#yeah animation is important in a cartoon but

[smilesthroughfandoms]

Is this a hot take? Maybe? I’d describe it as a “Reheated poorly in the microwave” take at best. But y’all, calm down. The writers are still the same, so are the VA’s, it’s gonna be a good show no matter what.

Also, be nice to the new animators. Unless you actually draw and/or animate, you have such little room to talk. And this isn’t hating towards Epithet Erased, I love Epithet Erased! I’m just pointing out that different or “lower quality” animation doesn’t mean it’s not good. The new animation looks fine, and have you forgotten some of the shots from the trailer?

Chang’e looking up at the broken sky? Beautiful! The first real look at the Hundred Eyes Demon? Immaculate! When Wukong is getting re-banded again? I feel bad for my favorite stupid smart person, but that shot slapped!

Give it a chance, you might be pleasantly surprised.

[dixons-sunshine]

Spot Of Tea | Daryl Dixon x Fem!Reader

*GIF isn't mine*

Summary: Marrying Daryl was one of the best decisions you ever made. He was no longer the hot-headed, rude hunter from the quarry who you couldn't stand. Instead, he was someone who you'd come to love above all else, someone who you bled with and shared a beautiful baby girl with. And just when you thought you couldn't love your husband more, he just had to go and have a cute little teaparty with your daughter.

Genre: Fluff

Era: Alexandria, post Saviour war, pre the building of the bridge.

Warnings: None.

Word count: 1.5k

A/n: Back at it again with another Dad!Daryl fic, and this one was inspired by @louifaith's amazing idea! This was so cute and I just had to write this. Domesticity with Daryl is my favourite genre. I hope you like this!

As always, my requests are open for any TWD requests, as well as Scud Frohmeyer requests.

—

The sun was just starting to set. Everyone was starting to retreat into their homes for the night and the people on guard were switching shifts with the people on night shift. You were done for the day, a successful day's work in the infirmary adding a bounce to your step as you walked up the porch stairs and into your shared home with Daryl, locking the door behind you and shedding your coat.

The house was eerily silent. Daryl had sustained an injury while on a run and had been given the week off by Rick to heal. Although your husband had initially been against the idea, one look from you had shut any protests down—being the community's nurse and his wife gave you that advantage. It was already day three and he'd been spending all of his time with Hazel, your daughter. Each night you'd come home to find him watching some old cartoons he'd found tapes of with her in the living room, all cuddled up under a big, fuzzy, comfortable blanket.

So where were they that night, and why was it so quiet?

“Daryl?” you called out after searching the first floor of your small home with no sign of the archer or your daughter. You started descending up the stairs, but stopped when you got to the top. You could hear your three year old's voice coming from her room, soon followed by Daryl's own.

You walked down the hallway and into her room, stopping in the doorway at the sight that you met; your daughter sitting down on the ground in front of her bed, surrounded by her stuffed toys with the plastic tea set Daryl had found for her in the middle, with the archer himself sitting on the opposite side of her. The big, gruff man was "drinking" from the plastic teacup, sporting a plastic tiara. Hazel was happily babbling on, and Daryl was looking at her fondly, a small smile on his face as he hummed in agreement to whatever she said.

You leaned against the doorway with an amused smile on your face, silently observing your husband dutifully playing out Hazel's storyline. They hadn't noticed your presence yet, and you jumped at the opportunity to admire the two most important people in your life.

“Do you want some more tea, Daddy?” Hazel asked, pouring the imaginary tea into the cups of the stuffed animals surrounding her.

Daryl nodded and extended the plastic cup in her direction. “Yeah, 'course I do. Ya make the best tea in the land.”

Hazel giggled and poured the imaginary tea into Daryl's cup. “There you go, Daddy.”

“Thanks, Princess Hazelnut,” Daryl thanked her, taking a sip from the plastic cup and humming in approval. “Tastes good. Wha'd ya put in this?”

“My secret recipe,” Hazel responded with a giggle, placing the plastic teapot down on the ground, picking up her own cup. “You look pretty, Daddy. Like a real princess.”

Daryl chuckled and patted at the tiara on his head. “S'the crown. S'makin' me look like royalty.”

“Yeah, the look suits you,” you voiced, finally making Hazel and Daryl aware of your presence.

Hazel dropped the plastic teacup in her hands and hastily got up, rushing over to you. “Mama!”

You crouched down to catch her in your arms, picking her up and placing sweet, soft little kisses on her face. “Hey, baby,” you greeted her, an affectionate smile on your face. “Were you and Daddy having fun?”

“'Course we were,” Daryl chipped in, slowly getting up from the floor due to the injury on his leg. He walked with a noticable limp over to you, ruffling Hazel's hair. “We always have fun. Ain't tha' righ', Hazelnut?”

Hazel giggled and buried her face into your shoulder. “Yeah. Daddy played princesses and tea parties with me.”

“Yeah. 'M Princess Dana of the Forest Kingdom. This lil' one is Princess Hazelnut of the Fairy Kingdom. We were jus' meetin' up to form an alliance to fight against the dangerous Fire Tribe, who wants to destroy the forest and all the animals in my kingdom. We need the help of Princess Hazelnut and the Fairy Warriors to defeat them once and fer all,” Daryl explained, using a deeper voice for dramatic effect.

“Well I'm sorry I interrupted your meeting. Do you want me to leave?” you asked teasingly, sending the archer a playful smile over your daughter's head.

Hazel shook her head. “No. Daddy and I will finish tomorrow.”

“Well, I've got the day off tomorrow. Would you mind if I joined you two?”

“Yay! Mama's gonna join us, Daddy!” Hazel exclaimed happily, hugging you tighter.

Daryl smiled fondly at Hazel, leaning forward to place a soft kiss on the top of her head. “Yeah, I heard tha', Hazelnut. Mama's gon' help us defeat the Fire Tribe. They will no longer hurt the animals in my kingdom.”

“Yeah! Mama's gonna help us win!”

You laughed lightly at their theatrics, shaking your head. You placed another kiss on Hazel's forehead before placing her back down on the ground. “Why don't you go wash your hands and wait for me and Daddy downstairs? If you promise to be good, there will be a surprise for you after dinner.”

“A surprise? Yay! Thank you, Mama!” Hazel exclaimed, hugging your legs tightly before bounding out of the room excitedly.

You chuckled affectionately at the little girl that brought so much light into your life. It amazed you how one small human being could fill a hole in your heart that you hadn't even realised existed before. Hazel was your pride and joy, your baby girl who you'd go to great lengths to protect, as would Daryl.

You turned back towards the archer and gave him an amused smile. “Hi.”

“Hey,” Daryl mused, stepping forward to place his hands on your hips, pulling you closer to him. “How was yer day?”

“Not as eventful as yours, I'm guessing,” you teased, laughing lightly. You gently took the tiara from his head, inspecting it. “Gotta say, though, the whole "Princess Dana" thing suits you. Never would've guessed it was you with this tiara on. You looked really pretty.”

“Stop,” Daryl said with a chuckle. “Hazel asked me to wear the tiara. It made the story more believable.”

“It sounds like a good storyline. I'm actually invested now, and I wonder how the two of you are gonna work me into the story.”

“Hazel will figure it out. She's a real creative kid. She has a big imagination,” Daryl replied, absentmindedly rubbing his thumb over your hip in a gentle caress. “She's amazin'.”

“Just like her daddy,” you responded, gazing up at your husband lovingly.

Daryl scoffed and ducked his head, but you didn't miss the way his lips twitched up into a small smile. “Nah, she got it from her mama. She's a mini ya.”

“I don't think so, but okay,” you relented, dropping the tiara on the bed before wrapping your arms around his neck. “She's perfect.”

Daryl hummed. “Jus' like her mama,” he whispered before capturing your lips with his, kissing you sweetly and lovingly.

The kiss ended all too soon for your liking, but you remembered that you had a toddler waiting for you downstairs. “We should probably get her fed and ready for bed.”

“Yeah,” Daryl agreed, taking a step back. “Wha' surprise do ya have fer Hazel?”

“Cookies.”

“Who made them?”

“Carol. She dropped them off earlier before she went back to the Kingdom,” you explained, before leaning up to whisper something in his ear. “If we get Hazel to bed early enough, I'll show you what surprise I have for you.”

Daryl Dixon loves his daughter. She is his little girl and he would do anything for her, including dressing up as a princess for tea parties. He enjoys her company and wished to be in it 24/7. He'd kill anything that tried to hurt her and he'd die protecting her.

But at that moment, Daryl wanted to get her to bed and asleep as quickly as humanly possible. As much as he loved her, he had another idea of fun that involved only you, the love of his life, a bed, and no tea sets.

[eiightysixbaby]

How would all the guys react to a condom breaking during? 👀

oooooooh this is juicy.

first and foremost, let me just get it out of the way and say that all of the guys’ first priority would be making sure you are okay. if you realize that the condom’s broken during, they’re going to ask if you want them to put on another or if you’re comfortable going raw. if you realize the condom broke a little too late, after they’ve finished, they’re apologizing profusely and asking what your next ideal step is. I feel like that should be a given but it’s very important, so yeah. I am going to take this the spicier route, though ��

aaaaaanyways. Eddie is a dirty little freak (in my mind at least) and he would be sooooo fucking smug if the condom broke and you insist that he fucks you raw. he’s going at it, fucking you like an absolute animal, his pace is ruthless as he’s slamming into you when all of a sudden he falters. he’s like “shiiiit shit shit, babe. I could be wrong but I feel like the condom just snapped,” and he’s fully expecting to go get a fresh one and pick up where he left off, but he’s floored when you actually respond. “don’t worry about it, take it off and keep going,” and he’s got an eyebrow raised at you, making sure you’re serious. “just fuck me raw, Eddie, please,” you’re growing impatient and he doesn’t need to be asked again. he’s pulling out and ripping the condom off, whipping it across the room faster than you can comprehend. all you ask is that he doesn’t cum inside of you, and he honestly loves the fact that he’ll get to cum all over you instead. on your face, your chest, wherever you prefer. he’s secretly so damn grateful that condom broke, because the thought of no barrier coming between you and his cock makes him genuinely feral.

when the condom breaks with Steve (and let’s face it, the man is packing so he’s definitely putting some pressure on those poor condoms), you’re just like, too blissed out to care about it. it took you a while to warm up, for him to fully fit inside of you comfortably, and neither of you want to stop now. he feels too good and you’re too full of him to worry, even though he warns you when he feels a sudden tear. “don’t care, Steve, need you to fucking fill me up,” you whine, and in that moment I think he’d become a whole different animal - a switch just flips for him. he can’t hold himself back, he starts fucking you so hard and so well you’re seeing stars. you swear you can feel him in your throat and all you want is to be full of his cum, too. he’s growling in your ear, “yeah? sweet girl wants my cum?” and his head is literally spinning with how hot he finds everything about this moment.

