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dduane · 4 months

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I just received a copy of a book I've been very much looking forward to by a favorite author, but the quality of the book itself is... not great. Cheap paper, weak binding, even a weird illustration of the main character on the cover that I'm having trouble believing the author approved. Obviously, I don't want to leave a bad review on Amazon or GoodReads or anywhere, as I'm 100% certain the content is as excellent as her other work. But how can I best let the publisher (Baen) know I'm disappointed without threatening to never buy her books again? Because, well, if this is the only option, I'm gonna keep buying them even in my disappointment.

Well, the first thing I thought when I read this was "Wow, I'm really glad I don't have anything in print from Baen at the moment except a couple of anthologized short stories." :)

As for the rest of it, let's take it point by point.

Adding a cut here, because this will run a bit long. Caution: contains auctorial bitching and moaning, painful illustrations of cases in point, and brief advice on how to complain most effectively. (Also links to paintings of cats.)

Cheap paper: This has been an accurate complaint since well before COVID—and it's often been worse since, with supply chain issues also being involved. That said: one way publishers routinely save money on printing books, especially the bigger ones, is by going for thinner/cheaper paper. I remember one of our UK editors going on at great length and with huge annoyance—during one of those late-night convention-bar bitch sessions—over how the only way they could get some really good books published (because Upstairs insisted on reducing the per-copy production costs) was by reducing the paper quality to the point where you could nearly read through it. Sacrificing decent text size(s) also became part of this. Nobody in editorial was happy about the result: but there wasn't much they could do.

Bad bindings: Similar problem. Sewn bindings used to be a thing in paperbacks... but not any more: not for a good while, now. These days, it's all glue. Even hardcovers are showing up glued rather than sewn. Don't get me started. :/ (This is why I so treasure some of the oldest paperbacks I've acquired, which are actually sewn.)

Crap covers: I've had my share of these—though my share of some really good ones, too. And one of the endless frustrations of traditional publishing is that the writer routinely has little or even no influence over what the cover will look like... let alone how much will be spent on it, or (an often-related issue) how good the execution will be.

There are of course exceptions. If you're working at the, well, @neil-gaiman -esque level or similar in publishing, a lot more attention is going to be paid to your thoughts. You may even be able to get "cover veto" written into your contracts, so that if you disapprove, changes will get made. But without actual contractual stipulations, the writer has zero legal recourse or way to withhold approval. (And I bet even Neil has some horror stories.)

The normal workflow looks like this. After a book's purchased, its editor and the art director discuss what it's about and what the cover should look like. The art director then hires an artist and tells them what to do. After that, the artist executes their vision and gets paid. It is incredibly rare for a writer to have any significant input into this process. And as to whether or not they approve of the final result, well... the publisher mostly just shrugs and goes back to eyeing the bottom line, muttering "Who told them they get a vote?"

Now, I've been seriously lucky to occasionally be an exception in this regard. In particular, my editors at Harcourt (when Jane Yolen and Michael Stearns were editing Harcourt's Magic Carpet YA imprint) would ask me what I thought would be a good idea for the next Young Wizards cover, and I'd think about it a bit and send them back a paragraph or so about some core scene. They'd then talk to their art director, and after that send their notes and mine to Cliff Nielsen (who started doing the covers for the hardcover and mass-market paperback editions of the series in the mid-90s) or to Greg Swearingen (who was the artist on the digest-format editions). And the results, by and large, were pretty good. ...I also think affectionately of the UK artist Mick Posen, who insisted on seeing pictures of our cats before painting the covers for the Hodder editions of The Book of Night with Moon and On Her Majesty's Wizardly Service (the UK title for To Visit The Queen).

But this kind of treatment is a courtesy—not even vaguely suggested in the books' contracts, and very much the exception to the rule. And for every writer who's midlist, there are times when the luck runs out. For example: one time I wrote a book that was an AU-Earth-near-future fantasy police procedural, thematically pretty dark—dealing with issues of abuse of megacorporate power, institutionalized bigotry, and (explicitly) attempted genocide. And the cover, done by an artist who's a good friend and some of whose fabulous art hangs in our house, came out looking like this. It was... let's just say "not ideally representative."

So I was glad, when my local workflow allowed it, to recover the current, revised version of the book with something at least a little more apropos. But the original cover's not the artist's fault. He did what the art director told him... as a cover artist must do to get paid, and (ideally) to get hired again. At present, that's how the system works.

...So. You've got a badly-built and -presented book on your hands. How best to make your feelings known in some way that might make a difference down the line? (As you make it plain that you'll keep buying this author's books this way if you must.)

First of all: when (as part of my psych nursing training) we were taught how to complain most effectively, we were told that the first and most basic rule of the art is this:

Only Complain To Someone Who Can Actually Do Something About Your Problem

So I salute your desire not to waste your time taking the issue to the reviews on Amazon, or the pages of Goodreads... because they can't do anything. The odds that anyone from production at Baen is reading the comments there strike me as... well, not infinitesimally small, not being hit-by-a-meteorite-while-in-the-shopping-center-parking-lot small... but really low.

So: write to corporate.

In your place I would go online and rummage around a bit to find out who's on record as the publisher at Baen. I would then write them a letter on paper. And I would lay out the problem pretty much as you laid it out up at the top.

The tone I think I'd choose would be the more-in-sorrow-than-in-anger approach. I'd say, "I write to comment about your recently published book by [X Writer], whose work I love. I have to say, though, that I don't think the cover on [X Book] is terribly representative of the quality of the prose inside. And also, the construction and production quality of the book itself was a disappointment to me because [here spell out why].

"I'd really like to see [X. Writer's] books succeed with you, and I'd like to buy more of them without wondering whether I was going to be disappointed again. But if this is typical of how they're being produced, I'd also be concerned that the state of these books is setting up a situation in which the author's sales will be damaged, and you would stop publishing them... which would really be a shame. Whereas on the other hand, better production quality could keep previous purchasers coming back and buying, not only more books by this author, but books by others whom you publish."

This phrasing, as you'll have seen, walks a bit wide around the issue of your further purchases, while directing attention toward the bottom line... which will routinely be what the publisher's looking at from day to day. And—being, one has to hope, in possession of the wider picture as regards what's going on with their production costs—maybe they can actually do something about it.

Anyway, nothing ventured, nothing gained, yeah? It's worth a try. All you can do is hope for the best.

And finally: please know that I admire your commitment to the author: whoever she is, she's lucky to have you. It's a terrific thing to have readers who'll willing to spend the time to hunt you down, and who're willing not to judge a book by its cover. :)

#reader issues #books #production quality #covers #bad covers

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imzadi-caskett-huddy · 7 months

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Hell Hath No Fury (2/?)

Wow…I cannot believe the response to this fic! I want to thank everyone so much for reading and reviewing, especially to the anonymous reviewers whom I could not message back to thank personally. I love all the theories and comments you all have made, and I hope I can continue to live up to what you want!

That said, angsty Beckett has extended her lease in my head, so apparently there is more to write on this story. For those of you interested in my other story, no worries! I promise I am working on that as well, but angsty Beckett is pushy…and louder.

I have absolutely none of this story planned out, so it’s up to the characters and the muse to speak to me to see where this one goes.

I still do not own Castle or the characters.

xxxxx

Beckett didn’t stop on her way out of the hospital, didn’t wait for the boys to follow her. She’d meant what she said; she was going to hunt down the shooter, and then she was going to put a bullet in him. Even though she hadn’t asked them to, Ryan and Esposito exchanged a look after seeing the look on her face and quickly followed, catching up with her outside.

“Beckett, what are you doing?” Ryan asked.

She simply gave him a determined look. “Exactly what I said. I’m hunting him down,” she answered in a dangerous tone. “I’m not asking either of you to risk your life in this.”

Ryan’s eyes met Esposito’s. “You don’t have to. We’re a team. You just tell us the plan. We’ve got your back,” Esposito stated firmly, to which Ryan also nodded his confirmation.

Beckett’s eyes traveled between the two of them and she nodded. “I need to see the cemetery,” she stated calmly, but she was anything but calm on the inside. A raging inferno burned inside; whomever was behind the shooting was about to find the full wrath of Katherine Beckett at their doorstep. If they wanted a war, she would bring them a war.

“Car’s this way. Let’s go,” Ryan gestured to her then, leading her toward the parking garage. Both of the men accompanying her knew they couldn’t come up empty on this one; they would do whatever they needed to in order to have her back and get this guy. Beckett was their leader, their friend; this case was different. They also knew that they were going to have to make sure Beckett didn’t do anything that might cost her her career…or her life.

After a solid day of almost no leads and very little to go on, Beckett pinched the bridge of her nose and tried to massage away the headache she had. “Why don’t you guys go home,” she suggested with a deep sigh.

The two men exchanged glances. “What about you?” Ryan was the one who was brave enough to ask.

“I’m going to go through it again; maybe I missed something,” she replied. Sensing reluctance from the boys to leave her alone made her temper flare. “I said go home!” she said much more firmly. She didn’t need a babysitter, and she wasn’t going to break. If anything, she was more focused now than she’d been since the shooting.

“If you find something, you call us before you do anything,” Esposito stated firmly, not looking away from her.

Seeing that they weren’t leaving until they had that promise from her, she gave them a nod. “Yeah…yeah, okay.” She breathed deeply, turning back to the murder board then to begin reviewing the evidence from the beginning. She went through all the information she had for what must have been at least 3 hours before leaning back in her chair and rubbing her eyes. Once again, she had nothing more than when she had started.

Her gaze moved to the empty chair by her desk then. What she wouldn’t give to hear one of his crazy theories now, to bounce ideas off him, to try to make something in the evidence make sense. It was well past midnight by now, and she was basically alone in the precinct, so she didn’t bother to hide the stray tear that slipped down her cheek as she couldn’t bring herself to look away from his chair. Wiping it away after a moment, she stood and grabbed her things, striding toward the elevator; she needed to see him.

xxxxx

She stopped at her apartment to shower and change into some real clothes that were not NYPD issue sweats. Between the shower and being able to slide into her own jeans and shirt, she felt much more like herself. Grabbing her black leather jacket, her badge and her gun, she headed back to the hospital.

Having no trouble finding her way back to his room, she stood outside for a moment before taking a deep breath and slipping in quietly. Alexis was sleeping in a chair with her head resting on top of her folded arms on a table, and Martha was asleep in a chair with a spare blanket pulled over her. She remained silent, moving closer to Castle’s still sleeping form, quietly pulling the last chair up to his beside. Taking a deep breath, she sat down and ever so delicately took his hand in hers. “Rick…” she breathed as a few tears slid from her eyes, her thumb delicately sliding across the back of his hand.

She didn’t have a chance to get anything else out as Martha stirred. “Katherine?”

“I’m sorry, Martha. I didn’t mean to wake you,” Beckett apologized, keeping her tone low so as

not to also wake up Alexis.

“You didn’t, dear. This chair is hardly made to be slept in,” the redhead waved her hand dismissively.

Releasing his hand then, Beckett sat back slightly in her chair. “How is he?”

“The doctors assured us he’s as stable as they can expect, given the damage. They aren’t surprised he hasn’t woken up yet,” Martha explained to her.

Beckett did her best to not react to the word “damage.” He was damaged because of her, trying to protect her. “I’m so sorry, Martha…if I’d known…”

“Nonsense,” Martha interrupted. “Let me tell you something about Richard. He was exactly where he wanted to be.” She paused for a moment to let her words sink in before continuing. “He wrote 22 best sellers before he met you, dear. You’re a smart woman, Katherine…” she explained in a softer tone, giving the detective a look that would allow her to connect the dots. “And I’m sure you are familiar with my son’s stubbornness and persistence. He wouldn’t have been dismissed quite so easily,” she added in a slightly lighter tone.

Beckett did connect the dots–it wasn’t about the research anymore. He followed her because it was about her. Hearing her talk about Castle’s stubbornness, she looked down with a small smile. “Yeah, I might have noticed he’s a little stubborn.” But oddly enough, as infuriating as that could be at times, it was something she depended on; he was stubborn enough to not let her push him away, to make her face things, to keep her going. She got quiet again, letting her eyes move back to study Castle.

“Have you made any progress finding the man who did this?” Martha asked after a few moments, deciding that perhaps a change of topic might be more helpful to the detective. “I assume that’s why you left earlier.”

Sighing, Beckett ran her hands over her face. “No. Not yet,” she admitted quietly. “But I’ll find him. I promise you that.” Once again her tone took a slightly dangerous edge that left the other woman with no doubt that those words were true. “Do you mind if I stay?” she asked Martha after a few minutes of silence.

“You don't have to ask permission. Richard would want you here,” she assured her with a smile. “But you won’t get much sleep in that chair.”

“That’s okay. I’m not planning on sleeping right now,” Beckett replied, her eyes never leaving Castle. She didn’t think she’d be able to sleep even if she tried. Right now, she just needed to see him, to watch his chest shift as he breathed; she needed assurance that he was alive. It

wasn’t until she was sure that Martha was asleep that she allowed herself to lean forward in the chair and carefully take Castle’s hand in hers again.

xxxxx

Beckett woke up to a few rays of light coming through the window in the hospital room. She’d somehow managed to fall asleep with her head resting on the bed beside where her hand was still holding Castle’s. Sitting up, she could feel both her back and neck muscles protesting from the position they’d been in; she’d work the kinks out later. She watched him still sleeping, watched the heart monitor for a moment to make sure he was still stable. After a few moments, she finally released his hand and stood, stretching out her muscles slightly. She left a note for Alexis and Martha to make sure to call her when Castle woke up, and headed out to work on the case.

Just as she was turning a corner lost in her own thoughts as she tried to piece evidence together in her head, she ran…quite literally…into Josh. “Kate, hey,” he offered her a smile, hands easily steadying her.

“Josh…hi,” she replied with a smile that she couldn’t get to reach her eyes. “I didn’t get a chance yesterday, but…thank you for saving Castle's life,” she said softly.

Josh shrugged. “I’m a doctor, Kate. That’s my job.”

She nodded. “Right…”

They were both quiet for a few moments. Both seemingly knew what was coming. For Kate she knew she didn’t love him…not the way she should considering the length of their relationship; that didn’t make it any easier. And for him, he knew everything he needed to know when he’d seen her reaction the previous day.

“Do you love him, Kate?” Josh finally asked her quietly.

She was silent, neither confirming nor denying the words, but the look in her eyes spoke volumes. “I’m sorry, Josh,” was what she finally settled on. It really wasn't fair of her to lie to him about it.

Josh nodded. “Yeah…I’m sorry too,” he murmured. “I guess I can’t compete with a man who literally took a bullet for you.”

Those words stung, but she knew she kind of deserved them. She’d insisted to Josh for months that there was nothing between herself and Castle, insisted that they were friends, they worked together, but that was it. She’d insisted he had no reason to be jealous, that there wasn’t a competition between them. But during the case she’d worked in LA, she also had realized that

although she may have been committed to Josh physically and verbally, she’d never been able to commit to him emotionally; that commitment belonged to Castle. “I need to go…” she stated then. “I really am sorry.”

xxxxx

Beckett was surprised to be greeted by both Ryan and Esposito when she walked through the precinct that morning. It was still before the start of their shift.

“How’s Castle?” Ryan asked.

“He hasn’t woken up yet. The doctors say he’s as stable as he can be at the moment,” she answered quietly, on her way to the break room for a coffee.

“We got traffic cam footage from around the cemetery. We’re starting to go through it now,” Esposito offered.

She nodded as she silently waited for the coffee machine to finish.

“Beckett…we’ll get this guy,” Ryan promised.

“I know,” was all she said.

The boys exchanged a look, but didn’t really know what else to say to her, so they silently headed back to their desks to work on the traffic cam footage. The best way they could help her was to find something she could go on.

They’d been going through camera footage all day, with nothing to show for it. Beckett finally slammed her hand down on her desk in frustration. “Damn it…there has got to be something. A man cannot just vanish like a ghost!” she stated angrily.

