#will try to draw them happy more often i think

[just-a-girl-with-a-pistol]

A

skull :>

[sysig]

Wuh oh (Patreon)

Bonus:

The novel experience of being crushed by a giant rock, a visual metaphor

[originalcontent]

I can't find art of my ship anywhere so I GUESS that means I have to make it myself, here are some doodles.

[clegfly]

Thinking about. Thinking about how mari canonically has trouble sleeping / insomnia and is has to distract herself with other activities like reading to even fall asleep. And and then. Then thinking about. The fact mari can nap so quickly when she’s with hero because she loves him and is so comfortable with him that she can do that

[wittymumbledon]

good lord theres like three different fandoms trying to take up real estate in my mind right now

it's like im in a room full of cats and three of them are just weaving between your legs and meowing for attention, and youre holding a steamy cup of burnout in one hand that your DESPERATELY trying not to spill on them so you only really have one hand available to actually give them attention--

i. i think my chronic online-ness is reaching new heights without the deadlines.

[canadianlucifer]

I have this neat little thing where whenever I think about seiakimon I turn into this

[knifegremliin]

god it's so nice to be doing art again

[kamiraaah]

TWST PARENTS! Trappola, Hunt and Ashengrotto!!

⚠️⚠️First of all, I must warn you that these designs may change in the future, either because the game presented us with the official designs, or just because I really wanted to change... Or I could reuse these designs for these characters!⚠️⚠️ Given that warning...

Guys, gals, and non-binary pals. I present to you, the Trappola, Hunt, and Ashengrotto families!

The Trappolas it's a very common family, compared to others. Of course, Ace Trappola and his brother get into a lot of trouble and face their mother's anger very often... But hey! It's good that they have their father to calm things down when things escalate, right? It may not seem like it, but Mrs. Trappola in her youth was just like Ace, always getting into trouble and facing authorities without thinking twice… Which led to many fights with Ace's grandmother. Mr. Trappola, on the other hand, rarely started fights, at least physical ones. Since he has a sharp tongue, always with some offense or something to irritate the other person. Both Ace and his brother inherited these traits from their parents… Although the older one is a little more responsible and is sometimes the one who talks sense into Ace's head. Ace and his brother have always been close, even though they fight or torment each other, they both have great respect for each other, even now that they don't see each other as much…

The Hunt family is a mystery to many.

The members of this family are… Lively, for lack of a better description, and Rook is the best known among them, and yet he is a guy who hides many secrets.

Although they are unknown, they are apparently a family with a certain wealth, many stories surround their members about how the Hunts managed to get so much money and influence in Twisted Wonderland...

But of course none that came close to the truth.I still wonder what kind of people they are.

Mama, Papa and Grandma Ashengrotto! A very loving family that loves young Azul more than he can imagine. Miss Ashengrotto goes to great lengths to demonstrate her love for her son, even though she is a busy woman, always does everything possible and impossible to be present in her son's life. She is a great friend of the Leech family, and always gets in touch to talk or update each other on how the children are doing. Mr. Ashengrotto, Azul's stepfather, is a kind man who has great respect for his wife. At the beginning of his relationship with his current wife, he was afraid that it would end up affecting the relationship between mother and son… The last thing he wanted was to make the young man hate him, but time passed and Azul and him ended up getting very close ( and catching his stepfather off guard when he called him "papa"… who ended up crying with happiness). Unfortunately, he carries the guilt of not having noticed the bullying that Azul went through in his childhood, and whenever he can (or when Azul allows him) he helps him with whatever he can… Always trying to talk and advise the youngest. Grandmother Ashengrotto, like her daughter, is a kind but strict woman. Always wanting the best for her grandson and being one of his biggest supporters in any projects her grandson starts. Always demands that he visits her more often... And preferably with friends! She wants to make sure her precious grandson is being well taken care of!!

AND MORE FAMILIES DONE!! And I'm still going to draw pictures of other members of the TWST families, so please bear with me a little… I'm going as fast as I can!🫠

I'm not 100% satisfied with their designs... They have a big chance of being changed, but I hope you like them! 😚

[marie-m-art]

Good Animated Omens - Behind the Scenes

Here's a behind-the-scenes look at the walk cycles I animated of Aziraphale and Crowley (original post here).

I'll reiterate that the character designs are @lookitsstevie's creation! I made builds in Toonboom Harmony based on their designs, and then animated the builds.

Long post under the cut, organized into four parts. Feel free to jump around or just click through the images and gifs to get an idea of the gist. (At least take a look at Part IV, where you'll see a version of Aziraphale without his jacket and a closeup of Crowley's torso!)

Hopefully this is interesting even if you don't know the first thing about animation. It's not a step-by-step-from-scratch tutorial, but it might give animators some ideas to think about when trying this software!

I'm happy to answer questions about what I cover here - comments, DM's, or ask-box questions are all fine by me. If you like any of the new gifs and want to reblog it on its own, I can make new posts for those upon request! (I'd prefer you don't reupload them, but if you do please at least credit me with a tag to my account - thank you!!)

Part I: The interface and some basics

Above is a screencap of the software interface.

In the centre is the Camera window, where all the drawing and animating is done. 

To the left, the Node View. It's a representation of how the pieces and layers that make the characters are grouped and connected to each other, which is what makes a character "build". Every piece in this window is called a node, and there are different types. Light blue "drawing nodes" contain the drawings themselves. Each drawing node usually has a green "peg" attached; the peg is used to move and rotate the drawing piece; you set a pivot point on each peg. Light grey nodes are groups that have more nodes within, and dark blue nodes are added effects (eg masks, the blur for the halo, etc).

Below, the Timeline - it's where keyframes are set and tweened. The red square dots indicate there is a new keyframe on a particular frame; the white dots indicate keyframes are on layers nested somewhere under the topmost visible layer. All the pieces of the characters can be found in the timeline and correspond to the pieces that exist in the Node View (and Camera). Typically you work with a collapsed view of the build layers in the timeline, which allows you to set keyframes on multiple layers at once.

To the right, a few tabs in this window - Tool Properties, Colour Palettes, and, shown on top here, the Library. The library is where you store your builds, so that you can bring in a fresh copy when animating a new scene. This library tab also has the Drawing Substitution window, which shows thumbnails of every drawing contained in a drawing node when that node is selected.

A second of animation is 24 frames long. Finished animation will often have keyframes on every second frame with the tweens removed, to help simulate the look and feel of traditional animation - this is known as animating "on twos", and saved time, money and paper in the old days. If you leave the tweens on, and/or have keyframes on every frame, the animation is "on ones".

