic of the party was classic and luxurious. You weren't wrong about the chandeliers and the champagne because the first thing you saw above your head was an enormous chandelier hanging from the roof, which was very far from the ground and about the champagne, after your mouth almost fell from his junction at the sight of the warm light, a waiter dressed in black waved his tray with multiples flute cups urging you to take one.

Bakugo was kind enough to take two of them and nodded at the waiter, who continued to offer them to the other guests.

Man, you needed at least three of them to just adjust yourself to the atmosphere.

"D'you like it?" He asked, offering the beverage.

"I mean, yeah, it's amazing, and I can't even begin to think the work your parents had to put on this, but I feel like an ant in a shark tank"

He smirked at your comparison.

"You look good," he assured you.

Before you could say anything a tug in your shoulder made you both turn around.

"Who's this?"

The femenine image of Bakugo was in front of you, looking at you with awe and sparkling eyes.

"I thought I'll have enough time to sneak out before bumping into you, mom." he rolled his eyes, and his mom didn't waste time smacking his shoulder with her hand.

"Don't talk to me like that, Katsuki. I'm your goddamn mother, " she flicked his son's forehead and then, like nothing happened, returned to you. "Who are you, darling?"

"She's my friend," Bakugo said before you could open your mouth. He looked constipated like he was trying so hard that you didn't talk.

"Hi, Mrs Bakugo, I'm very pleased to meet you," you said after giving her your name.

"Katsuki, I thought you'll bring your friends, this is a nice surprise." she was genuinely excited. "Are you his girlfriend or his girl-friend?" she waved her arms, stating the comparison with a playful wink that made you blush.

"She's just my friend," Bakugo answered, annoyed. "Where's dad?"

"Oh, he's over there sweeping away the candy table, I swear that man loves too much those little macaroons," she smiled at the sight of her husband. "Anyway, enjoy the party, I hope to see you again, darling," she squeezed your shoulder in her way out.

"She's cool," you said once she was out of sight.

Bakugo snorted and shook his head.

"That's because she doesn't scream at you, c'mon, let me introduce you to my dad" he grabbed your hand this time pulling you through the crowd and you didn't know how to feel about the sudden interaction.

Bakugo's dad was visibly the opposite of his mom. He was quiet, very calm and nice. He asked you about college and about your quirk. The three of you talked about random topics for almost half an hour, and you could tell that Bakugo was more relaxed around his dad than with his mom.

The party began after a speech from both of Bakugo's parents talking about the fashion industry and his own company. The start of it, the challenges they went through in the way of what was today and everything. They thanked their employees, which you found very modest of them, in the best sense of the word.

Then everyone was in their world talking to each other and laughing at the memories they shared. You and Bakugo were leaning in the bar table, asking for something else than champagne. Your tongue wasn't used to refined alcohol.

"Is it always like this?" You asked watching everyone from afar.

"Yeah, the best part is that they only do this twice a year, I need to use the bathroom. Can you stay here and wait for the drinks?" You nodded and gave him a small smile that he gave back.

In his absence, you took the time to look at your phone and replied to Jirou's text since it was just one text you needed to reply to. You started scrolling through the apps and watching stories from your friends. Mina's story appeared just after you accepted on being her friend.

The image of her and Bakugo's friend appeared in an instant. They were hanging together and playing cards in a bar while drinking beer. You felt the champagne in your stomach twirl and made you nauseous.

Why did they tell Bakugo that they were busy?

You were thinking about telling him or not when he appeared and looked above your shoulder.

"What are you doing?" He asked, raising his brow at you.

He didn't give you the time to hide the evidence, so he was very stunned when he watched his friend's story.

"I'm so sorry they lied to you," you said sadly.

His reaction took you by surprise. He wasn't sad or angry. Instead, he was stoic, he standed there thinking and looking at the abyss shuffling the options in his mind.

"It's okay, I didn't invite them," he shrugged and sat on the bar stool, taking the glass of something in his hand.

The look on your face was epic.

"What? But you told me-" you were dumbfounded.

