Echo’s world has gone decidedly… wobbly. Blurry. Fuzzy at the edges, and what-will-you-else. He can’t feel his fingertips, is his first thought. Kriffing overdid it on the glowing green shots, is his second.
“Holy kriff, Echo, that manhole-cover underneath you is moving!”, Fives exclaims, third. Or more like slurs into Lt. Jesse’s shoulder, who is himself moaning indistinctly into the Captain’s pauldron, who is in turn swaying back and forth gesturing at Commander Cody.
And it really is - the manhole cover, that is, once Echo stumbles off it with a shriek. Jumping up into the now open air with sudden force, steadying and then scraping across paveme-
“Are those kriffing hands?!”
In an instant, seven highly drunk pairs of fists and one blaster, courtesy of Commander Cody (the only one present who’s sober enough to be legally handling it) are aimed in a circle around the cover slowly being shuffled to the side, then the hands reaching up to palm at the edges of the hole -
- and are slowly being lowered again when two white-red painted helmets are heaved into view, along with chest-deep groaning and grunting. Two armored Corries collapse in a heap at Commander Cody’s feet, who stares down at them in open-mouthed shock.
Slowly, Echo blinks. Slowly, he raises a hand to snap his fingers in front of his face. No, still there. Slowly, Fives grabs for a piece of flank underneath his blacks and twists. Echo yelps, and slaps his hand away hard enough to hurt himself. “OI!”
“B’have, boys”, Captain Rex makes a brave attempt to slur out as he sways on his feet, still staring down at the trembling heap of armor at their feet. Whoa, Echo didn’t know they had those kinds of funky armor designs in the Guard. Very avant-garde.
“That’s blood, Ey’ika”, says Appo.
Oh.
Slowly, Hardcase raises his right foot, inching towards-
“Don’t even think about it”, Commander Cody snaps, and Hardcase’s foot whips back to the ground next to its companion. Fives chortles. “Yeah, genius, those are Commander kamas - they’d put you down in a second flat!”
“Why would two Corrie Commanders go crawling out of holes in front of 79’s, huh, genius?!”, Hardcase retorts, somewhat justly, Echo feels. Next to him, Commander Cody frowns, and kneels carefully. “Good question, trooper. Fox, can you hear me? Fox’i-“
Which is when one of the bodies - Commander Fox, Echo realizes with a shudder, The Marshall Commander Fox - convulses on the ground, and an arm rears up to nail Cody face-first with the back of a hand, sending him sprawling back into the pavement with an undignified squawk.
“Thorn”, the sad figure that is the highest decorated clone in existence groans, still faceplanted into pavement, “Thorn, I’m hallucinating Cody. Thorn, tell him to shut up.”
“Shuddup”, Commander Thorn heaves, loyally. Cody makes an affronted noise, braced back on his shebs. “Sdubid Codeh.”
Commander Fox’s visor scrapes against the ground with his nod, a sound that sends the surrounding vod’e cringing. “Yeah, you go, Thorn. You’re my favorite.” A considering pause. “Oh, kark. I need to call in medevac - Fox to Stabby, Fox to Stabby - the kriffing Narglatches are back on the lower levels.”
The Commander’s comm crackles to life, as he heaves himself over with a punched-out moan - oh, yup, that dark patch’s definitely not paint, and are those teeth marks?! On plastoid??
“I’m going to wring Senator Hliii’s neck, and then I’m going to twist him into a human kriffing meat-lasso to catch every last one of his little pets with”, sounds through Fox’s comm, who just hacks out a laughcough in response. “Pinging your location now. Where’s Thorn?”
“Pr’snt”, slurs Thorn.
“Concussed”, adds Fox, “We crawled out forty levels to behind 79’s, so no one would see us.”
Awkward silence follows.
“Uh, about that”, begins Rex, only to be interrupted by a deep groan from Fox.
“Oh, you’ve got to be kriffing kidding me! As if Cody’s ugly mug wasn’t - WHAT THE KRIFF ARE YOUR KRIFFING ARC KARKHEADS DOING IN MY HALLUCINATION, REX?!”
“Shuddup, Rex”, Thorn moans bravely.
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When I see stuff like this I kinda want to bash my head into a wall:
To start off, I’m not sure whether this person was commenting on book or show Cersei, but honestly, it doesn’t even matter because she’s so much more than the ‘ambitious villain’ or the ‘murderous girlboss’ tropes in both the book and show.