My walks are on twos - it's the look I prefer.

When I say "tween" I'm specifically referring to the software feature that will automatically calculate and interpolate the path between two different poses/keys of a peg. An inbetween could be the result of using a tween, a new drawing, or both. On twos, an inbetween will look the same as any other keyframe on the timeline when you're finished - its relevance as a concept is during the process, not the end result.

Quality animation is achieved via a combination of moving/tweening pre-existing drawings using their pegs, and adding new drawings as hand-drawn inbetweens when needed. Toonboom Harmony also has nodes called "deformers": they offer a way to tween the shape of a drawing without needing to redraw inside the drawing node. (Part IV has the explanation for which pieces I used them for, and why.)

Part II: Navigating the builds

This is what their default poses with no animation look like.

Animation using builds is sometimes colloquially referred to as "puppet-style animation" because the way you can connect body parts to each other feels like making and handling a 2D digital puppet: you can connect a hand to a forearm so that they can move as a unit, and you can connect that unit to an upper arm to move the whole arm as a unit, and that arm gets connected to the torso, and so on.

When you want to connect two pieces, like a hand to a forearm, then you create another peg in the Node View and attach the two body parts together under that new peg. The screencaps below show the nodes that make up Aziraphale's and Crowley's entire builds inside their respective groups:

Things got a bit sloppy ... It looks extremely complicated, but once it's set up, you don't have to think about it too much when you're animating!

And I've zoomed in on the nodes that make their arms so you can see how there are pegs on top of pegs (all the green nodes), with wires connecting everything:

As I explained in Part I, new drawings are added and contained within a body part's drawing node (the light blue ones under the green ones), and the Drawing Substitution window is where you can see all the drawings that exist in a particular node. In the timeline, you set keyframes for moving the pegs, and you also choose which frame the new drawings will appear when applicable. You might have a lot of drawings stored in the nodes, but only what you set to appear in the timeline will be visible in the final animation.

You can select a body part in the camera view, and then find the corresponding layer in the Timeline or the Node View by pressing the "o" keyboard shortcut. If you select a body part by clicking on it, and then press the "b" keyboard shortcut, you will jump up to the next peg it's connected to. You can hide and unhide pieces using "d" and "a" respectively.

In the first capture above, I'm showing that the arm pieces can be moved separately or together, and you can see how the pegs in the Node View light up when I select them in the Camera window (hiding them turns them red). In the second capture, I pop down to the timeline to step back and forth between the poses - the light grey row (it appears between the rows of red dots) represents the hand's drawing node in the timeline.

Part III: Summary of animation process

In my head I imagined how their walks would differ from each other - Aziraphale bouncier but with very straight posture and limited arm movement, vs Crowley slinking and swaggering all over.

I also knew that I wanted the animation to look good for both a walking-on-the-spot version, and as a version walking across the screen (both versions are at the top of the post!).

Then I started doing some rough animation.

I set aside my finished builds for the roughs. For each character, I made a few drawing nodes and two pegs; a peg for the up-and-down upper body motion, which I tweened, and a peg for moving them across the screen. The legs and arms are drawing substitutions.

With these extremely rudimentary rough "builds", I worked out - how many frames long the walks would be, - how far the characters would move across the screen each step, - how much the upper bodies would move up and down, and - the key drawings of the legs and feet.

I didn't worry about animating clothing, hair, or Azi's arms in the rough stage. For those elements, the drawings would be spaced really close together and would be easier to figure out with tweens. (Note: this rudimentary setup would be sufficient if you want to clean up and inbetween characters by hand frame-by-frame instead of making full builds; my preference is build animation because the process is more fun for me)

Then I started working with the finished builds, using the roughs as a guide, and established the broadest motions first: the up-and-down motion in the upper bodies (I set a keyframe at the lowest point, a keyframe at the highest point, then tweened between them) and how far they'd travel across the screen. Then the feet were done.

I went back and forth between viewing them walking on the spot and walking across the screen to make sure that both versions worked. I also made sure they crossed the same amount of ground relative to each other.

After those crucial parts, I moved on to animating their arms, hair, torsos, clothing details, and finishing the legs, not necessarily in that order. I simulated twisting/rotating their torsos in 3d space by moving their waistcoats and lapels.

The first gif switches back and forth between versions (imagine a background scrolling by when they walk on the spot). The second gif is an example of bad "footslip" - they're moving at different speeds, and if you pay attention to their feet, Aziraphale appears to slip on ice while Crowley appears to slide forward on skates.

"You go too fast for me, Crowley!"

Part IV: Extras and details

Here is a version of Aziraphale's walk without his jacket, and a closeup of Crowley so you can see his swaying hips better:

One of the cool things about animating with builds is they lend themselves well to small modifications; the jacketless version took all of five minutes to make.

I'd be remiss not to include a close-up of Aziraphale's hair, the real star of the animation :) (Crowley's hair is also animated but I purposefully kept it understated since it's a much different texture.) And a closeup image of Crowley's snake tattoo:

The biggest unit for both of them are their upper bodies, which includes their pelvises. The up-and-down motion is only on one peg instead of on every single piece, which is handy because it means I can hide just that part of the animation when I want to work on the clothing details:

During the process of animation, I am often hiding then unhiding pieces like this so I can see what I'm doing.

Their clothing ended up being a lot of separate pieces, which I kept adding during animation rather than before, as it was hard to predict everything I needed. Their clothing also incorporates cutters (aka masks), and deformers (see explanation in Part I). In the next set of gifs the deformers show up as green outlines with handles and get turned on and off.

Aziraphale's torso functions as a mask for his clothing. The shape of his torso subtly changes via deformer. His lapels and waistcoat have V shapes that are masks/cutters (they cut a V shape out of those pieces); the same pieces that make the cutters also are used for the black lines of those V shapes via a special layering setup. The main shapes of his lapels are animated with deformers, and you can see how far beyond his torso shape they extend when I turn on the deformers in the second gif.

Deformers work best for shapes that change a little bit, and/or slowly. The minor shape changes in his and Crowley's clothes ended up being a great use case for deformers, because they pretty much tweened perfectly.