"I know what I told you," he interrupted. "I just didn't want you to say no and I really wanted you to come"

The last time someone was so eager to spend time with you was when you were in charge of the twins, and the couple who adopted them wanted to be by their side all the time.

"Why?" You said confused by his actions.

"I wanted to know you better, like friends do." he wasn't even looking at you, focused completely on sipping from his glass. Yours was in front of you when you realized that it was a Cosmopolitan that you haven't ordered. He remembered.

"Well, I don't know what to say"

"It's okay if you're mad" he mumbled under his breath. He didn't want you to be mad.

"Mad? I'm flattered. I mean, yesterday I was the last option, and now I'm the only option you had in mind since the beginning, " you said toying with your fingers.

You didn't like any sort of lies, but you could understand why he did that. You weren't very open with anyone but your friends so it was very difficult to reach you sometimes. At least he was trying.

"So, do you like to dance, or am I just going to use this dress like a mannequin?" You said batting your long lashes at him.

"Your wishes are my commands, ma'am," he offered his hand, and you took it without hesitating.

"Oh my god, you're so damn cocky"

Your cheeky tone made butterflies erupt in Bakugo's body. That shithead of Kaminari was right. You were absolutely fun to have around.

After a few dances and a lot of drinking, at least for your part, because Bakugo had to drive you back, you were a giant mess. You felt the heat in your body and your feet staring to swell because of the dances. Bakugo was a great dancer, he knew how to sway and how twirl you without leaving you on the ground. You made fun of him multiple times and he took advantage of your state giving you the false sensation that after a spin he would actually drop you.

"I'm a mess right now," you stated the obvious. The drink was way over your head, and it made your legs feel lightweight.

"Yeah, you've stomped in my feet three times," he grinned grabbing you firmly by your waist.

"I'm sorry," you pouted. "I needed to make sure you weren't feeling so confident about your dancing skills. What a bummer! Do you really have to be good at everything? It's exhausting, Bakugo"

The way he laughed at you made you feel whole. He was genuinely laughing, heading back and relaxed shoulder. The whole starting pack of finding you funny.

"Katsuki," he returned to his normal state.

"What?" you asked. Your mind was working slowler than usual.

"You can call me Katsuki after you crushed my feet and almost teared off my arm when you thought you were falling, I think we are okay with first name basis"

Your emotions were in a state of haze. You could blame the alcohol in your veins, but you could also blame the stunning man in front of you, glancing your figure and never letting go of your skin.

He looked as hypnotized as you, but he was more in his right mind to make a subtle move.

Leaning and entering in your space, he took a loose lock of your hair with his fingers and carefully placed it behind your ear, taking the moment to hang in there for a while.

You gulped at the feeling of having him so close.

"I think we should dance one last time before we go," he whispered in your ear.

The slow music played through the speakers. Katsuki grabbed your hand, who was tiny against his big one. He placed the other hand in your waist while yours stayed in his shoulder. The intense look you were sharing gave you enough time to look at his eyes and memorize them. In the warm and fainty light, they looked brighter than other occasions, or maybe it was just because you now were taking your time to really look at them.

Katsuki felt the same way, he sweep your entire face with his eyes while guiding your dance. Your big eyes looked at him like he was the only thing in the world, the tip of your nose little red just as well as your cheeks and your lips, slightly apart and puffy, he wanted to kiss you so bad.

Would you let him? Kiss you?

He wanted to ask, but he was afraid. Bakugo Katsuki was afraid of asking a girl to please let him kiss her?

At that point, he didn't mind begging you to let him taste the sweet of your lips. He was dealing with his own devils inside of his brain. He promised you that his only intention was to be your friend, and now, after a splendid day, his own instincts were about fuck everything up or make it better.

Without even noticing, he started to lean towards you, and you were leaning as well to meet him in the middle. When he realized you were halfway to stamp your lips on his. Your eyes fluttered in between staying open and closed and he sucked his air because it was about to happen.

Ride or die, he thought.

You were inches away from each other when abruptly you shrinked in your position and your eyes snapped open in pain.

Your ankle sabotaged you.

