#why do all of these characters have no chemistry and also no personality

[raevnq]

I've been seeing people shame mxtx for writing sex scenes in her own books. They say things like "it's so unnecessary" or "she's fetishizing them" but I don't think so. In fact if you analyze her books you understand it actually helps develop/expand more on their relationships and the characters themselves.

I'll go down the line starting with svsss

This was her first book published. The first time luo binghe and Shen qingqiu get.... Intimate it's because Shen qingqiu wants to help binghe. We already know Shen qingqiu holds him in high regard though some doubt he actually is in love with binghe. To me the scene shows his devotion and love for binghe. Luo binghe when the scene first begins isn't himself. Shen yuan knows this as well. Throughout the whole story he had been in some sort of denial. Saying things like he himself is straight or luo binghe is destined for a harem. Leading up to the scene we read Shen yuan kinda realizing/acknowledging he has feelings for binghe. While it's not spelled out plain as day it is there.

Svsss has the most backlash when read. From people saying the main couple has no chemistry to the papapa scenes. This scene and another (🍾 if ya know ya know🫡) get the MOST criticism. Now I'm not gonna lie and say I got why she wrote these scenes right as I read them. I'm also not saying people aren't allowed to have opinions. I am just tired of mxtx being painted as a weird person for writing these scenes cause some people don't like to analyze things.....

Anyway sorry I got off track😅 the scene between binghe and Shen yuan develops Shen yuans relationships and character. It's the final interaction between them that makes it click to Shen yuan that binghe is a real person who struggles and not just the character in his favorite(most hated) novel. He sees binghe as a person and wants to help. People say the scene was very non-consensual but Shen yuan is the one to initiate. He starts kissing binghe to distract him and when it starts becoming more than kissing he's okay with it. When binghe snaps out of his trance-like state he's HORRIFIED by what he did. Luo binghe would never harm Shen yuan. He asks why Shen yuan didn't push him away or kill him(🙁) and they have a heartfelt scene where Shen yuan tells luo binghe he matters and is loved.

Svsss is a tragedy written as a comedy. Most scenes are overlooked because Shen yuan's way of coping is humor. We only see things from his pov and he also likes to overlook or push past things when they get serious. This scene gets the most criticism because even he can't joke his way through it. He can't be light hearted because it's like a flip is switched and he realizes this is real, these people are real, and I care for them. Not to say he didn't know there were times he was like "oh, this is my life now" but subconsciously he's not taking things seriously. This scene cements this for him. Which is why the scene is so heartbreaking. It's not just "oh we had sex and saved the world" it's him seeing things as not a game clearly. Even if he jokes about it later you can see the change in his mindset. He loves and cares for these people and now they don't just feel like NPCs to him. They are not just a means to an end. They are REAL and that scene helps it finally click for him.

I was gonna do all of them but I'm actually starting to get mad soooo the next two will be later 😅

[bluesymoon]

why is 911 is badly written and directed. how did we get this far

[jerreeeeeee]

the thing is i very much understand the appeal of lupcretia narratively bc they are foils who betray each other and then forgive each other because the force of their grief and guilt brings them to an understanding and i also understand the appeal of blupcretia bc its a three person relationship who disagree on something major and split apart leaving one party feeling abandoned when the other two agree against her and what does that mean for the fact that the rest of their lives outside a horrible timeloop are supposed to start soon Because of that decision and disagreement like i get it narratively its interesting!! but here’s the thing: i just have an unshakeable belief that lup is straight

[danidoesathing]

am i the only one who feels like alex(the world ender guy) was kind of a missed oportunity in vide noir? like, he was set up by johnnie to be a badass gang leader just for him to never even appear in the end, we just got a close up to his face scar

i feel like buck's encounter with the psychic would've been way more powerful if it was alex instead. its implied that johnnie and moonbeam had a relationship ig, but its barely even hinted at, and he never even mentions her. but with johnnie and alex, johnnie actually mentions him and speaks highly of his brother, and says alex will help buck if he sees the red cloth that belonged to johnnie

the fact that all that build up led to buck not even TALKING to alex kinda irks me. imagine how much better the payoff would be if alex had received the cloth instead of moonbeam? if we had seen his reaction to johnnie's death? if he would've helped buck like johnnie said he would? if we saw what johnnie implied alex would do to the guys who black brained his brother? idk man i think we were robbed

im new to the fanbase, so im gonna be very embarassed if this is a topic that already came up here LOLL but i still wanted to get it off my chest💀sry if this ask is messy, i suck at writing down my thoughts lmao

No I gotta agree on that. Like I LOVED seeing Moonbeam and getting know her as her and having all this new information about her (her being part of the World Enders is still wild to me and I love it) and it’s a good scene and all, but I’m still confused as to why they built up Alex so much, especially since this is the first time we’re hearing about him, and he never even got the chance to speak. If it were Dale I’d be a bit more understanding as we know him already (tho not by much cause I would have loved to see more of Dale). But it’s Alex, whose not only the leader of the World Enders but also Johnnie’s (and Dale’s) brother. I would’ve have loved to, you know, actually meet the guy. Especially with how much build up he got. And I GET IT Lord Huron’s lore is meant to be weird and vague and hard to pin down but like. Didn’t need to tease me like that come on

The only reason I could think of was maybe they needed to get Buck on his own again? Like having this the beginning of a war between the World Enders and Z’Oieasu shown or having Buck work with them consistently might have thrown off the tone. It is supposed to be Buck’s story and his own descent into madness. The whole album has this isolated vibe to me, like being alone in a city of people Hard to get that when there’s other people around, especially a group as lively as the world enders. Or maybe they just wanted to include Moonbeam back into the story again lol

GOD I would have loved to see Moonbeam’s scene with Buck done with Alex. I can only imagine how that scene would’ve played out and his reaction to Johnnie’s death. Contrasting Buck’s scene with Johnnie with Alex’s own personality, the possible dynamics, the anger and grief that could arise…..ough

[otogariado]

i get why people would opt to say walter was a terrible person since the beginning, but i think that's like, the most boring takeaway you can get about his character. he was already insecure and prideful from the start, and it's what would hurt him and keep hurting him. but like, being insecure and prideful are regular traits any regular person can have. the actions that he makes because of these traits, which in turn keep fueling his ego more and more, are what makes him an interesting character. and he was already pretty capable of hurting other people, but he wasn't doing it out of malice, but more because of careless selfishness at first. what makes walter terrifying is that the more he does it, the more he becomes aware of what he's doing, and the more he keeps going and keeps being more and more meticulous and deliberate about what he does that hurts people and even to the point when it was specifically to hurt people.

i think the traits were there in walter from the beginning—the pilot did a pretty good job of establishing how powerless he's felt all his life and just how susceptible he is to letting this newfound perceived power get to his head so easily. he even says this explicitly in 5x06 "Buyout" when he tells jesse "i'm not in the money business, i'm in the empire business". but saying he was this monster from the start kind of implies he didn't undergo through a character arc throughout the show when it's quite literally what he did. he got worse. so much worse. through mostly the fault of his own fragility.

[steelycunt]

ridi im sorry i need to rant and i think youll get it 😭 like not to be a bitch but this fandom kinda going off the rails and annoying the shit out of me https://www.tiktok.com/t/ZTRbYASpf/ everybody in the comments unironically loving it,,, i mean wtvr ship who you want but its kinda getting delusional like ppl are just operating on thin air and pretty fancasts atp and i do Not understand or emotionally connect with any of it. at least w wolfstar theres so much material and foundation to explore but what is all the rest of this?? just hot celebrity fancasts and crack. to be fair part of me respects taking a terfs canon material and making everybody gay but the way it seems to be so oversaturating fics and the fandom that characters dont even feel like their original selves .. atp its all just surface level OCs

hello! yes! i'll be honest talking about things like this always make me a little nervous, and i feel obligated to preface anything i say with a disclaimer that none of it really matters, nothing i say matters, and you should do what you like, because--who cares. i am not an authority on--anything, frankly. my opinion holds no more weight than the next guy's, and all i'm doing here is giving it, so. essentially what im saying is--people are perfectly entitled to disagree with me, but people are not entitled to be mean to me about it xx

having said that. it is my personal opinion that s x barty is one of the worst fucking things i have ever heard lol. who even is barty who is that guy. why would s be interested in him at all. i do not understand it it does not make sense to me. from where are we sourcing the character traits and personality that we are giving barty that would ever endear sirius to him, because it objectively cannot be canon.

