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#which is why i am so paranoid about how people read what i make and how i am interpreted and how my tone and themes come across
uncanny-tranny · 1 year
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The two things I love most about language are simultaneously that the human need to communicate is so strong that we will invent languages, vocabularies, and new turns of phrases at the drop of a hat (freeing our thoughts from the confines of our mind), but also that language is so naturally limiting that it won't truly encapsulate your deepest, most inner thoughts and feelings (your thoughts are yours, but at what cost). Do you understand how feral this makes me feel. "Please understand me," we tell each other, and we both will be seen but also so, so misunderstood, and it isn't our faults, not really, and we continue trying, trying, trying to be understood.
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novelconcepts · 9 months
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i don't make resolutions, but if i did
it would be to finish this fic
(and to be kind to myself for however long it takes to actually do so)
#i'm finishing it if it kills me#i know i've been writing this makeout scene for 3 weeks but baby that can't last forever#if we want to get deep and dark and serious for a second i do think a lot of my struggles to write lately have to do with engagement#and how incredibly low engagement has been on the last few things i've written#which like. is what it is. i'm not entitled to anybody's time or comments or kudos.#but when you write stuff you're proud of and it feels like it's barely getting read it's hard to keep momentum.#this isn't intended as a woe is me or whatever it's just kind of like. there. hovering.#happens enough times you start to wonder if it's you. am i just writing for the wrong fandom/ship?#(too bad if so. they're in my bones i'm writing for them and no one can stop me.)#but yeah. if you ever wonder if authors do care or notice about hits. comments. kudos. buddy i am here to tell you#not only do we care and FLOURISH we also notice when those things drop off and readers vanish#and it is a giant bummer. and sometimes makes us wildly paranoid about why that might have happened.#so if you liked a fic today--not even one of mine. just. anybody's. share it. comment on it.#kudos at the VERY least (cuz frankly kudos is there to be an 'i got to the end and this was nice' feature.#so when you get 500 hits and only like 30 kudos? it feels like 470 of those people hated your work)#anyway. that got out of hand. lil' too raw lil' too honest. happens when you let yourself ramble at 11:30 instead of sleeping#to sum: let your local fic writer know if they've made you happy#and as we go into 2024 i am swearing to myself that this fic (and probably several others) are getting finished#come hell. high water. or dishearteningly low engagement numbers.#(and then maybe we...actually work on something original. cuz why not. new year same old me but i'll do my best.)
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mishelkie-art · 3 months
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These were supposed to be done and posted by the end of May for MerMay, but the last drawing (Jinbei) ended up taking longer than expected. I actually started these in May of 2023, inspired by the mermaid designs in the live action Little Mermaid. I didn't want to post anything until at least all ten of the Strawhats were done, as I tend to pick and drop projects depending on my motivation, and I kinda got paranoid about potentially keeping people waiting for the next drawing 😅 Most of these are also the second time drawing the Strawhats as merfolk, and I'd like to post those as well for comparison. As for what kinds of animals they are:
Luffy - Mako shark
Zoro- Tiger shark
Nami - Goldfish/barracuda hybrid
Usopp - Sailfish
Sanji - Betta fish
Chopper - Leafy sea dragon
Robin - Zebra shark
Franky - Humpback whale
Brook - Chimera/ghost shark
Jinbei - Whale shark (obvs)
Vivi - Nile perch
I think these choices fit the characters for the most part, for Luffy through Brook, most of them were the same as the first time I drew them as merfolk. The ones I changed were Nami, Franky, and Brook. For Nami, I thought goldfish suited her well for name and colors, but then I read somewhere that barracuda liked shiny things, and I decided to include that as well, making her a hybrid of the two. Franky was originally a lionfish as a nod to Sunny, but I wanted to diversify the designs more and show that not all merfolk are part fish, but can be part aquatic mammal as well.
Brook was originally a random fish I don't remember, maybe a pike? But I'd seen a video about chimera and heard that they're also called "ghost sharks" and like, I couldn't think of anything more fitting 😆 For Robin, I think an octopus would've been more fitting overall, but these designs originated from a specific AU I had in mind, which is why she's a shark instead. Jinbei was obviously going to stay a whale shark, but I still had to redesign him so he'd fit with the others, and overall, I feel he may be the weakest of the designs as he was the last one I did and I was rushing to have them all done 😓
With Vivi, I did like her original design, but I felt that for a character who comes from a country inspired by Egypt, it didn't really come across in her design. I made some slight changes that could hopefully convey it more, but also differentiate her face more from Nami's.
I think overall, the designs I'm most happy with are Zoro, Nami, and Chopper. With Chopper I had this vision of fins shaped like sakura flowers and tree branches and I adore how he came out 😍🥰❤ But overall I am happy with how everyone looks, but I think improvements can be made. I'll make a separate post that shows the difference between my original designs and the new ones and include it in an edit.
Edit: 2017 vs 2024
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appleblueberry-pie · 3 months
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I just read through all your 42 Miles posts and I am going to explode. I swear, I’m so obsessed he looks shy in comparison. On that note, what if the reader finds out about his yandere behavior…and is perfectly fine with it. Maybe they even encourage it, giggling like a schoolgirl when they catch him following them home and giving him extra kisses when he tells them how he killed the guy who flirted with them. Definitely not just describing myself here-
I LIKE IT. JUST A LITTLE BIT<3
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Miles gets greedy when it comes to you. He shouldn't, but he just hates sharing. So, using the tools he has, he gets rid of all possible competition. It's dangerous, it's reckless, and it's not smart to do, but you make him do stupid, dangerous and reckless things. Can you blame him? You're everything he's ever asked for in a girl.
So sweet to him, giving him all of your attention whenever you can. Texting him often, reciprocating his energy and letting him give the love and energy he feels you deserve. And you deserve every drop of his energy.
But sometimes, he takes it too far. He's been mean-mugging everyone lately. His friends don't like him as much because they say he's been paranoid over 'some random bitch he be talkin to'. And he doesn't let things like talking behind his back, or yours, be taken lightly. Which is why they don't talk to him the next day, or the day after that.
And it's also why people don't talk to you anymore either. Or any of your male friends. Or your girl friends.....he drove them all away. Every time someone sees you, he's not too far behind. And you don't do a damn thing about it. Which causes rumors to spread, but they die as quickly as they fire up. Because he always finds the source before shit goes south. Still, you don't do a damn thing about it.
You don't necessarily encourage him to do it, but he always gets the same amount of love from you whether he gives hell to everyone else or not. So, he keeps doing it. If he wants all of you, he's going to have all of you.
If someone asks about you in a crooked tone, he gets iffy about it, and now they scared. If someone mentions your name, their feeling that sharp stare on the back of their neck, telling them to let their tongue slip one more time. Everyone's getting the hint and he'll make sure of it.
You always smile looking back at him when he follows you in the hallways or when he's following you home.
You let him give you overly-obsessive notes in your locker. You let him like all of your stories, all of your posts. You let him stalk every single one of your socials and even the ones no one is supposed to know abut. You let him blow up your phone.
When he finally has the courage to talk to your face, you two have been by each other's side like glue. You let him whisper in your ear when he doesn't want a damn soul to hear what you guys are talking about. You let him buy you lunch every day. He always holds your hand tight as shit when walking you to class. He can be a little late. He does almost everything for you. He's real good at helping you with homework(and getting rid of niggas that bother you), and it makes your stress load so much lighter.
He's such good boyfriend material.
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schrijverr · 6 months
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Stiles as a Roommate
Classic outsiders POV of Stiles in college, where his roommate, Mike, and their other friends try to figure out who all these people are that keep calling Stiles.
On AO3.
Ships: Sterek
Warnings: they think Stiles is wrapped up in some bad shit (which valid tbh)
~~~~
Mike’s roommate is profoundly disturbing and highly hilarious to have around. On the first day he comes crashing into the room, tripping over himself like an old school physical comedy, before assuring Mike that he’s fine and it doesn’t even come close to being beaten to a pulp by a grandfather.
It’s quite the introduction and for a while Mike was worries that his roommate is going to suck. Stiles isn’t the typical college student, you see.
He has amassed an entire herb garden in the windowsill, skips out on most parties, keeps a metal baseball bat by his bed and calls home every single day. On top of that, he doesn’t know how to shut up and his rants devolve into the strangest bullshit about the most random topics that make Mike wonder why the hell criminology major had looked into them.
So, Mike thought he is stuck with a weird paranoid kid, who doesn’t know how to have fun. He worries about Stiles getting mad about him getting back in late or judgmental about not studying as much. However, his worries had soon been put to rest.
Because Stiles is fun and Stiles is easy. He can become anyone’s friend in minutes and is up later than healthy most of the time, doing weird bullshit on his laptop that he calls research, though Mike never knows what for.
He might not be a party-goer himself, but he absolutely doesn’t care about what Mike does, just jeering at him to use protection when he goes out and waking him up with a smug smirk and coffee when Mike wants to disappear into his mattress with a hangover, kicking his ass to classes.
Stiles is probably what is keeping him from failing right now and Mike will go to great lengths to keep him as his friend, because, yeah, they’re friends now.
It’s impossible not to befriend Stiles, he grows on you like a very persistent mold.
His friendship with Stiles starts six weeks into rooming together. Classes are in full swing alongside parties and Mike has just started to get worried about his roommate being a stick in the mud, when he comes home at 4:00 AM piss drunk.
Naturally he tries (and fails) to quietly enter the room, trying not the be the dickbag that wakes people up every night to find the lights still on. He blinks a few times at Stiles, who is sitting on his bed with a laptop and smartly says: “Huh.”
“God, you’re so fucking drunk it’s not even funny, dude. I can smell it from here and I don’t even have a freaky nose,” Stiles comments, before he gets up from the bed.
Mike sways slightly in the doorway, mentally trying to decide if he can do a stumble and drop to his bed or if he’ll sleep on the floor when Stiles is suddenly in front of him. He startles and nearly falls over, saved from faceplanting by Stiles, who is usually the one meeting the floor.
“Oh, hey, there, hey, buddy,” Stiles says, righting him. He slips an arm around Mike and masterfully stumble-drags him to the bed, depositing him on it. He points at Mike, who is still reeling from the movement and sternly says: “Don’t move,” as if Mike had any big plans.
Moments later he returns with a glass of water and gets Mike upright, telling him to sip and not allowing him to stop until the glass is empty.
Mike isn’t sure what happens next, but the next morning he wakes up with a groan to find two painkillers, a glass of water and a glass of orange juice on his bedside table along with a note reading: go to your classes! And you’re not a very eloquent drunk
In that moment, it feels like the nicest thing anyone has ever done for him, swiftly forgetting all his parents have done under the pounding headache. He takes his painkillers, drinks his drinks and actually manages to drag himself to his lecture, deciding that Stiles might not be so bad.
When he comes back from his class, Stiles is there, typing away on his laptop again. He greets Mike when he enters and Mike returns it: “Hey, dude. Thanks for the painkillers and stuff.”
“Yeah, man, no problem,” Stiles smiles back. “It’s just instinct at this point, I’ve had to drag worse people off to bed.”
It’s a bit of an odd reply, but something Mike can work with. “You friends with many party-goers?”
