one of the things about being an educator is that you hear what parents want their kids to be able to do a lot. they want their kid to be an astronaut or a ballerina or a politician. they want them to get off that damn phone. be better about socializing. stop spending so much time indoors. learn to control their own temper. to just "fucking listen", which means to be obedient.
one of the things i learned in my pedagogy classes is that it's almost always easier to roleplay how you want someone to act. it's almost always easier to explain why a rule exists, rather than simply setting the rule and demanding adherence.
i want my kids to be kind. i want them to ask me what book they should read next, and i want to read that book with them so we can discuss it. i want my kid to be able to tell me hey that hurt my feelings without worrying i'll punish them. i want my kid to be proud of small things and come running up to me to tell me about them. i want them to say "nah, i get why this rule exists, but i get to hate it" and know that i don't need them to be grateful-for-the-roof-overhead while washing the dishes. i want them to teach me things. i want them to say - this isn't safe. i'm calling my mom and getting out of this. i want them to hear me apologize when i do fuck up; and i want them to want to come home.
the other day a parent was telling me she didn't understand why her kid "just got so angry." this woman had flown off the handle at me.
my dad - traditional catholic that he is - resents my sentiment of "gentle parenting". he says they'll grow up spoiled, horrible, pretentious. granola, he spits.
i am going to be kind to them. i am going to set the example, i think. and whatever they choose become in the meantime - i'm going to love them for it.
5K notes
·
View notes
MY HEADCANON FOR PARENTS NAMES:
Snow White: Bianca White ( Bianca means "white" and Whites are probably one of the most obsessed families with their story, every single Snow White had a name with meaning relative to the fairy tails,)
Evil Queen: Eris Queen (I can't remember did I read a fic where she was called Eris but I think that the name of the goddess of discord really suits her)
Sleeping Beauty: Rosalin Beauty (pretty standard name)
Cinderella: Ophelia Ella ( a sweet name for a sweet girl)
Red Riding Hood: Scarlett Hood (one more standard name)
Big Bad Wolf: Aiden Wolf (close friends call him Andy :) )
Dark Fairy: Darcy Thorn ( oh the irony of being the dark fairy with dark name and yet cover yourself in light)
Candy Witch: Cinnamon Witch (I also didn't come up with this name myself. I saw someone use it for her a really long time ago but I can't remember who. If the person who came up with this name sees this, you deserve a reward, the name is perfect. But I hc that she goes by her nickname: Candy. Why? Because it's such a cute nickname)
Pinocchio: Oak Wood (I think that every family name has something to do with trees or wood. Oak sounds like a perfect name for someone sweet, young and cheerful and later as an adult calm and wise)
Goldilocks: Dolly Locks ( I just think that its a cute name and she kinda remind me of Dolly)
Huntsman: Archer Huntsman (Okay, so, Huntsmans are bad at naming their kids, like REALLY BAD. Hunter we are counting on you to break that cycle)
King Charming: Dashing Charming (I read one fanfic were he is named Dashing and i think that name suits him, i myself couldn't come up with the more fitting name)
Queen Charming: Grace Charming (I also read that one in a fanfic and i think it fits her, somehow whenever i think of Charmings Dashing and Grace are the first name that come to my mind)
Rapunzel: Cressida O'Hair (I first just like the name but then i found out the Cressida means "golden" so it goes well with Rapunzel story)
Pied Piper: Devin Piper ( It means "bard" or "poet", the perfect name for a musician. Also, Piper is really a cool name, too bad it is already his last name)
Mad Hatter: Maddox Hatter (I just like silly names for Wonderlandians, especially Mad Hatter)
Queen of Hearts: Victoria Hearts ( okeey, it's not a very Wonderlandian name but neither is Elizabeth and Vicy is a cute nikename)
Cheshire Cat: Lorelai Cheshire (I didn't want to go for the obvious one Chatrine, like, I get it, she's a cat, She literally named her daughter Kitty, or maybe Katrine Kitty for short, BUT THEN I REMEMBER THAT TOLERAI EXISTED which is literally the same name just different first latter and I already gotten attached to Lorelai, so, umm if you all could just do me the favour and pretend that these are TOTALLY different names I would be very thankful)
Alice Wonderland: Amilia Wonderland ( Also would her last name be Wonderland or Liddell? Bonus cute nickname Amy)
White Rabbit: Castor Blanc ( At first i just liked the name but don't you think that "dutiful" is a perfect for White Rabbit)
White Swan: Elenor Swan ( It means "shining light" and to be honest with that destiny she's going to need some light in her life)
Black Swan: Callisto VonBart (What would be the last name of The Black Swan? VonBart?BlackSwan? I put VonBart because I found an OC of Odille on Pinterest and her last name was VonBart. I don't know)
Frog Prince: Hanry Croakington ( i reafuse to belive that he named his son after himself. Nuh-uh. He named Hopper after his father or maybe his grandfather)
Robin Hood: Wren Hood ( Listen, Listen, maybe they just have a thing with the birds?)