The reason I didn't use them on Aziraphale's legs was because those shapes change significantly between keys; I predicted I'd have to re-adjust every frame of a tweened deformer, so I drew the inbetweens by hand (halfway through, I realized I probably should have used them after all, but I was in too deep by then; hand drawing was fun though!). Deformers worked well on his bottom jacket:

Crowley's pelvis is layered above and below his thigh pieces and has a deformer. Also take a look at all the drawing substitutions for his hands:

And lastly the deformers on the hair:

Epilogue

I'm hoping the gifs all play at the same speed for everyone as they play for me. Hopefully the demo gifs are at least watchable, if not super clear... (I'll listen to feedback on the presentation of the information, for if I do similar posts in future!) Don't hesitate to ask questions about anything I covered, or about any details you noticed that I didn't elaborate on!

ko-fi.com/marieanimate

I'm shy about mentioning it, but I set up a Ko-fi account in case this post compels anyone to leave a small "tip" (but reblogging and sharing is just as good)!

Thanks for reading, and have a nice day!

[littlebearbun]

Ford Pines NSFW Alphabet

(Written for my best friend <3 I hope it makes you feel better)

A = Aftercare (what they’re like after sex)

Absolutely doting. Brings them a warm, wet rag to clean off, water, a fresh shirt, you name it. Very touchy, lives off the closeness and skin on skin contact. Asks a lot of questions about what they liked and what they didn't, if anything. Catalogues the marks he left. Sometimes draws them if they falls asleep.

B = Body part (their favorite body part of theirs and also their partner’s)

His favorite body part is mouth, I think. Knows what it's good for-talking and as a seat. (I do think he would grow to like his own hands after being with someone he loved)

His favorite body part of his partner is this one specific freckle/mole behind their knee. Oh, you wanted something like boobs/ass? Neither. The crux of their leg.

C = Cum (anything to do with cum, basically)

His cum is a little more liquid than not. Comes a normal amount but it comes in waves. Whines through it.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

Thought about his partner sexually before their first time together and considers that a dirty secret for sure.

E = Experience (how experienced are they? do they know what they’re doing?)

Not very experienced. College took up a lot of his time, then he was paranoid as hell, then he was in alternate dimensions for 30 years. Did fuck around with aliens, partially for science and partially cause he was lonely.

F = Favorite position (this goes without saying)

Missionary??? He's classic. That, or spooning, him behind them and lazily rocking against them. So much skin contact.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Definitely more serious, he's trying very hard and he needs to focus, dammit. Once he gets started it's hard to stop.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

Takes very good care of himself, keeps it trim and neat. Has a happy trail and also grooms that.

I = Intimacy (how are they during the moment? the romantic aspect)

Very romantic, I think, or tries to be. Sometimes he gets caught up in his head/too focused but most of the time he's very about his partner and he's so, so sweet.

J = Jack off (masturbation headcanon)

Did in high school/college to see what the fuss was about. Did not when he was working on the portal. Rarely did when In between dimensions cause he wasn't often safe.

K = Kink (one or more of their kinks)

If they wear his shirt. Or on the opposite end of the spectrum of tameness, making them come until they cry. Somnophilia, if they gave permission first. If he can't sleep it's a nice way to pass the time and feel close.

L = Location (favorite places to do the do)

In bed??? (Later they could convince him to do it in his study)

M = Motivation (what turns them on, gets them going)

Every touch is like electric to this man. Touch starved as hell. If they look in his general direction sometimes wonders why his pants got tight. It's a process.

N = No (something they wouldn’t do, turn offs)

He wouldn't want to hurt them at all. Would also not want to be restrained, triggers him to Weirdmageddon. Do not degrade him, he takes it too hard.

O = Oral (preference in giving or receiving, skill, etc.)

Preference to give for sure. Would stay down there for hours if they let him. Gets lost in it. He's greedy. Wants to see how many times he can get them to tremble for him. Tell him he's made for it and watch how red he turns.

P = Pace (are they fast and rough? slow and sensual? etc.)

He's half and half. Ideally he wants it slow so he can focus and commit it all to memory and slowly take them apart. Sometimes he just gets too caught up in it and then he's much faster.

Q = Quickie (their opinions on quickies, how often, etc.)

He would much rather take his time. What's the point if he only gets to make them come once??

R = Risk (are they game to experiment? do they take risks? etc.)

Experiment, yes. He's definitely made an aphrodisiac/stimulating gel before. Has made an experiment about how many times he can physically get them to come (actually had to be begged to stop, he apologized with lots of kisses) Risky? No. Wants them safe and happy always

S = Stamina (how many rounds can they go for? how long do they last?)

He's so touch starved I think he comes pretty quick. Prefers lots of foreplay and for them to come at least twice before he gets his. Is a little embarrassed about it but makes up for it in spades.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

Makes toys, but more for teasing than actual insertion. I mentioned the gel, but I could also see remote control vibrators or experimental stimulations.

U = Unfair (how much they like to tease)

He likes to think he can tease but he's too desperate for that. He can't tease for long before he wants more. Sometimes he breaks before his partner does.

V = Volume (how loud they are, what sounds they make, etc.)

This man is loud. Whines a lot. Moans. Whimpers. He would try to talk through it and get cut off by his own sounds.

W = Wild card (a random headcanon for the character)

Listen I'm still on this-the mind reading helmet. Making them wear it and going down on them. In a less sexy note, is self conscious about all the scars and old tattoos. Lichtenberg scars are really sensitive, though. They can replace his self conscious thoughts with other ones. ;)

X = X-ray (let’s see what’s going on under those clothes)

Hairy but well groomed. Has a little tummy. His arms are built but not as big as Stans-Ford is built more for dexterity and speed. His pecs make perfect pillows. Has “Flirty Girl” and “Hey now you're an all star” tattoos. Definitely had old Bill worship tattoos that he burned/scarred the eyes off of. Has Lichtenberg scars after Bill electrocuting him and has many scars from knives and bullets from his time in the portal.

Y = Yearning (how high is their sex drive?)

Before he meets the love of his life, very low. (I headcanon Ford as Demi) After??? He can't get enough of the physical contact, though it's not always sexual. Just wants to be touching them. He yearns more for them sexually then he yearns for his own release.

Z = Zzz (how quickly they fall asleep afterwards)

Ford doesn't sleep very well anyway (cat naps or like, an hour or so increments) knows it's not healthy but he has nightmares and is not used to being safe when he sleeps. Anyway, after sex he stays up looking at his partner, memorizing every mark, freckle, mole, wrinkle, scar. He is very doting in aftercare and will absolutely cuddle. Draws them, like I mentioned. Sometimes reads in bed.