After a little fuzz about it, where the two of you decided to forget the previous situation, you were situated in Katsuki's front seat with the help of his dad and a waiter. Your ankle was getting bigger and bigger and Katsuki couldn't stop looking at it.

"We have to go to emergencies," he stated.

You waved him off, rolling your eyes and internally screaming because of the pain. Damn high heels, you would never use them again.

"It's okay, I'll go to recovery girl tomorrow morning, and she'll do something about it"

That was the main plan. Katsuki felt stupid because with the preoccupation of you in any sort of pain, he forgot that you had all the possibilities with Aizawa being your guardian.

Once you reached your building, he made sure of leaving you safely and tucked in your bed. He even wanted to carry you bridal style to your room, but you adamantly opposed the possibility of being the main gossip of the week.

"Are you sure you don't want me to go with you tomorrow?" He asked for what it seemed the tenth time. Jirou, who was at his back, had a finger lifted for every time he asked that.

"It's okay, Jirou can take me, right?" You said calmly.

"Sure," she faked innocence, hiding his hands behind his back.

"Here, my number." he took your phone from his jacket and put his number on your contacts. "Text me tomorrow, or you'll have me here all day"

God forbid.

"Fine," you smirked. "I had a good time, thank you"

He tucked his hands on his pant's pockets and nodded in agreement.

When the door closed, Jirou watched you with her eyes wide open in amusement.

"I know, don't say anything," you curled up to touch your ankle and see it closely. "This look nasty"

"Girl," she stated, not believing a thing she had just seen.

...

You didn't sleep a wink from the pain. Jirou stayed all night with you icing your entire feet to deflate it, but it didn't work.

The sun was getting up in the sky, and the both of you were tired and sitting in your bed with your backs against the wall.

"Thank god the only class I have today is skippable," she said, yawning.

"Mine is not skippable but I'll make it skippable" you said changing the ice pack to your other hand. "I'll talk to Aizawa"

"Did you asked why he was here yesterday?"

You've forgotten about that.

"No" you shook your head. "I didn't even give it a thought"

She hummed in response and the two of you fell in a comfort silence where you took the chance to close your eyes a little.

"Don't you think you are playing two teams?" Jirou asked while taking the ice pack from your hand and icing your ankle herself.

Her voice startled you less than his ask.

"No," you hissed when she hit a sensitive spot. "I mean, Bakugo invited me to that thing, I said yes, we danced...very close and intimate I'm not going to lie about it and then I sprinted my ankle and now I'm here, what's that of two teams"

"You are practically panicking because of your ankle, I know you have a date with Todoroki, but maybe this is a sign." She said reading your mind.

Todoroki had crossed your mind just once and it was when you started to think in your classes and how you'll go to them in one foot.

"I can't leave him hanging." You said. "Besides, Bakugo invited me as his friend. He asked me to be his friend not a week ago, there no reason to not go to my date tomorrow"

"Fair point," she nodded. "Aren't you betraying yourself with this? Like in that blubbering mess you were last night, you explicitly told me that you felt your stomach doing a flip every time he pressed his hand on your waist"

You blamed the pain and the alcohol.

"If I don't remember, that means it didn't happen." You grinned at her, and she bumped her shoulder at you playfully

Oh, but you did remember, and it brought you mixed feelings that you didn't know how to deal with. With the sun rays of the morning stepping in your room through your curtains you couldn't help but think how fucked you were.

(Not proofread yet)

End note: I know I made you wait, but the waiting had its purpose. My winter break is over :( and since I've been updating on Wednesdays, I needed to re-schedule this to Fridays. For the wait, this chapter is longer and involves more scenarios and the "date" that I know you didn't see it coming. Bakugo surpassed Todoroki without knowing it! Devil works hard but Bakugo wanting reader works harder.

A penny for your thoughts about this (not really but express yourself)

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[fatesundress]

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile? 

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up. 

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 

You suppose, for them, it’s a question with few answers. 

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary. 

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

��Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any. 

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless. 

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that. 

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end. 

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is. 

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —” 

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant. 

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? Why don’t you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together. 

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be. 

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.” 

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes. 