Maid Marian: Pandora Charming ( I don't think that there is a destiny stricly for Maid Marian. I think thats just a princess from Charming family or from nobel family, that's why i gave her last name Chaming. Last name changed after the wedding)
Beauty: Primrose Beauty ( Ah, Beauties and their roses)
Beast: Damian Beast (like it)
Fairy Godmother: Beatrice Goodfairy ("blessed one" mmm... too bad you can't bless yourself)
Jack Beanstalk: Jasper Beanstalk (nice)
Snow Queen: Isolde Winter (perfect for ice queen)
Snow King: Nikolai Winter (took his wife's last name, couldn't think of his own that's not arleady taken)
BONUS: PRINCES CHARMING
The Good King: David Charming (i think that only the main Charming follow that logic with names where all siblings have names with the same first latter)
Cinderella's prince Charming: Louis Charming (he's a nice boy)
Snow White's prince Charming: Cassian Charming (I just like it)
Sleeping Beauty's prince Charing: Liam Charming (don't ask)
72 notes
·
View notes
A bit of a rant under cut coz ACOFAS broke into my house, tore my heart from my chest and smashed my feelings with a sledgehammer.
Warning: Strong Feelings about a Fairy Book Xmas Special
Why is this book so fucking mean to Tamlin? Dude messed up at the beggining (with good intentions) but after a certain point he's doing everything right to make up. He drags Beron to help in battle. He save's Feyre from Hybern. He passes on the INCREDIBLE opportunity to be a petty bitch and revives Rhys with a 'Be happy Feyre' and then fucks off to be sad by himself.
What more redemption do you want? What more can the dude possibly do??
Clearly nothing. As multiple characters just randomly think to themselves he's just the worst and no matter how much good he does it'll never make up for *checks notes* locking Feyre in a house that one time.
Like I'm going crazy here. Dude's not doing anything anymore. Not like he's coming back with a vengance he's just highkey depressed in his sad house. And here's Morrigan thinking how much she'd like to kill him one day. Here's Rhys poping in to berrate him. God forbid he fixes things with Lucien. Stay miserable you sad fuck.
Ok maybe he feels a little bad after but everyone assures him it's fine acctually. It's always moraly ok to bully Tamlin. You're the bigger male most times. ugh
Then you think ok maybe he'll fix it, maybe there was a point to it all.
Sure enough here comes Rhys again. His approach is a little better! 'Eat, Tamlin'. Wow did he get some godamn empathy for Solstice?
But no he just can't help himself. 'You can waste and die when it's convenient for me. What you thought I'd actually had sympathy for you??'
I just??? it's so MEAN. so petty. If it was the villain Rhysand arc I'd be cheering. But I'm supposed to be rooting for this dude?? I thought it was a low stakes filler book where they exchange gifts and have a delightful little snowball fight. what is this???
273 notes
·
View notes
when you see those videos of the ocean waves being absolutely.... horrifyingly HUGE? and you think of the apostles and Jesus on that tiny boat and Jesus was sleeping and the apostles in absolute panic start waking Him desperately, "save us or else we die!" the acknowledgment that only Jesus can save them and the desperation that must have overtaken them knowing if He didn't, they absolutely would die under the relentless and merciless waves.
and Jesus rebuked them, not for waking Him, but for their lack of faith. "why are you so fearful, O ye of little faith?" imagine hearing Him say this as the tumultuous winds and waves roared in the background, the winds and the waves that could very well sink their tiny boat into the deep oceans and into their deaths. and yet He says: why are you scared? do you have no faith?
after rebuking them, He then rebukes the winds and the waves. and the merciless waves calm, the winds cease at the command of its Maker. imagine the sudden stillness. the boat that was once rocked violently by the waves is now still and quiet. the apostles marveled: "what sort of Man is this? even the winds and the waves obey Him!"
Matthew Henry notes so beautifully:
"The Lord sits upon the floods, and is mightier than the noise of many waters. Christ, by commanding the seas, showed himself to be the same that made the world, when, at his rebuke, the waters fled, as now, at his rebuke, they fell."