A strange look flits over Stiles’ face, but it goes as fast as it comes and Stiles says: “Something like that. I was the one with a car, who wasn’t a prick about it getting dirty on the inside when in crisis. I have passed up on many party experiences except the clean up. All my friends are idiots.”
Mike chuckles at that and plops down on his own bed, as he comments: “Do you have a big friend group back home?” See, he can have conversations, mom.
“Oh, yeah,” Stiles tells him with a grin. “We’re like a family. A very weird family.” A brief pause. “But how about you?”
“Nah,” Mike shrugs. “I’m making up for it now.”
“Yeah, I can see,” Stiles grins. “Alcohol is a poison, my man. Besides, I’m not sure you’re remembering the friends you made.”
The bluntness is something Mike has encountered before and turned him away, but it doesn’t sound mean. He remembers that he is going to try with Stiles, so instead of ending the conversation there, he shrugs: “Probably, but it’s fun while it lasts.”
“Come on, man, that’s not fun,” Stiles says. “I have some friends from introduction. We get fries on Thursdays and study on Sunday. You can come sometime, it’s fun.”
Okay, so the bluntness was genuine concern and Mike honestly could use some actual friends. He likes parties, they’re fun, but the loneliness is starting to get to him. So he replies: “Sure, sounds fun.”
“Hell yeah,” Stiles does a genuine fist pump and Mike snorts. Yeah, alright, maybe Stiles isn’t so bad at all.
“Why were you awake so late anyway?” Mike asks, suddenly remembering that Stiles was just sitting there when he stumbled in.
“Oh, Jackson called me,” Stiles says. “He’s in studying in at Cambridge, because his parents are pretentious fuckers. He needed to check in about… something and I was still awake. I had to look something up, I was just emailing him the details when you came in.”
“All the way in England?” Mike whistles, a bit impressed.
“Tsk, don’t let hear him that. Dick has a big enough ego as it is,” Stiles rolls his eyes.
“I thought you were his friend?” Mike says, a bit confused, because Stiles had literally picked up the phone at 4:00 AM for this guy, couldn’t be that much bad blood, could there?
“Surprisingly enough. He had a restraining order against me in high school for a while,” Stiles informs him casually, before realizing how that sounds and quickly amending: “Obviously, he revoked it, because it was completely unnecessary and a big misunderstanding. We’re cool now, promise.”
And that’s Mike’s cue to drop the conversation, giving Stiles a tight nod, before turning to his own work. He’s giving the other a chance, not inviting crazy. Though he does allow himself to be invited for fries on Thursday with Stiles’ friends.
There is Maya a shy, but enthusiastic biology major; Aalif, a kind but serious looking pre-law student; Nikki, a hilariously insane art major; and Kai a bit of a dorky English major. How Stiles had found this ragtag group Mike doesn’t know
“Mike,” he introduces himself. “I do history. I’m Stiles’ roommate,” before he’s pulled into a discussion about whether or not fries can be classified as a salad. (Potato salad exists, Mike, and it’s a side dish).
It’s honestly a lot more fun than expected and it’s nice to see that Stiles does know how to have fun, he just has fun arguing about nothing with someone studying to argue professionally instead of getting wasted.
While Mike doesn’t think he’ll keep away from parties entirely, he might cut back to make place for this. The genuine connection is way nicer than not remembering who you talked to, or if you even did.
They’re about to start opening the famous is cereal-soup debate when Stiles’ phone starts to ring. He nearly hits his head on the table as he dives to get it out of his bag, calling out a quick: “Sorry, guys, gotta take this real quick.”
But since he is stuck in a booth, all he can do is turn away from them as he greets: “Isaac, what’s wrong? Did something happen?”
It’s not the most standard greeting and Mike raises his brow at the others, who all shrug. Apparently this has happened before. Mike watches as Stiles gets a reply, fascinated by how Stiles seems to melt, worries leaving him as he grins fondly, before practically cooing: “You missing me already? I am flattered, pup.”
He grins some more at what Isaac is saying, before raising a brow, voice turning into a tease: “I feel used here. Like a cheap replacement. You knew Scott was going to be busy with Allison, I even warned you. Not my fault no one in this p- family ever listens to me.”
Another reply to which Stiles says: “Yes, you heard correctly, I’m with friends, you can make those at college. I encourage you to try.”
An eyeroll at Isaac’s answer, then a sigh: “Yes, Isaac, having your own friends will get their attention again. But try also for yourself, meeting new people is fun. Maybe you even meet someone you like.”
“Bye, Isaac,” Stiles says pointedly, it sounds faintly like Isaac is protesting his departure, but he hangs up on him.
“Sorry about that, you know how they can get,” Stiles grins, trying to play it off, while Mike tries to ignore how much it sounds like the conversation he had with his mom last week, before deciding to join the others in not commenting.
And after that it their friendship takes off until they’re at the ‘waking him up with a smug smirk and coffee when Mike wants to disappear into his mattress with a hangover, kicking his ass to classes’- stage.
Turns out that if you’re closer to Stiles, he’s even weirder. He goes home pretty often, now that he has settled in alright, nearly every other weekend, at least once a month, though he complains about his dad forcing him to stay at college to get the full experience, air quotes obvious in his voice.
Mike doesn’t say anything, since he kind of agrees with Stiles’ dad. It’s a bit unhealthy how much Stiles’ calls home. Or at least, Mike thinks he does, though it always sounds like it’s someone else on the phone, because Stiles will tell the same story a bunch of times or tell the person that another person told him to tell them etc, like they couldn't call themselves.
The conversations are also just weird. Stiles cuts himself off sometimes, sending Mike looks, or he’ll fuss over whoever is on the other side of the line like he’s their therapist, or their fucking mother. Not to mention the fact that he always – always – picks up.
Mike has tried to call Stiles a few times, a lot of the time his roommate won’t pick up, or call back apologetically, yet he’ll leave a lecture if someone from home calls.
It’s just odd.
So, brave soldier as he is (as well as the head investigator of their little friend group, who are all more curious about Stiles than Mike expected when he first met them), he asks: “Hey, man, who are you always calling?”
Stiles look up from where has just hung up with a: “You be careful okay? I love you,” looking a bit confused, before smiling and shrugging: “That depends, honestly. It’s a bit much.”
That sounds like a deflection, but Mike is curious and got better at talking to people and standing up for himself. So, he goes: “I have time. I’m smart. I think I can take it.”
“Alright,” Stiles shoots him another uncertain look, before starting, “Well, my dad and Derek are holding down the fort, so I call them just to see how life is going. Boyd and Erica are there too, so I call them too, but Boyd doesn’t talk much, so I mostly call with Erica. She is my Catwoman, you know, we chat, she spills about Boyd. He has his own carpentry shop, it’s been going well. I’m glad for him, you know. And Erica is taking a gap year, but to be honest, I think she likes being a park ranger too much to ever go back to school.”
Mike nods along to Stiles’ rambles. His dad is explainable and the fact that he added Derek in there must mean they’re a unit in his mind, maybe a brother? Or even his father’s boyfriend. Erica is someone he’s close with and knows well, called her his Catwoman, so maybe girlfriend? But he connected her to Boyd, who sounds like a far friend of sorts, so maybe not.
“Of course there is Jackson in England,” Stiles continues on happily. “I told you about him. He is a bit of a dick, but we’ve forgiven him. Well, Lydia did and we all trusted her and it worked out okay.”
And yeah, Mike remembers Jackson with the apparent restraining order and wonders who Lydia is. Luckily he doesn’t have to wait long.
“Lydia,” Stiles sighs, making Mike think he loves her, which he naturally immediately disproves by going, “I used to be in love with her, but turns out, no. She’s being an absolute genius doing mathematics at CalTech. She terrifies me in the best ways.”
That’s not concerning at all.
“And then you have Scott, my best friend,” Stiles rambles on and Mike knows that the other probably won’t even notice if he leaves. He gets like that. “Now my man Scott is at Colorado State
to become a vet alongside Allison and Isaac.”
Those two names are also familiar and Mike feels awkward staying silent, so he says: “They’re all become vets?”
“No, just Scott, but they’re all at Colorado State, because Scott will probably perish without Allison and Isaac hates being lonely and didn’t get into Stanford with me,” Stiles says, like that’s the most obvious reason to pick a school.
Mike is distracted by Stiles hitting his arm enthusiastically: “Allison is also doing history, man, I hadn’t even thought of that! I don’t know how it would be relevant either, but you know, fun fact! I love fun facts, like did you know that human teeth are the only part of the body that can’t heal themselves, because enamel is dead tissue. That was fun to find out.”
He senses that there is a story there, but Stiles is already moving on: “And Isaac, my beautiful boy, is doing social studies, which I think will really help him. He’s come so far and he’s really happy with his courses.”
Isaac was the one that called during that first Thursday fries run Mike was a part of. He recalls the nicknames and the fact that Isaac was missing Stiles, not to mention how fond Stiles sounded and the fact that Isaac wanted to go to college with him. Maybe Isaac was the boyfriend?
“Anyways,” Stiles ends his rant. “I told you it’s a bit much, but I like knowing they’re okay and getting by and if I only call one, the others will get jealous. There’s only so much Stiles to go around and everyone wants a piece,” he grins.
Mike thinks Stiles has a weird relationship with his friends from back home, but also that he doesn’t want to create any friction with his roommate and best friend on campus, so he just nods and smiles a bit.
“But how about you?” Stiles returns the question. “You never call home, at least, not that I’ve witnessed.”
Since Stiles decided to share, something he rarely does, Mike knows he should return the favor, so he shrugs. “Not really much to call.”
“Is no one there?” Stiles asks, all concern.
“My mom and dad are, but you know,” Mike shrugs. “Dad just cares about my grades and mom is always prying, like she thinks I can’t manage by myself or something. It’s fucking annoying. I’m an adult now, she doesn’t need to hover.”
Stiles frowns at his reply, then bites his lip as if he isn’t sure he should say something, before he breaks and blurts: “But isn’t that nice? To have someone who worries?”
“What?” Mike hadn’t thought Stiles would pick his mom’s side, though maybe he should have seen it coming.
“I mean, I don’t know your situation of course, but I get it,” Stiles shrugs, backing off a bit. “You’ve always been her baby, who she saw every single day and knew when you had a bad day, when you got a good grade, etc, now she has nothing and you don’t tell her, so her mind makes up all the horrible things that could have happened to you between calls, resulting in what is practically an interrogation until she is satisfied that you’re truly as okay as you claim you are… Wow, that was one hell of s sentence,” Stiles ends his keen observation with a joke to lighten it up a bit, since he got way too into that.
Mike attempts to wade through the sea of words just slung to his head, before he realizes Stiles kind of has a point. He breathes: “How do you even know that?”
Stiles scratches his nose and shrugs: “I might be a bit of the mom-friend.” And Mike is reminded of the fact that Stiles is really weird with his friends and that he probably knows that because he does the exact same thing his mother does.
Next Sunday, he reports all this to the study group, which Stiles has had to skip out on, because someone called at midnight, which obviously meant Stiles immediately packed is bags and left, something that is more common than Mike would like.
“That’s a lot of friends,” Maya comments once he is done. “But it’s sweet he cares so much about them.”