overall i do not get the new interest in barty + evan + pandora (+ regulus, but we won't go there)...at all, other than guessing that people were bored with the marauders and wanted a new version of them (and new celebrities to fancast) while simultaneously changing next to nothing about them other than superimposing them onto the first slytherin side characters they could rustle up. i expect ive become a bit of a broken record in regards to my dislike of the popular meow-meow-ification + complete absolution of regulus as a character in order to make him a loveable oc (just as i think erasing all the negative traits that r/s have in order to make them more likeable is just as boring), and all of that applies to those other guys as well (with the slight difference that they are, somehow, even less interesting and significant than regulus in canon), so i won't get into that too much. but i think what you say about having no emotional connection to any of it is exactly right lol--it is a sort of shift? i guess? in the fandom that is simply of no interest to me. they are characters that i just have no emotional investment in and admittedly struggle a little to understand why other people do. i am emotionally invested in, like, five characters overall (and even out of those--there's only two i'm really here for innit xx) and i personally cannot extend that investment to a creepy little side character who is mentioned maybe twice in the entire series.

and that is okay! i do not need to understand it. i don't want to say it annoys me because honestly--i don't go there, its nothing to do with me. if i dont like it i just wont interact with it, and the fact that it doesn't interest me has no bearing on what other people are into or want to do, and i couldn't give less of a shit what people do with the canon material, which is largely garbage anyway. take the bits you want from it, play around with those and ignore the rest. in that respect we are all doing exactly the same thing. but yeah i think s x barty is genuinely awful lol. hate it. very terrible. he's already got a loser werewolf boyfriend and he loves him so so much. leave him alone.

[bmpmp3]

the really beautiful landscape/skyscape animation in makoto shinkai's works tends to be the big thing i see focused on and that is understandable and deserved like the weather and lighting effects are unREAL but i do think we should also appreciate how absolute insane the plotlines of his original movies get. at least two movies with in universe catastrophes with major ecological implications. the guns and explosions. theres that one movie i havent seen yet with the guy who turns into a chair (?)

[waywardsalt]

:3

[tragedygf]

one day on netflix is not very good like i would rather watch normal people and i didn’t even particularly like normal people

[thecoolertails]

the story abt raiden and rose first meeting is so funny bc they're talking about it like it's so romantic when literally it was him butting into a conversation to correct her about something completely trivial

[divine-donna]

all you need is more radaway

save a horse. ride a cowboy. ;)

anyways i really loved the tv show and i love the game. and ghouls are just chef's kiss. or maybe that's because i love monsters. sad that i finished it so quickly. :(

perhaps i can put what i learned in my western class to good use lol

character: cooper howard aka. the ghoul

it's never easy surviving the wasteland. you don't know how you managed to survive for this long. perhaps because you seemed to have been blessed with incredible luck.

and building up endurance, of course.

you felt little to no side effects from the radiation of the food you were eating. which just meant you had a lot of radaway and rad-x stocked up.

to make ends meet, though, you had to start hunting. scavenging and scrapping by wasn't enough. you needed the extra caps.

thus your rivalry with another bounty hunter was born.

"well, well. aren't you far from home, sweetheart?"

you were used to comments about your outfit. a vault suit. yes, you came from one. you had been exiled after your father was revealed to be managing the experiment behind it. the child pays for the sins of the father always.

"you're not the first and you won't be the last." you pull the head off the body as clean as possible.

"now i don't know if you should do that."

"and why not?"

a bullet flies past you and burrows itself into the ground. you finally look up. a cowboy hat. the face of a ghoul. his gun pointing right at you.

but you weren't afraid.

"because he's my target." he pulls out a piece of paper. "and he's mine."

"seems unfair if i did all the work. and you just collect his head and the prize." you pull out the same piece of paper. yours is a little more worn out though. and covered in dried blood.

"that's the way of the wasteland sweetheart."

"if you believe so."

your hands were fast. two bullets lodged into his right left and when he looks up, you're gone.

of course, you learned from the best: western holotapes. you really liked them when you were growing up. claimed to want to be a lone hero.

in some ways, you were. the wasteland was just a new version of the wild west, wasn't it?

"spaghetti? like...the pasta?"

more like spaghetti western. he knew that, of course. but no one in the wasteland knew what a spaghetti western was. they were remnants of a past long gone and one only accessible by holotapes in the vaults.

"that's their name." the person says. "why? you have business with them?"

"perhaps." the ghoul was looking to return a favor.

"don't even try. they're far more formidable than you think."

"we'll see about that."

your rivalry was an exchange of bullets, more often than not. thankfully, you always stocked up on bloodbags and could make a stimpack from your heavy (but useful) travel chemistry kit. you were smart like that.

surprisingly, it became something to look forward. mostly because the ghoul preferred if he tried killing you, so he managed to get you out of a tough situation by killing the other people trying to kill you.

and you returned the favor. there was something satisfying about lodging a bullet into him again.

unfortunately, this left you two stuck on a job once. captured by raiders. you had been knocked out with a drug. and he had collapsed from...something.

"fuck." you mutter, pulling at the ropes binding you. your luck had run out for the day it seems, because your arms were tied to the ghoul's around this godforsaken pole. the metal was also uncomfortably rubbing up against your skin.

"you got a knife or anything sharp?" he looks over at you. it's rare to see him without his cowboy hat. his head was rather smooth.

you chuckle a little.

"something funny?" the ghoul asks.

"nothing. you're just...shaped like an egg."

"very funny."

"let me guess. your answer is no?"

"i don't have a knife up my sleeve, sadly. think they took it."

"shame." the ghoul shimmies something out of his own sleeve. he flicks the blade out and begins sawing at the rope. "watch your fingers."

you keep your fingers tucked in. eventually, the rope on your wrists comes undone and one arm soon after. the rest comes off and you rub your skin. "fuck these guys. always hated raiders."

"well, we both got sold out. we need to find that thing now. or else we'll be dead by sunrise." he tugs on the door of the jail cell and clicks his tongue.

"i don't have sharp objects. but i do have these." you pull out the bobby pin taped on the inside of your sleeve, alongside a mini screwdriver.

the lock wasn't very complicated, so you picked it with ease.

as you both are grabbing your equipment, you hear footsteps up above. light ones and heavier ones. and the sound of a muffled, altered, robotic voice.

the brotherhood of steel was worse than raiders, honestly.

"you go left, i go right. how does that sound?"

"i don't usually like taking orders from my rivals." he reloads his gun. "but for you? sure."

the event left the both of you soaked in the blood of your enemies. on the other hand, you guys left with plenty of loot and an idea of where your target was: dead. at the bottom of a lake.

it was a journey to get there, wherein you learned the details of each other's lives. you didn't think he was paying much attention to your sentences. after all, you came from a vault.

and yet, you saw a hint of sympathy in his eyes.

he seemed less keen on sharing details about his life, aside from his former name. cooper howard.

undeniably, as a fan of westerns, you recognized his names. from the holotapes.

"they had those?" cooper shakes his head, taking sips of water. "no way."

"yes way! it's where i learned to shoot."

"from watching my movies?"

"yes!"

"that is...a pleasant surprise." cooper leans back.

"that also makes you over 200 years old."

"that it does. something wrong with that?"

"no. the wasteland changes people." you maintain your attention to your suit, sewing a tear up. "just...you're looking for something, aren't you? everyone's always looking for something up here."

"are you looking for something?" his voice hardens and he sits up straight.

"i was. and then i found it. and i stopped." you tie the thread to seal the stitch and then tear the thread with your teeth. "i hope you find what you're looking for though."

"well, that's awfully kind of you, sweetheart."

"i have a name, you know."

"what is it?"

"(y/n)."

getting personal in the wasteland was something cooper wasn't adamant about. but the circumstances seems to call for it.

"guess we're even now."

the body of water was daunting. it was murky and dark. you pursed your lips and dumped your bag. "well. guess we have no choice."

cooper looks over at you then quickly turns around when he sees what you're doing: taking off your suit and going down to your underwear. "what are you doing?"

"i'm going to go get that head. that's how we get paid, right? easy three thousand caps. 15 hundred split evenly." you stretch.

"i think you might die."

"i'll be fine. i've done it before." Aquaperson perk.

"i can also swim, you know."

"i'll be fine cooper." you pop a rad-x pill just in case. "be back in a bit."

you dive like a swan, making minimal splash into the water. your form disappears beneath the darkness.

you're gone beneath the water for over an hour. cooper's heart was beating against his rib cage. you should be out by now. it should not be that hard. did something get you? things lurked beneath the murky waters always.

"fuck!"

he drops his equipment and begins stripping down, until he is just in his pants. he would need to dive after you. if you were dead, then so be it. it was fun while it lasted.

suddenly, you emerge. you take in the oxygen of the surface and hold the head up high. "got 'em." you swim over to the shore and walk out of the water.

there was something about how...wet you were that got him feeling hot and bothered.

"something happen down there?"