Jonathan is a little sweetie, so he’s probably worrying the most when it initially breaks. “f-fuck,” he pants, and he’s trying to slow his movements but he can’t help his cock twitching as his hips stutter against yours. “think the condom broke, shit,” his pupils are blown out in his wide eyes and he’s scrambling to pull out of you before you stop him. you grab his arm gently, “are you close?” is all you ask and he’s visibly confused. “yeah, so fucking close,” he says, and he’s still moving to pull out of you before you reply. “if you’re close then just finish in me. it’s okay,” and if it was a cartoon his eyes would bulge out of his head, his cock twitching again simply from your words. he needs reassurance, of course, asking you if you’re sure and you’re eventually begging him. “please cum in me, I want it, I’m serious,” and he doesn’t need more convincing after that. it takes him maybe another minute to cum, spurred on by how you moan in his ear and beg for it.

[unluckilyimnot]

Yes! Dw abt it :D in fact, I just wanted to see Sae being a daddy. It can be without the divorce though, just wanting to know how he would be as a father 🫶🏻

Sae as a father

m.list | rules

note: hii thank you for your answer <3 here it is finally i hope you like it ! also i made a get to know me, let me know what you think about it hihi i would love to chat a bit more with you guys

He must be awkward at first but he loves it a lot

I see him as a girl daddy he would love his little girl to death

talks about her more than he likes to admit it

but she's so funny

wait until she get to school and he’ll get to listen to all the gossip with a lot of passion

he’s really into it, if he came home late and she’s already to, he asks you what happened today and ask for all the details

loves to pick her from school when he can, but he’s busier than you

“no daddy you don’t get it !” and then she’ll explain the whole thing again (she doesn’t know shit about it but he would always let her think she’s right <3)

he doesn't want to be strict with her but he's still cold when he's upset, it's hard for him to work on that

but he always make sure to make it up for her by talking to her and explaining what was up – he doesn’t want her to think it’s normal to be ignored without explanation

both of you have to work on a lot of things, you’re not perfect, but you really want to show her the best model possible

sometimes he jokes about the fact that she loves him more than you

he loves doing picnic with both of you, that’s his favorite type of family date

when all of you three cook together and then you get to sit in a sun bath to enjoy it – it’s really the best

Not forgetring about the sea !! It's really important for him and he wants her to have a thins kind of feeling/relationship with it as well ♡

she would love to cook with him !

I hc him that he won’t let you cook because of his diet notably but also because it’s his way to show that he loves you and her

he’ll do his best for her to taste a lot of things but still respect when she says she doesn’t like something

he’ll probably get killed if he ever force her to eat something she doesn’t like in fact, ‘cause you hate that behavior

he also want her to be really educated about a lot of things so both of you make sure that she can go to a lot of museums, see temples and be in touch with animals to be aware and take care of them and the planet

he’s love to do sport with her but won’t forced her either if she doesn’t want to

but if she does, damn he’ll make sm time for her (even more than before)

but he’ll be salty if she’s more into the things you like

he’s totally the type to get caught away to watched cartoons or movies with her but ended up SO into the story ?? like hell yeah he needs to know the end of this barbie or pixar movie

play with her a lot even if he’s not the best at it, you’re definitely more expressive than him but you can be tired and he wants to spend time with her that way too

if she ever cry because of someone at school, be sure that his next day is taken and he’s got an appointment with the director without even asking him

he’ll just show up and makes things clear, could also talk directly to the kid if it was bad enough

he loves to walk with her on his shoulders even if she pulls his hair too much sometimes

he’s overly cute and caring with her  

i hope you liked it ♡

[jealousjersey]

₊࿔*:･୧”too sweet”₊˚࿔*:･୧

pairing // mike schmidt x gn!reader fluff

mentions // purely fluff just some nice and sweet content, pet names, reader is overwhelmed and stressed with everything and mike uplifts you, y/n isn’t mentioned, reader in college, reader and mike are in a situationship, mentions of being cheated on by past shitty gender unspecified partner

1.4k wc

tags // mike schmidt x reader fluff, purely fluff fic, pet names, slight angst

authors note // yes this is inspired by too sweet by hozier i’ve played it 18 times today (still listening to it) also per request (ty anon) fluff

school is kicking your ass. the lectures are too long and not informative at all, although you’ve had exams all week, they never seem to contain the information you’re supposedly learning.

you don’t even live on campus so you constantly feel like you’re missing out on important events and information. it’s truly exhausting.

that is until you get home, you’ve been in a situationship with this security guard worker, mike. you’ve talked and had dates, even had sex a few times but it doesn’t suffice you. you were made to be a lover, but right now you’re just a piece of ass. you want mike to love you, well, right now it feels more than a need. you want to finally receive the love that you give.

once your classes are done, you leave campus. taking the subway back to your apartment, luckily you don’t live too far, but not close enough to walk. and instead of wasting gas on driving to and from school, so why not take the safer option and just take the train?

as you arrive at your apartment, you finally get to lay down on your bed. you feel a tear fall from your eyes but you’re not sure why. today wasn’t too bad…but your body’s reaction is telling you different. you check the time and wait-

it’s the 2 year anniversary of your ex cheating on you, well atleast it’s the anniversary of the day you found out. you check the date and you get flashbacks, flashbacks to you coming to surprise them at their house for your 1 year together.

you arrive with tickets to some indie concert in hand. but instead you were practically hit in the face with realization as you saw her. she looked…perfect. you still wonder how they ended up with her. but let’s face it, you knew there was signs. but you chose to ignore them.

as of now, you’re laying face down on your bed, basically crying at this point. your breath hitches as you just lay there, helpless. until suddenly

knock knock

“hey? anyone here?” you hear a familiar voice enter your house. it’s mike schmidt, the man you’ve been talking to for a few months. wait a second-

“how did you get in?” you question. you thought you locked the door but apparently not.

“oh, the door was halfway open. wanted to check to see if you were being robbed” he says as he gets a good look at you “shit are you okay?” he asks worried, staring at your puffy face, your swollen eyes as tears leak from them.

his worry makes you feel better. you’ve waited on somebody to actually care about how you were, not just ask without remorse in their eyes. but mike actually cares, and it feels good. it feels like he gives you a little sliver of comfort.

“yeah, i’m fine…schools kicking my ass and-” you cut yourself off, he’s just a fling, why does he get to know your personal problems? but something inside you just tells you to come clean. “2 years ago today i went through hell with my ex. he cheated and things went…down from there you could say.” you open up, not wanting to share anything that could bring back more deep memories- maybe mentioning the abuse would be too far.

“oh baby, i’m sorry. you need me here with you? i can get take out and we can watch one of your weird cartoons” he says. you chuckle. does he mean anime? you don’t even watch it that much, maybe he’s basing his suspicions on the death slayer poster in your room that you got because it looked cool. i mean, you only watched a episode or two. it might make you a poser but it looks good in your room so what’s the harm?

“yeah, take out sounds great. and we can just watch a movie or something.” you smile at his request, your eyes still puffy. mike notices this and sits next to you on your bed, bringing a hand to your cheek as he gently brushes a thumb over your eye bags, taking in the darkness.

“i’m gonna be right back, you want take out chinese food?” he asks with a smile as he presses a kiss onto your cheek. you slightly nod.

“gotta use your words baby” he teases you. “yes, chinese food is perfect” you smile “amazing, i’ll be back in 30. don’t fall asleep” he says as he points a finger in your direction and smiles softly

30 minutes pass, you just stay in your bed until he arrives, he walks in without knocking. “baby, i’m here” he yells, arms full with bags of chinese food. god, how much did he get?

you silently laugh to yourself at the site: mike with both hands carrying giant take out bags that say “thank you” with a smile face, his keys on his mouth and his pinky closing the door. it’s…really funny to be honest.

you snap out of your daze and run to help him, taking the bags out his hands and placing them on your kitchen island. you see him huff out a short breath, taking the keys out of his mouth and hanging them on the key holder.

you place a short kiss on his lips “thank you love” you say. a blush creeps onto his face. he wonders why he’s feeling so intense at your small gesture, i mean it’s not like you two are official….

you two get cuddled up on the couch together. he always said your couch is weird, two seats with a middle compartment in the center, dividing the chairs. he says it’s not ideal for cuddling but you make it work, the chairs aren’t small per say, but you can both fit on k it with ease, kicking up the leg so you can both lay comfortably.

you put on some movie that was recommended through the roku app. it doesn’t matter what movie it was, it just matters that you had mike with you.

soon enough he’s yawning, the mint aroma coming from his mouth isn’t bad. it’s kinda nice. before he could close his mouth fully you kiss him gently, wanting more of that mint taste. he returns the kiss, using the same pace you started.

as you let go, you ask the dreaded question. “do you want to be with me? romantically?” he stops and freezes before speaking. “honey, you’re too good for me- i..i’m not the best person. you’re full of love, i don’t want you to waste it on me, you’re too sweet for me.” he says. you look confused, you know you want to love him. why isn’t he accepting?

“but i want to be with you. i want to love you, and if im being honest i think i kind of already do.” you say after a moment.

“you…really?” he looks confused, almost baffled by your statement. do you really want to love him? like fully and truly?

“god yes mike, I try not to call but there’s some days that i really, really want to. i want to hear your voice, i want to hear you laugh. hell, i even want to smell your cologne. but i stop myself because i know you want something casual.” you blurt out.

“who said i wanted casual? baby i was waiting for you to say that. i think ive been in love with you since we first started talking. it sounds cheesy i know, but i really do.” he responds, making your heart flutter for a moment as you blink, suddenly feeling his breath against your ear.

“i only want you” he whispers, putting emphasis on only. immediately you blush more than ever in his presence. “really?” you can’t help but whisper back. is this really happening? are you about to have a boyfriend?

“really. you are the only person i ever want to be with. promise” he says as he puts his pinky out, asking for yours. sealing it with a pinky promise. he knows you’re serious about those so him doing this for you means a lot.

“you’re the only person i want to be with mike, has been that way since i think i first spoke to you. were so dumb” you laugh.

“yeah but we’re dumb together” he chuckles back as he holds you closer to him.