“Hey, we’ll find something. If not from a traffic cam, then from something else. Somewhere there will be something,” Esposito assured her. But he also knew that the skill set of a professional sniper also included the ability to simply disappear.

She sighed, and leaned back in her chair, trying to massage out a kink in her neck. Her back and neck were both still stiff from the hospital chair, and sitting in a desk chair all day staring at a screen hadn’t helped much.

“Why don’t you go get some rest?” Ryan suggested. “We can call you if we find anything.”

“No, I’m good. I’m not tired, anyway,” she shook her head. That was when a text came through her phone. Reading the text caused the first real smile she’d had in days. “Castle’s awake,” she

informed the boys, standing and grabbing her jacket from her chair before heading to the elevator.

“We’ll keep looking and let you know what we find,” Esposito called after her. Both men were glad she was at least getting out of the precinct; checking in on Castle would give her a little bit of a break at least.

xxxxx

I know this chapter is a little short. And I feel it's slightly weak and a little bit filler. But I hope it's still acceptable! Thank you again to everyone for your reaction to a story that I hadn't even planned to write. I look forward to hearing your thoughts on this chapter now that you've all encouraged me to keep going!

#castle #caskett #kate beckett #richard castle #castle fanfiction

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the-modern-typewriter · 2 years

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So, it's been two months since The God Key came out!! Wow!

With Christmas just around the corner, if you haven't yet grabbed your copy to partake in gay angst and superpowers, as of MONDAY 12 DECEMBER 2022 you can do so for only £0.99 at the Google Store. The ebook will stay £0.99 until 26 December 2022.

You can also read a fair bit of the book there in terms of sampling, if you're not sure.

You can read some reviews here, if you like (or leave some reviews yourself!)

If you're not sure what The God Key is...keep reading under the link.

What on earth is The God Key?

The God Key is my novel that came out this year. Here's the blurb!

You have the power to make everyone in the world a good person. All it costs is the love of your life. Which do you choose? At university they were best friends and boyfriends – Gabriel, a charming telepath obsessed with saving the world; Isaac, a lonely magnifier who quadruples the superpowers of anyone he touches. It's happily ever after until Isaac fakes his death. Five years later, a villain is bringing everyone’s worst nightmares to life and Gabriel learns that Isaac is still alive. Isaac, who he never stopped loving. Isaac, with his secrets and strange connection with their dreamweaver enemy. Isaac, who might yet be the key to everything that Gabriel ever wanted… Whether he wants to be or not.

The genre is LGBTQ (m/m) adult urban fantasy (of the superpower variety).

Can I get The God Key anywhere else? What about in print?

Sure thing! It's only on discount at Google store, but you can get PRINT and/or EBOOK versions in a number of places included Amazon, Waterstones, Barnes & Noble, Kobo, The Book Depository and more.

I have a post of links here.

I have no money but still want to support you and TGK...

No worries whatsoever. Reblogging this post is helpful, or adding The God Key to any wishlists, or just posting it about on the social medias.

(I also post stuff on Instagram: @simone_themoderntypewriter). I promise it's not just me going on about my book.)

And, as ever...you can simply enjoy reading whatever random free stories I post on here. Reblogs, likes and comments are love <3

Merry Christmas, she says, as if she's not going to post a bunch more stuff before the season is over.

#The God Key #ebook #books #google play #writing #fantasy #queer #lgbtq stories #lgbtq reads #gay books #fantasy books #superpowers

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41319kbex · 7 months

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Hell Hath No Fury (2/?)

I have absolutely none of this story planned out, so it’s up to the characters and the muse to speak to me to see where this one goes.

I still do not own Castle or the characters.

xxxxx

“Beckett, what are you doing?” Ryan asked.

She simply gave him a determined look. “Exactly what I said. I’m hunting him down,” she answered in a dangerous tone. “I’m not asking either of you to risk your life in this.”

Ryan’s eyes met Esposito’s. “You don’t have to. We’re a team. You just tell us the plan. We’ve got your back,” Esposito stated firmly, to which Ryan also nodded his confirmation.

The two men exchanged glances. “What about you?” Ryan was the one who was brave enough to ask.

“If you find something, you call us before you do anything,” Esposito stated firmly, not looking away from her.

xxxxx

She didn’t have a chance to get anything else out as Martha stirred. “Katherine?”

“I’m sorry, Martha. I didn’t mean to wake you,” Beckett apologized, keeping her tone low so as

not to also wake up Alexis.

“You didn’t, dear. This chair is hardly made to be slept in,” the redhead waved her hand dismissively.

Releasing his hand then, Beckett sat back slightly in her chair. “How is he?”

“The doctors assured us he’s as stable as they can expect, given the damage. They aren’t surprised he hasn’t woken up yet,” Martha explained to her.

Beckett did her best to not react to the word “damage.” He was damaged because of her, trying to protect her. “I’m so sorry, Martha…if I’d known…”

“You don't have to ask permission. Richard would want you here,” she assured her with a smile. “But you won’t get much sleep in that chair.”

wasn’t until she was sure that Martha was asleep that she allowed herself to lean forward in the chair and carefully take Castle’s hand in hers again.

xxxxx

“Josh…hi,” she replied with a smile that she couldn’t get to reach her eyes. “I didn’t get a chance yesterday, but…thank you for saving Castle's life,” she said softly.

Josh shrugged. “I’m a doctor, Kate. That’s my job.”

She nodded. “Right…”

“Do you love him, Kate?” Josh finally asked her quietly.

Josh nodded. “Yeah…I’m sorry too,” he murmured. “I guess I can’t compete with a man who literally took a bullet for you.”

xxxxx

Beckett was surprised to be greeted by both Ryan and Esposito when she walked through the precinct that morning. It was still before the start of their shift.

“How’s Castle?” Ryan asked.

“He hasn’t woken up yet. The doctors say he’s as stable as he can be at the moment,” she answered quietly, on her way to the break room for a coffee.

“We got traffic cam footage from around the cemetery. We’re starting to go through it now,” Esposito offered.

She nodded as she silently waited for the coffee machine to finish.

“Beckett…we’ll get this guy,” Ryan promised.

“I know,” was all she said.

“Why don’t you go get some rest?” Ryan suggested. “We can call you if we find anything.”

informed the boys, standing and grabbing her jacket from her chair before heading to the elevator.

xxxxx

#caskett fanfiction #castle fanfiction #richard castle #kate beckett #castle #caskett

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the-martyrfication-of-the-matron · 20 days

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hellooooo oml i am like drinking so i might ot be the most sensical rn but hello. helloo

i commissioned you ocne and idk how many comms you get so this might be sooo obvious who i am but !!!! your art is so lovely. its so beautifl. i look at it and i see a painting. i see a visison. i look at the piece you made for me and feel like i robbed you with the costs for how it has shifted and tken a new place in my heart. i look at it so fondly bc how can you make something so beautiful ??? oml the skill and dedication you have put into honing your craft astounds me. it takes my breath away. sometimes i feel jealous for not knowing you bc i wish i could peel back your skin and peer into your brain and learn what churns in your head and how you generate your ideas and just. how much effort goes into making such beautiful things

oml and your writing HHAH. i went into the new lycorris radiata fic prologue recently (i can[t believe you deleted the original chap one i lovoveeed that thing king) (it took me like five attempts to speel king right) and i love the changes. i was writing a review in my notes app about it and i was painstaking lygoing through it all and i think i was liikkek??? 600 words in /?? and my phone had the audacity to nottt translates my notes over when i changed phones as if i haven't been working on my review for a week. fml.

but it is so beaitufl. you write like a fairytale. this issooo embarrassig and i'm gonna wake up tomorrow so embarrassed for sending this and feeling so parascial lmao but your art is truly beautiful. its like a microcosm of everything that makes you you even if i dont know you adn tyu build this tneous connection between the reader and the author and the stry and it leaves me in awe. you wrrite like a fairytale. the description is beautiful the characterisation is awe-inspiring and it creates a little place in my ribs where i think back on it and go wow. ths is the kind of story i will think back on for years to come.

SORRY I AM thteee sappiest drunk everr. we've arely talked this is sooo embarrassing but idk. yiour arrt is so gorgeous and i hope you know that. hope you wake up ever morning and you know you've put something so beautifyl out into the world and there is something who dearly anticipates every next word and who thinks your art is beautiful and your writing has changed somethingi nme. i love avra. i love vyla.d i love every word i've read and i wish i could share that oherently in my original review that i lsot but alas.

i'm so sorry LMAMO this will probably bee sooo weird for you to recieve frma strangero ntumbulr. i so need to sober up but its just so breathtaking. your brain is breath taking. i cannot wait for the day you next update or share art or do anything creative bc your wriitng is beautiful your art is beautiful and i smm sooso grateful you shared it with the world. is so beautiful i cannot help but believe you yourslef must be beautiful bc who else could create the kind of art you do

ok im done now im not reading thiisi ober nd i have no idea how long it actually is LMAOA i wish you the best strangerr. you are the kind of person someone would yearn to know (sorry i probs sound sooo parasocial haaha0 and i hope you are soo well

I’m screaming and crying and throwing up and I’m tearing off my clothes so I can run into the woods and howl at the moon and turn into a canine beast

This is

Everything to me, drunk anon, you are everything to me. I will one day get a printer so I can print this ask out, and I will post a YouTube video of me eating the entire thing, with no cuts, and no audio. Full on mukbang. Because I need this to be a part of my soul. And people will argue that consuming something does not integrate it into you forever but I would rather this be a part of me for only a short while than never at all

This has me feral and insane, you’re so sweet about me and you write in such a poetic prose I need you to write some kind of fiction now.

For this alone I will draw you a thousand pieces of art, using my own blood sweat and tears as my materials if I must. You are everything, Anon.

I wish that review still existed simply so I could read more of your words because if this is you drunk then I cannot imagine how you talk sober.

#I have a migraine and if I have to eat this ask I will do it #I’m screenshotting it and adding it to my favourites btw <3 #remembering you forever anon

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cristodelaroca · 1 year

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#Boston Limo

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personalmains · 2 years

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Squirrel catapult

#SQUIRREL CATAPULT PATCH#

#SQUIRREL CATAPULT UPGRADE#

#SQUIRREL CATAPULT CODE#

#SQUIRREL CATAPULT PROFESSIONAL#

The areas where there are bubbles, you did wet sand however they are still there. Maybe this was a one time thing and it just happened to be my car.***RESPONSE to owner***I have no complaints about the hood as it’s honestly beautiful. I’m not hopeful in the longevity of the paint and hate feeling the way I do about the money I invested in it. I feel I spent a lot of money and wanted a great job, hence why I upgraded to high end paint, and chose a shop with great reputation and reviews. While Scott’s prices are reasonable, and they are friendly, I’m not happy with my paint job. Hopefully it will, but it’s been over a month. There is also orange peel I was told will go away when paint cures. However, here we are over a month later and I still have solvent pop in multiple places. He even offered to pay $100 toward my first wax, which he did. He repaired the clear coat peeling, and my truck looked nice and shiny. He worked on it all day, wet sanded and buffed it I think. So I brought it back and show all this to Scott, he tells me he will give me a call when truck is ready.

#SQUIRREL CATAPULT PATCH#

When I washed it, a patch of clear coat literally started peeling off. In between that time I did wash my car as I was told it was okay to wash but to baby it since paint was still curing. I felt it was nice that he would resolve the issue. I called Scott and he told me to bring it back and we scheduled a date and time to bring it back in. I also noticed solvent pop(patches of tiny bubbles) in multiple areas on the left side of the vehicle. A day later when the sun was shining I could see swirls everywhere. When I picked my vehicle up it was gloomy and rainy.

#SQUIRREL CATAPULT UPGRADE#

I opted to upgrade to the high grade paint job Scott offers. Scott and Jody seem like great, hard working people, which makes this review so much harder. This company had awesome reviews and were super friendly and easy to work with when getting a quote and getting scheduled in for service. With that being said, I wanted to invest in a new paint job. I paid a lot of money for this vehicle and plan to keep it forever. I also had minor damage to the right side of bumper from the previous owner. I brought my GMC Yukon XL in to Scott, due to the factory paint being completely faded on the roof, and the hood was. Thank you Scott and Jody for making my Girl looking like Brand New! read moreĪs much as I hate to leave a review like this, I feel it’s necessary given my experience. He even cleaned my headlights as complimentary. It doesn't matter to him if you're driving an inexpensive or very expensive car, he will treat it with great care and attention.The flawless workmanship and quality are unmatchable. Look no further and don't waste your time anywhere else because Attitude is the Place for the best Car Paint Job. If Scott was not available at the moment, he will call back in a timely manner.Now, about the Paint job, all I can say is WOW! WOW! WOW!.

#SQUIRREL CATAPULT PROFESSIONAL#

She was Professional and very patient with me. When I call, Jody always picks up the phone. Understandably, my car is getting a major work done. Before I made my final decision, I called the shop numerous times because I've tons of concerns/questions. I was impressed that he actually gave me a hard copy of estimate and no surprise hidden costs. When I brought my car to their shop, Scott was Professional he advised to what is only required to be done to my car. I chose Attitude Custom Painting because of Scott and Jody's top notch Customer Care. It took me a long time to look for someone to paint my car. I am very particular about who works on my car and I scoured the Internet for the. This is Roberto and I am using my wife's email address.My 2008 Honda Civic is the Love of my life and my wife knows that.

#SQUIRREL CATAPULT CODE#

1972 Mercury Montego N Code 429 – RestoMod.

Attitude Custom Painting Testimonials – 5/2004 back to 2002.

Attitude Custom Painting Testimonials – 5/2006 back to 10/2005.

Attitude Custom Painting Testimonials – 4/2006 back to 1/2006.

Attitude Custom Painting Testimonials – 4/2008 back to 1/2006.

Attitude Custom Painting Testimonials – 9/2008 back to 12/2007.

Attitude Custom Painting Testimonials – 6/2008 to – 12/2010.

#Squirrel catapult

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doctorofmagic · 3 years

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My thoughts on What If... Doctor Strange Lost His Heart Instead of His Hands?

The very title of the episode sends a shiver down my spine. And this is where we’re going to start.

~ long post under the cut ~

A year ago, I wrote this post as an attemp to dive into one of the most important traits in Doctor Strange’s personality: love. Stephen is a being made of love, made to love, no matter which interpretation you have when you watch Infinity War. If you don’t read comic books, you’ll understand the moment you meet Donna. You’ll begin to understand how her death reshaped his entire subjectivity out of fear of failing, being powerless and unable to control everything around him (especially death), thus the arrogant and yet a disaster of a man we all know.

Where do I even start? Stephen loved her sister deeply and felt responsible for her death. And then, slowly, he also lost his parents and his brother. He fell in love with Clea but he also pushed her away. He loved Zelma platonically and lied to her, which was enough for them to break their bond. He felt attracted to Kanna but screwed things up, even though they remain friends. He was forced to kill the Ancient One, the only father figure he had ever since his father died. And lastly, the only person who would never leave his side... also left. Yes, even Wong. Stephen has SO much love to give but he’s also afraid because he’s cursed. He truly believes his love in poison. And would you look at that? What If really delivered a story where this is actually true.

What If Doctor Strange Lost His Heart Instead of His Hands?

The level of understanding when it comes to the character is... inconceivable. What could possibly reshape Stephen into following a dark path but love? The very premise of the whole episode. This is so much more than a love letter. This is literally too much, in all senses.

Fine, let’s begin.

What if the best of intentions has very strange consequences?

No. You used the word “strange” for the pun but this is not the word. Nah-ah. I’d go with ATROCIOUS, for starters. Things are gonna escalate so quickly, my friends.

Seriously, tho? Christine is SO SO SO SO beautiful, they’re so cute together. I have this feeling that MCU!Stephen was quite toxic because of his arrogance and this is why they didn’t work out. But WhatIf!Stephen???????? He’s always praising her, teasing her in a healthy way, respecting her and listening to her. HE TRULY LOVES HER, I’M GONNA CRY ALL OVER AGAIN, PLEASE, NOT THE CRÈME BRÛLÉE, PLEASE

I’m going to leave this shot here because we need to go back to it later. Hold that thought.