“He cares mom-levels about them,” Mike points out. “I’m telling you, he got so intense while defending my mom, like it was personal.”
“So, he’s a bit intense about is friends,” Nikki shrugs. “One girl in my class is making a shrine to her boyfriend as a final project. We’re not at that level yet, so I think we’re good.”
“He took off in the middle of the night on a three hour drive, because someone called,” Mike replies.
“I don’t think it’s really any of our concern,” Aalif interrupts, before it can get out of hand.
“But what if they’re like a creepy cult or something?” Nikki asks.
Aalif levels her a look as he says: “I don’t think Stiles would get drawn into a cult.”
“You don’t know that,” she raises a brow. “It happens, even to smart people like Stiles.”
“He has a metal baseball bat by his bed,” Mike offers, not sure why he is backing Nikki in this debate.
“He does?” Maya asks, a bit concerned.
They all now look at Mike and he suddenly realizes that they’ve never been into their room, which is why he has become Stiles source number 1. He shrugs: “Yeah, he took it with him when he left for home tonight. It’s all damaged and shit, though I think some carvings are intentional. They look a bit like runes.”
Nikki raises a brow as she looks at Aalif and says: “But you don’t think Stiles could have joined a cult.”
“I don’t think a cult would have allowed him to leave for college, not to mention do criminology,” Maya offers. “I think he’s following a seminar about cults right now actually.”
“Okay, but even without a cult, still suspicious and weird,” Nikki huffs. “And it’s still a possibility, right, Mike?”
Mike startles a bit unsure how he got on the pro-cult side and not sure he isn’t agreeing. “I mean, he does have all these herbs and some weird books, but those could be from the library.”
And now they’re giving him more looks. Great. He puts his hands up defensively: “It’s not like I know, alright. Stiles never exactly cooks, maybe he just likes the smell of the herbs. And the books could be an aesthetic thing, though he keeps him under his bed in a box if they’re his.”
“What sort of books?” Kai asks after a beat.
“They’re leather bound. Old,” Mike shrugs. “I haven’t seen him with them much. He shoves them out of sight when I get in and the only times he hasn’t was when he thought I was asleep or very drunk.”
“Creepy,” Maya shivers.
“Come on, this is Stiles,” Aalif says. “He is not in some creepy cult. Do you all even hear yourselves? Seriously. Now, the midterms are coming up and I would like to get some passing grades.”
That gets a few boos and boring’s thrown at him, but Aalif doesn’t falter and they do all giggle a bit at the ridiculousness of Stiles in a cult. Before they can truly get anything done, Nikke snorts: “Maybe he tripped into it,” sending them all into giggles again.
It isn’t a joke anymore when Stiles reappears again on their Thursday fry run his face more bruise than skin and his hands both wrapped in bandages.
“Stiles!” Kai exclaims, already out of his seat. “What happened to you?”
“Hey there, guys,” Stiles attempts a grin, wincing at the action. “I’m good, I’m good.” He eases himself into their booth, wrapped fingers taking some fries and popping them into his mouth as the rest watches him with careful eyes. Of course he notices as he chews slowly, whispering to himself: “Knew Derek was right about the liquid diet. Fucker.”
“What happened?” Aalif asks when Stiles seems like he is going to ignore the whole situation that is his face and hands. “Stiles, if someone did this to do, you have to go to the police, file a report. You can sue.”
“Of course you’d say that, lawyer-man,” Stiles grins again, falling flat once more when his already split lip, re-splits and starts to bleed. “Ah, fuck,” he hisses, grabbing a napkin to press against it as he makes a disgruntled face.
“Stiles,” Nikki snaps.
“What?” he replies as if it’s not incredibly obvious.
Mike surprises himself by jumping in: “What the hell happened to you, man?”
It dawns on Stiles that they’re not letting it go and he sags a bit in his seat. Then says: “Nothing, I promise. It was just an accident, really.”
That’s just a thousand red flags there and Maya takes the lead for them, putting a hand on Stiles shoulder and saying in a soft voice: “We’re not going to judge you, promise. But right now, not knowing is so much worse.”
“Derek told me not to come,” Stiles sighs after a moment. “I knew it was stupid, but I wanted to come. I mean, he only had Boyd and Erica with him, because all the others were too far away. That wasn’t enough.”
“What were they doing?” Nikki asks, unable to keep her mouth shut and be patient.
Luckily, Stiles isn’t silenced by it. “Derek lives on the preserve, it’s in the middle of the forest and something was killing the animals. It was a mountain lion, we have a lot of animal attacks. They wanted to take it out before it moved into the town.”
Mike remembers Stiles telling him Erica was a park ranger, but Boyd was a carpenter and he knew nothing about Derek, which is weird on its own. Stiles loved bragging about his friends, or would casually comment about them or pick up the phone with their name on his lips, but Mike had before now heard the name Derek only once.
“Of course I tripped over a few branches in the dark,” Stiles laughs self-deprecatingly. “I should have known better. I’m a klutz, you know. Though I did get a hit in, before I went down in a not so glorious blaze of branches and a curse.”
“You hit a mountain lion?” Kai whisper yells.
“Yeah, with my bat,” Stiles shrugs, like it’s a normal thing.
“Dude, are you insane?” Mike asks.
“Oh, okay, I see what’s happening here,” Stiles backs up, like they didn’t make sense before now. “I didn’t want to admit I fell, because it’s embarrassing as fuck. And like, I know I’m clumsy, but after all the running away from shit trying to kill me, one would think I’d have gotten better at it, but noooo. I am surrounded by people who can do crazy shit, while I hit my head on a fucking branch, because why not.”
“Stiles!” Nikke cuts him off. “Running away from things trying to kill you? What the hell.”
“I was getting there,” Stiles says, though it’s obvious to all of them that he was getting further and further away from the point. “When I was in high school there were all these murders in town. My friend was targeted at one point, I got caught up in it. Nothing makes a friendship like getting locked into a school and running from a crazed murderer or holding someone up in a pool for two hours. It was a whole thing. Plus my father is the sheriff.”
“What the fuck,” Nikki voices the shared sentiment after a moment to process.
“Wait, here I have proof,” Stiles taps away on his phone, before showing a news article with the tagline reading: Five teens trapped in high school with murderer still on the loose
After letting them read it, he puts his phone in his pocket and proudly says: “We’re having a project about crimes in our hometown right now and I have an advantage over the rest.”
“That’s- That’s not-” Maya stutters. “…Stiles…”
“What?” he says confused, as if what he just bragged about isn’t heartbreaking. God, no wonder he’s a bit fucked from it all. Mike would want to know if all his friends are okay if he nearly saw them all killed alongside him.
“Are you, like, okay?” Mike asks.
“Probably not, like in general,” Stiles tells him honestly, “but I am really fine. As fine as I get anyway. Derek says I have to work on that, but he’s not the boss of me and I actually am doing better. I don’t know why I’m telling you all this, sorry.”
“No, it’s fine,” Maya smiles kindly. “We just want to know you’re okay. Thanks for trusting us with that. Did you get those wounds checked out?”
“I did,” he returns her smile. “Got a clean bill of health and everything. Dad wouldn’t let me drive back before that.”
“Good,” Aalif says.
They’re all quiet for a moment, before the thing that has been niggling on his mind comes out. He asks: “Who is this Derek person anyway?”
Stiles regards them all for a moment, before saying: “I don’t think we reached that level of friendship yet. Sorry. Like, you’re all my friends and stuff and I like bragging about my other friends to you, but I don’t know.”
“What?” Mike exclaims as Nikki points out: “You just told us you nearly got murdered, but telling us about a friend is a step too far?”
“You know, that is actually a good point,” Stiles says. “I must still be a bit lightheaded from everything, I normally don’t tell people that.”
“Should we take you to a hospital? Kai asks worriedly.
“No, no, I’m kidding, I think,” Stiles jokes, before quickly adding, “I am truly kidding, please don’t take me to a hospital. God, no one appreciates my humor.”
“Stiles,” Aalif sighs tiredly when Stiles deftly gets them on a different topic than Derek.
“Derek is my husband,” Stiles finally tells them, shutting them all up as they stare at them with their jaws on the floor. That explains Stiles trips home and lack of partying or otherwise getting laid, he had a whole fucking husband waiting for him at home.
None of them could know that Stiles’ reluctance to talk about Derek and his relation is that as a prominent alpha, broadcasting that they were ‘mated’ (and yes, Derek, that term is still weird to a human) isn’t really smart. Especially after everything that had already come to Beacon Hills.
“Y- Your husband?!?” Kai squeaks.
“This is exactly why I didn’t want to tell you all,” Stiles groans. “You can’t imagine the rumor mill at home when it happened, like seriously, people were acting like I was signing my life away to the devil or something.”
“Why?” Maya asks and Mike has to agree. Marriage so early isn’t exactly uncommon, it just took them by surprise this time. What would make this different.
“I-” Stiles looks genuinely sheepish, “I might have gotten him arrested for a murder he didn’t commit and stuff. But that was like, what? Two, three years ago.”
Immediately their table exploded, voices overlapping, because – again – what the fuck.
“He didn’t do it!” Stiles exclaims, shutting them all up. “He was framed. Set up. Look, I know he wasn’t the killer. Derek saved my life, like a bazillion times at this point. I love him.”
Despite the bruises, the look on his face is quite clear with love oozing off of it. Like full on, ‘Disney princess, soulmate, found the one’-love. It’s a bit disgusting in Mike’s terribly single opinion.
“Well, then I want to see him,” Nikki demands. “You can’t tell us you got swept off your feet by a mysterious would be murderer and not expect us to want to see him.”
Stiles shoots them all a suspicious look, which is pretty rude all things considering, but Mike lets it slide in favor of satiating his curiosity. Then Stiles pulls out his phone, showing them a sequence of pictures that said more than words could.
It’s obviously their wedding day. They’re both in full suits, standing in a forest with the sunset hitting them, putting them in a glow of light. Derek is apparently a handsome, muscled man, who screams not bad boy as much as serial killer.
The first picture is pretty standard. They’re looking at each other, Derek’s bad boy vibe killed by the fact that he is smiling softly at Stiles, who is smiling back. Derek’s smile is toothachingly fond in a way that Mike feels in his chest.
In the second picture, the murder vibes are back in full force, with Derek glaring at Stiles, who looks like he’s saying something, his face smug like it’s an inside joke, his hands up to gesture like he always does.
Then, in the last picture, Stiles has Derek’s cheeks between his hand, face contorted in something Mike would call a coo, if Derek didn’t look like the kind of guy who would allow anything resembling a coo being directed at him. Though, Mike might have to rethink that assumption, because while Derek is raising one murderous eyebrow, the smile has returned again.
“I am his favourite annoyance,” Stiles announces proudly. “It’s wonderful how much bugging someone can do.”
And all of them would have guessed Derek was the one, who had pursued Stiles, but here Stiles is, telling them all about how he is a master at befriending people and Derek honestly needed someone to tell him how horrible he was at decorating or socializing, before fixing it for him.
Beside him, Nikki mutters: “Dear god, he has an ‘I can fix him’-mentality. We’re doomed.”