“so….are we dating or what?” you ask, popping your lips after “so”.

“let me ask you” he fixes his messy hair and uses a takeout napkin as a tie around his neck. “would you like to date me” he says sincerely, still a hint of laughing under his voice.

“fuck it, sure” you laugh as you bury yourself into his neck.

[maxwellatoms]

Would you trust ANY Korean studio for hand-drawn animation today? I ask because, when The Powerpuff Girls came back in 2016, I noticed how slow and stiff the Korean animation was. Since then, most Burbank cartoons animated in Korea, namely Cartoon Network shows, have been like that — mostly on 2s & with less inbetweening. Look at any Digital eMation episode of Victor and Valentino or Samurai Jack Season 5; do they animate as loosely and smoothly as Digital eMation episodes of Billy & Mandy do?

Sure I would. It would all depend on the studio and the circumstances. There are good studios and bad studios, and either of those will treat your show differently based on their perception of how valuable it is to their client. In the early 2000s Rough Draft was a top-notch studio. One of the reasons I switched over to eMation from Rough Draft was that I felt like Rough Draft was putting all of its resources into making Samurai Jack look beautiful, and we were still calling retakes on three year old issues. I knew we weren't a priority to Rough Draft, and I knew that stemmed from Cartoon Network's negotiations with them, so my griping was only going to get us so far. It seemed to me that I needed a studio that was smaller and scrappier like we were. We were putting in a lot of work on our end to make cool stuff and it wasn't ending up on the screen, so we needed people who were just as hungry on the back-end, and eMation stepped up.

There's also the fact, though, that animation itself has changed a lot in the last fifteen years. Powerpuff Girls and Samurai Jack's animation always seemed to have an air of "motion comics" to it. And frankly, that's part of what I love about it. It was all a throwback to the old UPA cartoons, which were built on strong, clear poses and made for the cost equivalent of a turkey dinner. Likewise, CN storyboard artists usually had around four weeks to write and draw their boards on paper, so there just wasn't time to take the effort to do anything too complex. It was all about snapping between those 300-ish storyboard drawings and momentarily savoring them for their humor and design mastery. Now we have tons of digital tools that make the basics of animation a lot more accessible to everyone, and have changed the entire studio pipeline. Things just won't look like they used to because nobody makes them that way anymore.

When I've had to choose an overseas animation studio, the network's production arm usually gives me one or three choices and tells me that's all there is. Deals have already been made. (Sometimes they make you pick two to save on costs, which (IMO) usually results in two studios that are less functional than any one of them would have been.) The studios usually have reels, so that gives you a basic idea of what they can do. You can (hopefully) find some other show creators who have worked with the studios and get an honest review. It's an important enough decision that it's worth whatever research you can put into it. Even over good bones, an ill-fitting skin can ruin the mood.

The most important thing to remember, I think, is that it's your job and your crew's job to make animating the show as easy as possible. Really, it's everyone's job to make the next person in line's job as simple as they can. Ideally, there shouldn't be a lot of questions because the materials you sent down the chain are clear.

So... yeah. I'd still trust Korean studios as much as I'd trust any overseas or domestic animation studio. You get out of them what you put into them by feeding them money and your own labor. It's quite possible that the shows you mentioned didn't do enough of either.

I imagine the overseas studios are hurting right now, so who knows what that landscape is even going to look like in a few years.

As with every step of the process making a TV show, you just sort of have to weigh your options and find the path.

Hmm. That got long.

[tossawary]

I think SVSSS as a 2D cartoon would be the best moving medium for it imo.

I mean, personally, yeah, that's how I'd enjoy seeing it as well! My ideal slightly pretentiously artsy SVSSS screen adaptation would probably look only a little more detailed than linograph prints (2D or shaded 3D?) (someone hit me up in like two weeks to draw an example of what I mean, if I don't remember on my own, I don't have access to art stuff right now), very stylized and vibrantly colorful, because that's one of the art styles that I particularly enjoy.

I'm not a personally a fan of the 3D SVSSS show because I find the characters a little too doll-like and same-facey for my tastes? It's fine! It works! It's serviceable! It's just all, backgrounds included, a little... safe? I tend to like over-the-top bright colors and intricate details and impractically weird shapes and yet also coherent world production design in my fantasy, which is a lot to demand of any production, perhaps especially with animation productions, which are always squeezed for time and money.

(EDIT: I know the SVSSS show was under heavy constraints and the results are impressive considering their resources; it doesn't change the fact that I just don't like the art style and nevertheless find the results underwhelming. I don't like a lot of "realistic" modeling / rendering styles, not just "anime" ones, even if they are extremely technically impressive. Believe me when I say that I know the vast majority of the entertainment industry is overworked and underpaid and creatively restrained.)

Slightly tangential general note: I don't think 2D is inherently superior to 3D (EDIT: NOT trying to imply asker is saying this, just having some general thoughts), especially because, with the realities of production, each have their advantages. 2D has a lot of stylistic advantages still, but 3D shaders are catching up and doing some incredible things these days! More advanced puppet controls and particle effects and such are doing some beautiful things for 2D shows as well these days. A lot of stuff has been subtly mixed media as soon as 3D became possible. It is potentially possible (note: not saying any studio would actually greenlight this) to do an equally slightly weird and artistically stunning 3D SVSSS show, given the freedom to work. (Good boarding and writing is also sooooo important in both mediums, obviously, it's not just about the art design. You can get away with incredibly limited animation with good boarding, writing, and art design.)

Another slightly tangential ramble: both 2D and 3D have the potential for stiff animation and poor character acting, which also comes down to production limits and animator skills? (I often think of character animators as a type of actor!) There are a lot of 2D shows that I don't really like because I find the animation incredibly stiff, both puppet and handdrawn (there's great 2D puppet stuff out there these days), which pretty much always comes down to production limits (deadlines and budget and software, saving up their animation for the coolest scenes). One of my favorite things about Studio Ghibli films (which as features get a lot more space to focus on art compared to the demands and restraint of television) has always been the squash and stretch in otherwise relatively realistic action, making things like hugs look SO nice for example. But 3D stuff is getting better at that these days! The ways characters slumped into each other in "Nimona" for example was great. And it's just fascinating to look at the elasticity / stylized sculpt of expressions in "Puss in Boots: The Last Wish" compared to the technical limits of the models / rigs in "Shrek" or "Shrek 2".

Adding these side notes because I want to be clear about my respect for both 2D and 3D artistically! A lot of video games are doing cool stuff in 3D that looks very close to 2D with stylized shaders, which you can sometimes spot by the large or small rotations in character action / acting, which is difficult (and therefore often expensive) to do in 2D with all of those extra drawings / angle poses. Also, I think the current push towards funky shaders in 3D is so cool and it's hard not to gush about them!!!

[aothotties]

Hello! I’m Ari and I’m 1/2 of Aothotties. We’re two black women that like to write about our favorite anime men. This blog is 18+ so that means that if you’re younger than 18 you need to move along please and thank you. Anyways please enjoy the first piece of writing, it’s based off of ‘The Way’ by Kehlani

Warnings: NSFW, Established relationship, Reader is like 24+, a lil bit of overstimulation, Nanami being a bit of a tease.