And bonus points to “Yeah, well, I would call that quite remarkable.” / “Well, I would say the same about you.”

GODS. THE PAIN. STOP THE PAIN.

So in this reality, Stephen didn’t caused the car accident because he was checking his phone while driving. Also it was not the reckless attempt to pass the truck. Well, maybe it was the consequence of this act? The fact is, the car behind them loses control, which makes them crash. Does it matter? We’ll learn later that no, it doesn’t.

And yep... Christine dies. Have you noticed the shattered heart? Ah, the pain only gets better and better.

Again, Stephen blames himself. More than anything, this is so important because Stephen is all about guilt. We still need to meet Donna so we can add yet another layer of guilt. But the feeling exists. This is what corrupts Stephen’s heart and soul in all his iterations. This is what makes him the character I love so much. I love this SO. MUCH. In addition, his stubbornness to accept his condition. Man won’t take a no. This, this is Doctor Strange in character. Stop complaining about NWH Stephen, it’s pathetic.

Okay, “grief-stricken”, Stephen found the Mystic Arts and became a sorcerer. That’s when he learned about the Time Stone, the Eye of Agamotto and Dormammu. Nothing changes, he saves the universe. But time does not heal his deepest wound.

I love Wong so much. Every time Wong does something, the world is healed. Really. We’re going back to him as well but for now I’ll just leave this shot.

BUT STEPHEN, DOING SOMETHING RECKLESS? HE’D NEVAH

Aaaaaaaannnnnnd then he did.

He goes back in time. It’s been two years since he lost Christine. I think he reacted pretty nicely, despite the circumstances. Now let’s go back to that shot I said I was saving for later.

Stephen is so light-hearted here. Also, during the first time he lost Christine, he had no idea what “The Price is Right” was. He knows now, which means he probably tried to learn more about the show because of her, because of grief. HAHAHA MORE PAIN

AND THEN HE

AND THEN SHE DIES AGAIN

AND THEN HE KEEPS GOING BACK IN TIME

AND SHE KEEPS DYING

AND THE MUSIC

AND HIS VOICE

AND HE TRIES TO CHANGE FATE BUT IT CAN’T BE AVERTED

HE EVEN TRIES TO STAY AWAY FROM HER LIFE BUT SHE DIES ALL THE SAME, WHY

AND EVERY TIME THEY CRASH, HE FEELS THE PHYSICAL AND EMOTIONAL PAIN AGAIN AND AGAIN AND AGAIN, WHY

I’M-- *ugly sobbing noises*

Apparently, not.

And this scene when he simply... closes his eyes before she dies again...?

This is where this episode had me in endless tears. It got me the four times I watched it. I’m dead serious.

Okay, so, next the Ancient One appears to Stephen, explaining that Christine’s death is an Absolute Point in time. It cannot be changed. Stephen needs the accident to become the Sorcerer Supreme and defeat Dormammu.

And this is where Stephen starts his journey into darkness. “Nothing is impossible, you taught me that. I only require more power.” Disobeying the Ancient One, Stephen then travels in time, seeking the Library of Cagliostro. Now, if you’re not aware of that, Cagliostro was a sorcerer who studied time in comics, and later became Sise-Neg (there’s a recent post on this because of the new Defenders run). It’s funny to think that Sise-Neg also destroyed the world when he became a god, however he grew past his pettiness and remade reality. Stephen did not possess such power, as we’re about to see.

PS: “Stop torturing yourself, Stephen.” Naur but he should use this line like a mantra. Especially comics!Stephen.

Not gonna lie, tho. This place reminds me of the Temple of the Vishanti from T&T (of course I was going to insert T&T somewhere, it’s me).

And of course they’d go for a pun with his name haha. I don’t know how to feel about this, tho. I feel like the episode is too heavy and dark for comedy. But it is what it is.

Okay but why some books are in cages??????????? And wow, it seems Cagliostro also gathered knowledge about several fields of magic.

And then Stephen learns that, in order to break an Absolute Point, he needs to absorb more power. This is when I went “oh-oh, here we go”.

And for real, is this Shuma-Gorath? Why are they keeping his name a secret? Is this the same creature from the first episode with Captain Carter, right? RIGHT? It has to be Shuma-Gorath.

Of course he tries to be polite and ends up all hurt haha. O’Bengh warns him about love but he will not listen. “Love can break more than your heart. It can shatter your mind.”/ “Is she worth the pain?”. Please, this is Stephen. He eats pain for breakfast.

Also, also, let’s take a break. We’re finally going to get monsterf0cker tentacle-lover Stephen Strange. It will cost us everything but here we goooooooooooo (yes, I went frame by frame for your more obscure fanservice needs)

Gods, I love this sequence so much it hurts. Okay, here we go.

Shmebulock???????????

AND HE STOLE THE CAPE??????????? AND DREW THE LINE ON BUGS??????

The grasp this man is holding on me right now...

Some of you will understand. I’m with you.

And here are the grostesque ones. These are hard to take SS but I had to.

Animation, sound effects, OST? CHEF’S KISS TO ALL

And lastly... the tentacles. Yeah, if you’re new... this is a thing.

Fanservice. Fanservice everywhere. (low-key the reason I also waited to write this review, I wanted to enjoy this part so badly but I was too sad for that lmao)

Okay so. O’Bengh is suddenly OLD and DYING, until we realize that Stephen spent CENTURIES absorbing mystic beings. CENTURIES. WTF STEPHEN. He had nothing in mind but the goal to save Christine. And people wonder why he went insane???? I’m sorry, O’Bengh, but I can’t take you serious when you still call Stephen Sorcerer Armani. Oh, and also because you watched him absorb beings for centuries in silence lmao. But I guess I have to because you said that Stephen is split in two since the Ancient One cast a spell on him, splitting the timelines and making them exist in the same reality before he could travel back in time. I know, it’s complex. Anything for the plot.

And now good!Stephen has an evil!twin who wants to absorb him back in order to become whole and break the Absolute Point. Cool.

I said I wanted to talk more about Wong because I think people are not talking about him enough. Wong is so important in this episode. He’s the one who’s trying to heal Stephen after Christine. He’s Stephen’s anchor.

Also, THEY FINALLY USED A SPELL WITH THE NAME OF THE VISHANTI. HOORAAAAY

So, for the sake of our understanding, I’m addressing the characters as evil and good!Stephen. Let’s go. Evil!Stephen summons good!Stephen and gods, he still holds such a strong grasp on me... unbelievable. THE DEEPER VOICE BENEDICT USES???? PLEASE, DIDN’T WE HAVE ENOUGH?

Imagine his strength to hold so many beings inside him, fighting to control him. BRO, THIS IS TOO TOO MUCH

Fine, I’ll not post SS about the fight because I’d be here all night long but I WILL say this: NOT CLOAKIE!!!!! NAAAAAAAAAAUR

Also if you ask me if I recognize any of the spells? Maaaaybe the Flames of Faltine, the not-so-crimson Bands of Cyttorak and a little trick Magik does with her portals. That’s how far I go.

I’ll not comment on the “seducing yourself to stay in the trap”. I will not. I’ll just say that the first person Stephen thought of when “Christine” was talking about the crème brûlée was Wong. That’s it.

And finally evil!Stephen absorbs good!Stephen and releases... UNLIMITED POWER (I love when the stone goes red as if it was bleeding aaaaaaa)

I can fix him...

This scene here? Poetic cinema. (I love his wings so much)

And when Stephen says her name and the other monsters’ voices echo “Christine”, AAAAAACKKKK

AND OF COURSE CHRISTINE WOULD FREAK OUT, BRO. LOOK AT WHAT YOU’VE BECOME BECAUSE OF YOUR TWISTED LOVE. I’M NOT DOING FINE.

Oh, but it’s too late anyways because Stephen broke reality haha. This scene is interesting because Stephen is the only one who sensed and/or talked to the Watcher until now. I read an interview that the Watcher kinda showed up but it’s also about Stephen’s keen senses. Bit of both, let’s say. Still, man, 616-Watcher is not that cold. 616-Watcher would watch this and say “how about I intervene anyway?”. WhatIf!Watcher is brutal.

The way Christine looks at Stephen one last time also KILLS ME, DESTROYS ME, BREAK ME INTO A MILLION PIECES.

And this is where my soul left my body.

This is how they end the episode. This is how you leave me speechless and with teary eyes. This is how you give me a whole existential crisis.

This... this was brutal to watch. Really.

What can I say after this? I’m used to reading painful things when it comes to Stephen. Aaron’s and Cates’ runs are heartbreaking on so many levels. Hickman’s New Avengers is not easier. Coincidentally, What If? Magik Became Sorcerer Supreme and The End. And now Death of Doctor Strange. And yet, after everything I’ve been through, I’d never expect to watch something so brilliant, so tragic, so heartbreaking and unexpected in the MCU. Never. This is top tier content and this is my favorite character with SO MANY LAYERS and SO MUCH UNDERSTANDING. I can’t put into words how meaningful this whole episode is to me, or how deep it touched my heart and soul.

I’ve been struggling to find the proper words since then, I still can’t. All I can add is, I cried for the 4th time now. This is too, too much, even for Stephen stans. Even for the ones who are used to pain, regardless of which media you’re into: comic books, live actions or animated movies. This is literally more than I can take and yet I’m so, so grateful. The voice acting, gods, how did Benedict manage to create a better Stephen than the one he’s literally playing in real life???????????? HOW

This episode really took the max potential Stephen had to offer as a character, added tons and tons of layers based on his grief, depression, arrogance and need to control everything and created a tragic masterpiece. In 7 years of being a Doctor Strange fan, I've never read or watch something that could go this deep into the character. The closest I can think of is Mr. Misery and the metaphor of Stephen's depression. This is a whole new level of respect and understanding. This is more than a love letter. This is peak maestry. It’s perfect, it’s heartbreaking, it’s... gods, I can’t.

Sorry for dragging you until this far. Before I wrap up this review, I just wanted to remind you all that Stephen will appear again, he will smile again, he will be surrounded by people again. So this is not the end. It was painful but be brave. We still have a few more steps to take.

#what if...?#doctor strange #stephen strange #what if doctor strange lost his heart instead of his hands?#wong #christine palmer #the ancient one #long post #review #he did nothing wrong #so what? he destroyed a whole universe #/j #benedict cumberbatch

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riathedreamer · 4 years

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Zero is Null

A discussion of Zero’s love-hate-relationship with RvB and struggling independence; including a hotdog too big for the bun, tragic backstories, a single bow-chicka-bow-wow, and a cookie at the very end.

Welcome to what will be a lot of text. Basically, it will explore why Zero fails as an RvB (with emphasis on RvB) season. I will not be the first one to bring forth some of the points, and I promise to be fair and civil and fun. This isn’t supposed to be a piece of hate – in fact, I’m writing this because I love Red vs. Blue.

Okay, first of all, to increase your fun – take a guess on just how much of Zero is spent on fight scenes. You see, I’ve calculated the exact amount, and I will reveal it later, but for now, take a guess and remember the number. Maybe you are the winner!

Alright, time to share my thoughts. Wait! Since I suffer from anxiety and have this one annoying voice pretending to be all those critical statements my opinion could be met with, let’s give it an actual voice and address the points throughout this review.

“Why would I care about your opinion, Ria?” – I don’t know, you’re the one who clicked Read More.

“Your opinion doesn’t matter!” – Of course, it doesn’t! Geez. Do you think your opinion matters, though? Listen, we’re on Tumblr, the actual equivalent of screaming into the void. And it’s fun, too!

“If you don’t like it, don’t watch!” - *activates Uno Reverse Card* “You can’t talk about something you haven’t watched!”

“You’re just a Hater” – Actually, this is a point I’ll come back to. Like a cliffhanger. Also, at the end of this, there’ll be a cookie. But this will also include me talking about the stuff I like, because, surprise, Zero is not without talent!

“You just don’t like it because the Reds and Blues aren’t in it!” – Actually, that’s a good point, so instead, this review will start with a sole focus on Zero and discuss the problem that lies within that story. Then we can address why the lack of OG cast is understandable and problematic and weird.

But first! Backstory.

When the first 5 second teaser dropped back in spring (you know, when we were young and innocent and the world didn’t feel like an apocalyptic movie yet), I held onto that one image of what I thought (hoped) to be Grif and Simmons in the sunset, hopefully addressing Grif’s hateglue arc, but boy was I wrong because a) that’s not Simmons, that’s Sarge, and b) the image was from a PSA since the Reds are not in Zero.

Actual face-reveal of me below:

Admittedly, when I heard that the Reds and Blues were not going to be the main characters (or even show up), it felt like a gut punch. However, I actually found myself getting excited due to the creators’ hype. I want to praise them for this. It’s been a while since an RvB season was talked so much ABOUT before its release; it had advertisements, it had creators and voice-actors talking about it. Please. More of that in the future. Their passion rubbed off on me, and that deserves recognition. So it pains me that this was clearly a passion-project, and then when I gave it a try, I didn’t want to touch it again for weeks.

Here’s the thing. I cannot whole-heartedly say that Zero is bad. It’s not gonna melt your eyes. It’s not even so-bad-it’s-good. For me, it’s meh. It’s a Saturday-morning-cartoon aimed for a younger audience with a rushed plot and clichéd characters. The problem is that it calls itself RvB, and with that title comes something to live up to – but more importantly, something to continue.

My main issue is that Zero forces its story into existence by ignoring established content rather than adjusting to it. Let’s call this for the hotdog-too-big-for-the-bun syndrome solely for the sake of the bow-chicka-bow-wow that’s coming now. Bow-chicka-bow-wow. Many of the separate issues I will dive into all add to this hotdog-issue, so I will scream “Hotdog!” whenever this is the case so we can all keep track of my argument.

You can continue the story of Red vs. Blue without the Reds and Blues. While that would personally crush my heart, it can be done. There’s a story of Red vs. Blue that can be continued. The world can be expanded, the previous actions of the Reds and Blues can be explored from another angle.

So.

How does Zero do this? It doesn’t.

I just want to make it clear that new elements can definitely be added when it comes to worldbuilding. That’s literally the point of sequels. But Zero’s settings are presented with so little grace and with no connection to previously established worldbuilding. We get Alliance of Defense and GLASS thrown in our face as very big important organizations – yet we’ve never heard of them before. A big central plot point of RvB is the UNSC and Project Freelancers, and those were introduced naturally with the plot. We already have big established intergalactic organizations. What is AOD’s connection with those? We aren’t told. We are just told they exist and expected to accept it, no questions asked. If this was a whole new world and story – fine. But when you need to build on an already established worldbuilding, you need more grace than this. Chorus was a whole new setting, but it was explained, and it was connected to the previous plot. Same with Iris. Same with Desert Gulch. In Zero, it feels lazy. It feels forced. These organizations are just there because the story is built around them (HOTDOG).

This vagueness when it comes to wordbuilding is also reflected in the settings - we have a desert, a training base, a lab, temples, Tucker’s workplace, and we do not know if all those are set place on the same planet. If that is the case, what is this planet’s relationship with Chorus? Is it Earth? And most importantly, what is the deal with the temples? Why are they connected to Tucker’s sword if it isn’t the same planet. Are they made by the same aliens? Are people okay with this? Why haven’t these temples been explored before? Chorus makes sure to establish this, while Zero doesn’t, adding to a growing amount of confusion.

Okay, so no connection with previous worldbuilding. What about characters? I mean, we got Wash and Carolina and Tucker! So we have RvB characters, it gotta be RvB! Technically – yeah. But it feels dirty. These three characters are not here to be characters. They are here to be props to the new cast. They are not given any development. Their presence isn’t even that important, and if this was a whole new show, they could easily have been replaced with an unknown face. Worst of all, they feel miswritten.