"couple of mirelurks. no big deal. which reminds me." you set the head on the ground and go back into the water. within minutes, you're pulling out the bodies of the mirelurks you had killed. "dinner."

while cutting the mirelurks open, you observe the way he walks around you. his muscles bulging a little as he cuts a mirelurk open and takes the meat. he was kind of...attractive?

"were you going to come after me?" he stops cutting hearing your question. "in the water, i mean."

"so what if i did?" cooper averts his eyes.

"that's sweet of you. i didn't know you had a soft spot for me."

"i don't."

"sure." you can tell he was lying through his teeth.

dinner was a nice, cozy meal. it was delicious. a nice surprise considering the nature of the wasteland.

cooper notices the way you're looking at him. and he looks at you the same way.

though how does this work exactly?

"do you want to..." you try to find a decent way to say this. fuck is a good term. but it felt a little vulgar in the moment.

cooper already knows what you're asking. "absolutely. if you can handle it." he smirks.

it's so cute when he smirks.

you glance over at your bag, looking at your stash of radaway. you had plenty. plus your stash of rad-x too.

"i absolutely can."

[ollywander]

How J.K. Rowling felt after basing Snape on her chemistry teacher (who she quite incorrectly thought hated her) thinking he would never see it (he was good friends with her mother, loved the series, and wrote magical beast fanfiction because he — and I have many sources for this — was a mega-nerd, autistic, multi-talented, innately wizard-ish Welshman).

I looked into this guy because I was wondering what he could have possibly done to get Snape, of all characters, based on him. The only thing I could find was that apparently J.K. Rowling took his autistic socializing as “he doesn’t like me” and that this guy was actually a really nice person. Like, unusually so. I went to read up on it again for the sake of this post and had a bunch of “Oh, that’s right; he totally did have a restroom with disabled access installed in the science department for J.K. Rowling’s T.A. mother who was ill” moments, some “Oh, that’s right; he totally was a pillar of his community who went around doing welfare checks on people with violent exes even when he was on his deathbed” moments, some, “Oh yeah, he totally was a feminist who lobbied for women’s rights on a regular basis (my uncle who likes Harry Potter joked that this is why J.K. Rowling didn’t like him)” moments, and some “Oh, yeah; he totally did used to compare his chemistry class to potion making and wizards when kids got bored and sing about it in Welsh with wizard robes on randomly throughout and at the end of the year like a freaking nerd years before Harry Potter was even conceived” moments.

TL;DR: This has been a J.K. Rowling are you fucking kidding me post and also Snape is a feminist by proxy; I don’t make the rules.

[7swordsmen]

i dont care about the love triangle in wednesday. the fandoms being kinda wack about it too. like do whatever you want with shipping, serial killing only makes guys more ideal if anything if its the addams family, so while i get being uncomfortable, shipping them isnt like an end all. i just got SO irritated when both of the guys just like. Assumed wednesday was into them bc they were nice to her or something

[itsmyfandomandilikeit]

Btw we do all have to promise to not ship Walker and Leah. Like the very first thing we found out about Leah was that Rick said "we cast for Annabeth based first and foremost on onscreen chemistry with Walker Scobell" or however he said it and after this week I can absolutely see it.

Like up to this point I've liked her because she clearly did her research and understands the character and the story, but as of this episode, I understand why Leah Sava Jeffries was cast over every other young actress who has also read and analyzed the books and tried her level best. Because her relationship with the male lead is so important to the lifeblood of this story that is going to last years and years. And they had to cast the person who had the best onscreen chemistry with Walker Scobell.

But these are actors. It is not real. We see interviews with them and there are shades of their characters in their interactions but this is either coincidence or played up so people will talk about it online or both. In real life this is their job. They have other friends and their own families and maybe even people they like who aren't famous. It is none of our business.

And, if five years from now they do actually decide to date, because it's happened to others and sure it's a possibility, I don't want to know. I don't want anybody to know and I don't want anybody to care. Hot damn the casting for this television adaptation was incredible but that is all that it is. There are real people involved who go home at the end of the day.

[brionysea]

when it comes to the umbrella academy, a lot of people seem to think that the first half is great and the second half is terrible. personally, I think only the first *season* is great, or even good. here's why:

the mission statement at the end of season 1 is fixing viktor, but viktor isn't the only broken one, so you can infer that they're all going to have to fix *each other* - as a family, the one thing their abuser never let them be. and the world's burning down around them because of the most dramatic sibling confrontation to ever grace the earth, but they're holding hands and escaping together and surviving the impossible with the intent to move forward, even if that means momentarily moving backwards. it's a masterful allegory for finally growing up, accepting responsibility for your personal trauma and tragedy and how they shaped you, and the moment you take that power back by choosing to heal your inner child, only after being slapped in the face with the fact that if you don't, it *will* destroy everything you've ever built, ever cared about, and ever could.

and then the rest of the show forgets all of it. as it were, it goes in the *exact opposite direction.*

on the surface, the second season isn't *as* bad as the subsequent ones are. but season 3 and 4's faults can be traced back to season 2 by how it pivoted away from the serious subject matter that the story (not the plot - the *story*) was heavily baked in, leaning hard into the goofier elements instead, without ever understanding the contrast that those conflicting elements served to highlight. it made them both more powerful; the jokes were funnier because you were just devastated, and the trauma was more devastating because you were just in tears laughing. the emotional roller coaster is key to understanding these people, and you *have* to take the serious stuff seriously for it to work. at least half of the show doesn't, and as a result, the emotional moments feel hollow.

controversial opinion: as a character, luther is better in season 1 than he is anywhere else. he's more unlikable, but that's because he's implicitly there to show what *not* to do - even if he'd succeeded narratively by locking viktor up and saving the world, he still failed thematically by emulating their father and continuing the cycle of abuse - so luther's a character that's being very effectively used to add to the core theme of the story. he feels like a real, frustrating person, whose brain chemistry got messed up by years of abuse and isolation, all for the crime of thinking his father loved him and wanted the best for him. not like a made up guy on your screen doing silly stuff solely for your entertainment.

season 2 was also the start of the characters getting love interests instead of storylines, which season 1 never would have *dreamed* of; klaus and dave's tragic romance only served to further klaus's character arc, viktor's creepy boyfriend was actually manipulating him the whole time, five's fractured-psyche-mannequin was a narrative tool to let us see into the head of such an emotionally reticent character, and so on. the romance served the character, but fairly quickly into the show's progression, it felt like the character started serving the romance. five was immune to this curse for a long time due to aidan gallagher's age, which is why he's (for the most part) the best, most consistent character across the show, because they had to use their *imagination* for him and actually *write an arc* instead of falling back on tired romance tropes that any selection of characters could slot into to fill the dead space.

after season 1, the umbrella academy is entertaining, but it doesn't have anything to *say.* which is extremely disappointing when the show initially made such a strong case for what it wanted to be.

[togenabi]

the promised knight

knight!roronoa zoro x princess!reader

♡— after a lifetime apart, zoro finds his way back to you

word count♡— 8.7k (screams into the void)

genre♡— royalty au, childhood friends to strangers to lovers, slow burn bc a lot of things happen, but there's fluff bc I need there to be

content notes♡— fem!reader wears dresses, mentions of death and grief, very plot heavy, kuina and mihawk are here, canon-typical violence, original side characters, no use of y/n, proofread(ish), inaccurate royalty things, inaccurate chemistry/poisons/acids, yes I got the name florentia from ill be the matriarch

also on♡— ao3

author's note♡— quick explanation!: a regent has no right to the throne, they're just someone stepping in temporarily while the next monarch is absent or unable to execute their powers. happy reading!!

Your happiest years were when everyone was together.

Those were the days you’d sneak out of your lessons to go play in the training grounds. You’d find your best friends arguing about something or other, fighting with wooden swords and chasing each other around.

Kuina and Zoro did their best to include you in whatever game they were playing. You found it all good fun, even if you were mostly being rescued or hidden away somewhere. The proud smiles on their faces when they saved you always made the wait for them worth it.

“Why do I have to play the bad guy?” A young Zoro whines, frowning deeply with shoulders slumped. His wooden sword hangs lazily in his hand, pointed to the ground. 

Opposite him, Kuina’s blade was up, stable and correct with proper posture. “Because we agreed I would save the princess today!”

You remember sending Zoro a small smile, trying to reassure him, “You can save me next time, Zoro. I promise.”

Zoro complained, but gave his all acting as a bandit out to rob you. You and Kuina would run into the meadow—hands held in each other’s—squealing and laughing. You’d always end up collapsed together; among the grass and the flowers. They would cheer and scream into the sky, happy that the great knights protected their princess once again.