Word Count: 1K

~~~~~~~~~

You so damn important

Everything you do shows me you know it

To Nanami you’re everything he could ever want and more. He doesn’t know how he got so lucky to have you in his life.

He loves the cute text messages from you reminding him to drink water, his favorite time of the day is when you call him on your way to work.

“It’s going to be a long shift so I’ll try and call you during my lunch break” you tell your boyfriend, making sure you focus on the road at all times.

“I could always come and have lunch with you in the café.” He offers and your heart melts at the thought.

“I’d take you up on that, but my break isn’t going to be until midnight, and that’s if I’m lucky. The hospital is busy around the holidays” you sigh as you pull into the parking lot and pull into your usual spot.

“That sound means you’re at work doesn’t it? I’ll let you go so you can get yourself together, call me if you need anything. I love you.”

You swear you feel your heart flutter each and every time he says those words.

“I love you too! Oh and I stopped by your house and left you some dinner. I made too much food and I know how you like to skip meals when you get busy. I hope you enjoy it, have a good night!” You end the call and get ready for work.

If you didn’t tell him how much he meant to you, you always made sure you showed it somehow.

He say the king where he come from

Take a young queen just to know one

To Nanami, money was never an issue and he always made sure to let you know that. Anything you wanted was yours, without hesitation. You needed help with student loans? Done. Your car needs gas? Already taken care of by the time you’re on your way home in the morning. He almost tried to buy you a car, but you turned him down.

Nanami would buy you the world if you wanted him too, he’s a hard working man who busted his ass for years to get to where he is today. His journey to becoming the CEO of his company was anything but easy, but it’s truly rewarding if it means he gets to spoil the love of his life.

“Those are nice.” you say to yourself as you scroll on your phone, taking a closer look at the ad that caught your attention.

“And that is?” Your boyfriend asked, handing you the wine glass you asked him to pour you after dinner.

“Oh it’s nothing, just these cute scrubs I saw while scrolling online. They’re the jogger kind and come in different colors.” You showed him a photo of the set and he took the phone from your hand and began to type.

“Baby what are you doing?” you lean over to see what he’s doing on your phone and he gently holds you back with one arm

“Just a second, be patient sweet girl” he says, one arm wrapped around your waist and the other hand typing on your phone quickly.

“Here, all done.” He hands you the phone and presses a gentle kiss to your forehead before standing up and walking towards the kitchen.

When you opened your phone up, you were met with a confirmation screen for the scrubs he just bought you.

“They’ll be delivered to your apartment tomorrow afternoon, I got you different colors, since you like to wear solid colors some days and then have those little cartoon characters on them other days.” You watch as he leans against the kitchen counter and you feel like you’re falling in love all over again.

We gon' wake your neighbors

Turn your block club to my fan club

“N-Nanami!” you moan out into the pillow below as he thrust into you from behind.

“Yeah princess? Cat got your tongue?” He grabs your hair in his fist and pulls you up so that your back is flush against his chest

You grip his thigh as he continuously pounds into your cunt like a mad man, his thrust not letting up as he keeps hitting your sweet spot.

“I-I’m so close baby, so f-fucking close.” You whimper loudly, biting your lip at the feeling of him pulling your head back farther onto his shoulder.

He leans his head down and presses his lips against yours, you could tell he was getting close by the way his hips begin to speed up. He wraps one of his large hands around your throat, giving it a light squeeze.

You began bouncing back on his dick quickly to try and reach your climax, Nanami forces your legs open with his free arm and begins rubbing your clit to help you reach your high.

You scream out loud as your cunt tightens around his dick and you reach your climax. You back continues to arch and you whine from the overstimulation of him continuing his thrust.

“N-Nanami s’too much. I-I can’t!” You whine loudly as he continues to bounce you up and down on his dick quickly.

“You can take it princess, go ahead and give me one more. I know you can baby.” He whispers in your ear, he grabs your jaw and turns your face up to look at him while he fucks into you.

You squeeze your eyes shut from the pleasure and he harshly presses his lips against yours giving you a sloppy kiss, he groans and bites your lip as he emptied himself inside of you.

He sighs against your lips before he pulls back and presses his forehead against yours, slowly trying to regain control of his breathing after the activities that just took place.

“Thank you for the scrubs” You say weakly as you begin to fall asleep in his arms, he smiles at how tired you instantly become and plants a kiss to your forehead.

“Anything for you sweet girl.”

[shineonyoucrazyyandere]

Hello, I hope you don't mind if I share a weird headcanon of mine 👉👈

I normally see people talking about Kakyoin make drawing about you but what if Jotaro does that too? The reason I have this headcanon because I remember the scene when Jotaro using Star Platinum drawing the fly he saw in the picture, and he draw it so well. It makes me think that maybe Jotaro has talent in art too. Jotaro's style will be realistic style while Kakyoin will be more like cartoon/anime style.

Imagine their sketchbook filling with so many drawing of you 💕 Jotaro will watching you from afar, sketching you with your cute smile, your beautiful eyes, he captured it all. For Kakyoin, I think he will even make up characters (oc) that look like you and him and ship them together lol (this headcanon inspried by my friend, she actually do that with her crush).

Thank you for reading my ramble, glad to talk with you :D I would love to hear your thoughts about my weird headcanon

P/s: Love you writing so muchhhh 💝

This is fun stuff, I could eat it up all day. Thanks for sending it in, so I can blabber my mouth about it

This always internally bugged me so I’m very thrilled that someone brought up how well Star Platinum drew that fly. I suppose it’s kind of easy to gloss over for a lot of people compared to Kakyoin’s scene of painting on that canvas. (Then again that fly was kind of important to identify to figure out where Dio was so then again it’s “???” for an explanation)

Anywho, I’d say signs point to Jotaro being able to draw, and I think it’s a hobby he prefers keeping to himself. Like you said of him having a sketchbook, almost no one sees what he draws in it and he doesn’t want anyone else to see it especially if it’s various sketches of you. So more than likely when he does do so, he’s somewhere where he won’t be pestered by school girls, or whatever punk tries to start a fight with him.

I’d also like to think he goes back and lingers on prior stuff, just staring at it for a little while. This applies usually when you’re out of school sick (which he’ll probably stop by later anyway with or without your knowledge). But there’s something comforting about seeing every piece of your visage in his sketchbook. Literally no one else knows about this sketchbook aside from maybe Kakyoin (Holly has her suspicions he takes a sketchbook around but she smiles not pestering her son on his hobbies as she thinks it’s adorable).

For the most part art wise I think Jotaro sticks to traditional art, maybe a dabble of charcoal but he prefers pencils. Maybe watercolor if he ever went beyond, but traditional with pencil/pen is the easiest way for him to pull something out at his leisure. Would he let you see? Maybe eventually when he gets you where he wants you, or if the cat is out of the bag early and you see it and you’re not quite with him yet. Let’s just say seeing that may speed up him taking you.

Kakyoin I could definitely see diving into the oc type of thing, he’d certainly reference an artstyle of a manga you like. (Don’t ask how he figured that out so quickly). Though he definitely loves putting some passion into his artwork and occasionally shamelessly make sultry artwork of you and himself. He loves painting the most as he spreads colors, mixing them into the wondrous hues that is your skin tone. Or splashing watercolors in a notebook, that looks something out of a fairytale. Soft and warm lighting….oops he’s getting a tad bit excited.

He definitely presents pieces that are obviously meant to be stand ins for the two of you. That no one else would ever be wiser too, yeah you might have this odd feeling something’s not quite right, but there’s nothing there you could really prove other than observe just how pretty the composition is. If you compliment it, that just fuels this man’s desire further.

Biggest takeaway here is Jotaro and Kakyoin very blatantly have their own styles whether sticking with black/white/grey, or full on color. Both would be pretty in their own right, and their style choices speak of their personalities without saying a single word.

[its-a-me-mango]

I saw your post about art fight (and by the way congrats and I'm impressed by the amount of pieces you've done) and you mentioned drawing furries. I kind of never did but I want to learn, do you have any tips on drawing furries?

Hi yeah my advice is to have an older brother tell you what furries are at the age of 8 and then get completely obsessed with drawing anthropomorphic characters until the age of 18, so if you missed out on that I'm sorry. /j

Anyway, my actual advice is to get used to drawing animals in general. If you already know how to draw humans then you've already done most of the work when it comes to furries, if not thats ok you can learn as you go! I always recommend looking at other peoples work that you look up to and seeing how they do it. Learning to look and pick out shapes and features is always my best advice, it's something you learn to do as you grow but being able to pick out characteristics, shapes and all sorts of what you're looking at will massively help with your work, never be afraid to look up reference!

Simply taking the time to understand how to draw some animals can help set you up for drawing furries, you don't have to learn every single animal right off the bat, just the ones you're interested in to start off with. Once you know how to draw one or two, all the other species should become much easier to learn, or if you just wanna stick with the one species that's fine too, whatever you're happiest doing!

For example, say you wanna draw dog furries, thats fair dogs are cool! I like border collies so I'm focusing on them, look at these guys they're so fluffyyyy

Right away you can pick out some key features, the pointy ears, the medium length snout, the long fur (especially around the neck), the markings, the fluffy tail, these are all key things that make up our awesome collie dog, taking the time to practice these traits first will help you later on for drawing furries, you can practice as you go if you want but if you're starting with nothing, go basic!

Once you're comfortable with drawing animals, putting those traits onto a human shouldn't be as daunting, head goes where the head is, tail goes at the end of the spine, and fur goes all over! Obviously there are so many ways to draw furries but I'm trying to be basic to start off with! Practising with putting human emotions/traits onto animals will help a lot to refine what you're doing, your first attempts won't be pretty so don't worry about trying to make them so, they're for practice after all!

Using this as my excuse to draw my border collie SMG4 inspired OC, come look at Jay he sucks so bad, you'll never guess who he's inspired by. Again learning to mix human emotions and put them onto cartoon animal heads is hard to learn but I promise it's possible and great fun once you know how!

There's no one set of rules for furries, it's whatever you feel works best! Add and take away whatever you want, maybe you want them blue and green with horns and wings, that's totally fine! Get as creative as you want and don't be afraid to go wild, furries aren't real after all, you can do anything you want!

Furries are so expressive and unique, it's one of the many reasons I love drawing them! You can get so much diversity and variation with their design and characters, they can be as realistic or as cartoony as you want! It's always important to have fun with what you're drawing and to be okay with making mistakes, you're not going to get it first try so might as well have fun getting to a point you're happy with!

Hope my insane ramblings helped somewhat, I never know if these actually help because my advice is always just "look at reference and say "fuck it we ballin" untill it looks right", I can't teach that to anyone I have to sound like I know what I'm doing lmao

[tyrantisterror]

My Personal History with My Good Friend, Satan

My first encounter with The Devil - that I can remember, at least - came when I was about three or so. My mom liked to borrow VHS tapes from libraries to show me and my siblings a lot, and one of the libraries she used was the one at our church. It was a small and obviously very religion-centric collection, but it left a notable mark on me - like, that's where I saw this weird, kinda shitty cartoon version of The Lion, The Witch, and The Wardrobe which might be responsible for irreconcilably fucking up my taste in women? I just have this distinct memory of watching the scene where Edmund is tempted by the White Witch and thinking, "Yeah, he's making the right call." If anything I was frustrated that he hesitated - three year old me was already simping for this woman. Just imagine a child channeling Ernie Hudson in Ghostbusters and growling, "When a terrifying and beautiful woman offers you candy and a private sleigh ride, you say YES!" and that's basically me as a kid.

