#which- yep!

[jamiesfootball]

I’m curious (if you’re willing to share) — is your post season 3 fic shippy or platonic? Looking forward to it!

Both of the main ones I'm working on now are platonic! But also you've opened the door for me to talk about it so I'm gonna talk about it!

The post-season 3 fic is platonic and--I cannot overstate this enough--has so much of a plot going on across multiple characters that I finally broke down and made a fucking spreadsheet.

That said a lot of Roy's struggle in this fic centers around his emotional attachments with other people and the roles he plays in their lives (with family, with friends, as a coach). He's stuck in this perfect storm where it seems like all his most important relationships are in flux.

See below the cut for spoilers:

His Family

This is a big one for him and where a surprising amount of therapy work gets done. When the story kicks off, Phoebe is suddenly Around Much Less and a part of that is his sister tentatively feeling out a reconciliation with their parents. This causes a surprising (to Roy) amount of emotional upheaval in his life. As someone who's always been in his sister's corner, he's always seen (even if he's never fully verbalized it to himself) his keeping contact with their parents as a way of releasing his sister from any responsibility or lingering guilt about cutting them off. But now that she's tentatively in contact with them, and introducing them to Phoebe, Roy is realizing that he has a lot of unresolved issues with his parents. Adding to that stress is the fact that while he's played a huge role in his niece's life, he's never actually had to ask to spend time with her before, and he is awful at admitting he might need something, especially when the people around him keep telling him he can 'have a break.'

Keeley

He and Keeley have decided to remain friends. Keeley wants to be single for a while and work on herself, her company, and all the special projects she has falling out of her sleeves (*cough*womensteam*cough*). However, Keeley is the most serious relationship he's ever had, and they started out on a flirty, romantic footing, so he's never just been friends with her. In fact he's never stayed friends with any of his exes. He's navigating unfamiliar territory and he's not sure what's allowed of him. Even basic shit--is he allowed to tell her she looks nice? invite her for coffee? for dinner?--he ends up second guessing.

The Diamond Dogs / The Workplace

He literally JUST became a Diamond Dog and showed them emotional vulnerability by asking what the secret was to becoming a less shitty person and now he's in charge of them. (And he's in therapy, seeing the staff therapist, so everybody knows about that too.) With Ted gone, the inter-team dynamics between the coaches is a whirlpool of Beard and Nate trying to out-smart each other, and suddenly Roy is the one keeping everybody in line and fielding Higgins' questions about player recruitment. This isn't the big drama but it is mundane and tedious and just another fucking thing to deal with.

The Team (Sam, Isaac, Colin)

The step between captain and assistant coach was a fairly easy one for Roy because he was essentially doing the same thing in both jobs (yell at them about their form, psych them up before a match, etc). He's the gaffer now. Most gaffers don't just casually hang out with their players. If he was another team's gaffer, he wouldn't. But these are people who know him, people he used to play side-by-side with, and god help him but he does care about them. So while he's pretty sure he needs to start drawing a boundary between the professional and personal, how the fuck is he supposed to tell them that when Colin is literally getting chewed up by the media as the only openly gay player in the league and he clearly needs the support? How's he supposed to back away when Sam, who's never angry about anything, is fucking seething over Edwin Akufo and asking Roy for help? Is he supposed to step back and drop it all on Isaac, who's trying his best but also seems to be carrying his own weight about something? They're not not his friends, but also he feels responsible for them. So what kind of coach is he going to be, now that he's the guy in charge?

Jamie (ofc)

Where does any of the above leave Jamie? Truly, if the boundaries between him and the other players are in flux, the ones between him and Jamie are fucking spaghetti. Because all of the same issues still apply, but with additional layers (their rivalry, Keeley, Amsterdam, Wembley, personal coaching, the fact that he's met Jamie's parents and would punch his dad in the face if he ever got a chance, the fact that his niece thinks they're best friends). His partiality is skewed every-which-fucking-way, and frankly he's a little annoyed that no one else holds it against him.

And all of that becomes additionally fucked up because:

Roy going to therapy is intrinsically tied to his behavior towards Jamie (Roy has a lot of guilt to work through on how often he's taken his anger out on Jamie)

Jamie and him have unwisely turned therapy into a goddamn competition (they have a chart), which means that any time he makes progress in therapy, he immediately ends up sharing it with Jamie

They don't even have the coach-player thing to fall back on because Jamie starts off the summer injured

This is also the Jamie Going Through It fic (with Tartt Sr in rehab being a huge part of that), and at this point its a given (to Roy at least) that if Jamie needs help, Roy is going to help him.

Jamie might be his friend. Maybe. Possibly. Roy might even admit that one day

So is this a shippy fic? No! No relationship statuses are added, lost, or changed in the winding plot of this fic (unless I figure out how to break up Beard and Jane). Everything picks up right where the finale left it.

But do relationships--the weight of identifying what you might need from other people, and how to navigate changes, and how to define things that aren't easy that are maybe complicated and messy and necessary for your own personal happiness--appear in this fic?

Absolutely yes.

[jasminebythebay]

Phoenix Wright, professional poker player 🃏

[swiggity-swexual-i-am-asexual]

We all know the semi-canonical ‘all the Robins know to hide/duck inside of Batman’s cape, even as adults’ thing.

We also know that Danny ‘is LITERALLY a ghost’ Fenton sucks at remembering his own intangibility while ALSO forgetting to look ahead of him.

All I’m saying is, Danny Fenton (or Phantom, if you’d really like) would absolutely SLAM into Batman on accident while running on roof tops and Bruce ‘Brooding Instinct’ Wayne doesn’t even think twice about letting the kid hide and scanning around for danger before there’s a record scratch of ‘wait who tf is this?’ kicks in.