Carolina and Wash are working at a new military organization? Leaving the Reds and Blues behind? To help people? First of all, fucking bad idea, Carolina, the last time you left the Reds and Blues alone, they changed the timeline. But most importantly – Carolina and Wash just joined this new super elite military organization? After being mistreated and manipulated by such an organization in the past?

Carolina is there to introduce the characters. That’s it. We are force-fed their personality by having her literally read out loud their personality. There is no gentle introduction to the new cast. We are not allowed to get to know them naturally. Why show when you can tell, huh? That’s Carolina’s role. That’s why she is there. To introduce the cast and explain their story. That’s it. (HOTDOG).

How about Wash? He is there to get beat up and be a damsel in distress so that the new cast has a reason to explore the plot. Oh, and that brain damage that was the consequence of previous seasons – gone now. The guy who literally has trauma from having an AI explode inside his head is fine with having a computer inserted into it instead. Because that’s needed. To explore his brain damage wouldn’t work now when his role is to be a prop to lure the new cast for one episode and then be put onto the bench for the rest of the runtime (HOTDOG).

And Tucker – he is there to die for a second and have his sword taken from him. That’s literally it. And for the few moments he is there, he feels like old super flirty Tucker, which erases the character development he went through in previous seasons. Okay, so Tucker dies, and then not dies, and then he is put on the bench with Wash where they can sit and talk or whatever (‘cause holy shit, the new cast is not allowed to that), because he isn’t important. The sword is. Tucker is just a prop, even more than his sword is (HOTDOG).

Damn. Wash gets beat up. Tucker gets beat up. Dies. Gets his sword taken away. Almost seems like a Red’s wet dream. Sorry not sorry, Blues, you were done dirty.

So there are miswritten old characters. Even worse is the retconning. The plot needs a “normal” Wash, so, bam, magic computer solution. Never mind Wash’s trauma and character traits. Never mind the logic of the new worldbuilding which also includes a character suffering for years to heal an illness. But the brain damage that was such a big consequence that it became the main part of the plot of the last two seasons – gone. I mean, a gunshot to the head can be healed by CPR. That’s canon. But no one gave Wash CPR so it’s a big thing, okay. It was canonically a big thing, and Zero erased that. This is not me saying that a Cerebral Enhancer couldn’t work in the RvB universe. Imagine it being done right. Wash struggling with the choice of getting used to his disability or accepting the possibility of help - at the cost of reliving his trauma. The struggle between what to choose - what should he choose when he wants to help as many as possible, the sacrifices he thinks he has to make, the way it could have been used as a part of his character growth. But in Zero, the enhancer isn’t a part of Wash’s character. It’s there so the story can work without having to deal with the previous plot’s consequence (HOTDOG).

Same with the sword thing. They sorta explain it by having Tucker flatline, but it’s weak. Honestly, I find it sorta offensive. What about Locus’ sword as well? It’s twisting previous lore to make the new plot work (HOTDOG). (Also, are we not gonna talk about the ultimate power being Spencer Porkensenson’s helmet? Have the writers forgotten Spencer Porkensenson? Have we as a community forgotten Spencer Porkensenson?)

If you have Red vs. Blue in your title, you cannot ignore what you inherit from it. You need to respect the worldbuilding, the established characters, and the previous plot. Zero does not do this.

Let’s talk about the Triplets. No, really, let’s do it. I don’t think I’ve ever talked about them before, because season 14 was a mixed bag for me (that I have now learned to appreciate. Thank you, Zero.) because I have heart at the size of the Grinch and can only love a few characters at a time, and that did not include the Triplets. Can’t even remember their names. Well, I can, but I can’t for the love of me remember which state is which, and my tongue is twisted every time I try to say Ohio, Iowa, and Idaho, and I know it’s on purpose. I know it is. And it got me good. That being said, the fandom actually embraced them really, really well! Seriously, I’ve seen more content for the Triplets than for Zero as a whole.

Why talk about the Triplets? (Was Iowa the lesbian? Or was it Ohio? Fuck.) Because like Zero, they introduced new characters with a story of their own. The Reds and Blues didn’t play a role. But here’s what I feel like the Triplets got right. They didn’t change the settings to force their narrative. They used stuff already established (Project Freelancer), added their own story as a continuation of that. They even included old characters in the beginning (Wash and some other Freelancers) but it felt natural and it didn’t feel like it happened at the expense of the old characters. Wash’s writing felt natural, and his presence wasn’t needed to tell these new character’s stories. He wasn’t a prop to them. He was there to establish the setting and to establish the relationship with these new characters, and then he and the other familiar faces (helmets??) left, and we as the viewers were left with these new characters. And the new characters told their own story by themselves. It felt like, hey, here’s something you know – remember Mother of Invention, and remember Wash’ lower rank, but now, try to imagine being even lower rank than him, aren’t you curious about those fates? Now let’s hear their story! It was new, it was something else, but it didn’t wreck what came before it, and it stayed true to the classic vibes of RvB.

As I said before, the hotdog-issue is my biggest problem with Zero. It infuriates me. I will return to this. But there are more issues, even if we try to look past the title-related problems.

If we try to imagine Zero as its own story and universe (as it should be, in my opinion), it still earns the meh review from me.

These isolated issues include awkwardness, the writing, lack of self-awareness, and pacing. First of all, holy shit, this is a tell, don’t show. Nothing is subtle, nothing is allowed to develop. It’s like the show thinks you are six years old with an attention span of a goldfish. You are not just led by the hand – they have literally pulled off your arm by the end of the show. We are force-fed every bit of information, every bit of personality from these new characters.

The voice-acting is a mixed bag for me. Sometimes it’s pretty good, sometimes it’s not. Some of the problems can definitely be blamed on the dialogue that you can only do so much with. It’s not good. I can’t remember any good jokes (the one joke I really appreciate was the cast on armor, and that was freaking visual humor. That was so RvB. Kudos to that. It was fun. More of that, please.), and RvB is known for having memorably good lines. This is a show built on good, clever, funny dialogue. Zero does not deliver. You have to sit through clichéd lines – “You’re not my dad”, “I trusted you”, “Come with me”, “It can’t be!”, “She’s way too powerful”, and “We have to do this together” – performed unironically. I cringed more than I laughed. Worst thing is that Zero could be a good parody. Sometimes, it feels like it is. One-dimensional characters, a villain wanting ‘the ultimate power’, very overpowered characters, bad one-liners, etc. But Zero takes itself seriously, and I was one of the people rooting for Jax to show up at the end and yell “Cut”. That would have been a funny-as-fuck twist. A spin-off parody. If I can’t have “Sarge the Movie”, I would have taken that and loved it. I would have forgiven everything. “We put so much info into finding that power, but we had no idea what it was” is really a line in the finale, and I cannot believe this is real in a show that somehow still tries to present itself as serious. What a plot.

We have to talk about pacing. God, first of all it should be stated that RvB is a mess when it comes to pacing. I honestly get what they were going for. Sometimes, RvB has come across as a bit boring when you get three episodes stretched over three weeks without much going on. I know season 11 did not have the warmest welcome because it was seen as boring until the finale. But when you see season 11 as a whole, as a movie, as a part of a trilogy, it works so well. Zero is more focused on being episodic. They want something to happen all the time so we will stay tuned. The thing that will happen – a fight. Oh god. The fight scenes.

I have done the math. I have run the numbers. I deserve a freaking cookie for this. Are you ready?

If you put all the episodes together, you have a runtime of 106 minutes. HOWEVER, with the introduction of credits in every episode, you gotta account for this. Removing the credits, this gives us 94 minutes of actual runtime. Out of that, 45 minutes are dedicated to fight scenes. That means 48% of the show is fight scenes.

If I wanted that many fight scenes, I’d watch Death Battle. Except the actual RvB Death Battle episode has a runtime of 20 minutes, and out of that, 5 minutes is dedicated to the actual battle. For the people who hate math – that’s 25% of the actual runtime.

RvB Zero has more fight scenes than a show called Death Battle. Take that in.

The pace suffers from this. Where’s the time to explore the characters? Where’s the time for good dialogue? All I can think of is this:

I get that RvB is a show that’s literally making fun of itself by acknowledging all their characters do is stand around and talk. I get that you want characters to do more than that. But for the love of Church, would it kill the new characters to stand around and talk? For just a minute? Stop fighting, I am begging you, stop fighting! Am I a pacifist now? Am I purple? Have I joined Doc’s team? What has Zero done to me?!

The good thing though is that fight scenes are very good. They’re entertaining. However, they seem to deconstruct themselves when we need to get a fight scene in every episode. Usually, the few fight scenes in an RvB season were in some of the most climatic episodes. In Zero, I can hardly keep up with the pace because they won’t stop moving. Fight scenes aren’t plot. They aren’t character development. You need more than just fight scenes. They entertain, but there’s a limit to that.

Noël Wiggins, the co-writer, stated the inspiration was a Saturday-morning cartoon. They nailed that vibe. If that was their goal, hurray, they have accomplished something! Because of the poor plot and constant fight scenes, it feels like you could just switch on the TV and drop in at any moment and let yourself be entertained by the cool and colorful soldiers punching and kicking each other. I will admit that the fight scenes entertained me. But they don’t make it a good season.

If I were the six-year-old with the attention span of a goldfish that the show believes I am, I honestly would enjoy it. The stiff dialogue and the constant tell-don’t-show makes you feel like an audience that’s not supposed to do anything else but admire the flashy fight scenes. I miss the cleverness of RvB. I miss the characters I get to connect with as I see them grow.

I miss the tone of RvB. Because this isn’t RvB to me.

It’s not that RvB hasn’t changed its tone before. Holy shit, I sorta do want to experience the absolute shock the RvB fandom went through when s6 aired and they were given new characters and serious plot. I would have loved to experience that, but I was too busy being ten years old. The Freelancers seasons also introduced a new tone and more fight scenes with very talented fighters compared to the Blood Gulch gang, but a balance was kept by having half of the season still revolving around the Reds and Blues. But Zero – Zero is so much change. And it’s on purpose. At least this has been made very clear from the beginning.

They constantly seem to appeal to new fans, rather than be directed towards older fans of the show. If you want an entirely new audience with a season with a new cast, new worldbuilding, and new tone, I’m confused as to why they don’t just make a new show. The hotdog-problem begs for this solution. This story and environment and characters feel so out of touch with the original RvB, that with a few rewrites and lack of Halo-armor, it could just be a new show. Problem solved.

If not this, then present it as a spin-off. In all ways, it feels like a spin-off (again, see everything marked HOTDOG). But the creators refuse to do this, and I don’t understand why. I could forgive many of these issues, had they officially separated themselves from canon.

Ah, what’s the idiom? You can’t both swallow and blow? (You can hear the Bow-chicka-bow-wow in the distance). Something about eating cake and having it. Forgive me, English isn’t my native language. POINT IS why are you calling yourself RvB while actively fighting against the core essence of RvB? In my humble opinion, you can’t be both. Marketing it as a spin-off would have granted it some defense when changing, well, literally everything, and I just, would someone please properly describe why it isn’t a spin-off? Isn’t this season marked by its association with the plot of RvB rather than a continuation of it? Zero presenting itself as not a spinoff feels like a toddler clinging to the hem of its mother’s dress while forcefully running away from her, ripping the dress in the process.

When they do connect with the original RvB, it leaves a bitter taste in my mouth. When they let Carolina, Wash, and Tucker appear for a moment, it feels like luring viewers in with the RvB title. Look at me. Look at me! I’m not saying this is the case. I say that it gives me the annoying vibes of being lured, rather than letting the characters be a part of the show for their own development, rather than having RvB in the title to continue its story. I should not be getting these vibes at all. But I am.

If you want to use RvB in the title, something from the core of RvB needs to be embraced. Things can be changed. They should. Something new should be brought in. But there’s a limit to how much you can change and replace and twist until it would have been better with an original show. As a season of RvB, it should tell the story of Red vs. Blue.

From my perspective, Zero fails to do so.

It pains me that the old cast has been replaced, but as stated earlier, a season could have worked without them. However, I do not like the take that one should be excited about all the new characters. That it isn’t a big thing that the OG cast got replaced. That we should just deal with it. Just, try to imagine another show suddenly replacing the main characters with characters we’ve never met before. Imagine RWBY suddenly only focusing on a new team of huntresses with the previous main characters reduced to an Easter Egg presence, or Camp Camp suddenly being about a new team of campers, no warning given. Can you imagine the outcry? So maybe let’s agree that a replacement of the main cast is a big thing and should be addressed and it’s valid to be upset about this change.

Could Zero have worked? It’s hard to answer this. How can I accept something as RvB if the season actively pushes away the core of RvB aside for an isolated story that could have been told in any other media? As a spinoff, I could have ignored it. To enjoy Zero, I have to fully separate it from RvB in my mind, and then it’s alright. S’not good. But it’s not bad. It’s entertaining enough. I really ended up liking Raymond and Tiny, and there were a few good jokes, and the fight scenes were admirable (but too much) and I love the creators’ passion. But it’s not RvB. I also wish that the new characters had been attached to previous worldbuilding, for example soldiers on Chorus or agents from Project Freelancer. That way we could build on familiar lore which would have decreased the confusion and added a much needed connection with the previous seasons of RvB.

God, the anxious voice is back (by the way, it sounds like Tutter from “Bear in the Blue House”).

“You’re racist” – I hope not. Literally, I do not want to be. Tell me if I’ve ever crossed some lines, because I swear, that is not my intention, I will apologize and most of all, change and do better. I included this because I’ve seen this take thrown around in the big ugly mess that is the fandom clashes regarding Zero. And racism is problem within RT community (this includes AH and RvB, sorry, I just use RT as an umbrella term for the latter), and I’m not saying it hasn’t been a problem with this season. Writers should never be harassed, and never-fucking-ever because of their skin color, and voice actors shouldn’t be treated like they are responsible for the choices of the show. But I was legit nervous to post this review, and I hope it’s been factual without feeling like personal attacks on the creators because that has never been my intention. I was delighted to hear about the diversity behind this project, and Torrian’s passion legit blew me away because it’s been a while since I’ve seen that for an RvB project. I’d hoped for it to be good, and when I feel disappointed, it’s for the reasons stated in this analysis. That said, Zero is made by a diverse cast and it’s made with love, and both of those things are so, so great, but it does not mean that Zero cannot be criticized. It can, and it should. It’s a product, just like all the other seasons, and fans are allowed to discuss it – both what they loved, and both what they found troublesome. And to repeat previous points, and be respectful, always, fuck racists, and never-fucking-ever harass the staff behind a season, what the fuck is wrong with you if you do this.

“Don’t you get it, it’s different because it’s trying something new!” – Hey, remember the philosophical question: if you replace all the parts of a ship one-by-one, is it still the same ship when you’re done? If it doesn’t include the Reds and Blues, if it ignores previous plot, if the old characters feel miswritten, if it values animation over dialogue, if it values fight scenes over comedy, if it wants to be Fast and Furious instead of Red vs. Blue – is it still Red vs. Blue? Because it doesn’t feel like it to me.

“It's been 17 seasons, it’s time to let the Reds and Blues go so someone else can shine!” – I simply do not understand us having been with the Reds and Blues for 17 seasons should be an argument to let them go, rather than be an argument as to why their absence hurt like hell.

“The Reds and Blues ran out of things to do!” – Did- did they, though? I mean, if we were discussing pretty much any other show, I’d probably agree that they were running out of content. But for the Reds and Blues… I think the PSAs nailed it this year! I’m not kidding, I had more fun watching the Reds and Blues discuss how to do laundry than watching Zero. You could literally give me an hour of the Reds and Blues trying to bake a cake or clear a gutter or simply settling down with an ordinary life, and I would trust them to make it worth the watch.

“The flaws were due to the fact it’s only 8 episodes long!” – Look, I can only judge a product the way it’s presented to me. I cannot come up with excuses for it. If they had 8 episodes to work with, they need to come up with a plot that works with this runtime. Seriously, this excuse cannot work when 48% of the season is spent on fight scenes. They could have used more runtime, sure, but the show needs to be able to pace itself and be planned accordingly.