Where was I? Right, Satan. So, the other video from that library I remember was this cartoon retelling of Bible stories, and really I just remember the Adam and Eve part. The temptation scene had this huge, super gnarly-looking demonic red snake in it, and he was so cool and badass and I was already predisposed to like snakes anyway, so of course he was my instant favorite. But, like almost all media featuring reptiles that captured my little child heart, he turned out to be the bad guy - literally The Devil, in this case - and was punished at the end of the story. And that pissed me off.

Sometime shortly thereafter - or at least that's how I remember it, this was over thirty years ago so things might be smushed closer together than they really were by the fog of ages - some of the kids in my preschool chastised me for liking snakes. "Don't you know the devil is a snake? Snakes are evil!" I remembered the movie, and it made me angry.

Because snakes aren't evil, and as a kid I knew that because my parents taught me it. Snakes were just animals, they don't know right from wrong, and to call them evil it to judge them for what they are, not what they do. That experience taught me a very important lesson: The Devil is a tool to make people hate the innocent. And as I'd later learn, snakes were far from the only innocents people would vilify because of a demonic association.

The second time I met the devil came a few years later, when I was six or seven or so. My Grampa and Grams liked to take us up North to Mackinac City and the Upper Peninsula each summer, and I have a lot of fond memories of those trips, but there was one in particular that's relevant to this discussion. We saw a sign for a "laser light show" in the shopping district, and I got to stay up late to see it with my family. The show in question was basically a cartoon projected into the night sky adapting the song The Devil Went Down to Georgia. It was super primitive and hokey and cornball and terrible and I loved every second of it. I was enchanted, absolutely delighted with the spectacle and the silly song where the devil was less a force of evil and more a comically bumbling inept supervillain - one of my favorite archetypes, even back then. So that's the second lesson about the devil I learned: The Devil can be fun sometimes.

Now, Godzilla, one of the few reptile characters I encountered as a kid who didn't end up a villain (at least not in the first movie of his I saw, Godzilla vs. Megalon), had already set me on the path to loving monsters of all stripes and, by extension, horror fiction in general, so as I grew up I had many more encounters with the devil. But while I warmed up quickly to most monster archetypes, like vampires, zombies, werewolves, etc., I always felt dismissive of demons. It kind of coincided with me becoming disillusioned with Christianity as a whole, in fact. A story about fighting evil, Christian-style demons is ultimately an allegory for fighting evil as defined by Christianity, and Christianity's definition of what evil is, well, sucks. It's bad! They got some things right, but some things horribly wrong. The devil is the tool Christianity uses to make you hate the innocent, and I struggled to enjoy a lot of demon stories because of that. Still do with some, in fact.

There were exceptions, of course - I loved The Evil Dead series as soon as I saw it at too-early-of-an-age, but then, the demons in it aren't super Christian. They aren't repelled by holy water or crucifixes or prayer, and in fact God and Jesus barely get mentioned in the series and never come up as a potential solution. They're kind of secular as demons go, and maybe that made them easier to stomach. But overall, demons ranked pretty low in the hierarchy of monsters to me - they were too tainted by the religion that spawned them for me to enjoy.

Until college, anyway. I quietly renounced my faith during my Freshmen year, and then, as if seeking one last chance at redemption in my eyes, the devil came to me again the following year. That's when I had a class on Medieval literature, and was exposed to far older devil stories than I had ever seen before. And Medieval devils kick ass. They have so much more personality and variety than I had come to expect, and some are downright affable, even sympathetic to a degree. It was one of many moments in college when I realized there was much more to a topic I'd previously written off as boring and trite.

This is when I read Dante's The Divine Comedy and Milton's Paradise Lost and Marlowe's Faust and Ben Johnson's The Devil Is An Ass. It's when I read early Gothic Horror novels like Matthew Gregory Lewis's The Monk, and dived into The Twilight Zone, which has more than a few episodes that are updates of medieval-style devil folktales in a more modern (i.e. 1960's) setting. And so many of these works presented the Devil not as a stand-in for everything Christianity hates, but as a person - a deeply flawed person, yes, but a person with actual wants and feelings and thoughts of his own, a person who was interesting and compelling - and sometimes funny, and sometimes charming, and sometimes really sad. There was, dare I say... sympathy for the devil growing in my heart.

In the last year of my undergraduate studies, I attended my college's yearly Medieval Studies Congress, where people from all over the world came to Kalamazoo just to share their research papers on medieval history and literature. One girl's thesis paper was on the subject of "rueful devils," i.e. depictions of demons in literature where they wanted to repent their sins and redeem themselves, which uniformly ended with the devils' hopes being dashed as they could not fully repent. This idea... possessed me. The idea that the devil could repent, or at least try to - that there could be hope even in the most debauched sinner. It was such a good narrative trope in my eyes - why did it die out centuries ago?

Well, because the church didn't like it, you see. If the devil can repent - if the Absolute King of Evil can choose to become a good person - then he's not very useful as a tool to make people hate the innocent anymore. The devil MUST be "pure evil" to work as intended. A rueful devil, a repentant devil, a devil that can be redeemed, forces us to be more forgiving and kind. It forces us to be better. It prevents us from hating people because an old book says so. And some people just couldn't have that, and so the trope died.

...

After I got my bachelor's degree, I entered the job market and, after applying to fifty different places or so, was finally hired as a high school english teacher about two weeks before the school year started. Said school year was the worst year of my life. Like, I've had extreme self loathing issues and suicidal ideation since, like, sixth grade, but holy shit it was NEVER as bad as it was in that nine month stretch between 2012 and 2013. There was this bridge I had to cross on the way to work each morning, and about two months in the job was so stressful that part of my morning routine was thinking, "You know, if I just swerve to the right, this can all be over and I'll never have to worry again." About halfway in I began drastically losing weight despite not changing my diet or getting more exercise and it was so traumatic that to this day whenever my weight starts to drop my initial reaction is dread rather than excitement. I impulse bought the first two Kung-Fu Panda movies and, after watching each for the first time and crying hideously, proceeded to watch them on repeat for an entire weekend while sobbing myself hoarse for reasons I couldn't comprehend at the time.

I was in Hell. And the devil met me there.

I started writing a story during that year. I didn't get very far, just a couple chapters, but it was one of the few things that gave me a sense of accomplishment. Despite all the stress and sadness and misery, I made something. It was a story about demons, and Hell, and trying to make your life better even when the world around you seems deadset on making you suffer as much as possible.

When my bosses called me into their office at the end of that year and told me that I had to quit my job so the assistant principal could take my teaching position and survive the downsizing they'd get next year, and that if I didn't quit they'd give me the lowest teacher evaluation they could and make it supremely difficult for me to get hired elsewhere... I was relieved. I'd been let out of Hell. After a handful of months left to finish out the year, I was free.

And then I went home, with nothing. No job, no desire to pursue the career for which I'd spent five years and an ungodly amount of money getting a degree to pursue, no nest egg, nothing. Nothing except a few chapters of a book.

The years that followed were hard. I did a lot of temp work, it took me a very long time to find something that worked for me. I may have left the worst year of my life, but there was still a lot of misery waiting for me. And through it all, I felt the need to accomplish... something, ANYTHING. I had to make something to prove I had a reason to exist, even if it was something that only had value to me.

With three years of work, those chapters became my first novel, No Sympathies: A Tale of Those Who Trespass Against Us. It was about the devil, and Hell, and finding salvation even when things seem inescapably bleak. It was my first novel, and now, eight years later, it's the first of five.

The devil saved my life. He saw me at my lowest, lifted me up, whispered, "It'll be ok. You have to keep going. I'll be with you, but you have to keep going," and goddammit, he kept me from swerving right.

That's when I learned the greatest truth about the devil, at least to me. The devil is a tool to make people hate the innocent, yes, this is true, but because of that, the devil can be a savior for the broken, the beaten, and the damned. You can feel like you're worthless, wretched, and doomed. But if the devil can rise from Hell, if the devil can choose to change, if people are willing to pray for the one sinner who needs it most - then there's hope for you too, isn't there?

Demons are creatures of rebellion - against God, against nature, against the powers that be, against doom and damnation itself. They were made to be a tool to hurt the innocent, but that's not what they have to be. Devils can lift us up, because no matter how far you fall, no one can say whether it's the end for you except you.

...I would like to point out that I am being figurative here. The devil does not literally exist, at least not in my view of things. He's a fictional character, nothing more. But he's a prolific fictional character, and how we portray him can say so much about us. And, to me, he is a dear friend, despite being imaginary, because the devil was there for me when I was low, and it was on his wings that I rose from doom.

...again, figuratively, not literally.

[orion-somethings]

Alright time for me to go on a sorta huge ramble about if the Ice Chapter was an Analog Horror. I poured all of my ideas for it into a google doc, but I’m only going to be talking about the characters like the villagers, Vex, and of course The Ice Emperor.

TW: Self Canalbalism, Violence, Death, Dark themes

So people in the Neverealm usually wear clothes with fur and insolation to keep their bodies warm. Which is good and all! One thing I noticed is that we don’t really see animals that much other than wolves and a bear. Here’s what can happen: Since it’s winter and most animals hibernate during that time, there would be a low supply in food, fish being the only source. The people would most likely starve or look like it. Their arms and legs would get skinnier, their skin turning pale from the climate. Death isn’t as common but happens more than usual. Some people have missing fingers because… well you got to eat to survive don’t you?

Sicknesses are really common from drinking water with bacteria by not putting it over a fire(too hard to make one) to kill it. People rarely have energy from the scarce food supplies. It just feels like a ghost town.

Now for Vex and the Ice Emperor:

Vex

Right so Vex would be in the same condition of the Villagers with pale skin and thin limbs (little thicker in the legs due to him following I.E. everywhere he goes. He has more access to food because I like to imagine that Grimfax had a big stash of food in the castle since he was y’know the ruler before Zane took over. His nails are sharp and uncut because that doesn’t really matter when you have more important things to do. His voice is really hoarse from talking to I.E. all the time and telling the soldiers what to do. Vex’s mustache is not only frozen but tangled to shit. Bro constantly gets hypothermia from being near I.E., has bags under his eyes from not sleeping…. Like at all. Has blurry vision.

Ice emperor

Ok I.E.’s turn to be Analog Horror’d: This man’s armor and body would have so much rust and cracks from not getting check ups and maintenance. His body is held up mostly by ice. Everything that makes him look human is just gone.. His hands look like claws made out of Ice, huge horns of Ice on his helmet that legit make him look like an oni.