But that same meadow is now covered with a blanket of melancholy. The colors aren’t as vibrant as they were back then. Flowers no longer bloom like they did. The children’s laughter has been replaced by a deafening silence.

Everything changed when Kuina died.

She was hit by a stray arrow, they said. They called it a tragic accident. 

More sadness only seemed to follow after she was gone. Zoro left without a word, abandoning his training, and you along with it. Your mother, Queen Florentia, passed due to an illness a few months after that. In a blink of an eye, you lost everything back then.

The large doors to your chambers slam shut, breaking you from your train of thought. The thud echoes into every corner before fading into noiselessness once more. 

A maid rushes in, completely out of breath and practically stumbling towards you. “Your Highness!” She gasps. Waving a hand, you gesture for her to calm down.

“Selma,” You pour her some water in a glass. It’s strange to see your personal maid so distressed. “What did you find?”

Practically inhaling the water, she places a hand over her heart before explaining, “You were right, Your Ladyship. The commander informed me that several knights had poison hidden in their quarters.”

Her eyes trail to the glass she’s holding, then to the pitcher. Selma’s face becomes appalled as it sinks in that you had poured her a drink. You cut her off before she can make a fuss about it.

“Never mind all that.” There are more pressing matters than decorum right now. “What else did Mihawk say? Have the knights been apprehended?”

“No, my Lady.” Selma retrieves a transparent vial from her pocket. “The commander said there's a chance the poisons were planted. Trustworthy men could have been framed… He discourages you from trusting any of them at all.”

The vial is small, barely larger than your thumb. To an untrained eye, it looks like nothing is there. You hold it up to the window, letting the sun’s setting rays shine through the glass.

There it is. A near-invisible, lavender sheen in liquid. The queen regent’s signature poison.

“Damn it all.” You sigh, falling into an armchair. 

It’s common knowledge that most of the people are loyal to Queen Regent Cassiopeia. Not to you, the rightful heir to the throne.

Ever since she took the position after your mother’s death, she’s been doing everything in her power to discredit you. Though she's not in the official line of succession, her goal is to become queen by any means necessary.

You’ve only been able to hold on for so long because there are still people loyal to your mother, like Commander Mihawk. However, it will take only one slip up for your standing to collapse. Cassiopeia knows this, and you suspect that she plans to completely ruin you at the upcoming knighting ceremony.

On a paneled wall in your room, encased in an ornate golden frame, hangs a portrait of Queen Florentia. The gold reminds you of the gilded dagger she gave you as a child. 

Subconsciously, your hand moves to rest over your pocket; where the dagger is hidden under your skirt. What would your mother have done in this situation?

You scan the painting as if the image would respond. It doesn’t, but your eyes settle on the necklace she’s wearing. It was her most prized possession, and she had promised to give it to you when you were older, but it’s sadly lost to time.

The vial grows heavy in your fist. Your mother would stop at nothing until Cassiopeia is defeated, so that’s what you’ll set out to do.

“Selma, get me some ink and parchment.” You order, feeling more determined. “I have a plan.”

Dracule Mihawk burned the note as soon as he finished reading it. Your idea was brilliant, if only a little complicated to execute. 

Cassiopeia will demand you choose a personal knight during the ceremony. Assuming all the knights are loyal to the queen regent, none of them would be a safe choice.

So, you asked Mihawk to hire a skilled fighter to pose as a knight. Someone whose loyalty cannot be bought. Immediately, he knew who to recruit. Though he warned you that you might not find the man… agreeable.

“I don’t care.” You replied stubbornly. “I can’t afford to be picky. Just make sure that he won’t kill me in my sleep.”

Mihawk muses that he might be killed by you in his sleep. Because in a shady, run-down tavern, he sits beside a familiar green-haired swordsman nursing a drink at the bar.

“Fancy seeing you here, commander.” Zoro spits out the title in disgust.

“It seems that some things never change.” Mihawk hums. “You’re still in the same place as you were when we last fought.”

“And your legend ends with you kissing up to that false queen.” Disappointment practically drips from his tone.

“And here you are,” There’s an amused glint in the knight commander’s eye. “...still not able to beat me, Roronoa Zoro.”

Zoro’s jaw clenches in frustration. He breathes out deeply, “What do you want, old man?”

“Join my knights.”

Scoffing, Zoro can’t believe his ears. Is this guy serious? “I’m no knight. Not anymore.”

“Are you sure about that?” Mihawk tests. “The princess needs someone not easily dissuaded.”

At the mention of you, Zoro freezes. He squints at the commander as it dawns on him, “You don’t serve that Cassiopeia bitch.”

“Obviously.”

“But why did you become commander only after Queen Florentia died?” Zoro asks. “Everyone thought you were bought off.”

“That’s besides the point.” Mihawk hisses. “I know you’ve been wanting to make it up to the princess. I’m giving you a chance to do that on a silver platter.”

Zoro stays quiet, eyes watching the alcohol ripple in his glass. He’s not drunk enough for this discussion. And he meant what he said, that he’s not a knight. That dream died with Kuina, and he chose to pursue less honorable ways to become stronger.

It’s funny how Mihawk, who was an outlaw, traded his jacket for a suit of armor. And now, he's trying to act righteous. But some things are just—

“It’s not too late to change things.” Mihawk attempts to persuade him, calmer this time. “Something tells me you’ll regret it if you don’t.”

Shaking his head, Zoro can’t believe this man is talking like he knows him. “What do you know about regret?”

When the commander doesn’t respond, Zoro turns to see Mihawk’s face, a grave expression marks his features.

“I know far too much, I’m afraid.”

Zoro studies him for a moment longer, curious as to what he meant—but he doesn’t dare ask. Only an idiot would test Dracule Mihawk. 

This master swordsman, whom he’s looked up to for so many years, has changed drastically. Perhaps everyone has. It makes Zoro wonder how much you might’ve changed in the years he’s been gone.

You. He’s—there’s so much he wants to say. So much he wants to ask… but does he have the right to? 

Who is he kidding? He doesn’t. 

And yet, Zoro can’t help but wonder if he passes on this opportunity and regrets it, would he spend the rest of his life wishing he could make up for it?

After downing his drink, Zoro slams the glass on the bar counter.

“What do I need to do?”

Selma assists you with your hair and makeup on the day of the ceremony. She’s practically buzzing as she flutters around you. It’s nice that she’s still enthusiastic about things like these, even when dangers lurk in the shadows.

“You look stunning, Your Ladyship!” She gushes, adjusting the different layers of your dress so that it falls on you perfectly. “A vision, you are. Just like Queen Florentia.”

“Thank you.” You respond gratefully, despite not feeling as sure and confident as your mother was. Would that change, if you were to become queen?

A knock sounds on your door. Selma rushes to answer it, and lets Mihawk into your chambers. He steps in, but remains by the entryway.

“You look lovely, princess.” The commander bows to you in greeting. “I was instructed to escort you once you’re ready.”

Nodding, you approach him and hold onto his arm. “Let us be on our way.”

Keeping your face carefully neutral, you whisper to Mihawk under your breath, “Will you really not let me know the knight’s name? How am I supposed to know who to appoint?”

“You’ll know.” Mihawk pats your hand reassuringly. “Without a doubt, you’ll know. I just hope you’re not too hard on him.”

You side-eye him. “He’s not a convict or something, is he?”

Mihawk presses his mouth shut. This bastard, is he trying not to laugh? “You might actually prefer a convict over him.” 

That pulls a frown out of you that you cannot contain. What on earth is that supposed to mean? Is the man that bad? How are you supposed to mentally prepare with such vague warnings?

All thoughts of the mystery knight fade into the back of your mind, however, when you and Mihawk make your entrance at the throne room. 

The extravagant hall is decorated to the nines. Flags of different family crests hang from the ceiling. Flowers bloom at every window sill. You smile at it all, at your people—but it fails to reach your eyes. It’s difficult to truly smile when Cassiopeia stands dangerously close to your mother’s throne.

You curtsy when you reach the steps, one hand still on Mihawk’s arm as the fabric of your skirt dips onto the floor. You hear murmurs of approval from the ministers in the front row, pleased to see the good relationship between the princess and queen regent.

But they don’t see through your gloves, how your grip on your skirt is tense and far too tight. They don’t see how Cassiopeia’s smile is truly a smirk when you lower your head to her.

“Lovely to have you here, darling.” She says, and you fight the urge to laugh. ‘Lovely’ would be if she accepted her place and let go of her greed. 

Mihawk guides you to the smaller throne on the left. This has been your seat since you were born. If Cassiopeia had her way, it would be your seat until the end of your days.

She glides to the center of the dais, the train of her excessive dress flows like a river after her. She stands; graceful, powerful and smiling—but she will never be happy until she can sit on the throne and wear your mother’s crown.

