#who has a history of eating disorders

[zickmonkey]

Decided I'm going to get worse

[carpathxanridge]

just realized i had a fully vegetarian day of eating without trying, which i’ve probably done before but this is the first time i feel like i actually got enough protein too without being like intentional about it. im pretty excited even though it wasn’t all vegan, one meal was and the other wouldve been easily veganize-able if i had vegan cheese. and like as someone who used to be such a picky eater i had a list of foods i’d have to introduce into my diet before being able to even THINK about eating vegan, it’s exciting to see i’ve done enough of that introduction that i can have a day of low-effort eating that’s unintentionally vegan-approaching. like i forget how limited my diet used to be until i actually examine what my current diet looks like and go whoa i wouldn’t have eaten like 2/3rd of this even just a year ago lol. and tbh i dont know if i ever intend on going fully vegan but my goal is to limit myself to maybe cooking with meat and/or dairy only once or twice a week, and the only animal product to keep a staple would be eggs (i want to have my own chickens.)

[prettyforwoso]

Help Us Understand.

Barca x teen reader

Alexia x teen reader

Lionesses x teen reader

word count: 3500

Summary: y/n, a talented 16-year-old footballer, nicknamed "la princesa," battles the harsh realities of adolescence. Burdened by self-harm scars and body image insecurities, she attempts to hide her struggles from the team. The team uncovers her deepening eating disorder, prompting a collective effort to guide her through recovery.

tw: mention of eating disorders and self harm

Being a teenager in this world is hard. Not only are you working with shitty hormones and breakouts on your face, you also have to put up with the nightmare of other teenagers. Most of them are fine, in fact, what seems to be the worst of it, are the people who are no longer teenagers, and think that’s a valid reason to attack those who are younger and more vulnerable than them. Like you.

You are a lioness, 16, debuting at 15, now playing for Barcelona, a along side your England teammates, Lucy and Keira. You are known as “la princesa.” The nickname came around after your first game for Barca, in which, you scored a Hatrick and pulled a neat assist. the fans linking your talent to Alexia, saying how much you play like her. Quick, rough, strong. You have always been that way.

This nickname sparked a close connection between you and Alexia. She took you under her wing the second you got off the plane in Barcelona. She didn’t like the idea of you living alone in a new country, despite your ability to speak perfect Spanish. So, you lived with her “only for the first few weeks” which has turned into months. Alexia acts like she is trying to help you find an apartment, but isn’t, like secretly loves having you around, seeing so much of her younger self in you. She fusses over you, cares for you, feeds you, scolds you, drives you to school, gets emails from your school. She has stepped into your life and has supported you in every way a mother would.

You have a bad history with self-harm. It was Leah Williamson who noticed it first, well maybe just the first person to speak to you about it, but you don’t know that. You were rooming with her for your first England camp. Nervous about the girls seeing your scars, you were always wearing a long sleeve under your training kit, which at times got hard as it was summer.

A few girls would joke to you, “how are you not boiling?” was the consistent one that just made you want to rip the skin off whoever said it. It was some of the older girls who brought it up with each other at a post-match dinner that you managed to get out of. It was Lucy, Leah, Mary, Beth and Lotte who exchanged their concern, how they never seen your arms, how you were always somehow too busy for ice baths, how you shivered when someone would grab your wrists. They all kept a close eye on you, but decided not to come to any conclusions, as in reality, you were known to be the sunshine and smiles of the squad.

But you weren’t, and deep down, they knew that too.

It all came crashing down one afternoon, when Leah found a bloody rag in the bathroom bin, she investigated further and found your blades in the back of your phone case that you had left on your bed.

She called Beth to your room, who then called lucy, they gathered together in your room, talking about the next steps. The three of them sat in an almost silence, saddened by the conformed truth. They made their plan, not wanting to waste any time.

They found you in the games room, laughing with Ella as you and a group of girls played table tennis.

“y/n, sorry I just need to grab you real quick” Leah said, breaking her observant silence. You were pulled into a room, it all happened so fast. Lucy placing you on her lap, wrapping her arms around you and Beth pulling your phone out of her back pocket. Leah speaking, you didn’t hear any of it, your focus being on Beths hands, taking off your phone case and picking up the tiny metal blades. You just cried and cried as they talked to you, you didn’t say a word, not denying anything. You cried into lucy’s arms as they tried to understand you and your reasoning being the scars. It took some gentle tugging and tears of resistance for your top to be pulled over your head, leaving you in just your bra and pants in Lucys lap as Leah ran a gentle finger across the healed and fresh marks along your arms. Beth moved closer to you, taking your face in her hands, clearly holding back tears of her own.

No one was supposed to know. But when they did, it killed you.

The bad thing about talent is the expectation of performance, and when you underperform, you would be attacked online. The hatred and negativity really got you, and ruined a lot of your confidence and the girls knew that. They knew the comments you would get, about your play, your personality, your body.

The comments about your body were some of the worst, and they didn’t get better when you started at Barca, in fact, they got worse. It was almost like it was all you saw. You would make a post about a game and hardly anyone would speak about how well you played or how many goals you scored. All you would see was the comments about how your body has changed, how you look in the kit, your legs, hips, arms, boobs. It got so bad that you stopped posting all together and turned off all your comments. Soon however, they comments came to the Barcelona Instagram page, and the pages of your teammates. You worked harder that ever. Working out was no longer about training your body to perform and be strong, it became about looking different and making changes to your body physically.

You were running lengths each morning and evening as well as staying back at training. You weren’t fat, or thin, nothing abnormal for a teenager with a changing body. You had bigger boobs than you did 3 months ago, wider hips, thicker thighs, yknow, everything normal, but the fans didn’t think so, and that’s what got the best of you.

Alexia noticed your increase in running and working out but at first brushed it off as you wanting to prove yourself to a new team. But it soon became hard to ignore when you were finding excuses to not eat, the snacks she would buy you because she knew you loved them, sat in the kitchen untouched. She tried to pretend she couldn’t hear you coughing up each meal in the bathroom, more for her own comfort.

It became too much to ignore when others noticed.

“Why are you running so much little one?” Mapi asked you, completely innocently after training one day in the change room.  At first you pretended not to hear, until you realised the whole team was awaiting an answer.

“Do you think I’m just naturally the fastest on the team?” you joke back, getting a laugh from her and a few others. Alexia remains stone face, looking as though she could see right through you.

A few of the girls watched you through squinted eyes as you pull your bag over your shoulder, noticing your spine that wasn’t visible last week. They exchange looks amongst themselves as you and Alexia walk towards her car.

“I got a call from your school yesterday” Alexia says, hiding behind her sunglasses as she pulls out of the car park.

“Why” you ask dry as you pull your phone out of your hoodie pocket. Alexias’s silence was inevitable. You turn your head towards her, awaiting a response. She keeps her eyes on the road, rolling her tongue along her top teeth, looking out at the cars ahead in deep thought.

“Why are you hiding from me bebita?” she breaks her silence, with an almost whisper.

“What are you talking about” you snap back in her direction

“You tell me Pequeña, Why do you think your school called, Se honesta conmigo” her eyes didn’t leave the road.

“No sé” you reply, swallowing the truth that lingers on the tip of your tongue, threatening to reveal itself.

“What is going on with you” Sabes que no deberías actuar de esta manera.” She takes a breath, remaining hidden being her bold sunglasses, refusing to look you in the eye, scared of becoming too vulnerable.

The silence was deafening. Pulling up in the driveway, you reach for the car door, your attempt at defusing the situation quickly rejected as Alexia locks the doors, trapping you in a conversation. You refuse to turn from the window, Alexia now being the one begging for eye contact.

“Bebita, look at me” she whispers. Her failed attempt of a resolution resulting in her hand reaching for your long curls, gently moving your head around to see your face. Her breath hitches as she looks at the tears swelling in your eyes, immediately bringing her thumb to wipe them off your soft skin.

“I hate when you yell at me” you begin, chocking on almost every syllable. “Estoy tratando de ser valiente”

“oh cariño ven” she says desperately as she pulls you effortlessly over the centre console and into her lap, wrapping her arms around you. Your tears just get heavier, as you hide your face into her neck, the idea of getting out of the car, now long forgotten.

“Bebita, your school is worried, you are the top student, why are you not doing work? Hay algo que te distraiga? She gently nudges you in her arms as she askes. “I am worried for you, talk to me”.

You just couldn’t bring yourself too. The truth is, you were too distracted for school, for homework, for study. There was so much on your mind right now. The last thing you were worried about was classes that you already knew all the content for. You were hungry, not eating at all, desperate for control over your changing body.

The next dreaded team bonding night came all too soon. Your tried to convince Alexia you were too busy with school but she wasn’t having a bar of it, almost having to drag you out the door and into the car. Nothing you wanted to do more in that moment than curl up in bed with a teddy and your warm blanket Alexia got you for my room in her house. But it was unavoidable. Alexia was correct in the way of you having to be at the dinner, in her perspective it was to show up and be social, for you personally it was about proving the concerned rumours between the girls that you weren’t eating wrong. However, that didn’t exactly go to plan.

Alexia parks in the driveway of Mapi and Ingrid’s home and you follow her inside. You greet all your teammates, receiving a kiss on the cheek and head pat from most of them and they smile down at you.

Since the conversation in Alexia’s car a few weeks ago, she hasn’t let you out of her sight, you didn’t even get into the not eating stuff, but still has watched your every mouthful over the past few weeks. You still had your tricks, not eating when she wasn’t around, running now three times a day on top of training, and all else. You were deteriorating. Dark bags under your eyes and hallowed cheeks.

“Y/n come get some pizza before you sit” Frido pulls you to the kitchen away from the crowd that was the typical team bonding, this felt like a test.

“Oh no, its okay” you scan your surroundings before following up your statement. “Alexia fed me before we came” you smile, attempting to be casual.

“oh, that’s weird, we always have dinner at team bonding” she raised an eyebrow, questioning what felt like your whole existence. She grabs a slice for herself and tries to offer you some anyways, failing as you kindly decline, insisting you will have some later.

People were scattered everywhere around the home, some sitting around the table playing card games, others vacating outside with a drink. You scan the house looking for place to escape to. All you wanted was to leave the overstimulation that was this monthly event.

You head towards the empty bathroom, the room you spend probably the most time in at other people’s houses. You begin to almost run towards it as you hear your name being called. It was too late; Lucy was stood outside yelling your name through the door of the garden.

“Y/n, come talk to us we miss you” she giggles as she enters the room to get you. You begin the walk of shame towards her. Overthinking what is coming next. Stepping out the door onto the porch your gently grabbed by the back of the neck and brought to a group of women standing around. Their faces light up as they see you. The group consists of Mapi, Lucy, Alexia Frido, Jenni and Ona, all sharing a bottle of wine.

“Y/n, you want a drink?” Ona asks, you aren’t sure if she’s joking or not.

“No Ona, she is a child” Jenni interferes and takes the drink Ona is pouring, handing it to Lucy, who puts it down with ease. You crack a smile at the interaction. They think you are so innocent…

“You’re not old enough for a drink yet Bebita, especially on an empty stomach” Alexia jokes with a smile.

“empty stomach?” Frido butts in, tilting her head in confusion at the contradicting information.

fuck.