Cold fog leaks out of his mask every time he breathes. He rarely talks and just makes low groaning noises. Since parts of his body are damaged and Vex started to take notice of it, he went back to the cave that he found Zane in and started to just rip metal off of the mech that got banished with him and just… put them on him??? I.E. basically looks like if he had a magnet on him and like just a lot of metal came flying to him and stuck on him like a cartoon. Speaking about his armor, it’s just covered in dried blood from the people he has killed. He also just loves the sounds of bones snapping, it’s like ASMR to him.

Oh y’know the Ice samurai that are made of Ice?? Yeah, I.E. will gather bones or corpses from the people has killed and make them into ice soldiers sooo

And One question I’m going to get is: How would this be an analog horror if there are no cameras in the NeverRealm? I like to think in the Mech that Zane got teleported with had an old camera in it just in case of emergencies.

One of the Villagers is hunting and ends up finding the mech in the ice cave and finds the camera, learns how to use it and documents his journeys through video footage or pictures of what he finds!

[henrioo]

°•*⁀➷ WAR PERIOD: KID AND KILLER

꒰ SYNOPSIS ꒱ : "Your period is definitely the moment of the month you most hate, lucky your two boyfriend already know how to handle the situation at this point. And whatever you need, Kid and Killer will always be there for you."

꒰ WARNINGS ꒱ : TRANS MASC! READER, TRANS MALE! READER, FTM READER, PERIOD, man having period, man having uterus, body dysphoria, gender dysphoria, use of the word "breast" and "boobs", the reader didn't make top surgery, mentions about not having money for surgery, little angry and aggressive reader, mentions of chubby body (not fully just a chubby tummy but can be interpret in others ways), mentions of hormonal treatment/therapy, A LOT OF POSITIVE AND ENCOURAGING DIALOGUE ABOUT THE READER'S MALE IDENTITY

꒰ WC ꒱ : 1,6k

꒰ NOTES ꒱ : This become really self indulgence because I finished this story one day and the other day I started my period so fuck this shit. But anyway, enjoy, my little buddies that have an uterus and pass through periods, have a little of Kid and Killer comforting you. And if you don't have a uterus nor a period you still can have them, because Kid and Killer comforting you is perfect in any situation.

Eustass sighed entering the apartment he shared with his two boyfriends. Today had been a busy day at the workshop and he almost wanted to kill some customers who tried to debate him too much. He dropped his backpack in the entrance hallway and didn't have to walk far to find you two, after all the apartment was really small and compact.

Killer was in the kitchen and seemed to be baking something, he had his hair tied up and was wearing a pink apron with “best mommy” written on it that you had given him in a Valentine's Day prank, the funny thing was that he loved it and accepted wearing it without any problems. He looked for you and it didn't take long to locate you, the point was that he quickly located warning signs that made him pay attention.

Sign 1: You were shirtless, without a top and without a binder, your breasts were out and you hated being like that at home because it gave you a lot of dysphoria and frustration because you hadn't yet had surgery on the top, which meant that something very important thing must have happened for you to ignore all anxiety and triggers and stay like this.

Sign 2: You were wearing Kid's plaid pants, you hated those pants. Which was also very strange since you said that those pants, besides being ugly, were very light and baggy, which was obvious since Kid was twice your size, and the only times you used to wear them were when he was far away and you really missed it to the point of wearing those pants you hated so much. And the reason for wearing them specifically was because Kid wore those pants almost like a second skin, being one of his two favorite clothes and the best choice for missing your boyfriend.

Sign 3: You were surrounded by the stuffed animals that Kid and Killer got for you at the parks and events you used to go to, usually these stuffed animals were on a shelf dedicated to them since the bed couldn't even fit the three of you, imagine more than five plushies of different sizes and shapes. However, Eustass and the blonde knew that you only clung to one of them when they were far away, you had even sent photos of you sleeping with them when the two of you weren't in town.

Sign 4: You were watching some extremely colorful children's cartoons. You and Killer particularly liked that stuff, saying it was nostalgic or some shit like that, so it wasn't exactly weird... The weird thing is that you were crying watching a colorful cartoon with animals, princesses and various things exploding on the screen that looked like anything but a Sad movie to the point of making you cry.

Yeah… You had just started your period. It took a few months of training, swearing, and nights spent sleeping on the couch for Eustass to become a master at guessing when you were on your period or close to it, which was great since you became a bombshell when that happened. In the workshop he had already dealt with some of the menstruating women, generally these were the days when screwdrivers flew and male customers ran away never to return, it was also the day when they ordered so many sweets that Kid received more deliveries from sweet shops than fixed cars.

With all this experience he was certain: menstruating people were scary. And you could be a little more on your period, (Y/N), Kid and Killer's gorgeous boyfriend was extremely scary when was on your period. Probably your hormone therapy made all your emotions twice as sensitive but you really were a ticking time bomb, most of the time you were an aggressive extreme who would yell at them if they dared to get close and then two minutes later you were yelling at them. for not giving you affection in that delicate moment. In Eustass's own words you were a fucking irritating bipolar.

"A warning that the war has started would be nice" Kid muttered to Killer as he kicked off his shoes and prepared for battle.

“No really, when I walked in he literally threw a slipper in my face” Killer laughed and handed Kid a bottle of water that he knew he should use as a peace offering.

“Wow… And I thought sleeping on the couch was the most extreme thing we’ll ever get” he laughed and approached you.

“You keep complaining about that and you’re the next one to get slapped” You grumbled irritably while crossing your arms, you didn’t even look away from the television but it was clear that you had been irritated by your boyfriends’ jokes and teasing.

“Okay my little grenade, drink some water before your anger dehydrates your seductive little body” he laughed and offered you the water which you readily accepted and calmed you down a little so that he could sit on the sofa with you without getting kicked in the face .

“Seductive little body my ass, look at that! I’m super swollen!” You said as soon as you finished seeing the water and started to clutch your stomach “Besides, look at this! I! Argh! I have these things and I hate them!” You said looking at your breast “I hate all of this! My body, my hair, my face, this transition! I hate existing, I want to explode into millions of pieces and become a cloud!”

And now the anger passed and you were crying. Holy crap. That was all Eustass could think, he sighed as he crawled onto the couch closer to you and helped you curl up on top of him, basically like a human ball as he wrapped one arm around your leg and the other around your back stopping at your hair. where he made a light coffee.

“Alright, let’s breathe, okay?” He spoke to you listening to your sniffles “Everyone has a little tummy, okay? You yourself love squeezing mine so you have no right to hate yours” he debated trying to calm his insecurities.

“But yours is cute…” You mumbled rubbing your head against his shirt “You smell like car oil…”

“I work in a mechanic, love, I’m definitely not going to smell lavender, that’s up to Killer” he laughed, continuing to hug you, now you seemed to be coming out of the shell of depression. You turned so you were against his chest, your knees still together and curled up so you could fit completely in his lap, he placed both arms around you and let you play with his big, slightly dirty hands.

“It’s not lavender, it’s pine aftershave” Killer replied irritably as he entered the room with a cat-shaped pot and handed it to you.

"What's this?" Eustass asked curiously and rested her head on his, seeing in the jar a type of chocolate cake and some scoops of cream ice cream with chocolate syrup.

“Brownie with ice cream, to appease the demon that lives in that cute belly” Killer smiled as he sat on the sofa in the part where you were previously and took the opportunity to pinch your cheek, making you groan.

“I hate you” you mumbled but soon your attention was diverted to the candy, you started eating it greedily while letting out cute little noises of approval.

“Where did I stop?” Kid tried to remember his insecurities and soon knew where to continue “Everyone has breasts, particularly Killer's are the biggest I've ever seen” he felt his blonde boyfriend slap him on the head but he ignored “You yourself tried to give me a bra because I said mine were too big!” He commented irritably while pinching your waist.

“But they are,” You and Killer said together and laughed at Kid’s red face.

“Assholes… Huh, anyway, everyone has boobs and that’s normal” Eustass wasn’t the sweetest when it came to comforting someone, but he knew that somehow the brutality and sincerity of their words were always enough for you.

“Except for that dumb bitch who tried to hit on you at the bar” you muttered irritably as you shoved another piece of ice cream into your mouth.

“And thanks to a pot of diabetes we have our boyfriend back, thank you sugar gods” Kid teased and kissed your cheek making you laugh and press yourself closer into his embrace.

“Also, don’t worry too much about your body, you started hormone therapy not long ago so there will still be big changes” Killer smiled gently as he caressed your knee “And as we go to the gym more they will lessen a little.”

“Besides, we’re going to get the surgery anyway so you just need to hold on until then” Kid reminded you of your main goal in the transition.

“I know… I just… It's very expensive, sometimes it seems impossible as if I would never see myself without them” you sighed, laying down on the man and finally releasing your legs over his, now literally sitting on Kid as if he were a chair.

“We'll find a way... If we can't find one then Kid can rob a bank, he gives us the money and he goes to prison alone, then we pay for your surgery and his bail” Killer suggested, laying down next to Eustass to be next to you.

“Or you two go to jail, I become a millionaire and get a sugar baby” you laughed.

“Wow… One slipper and now this, I would never make him a brownie again after that” Eustass said shocked while talking to Killer.

“Yes, definitely, today Mr. (Y/N) is the one sleeping on the couch” Killer laughed as he prepared to give you a tickle attack. Well... I guess your period wouldn't be so bad if you had these two with you all the time.

[popculturebuffet]

The Book of Bill Review: Bye Everyone He'll Remember You All in Therapy (Comission for Emma Fici)

Hello all you happy people and man it's good to be back. After a week's vacation i'm recharged and ready to plunge back into reviewing stuff. For those of you new here i'm Jake, I review various media , mostly cartoons and comics.

Over a week off filled with batman, persona 5, more batman, Truthful Timmy the Blowjob Queen of Saskatoon, and more, I picked up a certain book since my money dropped: Yes folks thanks to a generous friend who also enjoyed the hell out of this book it's time to talk about mildly curesed new york times #1 bestseller The Book of Bill.

The Book of Bill is the latest in something Disney has been doing for a while, some of the only merch they really make for their telveision animation series: Journals! Specifically books following a character from the show in the first person and helping drop some juicy lore. I naturally have all three previous major ones: Journal 3, The Big Book of Spell and Marcy's Journal. There was also one for Ducktales I need to get at some point and an early Star Vs book, but these big three are the important ones, making real books from the show canon and not only being cool props to own, but also nice bits of canon after the show ended. Or in star vs case as the show slowly burst into flames.

Book of Bill continues that trend yet also breaks it: This book is coming out 8 years after the series ended, is an entirely new creation, and is geared towards adults even having a warning label. Granted it's more a pg-13 than the hard r said warning label implies but the fact disney is acknowledging a product from less than 15 to 20 years ago has nostalgic fans is a victory in itself.

And said victory was followed by an even bigger one with the book recently topping the New York Times bestseller list, even topping "we gotta see what that couchfucker is about just in case". This is a huge victory lap that makes me hope we'll get even more content from various disney shows in book form. At the very least it makes the owl house art book an even easier sell and at most i'm hoping Owl House gets more content now, and I wouldn't say no to Hirsch returning to gravity falls if he has another idea. While i'm used enough to Disney's bullshit to see them ignoring this obvious sign, it could really get them to take kids content from this era more seriously or at least try to get it's creators back to get more of that sweet dollar dollar bill ciphers ya'll. Either way this could be a great thing.