Whatever it takes, you will find a way to stop her.

“Welcome to the long-awaited knighting ceremony.” Cassiopeia addresses the audience. “It is an honor to have the kingdom’s finest pledge to serve and protect us.”

The ceremony proceeds to speeches from several dignitaries. Mihawk delivers a short yet intense declamation about the knightage being the greatest honor; and hands the queen regent an elaborate, bejeweled sword.

“These warriors before us today are hereby called forward to receive Knighthood. The kingdom will forever be grateful for your service.” Cassiopeia proclaims.

Attentively observing the knights lined up, you keep an eye out for the one Mihawk recruited for you. One at a time, Cassiopeia announces their name before tapping their shoulders with the ornamental blade.

You grow restless as the line dwindles. Frustrated, you throw questioning looks at the commander’s direction. He skillfully avoids your gaze. The nerve.

When only about five men are left, you begin to study them all and weigh your options. Perhaps you should pick someone with a smaller build, so that you can have a better chance of escaping? You also spotted someone who appeared clumsy. If you were to outsmart him, your odds of surviving weren’t so bleak.

But then—dramatically, as if in slow motion—the great doors to the throne room opened with a loud, booming sound. Everyone turned as light poured into the hall.

A swordsman makes his entrance. His armor is unassuming, but the three blades at his side demand attention. He wears a helmet over his head, but even after so much time, you’d know those eyes anywhere.

Mihawk was right. You would have preferred a convict—or maybe some rogue, or a thief who would rob you blind. You would have preferred anyone over Roronoa Zoro.

You thought you’d never see him again, but he’s here, marching towards the end of the line. You gape at him, feeling too many emotions all at once. Why is he here? Why now?

Mihawk intercepts Cassiopeia before she can question Zoro’s identity. “Forgive me, queen regent. This young man ran late due to an errand I sent him out on.” 

How brilliant of him. Cassiopeia hates unexpected interruptions, but would never express her frustrations openly with so many people watching.

It’s amusing to see her grin and bear it. “That’s… quite alright, commander. I’m glad he made it before the end of the ceremony.”

When only Zoro remains to be appointed, you stand and call for the queen regent’s attention.

“Should he accept, this man shall be my personal knight.” You declare as Zoro’s gaze meets yours.

“What of your decision, knight?” Cassiopeia asks. Zoro nods, and the queen regent’s gaze sharpens. She understands that something is amiss, but passes the decorated blade to you without a word.

Back when you were children, you used to dream of this moment together. Kuina and Zoro would kneel before you on the grass beneath a shining sun, pledging their unwavering loyalty as you tap their shoulders with a stick.

You’re no longer children, but as Zoro kneels before you now, you still feel like a child all the same. Your clothes feel too big. The throne room is too vast; the ceiling too high. The sword is too heavy in your hands as you raise it.

“Roronoa Zoro. I hereby dub thee into the honorable order of knights as my chosen protector.” The blade lands on his shoulder—his right first, then the other. You pray to the stars that no one notices your hold quivering.

“Arise, Sir Zoro, and be recognized.”

You’re no longer children, but you’re still here. Playing a different sort of game.

Mihawk, the wise man that he is, makes himself scarce after the ceremony. You’re left to awkwardly journey back to your chambers with Zoro in tow. He doesn’t speak a word the entire time, but you can feel his eyes burning a hole through the back of your head. 

Selma is there when you get back, your usual afternoon refreshments prepared. She approaches you, but stops short when she sees Zoro.

“Leave us.” You tell her. She obeys, albeit reluctantly—looking back over her shoulder more than once as she exits.

After the door closes shut, the outside world feels a million miles away; making the air feel tense. You hastily take off your gloves, the fabric suddenly feels constricting against your skin. Every fiber of your being wants to scream at him.

Roronoa Zoro. Your best friend who had left all those years ago. You don’t even know where to start. 

Maybe throwing something at him will make you feel better. 

You throw one of your gloves. The fabric hits his chest before falling pathetically. 

“Seriously?” Zoro frowns at you, unimpressed. You throw the other one. It meets the same fate.

Grumbling under his breath, Zoro takes off his helmet. It vexes you how you subconsciously hold your breath until you see his face.

You huff skeptically, “Why are you here?”

“Mihawk said you needed help.” He answers with a shrug, causing his armor clink. 

After a breath, he speaks cautiously, “I didn’t know things had gotten this bad.”

“How could you have known?” You bite back, “You left, Zoro.”

In a sense, you understand why Mihawk chose him. You asked for someone who wouldn’t kill you in your sleep, and Zoro—at least, the one you knew—definitely wouldn’t.

Some (rational) part of your brain is telling you to keep quiet and accept his help. With Cassiopeia planning a mutiny, time is something you don’t have a lot of. 

But your heart still feels angry and hurt when you see his—stupidly handsome—face. The years just had to treat him well, didn’t they?

“I’m thankful for your help,” You admit disgruntledly. “But I’m not happy about it.”

Zoro calls your name. It makes your heart ache a bit, but you hold a hand up to silence him. 

“Please, just—I need time to process this, Zoro.” Turning away from the knight, your eyes find the window. The sunset paints the meadow in deep oranges and blues. It doesn’t make you feel any better.

“...We’ll talk tomorrow.” You promise, your tiredness evident from your tone.

Zoro lingers, hesitating. But he doesn’t push you. You hear his armor shift as he bows before he leaves.

That night, Zoro stands guard outside your door. It’s good that no one else is around, it allows him to think in peace. About you.

The last time Zoro saw you, you were a small thing, getting dirt on the edge of your skirt. When he saw you today, sullying even the path you walked on felt like a crime. 

He knew you would be mad. He had prepared himself to be yelled at. Maybe he thought you would cry. How much you went through didn’t really sink in until he saw how exhausted you were. 

All the things he wanted to say, every apology and excuse, fade into nothing. The first thing he wants to tell you is how thankful he is that you’re still alive. It doesn’t matter that you stay mad at him forever, he’ll protect you for just as long.

Footsteps sound through the dim hallway. Zoro rests a hand on his blades, ready to fight back anyone who poses a threat. A knight he’s not acquainted with approaches, his steps staggering just a bit. The man carries a bottle of alcohol.

“Hey! New guy!” The stranger bellows. “This ’ere is a little something we prepared for ya, since yous didn’t eat dinner with us.” Zoro makes a mental note that they’ve been watching him.

“Take it, take it.” The knight tries to shove the bottle into Zoro’s hands. At the last second, Zoro spots a knife the man hides behind his back.

Quick on his feet, Zoro jabs the man’s neck, causing him to stumble. The knight charges at him, but Zoro effortlessly dodges. Grabbing the knight’s shoulder, Zoro slams his head onto the stone wall.

The bottle clatters to the floor as his opponent collapses, looking up at him in fear. Picking up the glass, Zoro sniffs at its contents. It’s laced with some sort of sedative. 

Zoro pries the knight’s jaw open before pouring the drugged beverage into his mouth. The amber liquid spills. The man coughs, gurgling and struggling in vain until he slumps onto the ground.

Observing the bottle inquisitively, Zoro shakes his head before dropping it again. What kind of amateurish attempt was this? Is the queen regent testing his skills? 

If anything, all this managed to do was—Zoro starts, turning to your door in alarm—…divert his attention.

Not a second later, he kicks down your door. The elaborately carved wood falls from its hinges, dust clouds billow once it crashes on the previously spotless tiles of your room.

You’re fighting off three large strangers clad in black, a dagger in your hand. Zoro tries not to think about how your eyes softened in relief when they landed on him as he cuts down one of the intruders. Maybe you still care for him a little.

“Took you long enough!” Or not.

“I’m here now, aren’t I?” He grunts back, slashing his sword at someone charging towards you. Zoro only realizes the deeper meaning to his words when you make a face. 

“Don’t make being late a habit, Zoro!” Stabbing an intruder’s side, you quip at him, “You and your dramatic entrances, I swear.”

Zoro bites back a grin. He missed you more than you’ll ever know. 

After taking down one of the intruders, you hide in your wardrobe as Zoro deals with the rest.

It would be smart to lock the door. Barricade it, so that no one can get to you on the off chance Zoro is defeated. But you don’t. You keep the door ajar to watch everything unfold. The way he fights is a captivating sight.

Look at him. Your knight in lackluster armor. Protecting you like how you always talked about as kids. He’s wielding two blades, one for each perpetrator still standing. You blink in surprise when you make out the third, sheathed blade. Kuina’s.

The more you examine him, the more you see how different he seems. He carries himself more confidently, unlike that boy who whined about roles, responsibilities and challenges. 