You let out a load cough to clear your voice before quickly excusing yourself from the conversation. “I need to pee” you announce before hurrying inside, finding Ingrid at the table, playing cards with a few others.

The group, now abandoned by you stand in a deafening silence.

“She’s not eating is she?” Frido breaks, looking at Alexia with wide eyes.

“Shes not doing good, no” Their captain reply’s looking down at the glass in her hand.

“So we were right” Mapi says through squinted eyes as she tightened her grip on the stem of her wine glass.

Most of the team has been talking for a few weeks now. Lucy briefly filled them in about your history with Self harm and how you were managing it now. But the not showing up to meal times and doing overtime in the gym was something she couldn’t explain. However, they soon linked it to the bullying from people online about your body. It became to much for them all when Alexia broke down in front of them, claiming her worry for you. It was clear there was a bigger picture to what you were letting them see, seeing as their usually stone faced, strong captain had tears in her eyes over you.

Your rapid weight loss didn’t go unnoticed, even coaching staff beginning to threaten benching you if you didn’t gain some weight, claiming you were too weak to continue at full trainings and games. You always just told them you were sick, claiming it as an excuse for the weight loss and loss of appetite.

At first, everyone, including team members believed you, until they noticed you weren’t getting better, like you would if you were really sick with a catchable illness.

“So what are we going to do? because we cant loose her, shes our best” Lucy asks, getting more frantic as the sentence rolls out her mouth.

“I’ve tried talking to her, she just lies, tells me shes fine, ella me ignorará” Alexia says, finally looking up from her half full glass, meeting the eyes of her teammates.

“I know she needs me, but she won’t talk to me, she is sneaking into my bed each night for comfort, I wrap my arms around her when she falls alseep, ella tiene miedo de estar sola, shes been clinging to us, as if she is desprate for help, but doesn’t know how to ask. She won’t leave my side, unless there is food involved. luego ella desaparece” Alexia blurted out, speaking slow and clear, explaining herself.

“Maybe if we all try” Ona breaks her personal silence, earning a raised brow from a few listeners, the nodding heads soon followed.

“Bebita, can I come in” You hear Alexias voice beam through the small gap in the doorframe.

“A few of us are here too see you” you tilt your head in confusion at her followup statement, why are people here to see you, so late in the evening. You thought everyone would have returned home after team bonding, as did you and Alexia, why was there people outside your bedroom door?

You sit up in your bed, still tucked under the covers in your hoodie (that may of may not be Alexias) and shorts, clinging to your Stitch teddy. You close your laptop playing your movie and move it down the bed, finally giving Alexia a response.

“ehh, yeah come in” you say, unsure on what you are agreeing too.

You remain put under the safety of your covers, as if they would protect you from danger as the group of women enter your once personal space, finding refusge in spots around your room, most of them making themselves at home on your bed, espechailly Alexia, who comes up close to you and wraps and arm around your shoulders. Lucy, Ingrid, Mapi, Frido and Ona looked at you, as if they were waiting for you to break the artifical silence.

“Querida estamos aquí para hablar contigo” Ingrid is the first to speak up, beofre Mapi adds to her girlfrinds statement.

“I think you know what about” she fidgests with her rings. “we are just trying to understand”

“so help us do that, please sweetheart” Frido interupts.

You shake your head and close your eyes, as if you could open them and it would all go away. “I don’t know what your talking about”

“I have lectured you enough about your lying bebita” Alexia says in a stern voice.

The silence isn’t going away. You were in full control of it, and you knew that. You knew that they were waiting for you to talk, no one was going to make it easy for you.

”Desearía poder hacer que todo desaparezca” you shut your eyes once again as the tears start to spill out the creases. “I just want to be able to control what is changing”

The girls don’t speak, they are waiting for more, and they won’t break untill they are statified.

“I don’t know how to ask for help, or how to be okay” The tears get heavier as you push out the words, Alexia runs her free hand along your face, nudging you to keep going. You put in your best efforts to regain your breathing as your lip quivers in Alexia’s hand. Still no one was talking.

“I never meant for it to get this bad, I just wanted to get some control, I feel like there is so much online about me, rumors, hate, negitivity, all things I cant just reach out and get my hands on, to be able to toy with it and mold it to the way I want it. There is so little I can control, but my body, I can. No queria llegar tan lejos. Im so scared of losing myself, I want to hold onto the me that I am forever but I know I can’t, but I wanted to try, and that is why I yearn for whatever control I can get. So many ideas are put into my head about what my body should look like, how tall I should be, how much I should weigh, how tan I should be, how I should hold myself. I realised I am so calm and content when I play football, and that is because I am perfect at it, no one finds flaws in the way I play, but I second I step off the pitch I loose that warm feeling, because I have flaws again. When football is out of the picture, I am covered in them. I just wanted living to feel the same as playing, perfect and flawless.

The amont of tears in the room should safe a deadly drought.

“nuestra niña hermosa, estamos aquí” Ingrid climbs onto the bed coming closer to you, followed by the remaining womens in the room, all finding a spot, as close to you as they could get. So many arms are wrapped around you, so many hands holding your face, wiping your cold tears away.

“Let us help you darling” Lucy and Ona say in an unmost unison.

You slowly allow yourself to nod.

The following weeks were slow and painful, but what isn’t in recovery? The girls put it upon themselves to keep you in check, taking turns taking you out on small adventures, like going for walks or getting icecream to get you out of the house as you were ruled out of training and playing for a few weeks by your phycologist, that Alexia and Lucy insisted that you saw, they drove you to each appointment and picked you up, no questions asked. Meal time in the house became a big thing, Alexia discarding the idea of sitting around the table and eating, instead opting for sitting wherever, weather that was outside, or in, watching a movie, or just chatting. This change of environment around meals made eating less of a chore, as you got better, teammates would come over for dinner and it became more a social event, a more relaxing endeavor. You slowly made your way back to training as you got your fitness back, earning pats on the back from your team who you had made, very proud.

[dailyadventureprompts]

Monsters Reimagined: Yeenoghu, Demon Lord of Insatiable Hunger

It's been some years since I did my overhaul on the lore of the gnolls and how they embody the weird de/humanization that goes on with various monsters over d&d's history. Ever since I've had more than a few folks write in asking about how I would handle the default Gnoll God Yeenoghu, who exists in a similar state of "Kill everything that ever existed" to Orcus and a good portion of the game's other late game threats, thematically flat and not really useful for building stories around.

For a while I've avoided doing this post because I thought it might skew a little too close to my personal philosophy, and risk going from simply being influenced by my views to an outright soapbox. I personally hold that despite being part of our nature hunger is the source of the majority of human cruelty, and if society and cooperation are the tools we developed to best fight against the threat of famine, it is fear of that famine that allows the powerful to control society and secure their positions of privilege.

I've also dealt with disordered eating in a prior period of my life, alternating between neglecting my body's needs and punishing myself for needing in the first place. I'm well acquainted with hunger and the hollowing effect it can have, though I'd never claim to know it so well as someone who went hungry by anything other than choice and self hatred.

Learning to love food again saved saved my life. The joy of eating, of feeling whole and nourished, yes, but there was also the joy of making: of experimenting, improving, providing, being connected to a great tradition of cultivation which has guided our entire species.

If I was going to talk about an evil god of hunger, I was going to have to touch on all of that, and now that it's out in the open I can continue with a more thematic and narrative discussion on the beast of butchery below the cut.

What's wrong: Going by the default lore, there's not much that really separates Yeenoghu from any other chaotic evil mega-boss. He wants to kill everything in vicious ways, and encourages his followers to do the same. He's there so that the evil clerics can have someone to pray to because the objectively good gods are on the party's side and wouldn't help a bunch of cannibalistic slavers.

This is boring, we've done this song and dance before, and the only reason that there are so many demon lords/evil gods/archdevils like this is because the bioessentialism baked into the older editions of the game's lore was also a theological essentialism, and that every group had to have their own gods which perfectly embodied their ethos and there was no crossover whatsoever, themes be damned.

Normally I'd do a whole section about "what can be salvaged" from an old concept, but we're scraping the bottom of the barrel right from the inset. Likewise my trick of combining multiple bits of underwritten d&d mythology to make a sturdier concept isn't going to work as most of d&d's other gods of hunger or famine are similar levels of paper thin.

How do we fix it: I want Yeenoghu to be the opposite of the path I found myself on, a hunger so great and so painful that it percludes happiness, cooperation, or even rational thought. Hunger not as a sumptuous hedonistic gluttony but a hollowing emptiness that compels violence and desperation. More than just psychopathic slaughter and gore, it is becalmed sailors drinking seawater to quench their thirst, the urban poor mixing sawdust and plaster into their food because their wages are not enough to afford grain.

This is where we get the idea of Yeenoghu as an enemy of society, not because violence is antithical to society ( I think we've learned by now how structured violence can really be) but because society fundamentally breaks down when it can't take care of the people who provide its foundations. Contrast the Beast of Butchery with one of my other favourite villainous famine spirits: Caracalla the grim trader, who embodies scarcity as a form of profit and control in to Yeenoghu's scarcity as suffering.

Into this we can also add the idea of the hungry dead, ghouls yes but also vampires, anything cursed with an eternal existence and appetites it no longer has the ability to sate. A large number of cultures across the world share the idea that the dead cannot rest while they are starving, which is why we leave offerings of food by their graves or pour out a glass to the ones we lost along the way.

On that topic, there's also a scrap of lore involving Doresain god of ghouls, who has been depicted as an on and off servant of Yeenoghu. Since I'm already remaking the mythology, I'd have Doresain act as a sort of saint or herald for the demon lord, the wicked but still partially reasonable entity who can villain monolog before the feral and all consuming demon god shows up.

Summing it all up: Yeenoghu isn't a demon you wittingly worship, it's a demon that claims you, marks you as its mouthpiece and through you seeks to consume more of the world. It gives you just enough strength to keep on living, keep on suffering, keep on filling that hole in your belly and feed it in turn.

The greatest of these mouthpieces is Doresain, an elf of ancient times who's unearthly hungers elevated him to demigod status. Known as the knawbone king, he dwells within a dread domain of the shadowfell, and is sought out only for his ability to intercede with the maw-fiend's rampages.

Signs: Unnaturally persistent hunger pangs, excessive drool and gurgling stomach noises, the growth of extra teeth in the mouth, stomachs splitting open into mouths.

Symbols: An animal with three jaws, a three tailed flail or spiked whip. A crown of knawed bones (Doresain)

Titles: Beast of butchery, the maw fiend, the knawing god

Artist

[fuckmeupballum]

the rants continues... Oliver compulsively lies to and manipulates everyone around him, his parents, Felix and the rest of the Catton family to create this version of himself that fits into whatever they're drawn to. For Felix it's the downtrodden underdog with abusive parents that Felix can take pity on and for Venetia it's someone who suspossedly "sees" her, seduces her regardless of her period and "cares" about her eating disorder.

With Elspeth he tries his luck at seducing her but seeing that it doesnt work he quickly changes his angle to reassuring her that she's a good person. For the father he becomes someone who knows the family history and about the items they covert which impresses him greatly.

His own parents believe he's doing incredibly well at Oxford, that he is a part of the rowing team and has a job all at the same time.

He takes on all of these personas because as his parents said before Oxford, Oliver didn't have any friends.