Even if it dosen't lead to more books, Book of Bill is great on it's own and something i'm happy to dive into. And since I know it's harder to get the book outside of the us this is also a chance for those of you outside it to get a peak inside. So let's begin as tonight it's gonna get weird.

Book of Bill is diffrent from the other books in that while it follows a narrative, the first half is mostly just bill shenanigans while the second gives us his history from when he was a baby boy baby to he and Ford's messy breakup involving live snakes, it's a small world and jars of spiders.

It works perfectly too: I forgot how much fun bill was till he burst through the page to greet me

Like bill himself the book deftly ballances comedy and horror. Like gravity falls it leans more to the former, as most of bills antics are just him being unsettling and charming as always, but we get plenty of truly disturbing stuff from his collection of heads to a mouth suddnely popping up demanding blood to this lovely bit showing all the many realities where the pines kids didn't exactly win

Also yeah, outside of Bill's fate, the book dosen't move past where Gravity Falls was on the timeline in the extended Disney Television Universe. It does firmly confirm it's all one universe as we get some refrences to owl house with some tapestry showing off the titan and my boy

As well as a cameo we'll get to later. But it's clear Hirsch, for now has no plans to tell us what happened to errybody after the show aside from bill himself and honestly? That's fine. I'd rather he did a full revivial or book about it at some point than drop it in here and before the nightmare fuel sets in the sleep image of the two on the bus with waddles is adorable.

Back on point the book will hit you with horror well but is maily just a non stop parade of good jokes for the first half. The framing device is simple: Bill created this book and Ford found it shortly before he and Stan went off to make movies, make songs and fight around the world. He tried destroying it but befitting spooky books it kept coming back and so he put in an ash williams style warning telling the reader for the love of god don't read more. And like that idiot from evil dead 2013, I didn't listen and pressed on as i'm sure any of you who got the book did too. I mean we already paid our 20 some dollary doos right?

So the book has bill giving the reader advice, trying to trick them and general other wacky nonsense. This book is DENSE with jokes, and there was hardly a page that wasn't meant to be truly horrifying that didn't have one on it. And sometimes even them. Highlights for me from the first half include his self interview where he deflects being phineas' father, dating a howling void and other hot goss, his entire chapter on silly straws (if you murder someone with one it becomes a serious straw), his having you murder an elf for him, dividing a number and brutally murdering it, and Ford claming he'll tell you how to turn ducks into nuclear bombs.. with Bill doing that immediately after and likely being fully aware of what he was doing.

My faviorite bits are him fleshing out his "reality is a hologram" statment

Every bit of this joke works from me from the reveal, to perfectly nailing the classic pokemon trading card style for this gag. Good stuff. Also not sure why the multiverse has only 50 hp, better not to ask.

The other bit I love the most is bill trying to help the readers love life with advice so good it got this book classified as advice

And helping the love cage with some wonderful bilintines

I"m sending I don't want to die alone to my next crush!

This section really is just a vehicle for jokes and general bill chaos for the most part and it does so gloriously. If you liked bill, your gonna love this thing and if you love him.. he'll never love you back but you'll still enjoy this.

The first half does have a few little pitterpats of lore. One of the biggest.. is that we get more dipcifica

Also Dipper's search history as a whole and while some parts I'd rather forget if my brain would let me, there's a lot of good gags here. But yeah Pacifica Northwest Pagent Video. man is crushing. And also mildly creepy but it's still a step up from looking up Wendy's instagram and other things i'd rather not get into because

This segment goes into the casts dreams, most in depthly Dipper, Mabel and McGucket. That last one is just a really hautning page of how much of a tornado his mind is ... bill BARELY got out. Dipper is naturally bill laughing at his embarassment and revealing he put a bunch of fake author images in his head for funzies.

Mabel on the other hand is one of the funniest segments in the entire book as well as revealing exactly HOW he concoted the scheme. A nice thing we get , and that explains why he gave her her own fifedome.. is that bill actually likes mabel as a person. he likes her chaos, loves watching her dreams which is creepy but for him is about as close to kind as he can get. Problem is he went in AFTER the whole Sock Opera mess, so she hates him. Thankfully the people guarding her dreams are Xyler and Kraz, nature's perfect himbos. So he simply gives himself a hat and blonde hair, a neat jacket and the name chill cipher and gets them on board by eating his skateboard. And to his horror has to do a montage from saying no to drugs to teaching a dinosaur with shades to beleivie in himselef. Just imainging bill doing an over the top 80s montage while having the most pissed off uncomfortable look in the world.. it's going to help me sleep at night.

We also find out he found Mable's deepst darkest fantasy... a tape of Mariah Carrey's fantasy.

It's a genuinely good gag and bill finds out from them how down in the dumps she are, her wanting to let summer last etc.. and thus you can thank these himbos for the apocalypse.

Otherwise the only other little tidbits are in a bit on various dreams. We find out Ford is in love with logic (Bill quips he'd be a plansexual which.. accurate), Soos wants to change his name to pins, and Pacifica.. is suffering horrible ptsd. The big bit though is that dipper walked in on a conversation between his parents about something he wouldn't hear and Bill implies it was why they sent them away. It COULD be divorce, it could be somethign else entirely it's honestly hard to tell given both how little we get and the fact it's bill. Bill's about as trustworth as a snake wearing a top hat

On second thought make that Snake mayor stat.. then god emperor.

But yeah you can't really TRUST bill but it's a nice little seed of info nonetheless and it'd be weird if I didn't talk about it. That said I don't have much to say about it. The kids parents MIGHT have had a rough marraige though that would make sense why they cling to each other so much and make Mable's desperation to keep her brother around even more heartbreaking, so i'm all for it.

So then we get to that sweet juicy lore we woudln't stop bugging Alex for: Bill's history. And this may be my faviorite part of the book simply because there's a LOT of good gags and great visuals tucked in here. A crapton of artists who were VERY good at making something look real enough, as well as GF Vetran Emmy Ciecerga who drew all the gravity falls style art for this book and deserves a LOT of credit, make this book look gorgeous. There's all kinds of styles, from 20's newsclippings to photos to disturbing bill images, all of which needed a great graphic design to it. While none of the books so far are slouches in graphics, journal three itself looked gorgeous, this is far and way the best looking of them so far. Since it's bill their not constrained to one style, like marcy's was mimicking her art style (And later Anne's for her third of the book), journal 3 was. Book of Spells has come closest having each queen have a unique style but it still held to star vs.

This being bill this book goes all over the place: you've got brain teasers, photos, photoshopped nightmarish heads, a reaslitic mouth wanting your blood, all kinds of visual trickery that fits what a visually gorgeous nightmare bill could be. Like the other style, a very chaotic style that oscelates from people magazine to several pages of the great gatsby to punish you for wanting to know his weaknesses (get gatsby'd sucker!) all without breaking a sweat.

The history of bill section is where it really gets to shine once he gets to earth.. but before that.. we adress the elephant in the room. What happened to his home dimension?

Yeah one of the biggest bits of narrative blue balls of book of bill is we don't learn hardly anything about the second dimension and learn NOTHING about how it actually died. Both make perfect sense enough narratively to work and it's clear Alex, while great about answering the shows bigger and more importnat mysteries and not just jerking the audience about, does like to keep some things a mystery. The kids parents, shermy pines, why was thor crying that kind of stuff. While I WANTED an answer for my own works, I respect that it honestly worked better to not get one. We get just enough: bill climas to have been well loved by all in the way a flashback would show he wasn't, having seen the third dimension. It adds layers to him and ford's later friendship: both were outcasts with no one at one point or another. But Stanford at least had stan for a while before he was a dick about things.. bill seemingly had no one and is active denial he was hated and feared.

So he tried to merge dimensions.. and we have no idea exactly WHAT happened.. but not knowing.. is more horrifying. Bill tries to retell it but blacks out

It's very clear Bill has ptsd.. and somehow used urkel to kill people. I feared this day would come but never thought such a dread weapon would wind up in the worst hands imaginable.

It's a great section and I honestly like this... it makes the clear bait and switch work as alex knew what we wanted.. but gave us something more fitting the character.. the one moment bill GENINELY regrets.. but due to eons of lying to himself can't admit. He twisted the narrative to be that he freed a bunch of squares when really it was his first mass murder and the only one he clearly still feels bad about. While he was likely always a tad weird, this event is what snapped him into the monster he is, convicning himself their better this way and he did the right thing instead of truly dealing with his guilt. Bill has lied to himself so much he blacks out when even thinking abotu the truth because if he really thought abotu what he did and what happened, he'd have to rethink his whole sense of self. And Bill can't do that because he's built his whole self worth into his ego after this. That he was specail they just didn't get it and it's to the point he can't even be honest that he wasn't liked> he always had ot be great and special. It's honestly.. sad more than anything. That had bill not done this or simply not made what seems like an honest mistake just not to be alone he may of simply been able to escape and find kinship in ways that didn't involve gaslighting and evil overlord ship.

Sadly he did so we find out he found the nightmare dimension , conquered ita nd slowly gathered his henchmaniacas. We find out little btis; 8 ball has a crush on pyronica, pyronica wants to fuck smokey the bear for the sick thrill of pulling it off

A

Teeth is more a team pet.. all stuff i'm glad we have simply because the henchmaniacs never got fleshed out. Pyronica also has a phd. Bill also has a lawyer named dan crabbleman he uses as a scapecrab because of course. His version of peter I suppose.

Eventually though the good times stopped; While they had nightmare dimension prom (death toll 300), it ultimately was found the dimensionw as dying and we find out HOW bill ended up here and why he hates the time baby so much. .

Now granted the section with the time baby, only a few pages.. didn't do much for me. I've never really been a fan of the time baby: he comes off at least a touch evil, if less here since ANYONE comes off less evil when compared to bill, and the only joke they seem to have is he acts like a baby but is an elder god or something. He's one of the weaker weridos our heroes encountered.

Thankfully bill defeats him and the dinsoaurs would rebound eventually

And we'd only have to deal with time baby a few times after this before Bill kills him

So we then find out why Bill was spread about history. Turns out, not suprisingly, he landed in gravity falls which was perfect for his nonsense. In 30 Million BC he found a small tribe and befriended it's local shaman.. then kinda killed that good will when his first portal created the bottomless hole, let loose sea monsters and killed a lot of people.

This is also where something clever about the book comes about, something I hadn't noticed in the show till Bill's history made it clear: While Bill CAN manipulate a person fairly well he has a huge weakness besides tin foil or techno: He dosen't care enough to hide how unhinged he is. Bill by this point in the story, after eons of self denial and surrounding himself with people who either enable him or he tortured until they enabled him presumably, simply can't grasp that maybe giving a kid deer teeth or a head that's always scremaing isn't the way to make a good first or second impression.