You also see how gruff he’s become. He’s grown stronger, for sure, but you get the sense that he’s closed himself off from the world. Perhaps the years weren’t as kind to him as you'd thought.

The last intruder lets out a pitiful cry as Zoro knocks him unconscious.

“I’ll tie them up and let Mihawk deal with them in the morning.” Zoro says, pausing to breathe for a moment before dragging the men out by their feet.

Emerging from your wardrobe, you become dismayed at the sight of your room in such a state. “Did you really have to kick down the door?” You groan.

Surprisingly, Zoro blanks, appearing sheepish. “...I didn’t know it would break like that. I just—you should get a damn better door.” He mumbles, heaving the doors up and resting them against the wall outside.

When he comes back from restraining the intruders, he stands before you awkwardly—like he doesn’t know what to do when he’s not fighting or cleaning up bodies.

No one says anything. You both just take each other in, not completely recognizing the person that looks back.

You don’t feel so angry at him anymore. When all’s said and done, everyone has different ways of dealing with grief. Your heart only grows conflicted, wishing you had been there for each other instead of being apart. Goodness knows you could have used someone by your side. You’re sure he did as well.

“I—” Zoro falters. “...I’m glad you’re okay.”

‘Okay’ isn’t how you would describe your current state, but you nod anyway. 

“You too, Zoro.”

In a secluded alcove in the royal gardens the following afternoon, you invite Mihawk for tea on the pretense of thanking him for your newly sworn knight. The story that spread was that you would have been done for were it not for Zoro. You don’t want to think about how true that might be.

“The queen regent is furious you were able to secure a knight loyal to you.” Mihawk informs you as he helps himself to some pastries. “We should avoid meeting for a while, lest she suspect anything of me.”

“Alright.” You agree. “Selma also informed me that we can gather statements from mistreated staff.” You show Mihawk a list of names. “If enough of them support us, and if we can prove Cassiopeia orchestrated what happened last night… We can take her down.”

“She will be busy attending a gala this evening. I’ll make sure no one is near her office while she’s gone.” Mihawk turns to Zoro, who is standing guard behind you, sending him a fearsome look. “Those men got a tad too close last night—”

“Mihawk.” You warn him to drop it. He doesn’t.

“Ensure that it doesn’t happen again, young man.” 

“It won’t.” Zoro replies icily. The commander only huffs in response. 

‘It won't happen.’, he said. But trouble finds you when Zoro steps on a tripwire in Cassiopeia's office. Arrows soar, launching from scattered, hidden contraptions. Zoro shoves you into a bookshelf, covering your frame with his.

“So much for her not finding out we were here.” You remark sarcastically, waiting for him to step back.

But then, as they cage your head, Zoro’s arms tense up. His expression contorts in discomfort.

“...Zoro?” Raising your hands, you cradle the sides of his face.

“Damn arrows,” He growls. “I think they’re poisoned.”

“What?!” You gasp, ducking under his arm to check his back. You find a wound where an arrow grazed his skin. “Of course you get injured when you don’t wear your armor.”

“Why don’t you try sneaking around in that thing, then?” Zoro argues, but you’re startled when the wound begins to bleed.

“We need to get you treated.” Panicking, you grab his arm and pull him along. He doesn’t budge. “Zoro, we should go.”

“No.” He refuses, hissing in pain all the while. “That bitch won’t let us find a way in here again. Let’s just be quick.”

“...Fine.” You cave, still worried, hating that he’s right. “At least stay still, search the desk. I’ll handle everything else.”

Zoro relents, opening every drawer and scanning every document in them. You turn your attention to the shelves, trying to find hidden compartments or anything that looks remotely suspicious.

It's not long before a loud crash makes you wince. Zoro found something.

A panel beneath the desk detaches, revealing an ornate box. Studying it, you hum, “It looks like we’ll need a key.” Zoro unsheathes one of his blades, cutting through the lock until it cracks open. 

You shake your head. “Or we could do that, sure.”

However, instead of the nefarious plans or blueprints you were hoping for, you find old papers. All of them yellowing with age. 

“It’s your handwriting.” Zoro points out, picking up the first document.

“What?” You lean in, reading the file over his shoulder. It’s a letter written to acknowledge a transfer of money. But the amount is astronomical, and you don’t remember signing anything of the sort.

“Look at the date.” Pointing to the corner, it reads more than ten years ago. And then it clicks, “My mother wrote this.”

“There’s more than one.” Zoro sifts through the papers, counting over ten.

“All of them are addressed to… Shimotsuki Koushirou?” He reads the name slowly. You look at each other, confused. Why would Queen Florentia be sending payments to Kuina’s father?

A tall longcase clock chimes to signal the hour. If you clean up now and review the evidence later, you can make it look like you were never here. You instruct Zoro to pack up the box.

“We should head out soon.” You say, moving to pick up the arrows scattered on the floor. 

“Be careful.” Zoro reminds you.

“I am.” You show him that you’re holding the arrows by their tail ends. “You can go ahead, if you want. Get that wound treated.”

“Do you really think I would leave you?” You can’t help the incredulous look you send his way. 

“...Forget I said anything.”

Back in your chambers, you twirl an arrow you decided to keep as evidence while examining the documents sprawled out on your carpet. 

Zoro grabs it from your hand. “I thought I told you to be careful with that.”

You think aloud as he sets the arrow to the side, “I just can’t figure out why my mother gave Koushirou so much money.”

“Maybe she felt bad about the accident.” Your swordsman suggests. “We all did.”

“But why did she have to keep it quiet…” Mumbling in thought, you read the last receipt Queen Florentia signed. It had been penned the week of her death.

The sky grows darker, and it becomes more difficult to see. Zoro strikes a match to light a few candles, bathing the room in a subtle, warm light.

Beneath the dim, flickering flames, the sharp arrow on your tea table glints ominously. 

It took you a long while to get over spacing out whenever you saw an arrow. It was one of the things that affected you after Kuina’s passing.

Sometimes, you think of how much better everything would be if she was still here. If it weren’t for that—

…accident?

“Zoro?” Your voice is unsteady, “...What do you remember about Kuina’s death?”

“It was some new guy at the training grounds.” He answers, frowning as he recalls what happened. “He misfired, and his knighthood got revoked after that.”

“But,” Memories come flooding back as you try to piece things together. “If the archers were practicing that day, what was Kuina doing in the grounds?”

“Kuina wasn’t in the grounds.” Zoro corrects you. “She was in that meadow we always went to.” 

He points to the view outside, raising a finger to trace the horizon. “The arrow flew through the fence, but it was really dangerous, even—” 

Zoro turns back to you with wide eyes. “Even the queen was almost hit! Holy shit, she was there to observe that day.” 

You blink at him in disbelief, “My mother was the real target.”

“And she didn’t want the culprit to know she realized, which is why she kept quiet about the money.” 

You collapse into a chair as you run your hands over your head. “Did anyone ever check the arrow for poison?”

“No.” Zoro’s face crumples. “She was hit straight in the heart... She wouldn’t have made it even if it wasn’t poisoned.”

“Oh, Kuina…” You choke back a sob, covering your face with both hands. “I’m so sorry it took us this long.”

“Wait.” Zoro calls out your name, taking your hand and kneeling in front of you. The strength of his grip hurts, but you don’t mind it. You need to feel that he’s with you right now; especially when his next question makes your heart fall through the floor.

“How did your mother die?” 

“She—she got sick. A lot of our people got sick that year.” You answer shakily, not liking where this is going. “Do you think…”

“Queen Florentia could have been poisoned.” Zoro whispers. “And I bet that fake bitch was responsible for it. For Kuina’s death too.”

“That doesn’t make any sense.” You counter, “Cassiopeia deals with poisons, sure, but she wasn’t even in the kingdom yet then.” 

“...Someone must have betrayed your mother so Cassiopeia could be queen regent.” He suggests, rubbing circles into your palm. “Because isn’t it convenient, how she was there to bring the people together after Her Majesty died?”

It’s confusing how the world seems to have slowed down, and yet your mind is spinning so quickly, you can’t process anything. You squeeze Zoro’s hand to anchor you, but you shatter all the same. 

“I hate everything.” You cry, tears streaming down your face. “I hate how I didn’t know—but we were kids! How were we supposed to know? And, I hate feeling so powerless. What—how, are we going to fix this?”

“We’ll find a way, I promise.” Zoro moves to embrace your form, but you glare at him.

“You. I hate you too.” You push him away weakly, but he doesn’t let you go. “I—I hate that you left, Zoro… You have no idea how lost I was.”

His eyes glisten with tears. “I was lost without you too.”

Zoro feels you melt into his arms. Your strength just vanishes, and you slump forward until your forehead touches his.