“I heard that!” Stiles exclaims indignantly, though he doesn’t deny it per se. But when Nikki’s soda arrives, it explodes in her face and Mike would almost suspect Stiles had something to do with it if he had to go off the smug look.
They drop the topic of Stiles injuries and apparent husband, for the evening, which Stiles seems grateful for at least, before catching him up on campus gossip. Still, they keep their eye on him and it’s hard to forget with his face all fucked up.
When they leave, Maya leans in and whispers to Mike: “Keep an eye on him for us, okay?”
He nods quickly, before hurrying after Stiles, who is yelling at him to hurry or he’ll drive back without him.
Mike also keeps his word, so when Stiles’ phone starts to ring, he pretends to be engrossed in his book, while secretly keeping an ear on Stiles’ conversation. He usually doesn’t listen in, unless something is so weird it breaks through his mental barriers, but he feels like this can be an exception.
“Hey there, big guy,” Stiles greets, voice much gentler than Mike ever remembered it being.
“Yeah, worrywolf, I’m fine,” Stiles tells whoever is on the other side. “Dad wouldn’t have let me drive otherwise and neither would you for that matter. You checked me yourself before letting me go, quite thoroughly I might add.”
And that last part is definitely an innuendo, dear god, Mike did not want to know that. However, it is confirmation that it’s Derek on the line, so he listens even harder.
“I know I overdid it, but no one got hurt except a few bruises on me,” Stiles argues. “And I get hurt even when I’m not in danger, you know how doors and the air are my biggest enemies. Come on, Derek. If it was bad, I would have told you. We promised remember? You made it part of our vows, because you are a complete softie.”
Okay, Mike isn’t going to lie, that’s actually pretty cute and he slightly hates that he’s becoming team Derek when all he knows is that he was (falsely) arrested for murder and married to Stiles, who comes running home when called on.
“I promise not to run into danger again,” Stiles tells Derek. “Well, I promise not to run needlessly into danger again and honestly one could argue that this time wasn’t needlessly, because you are my damsel in distress as much as you want to cast me in that roll.” A beat. “Yes, I will never let you forget the pool, we discussed this.”
“Yes, Derek, I always take care of my wounds,” Stiles rolls his eyes. “I’ll even send you picture updates and call you every day. How does that sound?”
Oh god, Derek is actually a concerned boyfriend – excuse me, husband – who needs updates and called the day Stiles left because he was worried. Mike is never going to be able to tell the others that without it turning into a riot.
“Great, because I am going to bed,” Stiles says. “Midterms are coming up and while spending time with you is a hundred times better, I actually need to pass these if I ever want to get a degree. So, goodbye, I love you.”
A bit of silence, then a very love-filled chuckle: “Of course I’m going to think of you. I always sleep better with you, you know that. Now bye. Love you, again and always.”
Fucking hell, Mike is going to die of a toothache, caused by his happily married roommate, which is honestly where his life is at right now.
Though, Mike can honestly live with a weird roommate. It’s a source of entertainment and he now can rest knowing Stiles has someone watching out for him, preventing him from going off the deep end, which was an honest concern.
Stiles is weird, but with what Mike knows, he’s allowed to be a bit strange and he honestly doesn’t want to know more than he does.
~~
A/N:
Disclaimer: I am not shitting on parties, if you like them, go nuts. I just don’t drink and hate social interaction, so I wouldn't know how to write a good party scene even if I wanted to, lmao.
Idk how well it came through, but Stiles is magic and burned his hands while overdoing it in the fight he got injured in. He also totally exploded Nikki’s drink as petty revenge, his herbs are also related to magic.
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crownmemes · 6 months
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Questioning Sentences, Vol. 22
(Questioning sentences from various sources to ask all kinds of muses. Adjust phrasing where needed)
"What's really going on here?"
"Where's your sense of humour?"
"You will lie, cheat and steal to get what you want, but you’re incapable of kissing a little ass?"
"Are you going to congratulate me?"
"Is a lie a lie if everybody knows it's a lie?"
"You're really not good at reading people, are you?"
"How long can you go without sex?"
"If you work for a living, why do you kill yourself working?"
"Suddenly ethical lapses are a major concern for you?"
"Did you need to be so cruel?"
"Are you keeping us here just to torture me?"
"Why do you try so hard to get my attention?"
"When you watch Star Wars, which side do you root for?"
"What did I do that filled you with so much hate?"
"Why do peoeple get married?"
"Is that what they say about me now? Paranoid?"
"You always get your way, don't you?"
"Do you remember how many times you said you loved me?"
"We forgive each other, then?"
"You ever see the sun come up over the Rockies?"
"Why did you kiss me?"
"Are you ready to play nice?"
"It really does suck being you, doesn't it?"
"Outside of evil, what else have you managed to do?"
"How come every time you compliment me, it sounds like an accusation?"
"Did I say anything stupid?"
"What if it's a lesson I don't care to learn?"
"How do you convince someone that you're not cheating on them?"
"How much is it worth to have a clear conscience?"
"Do you think I'd let them harm you?"
"What happened to your face?"
"Will you smile if I admit I was wrong?"
"Where do you get these questions?"
"I need to know - do you hate me, or do you love me?"
"Since you comprehend what you call goodness, doesn't that make you good?"
"Don't you just hate people who think they're better than you are?"
"Was there a particular reason for your search, or do you just like to dig?"
"Are you trying to bribe me?"
"You're not gonna make this easy, are you?"
"How many of those pills are you taking?"
"Who are you really?"
"Are you intentionally trying to get me to dislike you?"
"What's it take to get you to fight like a man?"
"How good looking am I?"
"You can love someone and hate their guts at the same time, can't you?"
"Have you ever shot anyone?"
"Have you even read an ethical guideline?"
"Why are you so worked up over this?"
"Do you regret marrying me?"
"How could such a thing as this stride through the streets, even at night, without being seen?"
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the-guilty-writer · 2 years
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No Matter What
Request (from anon): hiii if its not too much trouble could you do Reid x daughter reader where she had BPD and she has a anger breakdown??
Spencer Reid x daughter!reader
Summary: Spencer helps his daughter with BPD through an anger breakdown.
A/N: Huge thank you to @huffufflejoy for beta/sensitivity reading and advising me on this work. Your help is greatly appreciated! Now for my usual disclaimer before my pieces that heavily involve any neurodivergent topic: I try my best to potray mental illness in the most accurate yet sensitive way possible. Please let me know if you have concerns or issues with my work. It's important to note that everyone experiences mental illness in different ways and this may not be indicative of the experience of everyone with BPD.
CW: Reader has BPD, anger breakdown, talks of schizophrenia, self-loathing, small amount of physical violence, reader is shorter than Spencer
---
Spencer had learned long before you were born that understanding from knowledge and understanding from experiencing were two different things.
No matter how much he had read about schizophrenia, he could never truly understand what his mom was experiencing. No matter how much he'd read about being a dad, it did not prepare him for actually being one. And no matter how many people he talked to, articles he read, or data he went through, he would never truly understand what it was like for you to live with BPD.
At first, his research led him to believe that he might be able to understand some of the experience. After his dad leaving him at such a young age, Elle's resignation, Gideon leaving with nothing but a letter to say goodbye, and Emily's fake death, Spencer always had an underlying concern that the people in his life were going to leave.
But to him it was just that- an underlying concern. Like how he prefered paper over computers, but wasn't paranoid about it like his mother had been during an episode in which she threw the TV out of the house. Or how he might tell someone "My daughter is my whole world", but if he didn't hear from you for a day his whole world didn't seem to fall apart.
Nothing about your experience would ever be comparable to his. All he could do was try to understand.
Spencer had just woken up when he heard the shattering. He got out of bed, trying not to get his limbs tangled in the sheets, but still moving faster than he usually did at 7 AM. When he threw his bedroom door open, he took in the sight before him. His genius brain tryed it's best to calculate what move to make next.
You were standing in the small kitchen, surrounded by pieces of porcelain. White knuckles were threaded through your hair, threatening to pull the strands out by the root. A look of distress was plastered on your face as your chest heaved. Spencer only hoped that he'd gotten here before the anger turned into a blackout.
"(Y/N), Sweetie," Spencer cooed. He walked toward you, careful to avoid the broken bowl. "Are you okay?"
"No, I'm not okay!" Your voice was shrill in your exasperatedly irritable state. "I- I dropped the bowl and it broke, and now I can't make cupcakes for Henry, and I broke the bowl- I'm so sorry-"
Spencer tried to change the subject in an effort to calm you. "You were going to hang out with Henry today?"
"No, of course no. Why else would I be trying to make him cupcakes?" You snarled at your dad with degrading sarcasm. "All my other friends hate me and now he probably will now too and- and the bowl!"
It wasn't an unusual thing for you to say. Keeping surface-level friendships alive could be difficult with BPD. People didn't understand where the swing of emotions came from, and how you couldn't control the things you said when the mental bomb went off. They didn't understand why you would share a hobby with them, and then a week later, drop it completely. Even when you explained BPD, used your coping skills, and tried your hardest, it was difficult just to exist in society.
Henry made it easier. The two of you had been friends since you were small children. He took his time to understand you. He could calm your nerves, help you cope, give you reassurance, set healthy boundaries.
Still, your dad was you favorite person; your safe place. Spencer made you feel secure in a way that no one else could. It didn't matter how high you flew or how hard you fell, he was the constant presence in your life that you needed. That's why the underlying fear of losing him could make you spiral.
"It's broken! It's broken and I'm broken!" The sarcasm slipped away behind your anger.
"You're not broken," Spencer cooed.
"Yes I am!" You screamed at him. Tears of fury streamed down your face. The look in your eyes was enough to tell your dad that you were close to a breakdown, and he couldn't help but look nervously at the shards still littered on the ground.
Spencer took a risk, walking forward. He got to you in three carefully calculated strides.
"Come here," he whispered, though you were only inches apart and his arms were almost all the way around you.
"No, no-" you muttered. Your eyes were shut tight, arms pulled to your chest as if they were a shield over your heart.
Spencer wrapped you in a hug against your wishes, only pulling you tigher when your fists came towards his chest. Your muttering and sobbing and squirming continued as he held you as tightly as he could.
"I love you."
"I'm telling the truth."
"I'm not leaving you."
"You're worthy."
"I will always be here."
Spencer didn't know if the words actually helped, but he liked to think they did. As the pendulum of emotion began to fall and you stopped fighting in his arms, the only sound in the kitchen became the mantras he whispered and your heavy breathing.
"I-I'm sorry, dad," your words were barely desipherable between dry sobs. "I'm sorry. I'm so so sorry. I didn't mean- I'm so sorry. Please-"
"It's okay." Spencer kept his voice calm, soothing, reassuring. "It's only a bowl."
"I broke it and I got so-" you choked out the words as if saying them was physically painful.
Spencer had to remind himself that it was. Just like the way a panic attack could make someone's heart race or their palms sweat, the humiliation of being unable to control your emotions made your throat close. He wished it didn't.
"It's all my fault- I'm sorry."