[cripplecharacters]

Hi! I’m working on an original character project that I want to include a lot of casual representation in (“casual” meaning that the characters don’t need a justification for being disabled/fat/POC/etc, they just are because people can and do exist that way in reality!)

I was wondering if you had any suggestions for finding resources for drawing facial differences(and maybe other visible disabilities), especially in a cartoony style. I’ve looked through the Facial Equality Week tag but would like to see more examples, and since my art is so… goofy, for lack of a better word, I would love any help I can get in integrating differences without being offensive or upsetting.

Sorry if this is a bother, and thank you for all that you do!

Hi!

I'm not aware of any guides for drawing facial differences specifically (or at least, good ones. There's 1 billion tutorials telling you that scars are just a Singular Line, always, but that's not... correct), but perhaps someone in the notes could help out?

For my own advice, you could check out this old post I made. Because you mentioned your art being cartoony, I would specifically urge you to not overexaggerate facial differences the way they often are. Prime example would be how a lot of cartoons portray strabismus;

It's just a funny gag to them rather than, IDK, how some of us look like. Not to mention that one of these is also a mockery of intellectually/developmentally disabled people with "Derp" in the name, but that's beside the point here.

It's the whole "the character is crazy/stupid/wild/whatever and that's why they have it" that's the problem with how it's often shown. You can also see it in how characters who don't even normally have it will be shown with it for a scene where they're saying something nonsensical, etc.

Another example that's nowhere near as rampant is the like... split-face thing with various facial differences being used. Mostly vitiligo but sometimes also facial palsy. I'm talking about this weirdly perfectly halved face that looks extremely different on each side, often used to signal that a character is two-faced or that the author doesn't know how vitiligo looks like.

[note: vitiligo also shows up on lighter skin. I wanted to make sure it's visible here for tutorial clarity purposes.]

This one is just weird because it straight up doesn't look like that? I have no idea where it came from, but it should go back there. Facial palsy doesn't make someone look like the antique comedy/tragedy theater mask.

Unless I'm forgetting some other annoying cartoon trope, these would be the big ones that you should stay away from.

Outside of that, it's really on a case by case basis on how a specific FD should be drawn because they're so different! A birthmark can just be a differently colored patch of skin, but a craniofacial difference would require some more changes to be included. Alopecia is well, lack of hair, and can be done very easily but ectrodactyly can be more complicated to show properly because of the limitations of a cartoony artstyle when it comes to hands. And while I do think it would be great to see more of those facial differences that tend to not be included in art at all, there's nothing wrong with deciding to go for the things you can represent more faithfully, especially if you're just starting.

I will say that if you're making an honest attempt at being respectful and trying to get it right, most of us will still be excited to see your work. Even if it's not perfect or has some inaccuracies. I will take a "'yeah more or less' correct with a happy, human character" over a "Very Technically correct but tagged as #tw burns and with blood splattered on them" any day.

Lastly, I wanted to share some art featuring characters with facial differences (and other visible disabilities) that are done in a cartoony, or at least somewhat simplistic artstyles (I'm using both terms very widely here, but like. Not Realism) - maybe it will give you some ideas!

Man with Treacher Collins syndrome (also one of the first pieces online where I saw a character with an FD portrayed in such a lovely way! A fav of mine) Girl with Pfeiffer syndrome Too many characters to count! Woman with burns Woman with a limb difference Multiple characters again Animation featuring people with Down syndrome [youtube] Multiple characters, including a girl with neurofibromatosis, a burn survivor, a girl with a cleft lip and another with TCS! [twitter]

If you have a more specific art question ("how do I draw a person with XYZ facial difference?") you can send me an ask on @saszor! I prefer to stick to the writing theme on this blog but would still like to help if you need it:-)

Hope this helps!

mod Sasza

Edit: apologies for the lack of alt text on one of the images, it has been fixed!

[buggieboyofficial]

I made a reverse au for @void-dude 's Shapes and Pines au!

Their au makes me so happy! :))) I thought it would be interesting to see them reversed. (I wrote a LOT on here so I'm going to transcribe it all at the end of this)

Honestly this was supposed to be a joke and then I kept drawing and thinking about them. This admittedly got out of hand.

To make up for it, have some Tad Strange and Bill!

Tad: Ow.

Bill: Look, Isn't it beautiful?

Tad: Bill, I shouldn't be seeing anything but a doctor right now.

(Full transcription under the 'keep reading')

1969 Tad Strange is 15 years old. (He looks old for his age and uses this to his advantage) He lost his eye in a firework accident when he was 12 and now, he has a fear of fire and a glass eye. Billium is 12 years old and is about to make a really bad mistake. His eye was missing at birth and can't get a glass eye without surgery. Their parents work together and Bills Parents asked Tad to babysit Billium when they are away to help with his bullies. They become friends. (Mini Comic 1) Billium- "You don't GET IT TAD!" Billium- "I was BORN a freak." Billium- "I can't pretend to be normal because I don't know HOW." Tad- "… Huh."

2012 Bill is a Biologist After his family home burned down, killing both Tad and Bill's families, Bill became interested (obsessed) with necromancy. He started with studying human biology, but his work hit a wall and he became desperate for more knowledge. He summoned Sixer for answers after searching for years trying to find a being that could help him. Who knew that the demon of knowledge could be so susceptible to flattery? It's probably because Sixer doesn't get summoned very often.

(Mini Comic 2)

Dr. Bill: Looking extra dexterous today Sixer~

Sixer: *AHEM* Thank you Dr. Bill, let's get back to work now.

Tad is a Car Salesmen He lives in his tow truck just in case he gets chased out of town for selling shitty cars at an increased price. He had lived alone for a long time before Bill tracked him down 4 months ago. Bill apologized and said some cryptic shit about fixing everything. Then he looked around at Tad's tow truck/home and left a paper with weird circles on it and an incantation. He said "Use this to get a better place, you'll need one soon" Then he left. Tad didn't summon Ley until 2 months ago when he almost got shot selling a fake Lamborghini to a gang leader. He was then chased out of town again.

1 Trillion years ago, Sixer and Ley were in the 2nd dimention.

Sixer created a safe(ish) portal to the 3rd dimension which he was able to do because he had one eye that saw in 3d and one that was in 2d.

Ley could see it out of the corner of his eye like Tad did, but doesn't like to look at the world beyond. He accidentally broke the portal Sixer made while trying to use it and now everyone is gone.

(Mini Comic 3)

Sixer: "Look Ley, a Shooting Star!"