“The OG cast couldn’t be a part of this year, hence Zero!” – That might be true. But. Would one year without RvB kill it? Is Zero necessary? Again, I just can’t judge excuses for the show. But trouble with the cast has been an issue before. Season 15 solves Geoff’s sabbatical by actually making Grif’s absence a part of the plot. Zero’s lack of Reds and Blues just feels like this excuse to tell a story that needn’t be a part of RvB.

Am I a hater? I guess? I greatly dislike Zero for the critique stated above. I do, however, not harass the creators and no one should ever do that. However, I have to admit that I feel there’s been this weird rejection of any critique of Zero where everything’s been brushed off as haters gonna hate, including the critique stated above. And I think that’s a problem because critique, as hard as it can be to hear (and I know this. I’m an author of original works. Weird flex, I know), is valid and necessary and shouldn’t just be shrugged away. As always, both sides of the fandom should always be respectful, but my own opinion is that addressing the flaws of Zero should not be controversial.

Does this super long rant/critique/whatever mean you cannot enjoy Zero? Gods no! I almost envy you if you enjoy this season, but holy shit, feel free to love it and tell the creators that you love it! Me pointing out the issues I have with the season shouldn’t be stopping you. I loved (and still love) s15 when it came out, and it was majorly rejected by the fandom. There were many, many critical posts, people were going on about how RvB should have ended with s13, and it evolved into the writer receiving death threats (me, once again: never ever harass the creators, assholes). But I didn’t tell people to stop being negative. I actually agreed with many of the flaws that were pointed out, and I enjoyed the season despite this, because that is possible. We, as RvB fans, should agree that RvB, is... I mean, it’s not the greatest, most flawless of shows, but we love it nonetheless. So go ahead and love Zero. This is not a stop sign. This is my opinion that you chose to read.

Wait, I promised you a cookie, didn’t I? Well, you’re not getting one. Why? Because I’m a Red and this is my chance to piss off a Blue. As Caboose wisely said: “Well, at least I don't go around... knocking on people's non-doors... and promising them cookies... and then NOT. GIVING. THEM. COOKIES!”

Blue Team sucks.

End speech.

#rvb zero #rvb #rvb zero critical #rvb critical #rvb0 #my rvb stuff #pls dont hate me for this #this is my honest opinion that people apparantly wanted to hear #as a standalone story zero isnt totally bad #as an rvb season it is

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deja-you · 3 years

Text

Starlight

m. de lafayette x reader

chapter three | romeo and alpha

summary: it was never your intent to be anything more than a common thief, but fate -- and a rather attractive general -- have other plans for you.

word count: 1.8k

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In the months following your mission on Hesse, you only got better and better at your job. You learned the ins and outs of Philian nightlife, and you were proud to say you were getting more used to jobs on foreign planets. Mostly, you were getting more used to Lafayette and his division of soldiers. In between missions, you had time to lay low at headquarters, and the soldiers quickly became brothers to you.

As all siblings like to do, the soldiers would do their best to pull pranks and tease you when the occasion occurred. The growing relationship–you might even call it friendship–with the man who you had stolen from just a few months ago didn’t go unseen by the men in Lafayette’s division.

“We’ve compiled the information needed for your mission with Alpha,” Hamilton says, sliding a tablet across Lafayette’s desk for him to read.

Alpha–the squadron had affectionately given you the codename; named for the capital, Alpha Cersei, of the tiny planet you had grown up on. You wore the name with pride.

“Anything important I should know?” Lafayette asks as he begins scrolling through the information.

Hamilton coughs softy and nudges Laurens, who in turn nudges Mulligan. Mulligan shoots the other two men a dirty look, but nonetheless steps forward: “Well, the thing is… We thought it would be best, well… well why don’t you tell him, Hamilton?”

“Me? I put this together!”

“That’s why you should be the one to tell him!”

Lafayette sets the tablet down rather unceremoniously. “Would one of you just spit it out?”

A beat of silence.

“We… well, Hamilton decided that a couple of newlyweds would be a rather convincing cover for this particular mission,” Laurens finally says.

“Oh so now it was my idea, huh?” Hamilton says with irritation. “It was our idea when you thought it was funny.”

Lafayette looks between the three men incredulously before looking back down at the tablet to read further into the details. “You didn’t seriously…”

“If it makes you feel any better,” Hercules says (and he says it in a way that makes Lafayette think that the next thing he’s about to say won’t make him feel better at all), “we made sure to book you and Alpha the honeymoon suite. The reviews are great. Supposed to be very ro-man-tic.”

Hamilton and Laurens fail to hide their snickering, but Lafayette silences the two of them with a sharp look. He rests his forehead in his hand when the information he’s reading on the tablet confirms everything his soldiers told him.

“This is the last time I put any of you in charge of mission details,” Lafayette mutters.

“That’s not fair, we gave you a cool codename,” Laurens points out.

Hamilton’s eyes light up and he nods in agreement. “We did! Do you want to hear it?”

“Do I?”

“You’re Romeo,” Hercules says, and the three of them grin widely like it’s the cleverest thing they’ve ever come up with.

“Romeo?” You push open the door and take a seat in one of the chairs in front of Lafayette’s desk that you’ve grown accustomed to. You size Lafayette up with a look, noting how flustered he seems. “Are you a fan of Shakespeare, or somethin’?”

“Actu—” Laurens starts, but Lafayette silences him with a glare.

“Yes. Love Shakespeare. Laurens, Mulligan, and Hamilton were just about to leave.” His words are clipped and the three soldiers seem to understand him, quickly filing out the door in a fit of laughter, but not before muttering something about leaving the two of you alone together.

You raise an eyebrow at their strange behavior but shrug it off. You turn to face Lafayette and give him a mock salute. “Alright, general. Brief me on my mission.”

“Our mission, actually,” he corrects.

This surprises you. “You’re coming with? Ah, I suppose that makes sense. Hence the codename. Alright, Romeo, brief me on our mission.”

The codename catches him off-guard, but he doesn’t let it show. “There’s a British officer who has happened to obtain some… important information concerning future battle plans. We’ve been told he’s staying at a resort on Ambros while his ship is being repaired.”

“So we’re going to steal the information back before he can get it to New Britannia?”

“Exactly.”

“What’s our cover?”

“There’s more information on here,” Lafayette says, handing you the tablet, “but basically… we’re honeymooners.”

You pause, look up at him with wide eyes, then snort loudly. “You’re going to be my husband?”

He frowns at you. “Is there something funny about that?”

“No, of course not.” Your laughter contradicts your words. “It’s just that… you and I, well… we’d make an interesting pair?”

“Don’t worry, starlight, you’ll only have to put up with me for the length of the mission.”

“Oh, c’mon, don’t you think the situation is a little bit humorous?” You flash him a grin and his expression softens a little. “So should I meet you at the loading dock tomorrow morning, then?”

“Yes,” he nodded. Then, remembering something, Lafayette reached down and opened up a drawer, pulling out a little box. He set it on the desk in front of you.

“What’s this?”

“We’re married. You should have a ring.” He shrugs like it was obvious.

Gingerly, you open the box and your mouth falls open when you see the large diamond in front of you. The ring probably costs more than anything you’ve ever owned, and Lafayette is just giving it to you. You look from the ring to him in shock, and he gives you a small nod, encouraging you to try it on. You slide it onto your finger, and it just happens to fit perfectly.

“Wow” is all you manage to say as you admire the way it sparkles on your hand. You grin and your eyes meet Lafayette’s with a mischievous grin. “I’ve been waiting for this my whole life. Yes, yes, a thousand times, yes!”

Lafayette rolls his eyes at your antics, but he can’t help but smile. “Is it too early to file for divorce?”

You wave him off as a thought suddenly occurs to you. “I’ve got to go show the boys my engagement ring! I’ll see you tomorrow morning, bright and early, sweetheart.”

With that, you sweep out of the room and moments later, Lafayette can hear Hamilton, Laurens, and Mulligan all laughing and congratulating you on the fake engagement. Lafayette shakes his head, but he is incapable of wiping the smile off his face.

The flight to Ambros is short, and you and Lafayette spend most of the trip going over your cover in more detail. Lafayette is more focused on the important details: the name and appearance of your target, strategies, etc. You, on the other hand, argue that it’s just as important to come up with a believable background: how long the two of you have been together, where you got married, who your maid of honor was. You’re mostly teasing, but it would be beneficial to the both of you if your stories lined up.

“How did you propose? I think you took me back to the place we first met,” you muse.

“No, no. Not the place we first met. The place I first realized I loved you,” he suggests.

You look up at him, amusement playing on your features. “Oh, that’s much better.”

“Yes, and you had no idea. And I told you that ‘this is where I fell in love with you’ and suddenly I was down on one knee.”

“Our love story really is the sweetest, isn’t it?”

He nods. “The very best.”

You admire the ring on your hand and a thought occurs to you. “Do you just happen to keep wedding rings in your desk for impromptu proposals? Or… is there someone you were going to propose to?”

Lafayette shakes his head. “That was my mother’s ring.”

Your jaw drops when he says this. You’ve heard the stories about Lafayette’s past. Both of his parents died when he was young, leaving him one of the wealthiest Francos on the planet. Maybe he left Francosia because he had no family left there. Maybe it was something else. You don’t ask.

“This is your mother’s ring? I can’t wear this! Why didn’t you tell me?” You ask.

“We’re supposed to be married, starlight. Unless you’ve got a different ring in your pocket you’d prefer, I think our options are rather limited,” he says plainly.

You see the logic in his statement, but you’re still shocked he would trust you with his mother’s ring. “Yes, I understand, it’s just… this is something important to you. You just gave it to me.”

“Should I be worried about giving it to you?” He teases. “Were you planning on stealing it?”

“Well, now I’m not going to,” you say under your breath.

This elicits a chuckle from Lafayette. “My mother would’ve liked you. If anyone was going to wear her ring, I think she would’ve been glad it was you.”

Lafayette stands when the orange Ambrosian sea begins to cast hued light through the window, but his comment isn’t lost on you. For some reason, your chest grows all warm at the thought that his mother would’ve liked you.

“We’re going to be landing soon, we should both get changed,” Lafayette says.

He’s right. You’re wearing plain tan clothes, hardly suitable for the wife of a wealthy businessman. Lafayette is still wearing his white Amerigo Army uniform; he’ll have to change for obvious reasons. You give him a nod, getting up to your personal quarters to get changed.

For this mission, you’ve packed a closet of outfits that you would never have worn back home on Philia. Evening gowns, dresses that are equal parts too short and too sparkly, gold and silver necklaces, shoes you don’t understand how to put on, much less walk in. You decide you’ll wear one of your simpler options: a black gown that hugs your torso before cascading to the ground in waves, a slit exposes your left leg up to your mid-thigh. When you’re finished getting ready, you catch sight of your reflection in your mirror, and a surge of confidence flows through you. You look beautiful.

When you step back onto the bridge, the look on Lafayette’s face reaffirms your thoughts. His lips part as he takes in your appearance, eyes widening slightly before he remembers that it’s not polite to stare. He clears his throat.

“You look… nice,” he says.

“You don’t look so bad yourself,” you reply. You mean it. Lafayette has changed out of his usual uniform into a fitted suit of all black. A flash of deep red catches your eye when he adjusts his pocket square. He’s wearing the colors of the New Britannia flag; it’s all in the subtle details. You realize that this is the first time you’ve seen him in civilian clothes. You decide you like it.

“Shall we?” Lafayette offers you an arm.

You smile and take it, pulling yourself to his side. “Of course, darling.”

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#lafayette x reader #daveed x reader #marquis de lafayette #thomas jefferson #thomas jefferson x reader #daveed diggs #daveed diggs x reader #hamilton imagines #hamilton fic #hamilton fanfic #hamilton x reader #reader insert #slowburn #enemies to friends to lovers #spy!reader #spaceau #scifiau

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jinhyun · 2 years

Note

Hiii 💓 i just read the latest update of watercolor and i was going to leave some of my comments under the update but since i had so much to say i thought i should send you an ask again lol 🥲

but wow okay!!! first of all this update was too much fun to read as always! I am still so happy that you decided to write this part of the story out because it gave us so much more detail not only about what happened during that night but also about how hyunjin + yn are feeling 😗

while i read through this i was thinking of how you do such an amazing job at portraying the confusion that hyunjin is really feeling. we don’t fully know what’s going on in his heart or his mind but that’s the whole point because he doesn’t understand it himself! he doesn’t know how he feels and that’s why he acts so irrationally… and i think you’re doing a great job at bringing those feelings of confusion to life. Hyunjin is all over the place rn and while he may be frustrating to some i find him to be soo fun to read haha. through his actions you can still get the idea of how he’s feeling though and i can’t wait for him to start coming to terms with his feelings.

i am so glad yn is letting herself have fun once in a while despite her feelings for hyunjin! my girl deserves it and it’s so cute how sweet changbin is with her 😩 also the part where hyunjin said he wished it was him causing yn to make those pretty sounds HELLO??? when i tell you i screamed jdndkcnd i wasn’t expecting that at all.

hyunjin and yn at end of this update were so cute i loved the little back and forth teasing they had going on and how effortlessly they seem to speak to one another now despite some tension still being there. i’ll always be team hyunjin even when he’s being a little dumb lol 🤧🤧 but i kinda appreciate how hyunjin seeks more opportunities to be alone with her now when at the beginning of this series hyunjin practically avoided that at all costs. i hope he doesn’t confuse yn and her feelings in the future so hopefully he figures it all out soon 🤗

thank you again for going out of your way to give us a written update this time! it made a difference and it was a great choice :) i always get so excited about this story as you know and i end up writing long ass messages in your inbox ssjkfsbfm although you said you love long messages so i’m hoping it’s okay 💖 im sorry if some of the things i said don’t make total sense hahaha i’m still a little excited rn and i hope you understand everything i’m trying to say!

PS i hope you’re doing great omg! keep taking care of yourself and stay healthy. thank you for all of your hard work and i can’t wait for future updates :D❣️

omg helloooo!! this kind of asks make me so happy, it's okay 🥺💕

ahhh, i'm happy it was fun to read! and yeah, it was supposed to be a fake texts part but as i planned it out i realised there were feelings (especially hyunjin's lol) that i wanted to portray and could only do so through a drabble... and i am so happy to read that you think i was able to actually portray that 😭 yup, he truly does not know what he's feeling and he is all over the place so let's cut him some slack although hopefully he'll come to terms with it soon 🤧

yesss, she deserves to have her own fun and it's good that she's finally realised that and throwing herself out there. LMAO trust me, not even hyunjin was expecting to have that kind of thoughts regarding y/n 😹 but he did think that and there is no turning back 👀

they're cute when hyunjin is not trying to push her away :( i'm happy to be able to show those little moments of theirs from time to time, i make myself soft lmao

yeah, there has been some kind of development when it comes to hyunjin wanting to spend some time with her... i wonder why that is 🙄 kdñajd but it's good to see him no longer trying to avoid her at all costs so far

thank you SO MUCH for reading and going out of your way to leave this kind of review!! it really means the world to me 💖 i understood everything you tried to say perfectly so don't worry about that!

honestly all i can say is thank you over and over 😭😭😭 i hope you're doing great! stay safe 🥰

#ask #yerimselgi #au: watercolor

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peterstanslizzie · 4 years

Text

Reacting To: Kipo and the Age of Wonderbeasts (Season 3 Episode 10)

This is it people! The series finale of Kipo; Let’s get to it.

Episode Title: Age of Wonderbeasts

Spoiler Warning: Kindly proceed if you’ve already seen the episode or are able to handle spoilers

Hopefully she’s getting dressed for her funeral lol

1. Continuing on from last episode, the fireworks rigged with the cure goes off and a bunch of embers start falling from the sky. One of the Humming Bombers got into contact with one of them while attempting to flee and immediately de-mutes. I thought the cure needed to go into their bloodstream? Unless, the ember actually burned through their skin. It that’s the case, wow that’s dark....