When he went to Oxford I'm guessing he decided to completely reinvent himself and hence why he didn't want to have any interaction with his parents and why he manipulated the situation with the bike so he could get onto Felix's radar. I believe he initially wanted friends and then became obsessed with Felix. When Felix first rejects him, he lies about his father passing because he wants Felix back. He ends up with an invite to Saltburn and runs with it. He's living laughing loving life, as much as he can because he doesn't have Felix. Hence the bath scene. Seduces Venetia (This is where I might be crazy but technically Venetia's blood is Felix's blood because they're siblings so maybe that's why he goes down on her) ? A whole load of shit happens, the whole time I think Oliver is desperately trying to cling onto this new life he's created for himself.

TLDR I don't think Oliver went into this wanting Saltburn and everyone dead. I think he's a compulsive liar and manipulative and he is deep down incredibly lonely (His birthday scene when nobody knews his name) and things spiraled. Also his manipulation doesn't work with Farleigh because Farleigh is the same but in a far less sociopathic way. Felix mentions that Farleigh keeps getting kicked out of schools for sucking off his teachers which sounds incredibly manipulative but never once does he ever think Oliver is capable of killing Felix.

[menhera-info-archieve]

in case you haven't seen it yet, here's the menhera 101 article by HoshiCandy from Kei Club Issue 3. not sure if i'll post the other menhera related articles from this issue or not, so consider checking the link in source if you're interested.

i'm also leaving a text transcription under the cut for anyone that may benefit from that

Menhera 101

Menhera fashion has quickly been gaining popularity worldwide! This fast growth has come with its fair share of misunderstandings about the community and style. Menhera artist and designer HoshiCandy is here with a lesson on menhera’s origins, history, and basics. Find more of her work on the pages before and after this article!

What is Menhera? 

“Menhera” can be thought of as “a person who seeks mental wellbeing”. 

The word “Menhera” was born in Japan in 2001, on the “Mental Health” board of anonymous forum 2ch, where users discussed their wellbeing. The users of this board were named “Mental Healthers” which was shortened to “Menhera”. 

The Menhera community covers anything that might cause one mental suffering, such as: physical illness or disability, depression, anxiety, eating disorders, bullying, hyper-sexuality, sexism, homophobia, etc. Importantly, there is no need for a formal diagnosis, as the focus is on how you feel, and that you want to feel better. 

It is difficult to talk about these topics in Japanese society without being heavily stigmatized. Menhera is a community to speak safely without that stigma. Of course, this stigma and need for community when it comes to one’s mental wellbeing is not limited to Japan, and that is why menhera has grown in the west as well. 

Since the creation of the word in 2001, there have been several manga published with “Menhera” in the title, many Visual Kei songs about it, Menhera idol groups, and several menhera fashion brands. 

However, an unfortunate addition to all this has been the discovery of the word in mainstream media...

Just as the topic of illness is heavily stigmatized in Japanese society, the word “Menhera” itself became quickly stigmatized and stereotyped as “an attention seeking, troublesome person” or “an overly attached girlfriend” (aka “yandere”). If you were to speak to a Japanese person about “Menhera”, this would most likely be what they would think you meant. This stereotype tends to be referred to as “Menhera Kei” in Japanese which is why we avoid the use of “kei” for Menhera in particular. 

Despite all this, the true menhera community has continued to grow. 

Menhera Motifs

Artists in the Menhera community created many works of “Vent Art” art that expresses their feelings and suffering. When this art was printed onto clothing, Menhera fashion was born. 

These are some themes you will commonly see in Menhera: 

Medication

Suicide 

Self-harm 

Hospitals

Sex and BDSM

Social Media Addiction

Heartbreak 

Wearing Menhera art printed on clothing serves as a way of literally wearing one’s feelings on one’s sleeves. It turns invisible suffering visible, and fights against the stigma driven silence. This means that Menhera fashion is highly confrontational, with graphic depictions of illness symptoms. Although the onlooker may feel discomfort, the Menhera style says “this is my true reality, don’t pretend it doesn’t exist!”

Depending on the feelings of the wearer, Menhera fashion also says “although I am sick, I can still be ‘kawaii’” or “although I appear ‘kawaii’, on the inside I am suffering”. 

Turning the invisible visible, forcing the silence to be broken, and challenging kawaii culture, these are the goals of Menhera fashion.

The Menhera Silhouette

Carefully avoiding a highly theatrical or OTT (over-the-top) look is important for maintaining the integrity of the goals of menhera. Menhera is a very casual style, with few accessories and light makeup. The key is for a coord to centre on Menhera imagery, whether vent art or text-focused designs, printed onto clothing. 

Be careful not to dress up as the characters depicted in vent art, who are often costumey, gory, and OTT. 

Menhera Coord checklist: 

Printed Menhera art

Byojaku/Minimal makeup

Not OTT/Few accessories

Flat Shoes 

[optional] Oversized top

[optional] Hime bangs 

[optional] twintails

Colors can vary: a pastel yume look, or a gothic yami look, both are fine!

The makeup style is called “Byojaku” meaning “sickly/weak”. Reddish colors are applied to areas around the eyes to give the impression of crying or illness. The rest of the face is kept plain without much color. 

A Note of Caution

The Menhera community is about healing, and seeking recovery and wellbeing. It advocates getting help, medication, therapy, and receiving support through your recovery journey. 

True Menhera never encourages or enables harmful behaviors, and never glorifies them. Menhera fashion is an alternative way of expressing your suffering without self-harm. Menhera fashion empowers the individual through their recovery, but does not empower harmful behaviors. 

There are some, sometimes labeled by the community as “Wannabe Menhera”, who mistook the meaning of “menhera” after seeing its rise in popularity, as it being trendy to fake mental illness. They engage in behaviors such as posting self-harm photos (real or faked) to social media with the tag #menhera, and other attention-seeking behaviors. 

While this is the opposite of what the Menhera community stands for, is harmful to the unfortunate viewers of these photos, and creates further stigma against the community...it cannot be ignored that these “Wannabe Menhera”, too, need help and healing. 

The Menhera fashion movement is to help you feel comfortable, unashamed, and kawaii in your skin, scars and all. It is NOT for encouraging people to create new scars “for the aesthetic”. 

If you are struggling with mental or physical suffering, thoughts, or behaviors that cause harm to yourself or others, please seek help. If you do not believe you deserve help, you do, please seek help. If you believe you are faking it, you likely are not, your feelings are valid, please seek help.

Don’t have access to therapy? 

We found a comprehensive list of suicide prevention hotlines at https://ibpf.org/resource/list-international-suicide-hotlines [link no longer working]

There are also free and affordable counseling services online like Better Help and Pride Counseling! Look online to find what option could work for you! 

Alternatives to Menhera

After reading all this you may be thinking “the Menhera community sounds good but all the fashion is too restrictive for me” and if so, you’re not alone! But the good news is that you don’t have to wear Menhera fashion to be in the Menhera community. 

Look up any of these alternative styles online for examples and more information:

Yamikawaii (“Sickly-cute”) is essentially the aesthetic of Menhera without the activism, a corrupted dark kawaii. Unfortunately the word was trademarked and now suffers from copyright takedowns. 

Yumekawaii (“Dreamy-cute”) an aesthetic evolved from Fairy kei to describe everything pastel and kawaii, but with a slight edge, described as “fairytales with poison”. 

Marekawaii (“Nightmare-cute”) created as an alternative to Yamikawaii to avoid the copyright issues, and as a counterpart to Yumekawaii. Marekawaii is specifically defined as being open to your own interpretation and style. 

Medikawaii (“Medical-cute”) a pastel kawaii aesthetic focusing only on medical motifs, such as medicine and hospitals. 

Gurokawaii (“Grotesque-cute”) mixes frightening and disturbing imagery with kawaii. Kyary Pamyu Pamyu helped popularize it. 

Iryouu Kei (“Medical Kei”) a Visual Kei substyle with lots of gore and hospital theming, very OTT and theatrical, such as dressing like a nightmare nurse. 

Living Doll artists see themselves and their bodies as a canvas to create art and express themselves, often with intricate makeup and body painting. This is a good one to look at if you’re into heavy artistic makeup.

[scribblesofagoonerr]

Our Wonder Kid | Mini Fic Series

⟫ A young teen reader gets seriously injured in a game & faces a downward spiral during her recovery.

pairings: meadema x teen reader, arsenal x teen reader

summary: teen reader is an extraordinary young player who is the youngest on the Arsenal and England women's teams. She is having a fantastic season, but unfortunately, she suffers a serious injury that tears her ACL. As a result, she spirals into a dark place and blames herself for what happened.

Luckily, she has the support of her mother figures, Beth and Viv, the rest of the ACL crew, as well as the rest of the team to help her through this difficult time.

warnings: heavy angst and mentions of topics such as self-harm, mental health and eating disorders.

⟫ I'm not even that sick!

Y/N is too stubborn to admit she's sick, even though it's obvious to the rest of the team.

⟫ Turmoil of events...

Y/N insists on playing despite being ill and ends up suffering the consequences on the pitch.

⟫ So, history is just repeating itself then?

The harsh reality of Y/N's injury comes to light as she has to deal with handling the news.

⟫ Please don't shut us out, kid.

Y/N has been struggling to come to terms with her injury and continues to push the girls away.

⟫ It's only up from here now on, kid

The day of Y/N surgery comes around a lot quicker than she would like, and it's not just her that is feeling nervous about it.

⟫ The journey to recovery begins now

Y/N is wallowing in her own self-pity, reluctant to ask for help even though she has a lot of people around her who care about her.

© scribblesofagoonerr

[star-anise]

now, hold still—

I'd kill for some resources on body image in the context of disability, chronic pain, and having grown up with a complicated and intense medical history. I think I've exhausted my local library's offerings. Yes, I'm seeing a counsellor who focuses on this, and he's probably got recs, but I'm pacing my cage and lashing my tail in between sessions.

"Body image" has a particular connotation most of the time, because it comes out of the field that deals with eating disorders. Which is great and I'm glad for the people it works for, but its basic principles and assumptions are for completely different problems than the one I have.

I can't track down who said it first, but in my reading I keep coming across this narrative of, "I saw my body as something to be disciplined and controlled, an object only seen by external eyes. Now I've learned to take joy in what my body can do and experience, and to see it as a site of pleasure."

...Sounds fake, but okay.

My body is a site of pain. It cannot do or bear the experience of many things. I have to exercise a huge amount of discipline and control just to get out of bed every day. I can't imagine my body being a visible object that other people might find pleasing; it's incredibly hard to look up from my continual tooth-and-nail fight getting my body to let me live to imagine what someone who doesn't live with all this shit might see.

When I was a child, I learned to hold myself very still. For a hairdresser, or photographer, or a dentist, or someone who wanted to measure my height, or an injection, or a doctor who wanted a demonstration of how one of my joints looked, or an X-ray, or an IV inserted, or a CAT scan, or to have a cast taken off, or a PET scan, or to have a wound treated, or an MRI, or to have a pin pulled out.

And you know, I got proud of that. I felt like a brave warrior in a fantasy novel. I learned to take deep breaths, and take myself in my mind away from the anxiety and unpleasantness, until I could shut down my reaction to it. So that I didn't flinch or scream or cry. Because there was something wrong with my body, and doctors knew how to fix it.