Spencer looked down at your puffy face. Your lip trembled with anxiety. Salt stained cheeks rested in his palms. In the glassy look of your eyes he could see his own reflection, his own expression. It matched exactly how he felt; concern for you that came from pure love. He only wished you'd see that there was nothing in this world that could make him leave you willfully. There was nothing in this world that could take that love.
"I promise it's okay," he kept his voice quiet. "Can we clean it up together?"
You nodded.
"I'll be here so you're safe," he reassured you. But it was also for himself.
You nodded again.
"Okay." He gently let go of your face. "Let's clean up."
Together, the two of you carefully swept up the pieces of procelain. It took no more than two minutes to do, but Spencer couldn't help but spew a few interesting facts. They made you feel better, more relaxed.
"In Japan they use a technique called kintsugi to repair pottery," he explained. "Craftsmen take the broken bits and mend them together with gold."
The both of you rose to your feet, you with a broom and Spencer with the dustpan. "It actually makes the object stronger and more beautiful." He disposed of the broken bowl in the trash.
"Is this your way of telling me that every time I break I get stronger and more beuatiful?" you asked. It wasn't snarky or sarcastic- it was exhausted. "Because I don't feel that way."
Your dad took the broom from you, putting it back in the small storage closet. "Not quite," he said, then turned. "Because a lot of people believe the practice rose from the philosophy of wabi-sabi, which encourages people to look for and appreciate imperfection."
You blinked at him. "I'm confused."
He wrapped you in a hug. "It's my way of telling you that I'm not going anywhere. It doesn't matter to me how strong you are or how beautiful you are- how perfect or imperfect. I'm always going to be here, and I'm always going to love you, no matter what."
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genericpuff · 6 months
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Uh weird question: Can someone who's from a community that hasn't been oppressed write a character that's from opressed community as long as it's well written? Like for example, a straight guy writing a lesbian couple or a white person writing POC characters.
If they couldn't then we'd have a lot less media out in the world LOL Need I remind y'all that I am a non-Greek person writing and drawing a retelling of a comic that's based on Greek myth ;p So all that said, the following is my opinion as a writer and someone who fits into certain minority groups, but bear in mind that I myself am someone who isn't part of a specific group writing about that group.
I see your question and I raise you a hypothetical. Which would you rather be - a writer who actually challenges themselves and engages with other topics and perspectives for the sake of telling a good story, or a writer who only exclusively writes about things limited by their own perspective and experiences?
Sorry if that's a bit of snark for the day, I understand that people get worried when it comes to writing about other groups that they don't "fit into", but there's a point where you can get so paranoid and over-correct too far that you don't actually branch out and that's how you wind up trapped in an echo chamber (or at the very least, trapped in a cycle of writing about the same stuff constantly lol) which can ironically lead to becoming more ignorant and offensive than if you had simply genuinely tried in the first place and maybe fumbled in a few areas. And white heterocis people aren't the only ones who are at risk of trapping themselves in those chambers, it can happen to anyone who's not willing to branch out. Making mistakes in and of itself is not the end of the world, you just have to be willing to learn.
Part of a very necessary process of writing is consuming content written by and for other people so that you can gain a sense of perspective, understanding, and empathy for others that don't live the same lives as you. Not doing those things out of fear of offending people is how you cause the opposite effect - trapping yourself in a bubble of misinformation because you never bothered to look outside of your own comfort zone and thought it was 'safer' to just keep reading and writing content that could only apply to you. Really all that accomplishes is narrowing your world view and stunting your writing capabilities.
The biggest thing you can do to write characters that don't align with yourself is just doing your research, being open to critique and feedback from the groups you're depicting (best way to write about a character who is not yourself is to ask for feedback from a person who IS reflected in that character!), and not writing from assumptions (as a lot of assumptions are rooted in stereotypes / prejudice / racism / etc.) There are loads of people from communities in need of representation who are willing to offer their help and feedback, don't be afraid to put out feelers for that sort of thing, it's why beta-readers are still so essential for a lot of writers.
And it also depends what your writing is trying to achieve. Are you actually trying to represent these groups, or are you just writing a character who you think is neat who happens to be from a specific group? What messages are you trying to send, what point are you trying to make, what do you want the reader to walk away with? Keep in mind that it's just as important to have characters who simply exist and aren't white/heterocis/etc. as it is to have characters who are fulfilling certain representations for the sake of sending a message / making a point. Because oppression comes in a variety of forms and not every single one will necessarily be as much a hurdle as the last; and just like not expanding your worldview through challenging yourself with new topics, it can be just as harmful to reduce people's identities to just a label and assuming that once they have that label they have to fulfill a specific 'role' within a story (that's how you end up with the "token black guy" tropes) or that if you don't share that same label, that means it's completely off-limits for you to depict in your writing or that they have to be depicted the exact same way every single time. People are not tags on AO3. People are what you're trying to write about. Don't restrict yourself by the labels.
Anyways, this turned into a big post, but yeah, just be willing to look for and listen to feedback, and remember that you're (I'm assuming) someone who's at the beginning of their journey, there's not as much pressure on you as you think there is. As much as I talk shit about people like Rachel front left and center here for all of her problems with representation, it's only because Rachel is someone who's taking credit for representation that just isn't there (or tries to be there and sucks immensely because it comes across as horribly misinformed and almost boomer-like). And then you've got the Cait Corrains and James Somertons of the world, people who literally try and silence the voices of those who belong to the groups they're claiming to be a part of (or aren't, in Cait's case with her review-bombing POC work) all for the sake of their ego. Cait Corrain and James Somerton don't actually care about 'representation', they just want to be the center of attention within the discussion and given all the credit for being progressive, even if it means literally stealing from or abusing the people who are on the same side as them.
All that said, I know I get intense here with how I discuss stories like LO and how they handle 'representation', but I don't ever want to give anyone the impression that they're not allowed to write about groups that they don't fit into or that the answer is "only write from your own perspective ever" because that's just not productive and will, if anything, have the opposite effect to what you're trying to achieve. Representation is complicated and oftentimes more nuanced than people give it credit for. Most average every day writers aren't getting in trouble just for writing characters outside of their demographic, even when they make the odd mistake or miss something in their research; the people who get in trouble are the ones who do it to an incredibly offensive degree and then double down when they get called out on it. Those are the scenarios that wind up being the loudest / most explosive and give budding writers the impression that they shouldn't try writing anything outside of their worldview ever but that's not the conclusion you should be coming to. Just be respectful and put in the effort like you would any other character, and don't use your character writing as an excuse to put yourself above voices from those groups. Be sincere, be humble, and always be willing to learn more.
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AITA for making my family spend extra unnecessary money on soap? TL;DR at the end.
Warning: This is gross, or at least it is to me. Either way don't read while eating.
I'm sort of a "clean freak", if that's a thing. I wouldn't say I'm a germophobe (it's not like I'd be qualified for diagnosing it either) but I certainly have some fears and tendencies that I don't notice in others, like panicking and holding my breath until I leave a room that someone has sneezed in, covering my whole face and looking away when someone coughs, refusing to interact with people who caught a cold, washing my hands before and after doing anything, etc. I'm not sure of what I'm scared of specifically, I'm not scared of developing an illness (serious or not) or anything. But that's just for context.
So, here's where the issue arises: my family and I use the same bathroom. I noticed that the bar soap in the shower often has hair sticking to it. Pubic hair, of course. Sometimes the walls have (not pubic) hair too, heck, even the shampoo bottles. I can't live like that, I hate to be dramatic but I can't stand how gross it is to me. And I know that in many of these situations no one is bad enough to be an asshole, there just needs to be some communication and the problem will be solved, but as entitled as it may sound I don't think a 16 y/o should be the one teaching basic hygiene to a 40 y/o couple.
I've come up with a solution. Here, bar soap comes in packets of 3-5 individual bars, so whenever they replace the soap I take another one from the packet and keep it to myself until it's literally gone. And when it is gone, I take another one, which results in soap being consumed twice as fast as it normally would be. My mom has noticed it, and while I haven't told her it's me, we've all heard her complaining about how someone keeps wasting the soap away.
My stepfather makes the money in the house, and we're above the average family economically speaking. My mom and I have dealt with financial issues all our lives until she got into this relationship. I get why she's money-paranoid, and so am I, but I'm way more hygiene-paranoid than money-paranoid.
TL;DR: Our bathroom soap often has hair in it and I find it gross, so I use a separate soap bar that my parents pay for without telling them or anyone.
So, am I the asshole?
What are these acronyms?
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lullabyalikpoptarot · 14 days
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Ateez Dynamics (Yunho's Perspective)
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Alright, I have found this group's dynamic interesting so far, so thought I do another round for this weekend. Next up is Yunho, it was actually a little harder for me to get cards out of him, so not sure how much I will get from him, but we'll see.
Hongjoong (The Desirable/Page of Swords) This kind of gives me there are traits in him he finds desirable, maybe traits he wishes he had. He may see him as someone who seeks his desires, even though he may be a novice at it. There could be a lack of communication between the two, a little hesitancy here. He might see him as a bit timid to say things or express himself. Or is he timid? With his Aries energy. I am not sure about that, but maybe when it comes to communication, possibly. I am also getting someone who doesn't want to face something, it seems more like Hongjoong, since this is Yunho's perspective. I feel these boys need to talk, just saying.
Seonghwa (The Worrier/9 of Cups) He could see Seonghwa as someone who worries about him, others, and life a lot. It is kind of like he has all he needs, but there is worry. I can say he may feel he is distracted by worries to enjoy the good he has. I just thought of him being distracted, because I tried to read the number on the card, so I can find the message in the booklet, but I kept forgetting the number, I had to check multiple times, everything has a meaning, so that indicates there is distraction and inability to concentrate. I guess he is trying to show me how distracted he is. It is like he wants him to focus on the good, rather than focusing on how things will fall apart. He could see him as a worry wort. Honestly, I am like this, so I understand, but being that way can create problems for the people around you, as being moody and paranoid can get to others, I get it though.
Yeosang (The Dreamer/The Lovers) Well, this is different from Seonghwa's reading lol He seems to like him. He sees him as a dreamer, an idealist. He sees him as someone who follows his dreams and goes after what he desires. With the lover's card, it is like they get each other, probably make similar choices in life and have similar passions, or they are just both passionate about what they want. It is like they are both able to attract what they like. He may have strong intuition and would follow that intuitive sense. It is like he brings his dreams to life. I also get with the Lovers card; they mirror each other a lot. Okay, wasn't expecting this to be honest.
San (The truthful/Queen of Cups) He sees San as a pretty honest person, or maybe he is able to see through him clearly. I feel maybe he gets him the most. He may be honest and forthright about his emotions. He sees him as very loving, compassionate, empathetic and highly intuitive. Also, very loving and sensitive to his environment. Maybe he just gets him, although others may find him complicated, or he is more honest. The word forthright keeps coming out, which means free of ambiguity, so he sees him clearly, also he may be unable to hide his emotions, or how he feels unlike the others. I don't know he gets him, unlike perhaps Hongjoong, not sure why he sees him as confusing, because in this energy he seems pretty straightforward lol I am just getting you see what you get, he doesn't seem to fake it. It is like in this energy. I am just getting what is so confusing about him?, what is there to be confused about?, like this is so different from Hongjoong's reading. I swear he probably has said that to Hongjoong lol This is why I say perspective is so important, that is why I like to tap into the perspective of all members, instead of doing a straight up dynamic. We all see things differently, even relationships.