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

[mono-dot-jpeg]

boy failures for u - i. yoichi, s. nagi, s. ryusei, b. meguru

summary; in which some boys just love you so much, they simply can't function

genre/extra tags; scenarios, fluff, comedy, projecting my love for dog energy boys, they're so pathetic /pos, bachira is clumsy, ryusei is an embarrassingly horny dude (can confirm, he gets no bitches, absolutely ZERO play!!), nagi... is perfect as he is, yoichi,,,, is just socially awkward around people he has a crush on

[gender neutral reader]

a/n; look at me being fancy this one panel banner, slay. tbh i couldn't think of a good three photos to use for it so i tried this which is kind of nice. anyways i had a sudden thought hit me and it must be done. and what better anime to write for than the one where everyone has unexplainable gay tension between each other. i swear im as caught up as possible i think and i swear the gay tension is like,, crazy.

isagi yoichi is endearing. he's so bad at being normal around you. his face flushed a cute red, and his words barely managing to leave his mouth as you talk to him so sweetly. he doesn't know how to handle a crush. and it's so cute to tease him because he just doesn't know how to respond properly.

the times where he does manage to gain enough confidence to talk a conversation with you, he's never taking the lead in any of them. he's talking [somewhat] normally to you, answering your questions and [attempting] to reply to your thoughts and responses. of course, just don't flirt with him too hard. there's like a 50 percent chance he will understand it or not.

he can't even admire you correctly. when he attempts to give you a compliment, he's saying all the wrong words and apologizing profusely like he offended your entire bloodline. he's so utterly enchanted by you, he wonders if you're an angel sent just for him.

"you're so nice, y/n." "huh?" "i-i mean you're really cute! wait- i didn't mean that! fuck- not that i don't think you look cute! you're really a great person, you know?! sorry! i'm just gonna go back to practice...!"

nagi seishiro is so lazy that you can't help but watch over him. you understand why reo adores him (a little too much). he's a boy with pretty privilege and talent. he talks to you with such honesty that he unintentionally flirts with you. he doesn't know a lot of things well, but even he's had his fair share with understanding liking people (but that's only with the random dating sims he's tried).

when he manages to get on his feet, whether it's for a soccer match or you, he's stuck by you like a cute koala. he whines about everything being "too much of a hassle." but he finds himself walking around looking for you, no matter how far you are. he whines to you about how he had to get up to find you, and he's cuddling close to you. his mouth turned into his signature X shape as he pouts at you, annoyed that you just had to be away from him for more than a minute.

he tries so hard to be around you but at the cost of his laziness, he mutters to you about how much easier it would be if you just stay with him all the time like his purple-haired companion or his cactus pet. he fell for you first, but he makes it so easy for you to fall harder.

"why do you always have to do stuff?" "it's my job, sei." "you should just stay with me all the time. you take care of me so well."

shidou ryuusei is annoyingly desperate for you. if isagi was endearing, shidou was insolent. he speaks before he thinks. he has no shame in chasing after you. it's quite a feat that you haven't even shooed him away as much as sae has. you sort of find a friend in sae because of that. he always rolls his eyes when you mention him. he wonders why you keep being around the blonde jock, and you tell him, "who doesn't love a pathetic man?"

when he talks to you, he just can't read a room with you in it. he's the type of guy to say "this shot is for you." and it hits the goal post and then to his face. of course he'd never actually miss in a real match but i can guarantee that it would happen during a practice match. he unintentionally humiliates himself every time he tries to be cool. if sae is there, it's even worse. he's trying to bump up the flirting up to a 200 and failing miserably to woo either of you.

he's like those tweets where it's like, "how did i pull them? easy. i just went, PLEASEPLEAPLSEPWPLEAPLELA-". without fail, he basically tries to re-enact that but he doesn't even pull you because you'd much rather wait for him to actually be a decent man and grow the rest of his brain. though it doesn't seem he'll learn his lesson anytime soon.