When I was getting assessed for fibromyalgia, this new doctor told me he was going palpate areas in my back, arms, and knees. I get a lot of massage; I knew what was coming. I slowed my breathing, concentrating on the long outbreath. I took myself away from my reactions and thought continually, obsessively, about letting my body droop, weightless, like the moment when your aching limbs meet a solid surface and fresh cool sheets.

"Hm, I dunno," he said. "A lot of this checks out, but your trigger point exam was totally negative. Most people, when I touch those points, they have a big reaction. Some people even scream and jump off the table."

"Well, no," I think I said. "If I'd done that, it would have hurt way more, for like, hours." And I was polite about it, because you have to be polite to doctors; doctors know how to make you feel better. But what I felt at the time, and still feel today, is a kind of outrage I labelled was unreasonable the moment it was born: You wanted to hurt me, and it's my fault for not letting you?

How do you learn how to ask for things, when you've taught yourself to lie still and cry quietly because the nurse who said they'd be right back is helping someone who suddenly needs the help more? How do you express yourself, when you've spent your whole life gritting your teeth?

The problems I have about my body are not about being attractive or thin. They are, however, about being small. Learning to cry less, scream less, and ask for less. About feeling like my body is a burden to anyone who comes to know it, and like that's a burden I can't ask other people to take on unless I'm staggering under the weight of it.

Right now, what I've got is this:

Remember, you weren’t the one who made you ashamed, but you are the one who can make you proud. Just practice, practice until you get proud, and once you are proud, keep practicing so you won’t forget. You get proud by practicing.

[writerblue275]

Heartsteel with an insecure plus-size partner (18+)

Inspiration: This is extremely self-indulgent, but I haven’t been feeling great about myself lately and I need a little reminder that I am, in fact, a sexy and beautiful bad bitch. Anyone else who needs a reminder, this one is for you too. We’re beautiful no matter what.

Champions: Heartsteel

Genre: Headcanons

Category: Like 98% Fluff with some implied smut/suggestiveness so (18+ ONLY. Minors DNI)

Gender: Gender Neutral Reader

TW: Swearing. Suggestive stuff. Self-thought body negativity at points and brief mentions of disordered eating behaviors.

Context: In this instance, reader feels bad about themselves for being curvy and this is how the boys would respond. Just remember, we’re all beautiful. Let’s take care of ourselves like the boys would want us to.

All of them:

If someone specific made you feel bad about yourself?

Like they said something rude or nasty to you?

They better count their fucking days.

None of these men will stand for someone making their partner feel bad about themselves.

They’d make sure there was a RECKONING.

*Approving nod* Go get ‘em, boys.

If you do decide to lose weight at some point, they’re making sure it’s for the right reasons (ex: quality of life health adjustment and not just because you want to be skinnier to look more attractive.) and they’re also making sure you’re doing it the right way. The safe way. Because damnit they love you and always want you to be happy and safe.

As long as it’s for the right reasons and you’re doing it safely, they’ll be your biggest supporters. Like the biggest hype men. As well as the best comfort if things are a bit rough. They’ve got your back.

Aphelios

Said it before and will say it again: “The quiet ones are always the most perceptive.”

He absolutely notices when you frown at yourself a little in the mirror, when you take a bit longer to find something to wear, when you murmur something self deprecating about your appearance, or when you intentionally skip a meal (his absolute least favorite).

He knows when you don’t feel good about yourself and it makes him sad because he always sees you as beautiful and attractive.

And it’s hard on him because he really can’t be super vocal about how he sees you, at least in public because people are loud.

But when you two are cuddling or just having quiet time by yourselves when you’re getting ready together, and you can hear him when he does talk, then in those times when you feel bad about yourself, he’s just the sweetest bean omg.

Whispering/murmuring the sweetest and loveliest things to you about how amazing you look.

Like he’d really compliment you to high heaven. Especially if there’s an area that you’re super self conscious about. Ex: “I love those shorts on you, cutie. They show off your amazing legs.”

As for the meals, he’s gently making sure you’re eating. He wants you happy and sated.

I’ve said before that he’s the master of sexting and I fully believe he’d send you texts (both spicy and not) randomly, just letting you know how attractive he thinks you are and that you’re on his mind.

When he does send spicy texts complimenting his favorite parts of you? I hope you’re not around anyone because you will be turning bright red. This quiet moon man is shockingly explicit.

Ezreal

Do I think he’s as perceptive as Phel or some of the others? Maybe not, but I do believe Ez would notice if you’re quieter/down as well as notice your upset glances in the mirror.

It is fucking inconceivable to him when you tell him you don’t find yourself attractive at times.

Like WHAT??? How can that be??? You’re literally perfection to him. And he has excellent taste so…

Compliments compliments COMPLIMENTS. Holy shit he’d shower you with so many lovely compliments anytime you don’t feel good about yourself.

We also know even Heartsteel Ez is a huge history nerd (fuck YEAH I have a history minor so I love this).

When you tell him you don’t feel beautiful, he’d go through so many different civilizations of history and talk about how you fit their ideal standards of beauty. And so to him, you’re always timelessly attractive.

Would pull up artwork (for example, Titian’s “Venus of Urbino”) and texts to make his point. (This is so hot lmao. I blame being an honors kid and going to grad school. We stan an academic king omfg. I feel like he secretly has a masters degree [hehe welcome to the club, Ez].)

And while I primarily think his affection would be shown through compliments (I just see him as so chatty) I definitely think he’d also use at least some touch to make his point.

Like he’d rest his head on your thighs or tummy because you’re just perfect to cuddle with after a long day. Or he’d let his hands, eyes, lips linger on his favorite parts of you (your thighs, your tummy, your ass/hips) just to make his point clear: while you may not love these parts of you all the time, he ABSOLUTELY does.

Kayn

Very similar to Ez where he just cannot wrap his mind around the fact that you don’t see yourself as incredible and sexy at all times like he sees you. And when you tell him a lot of your insecurity stems from being plus-size, that befuddles him even more.

Member #1 of the “That just means more for me to love, baby” club.

When he hears you say these things about yourself, he almost takes it as a little bit of a challenge for himself to better show you that you are in fact, sexy and attractive as FUCK. And it’s a challenge he fully plans on succeeding at.

One of the ones I can picture using primarily physical touch in order to emphasize how sexy he sees you.

I’ve said it before but I fully believe physical touch is one of his love languages (at LEAST giving if not both giving and receiving.)

If you’re talking poorly about yourself, he will kiss you to make you shush. And it’s not a simple peck either. No no no. It’s a full “make-you-breathless” kiss.

And once he’s finally stunned you silent and turned your cheeks pink, he will lean over and murmur why he loves every single part of you that you were talking bad about.

And it’s not just PG reasons either. He’s getting DETAILED. I’ve said before he’s the dirty talk king. He’ll say things like how he loves your hips because they’re just perfect for him to grab onto when he’s fu- (I need to stop before I go off the rails lmao).

And believe me, he’s more than happy to show you what he means. Will gladly drag you home or to somewhere private.

He’d really keep an eye out for when you’re feeling down about yourself and he’d work to shut it down immediately. You’re perfect to him and he will let you KNOW.

K’Sante

K’Sante would be fucking ELITE for this omg.

One of the hardest parts about having a plus-size body is dressing it in a way that is stylish and still unique.

Goodness fucking knows so many plus-sized clothes have no semblance of shape to them whatsoever. Very potato sack.

But you’re with the main fashion icon himself. You have yourself a killer personal stylist (with amazing kisses and lovins to go along with it).

He’s never going to let you look bad. No matter the vibe, no matter the occasion, he’s gonna help you pull an A+ fit together.

And he’s going to explain why each piece works well for your body, so when you go shopping by yourself, you know what to look for.

Always throwing out compliments about how you make an outfit look so good (very intentionally worded this way and not the other way around).

He wants you to understand it’s the person who makes the clothes, not the clothes that make the person. You’re the reason that outfit looks absolutely stunning.

If you ever did want to start working out, I think K’Sante would be an excellent guide. Gyms are fucking intimidating, and I think he realizes that. So he’d give you the full walkthrough and help you figure out what to do on machines and stuff so you don’t accidentally hurt yourself.

And even though we know Sett is the best cook, I’m still convinced K’Sante is also a great cook so he’d make you the best meals omg. Well balanced, delicious as fuck, and filled with a whole lot of love.

Sett

I think it genuinely would make him sad when he realizes your insecurities. Even if you don’t tell him outright, I think he’s very observant and is another member who would see the small things you do that indicate your insecurities with your body.

Member #2 of the “that just means more for me to love” club.

Never too heavy for him so don’t even ask. You’ve seen this man’s muscles. To him, you’re always as light as a feather.

And his compliments? Shit he’d have some of the SWEETEST compliments. And when he sees you feeling down, he wouldn’t skimp on them. He doesn’t skimp on them normally, but now he’s even more complimentary and flirty with you. Like lowkey you have a blush 24/7.

Ok, so I’ve previously ranked Sett as one of the most romantic members of Heartsteel. And I still hold firm that one of his love languages is acts of service (giving). Part of that is cooking. We know he’s the best cook of the group.

And similar to Kayn I also think he’d use physical touch (almost as an act of service) to show his partner he finds them beautiful/attractive/sexy.

That combo? Fuck that’s an elite combo right there. Everything he does, he does with the intent to make you feel loved, happy and as sexy, stunning, and perfect as he sees you.

Gently wandering hands while cuddling, hand on thigh while he drives, hand in the back pocket of your jeans when in line together, hugs from behind, whispered compliments, and neck kisses when you’re getting ready and dressed.

And of course there are the even more personal moments of physical affection. Like marking any area he senses you might be uncomfortable with or hears you talking bad about. We’re talking those parts LITTERED with hickeys here. Because damnit he loves your tummy and your thighs and marking them is his private way of letting you know that. And tbh it feels pretty nice…

An interesting little thing: I absolutely think Sett would encourage you to maybe step out of your comfort zone just a little bit and do something to help you see yourself as sexy. For example, I think he’d be happy to pay/provide what you need for a boudoir photo shoot with an amazing photographer who knows what they’re doing and rizzes you up. (Those seem so fun omg I lowkey want to do one so bad.) And if you gift him with a print of your favorite photo (or even better, a photo book with all your favorite photos) for like his birthday or something? A. He’s glad you see yourself as sexy just as he does. B. Enjoy not leaving bed for like the entire weekend. 😉

Yone

Again, Yone is a member that is just mind-bogglingly perceptive. Over the tiniest things. (The quiet ones y’all, for real.)

Another one who absolutely sees when you don’t look at yourself kindly in the mirror, when you touch your tummy or hips with a frown, when you try and suck in for photos, or when you’re letting yourself be hungry.

He fucking hates it because in his eyes, you’re the most attractive person there is. No one is more attractive than you are.

Murmurs to you the sweetest compliments in passing whenever he can. I believe this man’s experience with lyric writing makes him a god damn poet when it comes to getting his feelings across. It’s one of the reasons I ranked him the most romantic member.

If he notices you looking at yourself unkindly in the mirror, he will come over and wrap his arms around you from behind, smiling gently as he compliments you, especially complimenting the areas he noticed you looking negatively at. He won’t stop either until he feels you relax back against him and he sees a small smile at least.