Mingi (The Improvisor/Knight of Pentacles) So far, he gives off the same vibe with all members. He sees him as someone who can adapt, who can switch things up pretty quickly. He can change to the environment pretty quickly. He is very quick, okay messages are coming quick, like please slow down lol He is quick-witted, it is like if they change things in the choreo or the music he adapts pretty quickly. I can see thoughts and ideas coming to him pretty quickly. He is someone who holds to his goal, he is loyal, dependable, reliable. He is consistent, yeah, I am getting that myself lol He is able to stay steady when unexpected things happen, it is like it doesn't rock him off his feet too much. Oh, I like his energy lol I wish I had this energy. So yeah, seems he likes him. I wonder if Yunho also has this same vibe as well. I felt this talked more about Mingi, than the dynamic, but it does seem they can count on each other, or more so he can count on him. I am getting them being of service to one another, then a deep emotional bond, but no surprise two fire signs here.
Wooyoung (The Loner/5 of Cups) *Sighs* I would like one of them to give me better cards for him. I guess he sees him as a wallower. He is someone who may close himself off to others. I just see him being alone in his room not wanting to come out. He kind of does his own thing. This kind of makes me sad, I wonder if it makes him sad. I just think he cries over spilled milk a lot. Lowkey may deal with depression, but I am not diagnosing, just what I am getting. Maybe he sees him as someone who prefers his alone time to gather his thoughts and deal with his sh**, that came to me, so wonder if Yunho says that, because I would not say it like that lol This just makes me really want to do Wooyoung's perspective, because I want to understand his side here.
Jongho (The Fighter/Death) Okay, wtf is this? Did they fight, or they aggressive towards another, do they trigger each other? wtf I did not expect this! Okay, reading the message on the back, and seeing the Death card. I am starting to see the message here. He sees Jongho as someone who accepts endings in life and accepts changes as well. He sees him as someone willing to let things go. They may both be similar in that way. A willingness to let things go. Do they like play fight?, because I kind of see that with this. Maybe they do fight from time to time but learn to quickly let that go and move on. I am getting this strong sense they trigger something in another I swear lol You know how some relationships are meant to show your triggers or your bad traits, so you can heal, grow and learn, it is like this dynamic does that.
Okay, what is interesting about his reading is while I was going through the members he was tapping me into the energies of the person he was talking about, which is wild to me, because I don't think anyone else did that for any group I did. It kind of shows he sees their side of the story or feels what they feel. I sometimes was like, wait, is this his energy or the other member? I found that pretty cool and find his energy quite fascinating for doing that.
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galvanizedfriend · 4 months
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hii Yokan! i miss you!😭
how are you? how is work?? I hope everything is going well<3
rn there's a little Comic Con in my city, and it really did help my mood!! (even tho I throwed up 6 times and fainted during the morning of the first day due to the heat and lack of iron🥲) 2 days down, 2 more to go 🙏
ANYWAYS! I know you've been going through a writer's block lately, and I read a post that said something about asking/commenting about the fictions to help the "stucked" autor, SO!
I've been re-reading TW III (shocking, I know) and those little hints about married!kc are just 😭😭 my heart melts, really, although... I was never really sure you'd get them married, mostly due to Care's speech to Cami about how Klaus supposedly sees weddings, and because I remember you saying that you weren't planning on giving them an actual marriage, but rather the closest thing next to it. I checked to comments to see other thoughts, and I saw one of you reply saying that you were completely against married!kc at the start, but then you were slowing changing your mind about it...
so, what was it that made you say "fuck it, I'm gonna ring the bells"?? is it because many people asked you to do it, so you are throwing us a bone, or is it something else?? I'm really interest on hearing the process of your change of heart <3
have a good one, friend <3 love you xoxo
I don't know if I am eloquent enough or if my train of thought makes much sense, but I will try 😂
Also grab a chair because this will be a long one. Be careful what you ask me, I do not know how to shut the fuck up 🙃
Objectively, I still think Klaus is not the marrying kind (in canon context, at least). That man has been alive for a thousand years. He's the vampire of vampires, one who sees humans as a lower species. He's used to getting what he wants by conquering and subjugating because he can. Why would he ever submit himself to an inherently human institution that, throughout history, has served as a tool for various types of social, political and religious control? The ceremony itself doesn't mean anything to him. He probably thinks it's ridiculous and performative, not to mention extremely frail. You can just change your mind and get a divorce, or the good old spouse murder, and then what? What's even the point?
(Just to be clear: I'm not personally preaching against weddings and marriages here btw, it's just how I think Klaus might have seen it.)
If you look at it from the sentimental side, Klaus spent almost a thousand years saying that love is a sign of weakness, a character flaw. He carried his siblings, the only people he genuinely cared about, inside coffins because he didn't trust them enough not to leave him, betray him or end up captured and killed by one of his enemies. Now, why would he want to marry someone, thus exposing yet another vulnerability to be exploited?
Having said that 😂
When we first see Klaus in TVD he's trying to surround himself with a whole new OP supernatural species that will have no choice but to stand with him. They will protect him, they will go to war for him, do whatever he asks them to and they will never leave (or that's what he thought, anyway) because they don't have a choice. That is the only way Klaus knows how to trust people: by completely removing their capacity to challenge him. That's how paranoid he is.
But as the story progresses, and especially with The Wolf in particular because it takes their relationship much further than the show, Klaus realizes there is more than one way to earn people's trust. I feel like that's one of the pillars of his relationship with Caroline. He could've just compelled her (in TVD, not TW because she's a witch), but he never did because he wanted more from her than obedience. All of the things he liked about her - her personality, her honesty, her fire, her loyalty - would've been essentially erased or made meaningless if he'd compelled her. Which puts her in direct opposition to how he related to his hybrids, right? He pretends to be fine with people who have no choice but to follow him, but what he really craves is more real than that. He surrounds himself with people who will worship the ground he walks on after some forged "gratitude" for releasing them of their curse, but he is fascinated by how gutsy Caroline is to look him in the eye and tell him the things that no one else will dare to. What he really seeks but doesn't have the courage to admit is that he wants someone who will choose to be with him. And that's the difficult part, because it can't be conquered or taken, it has to be earned.
Klaus comes from a place of paranoia and extreme distrust of everything and everyone around him, especially after Mikael in New Orleans, and he feels very isolated and alone. He tells Stefan about that, right? The loneliness of immortality. When The Wolf starts, in spite of how he and Caroline were having a bit of a thing before it, he's not sure she would want to stay with him. Actually, he thinks the first chance she gets, she's gonna bail. It's why he's mad when he thinks she wants to terminate the pregnancy. It's not about the baby (it's never about the baby), he couldn't care less about the damn baby at that point, it's the fact that he thinks she's trying to get rid of him, as if that pregnancy is the one thing that is holding them together at that point and so if she's no longer pregnant, she doesn't have to be with him. What I'm very inarticulately trying to say is that his initial approach to Caroline being pregnant is the same he had with his hybrids, as if the baby is a version of a sire bond. It's crazy and dysfunctional, yes, but it's how Klaus rationalizes it, how he thinks he gets to keep people around him - either through daggering them or giving them no choice.
Slowly, Klaus internalizes the fact that Caroline is choosing him. She tells him that a few times throughout the story, and even when he's hallucinating her at the beginning of TW4, because that's something that she has said before and that has stuck with him for reason. She could've left him at any point, but she didn't because she wants to be with him. It's a choice that she has made not because he forced her to, but because she's in love with him. She protects him, she fights for him, she walks through hellfire for him because she wants to, not because she must. He has earned her trust and her love and her loyalty. And that is something that is new for Klaus in his one thousand years of life, at least at this magnitude and with this much clarity and certitude.
So I think when I started writing TW3, which was them in their domestic era, it started to feel like something Klaus might actually do. Not just because it obviously does mean something to Caroline and he would basically do anything for her (even though she never asks for it, which in itself is something, because Caroline comes from relationships that made her feel so insecure and unsafe that she would've held on to a ring like a lifeline, but with Klaus she simply does not need hard evidence to feel safe and reassured, she knows how Klaus feels about her, she's very comfortable in their relationship, she knows that what offers her means a lot more than a thousand weddings to other people ever would - even though she does still love a good wedding lol), but because it suddenly makes sense to him. Not the big party, or the tradition of it, or making it official or anything of the sort, but as a way to externalize what he feels. There is a symbolism to it that while not ideal, it might be the closest to thing to expressing just how devoted he is to her and how she is, pure and simple, eternity for him. When that comes from someone who has lived for as long he has, and who has been as cynical as he was for as long as he was, it does mean something, even if nothing else does.
There is a territorial factor to it as well, of course. 😌 He's a very possessive man and so he wants everyone to know Caroline is his, and it's why it first came to him during the thing with Jackson, but it's more than just that. If it was just about that, he wouldn't do it. He is at a point where he no longer has any doubts about how Caroline feels for him (although there will be a little something something on that front at the beginning of TW4, just because they've been apart for so long, but it will be quickly dispelled).
The most sacred thing for Klaus was the vow he took with his siblings when they fled Viking Falls. They stuck together through everything because of that. He knows the value of a vow and a promise. And he wants a version of that with Caroline. It's the first time in his life when he contemplates genuinely offering that to someone other than his family. There are a million ways he could go about it, probably, but he knows asking her to marry him is the one that will be most representative to her, because of the age where she was born and how she grew up, etc.
And so that is why I decided that Klaus was going to buy a ring even though I crossed my heart and hoped to die a million times for years when people asked me about that. 😂 I just think it's the natural course this story has taken. It's long enough that it eventually made sense to me that he might do it.
Does any of that make sense???? I don't know! I just typed my stream of thought and hoped for the best and now I'm afraid to read it again, so apologies if it's just crazy words.
Now if only I can get back to writing and actually get to that part. 🥲 Pray for me 🙏
THANKS FOR COMING TO MY TED TALK! 🙃 Here have a pretty married Klaroline gif.
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beansprean · 1 year
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Nandor and Alexithymia
Ok so this is an attempt to organize a mess of thoughts I’ve been mulling over recently; appreciate anybody who reads the whole thing lol. My “he’s just like me fr” nandor dissertation.