Ley: "WTF is a star and why is it shooting at us?!"

[sysig]

Hazel boys ♥ (Patreon)

[anakinstwinklebunny]

FUTUREDAD!ANAKIN HEADCANONS 🍼

TW: at some point it contains sexual content, so if you're feeling uncomfortable with it, please do not read

🍼 Futuredad!Anakin who was so damn excited after you've announced him your pregnancy that he couldn't shut his mouth abt it for weeks

🍼Futuredad!Anakin who is obsessed how your body changes due to pregnancy. He'd definitely eye you up and down more often, stopping at your swollen breasts or round belly

🍼Futuredad!Anakin who makes sure you're all comfortable whenever you can

🍼Futuredad!Anakin who rests his head against your belly bump while you play with his curls. He'd start telling you about his day, drawing small circles on your belly before he falls asleep

🍼Futuredad!Anakin who loves to stroke/touch your belly skin-to-skin. Always, when you two are alone, would lift your shirt and run his hands over the swollen area

🍼Futuredad!Anakin who talks to the baby in womb. He'd just plant gentle kisses along with child's movements, whispering some words like.."look at you..so strong already" / "such a responsive baby..bet you're gonna have my looks and mommy's personality, hm?" / "yeah, you're gonna move more? Gonna just respond to daddy's silly talks?"

🍼Futuredad!Anakin who uses the force to calm down your baby when it's movements get uncomfortable

🍼Futuredad!Anakin who tries to keep you happy all the time;

"Ani" you whine softly, shaking his arm so he'd wake up

With a small gasp that ended his soft, quiet snores he stirred awake "what?" his voice was raspy, almost begging you to let him go back to sleep

"wanna ice cream.." you whisper a bit shyly, knowing the hour of your tempting craving

Anakin would sigh as his eyes met the light digits on electric clock standing still on his nightstand "love, it's almost 4am..just try to fall asleep, s'gonna go away.." his arm covered the half of his face

This made you frown, having a damn human being inside your body wasn't the easiest thing in the word and trying to shoot the craving out by getting sleep wasn't the most pleasant idea "c'mon Ani.." you whined again, not letting go of shaking his arm "it won't..the baby needs ice cream and sleep isn't the way out of it"

Another sigh left his mouth, this time more of a surrender, since how could he argue with a pregnant woman? He rubbed his face before pulling the blanket away from his body "alright, alright..guess I can't argue with the baby"

🍼Futuredad!Anakin who makes sure to compliment you since your body is changing and he knows how psychically overwhelming it may be

🍼Futuredad!Anakin who accidentally would drink your breast milk thinking it's a real one

🍼Futuredad!Anakin who loves how your body changes. The swell on your belly from his child, swollen breasts that he'd definitely pay more attention to whenever he can catch a glimpse of you just walking and them jingling or whenever you innocently change your clothes before him

🍼Futuredad!Anakin who can't help but make love to you (very gentle way to call it) silly while his eyes are taking in your bouncing breasts from his thrusts

"A-ani..you're gonna hurt the baby" you mewl

"Bullshit..had been reading about this all day sweetheart.." he groaned "the baby won't even know that I'm gonna fuck another one in that pretty womb" (guys I know you mostly can't get pregnant WHILE being pregnant but it just gives me ani talk vibes)

🍼Futuredad!Anakin who gets a bit concerned if he for sure didn't hurt you or the baby after sex. Would try not to leave any marks on your belly and lower body

🍼Futuredad!Anakin who helps you with basic things that started to be troubling for you. Like tying your shoes, bending down to grab things and etc

🍼Futuredad!Anakin who got concerned after he caught you going to the bathroom too many (for him) times. He'd spend most of the day educating himself about pregnancy to understand you better, to help you with other things and to just know more

🍼Futuredad!Anakin who would pout, trying to put a diaper on the newborn doll. He'd look around the room at other parents that attended to antenatal class and actually frown when he tried to copy their movements but it only became a worse mess

🍼Futuredad!Anakin who educates himself about parenting. Would watch different videos and read books between his daily tasks

🍼Futuredad!Anakin who would absolutely freak out when your waters broke;

"God, god, god..where is it?!" he anxiously searched for the bag with all the things already set up for birth

"Anakin!"

"Here you are" he murmured to himself, almost tripping downstairs "shit--coming sweetheart!"

"Just breathe..it's gonna be okay.." he exhaled, tapping on the steering wheel as he waited for the green light to appear

"I am breathing"

"I was saying it to myself.." he murmured, hoping you actually didn't hear that

🍼Futuredad!Anakin who would argue with doctors about staying by your side during birth. He promised he'd be there and help you as much as he can and the thought of not being there was horrifying to him

🍼Futuredad!Anakin who praises you and encourages you to keep pushing. Would stroke your stuck from sweat hair out of your forehead, kissing your head, running his thumb over your knuckles

"C'mon sweetheart, you can do it.." / "you're doing so great baby, one more push and it's gonna be all over" / "you're so strong.. m'so proud of you.."

🍼Futuredad!Anakin who would cry his eyes out while holding and acknowledging that he has a baby girl in his arms

"Look at you..you're so small" / "so tiny..my little girl, my little princess, my shining star"

🍼Futuredad!Anakin who's the best girl dad ever. Trying to do her hair (watched a lot of videos on how to do it just so he can make her a braid), playing with her in tea party, letting her paint his face (of course he'd be a little grumpy but never taking it out on her), DEFINITELY doing all other things like taking her on to pod races while they two eat popcorn and dish about everyone with almost the same frown

🍼Futuredad!Anakin who would be unstoppable duo with his little girl; both probably hating sand, doing all mischievous things and this attitudeeeee

🍼Futuredad!Anakin who wouldn't stop at one kid with you (if you'd even want more)

TAG LIST: @kingdomhate @ysrjune @heartsforanakin @divineani @erosmutt @emmaloo21 @haydenlovers @haydensprettyprincess @lunalitva @catnipaddictt

(if you want to be on the tag list or removed from it then don't be shy and let me know 💋)

[skyenish]

You’ve got the same eyes as your mother | Riddle Rosehearts animatic 🌹|

———

I’m not really happy with how this turned out but I’m gonna be honest, I’m just doing anything possible to avoid having to work on stuff I should he working on and drawing is suddenly difficult again, but we keep fighting! Fuck it we ball‼️

(Did you notice I didn’t want to draw the Heartslabyul boys? I love them dearly but they’re my least favorites to draw by FAR, because Ace ily but that hair makes my hands want to explode)

Anyways, here is my little Riddle analisys! Its so tragic to see how much like his mom he’s become. Riddle really isn’t mean or evil, he’s trying to help his dorm in basically the only way he knows how. Perhaps it also shows how abuse victims can become abusers themselves, but on a smaller scale? I am not well read on this topic though, so I hope that’s not insensitive to say. It’s just cool to see how most of the Overblotters become like the people that played a big part in their lives. Azul becomes a “bully”, Jamil becomes a “master” who uses others like servants, Leona becomes dismissive of others, and Riddle becomes like his mom. There are parallels there I think!