It’s awesome that Earl and Lily are helping Molly since Molly saved their children awhile back.

2. With her quick thinking, Kipo asks everyone to find shelter underneath her as she transforms into her Mega Jaguar form. However, that’s still not enough to protect everyone but luckily, the good humans step up to shield them with table cloths, which was heartwarming to see.

The mutes are thanking the humans for their act of kindness

OMG. Lio and Song hugging Scarlemagne? I’m here for it.

3. Thankfully, the fireworks ended and Kipo then pleads with Emilia one last time to stop what she’s doing. Emilia, hard-headed as ever isn’t one to back down at all and makes a drastic decision to inject herself with the mutagen she sourced from the Mega Walrus, transforming herself into one ugly Mega Mute.

Imagine seeing this in real life...shudders

4. I thought she was going to use the Mega Walrus’s DNA to make another cure that would affect Kipo. I didn’t think she would do this to herself. Kipo transforms back to her Mega form to take on Emilia before she could potentially hurt anyone.

How many Troyson kisses do we want? Yes...hehe

5. Troy and Benson are directing everyone back to find safety inside the old burrow while Wolf joins Kipo to assist her in battling Emilia. Kipo has the upper hand at first because Emilia isn’t used to being a Mega Mute. However, as the fight progresses, Emilia is starting to get better and is landing some solid hits on Kipo. But I feel like Kipo shouldn’t be losing to Emilia since she has much more experience fighting as a Mega. I guess they want us to feel like the stakes are high.

Man, this fight is actually pretty brutal. Emilia is whooping major jaguar ass here.

6. During the battle, Wolf notices Greta nearby and thinks that she has the cure to turn back Emilia into a human. So, hopefully they can steal the cure from Greta and use it as leverage to get Emilia to stop. They split up with Wolf going after Greta and Kipo continuing to fight off Emilia.

7. After taking a couple more punches, we see three of the Mega Dogs, the Mega Pigeon and the Mega Beaver heading their way towards the fight, with Jamack, Molly, Hoag, Amy, Zane, Label, Lio, Song, Scarlemagne, Dave, Benson and Mandu riding on them. I stan such supportive friends!

8. They each take turns kicking Emilia’s butt to buy Kipo some time to recover. Side note: It’s so cool that Jamack tells Emilia to do some “soul searching”! That’s literally the same line Kipo used on Jamack in Season 1 when he was an antagonist back then. During all of this, we see Emilia beginning to have some inner turmoil; It looks like she’s starting to lose herself in her current form.

9. We get to round 2 of Wolf vs Greta and it looks like the tables might turn in favor of Wolf but Greta is just too beefy for her to take on. While being held down in a pin, Wolf tries to butter her up with words by telling her that she’s not an idiot and she can think for herself, without the influence of Emilia. She also bribes her with all the pancakes she can eat if she hands over the cure to her and just like that, she agrees to hand it over. It’s so ironic that Greta is one of Emilia’s last followers but she’s so easily influenced to switch sides.

Again, I don’t get why Kipo is losing to Emilia so badly

10. Kipo is down for the count and Emilia turns her attention to her friends/family. As she’s about to crush Lio and Song, Kipo charges in last minute to take the devastating blow for them; She then falls unconscious. However, Emilia’s not done yet.

Scarlemagne’s death in 3...2...1

11. Oh no...here we go. Scarlemagne decides to play hero by making his attempt at saving Kipo. He basically gives his swan song to Lio and Song. I have a bad feeling he’s going to die and I’m not at all prepared to watch. He takes off on his favorite Flamingo vehicle from Season 1 and 2 and flies towards Emilia to distract her.

We haven’t heard this laugh in ages. Also, did anyone get chills when he tells Emilia to “leave her sister alone”?

12. He crashes his vehicle into Emilia causing her to lose focus and it sets off her ‘losing herself to the mega mute’ phase. This in turn, causes Scarlemagne to crash land somewhere in Skyscraper Ridge. Was it necessary for him to crash like that? If that’s the way he goes out, I’m gonna be honest here and say I would be very disappointed with that.

13. Emilia, who clearly is out of it runs off somewhere and Kipo, Wolf, Dave, Benson and Mandu all go after her with Lio and Song heading towards where Hugo/Scarlemagne crash landed. We then see the artistic representation of Emilia losing her mind to the mute, where her human form is quickly sinking deeper and deeper into the ocean.

14. They catch up to Emilia and they could see her being distraught. We also know the reason why she’s this way and it’s because she doesn’t have an anchor. I love it how whatever explanation we’re being told by the characters is something that the audience should know based on past episodes. Now that’s good storytelling.

15. Anyways, Kipo makes the decision to cure her because she thinks she doesn’t deserve to be punished this way. Really now? After all that she’s done? Maybe what Kipo means is that she deserves get whopped in her human form lol. After curing her, Kipo makes ANOTHER ATTEMPT (for the 3rd time) to convince her to make a change but of course this bitch isn’t going to change; She takes a shard of glass and tries to stab Kipo:

16. But our girl, Mandu quickly reacts and bites Emilia’s arm. She then loses her balance and falls stories high in the exact burrow her lab was located because we then see Fun Gus capturing her and taking her in as her “playdate”. Emilia is basically history.

17. Yesss! And this punishment is fitting since she will probably be Fun Gus’s plaything till she goes insane and dies. Not to mention she despises mutes. So, it’s a great way for her to go out. Bye!!! That’s what you get for killing your brother, you heartless monster. Can I also point out that once again, Mandu is the one to take out Emilia. She did beat her in season 2 when Wolf, Dave and Benson couldn’t and now in season 3, she’s the one to finish the job. Don’t mess with Mandu lol.

18. They head back to find where Scarlemagne, Lio and Song are but it’s almost too late because Hugo is dying. Kipo is in tears and I’m in tears too. Again, was it really necessary to kill him off? I felt like he’s more or less already redeemed as a character before this. He didn’t have to commit such a heroic act, which had cost his life. Ugh....And just like that, Hugo dies.....UGHHHHHH. I really don’t think he needed to die. If Catra (who committed just as many heinous acts, if not more than Hugo) got to live in She-Ra & The Princesses of Power, Hugo deserves to live too. I’m sorry...

19. Now it’s time for the epilogue set 5 years later, as told by an older Kipo. Let’s break it down:

Wolf’s Mega Corgi gave birth to a litter of puppies. Awww cuteness...

Wolf let her hair grow out and she looks AMAZING!!! Dayummmm

Benson and Troy own a successful restaurant together and they’re living the dream. Such domestic goals!

I got chills seeing Wolf and Benson walking side by side like that. They’ve grown up so much. It looks like they’re own their way to a picnic

Label and Zane is also running a gym together. Sweet!

Jamack is conductor for Las Vistas’s new transport system.

Dave is now a guest lecturer at what is seems to be Lio and Song’s new research lab, where he talks about some of his research findings and theories. Well, mostly theories.

I love Kipo’s new do’

20. We find out that Kipo is updating Hugo (spiritually) what has everybody been up to on his birthday.

Hugo gets a statue made in his honor, which is very fitting and Mandu...WOW MANDU has grown into an ADULT boar, with tusks and everything just like Bornak and Webber.

21. Kipo meets up with her besties and her family and they have their wonderful picnic in commemoration of Hugo’s birthday.

22. The scene cuts off to all of them having the time of their life riding on their Mega mutes. And that’s the official ending to the series. TEARS...

23. This has been an amazing show to watch, react and review. I can’t believe it only had 30 episodes but the story was so cohesive and felt complete on the most part. So you could say that this show wrapped up nicely. There are some loose ends that weren’t addressed/resolved at the end like the vaccine that Song and Lio were working on but I guess that could be something that’s explored further in future films hopefully.

24. I will also be making a couple of video essays that will be posted to my YouTube channel, PeterSaidWhat; The first one will be my full spoiler review of the final season and the second video will be Troyson-focused. I can’t wait for all of you to watch them. And finally, I want to thank you all for reading my episodic reviews and going on this incredible journey with me. It’s been a pleasure to have Kipo be a part of my life and I’m sure yours as well.

Much love,

Peter

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mitigatedchaos · 4 years

Text

Review: SAC_2045

(~3,700 words, 15 minutes)

This post will contain some minor spoilers for SAC_2045.

Summary: You may have thought SAC_2045 was a poor entry in the Ghost in the Shell franchise - actually, it's just intended for younger audiences.

Previously: Standalone Complex 202045:1-4 (superseded)

-☆☆☆-

And what did you think of the remaining episodes of GitS:SAC_2045?

[ @irradiate-space ]

Standalone Complex

There's a certain indescribable feeling associated with Ghost in the Shell: Standalone Complex as a work, an artistic touch related to the director associated with it, independent of other considerations. SAC_2045 has it, which isn't too surprising since Kenji Kamiyama is back.

SAC_2045 is Standalone Complex. For a brief moment, while watching it, I inhabited my pre-2016 personality and outlook. I can't tell you how much that means to me. Since the arrival of streaming I've tended to bingewatch series, but on the first run-through I decided not to bingewatch this one.

If you approach this show as season 4 of Standalone Complex (Solid State Society being season 3), it's underwhelming. Now, viewing it again, it's become obvious that a conventional season 4 of Standalone Complex was never the intent of SAC_2045 to begin with.

For those of you who have delayed until now, the English dub has been uploaded - it released without one due to the pandemic. They bring back a number of the voice actors from the excellent Standalone Complex dub, though having already watched it with subtitles, I didn't feel the need to confirm the dub's quality.

Sustainable War

To properly describe a new theory of war is the same thing as to invent it. While the idea of war as a for-profit industry has been kicked around for some time, it's generally assumed that this is a kind of parasitic relationship on the part of the war-making industry.

As time goes on, warfare becomes more abstract (partly because warfare happens where it can happen), much like society itself is becoming more abstract as information moves more quickly and humanity gains access to more energy.[1] In SAC_2045, "Sustainable War" is part of the context of the world and its current issues, but we aren't really told how it works - if it's similar to contemporary information warfare and a blurring of the lines between state and non-state actors, it's bound to be quite confusing.

I believe my earlier assessment of "Sustainable War" is correct. The key feature of sustainable war, the reason they say it's safe if you leave it to the experts, is likely that it involves AIs constantly forecasting against each other and moving units around with few direct confrontations. The goal would be to lock in a victory without having to fire a shot, except for small skirmishes that don't escalate to major incidents (due to the AI forecasting).

The presence of armed separatist movements even in Japan may also indicate that the ruling institutional bodies are engaged in a kind of Post-International Politics,[2] which treats all international relations as fundamentally existing between subnational entities - however, I believe that later information suggests this wasn't their original intent.

What makes it "sustainable"? Since if done correctly, very little is actually physically destroyed, the cost is less than conventional warfare, and thus the war can continue indefinitely. Why does it threaten humanity with destruction? Because there's an awful lot of military hardware waiting for someone to actually pull the trigger.

Season 1: Ep. 2

So what is the intent of the series' creators? I think they may be telling us through this dialogue between Togusa and Section Chief Daisuke Aramaki in episode 2.

Aramaki: Seems time has toughened you up. Togusa: Is that supposed to be a compliment? Aramaki: It is if you want it to be. Togusa: Then thanks for the kind words. “I made the right decision by choosing this line of work over my marriage.” That’s what you’re saying? Aramaki: Perhaps. [...] Togusa: They're bringing back Section 9? [...] Aramaki: But my takeaway from the proposal is this: The PM's reason for the urgent reforming of Section 9 takes priority over his personal motives. I believe his true objective is meeting the Americans' demands for the dispatch of special resources. Togusa: So it's as the Liberals feared? An American-born Prime Minister would be no more than an American puppet? Aramaki: I've yet to meet him in person, so I can't really say. But this is an opportunity to have the Major and the rest of you undertake a major operation for me once more. Togusa: What sort of op? Aramaki: Over the past few years, I have searched for an answer on how to deal with a society in turmoil. I'd like you people to lay the groundwork that will help the next generation find that answer. Togusa: I don't know what a man in my position can contribute, but I'll humbly offer whatever assistance I can.

Those of us who cried, Kamiyama, tell us the future once more! based on Standalone Complex's prophetic analysis of a memetic crime wave were bound to be disappointed. SAC_2045 is less rooted in the near future than in the now - cyberbullying, endless war amidst historic prosperity, employment suppressed by automation, savings eaten up by the complex machinations of finance, and a breakdown of national borders? That's today.

Those of us who hoped for a Ghost in the Shell: Unicorn, a psychically overpowering work that synthesizes the full body of Ghost in the Shell into a single coherent form to elevate us to a higher level of understanding, should have tempered our expectations. To reach each new philosophical level is more difficult than the last - to achieve that with Ghost in the Shell of all things would have required a multidisciplinary genius near the limits of current understanding.

Kenji Kamiyama is just an anime director. And anyhow, Gundam Unicorn was a book before it was an animated series. And who among us even knew we'd have to write a book before 2015? Ghost in the Shell was well-understood enough, so I instead wrote 25,000 words worth of hypothetical country and became a blogger, like the infamous Scott Alexander.[3]

If we approach SAC_2045 from the lens that it's a humbler work designed for younger audiences, however, some of the creative decisions make more sense.

Purin

Just how old is Purin, the MIT grad who joins the team later on? If I had to guess, that's '23歳' on that profile she provides, and Ishikawa notes that she 'skipped a few grades' on her way to a PhD. But she acts like someone a lot younger. She's enthusiastic and we're assured she's intelligent, but seems to be lacking social training. For example, she makes the mistake of assembling an era-accurate music player for Batou combined with a playlist after consulting the Tachikomas to find out what he listens to. There are two ways to take this.

The first is that she's intended as a relateable character for someone who would make this class of mistake. It's the sort of mistake I might have made at age 13-14, meaning that the show would probably be aimed at someone that age or lower. Overly enthusiastic, doesn't understand romantic relationships, impulsive, poor reading of boundaries / poor modelling of others outside of certain domains, impulsive in a way that causes social screw-ups? Yeah that could certainly apply to an ADHD kid of about that age.

And all of a sudden the tone of the first five episodes with the gun-fighting, the literal Agent Smith, the decision to place the focus in America, and even the mystery of the series being much simpler than Standalone Complex 2nd Gig's plot regarding Asian refugees in Japan make a lot more sense. This is Ghost in the Shell for kids!

Wow, I didn't think that could be done!

...is what I should say, except that around the time I acquired the ability to futurist shitpost, and I used that ability to predict that it would.

Purin II

The second reading is that the youth of the future are fucked up. She probably has some tricked out modifications, both cybernetic and genetic. Now usually you would tell someone to try to become a well-rounded human being. But...

The global economy has crashed. Batou mistakes her for a robot - creatures that look like pretty young women are a dime a dozen. In the dating market, she would be competing with full sensory immersion VR pornography on the one hand, and at the upper end of society where cybernetics are more widely available, likely women with a similar appearance but decades more experience and professional standing.

Note that in the original Standalone Complex, the team take down an 80-year-old Russian spy with the full prosthetic body of a 20-year-old. Full cyborgs aren't common then, nor are they in SAC_2045 (though cyberbrains are ubiquitous), but if the economy recovers that may change, and the sector she's trying to get in to (full-time salaried government rather than marginal private employment it would seem) is going to be very tough to enter either way.

So Purin may have to be over-optimized even to just appear on the screen. In fact, she says,

"Just so I could work at Section 9, I moved most of my sentimental memories to external storage."

Youch! It's no wonder she's socially maladjusted. Just how much of her social learning (in particular key events necessary to rebuild logical inferences on the boundaries of behavior on the fly) has she locked away?

Purin III

But you know who Purin looks like? Notorious internet personality, Gamer Girl Bath Water seller, and IRL video game character Belle Delphine.[4]

Or rather, it's the other way around - 2D animation compresses real detail into suggestive abstraction, letting your mind fill in the rest. Going from those impossible 2D shapes to 3 dimensions creates strange results, like training your machine learning algorithm on the salient features of a cat's face, applying it to human shape, and putting pink hair on the result. Belle Delphine adopts that otherworldly kind of appearance as part of her act.