So first things first - alexithymia is a symptom/trait that tends to appear for a lot of neurodivergent people, including myself, as well as those affected by emotional neglect/abuse or other related traumas. It involves "difficulties in identifying, describing, and processing one’s own feelings, often marked by a lack of understanding of the feelings of others, and difficulty distinguishing between feelings and the bodily sensations of emotional arousal" (livingautism.com). For me, though I’m decently good at recognizing others’ emotional states when I’m paying attention, I have a lot of trouble categorizing my own. I have to rely on physical cues (am I smiling? Laughing? Crying? Is my heart beating fast?), mimicking others (if this happened to someone else, how would I expect them to feel? How do other people feel about this so I know what I’m feeling?), or past experience (this thing made me feel like this, so I must be feeling this now). The physical cues are less helpful than they sound, as the definition implies, because maybe my heart is pounding because I’m anxious, or excited, or I hate you, or I like you, or I’m afraid, or I just ran up some stairs. Maybe I’m crying because I’m sad. Or frustrated. Or angry. Or hungry? I literally cannot tell what my emotions are telling me most of the time, which makes communication and relationships extremely difficult to navigate. I don’t know if I enjoy talking to you. I don’t know if I enjoy this activity. I don’t know if I have a crush on you. Everything just feels like anxiety or apathy unless it’s already at 100%. One of the specific anxieties that I deal with in social situations as a result of this is not a fear that people won’t like me, but that I won’t like them. A new person approaches! They want to hang out/date! But oh no, I have no idea how I’m feeling about this person at this point. What if I don’t end up having fun? What if I dislike them and I don’t know why? What if they upset me and I don’t know why? How will I navigate breaking up with them? I’m consumed by the future possibility of being unable to interpret my emotional state and being unable to communicate or verbalize well enough to get out of the situation without acting like a jerk and hurting their feelings or ghosting them completely.
But this post isn’t just me ranting about my brokebrain, I wanna talk about NANDOR’S brokebrain. Some of you may be ahead of me.
Obviously we are all aware that Nandor is completely UNAWARE of his feelings a lot of the time; this is not news, I’m just pathologizing it lol. And not only does he have trouble expressing, identifying, and verbalizing his emotions or recognizing them in others, but...he's dead. He can't rely on physical reactions to help him out - his heart doesn't beat, his skin doesn't flush, he doesn't need to breathe, it's unclear if he can even shed tears! The past 700 years must have felt like endless apathy so much of the time - no wonder he gets depressed.
But it definitely makes sense to me that Nandor is affected by fairly severe alexithymia, and he would have trouble choosing between his wives or recalling the feelings he had for them or which one he really loved and what that felt like beyond just how unobtrusive their presence would be for his day to day routine. And at the same time it is clear to us that he wants nothing more than to hang with Guillermo and spend time with Guillermo and ensure he gives reasons for Guillermo to stick around - but he doesn't really recognize that himself. He becomes increasingly anxious and paranoid as his wedding to Marwa approaches, doesn't understand why he is so fixated on everything that could ruin it or stop it from happening, and projects those thoughts on everyone else around him. He assumes that everyone is conspiring to stop the wedding because he unknowingly wants people to give him reasons to back out. Guillermo confronts him with this, and Nandor can only verbalize that this is a big moment that is making him afraid. (Not to mention that he clearly was waiting for an objection from Guillermo which Guillermo consistently refused to give despite seemingly agreeing with Nadja's. And the whole expecting Guillermo to be jealous and confused/disappointed when he wasn't?? Honey.)
Yet, we also know from the "I like what he likes" wish that Nandor DOES want this wedding to happen. He wants to be married, he wants steady companionship, he wants to tie himself to someone and say "look, look, someone loves me! I am never alone!" Yet immediately after the wedding he balks at turning her and making the marriage "eternal". He is already bored of what he has turned her into and confused why he isn't enjoying the company of someone who will stay by his side and never argue or disagree with him or expect an emotional intimacy from him he can't give. Isn't that what he wanted? Why didn't this fix him? Why is everything still so dull?
(slight tangent on the "I like what he likes" wish honestly what a fuckin DREAM I wish I had a second person who could project my emotions/preferences for me so I could recognize them... I wish they had played around with that for a few more episodes, the comedic potential alone has sustained me for so long...)
He sees Guillermo and Freddie, feels Something, but doesn’t understand what. Discomfort? Longing? Anxiety? Lots of options we as an audience can assume or interpret, but I think we can all agree it's more complicated than just Nandor falling in love at first sight as he assumes. Nandor DOES experience passing infatuations fairly frequently - an intense blaze of emotion he interprets as love and obsesses over, pushing quickly for commitment because he believes that tying himself to someone will solidify those feelings forever. He has to act quick before they fade!
So back to Freddie, Nandor is: 1. Confused by Freddie's presence and unusually pushy about following them around and getting details about their relationship, 2. Genuinely charmed by Freddie's loser white boy swag and interest in artefacts from his home country, 3. Kept up all night by thoughts about Freddie, and 4. Able to recognize that outright stealing him would be a bad move because it would probably make Guillermo upset. Round of applause for #4, good job Nandy.
But, like with the wedding, is he just projecting? Assuming? He knows he feels something strong - an intense blaze of emotion and obsession he associates with his past relationships - and he comes to the conclusion that being with Freddie is what will finally make him happy. Might he actually be feeling misplaced jealousy because he's in love with Guillermo? Or because he sees Guillermo happy in a relationship for the first time and wants that feeling for himself? Or subconsciously sees this as another way to tie Guillermo to him and ensure he can't have a life outside of Nandor? All of these are valid. Nandor certainly doesn't know.
The last point I want to make in this messy ramble of a post is this: what if, in addition to worrying that turning Guillermo into a vampire will set him free from any bonds or obligations to Nandor and he will leave, Nandor is worried HE won't like Guillermo anymore if he is a vampire? And then what?? People change when they...change. He did.
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suburbandadclub · 1 year
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What sets The Hunger Games novels so far apart from other stories, especially YA ones, and also from the films they were adapted into, is that we, the audience, get to experience the varied responses to trauma through the eyes of someone who doesn’t know life without it.
I first read the trilogy as a 12-year-old, and it was wonderful to me then. Katniss seemed so mature and grown-up, and I saw in her this savior that I dreamed of saving me too, like she saved her sister. I think that’s why a lot of the end of the series was confusing to me. I loved it, but there was so much that I couldn’t figure out about her motivations.
I began listening to the audiobooks recently, at a time in my life when I was finally able to come to terms with the abuse I’d experienced my entire childhood and adolescence. Outside of any of that, I now saw Katniss for what she is: a child. It blew me away how similar I felt to her in what she goes through. When you have known suffering all your life, you have no idea the depth of its impact. I always knew how upset and angry I felt about what was being done to me. But I never considered it was out of the ordinary. I knew other kids didn’t experience it like I did, but why would I have any reason to think it was wrong? It was just my life. I must have deserved it.
Katniss takes on so much blame in an effort to make sense of her circumstances. She takes on guilt to try to punish herself for the egregious things happening to the people she loves. She doesn’t see herself as a person worthy of life and love, and yet she sees herself as selfish for not always thinking of the greater good. So much of her response to trauma stands out to me now as obvious, even as I struggle to see it in myself.
And as readers, we can’t see further than her own paranoid, traumatized logic. This is obviously somewhat lessened now that the movies are such a widely-known phenomenon, but events and actions of other characters come completely out of the blue and surprise us because Katniss convinces herself (and us) that the world works a certain way because it’s always worked that way for her, and we believe her!
Truly the most subversive of unreliable narrators.
I don’t know how Suzanne Collins perfectly captured the mind of a deeply traumatized child, which leads me to conclusions that I dearly hope are not true, because you always hope that these things don’t happen even when you know they do. But I am immensely grateful that she chose to write what she did, not only for what her writing has done for the globe in terms of war, and politics, and humanity, but for kids like me, who maybe will see a little better that even in stories filled with hurt and tragedy and suffering, there is more than enough beauty to be found just by choosing to keep fighting.
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moonstruckdraws · 7 months
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✨ARO SPEC AWARENESS WEEK!!✨
THESE PEOPLE EXIST AND ARE BEAUTIFUL & AMAZING! APPRECIATE THEM! RESPECT THEM!
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I don't really do the awareness week things cuz I draw during pride month but finding out (learning how to read a bio status that's been in my face every time I open their blog) that @hellishgayliath is aro, I wanted to incorporate them! I know I say I appreciate them a lot but ITS BECAUSE I DO!
This is also a reveal that Luci is aro spec! I am not aromantic myself, but I have done my research into it. However, if I do make any stereotypical or offensive characterizations for Luci, please let me know so I may change that! I find it funny that both Repo & Luci wouldn't know of the labels lgtbqia+ so Luci has no idea what aromantic is lol
Luci spiel incoming
Okok, so I designed Luci in late December. I make characters in my head for fandoms I'm in all the time, but I never draw them out because I never care to. I didn't really consider making a rottmnt oc until Helli dropped their Bao character which is followed when I started making fanart of Helli's sons. I decided, "I have nothing better to do, so why not" and I really like moths, so why not a moth oc?
Seeing Pico & Bao made me really want to put Luci in a relationship, and I had (and still have) a character in mind that I'd pair her with. But the more I drew her and explored her character, I wasn't as sure. Around this time I learned what QPRs (queer platonic relationship) are and the best way I can describe them is that they're like deeper (more-than-platonic-but-not-romantic) soulmates.
This led me into the aro spec rabbit hole (ha, hi Helli) and I learned a lot about aro labels and aromanticism in general, to which some things I didn't know I connected with lol. And I am aware, since it's a spectrum, that some aros are in relationships, single, interested in romance, repulsed, or a mess of all these things.
But I still wasn't sure if I felt putting Luci in some kind of relationship (more towards a QPR) was okay? I haven't said much on Luci's view on relationships and romance, and I'll do that in another post so I'm not writing an essay over here lol. Because I'm aware that some people do go down that route of "Well some aromantics do date, so I can draw this character in a relationship" and no hate though as peeps can do what they want. I just didn't want to do that with Luci.
So really I'm on the fence of the possibility, and if I do, I want to do it in a way that's respectful to aro's with boundaries or dislikes Luci would have if she was in a close relationship. Of course, I could be overthinking this, which is why I shortened this post in the first place lol, but I'm also a paranoid socially anxious person that doesn't want to be offensive especially since my moot is on this spectrum. I will accept any tips or advice if they're offered; I just wanted to yap and blah blah.
Happy Aromantic Spectrum Awareness Week :]
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fractalcloning · 6 months
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As I scream into the void seeking a Narek RPer to play against, I have finally caved and must explain why I want this Romulan loungelizard to be more popular. (It won't happen, but I can dream.)
Reasons I like Narek as a character that nobody but me gives a shit about:
Let me preface this with a fact about me: I know Romulans.
I've RPed as Nero for almost two straight years in a large game. I've basically learned Rihannsu back to front for the endeavor. The person who played my Ayel and I both dumped countless hours into developing grammar and extrapolating cultural rules. We were dedicated to making them as believeable and accurate to canon as possible.
I have the whole timeline of the destruction of Hobus/Romulus down to memory. I know about all the neat little tidbits and trivia from comics and adjacent materials etc, etc.
This is to say: I have read and written quite a lot about Romulans in my time. I am very familiar with how they work and what data is available to draw from when writing them.
We do meet a few rank and file military Romulans from time to time, however. So we know how the general military operates in direct contrast to the Tal'Shiar. Caution and secrecy is sort of baked into their culture, which makes a lot of sense given that they're constantly at war with basically everyone, but they aren't (generally) unreasonable people.
In canon Trek, Romulans are often a little over the top with the sneaky-backstabbing-untrustworthy-nonsense. They're almost comical with how much scheming they do, but most of the Romulans we meet in canon are Tal'Shiar. The Tal'Shiar are known, pretty explicitly for the depth and breadth of their sneaky-backstabbing-untrustworthy-nonsense. It's kind of their whole deal, apart from mnhei'sahe (literally the ruling passion honor).