You know, Riddle is a very interesting character. Out of all the Overblotters, I’d say he’s the least “evil” person (that’s not to say that the others are evil), in the way that he’s the least selfish, and he’s also the only one who properly apologized. Though, the others also apologized in their own way of course.

Riddle really convinced himself that was he was doing was good, that he was in the right and that he was only protecting the dorm and teaching them the proper way. One of my favorite moments from book 1 was when Riddle cried and apologized, and said that he really wanted to eat that chestnut cake, and he doesn’t like most of the rules! Also of course the line “what rule do I have to follow to make my heart stop hurting”, it truly is devastating.

Sometimes I wonder how Riddle feels when he looks in the mirror, and he sees someone so similar to his mother. He probably feels conflicted, right? He loves her and knows she’s highly succesful, but why does he feel sick at the thought of him being similar to her? I find it interesting how dual and contradictory the overblotters are, and Riddle is no different. I have this headcanon that his housewarden uniform is modeled slightly after his mom, and after his Overblot he changes his uniform, and it resembles her less. I really like Riddle’s character, but I don’t think about him that much. Maybe I should do that more often?

I hope you guys like my interpretation of him and my rambling, and if you didn’t I’d love to hear your interpretation! And if I got something wrong, please correct me in the comments!!

[harryspet]

bambi eyes (3) r. cameron

[Warnings] soft!dark!rafe cameron x reader, daddy!rafe x little!reader older!rafe, crimeboss!rafe, rafe takes advantage of traumatized reader, DUBCON, dd/lg, sex trafficking, sexual slavery, sugar daddy rafe, stockholm syndrome, spoiling kink, unprotected sex, forced? age regression, little editing, 18+ READ AT YOUR OWN RISK

word count: 3.4k

In which you do your best to deal with your Daddy's mood swings.

main masterlist

bambi eyes masterlist

You felt like you were seeing Rafe less and less as the next two weeks went on. He was stressed about what was going on with work. He often paced back and forth in front of you, ranting, although he was never specific about the details of what was going on. 

You noticed that he grabbed you tighter, pushed you harder into the mattress, and talked less during sex whenever something outside was affecting him. You were starting to accept it; it never hurt too much, and you’d be more scared if he weren’t interested in you in that way. If he didn’t want to be intimate with you, then there was a chance he wouldn’t want you anymore. 

As much as Rafe promised you this was permanent, you couldn’t fully believe him. He had done all of this just for you, so you had to be able to offer him something special in return. 

Like Rafe wanted, you established a routine. Every morning the birds would wake you up exactly at eight, and you’d make your bed which kept you from napping all day. Staying in your room was causing your imagination to stretch.  You found new ways to entertain yourself, including trying on all the clothes in your wardrobe and throwing elaborate tea parties with all your stuffed animals and dolls. 

One night that you thought would be like the last twelve nights, Rafe came to you after Lana had already brought you dinner. He wasn’t dressed in his usual khakis and dress shirt but in sweatpants and a pullover. You were curled up on the window seat, drawing flowers in a notebook, when Rafe came over to join you. 

“Hi,” You spoke softly. He placed a warm hand on your knee, and you slowly closed your notebook. 

“Hi, baby,” There was an ease and calmness to his voice that made you believe he’d actually had a good day, “What are you working on? Show me.”

You sat up, leaning closer, as you handed him the notebook. You hid slightly behind your knees as Rafe began to flip through the pages. At this point, you’d covered half of the pages in your doodles, “Oh wow, these are really pretty, Bambi,” He smiled with his entire face, including his bright eyes, “We should hang some of these on the fridge.”

You felt a bit of relief, hearing that he liked him, “I have more. Way more. I’ve colored a lot of the coloring books.”

“Go get them, I’ll pick my favorites,” Excitedly, you got up from the window seat. When you set several full coloring books in his lap, Rafe’s lips parted in shock, “Okay, wow, I don’t think I realized how much coloring you’d been doing.”

“I think it’s fun,” You said. 

“Good, I want you to have fun,” Rafe nodded, “But have you worn down all your color pencils? How come you haven’t asked for more?”

You shrugged when Rafe gave you an inquisitive look, “I try to take care of the ones I have.”

“Would you even ask Daddy for more coloring books if you ran out of pages to color?”

“Maybe,” You spoke honestly. 

The idea of asking for more than what Rafe had already given you did make your heart race. Rafe shook his head at something, “Daddy will get you lots more art supplies. Maybe you could try painting?”

“We could paint together?” You perked up. 

“Yeah, yeah,” Rafe assured you, “I’m really, really sorry I haven’t been here as much as I’ve wanted to. Needed to, really. It’s just … I’m working on a lot of things right now, you know?”

“I’ve been okay,” You said, “Lana has been kind to me.”

“Good, good, I want you to be happy here, you know? That’s why I want you comfortable asking for things,” You watched Rafe’s eyes wander towards the bookshelf, “Like your books. I never see you reading them. Do you not like them?”

“I do,” You said quickly.

Rafe started to stare deeply at you, “What-what is it?”

“I . . . “

“I can pick some different ones for you? What do you like?”

“I like it when you read to me, Daddy,” Rafe tilted his head and the mentioning of his nickname didn’t light up his features like usual, “It’s hard for me. I never needed to … do that.”

He paused, which made you think you’d done something wrong, “You’ve never needed to read?”

“I can do it,” You said, “It’s hard when they’re all together, and there’s so many… the words. I’m sorry you think I don’t like the books you picked. I really do. I will try harder–”

“Hey, hey, hey,” Rafe rushed to put the coloring books aside and grab ahold of your face, “I just didn’t know, that’s it. You didn’t do anything wrong. At all.”

It wasn’t something you’d ever felt embarrassed about, but now you couldn’t help but feel stupid. Deep down, you felt a guy like Rafe deserved someone better. He deserved someone smarter than you. 