We’ve previously discussed my belief that Yone is secretly a cuddle fiend. Like in public he is so stoic and serious (fair though, he’s dealing with his band mates **cough cough** Kayn and Ez **cough cough**).

But in private, he’s a damn koala. And he’ll always pull you onto his lap and let you know that you’re perfect to cuddle with, exactly how you are. Prepare to be trapped in some amazing cuddles for the next long while.

Honestly, yes all of the members would be scary if someone insulted your looks, but I think Yone would be the most terrifying to have to deal with. I would never want to be on his shit list.

Likes to eat with you whenever he can. A. You’re a lot calmer than his band mates like 95% of the time and this man needs some god damn peace. And B. It’s a way for both of you to take care of each other. You can make sure he eats (since god knows he spends hella hours in the studio and often forgets) and he can make sure you get some good food in you too. I bet he’d bring home stuff that Sett or K’Sante made, especially if he knows it’s one of your favorites. (He’d absolutely have them draw a fun little doodle on a note to make you smile.)

Just an angel of a partner who refuses to let you feel so dark about yourself when you make his world so bright.

Thank you for reading! I must say, this definitely made me feel better about myself by the end. I hope everyone remembers that you’re perfect the way you are!

[epicbuddieficrecs]

Weekly Recap | January 29th-February 4th 2024

Ao3 history still fucked :/

Repeating again: if I've ever reblogged one of your WIP fics, consider this my permission to tag me in them!!

Complete

🔥 Say You Were Made to Be Mine by ElvenSorceress/ @elvensorceress (Canon Divergent - Different First Meeting, Soulmarks AU | 11K | Teen): It's Valentine's Day 2018, and Eddie saves a man from choking to death in the middle of a restaurant. It's only after the man is rushed away by paramedics that Eddie realizes his hands are green. The man he saved is his soulmate. And he doesn't even know his name let alone how to find him.

For hope I'd give my everything by dragon_rider/ @evanbdiaz (Post S1, CW: Eating Disorders | 8K | Mature): After the disaster of his first date with Abby, Buck’s relationship with food changes rather dramatically.

where would you rather die by tempestaurora/ @tempestaurora (Pacific Rim AU | 4K | Teen): “Care to explain why you’ve brought a child to a military base?” Bobby asked when they returned. The base was alight with celebration; the day had been saved, the world was safe for a little longer. “Uh.” Buck glanced back at Christopher, currently talking to Karen Wilson from the research division. “He was an unaccompanied minor?” “So we leave him with the social workers, with first responders,” Bobby said, a pointedly raised eyebrow in his direction. “His dad’s a cadet at the PPDC,” Buck replied. “And his grandmother probably died in the attack, so it just felt… I don’t know, morally right?”

i've been dying to catch you dizzy by diazbegins/ @evanbegins (Esablished Buddie, Fluff | 2K | Teen): Eddie and Buck go ice-skating. Oh, and Chris is there too!

🔥 The Aftermath of Liberation and Love Confessions by ElvenSorceress/ @elvensorceress (Post-S5E9, Getting Together | 17K | Teen): Still, Buck says, “Yeah, Eddie. Why don’t you teach us. What would you say if you were professing your love?” You mean something besides, “In the event of my untimely death, I made you legal guardian of my child”? ~ In which Eddie comes out, sexuality is complicated but coffee is not, Buck makes an excessive salad and is also roasted, everyone has a love confession, and December is the most dramatic time of year.

let the choir bells sing by foxwatson/ @eddiediazes (Madney Wedding, Getting Together | 3K | Teen): All at once, Eddie has an idea. It’s definitely the stupidest idea he’s ever had in his entire life, but he has it all the same, and there’s no time to come up with a better one. He puts his hands on Buck’s elbows, tugs him in closer, and says, “Kiss me.”

When You Broke Her Heart, I'm Watching it Burn by ElvenSorceress/ @elvensorceress (Post-S5E11, Buck/Taylor Break-Up | 4K | General): When Buck confesses he kissed someone, Taylor makes an assumption about who. Eddie deals with what all of it means for his own future while picking up the pieces for both Buck and Taylor.

🔥Plus or Minus by ElvenSorceress/ @elvensorceress (S5 | 10K | General): “Why are you cleaning out the kitchen? Why is my stuff in boxes?” Eddie slows, then stops. “Figured you’d want it back.” It’s quieter. Pained. When he says it. “I haven’t decided anything. So unless you’re kicking me out—” “Buck. Come on.” He’s not angry or snapping. It’s still quiet, and somehow that hurts even more. He’s resigned and defeated, and Buck is a scooped out, gutted, hollow shell. “I know how this ends the same way you do. You want to be loved, you want to be married. You’re going to leave. Might as well…” His voice cracks before he can finish and get it under control. “Shouldn’t drag it out.” ~ Taylor is offered a job across the country and asks Buck to go with her. Buck has to figure out if he wants to start over or if he has a reason to stay right where he is.

Color Him Father, Color Him Love by ElvenSorceress/ @elvensorceress (Post-S6E12 | 3K | General): “Connor was worried he wouldn’t feel like it’s really his kid. But I put him back in Connor’s arms, and I could see the way his face changed. The way he lit up and teared up and might have cried because that is his son. And all I could think was that I know that feeling. I know what it feels like to hold a kid and care about them and want to protect them. But it’s so different when it feels like they’re yours. It’s so much more. Even if you didn’t— Even if it’s not biological and you’re not. You’re not really the father. Because I hold Chris— I hold him and I feel like he is part of me.” ~ Buck has a revelation about what he is to Chris. And to Eddie.

turns out freedom ain’t nothing but missing you by Daffi_990_ao3/ @daffi-990 (Post-S6, Getting Together | 4K | Not rated): To protect his heart, Eddie pulls away from Buck when he starts dating Natalia. When he decides to move to B-shift, Buck finally confronts him and certain feelings finally come to light.

with blood in my nose by hammersmiths/ @henswilsons (Canon Divergent, S4E14: Survivors | 9K | Teen): The spray of blood hits him, first. And then Buck drops like a fucking stone. or, Buck is the one who gets shot instead of Eddie.

🔥 3 Men 1 Baby by Tizniz/ @tizniz (Canon Divergent, Accidental Baby Acquisition | 21K | General): It’s a good thing the groceries have made it to the table, because the eggs would certainly have cracked from Eddie dropping the bags to the floor. Because Evan Buckley was standing there holding a baby. A baby. OR: Buck, Eddie, and Chim get a baby. Here's what happens.

you can see it with the lights out (you are in love) by wikiangela/ @wikiangela (Post-S6, Love Confessions | 5K | General): Turns out, Natalia does see Buck, though maybe not in the way he expected. In which Natalia realizes Buck's in love with Eddie and help him see it, too.

we could be corny by devirnis/ @devirnis (Established Buddie | 1,6K | General): Or, Chim and Maddie have Buck and Eddie over for their first official couples’ game night.

🔥 Facets of a Diamond by countrygirlsfun/ @acountrygirlsfun (Canon S1-S2 | 35K | Teen): Southern California is where Buck has spent the most time since leaving Pennsylvania. Of all the places he’s lived and worked over the last few years, this place is where he decided to stay. It’s why he picked LAFD: to put down some roots. It’s warm, has the ocean, and it’s the opposite coast of his parents. So if he’s going to be here for a while, he thinks he’ll need to make an effort to let people in.

a little of that human touch by devirnis/ @devirnis (Established Buddie, Secret relationship | 1,5K | General): Buck closes his book and places it on the coffee table, pushing himself up a little more as Eddie trudges over to him. “Couldn’t sleep either?” Buck asks quietly. He wanders over to the far end of the couch and Buck moves his feet out of the way so Eddie can sit down. “Woke up and you were gone,” Eddie murmurs, pulling Buck’s feet into his lap.

you kiss me in a way that's gonna screw me up forever by heartbeatdiaz/ @loserdiaz (Getting Together, Valentine's Day | 2K | Teen): The LAFD throws a Valentine's Day charity event, there's a kissing booth and Eddie is definitely not going insane with jealousy.

🔥 Winter Prayer by Daisies_and_Briars/ @cal-daisies-and-briars (Road Trip, Buck&Bobby&May | 18K | General): When a work conflict prevents Athena from accompanying Bobby to Minnesota for the ten year anniversary of his family dying, Buck and May offer to go instead. Over the course of the trip, they all learn more about each other, and Bobby faces his grief.

Fractals from the Lightning Bolt by letmetellyouaboutmyfeels/ @letmetellyouaboutmyfeels (One Shots Collection | 47/54 | 87K | Not Rated): A collection of oneshots, some originally posted on tumblr. Each chapter is individually rated.

47. But What if They Were Secret Dating (S4, Explicit)

You Can't Surprise Evan Buckley by Daisies_and_Briars/ @cal-daisies-and-briars (Established Buddie, Fluff | 5K | Mature): Ten months into their relationship, Eddie has not been able to execute a romantic surprise for Buck. But on Buck's birthday, things are about to change. (Part 2 of Birthday Surprises & Other Shenanigans)

WIP

because we'll all arrive in heaven alive by callmenewbie/ @puppyboybuckley (Post-S6, Disaster Fic | 1/9 | 7K | Explicit): During a search and rescue, Eddie disappears without a trace, leaving Buck to grapple with the sudden possibility of a life without him.

🔥 Things We're All Too Young to Know by Daisies_and_Briar / @cal-daisies-and-briars (Canon, S1 through S6 | 111/? | 315K | Mature): This is a love story. Even if it doesn’t always look like it. Even if it doesn’t always feel like it. A look back on Eddie and Buck's lives up to now, and what led them to each other, interpreted from the current 9-1-1 canon.

🔥 A Minor Delay by rainbow_nerds/ @rainbow-nerdss (Post-S6/S7 Spec | 6/11 | 21K | Mature): Almost a year after the bridge collapse, a lot has changed. The team are scattered—Bobby and Athena on their Honeymoon, Hen on adoptive parent's leave, and Buck and Eddie... They may still work together, still have movie nights with Chris whenever they can, but things have changed. With Maddie and Chimney's wedding around the corner, Buck tries to make it perfect. And maybe, along the way, he might figure out why everything still feels... wrong.

if i need to rearrange my particles — i will for you. by dylaesthetics (Post-S6, Social Media fic | 1/16 | 4K | Teen): OR Buck joins a support app for first responders and matches with a firefighter who has PTSD and a kid who likes giraffes, apparently.

[fatliberation]

Set weight theory is interesting but I find hard to believe that anyone's set weight is going to be 600lbs. And it's dangerous to ignore that being extremely heavy won't make your life harder or more succetible to some health issues.

Genetics play a big role in determining your set point, which is the place where our natural weight falls and where our bodies experience homeostasis. And sometimes that point starts out fat! I'm not sure how common it is to start out very fat, and I don't think it's impossible, but it's likely that many folks in the 600+ club have experienced changes in their set point. Set point actually increases the more depravation your body experiences. Let's say you're dieting and your weight dips below your set point. Your body basically enters starvation mode and fights for survival (slowing your metabolism, changing hormone levels to reduce fullness and increase hunger) and doing what it can to hold onto that energy deposit. Now you've regained that weight and then some, and the extra weight sort of acts as an "insurance policy" to prepare for another period of depravation. So now your set point rests at a higher weight than before. You try another diet, lose weight, and the cycle continues. According to theory, someone who has a long history of dieting, disordered eating, restriction, periods where food was inaccessible, or anything that led to weight cycling could very well have a set point of 600lbs or above.