Narek, however, was a child when Hobus went supernova. He is from the very last generation that had any living memory of Romulus. (Elnor is also from this generation and they are great foils for each other, but that's another essay.) Narek is from a (presumably) respected family of--if not Tal'Shiar then Military--operatives. His aunt held high rank, his sister did as well, and both were inducted into the Zhat Vash, an organization that worked so quietly and efficiently that even the famously paranoid Tal'Shiar thought they were a myth. They orchestrated catastrophes and manipulated Galactic law to their ends, one of their members was the head of Starfleet Security and Narissa was on a personal basis with her.
Their underlying culture is present, but it isn't explored very deeply in any one canon source. Taken collectively, however, it is just as substantial as Klingon Battle-lust or Ferengi Capitalism.
Nero was a break from the norm, not because he was vengeful, but because he was the first non-military Romulan we'd ever really seen. His designs, the tattoos, the crew of his ship with their very un-Romulan loyalty, the way he talked and sought equivalent exchange of lives (mnhei'sahe), was a wealth of Romulan culture that we hadn't ever seen. He was a regular Joe, had a regular non-Military job, trusted and worked with aliens to try and save lives. His failure (not his fault) was something he absorbed and sought to rectify in the Romulan way.
Nero was super interesting both for how much detail he cast on Romulan culture, and in how he slotted into the Prime Timeline. Nero was a guy desperately clinging to hope, to the last vestiges of his civilian life, but he was cut free by the destruction of Romulus and set adrift. The only anchor he had in the AOS timeline was his honor and the driving need to balance the scales and restore it.
Narek, however privledge his family was, was a washout. He was a failure. We know he wasn't Zhat Vash, and whether he was even Tal'Shiar is up for some serious speculation. He doesn't act like military officers, and only seems to be play-acting as a Tal'Shiar, miming his sister when it suits him.
Narek may have had authority on the Artifact, but it was probably by dint of Oh granting it. We never get any clarification whatsoever about his rank or dayjob, just that he is fully devoted to helping the Zhat Vash. He is analytical, prepared, but he is not good at thinking on his feet and clearly does his planning off screen. He's meticulous but not especially skilled at hiding or regulating his emotional state. He is far less aggressive and stalwart than just about every other Romulan we've seen...except for Nero.
He was literally a placeholder sent to keep tabs on Soji. He didn't even arrive until Narissa had failed to capture Dahj. That Narek managed to get close to Soji, that he discovered her dreams and correctly surmised what they are, was more luck than skill. Before his assessments the Zhat Vash knew that Dahj (and Soji) could be activated out of their cover, but they assumed that they could capture them. They probably assumed they could torture the data out of them, if not dissect them and rip out a harddrive.
Narek found an easy way to get right to the information they needed. His attachment to Romulan culture is his puzzlebox--Before Nero we had never met a Romulan civilian and before Narek we have never met a cultural Romulan who plays with a toy, we had never seen a child's toy like that. Of course, the puzzlebox (Tan Zhekran) was a mechanism to illustrate his thought process, to make the differences between Narissa and him very apparent, but it was also something from his childhood (presumably). It's a weirdly personal affect for a Romulan and he fidgets with it almost constantly. It's a tell, something he shouldn't have, and it makes him accessible on an emotional level.
Narek is a civilian.
He's a civilian in a family of spies and operatives, raised alongside his sister on the same stories, with the same care. There's no way a Zhat Vash didn't have a family home on Romulus. While Elnor is a nice example of the new generation of Romulans, Narek is one of the last examples of what is used to mean to be a Romulan. He saw Romulus and escaped with all his surviving family when it as it was destroyed. Narek was raised on Romulan tradition (private names for family), Romulan stories about the end of the world, and he is haunted by them because he knows they're true, they're real. His sister and aunt have seen it, seen the message that drives people mad, about Ganmadan. His living relatives have dedicated their lives to preventing it and, even if he isn't actually Zhat Vash, he does the same.
Narek is a failure, by his culture's standards, by his family's standards, but he is also the only one of them who lives in the end.
He's a civilian who is trying, desperately, to avert another Romulan apocalypse. He has already lived through one and somehow this next one is even worse. Like Nero he sees the writing on the wall--but instead of doubling down on the traditional sneaky spy shit, he tries something new--unlike Nero, it works! He makes headway where nobody else could.
Unfortunately, it's kinda fucked up, but he then gives up everything in the pursuit of this goal. (Which to him, seems like a noble one.) Narek gives up who he is (by playing at being Tal Shiar), his safety (he has no idea what Soji is capable of or what might set her off, they only have records of Dahj killing a dozen agents before being blown up), and eventually resigns himself to killing the woman he's fallen in love with (the baseline requirement for giving out his real name). He does it all for the greater good, to save people and he doesn't seem to make much of a distinction between Romulan and other organic lives. He has his little plans, tracking La Sirena in a single cloaked ship, hiding his presence to tail them, firing on them despite being wholly outmatched, allying with Sutra however temporarily, trying to sway Soji again, turning to Rios, Raffi, and Elnor for help--he's willing to do anything because he's terrified that everything is about to end and it will be him who failed to prevent it.
The very last shot we see of him, after his plan to detonate the transmitter fails completely, is him on the ground being dragged away by the Coppelius androids. He doesn't posture or threaten, doesn't say ominous shit like the other Romulans we're used to--He begs. He claws at the ground, trying to stay, and he begs. He pleads with Soji, calls her his love, tries that last ditch hail mary because it's all he can do. He fails his task and she's the last person he can reach out to and, in the end, despite the very real threat to her life, Planet, and Picard, Soji smashes the transmitter. The apocalypse is averted.
Narek failed but he also succeeded. His aunt is dead, Oh has been outed as a traitor, and his sister is killed by Seven of Nine. In a cut scene, apparently, Narek was supposed to be arrested by Starfleet. So he's facing (at the very least) retribution from the androids and the ExBorg. Starfleet is very likely to arrest and interrogate him, if not imprison him indefinitely since he has ties to the Zhat Vash and, subsequently, will be on the hook to explain the Utopia Planetia disaster. Soji hates him, for good reason, and his homeworld is long gone. Narek has nothing...but the world was saved.
Narek is singular because he's all about needing and interacting with other people, he has no real authority, nobody he commands. He's a civilian (insofar as any Romulan can be) and is a soft, emotional boy who hangs on to his childhood toys. He's driven in equal parts by fear and a deep sense of failure, like everyone else in the show, and he takes the steps that seem right and necessary to him (also like everyone else on the show).
Narek was a great contrast against Elnor in every possible way--from his evasiveness to his fear of death--and he was a great foil for Soji. On Coppelius, Soji's terror clouds her judgment and she very nearly does terrible things to protect herself. Her actions, her opinions, her hesitation were all driven by fear. The ends seemed to justify the means. She reflects Narek's state for the whole show. Season 1 is about finding safety and meaning.
Narek is afraid for the whole duration of the show and his choices all reflect that same desperate need to find permanent safety, to live. Soji exists on the peripheral of that with the Ex-Borg, and as a synthetic, and then she falls headlong into it after his betrayal. Narek regrets trying to kill her and the symbolism of his losing that box, of him trying to kill her in a room that is so very culturally Romulan, right after telling her his name, makes it very clear that killing her is killing some piece of himself. But the ends justify the means. He can and will give up everything to save the world.
And his last line in the show is desperately pleading with the woman he loves as he's dragged away.
Then we never see him again or get anything resembling closure for Soji or Narek.
Which I will be big mad about forever, because they didn't even get the bare minimum acknowledgement and closure of "moving on and living life is paramount because it is finite and beautiful ". Nope. Nothing. I'm furious forever.
Thank you for coming to my TED talk. I hope if Star Trek Legacy happens we get Narek as a sort of...side character creeper informant ala Garak. I also hope we get Soji on Seven's Enterprise because I love her.
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salty-an-disco · 1 month
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For ParaCold... Pre-Relationship 6, General 6, General 13, Love 11, Love 13, and/or Domestic Life 12? (Yes I am asking a lot, feel free to only answer one of these if you'd prefer! I just love your thoughts on them always~)
(I freakin' knew you'd come at me with the asking sheet lol /aff /pos)
Ship Questions Redux
Pre-relationship 6. What was their flirting stage like?
Veeeeery awkward. At least from Paranoid's perspective; the moment she started consciously flirting, she felt like a shelf full of glass jars constantly shaking and dropping everything onto the floor. She'd go out of her way to compliment Cold's additions to any convo or their appearance, all while sweating bullets and feeling like a giant fuckin' buffoon.
Cold, meanwhile, never registered anything he did as 'flirting', but when they saw Para actively flirting, it found the sight very amusing, and started going out of its way to compliment her back and even say some suggestive lines (cue Paranoid.exe stopping working and going into overdrive)
General 6. How do their personalities complement each other? How do they clash?
I mean– we already talked about this at lenght like aikskdmdjdmd
Cold is uniquely equipped to help Paranoid calm her nerves and look at situations with a more pragmatic view, while Para can make Cold consider being less reckless if only for other sakes, how they can read each other, the way their actions often clash but also helps them grow– aaaaaaaagggghhhh
General 13. Which one thinks they aren't good enough for the other, if at all?
Oh, they both have their own form of Imposter Syndrome.
Para knows she can unlikable to others, with how intense and inquisitive she can be, and she knows it's hard to approach her when she's already expecting the worst from others. And that's fine!! She can live like that, it's safer if others don't even try to approach cuz she seems a bit too prickly. And she often wonders if Cold would've felt the same if they weren't born from the same being–
Cold knows it's difficult. Knows others find it unsettling or menacing. And it's fine with that, really, it's a flattery that so many people think of it as an uniquely evil being. And Paranoid is no exception, she was definitely afraid of it in multiple occasions, but she still puts it aside to try and work with them. They're sure she wouldn't want anything to do with it if it didn't insistently follow her and got into her personal space, but it selfishly wants her attention. And if they're evil and scary and dangerous anyway, why bother if it's being a little selfish too?
Love 11. What kind of nicknames do they call each other?
I like the idea of Cold calling Para 'Dots' cuz of her plumage patterns. A cuter way to look at the markings that triggers Paranoid so much. She was very taken aback by it when it was first used, but didn't mind it and even came to like it.
I think Para definitely calls Cold some of the many nicknames the others gave her to tease her. 'Cool Guy' is one of her favorites for this. Avoids names like 'heartless' tho, cuz she noticed how those seem to actually get to Cold (it's very subtle, but she learned to read him at this point).
Love 13. How do they make up after an argument? Who is the first to apologize?
Depends on the argument, and how much one was at fault over the other. Para definitely apologizes as soon as she realizes she was being unfair/going a bit too far. Cold doesn't verbally apologize– almost never, but it does change its behavior when they notice how it upsets others and tries to make up for their actions through other ways.
Domestic Life 12. Who likes to dance with, or sing for, the other?
I know many have Cold with good singing voice hcs, but personally, I think he'd rather whistle than sing. And they have a very haunting but weirdly beautiful whistle, and can make many melodies with it. Para finds it weirdly comforting, so Cold will sometimes whistle for her.
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