You closed your eyes, wanting to hang your head, but Rafe said, “Look at me, hey,” Weakly, you did, “I’ve been thinking that you should spend more time with Lana instead of being cooped up in here. At least until I can take care of this … one problem I have. She’d be happy to have some company. And, if you want to learn, she could help you with your reading.”

“You don’t care?”

“Not at all, look, don’t worry. I’ve got you, sweet girl,” He said. Rafe leaned in to peck your nose before he brought your lips together. You melted into him, realizing then how much you missed him when he was gone, “You know what I was thinking?”

You stared back at Rafe, who had a mischievous look in his eye. 

“We should take the boat out.”

“Now? Where?” 

“Just on a short ride to get you some fresh air. It’ll be cold, so let’s find you some warmer clothes, yeah?”

It was a rhetorical question; Rafe was already making his way over to your wardrobe. You looked down at the small silk pajama set you were wearing. You’d seen all the boats out by the dock but hadn’t imagined that Rafe would take you out on one. “Lift your arms,” You did exactly as he said, pulling a light blue sweatshirt over your head. He also chose long pajama bottoms, helping you get into those, too, “You want to bring one of your stuffies?”

Your excitement mixed with your anxiety as you put on your slippers. It was a hard decision to make about which stuffed animal you wanted to bring, but you settled on Fin, your silvery-blue dolphin, “Excellent choice.”

Rafe grabbed your hand, leading you downstairs, “Do you think we’ll see a real dolphin?”

“Well, they tend to be more active during the day, and it’ll be dark soon … but maybe if you wish really, really hard.”

The air was much cooler outside than you expected, and you certainly didn’t expect it to feel so strange being in the fresh air. You turned in a circle just so you could take in the sky, the trees, the house, and everything around you. 

You followed a determined Rafe across the yard and towards the deck. He chose one of the smaller boats, although there was room for at least four more people. You yelped when Rafe grabbed you by your waist suddenly and lifted you inside. Another yelp escaped your lips as the boat rocked under the pressure of your weight, “You’re okay, don’t worry,” He didn’t have to tell you to take a seat or be still; you decided you wouldn’t move at all, “One . . . moment.”

You watched through the corner of your eyes as Rafe untied the roaps keeping the boat tethered to the dock. The boat rocked again as Rafe hopped inside, causing you to grip Fin in one hand and grip the side of the boat in the other. 

You sat in the seat right across from Rafe as the boat slowly pulled off towards deeper water. As the boat became more steady, you turned your head and watched Tannyhill get smaller and smaller. The orange and blue sky reflected off the water, creating an insanely beautiful view. You sailed towards the horizon, the son looking half submerged in the water, “How do you feel?” Rafe yelled over the sound of the motor, “Wanna go faster?”

You nodded, a smile growing on your face, “My little daredevil, huh?” You sat up on your knees, wanting to see more. You get a better look at Figure 8, seeing lots of huge houses along the beach, although none of them compare to Tannyhill. Rafe pointed out different landmarks for you, including the country club and a huge lighthouse out in the water. In your eyes, this night made every other night where you worried about your place with Rafe worth it. 

“Go ahead, you can give it a taste test,” Lana conceded, allowing you to dip your finger into the chocolate cake batter. A few days after your night out with Rafe, Lana was showing you how to make the perfect chocolate cake. You thought she might be exaggerating about how perfect it was until you were licking your finger. An excited moan left your mouth and you bounced on the balls of your feet, “It’s great, isn’t it? Espresso powder is the key.”

“It really is,” You agreed. 

“Now, wash your hands. It’s time to pour our batter.” 

The entire day Lana had told you exactly what to do and how to do it. You didn’t mind listening or following her directions as she usually spoke to you warmly. Besides that, you wanted to learn exactly how to take care of things around the house, knowing that Rafe would appreciate your help when Lana couldn’t be here. The two of you cleaned the entire downstairs, did several loads of laundry, washed the windows in the glass patio, and even had time for a reading lesson in the early morning. She informed you that she homeschooled her youngest son and that she would try to teach you in a similar way. 

As you washed your hands, you glanced out the side window towards the dock. You could see Rafe far out on the dock, standing with the same business associate who came to the house a few weeks ago. They weren’t alone like you were expecting; someone was on their knees a few feet ahead of them, their head slumped over. You squinted your eyes, trying to see more of them, although Rafe and his business associate shouting at each other blocked your view, “What are they doing out there? Who’s that?” Lana came over to where you were standing, peeking out just like you were. 

Whatever business Rafe was involved in, Lana didn’t seem to care for it, “Mr. Cameron and Barry, they’re always at each other’s throats,” She shook her head, “Come, dry your hands. The oven is heated.”

You did as she said, turning your head away. There were going to be several layers to your cake, meaning you had three pans to fill, and after that, you and Lana would make the icing. Just as your mind wandered back to Rafe, you heard him coming through the kitchen door. 

He wiped the sweat from his forehead, pacing for a moment before his dark eyes landed on you, “Bambi, let’s … uhm, go upstairs,” His voice was shaky and deeper than normal, “Come here.”

“We’re-We’re just about to put the cake in the oven. It’s for tonight, and we’re going to make homemade icing too–”

“Now …please,” He said the last word like it was painful, “It’s time for you to go back to your room.”

No, no, no, a voice repeated in your head. 

“But Lana was going to teach me how to ice the cake, too and she —”

“Fine,” Rafe snapped, his hand slamming against the counter before he rolled his eyes, “Just stay here.” 

As Rafe stomped away, you knew you had something horribly wrong. You’d seen him in a similar mood before but he never directed any of his vitriol towards you before. Whatever had happened on the dock had clearly upset him. You really wanted to finish working with Lana. More than anything, you didn’t want to be locked in your room for another long period of time. 

After taking a breath, or attempting to take one, you turned to Lana, “I didn’t mean… I-I should go say sorry.”

“You might want to let him calm down a little bit, sweetheart,” You’d already made up your mind. You reached behind your neck to undo the top of your apron, “Turn around, let me help you. He’s not mad at you.”

“How do you know?”

“I know who he is,” She spoke simply, “Don’t take anything too personally with Mr. Cameron.”

“You can finish without me; I’m sorry, but thank you for today,” You said as you started to walk away. After you saw her nod, a sad smile on her face, you turned away and sped for the stairs. 

You approached Rafe’s bedroom moments later, hesitantly turning the knob, “Daddy?” You called, peeking inside. You called him again. He wasn’t in the main room but the shower was running in the bathroom, “Rafe?”