20 notes
·
View notes
VERY RAMBLY BUT I think rose and martha are like the inverse of one another in terms of narrative, in that they both meet a doctor who is deeply deeply hurt, but the doctor interacts with them about it so differently, because of where they're at with that hurt, and the doctor is like "hey, I'm suave and vulnerable beneath the surface, which is quite attractive, want to travel in space and time in my whimsical timeship?" and they both go "oh heck yes!" and then it's like splintered glass from that point on, like martha lives in a funhouse mirror of rose's story -- up until she makes it her own of course and she does call the doctor out on it relatively early on, although rose continues to have that haunting effect
so rose has this bubble created around her that is perfect and unchangeable almost, in which nothing bad can ever happen (except for all the times it does but huuush, we'll be together forever forrealsies don't look at that big ol hurricane hurtling our way), which then inevitably bursts, but is always there-as-memory, because rose becomes something of an impossible ideal to some extent
and martha isn't protected at all, and has all the badness spilling out on her because the doctor is unable to contain any of it (and maybe is relieved to finally give up on being strong), and subsequently all of the promise of wonder has an air of sourness to it, and the doctor will always feel incredibly guilty about how it all ended
but crucially there's a lot they have in common, that is quite different to, say, donna (who is woven in in her own, interesting, way) -- they both become attracted to this powerful, interesting, and suuuper traumatised being, they're both taken along on a journey of promised wonders, they're both incredibly reliable to the point that the narrative is retroactively fitted around how much the doctor's belief-systems revolve around belief in their companions, with many others from the past given their dues (starting with sarah-jane), and they both do see wonders beyond their comprehension (and so does donna, but again, there's something a bit different there to poke at in another post...),
except where for rose this wonder helps her break out of the path that was set down for her and become who she always had the potential to be in a way that is mostly framed as a positive (although with some -- I think -- under-analysed caveats...) and she will be forever thankful for the doctor arriving in her life, martha's is more like an awe that the universe is so hostile and so lonely and so heartbreaking, and so she needs to become more resilient and more ready to make choices that are terrible (from travelling the broken world for a year to the osterhagen key....), and so there's another story about someone who becomes strong and tough (just like rose) but it's because the doctor wasn't really able to be there for her, and while I don't think the show (from memory) ever has her totally regretting the doctor dropping into her life, there for sure is some solemnity to how her story ends, a bit of a dampener in comparison (even tbh in comparison to donna, who yeah, gets her memory taken, but is suggested -- now confirmed perhaps? -- to get more of her life in order/feel more self-confident, also partially because of that subliminal influence of her time with the doctor)
and this isn't to say that it's all-bad for martha! her working for UNIT and Torchwood has a lot of very interesting facets to it, and she is fulfilling her potential to be this impressive, capable person, but the ways all of this was built up to is so heartrending
rose coming in and "saving" the doctor, except it was a bit of a lie, because the second she wasn't there they crashed even harder than before, and martha coming in with the idea that she could save the doctor and walking away when realising what it was doing to her life, and both rose and martha irrevocably changed to the point that the person pre-doctor is barely recognisable in them anymore, both take on the doctor's self-sacrificial traits...
and also the idea that rose gets the fantasy, but it's the fantasy a-bit-to-the-left (funhouse again) because there's always something a bit disconcerting about the lengths the doctor goes to to maintain the bubble, to the point of offering up the alternate-him/tentoo so that she can still have it, even though the actual physical doctor that shared it with her isn't actually there! and martha gets the glimpse of the fantasy, and then has to come to terms with the fact that she's not the person it's "for" and reassess her relationship to the idea of a fantasy in the first place (it helps that martha is an incredibly practical, pragmatic person, but it's still so... ouch)
I don't think it was intentional, but this also fascinating from the perspective of rose as a white woman and martha as a black woman -- who is the fantasy for, to the extent that strange and universe-breaking events go into maintaining it, and who has to be practical and pragmatic and self-reliant?
and also, it's got more tragedy in both cases -- rose as a spectre/haunter of the narrative is always a little bit intangible when she's looked back on (even though in the story she's in she's incredibly real and well-rounded, every time I go back to s1 I am struck by how grounded she is in reality), and I think that's something interesting in terms of her mother's warning in s2, how if she travels with the doctor "forever" she'll become something else, something not her
and martha's mother warns her as well, although she's not completely sure of what, and in contrast to rose this warning comes into very painful fruition, harming her entire family (except, maybe her brother? I wonder if there's anything written about that), but where rose is so omnipresent, martha tries several times to take herself out
(also something about both of their mothers being their anchor-points)
there's something there that's at the centre of both rose's and martha's arcs:
is the change they're going through because of the doctor... good? good for them? good for their families? good as in they're becoming better people than before? good for the world they inhabit? is it good for the person they used to be? did they become better than that person? can they ever truly deal with or even begin to comprehend how these events made them who they are? can they even connect who they are now to who they were then? was this good?
they both become these larger-than-life people, somewhat without noticing on both parts (but the narrative does notice), one of them a ghost, and the other a soldier -- one of them an increasingly intangible, ever-present idea, and the other someone who has to fight every step of the way
it's just a bunch of things I've had going through my head that I can't quite formulate in coherent essay-like sentences, but for sure it's there
opposite sides of the coin, rose tyler and martha jones
I do wish they'd had space in the story for them to talk
85 notes
·
View notes