[ID: A graph labeled "The Set Point Theory" by Beth Rosen, MS, RD, CDN, showing a straight-sized body at a starting set point. The graph descends in a staircase-like fashion, and at the lowest point in the graph, the body is thinner. The graph climbs up to a bar higher than the original, labeled "New Set Point." The body at the new set point is wider than the body at the original set point. The graph repeats once more, and the body gradually gets wider. End ID.]

All this to say - weight loss doesn't work. No one is saying that there aren't any adverse effects that come with being that size. I have no idea where you're coming from with that but it really sounds like anti-HAES fear-mongering crap. (Health at Every Size doesn't mean "everyone is healthy at every size." It means everyone has a right to pursue healthcare without weight loss.) No one is "ignoring" the challenges that superfat and infinifat people face. What we are saying is that the alternative (weight loss) does nothing but cause harm. So just let fat people be fat, dude.

[am-i-the-asshole-official]

aita for calling my roommate crazy?

I (28f) live with 2 other people, a former college roommate who I’m pretty close with (29f) and 2nd roommate (28nb) who we both met when we moved in together 2 years ago.

Let me start this out by saying, this isn’t a fandom aita, it’s going to sound a bit weird at first, but bear with me.

I have a medical condition (relevant later) which stopped most of my bones from maturing past puberty (growth plates closing, cartilage not hardening into bones, ect.), so my skeleton is basically stuck somewhere between 13-19, (I look about 17-19, but the last time I tried to buy hard cider, the cashier thought I was 14, so that’s how young I can look). I also have very pale skin (unrelated to my disorder, just a ginger), and (related to my disorder) lack some liver enzymes so I need eat meat or I get sick (the same reason why cats need to eat meat), I ended up in the ER when I lived with my vegan sister for a week and ate the same veggie diet as her.

Trouble is, Roommate 2 is really into conspiracy theories and other fringe stuff. Nothing alt-right or anything, just like, (for example) they fully bought into that Mermaids: the body found show, and wouldn’t be dissuaded, even when Roommate 1 googled it and showed them solid proof that it was fictional. Wholeheartedly believes the US government preformed 9/11, does alternative medicine (homeopathy, ect), wishes there were ‘all natural’ vaccines (still isn’t an anti-vaccer though, just needs to be persuaded that Bill Gates didn’t put microchips in them).

Anyway, Roommate 1 and I have a recurring joke that I’m a vampire because of the meat thing and the pale thing and the not aging thing. Roommate 2 overheard us and laughed, but weirdly. She kinda joked along with us, but she seemed...odd. About a week later, they start asking me stuff about being a vampire. But they seemed friendly and not nervous then and I was hoping they were just joking and I also sincerely thought they were just asking me about how vampires work on one of my shows (I’m a big fan of Carmilla and the Originals), so I tried to explain, but I cited each show when I’m explaining a thing. This continued for several weeks, but getting worse and more weird every time, eventually culminating about 2 and a half months later into them asking me more stuff about life as a vampire and I really realised that they were serious. Bear in mind, Roommate 1 and I were trying to be very clear that we don’t believe in vampires this whole time because we both know how Roommate 2 is about this. As a result, this was the first time I really registered that they seriously seemed to genuinely believe I was a vampire. I firmly told them that I am not a vampire and that vampires aren’t real, they’re fun to joke about, but they aren’t real. They implored me ‘to be straight with them about being a vampire,’ and that ‘I could trust them,’ and I’m ashamed to say, I kinda freaked out at this point, cuz I was afraid that they would be scared of me and maybe try to hurt me, since they seemed kinda unstable because of this.

This is where I think I was an asshole, I am usually very sensitive to mental health issues. I have some c-PTSD myself and there are a lot of mental health issues in my family (unfortunately, I think some history with my own mentally ill father may have made me react this way, since he has very similar issues to Roommate 2 (vaccines, alternate medicines, specifically involving me in his delusions) and I had a very bad experience in my early teens where he thought I was a demon and ‘sent to destroy him’). Anyway, I got very upset and I yelled at them, I told them they were completely crazy and needed to get mental help and said I thought Roommate 1 and I needed to move out because they might try to stake my heart or something. I feel really bad for calling them crazy, especially because Roommate 2 has some very mental health issues and words like crazy make light of and stigmatise that and I’m very big into not blaming people for their mental health problems, but this was very triggering and in this moment I was very distresssed.

So, aita, all things considered here? I’m still gonna feel like the asshole no matter what, since mental health problems aren’t to be taken lightly or blamed on the person, but I’m curious what the internet thinks.

What are these acronyms?

[gothhabiba]

can i ask for you to elaborate on your issue(s) with those 'male positivity' posts? is it with the whole sentiment, or just with the "you're allowed to be angry" part? i agree w "you're allowed to be angry" being an oblivious at best statement. but i don't see any issue with the first two statements themselves (the "OP says..." and "commenter says...")

yeah so I already talked about some of this in the tags to those posts but sure, let's get into it.

OP says "if you’re a boy with a mental illness, a boy with a disability, a boy with a history of abuse, a boy who has an eating disorder, a boy with trauma, I need you to know that you are not a burden, that you don’t need to 'harden up', that you shouldn’t just have to 'get over it,' and that you are very brave" commenter says "once I transitioned I saw the change in people being like ‘Oh you poor thing I hope you’re coping alright’ to ‘Just get over it and man up’. Men, you’re allowed to suffer."

the implication of the original post is that men with these issues are told to 'toughen up' or 'get over it,' and conversely that women are not. the commenter then makes this subtext explicit by outright saying that people reacted more sympathetically to his trauma when they read him as a woman than when they read him as a man (at which point they switched to "just get over it"). the OP responds favourably to this addition, proving that the subtext "women don't experience this" was in fact subtext that they intended to be there.

I hope I don't have to explain how utterly absurd it is to claim that women have it easier in this regard, or that their emotions are granted more leeway or sympathy in any meaningfully systematic way. that is just MRA logic.

of course people's ideas about suffering, endurance, trauma, & emotion are gendered! people really do say things about how boys and men should just toughen up and not cry, &c. &c. MRAs, like a lot of other reactionary groups (like TERFs and SWERFs, or antisemites / white supremacists / conspiracy theorists who understand that something's not right with the economy but end up blaming 'minorities' instead of capitalists), take an idea with some truth in it somewhere, but twist it around into a conclusion that the idea in question does not entail on its own (here, "women are allowed to express emotion and garner sympathy by doing so") in a way that leads to resentment, disdain, & hatred for a marginalised group.

so, if it's true that (negative) emotion is thought of as a feminine weakness, why doesn't that translate to women being "allowed" to experience and express emotion, while men are not? for one thing, race has a lot to do with this—the myth of the Black "superwoman," for example, praises Black women for being (read: expects them to be) "tough," "strong," "brave," endless wellsprings of emotional / physical / financial support for others while requiring and receiving no support themselves. the assertion that women receive sympathy for their suffering thus reveals a serious ignorance of Black feminist thought on the part of the person making it.

for another thing, displays of emotion (mostly "negative" emotion, such as sadness) being thought of as primarily feminine means that women have to take especial care to avoid them in many circumstances, not that they're able to freely indulge in them! women's supposed heightened emotionality means that they're less likely to be thought of as capable of serious work, less likely to be promoted or hired, more likely to be financially and professionally penalised for any time they do display any negative emotion (or, rather, the other way around—the myth of women's heightened emotionality is used as an excuse to suppress women's earning potential & make them financially dependent on, and thus exploitable by, men).

on an interpersonal level, you're highly likely as a woman (and especially as a woman of colour) to have fairly mild displays of emotion be interpreted as hysteria, extreme anger, irrationality, volatility. you're highly likely to have your allegations of abuse disbelieved.

on an institutional level, you're highly likely to receive disdain and contempt if you engage in disordered eating habits or try to seek help for them, to have a request for help denied or neglected (disordered eating is just, sort of, what women do). you're also more likely to have a request for help turn into involuntary institutionalisation or psychiatric abuse (a lot of work has been done on the relationship between psychiatry and gender).

also on an institutional level, you are less likely to be believed about the pain you are in as a disabled, chronically ill, or otherwise sick woman (again, especially a woman of colour). you are less likely to receive medical care. you are less likely to have anyone give a shit about the pain you're in, since women are so emotional and melodramatic that you are probably exaggerating, and anyway, being in pain is just sort of women's natural state. you are certainly very unlikely to get any kind of medical care if you're a middle-class cisgender white (read: desirable) woman of 'childbearing age' & the extreme pain that you're in would require risk to your fertility to treat.

there's so much more I could go into here. the basic idea is that properly analysing the relationship between emotion, communication, trauma, abuse, race, class, gender, and the uses of rhetoric that references any of the above (e.g. "boys don't cry") is an enormous undertaking. any claim that implies that women (which women?) wholesale receive more sympathy than men (which men?) do for abuse or other pain that they experience, or that they are more free to express that pain, is both inconsistent with reality on a base level, and incredibly irresponsible. the fact (if it's even true) that "girls" are punished less for crying than "boys" does not a whole picture make.

and, like, think about it. we're living in a patriarchy wherein women are expected to care for and sympathise with men, to forgive men for varied wrongdoings in the family & in romantic relationships, to coddle them in order to avoid or appease their anger, to perform (depending on their class position) various kinds of domestic labour and social / planning work for men without recompense, acknowledgement, or thanks (because knowing how to do and plan housework is just, like, women's natural state of being)—a system where the family and the home faciliate and cover for mass amounts of traumatisation and abuse, including sexual abuse, of girls and women—a system wherein trans women are highly likely to be traumatised and yet disciplined out of expressions of anger or upset under threat of social exile—a system wherein cisgender women cannot be allowed to become too wary of or angry at men (read: too unwilling to continue marrying them and performing a significant role in the social reproduction of their class). how on earth could such a system also enable (rather than allowing for occasional escape valves for, but mostly seeking to supress or transform) women's free expression of upset, sadness, trauma, anger...?

this is the same kind of logic that leads people to believe and spread nonsense such as "people believe women who come forward about being abused and not men," which is just demonstrably inconsistent with everything that we can observe about reality.

[crooked-wasteland]

An SA Survivor's Reading of Stolitz

I don't believe that creators should be confined to telling one type of story. The beauty of fiction is to explore worlds, emotions and scenarios that are by definition unreal. It gives a safe space to interact with extremes that we would never necessarily wish to experience in our real lives with the ultimate safeword of no longer engaging with the material.

That being said, as creators, there is an ethical awareness that must be maintained in order to tell stories of things like trauma and abuse. Being alone in a cabin in the woods with a killer, that scenario is not a pervasive subculture in our society. Whereas cases of child abuse, sexual and domestic abuse are not only real, but common. And the complexities of psychological damage that perseveres long after the traumatic events are necessary aspects to telling these stories.

If you are not consciously aware and attentive to the lasting impact these events have, you run up against the horrific possibility of retraumatizing an individual unprepared for the callous invalidation of their experience.