Technically, this a stylistic choice. Within the framework of SAC_2045, this is what "a 23-year-old female" looks like.

Purin is in fact so non-threatening that her big red coat obscures her figure. I'm gonna go with younger audience. Now if only I could remember what pronoun she uses.[5/☆]

Motoko

With a full prosthetic body, outward signs of human-like aging are almost an artistic expression, much like in a world with cheap tissue engineering, visible scars are a choice.

When she was first introduced in the original Ghost in the Shell manga, we don't know how old Motoko Kusanagi is. It was once said that her name is analogous to "Jane Excalibur," which in English would be an obvious alias. In the first movie (from 1995), she's cool, almost cold and robotic.

In the original Standalone Complex, Motoko has a more mature personality than in the manga, but she has a clearly adult look by the standards of anime. Seriously, check out this fantastic character design (combat suit), although admittedly the better-known "leather jacket and bathing suit" design is more ridiculous, fashion-wise.[6] (Fortunately, she gets pants in her much more stylish second season outfit.)

ARISE starts off with a young Motoko Kusanagi in a chaotic post-war period before the Section 9 we know was assembled. This shows in her character design, but it really shows in her personality. This was actually why I had joked about an even earlier Ghost in the Shell.

There is a sense in which the 2017 live-action movie's Motoko is even younger. Scarlett Johansson is a killer cyborg with amnesia. She doesn't even have one day of formal combat training.

Motoko 2045

Ilya Kuvshinov designed SAC_2045's Motoko Kusanagi.

Yes, that Ilya Kuvshinov. You could be forgiven for thinking this is a teenager that hardboiled assassins Saitou and Ishikawa in the background have been hired to bodyguard.

Despite this, Atsuko Tanaka has resumed her role as Motoko's voice actress. Standalone Complex's Motoko looked 25 and felt mid-30s. SAC_2045's Motoko looks 16 and has the voice and attitude of 40.

This may make more sense than you might think.

Through Whose Eyes?

Throughout much of Ghost in the Shell as a franchise, Togusa, the only non-cyborg on the team, who is pulled from a police department instead of a military background, tends to be character used to help the people of our time relate to the future. He's the guy that doesn't know the things we also don't know, so in explaining concepts to Togusa they're explained to the audience.

In SAC_2045, most of the team are off doing cool cyborg things in America. Aramaki (whose in-world function is to create the bureaucratic environment within which Section 9 operates) tasks Togusa with finding them. The original Standalone Complex first aired in 2003. It's been 17 years since it was created - a similar situation to finding someone that reached adulthood who was born after 9/11. And during this time, Togusa's life has changed - the family man is now separated from his wife. And the world has changed - Togusa is now working for a private security firm. Togusa's role in the first five episodes isn't to guide the new viewers.

His purpose is to guide or stand-in for the old viewers.

The New Viewers

"Do you still hold a grudge against the Major and the others for leaving you behind?"

For the original viewers, SAC_2045 is your world, too. Togusa is there. Togusa is you.

The new viewers are Purin. Enthusiastic and smart but awkward and not confident in their skills. How could they measure up to these much more talented and experienced characters? (Also consider who is going to watch any sort of Ghost in the Shell - it's probably going to be a moderately bright and introverted kid, who is the kind of person that may be more comfortable socializing with people outside of their age band.)

But Motoko is visually separated from the rest of Section 9. Batou, Saitou, Ishikawa, Boma... they all have a much more adult look in keeping with their appearance in previous versions of Ghost in the Shell. What gives?

Batou is sort of a cool adult male figure - this is actually a pretty natural use of the character and his sense of humor as previously established in other Ghost in the Shell properties. We especially see this come through in 「PIE IN THE SKY - First Bank Robbery」 episode, with the old folks and the 21st century bank robbery.

Motoko's difference in appearance is because she's acting as a bridge between the two. The new viewer (as represented by Purin) is supposed to grow into being like Motoko as they gain confidence and experience. (The characters aren't each limited to a single role, of course.)

But SAC_2045 is still a work that's shared between two groups, similar to how the excellent Into the Spiderverse features both the teenage Miles Morales and an older Peter Parker that has lost his way, with the loss of the vibrant young adult Peter Parker being what starts the plot going.

The Last Quarter

With this framework, the rest of the work should express its nature as targeted at a younger audience itself. Watch the last few episodes through this lens and you'll see how much sense it makes. One takes place at a school. Even the bizarre 3D style that resembles recent video games makes more sense. If we take Togusa's earlier conversation with Aramaki as a discussion of SAC_2045 itself, later on there's even a sort of acknowledgement that Ghost in the Shell is a difficult work for someone of a young age.

So with that context in mind, does it work?

Standalone Complex

If I remember correctly, years ago, when I was perhaps 15 or 16, I was watching a tiny CRT television some time after midnight, and I saw the thirteenth episode of the original Standalone Complex - NOT EQUAL. It was like nothing I had ever seen before. I was immediately taken by it. And, from what I remember, I immediately understood it.

It was as though it were made just for me.[7]

To me, Ghost in the Shell is like a textbook. I thought that as a creator who has reached a place where I am able to be involved in that kind of work, I'm in a position where I have to convey its contents to a younger audience. Well, I knew it would be a lot of work, but I figured it would be my way of giving back to Ghost in the Shell. I thought that I needed to accept the baton and offer Ghost in the Shell to a young audience, to the same degree that Ghost in the Shell raised me to be who I am.

- Tow Ubukata, in a 2015 interview, regarding ARISE

For many people, Ghost in the Shell is a profound influence. I felt that it lifted me to a new level of understanding.

SAC_2045

But what about SAC_2045?

I can't view Ghost in the Shell with new eyes. When I first saw it, I wasn't the kind of person that casually memes futuristic ethical dilemmas as a means of practicing politics.

Compared to the anime I watched back when I was 13, would I have watched SAC_2045? Yes. Is it more philosophically and politically sophisticated? Yes. Would I have found it memorable? I think so.

Would a 13-year these days watch it? That's difficult to assess. I bet someone who does data science for Netflix could tell us, if they wanted. I'm sure Kenji Kamiyama and Shinji Aramaki are considering the same thing.

2017

How does it stack up compared to the rest of the franchise?

For most enthusiasts it's going to be one of the weaker entries, though it certainly does a better job explaining itself than ARISE.

Compare it to 2017's live action movie, however, and I think we'll find it isn't the weakest. The reason is that the writers of Ghost in the Shell (2017) decided to tell a story about bodily consent in which becoming a cyborg is a form of trauma. On some level this may have been a reasonable decision, but they didn't commit to the concept sufficiently fully to execute it well enough to carry the movie - and simultaneously, they dumbed down parts of the regular Ghost in the Shell material for American audiences. As a result the movie flopped both financially and artistically - except for the visuals.

In fact, I wrote a sequence of posts (1, 2, 3, 4) on how to rewrite the live action movie as an actual Ghost in the Shell property. I feel no need to do so for SAC_2045 - and I can't even think of what changes would need to be made.

I look forward to the second season.

-☆☆☆-

[1] It's short, but that's a concept in this post. "Advanced by Left-Wing theorists, Ninth Generation warfare sees all acts as existing on a spectrum of political violence. Most acts of ninth generation warfare consist of extreme pranks."

[2] If we accept the idea of "Fifth-Generation Warfare" as motivated by a desire to prevent the enemy from using their conventional military assets, then a corresponding theory of international politics would involve preventing enemy factions within foreign governments from taking control of those governments' institutions - effectively treating all countries as in continuous level of conflict analogous to a soft civil war.

[3] There is a kind of technique to this, but in my case I substituted ADHD for raw IQ and conscientiousness, which is part of why my posts are so much shorter than, for instance, Moldbug's. In any case, technically, Scott's blog posts on the matter amount to roughly a mere 11,600 words, and the book of the black forest amounts to approximately 26,000 words (which I'm told is entertaining reading), but I'm sure if we go looking we can find an additional 15,000 words worth of worldbuilding from a man known for writing 16,000 word blog posts.

[4] Would it be more of a legal liability to sell regular water with GGBW branding, or actual GGBW that could prove to be a potential health hazard?

[5/☆] There's some future strand lurking beneath the surface here that I can't quite put into words; a culturally divergent moe meltdown where an appearance this ridiculous becomes normalized among some sub-population. To quote the Funko Pop Hatred post,

There are questions about the anatomy of anime people and their internal organs, and particularly about what sort of impact-dampening alien meta-material their softer bits are made out of, but at least homo sapiens gokuensis looks like it’s a branch off a similar starting hominid! Whatever transhuman engineering company was responsible for manufacturing the creatures in the typical harem anime has some weird ideas about human beings, but we’re clearly in their ancient lineage somewhere.

Under Late Safetyism, everyone is a declawed catgirl.

Anyhow, I don't want to alarm you, but I can't guarantee that this won't be the future somewhere. Both Purin and Belle Delphine resemble Xiaoice, "The AI Girlfriend Seducing China's Lonely Men." (2020)

[6] Motoko's ridiculous outfits are a major flex on the non-cyborgs, who aren't indifferent to ambient temperature and whose natural bodies may have unflattering features. Similarly wild fashions can exist in places like Second Life, a 3D digital platform with mostly user-uploaded content. Presumably they're also a flex on every Japanese salaryman who still has to dress like a normal guy.

[7] "It's as though it were made just for me" is also how I feel about the original game Mirror's Edge. Its follow-up, Catalyst, is also a personal favorite of mine.

#miti does media #longpost #flagpost #ghost in the shell #sac_2045 #standalone complex #review

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vaguely-gestures-to-the-void · 3 years

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Hindsight: My thoughts on Loki (2021)

Welcome back folks. Read the innocence dying inside me as I accept that this show eats my expectations for lunch and leaves me like it's going to buy milk.

As a side note from what I said in my first review, here’s an interesting article. Apparently I was clowning because the Gobi desert scene was filmed (probably? idk) with the tech from the Mandalorian. I think the studios were the same. Oh well. https://www.atlasofwonders.com/2021/06/loki-filming-locations.html

Episode 4: THE NEXUS EVENT

Pre-title scene

The new perspective of Asgard is incredible.

Oh baby Sylvie, what did they do to you. Also, RAVONNA??

The TVA through a child’s eyes is heartbreaking. The mixed use of shots that were familiar (the feet walking into the TVA) and new (the TVA logo on the floor) convey how though routine, this is an alien experience for Sylvie.

She too wants to help the man being dragged in. Maybe Sylvie was a better person than Loki, the TVA taking her away was what changed it.

We don’t see Casey, but iIt’s the same ‘sign here’ guy. The changing perspective and music really alters the mood created, contrasting the whimsical procedure we followed in episode one.

She hadn’t even said much in her life. They knew how to influence the audience’s emotions, that's for sure. Props to the actress, I felt genuine concern for her before I remembered that she’s acting.

TVA

Ravonna probably underestimated Sylvie as a Loki, a mistake that cost her greatly.

The golden doors.

Ravonna looks tense and a bit fearful.

Scattered throughout the episode are eyes watching. George Orwell’s 1984, anyone?

Big Brother is watching.

Mobius! He’s a good friend to Ravonna, but there’s a power imbalance.

Ravonna is shaken. Her past failure is haunting her.

Someone edit the “What? How?” into “Wow.” It’ll be a service.

Lamentis - 1

Loki’s apology and Sylvie reflecting on her childhood are the conclusion to the previous episode. Faced with death, Loki realises that her goals were hindered by his actions. His apology is the first time he acknowledges he had something to do with it. Sylvie’s offering her emotional vulnerability in the form of memories. Her mind and experiences are her most prized possession because they’re all she has of the person who she was as Loki, her childhood and what she was supposed to be. Her glorious purpose, what really makes a Loki a ‘Loki’ was her life.

THEY TRUST EACH OTHER. THIS WAS WHAT CAUSED THE NEXUS EVENT.

C H A R A C T E R D E V E L O P M E N T.

Ravonna pointed out that Loki will always be a “lying scourge” but they went against this. In any timeline, this could cause a nexus event. They found a middle ground.

“That should be setting off alarms if someone steps on the wrong leaf.” I had a whole idea about entropy and the timeline being an isolated system but I struggled to define an isolated system, and thus I couldn’t use the whole irreversible process causing entropy to grow causing a br- if you have a clue of what I’m going on about, or want to know more, I’ll explain my thoughts. I can understand why this isn’t scientifically accurate and I’m no physicist.

The unbranched timeline means all the things that were speculated - Wanda’s kids, what happened on Saakar, all of it - is gone.

“Any news on C - 20?”I called it! B-15 is having doubts! Her subtle unease building up throughout the ep is perfect!

Most settlements have a street design that can be from space. Sharru doesn’t.

“No. We may lose... ...you’re amazing!” Damn it literally took the end of a world for Loki to change as a person.

“Their smiles. If that isn’t people accepting their deaths I don’t know what is. Man, I just want both of them to be happy.

Please don’t let that be the love theme, it’s so pretty.

The music fading into the TVA theme as they get separated is so sad.

Time Theater 25

Back to square one in terms of trust with these two, but now they have history and hurt feelings too!

Oh Mobius.

Cycles are a part of who Loki is within Norse mythology (from what I know, correct me if I’m wrong). This scene is conflict.

Loki needs both Mobius and Sylvie to incite change. One can empathise whilst the other believes in him.

Mobius believes in Loki like no one else in the TVA. He treats him like an individual, they developed a bond in episode 2, so his disappointment and anger were genuine. This is reflected in their dialogue.

Even when Loki was going through all the Feels in ep 1, he didn’t shout at Mobius. It makes it more heartbreaking when Mobius laughs and dismisses him after the “TVA is lying to you” thing. His laugh was so bitter, it’s like his belief that Loki would be the variant to prove that variants were individuals had been shattered. What Mobius doesn’t realise is that Loki was genuinely trying to warn him. The trust between them was fragile but Mobius needed to come to his own conclusions before he could see that Loki had broken out of the mold the Time Keepers set for him.

“Just kind of an asshole and a bad friend.” Y’all, Mobius doesn’t rise to Loki’s baits. He’s so hurt.

I can’t be the only one that thought Loki was going to be brainwashed when they saw the red door. Turns out it’s just a time cell.

I love Mobius but he makes me feel so conflicted. Oh shit, he’s my problematic fave.

Watching Loki get his ass handed to him by Lady Sif shouldn’t be this funny.

This particular memory reflects what Mobius will talk about later, Loki being abandon by the people around him.

Putting Loki through a memory that was physically and emotionally painful was nasty. If you hear something horrible, over and over especially from a friend it would take a toll on your self-perception. Mobius was hurt by Loki leaving him, he’s getting revenge whilst doing his job and getting into Loki’s head.

Ravonna’s office

Ravonna has hang ups from failing with Sylvie. Who she is and what she knows is going to be interesting.

Heck I just realised are Mobius’ lapels not real? They look fake.

I wonder whether the “mastermind” thing was foreshadowing the next ep.

Am I the only one who thinks this isn’t the first Loki Mobius has dealt with? Could that mean there’s a reunion next ep?!

“Variant pet.” There’s a culture of dehumanising variants within the TVA.

The cuts showing both B-15 and Mobius’ faces reminds me of ep 1, but now there’s a new angle to things. B-15 certainly sees things differently.

Time Theatre 25

Lady Sif would kill with short hair. Or long hair. It’s Lady Sif, she’s a badass.

Loki’s exhale reminds me of how he tenses before a fight.

Notable things about this scene:

Heavy use of metaphors to trade jabs.

The lights are shifting in a consistent pattern, scanning the room almost.

Shots are constantly moving and cutting.

Loki’s speech pattern changes when he’s lying. Nice touch there.

When they start arguing in earnest, the shots are close ups of their faces, not circling around each other.