You jumped when he suddenly appeared in the bathroom doorframe, shirtless and his belt undone. This time, you notice his bruised hands and bloody knuckles. 

“I didn’t mean to make you upset, Daddy.”

“Get down on your knees,” He stared you down. When you tried to come closer, he said, “No, drop to your knees right there.”

You felt your knees brush against the bedroom rug, “Crawl to me.” 

If Rafe wanted you to feel even smaller, then his plan was successful. You did as he said, seeing no other option, and crawled towards him. You watched as he palmed himself over his briefs, and you could already feel him stretching you, pulling your hair, and leaving marks on your bottom. This wouldn’t last, you told yourself; he would be gentle with you another time. 

Your sage dress had ridden up your body, exposing your floral patterned white panties. 

“You’re gonna suck my cock and swallow all my cum. And then you’re gonna thank Daddy for letting you.”

You’d do exactly as your Daddy wanted, hoping he’d take your sore throat and tears as a sufficient apology. 

Once you were soundly asleep in his bed, Rafe slipped out. He had a huge, bloody problem waiting for him in the cabin of his boat. Luckily, JJ Maybank was still the degenerate he used to be, and no one except his Pogue girlfriend would come looking for him anytime, “Son of a bitch isn’t talking,” Barry grunted out, meeting Rafe at the beginning of the dock, “Knocked two of his bottom teeth out and he’s still not motivated.”

Rafe had done everything possible to limit any competition he might face in Kildare. All small-time dealers would be working for someone who worked for Rafe. This was meant to be Rafe’s island yet somehow, Maybank was getting supplies from the mainland and was stealing his customers. 

“We could take his girl.”

Rafe contemplated Barry’s question before shaking his head, “If she comes around trying to find him, we might have no choice. I’m sure that will motivate him.”

Rafe could see Barry’s eyes wandering to Kie. Part of him would love to see JJ squirm if they got their hands on her. You were the reason he didn’t think too long about that. Barry, on the other hand, Rafe would let him do whatever he wanted with Kie. In the end, Rafe wanted JJ to talk, to give up his sources, but he’d be just fine killing him. 

“I hope,” Barry crossed his arms, “Not exactly looking forward to dealing with the body.”

“We don’t have to deal with that shit anymore; I know who to pay to handle it,” Rafe said, “Speaking of, I think I-uh need some more security here. I want guards all around the perimeter. Because of the amount of merchandise and if we’re going to be taking captives, you know. I want this place to be a fortress.”

“Your merchandise, huh?” Barry flashed Rafe a knowing look, “You got any liquor in that big house?”

Rafe gestured his head toward the house, signaling to Barry to follow behind him. 

“If Kie doesn’t come for him and if he still has no information to offer us, we kill him. No more torture, no mess, one gunshot to the temple,” Rafe instructed, his mind racing with what their next moves should be. The more planning beforehand, the better, and the less likely it would come back to them, “That’ll send a message to the rest of the Pogues too. They work for me, or they work for no one.”

“And after you’ve cornered the market?”

“That’s just the start of everything else,” Rafe led Barry through the first floor, towards his office. Ward always used to keep his office stocked with liquor as it came in handy for important meanings. Rafe learned people will often let down their barriers and concede to more under the influence of alcohol. He opened the door for him, allowing him to enter. 

“Whoa,” Barry said, walking inside just as Rafe heard a soft gasp from a familiar voice. Eyebrows raised, Rafe entered behind him to find what had shocked him, “Is this the new Mrs. Cameron?”

With wide eyes, Rafe took you in. You were in the same clothes Rafe left you in, one of his white button-ups and your knee-high socks, “What are you doing down here?” You slowly stepped behind Rafe’s desk, and he could tell you were trying to hide yourself.

“I-I couldn’t find you.”

Rafe’s jaw jutted forward, his arms crossed, as he said, “You’re supposed to be sleeping.”

Your lips parted to say something, but Barry interrupted, “C’mon, man, it’s not even midnight! Introduce me to your girl. We can all have a drink,” He grabbed ahold of Rafe’s shoulder. You would think Barry had one the lottery based on the look in his eyes. By complete accident, Barry had stumbled on Rafe’s biggest treasure, “I’ll behave, I promise.”

“She doesn’t drink.”

 Rafe was frustrated, mostly because he should’ve been keeping closer track of you. He’d given you that necklace for a reason. A new idea crossed his mind, one he wasn’t expecting, and some of his anxiety eased. He was far from embarrassed of you, he’d chosen you for a reason, but part of Rafe wanted Barry to envy him at that moment. 

Rafe sighed, waving you closer to the two of them, “Bambi, this is Barry. Barry, this is Bambi,” Smoothly, Rafe grabbed ahold of your waist, pulling you into him. 

“Hi,” You said shyly, “It’s nice to meet you.” 

 When Barry held his hands out to you, your eyes darted towards Rafe as if to ask permission. Agreement crossed his face, and Rafe watched you shake his hand. Barry was fully taking you in, of course, but Rafe knew a handshake would be the extent of his closeness with you. 

“The pleasure is all mine, beautiful.”

“Chill out, dude. Sit down,” Rafe instructed Barry, pulling you along. 

Barry made himself comfortable on the leather couch and Rafe motioned you to sit across in one of the leather chairs. 

“How you liking Kildare?” 

“It’s really nice,” Rafe heard you respond as he poured two glasses of whiskey for him and Barry, “There’s so many big houses, and … it’s just really pretty.”

“You ain’t seen much then, have you?” Rafe handed Barry his glass, flashing a warning with his eyes, “All the girls where you’re from, they as pretty as you?”

“I . . . I don’t know,” You laughed nervously. 

Rafe placed a hand on your shoulder, and you looked up at him,  “Why don’t you go get Barry a slice of that chocolate cake you made?” 

Rafe assumed it would ease your nervousness if you could share what you made. “Okay, Daddy,” You smiled at both men, and both men watched you closely as you walked out of the room, “I’ll be right back.”

“Pretty and obedient,” Barry whistled, “I need to travel more.”

A/N: Thank you all so much for your support on the first two chapters BUT psa you will not be added to my taglist if you're not reblogging the fic and letting me know your thoughts! It is crazy to me that people will ask me to tag them in the next chapter when they have neither liked nor reblogged the fic. Constructive feedback is more encouraging than just commenting "PART 4" or "tag me in part 4" :)

PART 4