“...Don’t leave me then.” You whisper. You beg.

He holds your cheek, wiping your tears with his thumb. “Never.”

The last thing you remember before falling asleep is Zoro pressing the softest kiss to your temple as he tucks you in bed.

Selma barges in the next morning, slamming the (newly repaired) doors open. As you rub the sleep from your eyes, you’re starting to feel sad for the abuse your doors have been going through lately.

“Princess! Your Ladyship! Your Highness—” She stops abruptly, covering her mouth, looking scandalized. What is she so flabbergasted by—

Only then do you see Zoro sleeping on the floor beside you. He’s leaning on the bed, using his forearms as a pillow. One of his hands is intertwined tightly with yours.

“Your Highness!” Selma gasps playfully, gesturing to your mother’s portrait. “Right in front of Her Majesty!”

“Selma,” You sit up, letting go of Zoro’s hand. “Did you have anything important to report?”

“Ah!” She exclaims, face becoming worried once more, “The commander has been imprisoned!”

You curse, shaking Zoro’s shoulder to wake him. “Couldn’t you have told me that first?”

“Forgive me, princess. It’s not everyday I see you holding hands with a man. May I ask who confessed first, Your Highness?”

“Oh my god, Selma.” You groan. “Just go prepare my clothes.”

“Shall I dress you, or will Sir Zoro—”

“Selma!”

If Zoro heard any of Selma’s ramblings, he’s excellent at hiding it. You both get ready in record time. After which, he leads the way to the dungeons; careful to make sure you don’t run into anyone. 

“We can sneak him out through that secret passage we used to play in.” You whisper, your knight nods. 

“When we get to him, break the lock with your dagger. I’ll stand guard in case someone comes over.”

But someone already beat you to Mihawk’s cell. Zoro pulls you into a shadowed corner to hide.

The queen regent paces in front of the bars, her extravagant dress and cape out of place in this gloomy dungeon. 

Mihawk is on the ground, his wrists chained with heavy shackles. Yoru is noticeably missing from his back. Seeing him like this is heartbreaking.

“I should have known you’d help that wench.” Cassiopeia sneers. “You’ll regret not siding with me soon enough, Dracule.”

“Now that you’ve found me out, I can finally ask you to stop calling me that.” Mihawk yawns. “My name always sounded revolting in your voice.” Crazy bastard, will it kill him to try to stay alive?

“But Florentia called you that, didn’t she?” 

Zoro squints at how something about Mihawk changes at the mention of your mother. It’s almost imperceptible, but the air shifts dangerously. The queen regent should watch her mouth.

“Her name sounds revolting in your voice too.”

Cassiopeia scoffs. “You’re just like her. Thinking you’re better than everyone else.”

“Aren’t you talking about yourself?” Mihawk leans back, crossing his legs. “That’s not a good habit, Cassie.”

The queen regent kicks the cell. Mihawk doesn't flinch as she snarls, “I’ll deal with the princess and that knight... I’ll make you watch as the light fades from their eyes.” Gathering her skirt, her heels clack loudly as she stomps away.

As soon as she’s out of earshot, you and Zoro run to the commander.

“Mihawk!” You call out as you stab the lock with your dagger. It crumbles to the ground after a few strikes. “What happened? What did she charge you with?”

“Treason, apparently.” He shrugs, the chains holding him rattling together.

Mihawk goes on as you break his shackles, “This kingdom should be grateful we’re trying at all. We could easily leave them to their own devices—” You frown at him. 

“...But of course, we won’t do that.”

Sneaking into the library, you regroup with Selma; who passes on vital information.

“The queen regent has the palace on lockdown. Everyone has orders to take you in.” She tells you. “But I’ve rallied the staff. We're going to plead your case to the ministers, Your Highness.”

“Thank you. Do you have my mother's letters?” She nods. “Good. Use them well. I'll make sure your efforts will not go to waste.” You say, giving her hands a firm squeeze. 

“Where’s that fake queen now?” Zoro looks eager for a fight.

“One of the butlers said that the queen regent disappears sometimes, and no one knows where she goes.” Selma explains, passing you a note from her source. “There are rumors that she smells like grass when she returns.”

Mihawk lets out a disbelieving laugh, “She must be at the secret garden.”

“The what?” You ask. That sounds exactly like something you would have loved as a child, but why haven’t you heard of it before?

“It’s a place reserved for queens. Only crowned monarchs should be allowed in there, or even know where it is.” He says. “That woman truly doesn’t know her place.”

“Why do you know about it?” Zoro asks.

After a pause, the older swordsman deflects, “I’ve been called a queen once.”

“Mihawk,” You urge him to be serious. “Can you take us there?”

Before he responds, Mihawk looks at you with something you can’t fully discern, as if he’s recalling an old memory.

“Of course. It’s your birthright, after all.”

The entrance to the secret garden is hidden in a passageway beneath the greenhouse. You imagine your mother walking along this path, to a sanctuary she could truly call her own.

But the vision darkens when you think of how Cassiopeia has been using the space all this time. You hope you're still able to recognize traces of your mother when you get there.

An iron gate stands at the end of the path. Vines tangle through the metal spirals and flowers. Mihawk holds a finger to his lips, carefully opening the gates without a sound except for the rustling of leaves. You all crouch behind a large plant that fans out, over your heads.

And then, you see it. You see what your mother left for you.

The centerpiece of the garden is an intricate pedestal, Yoru is propped up against it. On top of it, however, is a glass case displaying your mother’s most treasured golden necklace.

You almost want to run to it, but Zoro grabs your arm, warning you not to take another step. He nods towards where Cassiopeia stands in front of oddly shaped vials and strange devices containing diff chemicals. She douses a sword with an eerie purple liquid as she speaks.

“Three against one... That hardly seems fair.” She kisses her teeth. Looking over her shoulder, she glares. “Why don’t we fight on even ground?”

Out of nowhere, a large cage falls towards the three of you. Mihawk pushes you and Zoro out of the way, but isn’t able to avoid the cage himself.

“And I just escaped. What a shame.” Mihawk fusses, but you can see that he’s relieved you’re alright.

“Maybe you’re meant to be in a cell, Dracule.” Cassiopeia remarks. “I’ll have your kids join you shortly.”

There’s only one of her, this should be easy, right?

She throws a bottle at you. Luckily, you’re able to dodge it. The bottle shatters, its contents spilling over the bystanding greenery. The liquid turns out to be acid, burning through the foliage and leaving a smoky trail. 

Well, fuck.

Zoro also seems to realize how serious this fight is. For the first time since you’ve reunited, he unsheathes Kuina’s sword, placing the hilt in his mouth.

You brandish your dagger as you yell, “Really? You bite it? What would Kuina say?” He sends you a look. You try not to laugh.

And in the next second, you charge at Cassiopeia together.

It’s difficult to get close enough to land a hit. The queen regent leads you in a dance of acids and poisons. You dodge one bottle only to be met with the toxic end of her blade. It seems that your mother’s dagger won’t be enough in this fight.

“I didn't get this far to be stopped by the likes of you!” Shrieking, she lunges at you.

“You will never be queen!” You roar back.

Behind her, your eyes spot Yoru leaning on the pedestal. The blade is large and intimidating, and you’re not entirely sure if you can wield it correctly… But you might not have a choice right now.

As you were distracted, Cassiopeia’s sword almost cuts through your side. Panicking, you stumble backwards. Zoro slashes at your enemy’s wrist. Her hold on the poisoned weapon falters. It plummets with a clang.

While she’s occupied with Zoro, you rush towards Yoru. From behind the bars, Mihawk watches, holding his breath as you wrap both hands around Yoru’s hilt—but the damn thing is too heavy. 

“Dear princess, you should have learned from your mother!” Cassiopeia smashes a bottle on Zoro’s head. “Stop sticking your nose where it doesn't belong!”

The glass explodes into countless glittering shards. A red gas escapes into the air, and your knight inhales far too much of it.

He falls, and for that moment, the entire rest of the world vanishes until all you see is him. Your ears start to ring. His grip loosens on his swords. 

No. Please. Not him. Not anyone else. No more.

Mihawk calls your name. You turn to him, on the verge of breaking down. But then, he nods once, slowly. The action reminds you to breathe—filling you with an overwhelming sense of strength. You can do this.

Screaming, you attempt to brandish Yoru again. 

You swing the legendary greatsword in a perfect arc. Once it collides with the ground, the air ripples. Power surges through an invisible force headed straight for the queen regent. She tries to run, but the hit lands.

Her eyes don’t stray from yours as she collapses. In her final moments, she falls from grace, howling in agony and rage. 

As a last ditch attempt, she throws one last vial of acid at Zoro. You’re about to curse the world all over again as you run to stop it.