Loki was at first willing to talk to Mobius if he was treated with respect, the way they engaged in episode 2. He also wants to trust that Mobius won’t kill him. Mobius dismisses him (rightly so, his trust is gone) and Loki’s pride about ‘not working for anyone’ gets in the way rather than listening to each other. Loki’s behaviour is cyclic and his lying about Sylvie affirms Mobius’s understanding that Loki won’t (or maybe can’t) change. I wouldn’t be too surprised if Mobius is a Loki, the man’s uncannily good at reading him. He deduces that Loki and Sylvie have a bond and unsettles Loki to get answers out of him, because he knows that’s the only way he can force Loki to reveal his cards. He definitely wasn’t expecting Loki’s earlier admission to be the truth. What Mobius did was not right, but it sure was effective.

“No. Not partners.” I believe this. They had an understanding, but their goals differ. Maybe just give Sylvie her own show.

“Guess you don’t do partners.” MOBIUS WHY ARE YOU SO BUTT-HURT? Probably to make Loki feel bad ik, but it’s still funny to think Lightning McQueen is salty.

That memory really hurt Loki. He stuttered.

Loki fixates on Sylvie rather than his own freedom. This was the cue to Mobius to start interrogating.

Bruh, the feeling they were experiencing better be friendship.

This made me uncomfortable because I was so sure we weren’t gonna get a romantic subplot that I related the characters to my actual family relationships. Marvel. Why?

The music combined with Mobius’ subtle shift in demeanor from irritated to mockery was very unsettling to me. I never realised how good an actor Owen Wilson was.

“Our interests are aligned.” Once Mobius tells him the truth, Loki does the same. I really hope this is the extent of their relationship. Just let them recognise one another as equals. Please Marvel.

Mobius’ hands twitching, the slight swallow. Yeesh, he certainly doesn’t think Loki’s lying, but he’s not about to accept it.

Loki’s head shake is sad. He knows he can’t convince Mobius.

“That I can respect. I mean the lies you tell yourself.” This was the best writing imo. Loki doesn’t make any final attempts to connive his way out of the situation because telling the truth to someone he’d trusted had failed. He willingly walks into the Time Cell.

Time Theater 47

B-15 being unable to support herself, having to rely on the structures around her to stay upright. This woman deserves so much y’all.

WE NEED HER NAME MARVEL.

You better appreciate her beyond shipping her with Sylvie or istg.

The music is so mournful. It just emphasises how much everything changing is going to hurt not only the main characters. Lives change because of the TVA and the events of this episode, it’s not overlooked by the writing or music.

The poster and the 1984 parallels. Exquisite!

Sylvie not sitting straight made me snort.

Ravonna Renslayer’s office

More Theremin music! This time I’m pretty sure it’s Carnival of the Animals, XIII. Le Cygne (the Swan) : Le carnaval des animaux: No. 12, Le cygne (arr. For theremin and piano) by Clara Rockmore.

Fun fact! Clara Rockmore influenced theremin music and the instrument and was a virtuoso of the instrument. Give her a google, it’s worth it. Also look up Leon Theremin, he was (among other things) a Soviet spy. There’s a great Wiki spiral for anyone there.

Mobius was probably being lined up for a high position in the TVA. Damn.

TemPads are personal, or have different levels of clearance.

Mobius didn’t stop interrogating Ravonna throughout that scene. He knew that she wasn’t telling him the whole truth.

Sleight of hand wasn’t shown how Loki and Sylvie do it, they didn’t use misdirection.

Ravonna knows something is up with Mobius. Maybe he hasn’t been around for long if this is his ‘career case’.

The pacing becomes really fast like in the end of episode 2 as conflicts get resolved. Buckle up comrades.

2050 Roxxcart Disaster

I don’t have much to add, it’s a powerful scene.

They use close ups whenever a truth bombshell is dropped.

The music varies considerably between these scenes, each one has a different tone.

“We’re the same.” With what she knows of B-15, Sylvie knew not to be smug when delivering the news about B-15’s life.

B-15 crying in the rain hurts.

“I looked happy.”

TVA archives, Time Cell, Time Theater 25

The floor opposite Mobius is FE3, above it is 3FG.

Oh Mobius.

C-20 deserved better, I'd love to see her later in the series.

The music goes from mournful to harsh and we’re left in silence when it cuts to the Time Cell.

“You told me to shut up.” Loki can be salty sometimes.

“Do you really think you deserve to be alone?” Mobius is rattled, he wants to unsettle Loki.

The music starts to build somewhere between “...your connection... “ and Loki saying “‘WE?’”

The faint tinkling reminds me of the Avatar (blue people) score.

“How about the word of a friend?” This is Loki’s olive branch. When he admits Loki was right, their trust is tentatively reinstated.

The music is finally back to that chaotic theme we know. I think it’s the TVA’s theme.

“You can be whoever, whatever you wanna be, even someone good. I mean just in case anyone ever told you different.” Mobius corrects what he says in the first ep.

They are friends y’all I’m so sad.

Mobius can lie through his teeth like it’s nobody’s business.

Pruning hurts, Mobius’ face is in agony.

Loki’s tears. GIVE THEM ALL JETSKIS.

Ravonna takes a moment to compose herself.

Time Keepers (the final smackdown)

Why are the last 10 minutes always so insane?

Loki’s eyes only show hurt. I’ll leave.

Ravonna’s so sharp, she instantly catches Sylvie’s wet hair.

All of our expectations from the trailers always get yeeted out of a window because the scenes are never really what we think they are. I get that that should be expected but it’s refreshing that the writing is never what we think it is.

Did anyone else notice the egg timer/infinity sign murals on one of the hallways to the left of Sylvie?

Ravonna is so cold (and yet I’d simp for her).

The M.C. Escher staircases I see you set designers/CGI folks.

B-15 just gets knocked out. They better not kill her for no reason or I riot.

I’m pretty sure that Sylvie ripped off one of Ravonna’s TVA badges (or buttons) when she fought her.

Sylvie’s the better fighter, she’s had to use it more often though.

The elevator doors stay open.

It would be so funny if we get an elevator scene where Sylvie is just dragging Ravonna somewhere.

They really led us on with the Time Keepers, particularly the middle one. I was somewhat convinced there’d be something more to it. I’m interested to see where it goes.

Ep 4 review

I really don’t have much to add with these last two episodes. I’ve definitely come to appreciate that no matter whether you liked the writing of the show or not, it’s never what you expect. Is that a good thing? I guess that that remains to be seen. Nonetheless, I appreciate how much effort went into this series. It’s been a fun romp, I’ll be back with my reviews of the final episodes. I’ll also stop posting Loki content to my blog because the Gods know that my followers don’t read this lol.

I’m just going to survive until the season is over and then hopefully keep my sanity together until the next Marvel content or at least Dr. Strange.

Here's the link to my episode 3 review.

Thank you all for being here, you're wonderful my loves.

#loki #loki series #loki review #loki (2021)#loki spoilers #spoilers #man how is this fandom gonna cope? By fixating on other TV shows? Good luck lads.#I'm gonna go buy milk at this point #they better not mess with B-15 or istg #B-15 deserves none of this #give mobius a jetski #and give loki therapy #and Sylvie too pls my babies need rest.#boy if Mobius is a Loki variant I'm going to grab my popcorn because the circus that this fandom will turn into will be legendary

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hellswolfie · 4 years

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The Mark of Athena Review

Ok so once again i continue reading “The Heroes of Olympus” and once again i need to vent so Tadaaaaa !!

So before I start, here is a more general Review : I really REALLY liked this book. Favorite of the serie so far. Also, obviously, SPOILERS !!

THINGS I DIDNT LIKE :

- The role of Frank : I can maybe forgive that, because with 7 main characters i understand it’s difficult to give them all an important role in one single book. But I really loved him in “The Son of Neptune” and I really wanted to see more of him, and the most of what we got was him being the Jealous Boyfriend. It was kind of disappointing so I hope it’ll change in the next books.

- Piper : it costs me a lot to put her there because I really really loved her in “The Lost Hero” but I have to admit I didn’t like one single chapter of hers in “The Mark of Athena”. Or at least not completely. In the first book there was the relationship with her dad, her culture, her dealing with the fact she was an Aphrodite children, the begining of a friendship with Annabeth and Leo... But in this book ? It’s only about Jason. Endlessly. And it’s so tiring and eyeroll worthy, especially when we compare her “issues” over JASON with the others’. And even without that, she was really not a great person in this book and not in the interesting way : she was ready to put the whole World in danger just so Jason wouldnt stay in New Rome, kept Charming Up her friends just for convenience (like srsly i know thats not supposed to be a Big Deal but thats still mind control so yikes), and when it came down to it, no matter what she said about how Leo is like her little brother or Annabeth is her BFF, she only gave a crap about Jason Jason Jason...There was barely a scene of her with the other two. And I find it frustrasting that it didn’t even feel like the plot during her chapters were about her, but more about Jason and her being a support for him, even though they were HER chapters !!

- Jasiper : Well I guess that’s not really a surprise lol. I never liked this pairing and this book didn’t change my mind on that at all. Piper keeps clinging to the three months THAT NEVER HAPPENED (and that apparently weren’t faithful to Jason’s character like srsly is she even really in love with HIM or the idea of him she had in her mind ?) instead of the 8 real months they spent together, thinks it’s a miracle when Jason appologizes (he’s a real catch huh ?) and is so so sure he’ll leave her to go to New Rome which first : wow you really have faith in this relationship huh ? But also second : why is this such a Big Deal ?? Even if he did go to New Rome she could still follow him (she made it pretty clear she’d leave all of her friends in Camp Half Blood to be with him), it’s not like he’s a whole new different person when he’s there !! And my baby Reyna was so hurt by that, like Jason was a reall asshole here, even if he was oblivious and didn’t realize her feelings for him she’s still supposed to be his friend and the first thing he asks after 8 months of disappearing is if he can spend alone time with his gf ? And I found it kind of frustrating that in the end, all the others left on their own to do their own things (yk, to save the fucking world ?) while literaly risking their life and Jasiper just...went on a date. Like seriously ? So yeah. Not a fan.

- The whole Frank x Leo “rivalery” : Why make another older character be attracted to 13 years old ?? Can you stop that ??? Leo could also be a real ass sometimes, even tho I still love him and Frank well...I already talked about that. This book had enough pissing contests between guys as it is.

- Percy apparently forgetting all the Hercules stuff he learned in “The Titan Curse”. I know it might not seem like THAT much of a deal but it was a really important thing for his character ? That he learned how Heroes, especially Hercules, were real assholes too and that he had to learn to not be like them ? That Zoe, his friend who sacrificiced herself to save the world, was treated like shit by this guy but now he was still like “omg this is Hercules I SO want to meet this guy he seems great !!” ???. It was just one sentence but I hated it.

- The focus on the Romantic relationships. Look I have nothing against romance and ships. I love romantic love in stories !! But I also love friendships and I really wish this book would have given us more of that instead of spending so much time on romantic relationships. I mean it is pretty well illustrated in the end of the book when they all separate : all the groups are romantic pairings. Percabeth, Jiper, and Frazel with Leo who has kind of a crush on Hazel. And as much as I love Frazel and Percabeth, where are the friendships ?? Percy and Jason’s relationship was supposed to be very important in this book so why didn’t we see more of that ?? What about the friendships that were already established like Percy with Frank and Hazel, Leo with Piper and Jason, Piper and Anabeth,...And all the new friendships that could have had more screen time like Annabeth and Frank or something !! So yeah that was disappointing.

THINGS I LOVED :

- the River God scene. Ok so yes I kind of lied : I enjoyed this chapter of Piper. Well this scene at least. And only kind off, because it is still a Jasiper moment but anyway. In my last review of “the Son of Neptune”, I mentionned how it always annoyed me that the heroes have a habit of always making the Good Moral Decision, without any hesitation, even if the fate of the world is in the balance. I was like “Give me morally conflicted characters damn it” !! And that’s what I got here. Piper having to lie to the God, taking his horn that was so important to him, even tho he was just a very tragic dude, to save Jason and the World, realizing that even if it is bad and she feels like shit after doing it, she still had to do it...YES !!! THANK YOU !! I LOVED THAT !!!

- The LEO X NICO INTERACTIONS !!!!!! After spending 2 books shipping them (they’d fit so well together i will die on this hill) they finally talked !!! Well once, and about the fact that Percabeth just fell into fucking Tartarus but like !!! TALKING !!!! And the first thing Nico tell him is to reassure him <3 (look I know it won’t be canon but the POTIENTIAL!!!)

- Annabeth’s chapters. I can’t imagine anyone who wouldn’t like them like we finally got her point of view people !!! And it was awesome !!! I loved seeing her on a quest, the way she thinks and sees the world, how she uses her intelligence,... Like she’s so brave and smart but also so sentimental even tho she’d never admit it (like getting emo about having lost the white hair because it was a connection with Percy ? My baby is so fucking precious). And obviously we already knew that but to actually be in her head ??? It was so fucking good !! And it really succeeded to make me feel so much for her, like she’s just a kid and her mother literaly sent her to her death and she was so scared but she still kept going (only to end up in Tartarus WHYYYYYY) and I’m so proud of her. I love this character so much !!

- Percabeth : The reunion !!!! FINALLY !!!! That’s my first ever OTP right there and they’re so in love !! They’re such a badass power couple and they love eachother so fucking much !! God i missed them X( I loved every Percabeth scenes, they were so adorable and beautiful. I loved how even tho they are differents and are not always in the same page, they still know eachother so well and the communication was just so cheff’s kiss. And omg their lasts scenes together ?? Chills !! Like when Percy almost begged the (kind of?) gods to let him stay just a few more moments with her because he was so scared of never seeing her again almost brought tears to my eyes and then of course their final scene when they fall together into Tartarus, because all that matter is that they’re together...MY HEART !!!

- Percy’s and Leo’s chapters. I put them together because I don’t have much to say except that I love them so much and that I would literaly lay down my life for this two. Their chapters are always such joy to read, and after one whole book without him, I was really glad to get back with Leo. Probably the funniest chapters too.

- The Crazy Dolphins scene. This scene was fucking hilarious. Pic comedy ^^

- The crumb of friendhips dynamics we got. So much potential I want to see more !! Like Percy x Jason, Annabeth x Frank (so much Hermione x Neville vibes), Leo x Frank, Hazel x Annabeth, Percy x Frank, Annabeth x Leo (Leo who is so scared of and impressed by her as he should lol),...That’s probably one of the reasons I was so bitter about the romantic relationships getting so much more time, like ALL the friendhships that were so interestings like come on !!

- Percy thinking about LUKE !!! hjfgjehgfjhsegf !!! The fact that he still considers Luke as his fighting teacher, still thinks about his training and his advices !!! Even going as far as thinking he totally understood where he came from for doing all this horrible things !!! That was so awesome !! And such a character development !!! And that makes Percy even more of an interesting character !!! Anyway I loved that ^^

- All the mythological aspect like Rick can be such a genius sometimes with how he uses them, managing to stay faithful to them while sill adapting them to a more modern setting and that works so well !! Well its there in every single one of the PJO series book, but I just wanted to put it out there so here.

- Hazel story. Look I didn’t like the whole weird kind off “love triangle” thing with Leo and Frank. But I love Hazel and I LOVED knowing more about her and also knowing more about Leo’s ancestor (who was awesome btw). That was such an interesting story, how she discovered that her only friend back then and first love spent his whole life thinking her disappearence was his fault. And the flackback was so cute too ^^ Also Loved her being so desperate finding her brother because that’s what Nico deserves and that was adorable. I really hope we’ll get to see more of their bond.

- The end. Such an amazing cliffhanger. I could feel the tension in the scene, I could’t stop reading and then the last chapter were everyone was just so in chock but Nico still believed that Percy would come back out of it alive because he admires him so much. It was SO !!! FUCKING !!! GREAT !!! Amazing way to end this book.

And that’s also how I will end this review ^^ Feel free to comment on it (respectfully) in the comments if you want.

#percy jackson #PJO #pjo series #heroes of olympus #hoo #mark of athena #MOA #percabeth

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