[technically-human]

What was Stone's reaction like the first time Robotnik called him by his first name?

(If I'm not mistaken, the generally accepted headcanon from the community is that his first name is Aban, right?)

The first time? well, he wasn't happy

ko-fi

[dulioon]

satbk neo metal sonic design

reworked my previous one!!

[catinfroghat]

I think the biggest grievance I have with severance season 2 was they still gave reghabi absolutely nothing and I think this goes along with the no black writers criticism quite well because you have this morally grey genius neurosurgeon who is also an older black woman so of course she literally just turns up to help the protagonist out of nowhere acts mysterious and then disappears again. We know nothing about why she turned against Lumon how she developed the reintegration technique how she managed to get in touch with Petey/convince him to reintegrate. It's a mystery show and we don't need all the answers straight away but even just some interiority for her would have been nice what are her beliefs is she feeling anything after the murder she committed how about after accidentally killing a patient does she have a family where has she been living all this time if she's on the run what's her history with Cobel just a crumb please

[somerandomdudelmao]

Basically you

Basically me👍

[mugwot]

someone

[weatheredcopper]

you know youre going crazy when youre drawing fanart of looks that dont even exist. anyway. porcelain inspired chappell concept

[canarybell]

Stumbled upon another "Crowley is always the one saving Aziraphale, when will Aziraphale save Crowley for a change?" post.

And my only question was, did I just Imagine these moments or what?....

[orengejoshi]

could you draw Dr. Flug pregnant, without the bag over his head?

no I'm sorry, if you mean my bagless Flug design; it's a little too obviously based on a real human being (GLP/GermanLetsPlay, who uses a very similar design of his persona for merch, it's absolutely his trademark. my german followers always recognize him immediately.) and I won't do that without consent. it's my full intention for him to look exactly like Manu bc I thought it would be funny. if I design a different bagless Flug maybe in the future I can do that, but I probably won't.

I dislike the idea of Flug's face being revealed and dread it. I don't want to know. the secret is the appeal!! I'm slightly objectum

this is all I can offer you! I hope you still like it🫡

some excited chatting between these two dorks🩷

I'll even throw a random headcanon at you: I like to think Flug and Black Hat are both autistic, but Flug is the talkative, expressive type and Black Hat the one that is almost always mute and monotone. yapper x listener ig haha

[flovoid]

♬ You won't forget me, hopefully

[forestshadow-wolf]

There's two sides of Soap's anger, Ghost thinks.

Explosion and Implosion.

A difference which results the same, one which you need to know the man to find, and furthermore must understand the man to see.

A difference that Ghost has only just begun to unveil to himself.

A difference which Ghost used to call anger and feelings anger, but the closer he looks the more it becomes clear that it's so much more than that.

It's a difference that's near difficult to see, but impossible to miss once you know it.

It shows it's self in his eyes, in the tension of his body, in the heavy of his breathing. But even more obviously it floods in the very physicality his words.

The explosives anger drips from his bared teeth like blood when he growls "Fuck you!" In the face of a man larger than him. It's anger, yes, but also logic and rational. Like a wild fire it burns and spread with a vigor unmatched. Burning anything in it's wake. Hot enough to melt metal, and burn even the ash itself. It's hunger and bleeding and growling and snapping. It's a muzzled animal throwing it's body against the bars of it's cage, bloodthirsty, and murderous. It's betrayls and poor orders, and it's ignorance, and insults and power trips that spark this explosive anger. It's the easy one. Ghost knows it like the back of his hand. It is Ghost. And it's utterly beautiful on Soap. And it's the only thing Soap wants anyone to see.

It's the impolosive anger that's hard to see. It's steel doors slamming shut when he spits "Fuck you!" In Price's face, or Ghost's. And it's just anger. Pure, irrational, feeling. Hurt, and fear, worry, sadness. Like a collapsing building with sketch supports and crumbling walls. The ceiling caves in, and debris fall. Dust choking the life of anything that breaths, coating it in fine white powder. It's festering infection. It's whimpering and cowering. A trembling creature in the corner of a cage. Flinching from touch. It's bad news, and personal hits that blow out the supports and implodes thus anger. The destruction is the same, the the target falls inside instead of out, hurts nothing but himself. It's hard to see for all the broken and burned bits, it looks the same as an explosion. But it's utterly devastating. And Ghost doesn't know this kind of anger. He's still learning the signs of Implosion, and he keeps cutting his hands of the shards. And each drop of blood seems like another ton that soap sinks under. And Soap only shows the damage, not the target.

[official-german-translationen]

[hanzajesthanza]

something i like about the witcher books, both by design and by coincidence is that the characters come first, and their sad or fucked up backstories come later. because the story doesn’t start dancing around you trying to get you to pity or sympathize with the cast, it just allows the characters to all be themselves. they, and the story they’re in, don’t exist for the audience’s validation. which causes some discomfort, yes, but it rings true, it exists without insecurity

[what-bot]

Beck: Paige, there’s someone I’d like you to meet.

Paige: That’s the real Tron? He’s alive? Then…no offense, but why did he need you to be the Renegade?

Tron: Reasons.

Beck: Shut it. Now look, I want the both of you to get along.

Tron: As long as you like her and she doesn’t betray us, I’m happy.

Beck: Oh. Really? Great!

Tron: Paige, if you hurt him, they’ll never stop finding your remains.

Paige: I wouldn’t expect anything less.

Beck: What did I JUST say?