(Of course, I do have my issues with the way Cersei was written in the show like most people but this is simply a rant post so I’m not going to go through the differences of Show vs Book Cersei)
Cersei is a female character who was shaped by her environment, who’s insecurities were created by her environment, and she’s a woman who’s idiotic mistakes can be traced back to how her environment shaped her. She’s much more than a murderous girlboss, she’s both a victim of the system and also a beneficiary of it, while also acting as an agent of it to keep the status quo while also desiring what the system denied her.
Cersei is NUANCED and complicated and even now people hate that about her and want her to have been a purely evil woman handcrafted in a vacuum, ignoring the context of her life because readers would rather not engage with Cersei’s victimhood and nuances because that ruins their idea of: She Was The Problem and Always The Problem. (People would rather say that she deserved her walk of shame instead of interacting meaningfully with the theme of systematic gender-based violence that is so prevalent in Cersei’s story. The exploration of patriarchal violence in Show Alicent’s story is done so horribly in comparison.)
And what really pissed me off about these tags is that this person has clearly decided that they don’t care to interact with the nuance of Cersei and are fine with flattening her, and yet they shit on others for not liking Alicent.
Because of the way Alicent is written in this show, she almost always has a ‘woe is me I can do no wrong’ attitude, which of course drives people away from the character (woe is me I deserve to take a child’s eye 🥺). However, what actually annoys me is how she’s made out to be stupid, foolish, ignorant, and inconsistent due to the horrible writing of this show, all of which are deviations from her book characterization. Also, I despise it when people want me to support writing decisions and changes made in adaptations that are downright misogynistic and are meant to attract the male gaze.
But what pisses many people, including myself, off is how the changes made negatively impacted many other characters. Alicent’s terrible characterization is like a black hole that distorts and warps the whole story! It’s annoying af!
So when people like this say: ‘She’s nuanced and people just can’t handle it 🙄;’ I say: No. She’s horribly written and a different character from the book and people have a right to be critical about these changes that stripped a female character of 1) her agency and 2) her intelligence!
And the thing is, there was little reason for the writers to have made all these changes to Alicent’s characterization! In the book she is an interesting character with clear motives and understandable reactions. She’s cunning and ambitious and acts the way a noble lady who became queen would. And despite her clear ambitions and dislike of Rhaenyra, she still makes a comment wondering about who would protect the Princess from Ser Criston, and yet she then takes Cole into her service after his falling out with Rhaenyra. That’s a perfect example of nuance! Show Alicent could never compare to book Alicent’s clear moral values and consistent disregard of said moral values in pursuit of power.
And because of this, Book Alicent isn’t easy to stomach. It’s hard for most people to come to terms with a character like her and it’s even harder for people to feel sympathetic for her at the end when she went mad with grief.
On the other hand, Show Alicent was designed in a way to garner pity, and when the writers felt like her current arc wouldn’t be enough to garner the specific reaction they wanted they would then throw in a time skip and suddenly she’s completely different and yet still Thee victim. She’s designed to be as sympathetic as fucking possible! The camera angles, the background music, and the lighting is set up in a way to make sure you the viewer feels pity or sympathy for her! Cause that’s her role in this series! She’s thee Ultimate Victim!
But too bad for the writers as many people are fed up with this kind of inconsistent writing. Even when the writers created a whole new challenge for Alicent where she’s shitted on by the green council and forced to face the beast she helped to raise, I and many others could never feel any satisfaction as it was clear that once again Alicent was being made to be Thee Ultimate Victim who was just led astray by the patriarchy and was a victim of it and was only just realizing it so don’t you pity her don’t you feel sad for her and now she’s trying to do the right thing so pls pls pls pity her 🥺~ So it shouldn’t be surprising that many people are annoyed by these eNLiGhtEnEd changes that have led to a complete deviation from the source material.
To summarize: Cersei is an excellent fucking character who’s by no means easy to stomach, and because she’s not easy to stomach she’s often reduced to annoying ass tropes by dumbasses who are reading above their comprehension level. But when you actually try to understand her, you can easily see why she turned out the way she did and you can feel sympathy for her while understanding that she’s both victim and perpetrator! On the other hand, Show Alicent is a mess and HOTD is trying to make her serve a different narrative role than she did in the books so ofc people are going to be unhappy with the changes as book readers are once again faced with the annoying reality that the writers don’t give a fuck about the source material.
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