Mihawk throws a tiny sword like a dart, miraculously breaking the container before it lands on your knight. Your knees give out, and you pull Zoro into your arms as you gasp for air.

It’s done.

Zoro wakes up to the feeling of you checking his temperature. Your hand is warm against his forehead, making him want to reach up and hold it. He should probably wake up and check on you now.

“Oh.” He hears Mihawk speak, “I didn’t realize your relationship took a certain… turn.”

On second thought, another minute of sleep won’t hurt.

“Not you too, Mihawk.” You groan. “I get enough of that from Selma.”

“Ah, yes. I heard.” The swordsman deadpans, “Hand holding. How scandalous.”

“Alright, if you’re not going to be of any help whatsoever, please just go.”

“If you wanted time alone with him, you could have just said so.”

“Goodbye, Mihawk.”

Zoro hears you escort Mihawk out, and he takes the moment alone to open his eyes. He’s in his quarters, which is a few doors down from yours so that he can easily get to you. 

Not that he stays here often, Zoro prefers standing guard outside your chambers. It’s strange how he lasted years without seeing you, because now that you’re back in each other’s lives, he becomes restless whenever you’re not around. 

Like right now. What’s taking you so long?

The door opens. Zoro perks up, but deflates when he sees that it’s Selma bringing in a pitcher of water. 

“You could’ve at least hidden your disappointment better, Sir Zoro.” She huffs at him, taking full offense. “I’ll go get your princess.”

“Oh!” She yelps excitedly, “My bad, it’s queen anointed now, isn’t it?”

Zoro smiles, his voice raspy with sleep, “That has a nice ring to it.”

“Indeed, it does.” Selma nods, bidding him farewell. 

He doesn’t have to wait long to hear your rushing footsteps. The door opens again to reveal you, this time. Your eyes shine in that really pretty way they do when you’re happy. He’s glad that’s among the things that didn’t change.

Zoro opens his arms, inviting you, “Come here.”

Not needing to be told twice, you fall into his arms, burying your face in his chest.

“You’re okay.” You murmur.

“I wasn’t about to miss your coronation, Your Majesty.” Zoro pokes your nose. He did that a lot when you were kids, you forgot how much you liked it.

“Thank you for being okay.” Leaning down, you kiss his cheek softly.

Zoro brushes his fingers through your hair. He holds your face in his hands, tracing your features as if that will help him memorize the happiness he feels in his heart. The sort of happiness he thought was lost to him forever.

“Hey,” Zoro speaks your name with care. “I love you a lot, you know.”

He always envisioned confessing to you in some dramatic, elaborate way that you’d deserve. There could have been a beautiful sunset. He would’ve brought flowers.

But he was wrong. All he needs are the words themselves, and you—smiling the way you’re smiling at him now. 

You laugh, “I might love you more, I think.”

Zoro shakes his head, sitting up so that he can bring his face to yours properly. “Doubt it.”

The kiss tastes like magic, like you were always meant to find each other's lips. His heart starts doing something funny, and he has to pull you closer—hold you tighter. You respond eagerly, kissing him back so intoxicatingly that he’ll remember the softness of your lips for as long as he lives.

Later that week, your coronation is a grand and extravagant affair.

When Cassiopeia's misdeeds came to light, the people banded together to celebrate her downfall. Those loyal to her either surrendered or tried to escape. Although none of them were able to get away, since Zoro and Mihawk were ruthless towards those involved in the attempted mutiny.

The crown on your head will take some to get used to. It still feels like you're borrowing something of your mother's; but instead of shying away from it like you had before, you step into it openly. You're ready to become a successor worthy to carry on her legacy of kindness and strength.

Uncharted these waters may be, at least you have Zoro now, who would dive into any perilous sea right after you.

Escaping the celebratory banquet and the revelries, you visit Queen Florentia and Kuina's graves with Zoro. It's only right that you pay respects together.

You leave flowers on your mother's headstone, thanking her for everything she did. You're startled when Zoro takes one of his swords, holding it in front of him as he kneels in front of the previous queen.

“Your Majesty, Queen Florentia,” He speaks, his tone steady and sure. “I, Roronoa Zoro, vow to never leave your daughter’s side. I will protect her until I draw my last breath. I swear to cherish her, and to love her even in my next life.”

What is he doing, making you cry like this? It turns out that emotional boy you knew is still somewhere in there. Your heart feels full, knowing your mother would have appreciated the gesture.

As you're about to move on to Kuina's grave, Zoro motions for you to go ahead without him. You look at him strangely, but do as he says to give him some space. 

Mihawk emerges from the treeline when you've gone far enough.

“You look like you’re about to leave without saying goodbye.” Zoro remarks.

“Of course you’d know how that works, hm?” Mihawk challenges, raising a sharp brow. “Try even thinking about leaving and I’ll return to make sure it’s your last thought."

“Didn't you just hear the oath I made to the love of your life?” Zoro turns to Florentia's tombstone again. “Your Majesty, back me up here.”

“She would have approved of you.” Mihawk’s frown is unimpressed, but his gaze is unmistakably caring. 

“...Take care of her, Zoro.”

“Of course. I promise.”

As Mihawk walks away, Zoro asks him one last question, “How are your regrets now, old man?”

The former commander’s shoulders shake in a mixture of amusement and relief. “I suspect they'll heal, with time.”

When Zoro catches up to you at Kuina's grave, you're grinning at him. He can picture that same grin on Kuina's face if she were here. 

“We were just talking about you.” You jest, “All bad things, too.”

“You had nothing to talk about, then.” Zoro sits on the grass beside you. “I’m perfect for you.”

Appalled, you scoff and turn to Kuina's headstone. “Can you believe this guy?”

That day, you talked for hours, even after the sun had set. And on the trek back to the palace, a soft breeze caressed your skin. It felt like Kuina encouraging you, sending you off onto the next chapter of your lives.

Zoro becomes Captain of the Royal Guard once Mihawk leaves. He's teaching you about weapons and self defense when he picks up your dagger to inspect it, turning it this way and that curiously.

“Is there something wrong with it?” You ask, observing it too.

“This pattern and material.” Zoro says, tracing a certain swirl on the weapon. “I feel like I've seen it before.”

“Ah,” He says in realization, tracing a finger down your neck and making you shiver. “It’s the pattern on your necklace.”

“My mother must have had them made together.” You say, unclasping the chain before handing it to him.

There's a gap in the center of the pendant. Thin and barely noticeable, but it looks like it can be opened by something sharp.

“Do you mind if I,” Zoro gestures at the dagger.

“Just don't break it.” You say. “Treat it like my heart.”

Zoro makes a face that pulls a laugh out of you. “I would never do this to your heart.” Aw. You might have melted a little.

The tip of the blade slots perfectly into the pendant. After twisting it slowly like a key, the metal clicks to reveal: a locket.

Handing it over to you carefully, Zoro lets you open it the rest of the way. Inside, there are images drawn on two panels. You, as a child on one side… and Mihawk on the other. Now you understand why your mother treasured this so much. Tearing up, you sigh.

“You’re not surprised.” Zoro notes.

“...I think a part of me always knew.” You respond. “And, I definitely felt something when I held Yoru. No wonder why.”

Treading carefully, Zoro wraps his arms around your waist as he asks, “You’re not upset that he left?”

“But he didn’t. He’ll always be there for me, and so will you.” You smile up at him. “I’m happy I found my family again.”

Many years ago…

The grass on the meadow bristles gently in the wind. Dusk bathes the land in a dreamy, gold and purple hue. 

After a day filled with imaginary adventures, two children wave their dearest friend goodbye. The princess smiles at them fondly before returning to the castle.

Kuina grins, face eager as she points her training sword to the sky. “I’ll be her knight someday. I’ll be commander and everything.”

Zoro jolts, immediately expressing in protest, “No, I’ll be the one to protect her! I’ll be commander!”

“Oh yeah?” The girl’s smile turns knowing. She pokes Zoro’s waist with her sword. “How will you do that? Aren’t you going to marry her?”

Stunned, Zoro can only stare at her in response. A blush creeps up his neck, reddening the tips of his ears. Kuina seizes the opportunity to make a run for it.

“Princess, wait up! Zoro wants to tell you something!”

“Kuina! Get back here!”

read the companion piece / my notes / the timeline of this story (in mihawk's perspective) here : "the taste of ale"

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tags: @songsofadelaide-archive @ay0nha @amitydoodlez @sweetexistentialism @murnsondock @starszns @msmisasoup @writingmysanity @hotchocolattee @dimplewonie @hearts4zoro @kenkenmaaa @appalost @commanderfreethatdust @onebatch--twobatch @rebeccawinters @gunslxtz @akakaze @lownna