"did i ever tell you how hot you look right now?" "yes. you have. multiple times. today." "please go out with me." "no."

bachira meguru is confusing. he's clingy, blunt, teasing, a little stupid but has the spirit, and an absolute cutie. he's passionate about what he likes. and surprise, surprise, he likes you. he's an infodumper but you don't mind at all. but sometimes those talks take a hard left into just telling you how much he likes you. you better hope you're strong because he will be jumping on you for a hug.

when he's just buzzing with excitement, he can't help but scramble by your side to cling onto you in any way that you will allow him to. he's not as boy failure as the others on this list because even when he fails to capture your heart, he's still succeeding in his book. he loves when you give him any sliver of attention. that's probably his thing as a boy failure. he is a hyper and needy dog who's too big to cuddle with but doesn't care. and you can't say no because then they just stare at you with those big eyes until you cave.

he's the type of guy to be confused when people ask if you're dating him and you say no. "what do you mean we're not dating? i thought this was the dating." he's never actually confessed, but he considers his "s-tier affection" to be confession enough. but he's kind of coward whether he realizes it or not. he's scared to actually say that he wants to be yours, but that's like an angsty story for another time, SO SHUT.

"what if we kissed? like right now?" "but we're not dating, meguru." "we're not? we should." "i'll think about it." "no think! just do!"

[daughter-of-sapph0]

I said it before in a previous rant, but I feel like this story needs repeating for no particular reason whatsoever.

my middle school was very small. there was only one class of 18 kids in the entire 6th grade. we had to deal with each other every single day. I only started this school in 6th grade, but some of these kids have known each other since pre-k. so when I joined, I was a stranger, an outcast, someone different. and having undiagnosed autism did not help at all.

one of my classmates was named Jacob. he was the only kid shorter than me. but he was an aggressive bully. every day, he'd grab me, slap me, pull my hair. he'd torment me physically, call me names, the whole shebang. typical bully stuff. there was never a reason for this, other than I was a new kid. I was a faggot. I was a downey. I was a retard. I was a sissy. I was a pussy. I was "the other". I think Jacob somehow knew I was trans and queer about five years before I did, and treated me as you'd expect.

every single day, I'd complain to my teachers and the principal. "Jacob is bullying me. he's hitting me, calling me names, harassing me, even after I tell him to leave me alone". and the responses I got did not help.

"just leave. walk away" gee, thanks. I'd love to. unfortunately I'm stuck in a classroom with him all day. unless you're gonna let me go home early, your advice is worthless.

"stop being a tattletale" and just let him continue to bully me? wow, thanks for being a supportive adult figure in my life...

and I'll never forget what my hardcore conservative catholic principal said to me. "if you don't want him to call you a faggot, then stop being a faggot".

in all of these situations of begging for help, not once did Jacob ever face consequences for his actions. even when I showed them the bruises and horrible notes he gave me. even when the harassment happened right in front of the teachers. the most he would ever receive is "hey, both of you, stop fighting!" even though it was always one sided and I never fought back.

until one day on the bus. he was in the seat behind me, poking my head, slapping me, trying to get my attention. I was already pissed that day, and Jacob was only making things worse. I told him to stop. repeatedly. to just leave me alone. but he didn't.

without thinking about it, I tried to swat away his hands. but I ended up brushing my hand against his face. he interpreted this as a slap. he immediately got off the bus at his stop and ran home crying.

that afternoon, my mom got a phone call saying that I was at risk of being expelled. apparently, Jacob had told his parents that I had beat him up, and his parents called the school.

in the end, because of my accidental unintentional "slap" that I had only done because I was angry and wanted to be left alone and stop being bullied, I was suspended for a week, forced to write a handwritten apology note to Jacob, and fell behind in my classes.

Jacob was never punished. he never faced consequences for his actions. he was always seen as the victim by adults. I was the aggressor since I was mad and complained about being bullied.

soon after this, I attempted suicide. I backed out, thankfully. but I can't stop thinking about how my life almost ended because no one cared about the harassment I faced.

being harassed, and having no one do anything about it, which causes you to get angry until you act a tiny bit irrational and upset, and suddenly you're punished much harder than your attackers ever were and ever will be.

I'm saying this for no reason at all. it totally doesn't apply to any real life situations happening right now on tumblr.