No one should ever be shamed for engaging with media that depicts trauma they themselves may have experienced. For many, engaging in the fiction of it is a way of processing and validating their experience. Frankly saying, if you wish to write about trauma at all, you should be writing for that audience in specific. Otherwise you are simply exploiting the horrors that real people live through and struggle with every day for some cheap drama at the risk of triggering someone whose story you are inadvertently telling.

And much like most therapy speak, the term Triggered has become appropriated and misused to the point of losing all meaning in the lexicon. According to the University of North Carolina, "A trigger is a stimulus that elicits a reaction. In the context of mental illness, "trigger" is often used to mean something that brings on or worsens symptoms. This often happens to people with a history of trauma or who are recovering from mental illness, self-harm, addiction, and/or eating disorders."

The university breaks down the types of triggers as well and gives examples as to what those subcategories mean. I highly recommend that even if you are not the sort to follow up on references, I do recommend going over the article. It offers coping suggestions as well for those who are at risk of becoming triggered and helps refocus the sense of control back to the individual.

With that said, this is where I came across the inspiration for this essay. I completely removed all information for this user because the last thing someone needs when expressing how the misappropriation of abuse triggers them is how it is their fault for being triggered. These are the original tweets this response was in reference to.

As such, I feel the empathetic need to write this essay as a sympathetic reading to this person and others who have experienced SA who find that Stolitz resonates in an undesirable and even harmful way. I think this person deserves to feel seen.

To make the argument that the relationship between Stolas and Blitz isn't fundamentally abusive requires an author-intent reading of the series. It necessitates massive leaps to fill in gaping plot holes that never clarify the story Medrano is intending to tell. This is plainly just a reading of the series as is with all the context that has been physically, actually, shown in the series and that alone.

Throughout the series, Blitz is depicted as emotionally volatile and unpredictable with low self-esteem and crippling loneliness. He is constantly hounding his employees through sexual harassment from a sense of envy over their loving relationship, and infantalizes his twenty-two year old adopted daughter through an abusive dynamic where she ranges from rude to outrightly cruel while he consistently sacrifices any personal boundaries and self-respect.

The relationship between Loona and Blitz in specific feels like a masochistic self-hatred on Blitz's part where he allows himself to be used and abused by a parasitic family member to feel wanted, showing a pure desperation to be desired by someone in any way. Loona is verbally and physically abusive to her adopted father, using terms of endearment like "Dad" as a tactic to control Blitz's behavior, rewarding him when he does something for her benefit and taking it away when she deems him embarrassing or unwanted.

Blitz's tie to Stolas in the main story comes when he is called in a vulnerable time. Hiding from Martha who is hunting him down, he explicitly tells Stolas that now is not a good time to call. Stolas, who has a visual of Blitz's situation, ignores all of it. He is unconcerned about the danger Blitz is in, instead viewing Blitz solely as a sexual object as he offers the trade of the book for sex.

Stolas is more keenly aware of Blitz's situation than even Blitz is aware of. He not only is told that the current moment is not a good time, and Blitz's tense tone portrays a sense of anxiety, but he can physically see Blitz. It exists entirely within reason that he chose this specific moment to call while he knew Blitz was in a difficult position, using the tension to leverage a quick response that would get Stolas his way without needing to intimidate Blitz himself. Using the threat of a third party to pressure compliance from Blitz.

Come Loo Loo Land, the interactions between Blitz and Stolas are simply outright hostile. Blitz actively does not want to have a sexual encounter with Stolas and is even so untrusting of the Goetia that he is repeatedly asserting the boundary that he is not at all interested in sex, which Stolas explicitly mocks by being openly sexually suggestive to him. Everything Stolas has to say to Blitz is steeped in objectified sexuality as Blitz asserts his person, dehumanizing him to the point that Blitz is first and foremost an object of gratification. Even to the point of neglecting and humiliating his daughter, Stolas uses the excuse of spending time with her as a means of leering on Blitz.

In this episode we see Blitz has a history of being overlooked and unappreciated. His act in Loo Loo Land went nowhere and we see the first hints of his failed performance career. Over the course of the series, this hint towards a crippling lack of self esteem masked by an extroverted exterior is reinforced.

In Harvest Moon, Blitz is genuinely flustered when given recognition by Striker. He is quick to devalue his relationship with Stolas because there genuinely isn't a relationship at this point.

After having gone missing for two episodes, Stolas returns, being slightly less sexual and slightly more affectionate. It is a sudden recharacterization, but it is only for this scene. The rest of the episode once again shows how Stolas values Blitz physically in a sexualized manner and claims Blitz through the use of a pet name he repeatedly requests not to be called. In the opening scene, Blitz vocalizes that he "doesn't mind" their arrangement for the book, which could be taken at face value in regards to the first season. He does have the option to reject the agreement at any time and return the book in the context of this episode. It's why, despite still being an abuse of power dynamics overall, the relationship itself doesn't tip over into abuse. Blitz has the same amount of autonomy as Stolas at this time, before the context of season two, he has just as much power to end the agreement.

With the addition of The Circus, this retroactively is a situation of placating one's abuser. Blitz assuring Stolas that he doesn't mind the sex would be a way of asserting Stolas' complete control over the relationship and that Blitz isn't necessarily threatening the status quo by his question.

They don't actually know anything about each other, they aren't friends and don't spend time together outside of their forced meetings. Blitz doesn't know anything about Stolas and questioning the need Stolas has for his book could very well be read as a means of interrogating the agreement as a whole and figuring out why this was the arrangement.

(The argument that Blitz had any opportunity to negotiate things comes from an audience bias. It is probably the dumbest thing I have ever seen put into writing. Blitz doesn't know that he has any leverage in the relationship at all. He doesn't actually know Stolas has any feelings for him. That's kind of the whole point of the hot and cold romance slant that Medrano is trying to replicate.)

This is because the book is not the reason the relationship exists.

Blitz does not instigate sexual conduct, Stolas does by leading Blitz into a private room and locking them both inside with the impression Blitz would have sex with him. Blitz has no choice in the location or the isolation. He was caught trying to illegally break into the home for the explicit purpose of stealing the book. He was caught and is effectively at Stolas' mercy in every sense of the word. Not only is he still alive due to Stolas' whimsy, but if he tries to escape now after being shown this grace he could risk having the guards hunt him down and the second time will most likely not be so kind.

He literally does not know Stolas. They met for a day as a playdate and Blitz spent the whole time manipulating Stolas into facilitating his own robbery. There is no trust between them, there isn't even a relationship. While the doe-eyed pink vignette animated around Blitz shows that Stolas has an attraction to him, Blitz is entirely in the dark about this. Stolas' behavior is merely unpredictable and precarious from his position and limited knowledge.

(Just a side note, the argument that because someone decides to do something must mean they are not afraid is just asinine. Generally speaking, most people who commit crimes are in a state of fight or flight, it is more akin to gambling your actual life. Its a rewards and risks assessment, not a case of being sociopathically unafraid.)

It isn't until Stolas dramatically announces his desire for sex that Blitz realizes he has something that can be used to distract the Prince while he steals the book. And that's the issue with the argument that Blitz is the one willingly escalating the situation: it's not sincere. Throughout the entire sequence, Blitz isn't once sincerely interested in Stolas. He leans into the pretense to gain control of the situation, of which, might I remind you, he has had zero control over up to this point. Not only is he not interested in Stolas, but this is a bid for control from the position of helplessness. This way he is not relying on Stolas' unpredictable behavior, he is reclaiming power in the dynamic by playing into Stolas' desire.

("But Stolas says nevermind and Blitz keeps going!!"

Yeah, because he needs to maintain control of the situation. This is what power dynamics actually look like; there is a two-way push and pull. The only way he has any power is through the lens of sexuality. He needs to keep Stolas interested in him to keep his position. But throughout the scene, he is explicitly depicted as being put off by Stolas. In fact the entire reason he ties Stolas up is because he was becoming too into the act. He is shown to not be sensually performing bondage, he is trying to remove a problem.

And side-side note, I know I said I wouldn't lean into Medrano's intention or explicit dictation on how she demands her show be interpreted, but she was the one who said that The Circus and Loo Loo Land are connected in the timeline and Blitz's hostility in Loo Loo Land reads far more like a man who feels used and taken advantage of. So even the argument that Blitz was an enthusiastic participant is disproven by Medrano's own metacommentary and character interactions.)

And ultimately, it all boils down to that last moment scene. Between willingly having sex with Stolas when he is tied up or the book, Blitz makes for the door to leave. He doesn’t willingly engage in sex with Stolas. Either you can read the scene as a form of pity sex, which in the context of Medrano’s timeline and Loo Loo Land, shows Blitz was not enamored with the encounter or you have to read this as being manipulatively pressured into it. There is no way to argue Blitz has any leverage in the situation and no grounds to argue that it was mutually enjoyed.

That doesn’t even start to cover the fact that all the way to Ozzie’s, Blitz is repulsed by Stolas. When calling, he openly shows that this is something he would rather not be doing. He doesn’t have feelings for Stolas and despite just using the man who is using him, just having to deal with Stolas is distressing for him.

This is not an equal or fair relationship dynamic. It is not a mutual relationship. This is a relationship of self-preservation and coercion. And the fact is, it could have worked with very small changes to The Circus. Having the dynamic be actually mutual would have been a great start, but just properly addressing the actual dynamic and having Stolas take ownership of what he's done, and validating the fact that coercion is sexual abuse. Because out of all the sweeping changes, retcons and inconsistencies, the one aspect that has persevered throughout the show is just how trapped Blitz feels.

In Truth Seekers, Blitz’s hallucination is contradictory in its attempt to be visceral, and that is not inherently a problem. Trying to be abstract, it is normal for people to experience contradictory emotions over something. It makes sense in that way, but it needs reinforcement in the expanded narrative to tell it's story. As such I am just going to give my reading on the sequence based on my narrative and state it as fact.

The clown costume shows that Blitz sees himself as a joke, feeding into his low self-worth that no matter what he does, he is always the clown being laughed at. The murky wasteland is a reflection of his life. Devoid of anything bright or good, it is populated by dead trees and the ground is a quicksand like sludge, showing how he devours the good and extinguishes it in his own life. He kills his own happiness. Moxxie exists as a critical voice Blitz hears, telling him how stupid and awful he is to everyone around him. Blitz rejects his own self-criticism, reaffirming his self destructive victim mentality that appears when faced with the consequences of his own actions.

It's when the characters of Fizzarolli, Verosika and Striker appear that Blitz gives his regrets, insecurities and resentments voice, poorly impersonating the voices of those who saw the real him. Striker mocking Blitz’s need for companionship, how he lies to himself constantly and presents himself as independent and assured when really he sees himself as needy and pathetic.

Fizzarolli adds to it, pointing out Blitz’s failures to make it on his own, however this portion of the series should probably be considered non-canon as the newest episodes established that Fizzarolli and Blitz have not had any contact with each other since the accident. The more important line Fizzarolli says “You're going to die alone”, have been written out of the show. There would have been no time or place for Fizz to have ever spoken this to Blitz.

Then there is Verosika, who brings up Blitz’s self destructive tendencies, showing Blitz’s own abusive behaviors towards characters like Moxxie. It also suggests an explanation to why Blitz tolerates Loona, because her constant rejection of him contradicts his reactionary need to push others away, as well as feeds his self-flagillation.

It is when he endeavors to flee the reflections of the worst parts of himself that he runs into Stolas. Perched atop a pristine staircase of gold, being fanned by two silhouettes of Blitz. This shows the power imbalance in every way. Blitz doesn't even walk up the stairs, but crawls. Himself just a faceless accessory to Stolas’ desires, but everything he has intrinsically tied to the power Stolas' exerts over him. This is shown explicitly by the chains around his hands and neck, Stolas' reeling him in as he bears a grimace of reluctance. It is the most explicit representation of being trapped between two bad decisions. Either he is just the joke, the failure, the asshole, the stupid piece of shit, or he is the pet, the object, the toy. Stolas mentioning Blitz being "afraid to love" is less a suggestion that Blitz has any feelings for Stolas, but instead his psyche convincing himself that the relationship is not so exploitive. That he is not being dehumanized and abused, but on some messed up level he is being wanted and desired, which is better than the wastes below.

Maybe one could say that Blitz is being elevated out of his situation for how the feathers removed the costume and sludge, essentially wiping him clean of his worst self, providing a sense of safety. But he only has this opportunity because of Stolas, and it isn't free as shown by the feathers also becoming the chains binding him. Because at the end of the day, Stolas isn't the prize at the end of the climb to self actualization, the stairs belonged to him in the first place. To escape the horror-filled wasteland below, Blitz has to play by the rules of the owner of the stairs.

And ultimately, that isn't a story that is off-limits.

The Stolas apologist argument is why the depiction of this dynamic is triggering and harmful, not the fact that it exists in the media. Just owning the scenario and having Stolas acknowledge that he has sexually abused Blitz would have gone a long way. Instead, Medrano and the fandom have insistently represented this victim-blaming interpretation where Blitz is responsible for his own abuse. And that will never be okay. This goes all the way back to my "Not All Victims are Survivors" post. Blitz is the victim in this and his bad behaviour and own abusive actions directly correspond to the fact that he is a victim with a victim mindset. He actively lives in the middle of his abuse and has formed maladaptive strategies through manipulation, harassment, verbal abuse, and self harm. These do not remove his victim status. There is no such thing as a "Perfect Victim". And he should not have to be any sort of way in order to have that experience validated. And the issue that is at the heart of this show is that the narrative and the fanbase require a victim to be framed as delicate and hapless to circumstance with a soft and gentle personality to be a victim. To come out of abuse aggressive and harsh with sharp edges is framed as being less valid. But this outcome is normal and it's a difficult battle to work on oneself to feel safe again. It's absolutely a story worth telling.

But you first have to be interested in telling a story.

[fairuzfan]

hunger strikes are eating disorders promo is a discourse that needs to end NOW. students in brown, princeton, mcgill and many many other places are hungerstriking for Palestine. there were hunger strikers in ALL provinces & territories in Canada on a rotating hunger strike. A graduate student at my alma mater declared a hunger strike, beginning on the evening of Feb.16. Her strike continued through Feb.20 — the day that the Lieutenant Governor delivered a speech from the throne at the province Legislature.

additionally, hunger strikes as civil disobedience has a history and it is an honour to be part of that. i'm indian and india has a history of hunger strikes in the independence movement. hunger strikes are also one way in which political prisoners have long asserted autonomy over their bodies. i'm gonna need white folks on this website to read a damn book.

To be honest I don't think they believe that hunger strikes are eating disorder promotion because it's such a nonsensical claim, they just want to find a reason to yell at someone they don't like doing something better than them.

But I agree, even in Palestine prisons, they're doing hunger strikes... unless you're calling prisoners who have no autonomy over their own bodies "harmful" and "dangerous"? It's insulting and honestly not even worth addressing.

Thank you for sending this in, I agree with you.

[witlesswitnesstm]

I am a firm Marvin Gardens BPD/NPD truther, so here’s all my evidence.

This is a very long post, so buckle up.

• Narcissistic Personality Disorder

Let’s go through the symptoms he shows, shall we?

- Has unreasonably high sense of self importance, and requires constant admiration:

Marvin, especially as a child, exhibits a large amount of grandiosity. This is most evident in How Marvin eats his breakfast and My Highschool Sweetheart.

He thinks of himself as above the maid staff and he constantly threatens/accuses them. Then he’s given the role of Columbus, and highly identifies with him to the point where he claims he *is* Columbus. That he’s this grand explorer, who’s the king of the ocean. He believes he’s powerful because of the role.

Then as an adult, Marvin has a constant need for adoration. He needs people (like Whizzer and Trina) to love and want him in songs like Thrill of first love and This had better come to a stop. That might even be a reason he got with Trina in the first place. He wanted to feel needed, without the responsibility of having to love back.

Not to mention the line “Kid. Be my son.” In Father to son. He wants Jason to fulfill the role as his son (and subsequently love him), not really acknowledging he’s his own person. But he still deeply cares about Jason, and wants him to succeed, he just does it through the only lense he understands; himself. Also, I noticed that Marvin literally moves the chess board aside and makes Jason face him during that song, even though he clearly doesn’t want to.

- Believes they deserve special privileges or treatment:

The R of Ms. Goldberg shows Marvin is obsessed with getting what he wants, for no other reason besides the fact that he wants it. It’s also implied that he didn’t even necessarily have the acting skills required to be Columbus, Ms. Goldberg just conceded because he kept pestering her. He believed he deserved it, so he got it.

- Make achievements and talents bigger than they actually are:

Again, Marvin obsessed over being a star actor. He also consistently exaggerates his intelligence with lines like “I can read her like a book” in How Marvin eats his breakfast and “I'm not so rich but hell I'm smart.” In This had better come to a stop.

In I never wanted to love you, Marvin also claims that he’s in demand, when he’s most likely not and is just trying to cover for his ego.

- Preoccupied with fantasies of success, power, brilliance

Oh wow. Ok, so we all know about the metaphor for games at this point. Marvin loves winning, he literally says it’s everything to him. He also says that he wants it all multiple times which is just, really driving home the point that he craves success and power over everything else.

Marvin is also characterized as being rich, which again emphasizes his need for success. I’m thinking he climbed the corporate ladder for the sole objective of looking like he’s successful.

Side note, I think the reason he never acknowledges how rich he is might be because he’s ashamed of being a trust fund baby. He had a whole maid staff as a kid, so it’s implied his parents had mad stacks. He might’ve sought success outside his parents’ money so that it was his own accomplishment, not his family’s.

I want to touch on My chance to survive the night, specifically the line “I played a game. She was as cute as a dime and couldn't spell. I asked her to spell my name. That's it for girls.” Marvin has a history of using games as a basis for breaking up with people because of his insecurity, even before Chess game. He gets a lot better with this in act 2, and this is evident in the racquetball matches. He seems a little unconfident, but he’s not devastated by it in the way he would be before.

I’ve mentioned this in a separate post, but The r of Ms. Goldberg can also be interpreted as a fantasy for power, since Marvin isn’t actually interested in having sex with Ms. Goldberg, and instead just wants to have control over her.

- Is critical and looks down on people they feel aren’t important:

Marvin consistently ignores his sweetheart even when she begs for his attention. When she tries to tell him she’s a person, he calls her ridiculous.

Marvin also just generally acted out as a child because he considered everyone as beneath him.

This trait is especially highlighted In Tight Knit family reprise, where he just straight up talks shit about Mendel, not being able to believe that Trina can love him. It’s also shown in Marvin hits Trina, that he dislikes her platitudes and expects substance from her, and then goes on to again beg for admiration with the line “How could you ever deny what we had?”

- Expects others to do what they ask without question:

This is best shown in This had better come to a stop and Chess game. Marvin expects Whizzer to play the housewife, while not acknowledging that he’s his own person.

This is also displayed in Tight Knit family, where he expects everyone to go along with his perfect vision of what a family should be.

- Has an inability or unwillingness to recognize the needs and feelings of others:

This is most clear with Sweetheart and Trina. As I’ve said, Marvin blatantly ignores sweetheart’s attempts to love him, and completely disregards her. I want to note how he does this in favor of being attached to Ms. Goldberg and playing Columbus which are his power fantasies, essentially.

This trait is also shown in Breakfast over Sugar when Marvin basically tells Trina to shut up and that she’ll get over it when she’s having a a pretty expected emotional outburst to him divorcing her. He completely disregards her feelings, showing no empathy to her.

- Acts arrogantly:

This can just be interpreted as confidence but Marvin says that he loves being himself multiple times over the course of In trousers.

• Borderline Personality Disorder

- A strong fear of abandonment:

This ties into Marvin’s need for admiration, but he constantly asks others for validation, and even doesn’t want Trina to find new partners because he interprets it as abandonment of his family.

There’s also the workshop version of This had better come to a stop, which is all about how Marvin is terrified that Whizzer’s going to leave him again in act 2, but he tries to bury all those feelings down so that he doesn’t appear needy. One of the lines is “I sit here and slowly rot. Wait for Whizzer, wait for answers, and get none.” Which just really nails down this point.

There’s also Unlikely lovers, when Marvin refuses to leave Whizzer’s side in the hospital.

- A pattern of unstable, intense relationships:

I’m sure we all know where this is going.

Marvin has a lot of opinions about Trina. He says that he thinks she’s perfect in I have a family, but that at the same time, he says that he hates her in I swear I won’t ever again.

His wants are contradictory. He wanted Trina to leave him alone when he divorced her, but couldn’t accept that she married Mendel. Also, he fights with Trina consistently, even throughout Act 2.

Onto Whizzer, their relationship is driven solely by chaotic passion. Their relationship is *built* on fighting and making up with hate sex.

Whizzer has no idea how to feel about Marvin because of how unstable he is. Marvin can be gentle, but he expects everything to go his way. He’s affectionate but highly judgemental. (Then again, so is Whizzer.)

- Quick changes in how they view themself:

This is best shown in Your Lips and Me reprise. Marvin goes from hating who he was and what he did to Ms. Goldberg to having a whole ass victory song about how he loves being himself.

This might be sarcasm, but Marvin is also self deprecating in Tight knit family reprise, with the lyric “I'm too damn peeved, self-absorbed, self-deceived. Who knows?”

- Periods of stress related paranoia and loss of contact with reality

This is a stretch, but Marvin’s exes always hovering around him in In trousers might be paranoia about his past manifesting itself. This is especially clear in I can’t sleep and Your lips and Me reprise where they physically interact with him, preventing him from sleeping or reminding him of his past.

- Impulsive/risky behavior:

Bro got multiple STDs, presumably from unsafe sex. Also, it’s implied that he also got HIV after Whizzer.

Hitting Trina could also be seen as impulsive behavior.

- Wide mood swings:

This is where Marvin’s giddy seizures comes in. He has periods of extreme laughter and giddiness, sporadically.

- Inappropriate levels of anger

Marvin hits Trina. I mean, what else do I have to say? This whole song is about Marvin’s anger taking over his actions and causing physical harm because of it. He also shows inappropriate anger when he brings out Whizzer’s belongings after the Chess game.

Ok Jesus Christ that was a lot of words. Keep in mind that these are just my headcanons and you’re allowed to interpret Marvin in any way you want.

Also I don’t have these disorders myself and I’m not a professional psychologist or anything so let me know if I got some things wrong. I just care way too much about the Marvin Trilogy and I’m also interested in becoming a psychologist.