And those moments from the show did set this up well: i'd always assumed he did that shit because it was fun. See the "Your insane!" "Sure I am what's your point?" exchange that's the second thing he ever says. But now I get it's .. well still part that, Bill likes fucking with people.. but it's also that he can't turn OFF his need to fuck with people. Even in this very book instead of giving genuine if shallow love advice he wants you to lock someone in a love cage or become johnny cobra arms. And I mean the second one is sound advice if you've got sufficent padding or a venom immunity, who dosen't want cobra arms, but this book really hammers home that Bill , while good at praying on people's desperation... is REALLY bad at actually keeping them on the hook unless their already as mad as he is or their desperate. He has one exception in ford but as this book, journal 3 and the series all establish.. Ford is also weird, dosen't really get people or social norms. Not saying all societal norms are good.. but maybe don't give your grandaughter a gun Sixer.

It dosen't detract from Bill's threat, as Ford comes to horrifying conclude later... no one actually BEAT bill pemrenantly. The shaman simply banished him and gave out the prophcey for the finale.. a prophecy that ended up not working. Bill constnatly gets shooed away or bribed by people to please shoo, shoo good sir shoo.. but it's not till stan after centuries of work on earth that someone actually BEAT him.

But it does humanize him, even if calling him human is not even a stretch it's just innacurate, but it's the term we got: Bill's ultimate weakness isn't his ego or collection of sily straws: it's that he simply CAN'T stop being him long enough for someone to actually buy into his shit. He actually had the founding fathers listneing.. until he called martha washington hot lips. He nearly gets the US Government to get him to the president.. but can't reissit talking about how fun it'd be to set all the nukes off at once. He makes a truly fun looking silly siphonies style cartoon.. but then it's time to relase the bees

Bill for better and for worse can't help but be himself. his schemes usually drive people to madness or away. He's good at preying on people's desperations and it ultimately needed him his three days of weirdmageddon.. but but he's not good at pulling the long con and only managed it once in his long career.

Thankfully while the book has plenty of great failures from bill from his computer to his do wop group the cipher tones (And the insuing country music backlash record calling him the devil. Please the devil threw him out because living with him is like living in a living nightmare).

There's a few slightly meatier episodes: There's his days in the dark ages.. and one of the few times someone actually got the better of him: he seemingly cons a dark wizard into joining him, sending some knights on a fetch quest to get his copy of monty python and the holy grail. How Disney got away with using the full title I have no idea but they did. God I hope it's not the same copy I have. Turns out though said wizard pulled a sandman and trapped him in a glass orb somehow woven with unicorn hair. Granted it does lead to bill goign on a rampage the second he's free but said rampage gets him banned from Europe so we'll call this one a draw.

The other is the anti cipheretes, a turn of the century group that means well and is engaging.. but sadly tried to preent their findings publicly and their leaders gets intionalized. It's honestly sad.. all this guy wanted was bill out of his head and they lost.

There's also said Silly Symphonies detour where the walt disney expy uses it's a small world (not named directly but barley disguised) to drive bill out.

It's another fun section, filling things in and letting bill fuck with history. He even gets a genuinely heroic moment

Yeah Bill deals with the puritans.. and they piss him off something bad, their lack of imagination making most useless to him, their society being horrifcally stuffy even by the cipher standard of "Stuffy assholes won't let me fill a theater with bees. Charlitans", so he helps an abused local housewive used as a footstool discover what laughter is and soon forms a coven. Said coven inacts a bloody coup, sure.. but it was puritan times, this is the only way a feminism could happen.

We then get the penultimate chapter in our story: At this point it's the 80's, do a lot of coke and vote for ronald regan and bill.. is at the end of his rope. His last scheme is easily one of my faviorites...

I know disney won't because they hate merch but I genuinely hoope a fan recreates these to own. Even the 3d model used here would be appricated for printing.

But then... fate threw bill a bone: he started laughing. Uncontrollably.. lights turned yellow his image was on every computer and breakfast cereal... someone.. opened up gravity falls again.

This is where Ford comes in: In a clever twist the next bulk is from Ford's perspective, with Bill having somehow found pages ford torn out. This is great for two reasons: the first is that it allows us to see their story more on the ground.. and the second is it's a resonable explination why pages that would've defintely told dipper who the author was were missing: Bill points out Ford tore them out due to his own shame and vanity. The former was on display in the last mablecorn, with him not telling dipper and only not getting mindwipped because the horrifying experinces recounted in those pages made him get a plate in his head. The second was in the book: Ford's biggest weakness and one Bill fully took advantage of.. was his ego. Ford thinks a LOT of himself and while he is impressive, it's his need to be seen, to be recognized after being ostrachized most of his life that makes him easy to play like a fiddle before bill and made him stubborn and dangerous after.

Ford can't admit he was wrong and had he left that vunerablity in there the show might of gone diffrently and weirdmageddon probably woudln't of happened.

It also covers in the one gap the journal glaringly left out, but again for plot reasons: that winter Ford was at his cabin. It's a geninely touching story: Ford feels lonely, and bad that he didn't get fiddleford anything before McGucket goes to see his wife back home, and spotted dipper and mable's footprints.. and ends up kidnapped by the krampus and having to rescue a bunch of children because of where he lives. What's heartwaring is fiddleford returns.. and while he fucked up his relationship by forgetting to get her a present, though the shippers certainly got one with this story arc, Ford decorates the portal to cheer him up.

The bulk though is about Bill and Ford: While Fiddleford IS his friend, he's gone a lot because he you know has a life. We see a side we didn't really see too much in the journal but makes sense: Lonliness. Ford is just too dang weird and awkward to be around people, can relate and bill takes full advantage of that. We get to see bill play full on manipulative boyfriend as he preys on Ford's ego, need to not be alone and subtly tries to isolate him when stan comes up and after the heartwarming moment above. It's neat to see just how things went wrong, how Ford got played by bill. Like I said Bill can't hide who he is.. but it works here as Ford dosen't get people so while creepy as hell, Bill leaving a giant pile of dead rats in his name for his brithday and getting him karoke drunk is not a red flag. You also get the sense that while bill isn't remotely a good friend, person or triangle, Bill WAS fond of ford, he genuinely liked the guy and gets shitfaced when eh dosen't on "i'm totally fine juice" and crashes an interdimensional mexican restraunt. Also props to alex I didn't know I needed to see Ford and Bill hammered on seperate occaions but here we are.

Naturally it goes south and the post breakup is easily the most serious part of the book. There's still some great jokes, but it shows how horrifying bill can be. His first actions are, after Ford installs his lab's retinal scanner to keep bill out (since the pupil thing isn't just stylistic, it really happens), he beats the poor guys knuckles bloody trying to claw his way out. He revivies Zombies to stop ford at the mourge as it turns out he can control ANYTHING with a brain. That does lead to a really awesome moment I didn't see coming as Ford admits he's missing him.. but his aim is getting better

Yes they called back to THAT of all things.

It's then things get terrifying: Bill starts writing on ford's post it notes, taking his body at intevals since Ford let him in.. and it's something I just never thought of: while we saw what he could do to dipper, we knew it was a bad idea and he was able to get him out pretty quickly. This segment.. shows what happens when bill can come and go as he pleases. Fordapparenly would just pass out for a second and wake pu with notes.. and when Bill got tired of the post it note tag.. he went a bit further with what's easily my faviorite joke of the whole book

It's just so bill. Grante did' be terrified and probably dead from such a stunt, but it's still just.. so damn perfect.

Ford gets him back with it's a small world after all.. only for us to get to the most unsettlign portion of the book. Ford wakes up on the roof and finds bill left a tape. And while a portion of bills shenanigans, memoralized with polaroid are just hilaroius, like slapping a cop or getting a baby girl tatoo.. we also get shit like eating a jar of spiders (And as an arachnophobe the sentence I keep coughing up siders is.. a lot for me ) and hammering his own hand. We'd seen this kind of shit with Dipper.. but this is what he'd do when he dosen't necessarily NEED the body for himself.

The lowest though is Bill.. trying to call stan. And trigger warning for his next image as it's ... pretty fucking rough.

Yes Bill.. nearly sent a suicide note to stan over the phone in ford's name. It's only sheer luck and likely some lawsuits that saved it but it just hits so hard. Even as much as Ford hates stan.. he dosen't want this and is truly terrified. It strips away the wacky nonsense of bill and gets right to the point: bill is gaslighting and abusing ford, even making him forget his own name for a second, until he gets what he wants. The earlier parts showed him playing the more manipulative roll of abuser but now.. we see what happens when bill goes full on petty and vindictive and there's nothing humorous about it.

Thankfully ford got the plate in his head, he called stan, you know the rest.

It's here the book reaches it's climax: Ford contacts the reader again.. but in a nice bit while he begged them before.. he can't blame them. THe post weridmageddon character development shown in journal 3 stuck: he was where they were. Not only that while he hid the book from his family they found it and instead of turning all into bills.. they just laughed. They'd all grown enough to just find his attempts at playing them funny. They all took his embarssing past in stride. As Stan perfectly puts it "So you messed up a bunch. Guess that really makes you a pines". Stan of all people has EVERY reason to never let ford live this down.. yet does because he gets it. Everyone fucks up and it helps Ford see he's human.. and so's bill. Well again eh's a triangle man but he's ultimately as Ford puts it "A sad theater kid desperate for attention". This book isn't some grand demonic tone: it's the sad last effort of someone who already lost.

We get some fun letters from each pines: dipper and mabel both encourage the reader, and Mabel, even if she threatens to fucking murder bill if he goes after her brother again.. even offers Bill tips on getting over ford. Dipper sympathizes with the reader and also threatens to murder him. And stan.. well stand does what he does best.. promote the mystery shack. Yes even when he's not the owner he can't help plug it. But he also gives bill the biggest kick to the nuts of all: he dosen't care. He hasn't had the personal trauma the others have and just sees bill as another werido trying to steal his wallet like every other thursday in this town. Stan Pines murdered one of the greatest villians in history.. and he somehow tops that by not even carring.

We get Bill screaming STANNNLEEEYYY again, having been beaten and the reader convinced not to swap places with bill. Not only that Stan and co also figured out something important: If bill isn't dead but IS trying to escape.. where he is cant be good.

And we finally find out what happened to him. Which is a mild suprise as while it's VERY nice we found out, as seen in the rest of the book alex is keen to keep some secrets close to the chest. He teased at bill's possible return: the statue in the finale, the axotitl he invokes showing up in a non canon choose your own adventure story, that sort of thing... but it wasn't guarnateed going into this book we'd learn. Thankfully Alex, as ever knows when to not tell us stuff and when it'd be a real dick move not to and not in a funny way.

Bill made a deal with the axitotl to reincarnate. For those less familiar, all two of you the axitotl is some mysterious god taking the shape of that adorable creature whose as kind and benevolent as that sounds and even gave BILL a second chance.

He isn't, thankfully stupid.. and thus after a lifetime of lopsided deals.. just like with Stan moments before making this one.. Bill gets hit with a bad one. And the thing is unlike Stan who just flat out tricked Bill like Bill played so many people, the Axitotl didn't lie: it told bill he'd have to repent. It was bill's own ego that assumed he could scheme his way out

Instead bill is now inside the Theraprism, a maximum security dimensional prison that takes all commers and is filled with sterotypical therapy activites like arts and craft and constant group sessions. And while a tad unsettling it's honestly.. nicer a fate than I expected. It's still pure hell for bill.. but the place isn't EVIL. it geninely wants to help it's patients, even the worst people imaginable and while there's things like a sensory deprevation void, it's clearly because this place is essentially arkham asylym but ran compitently and with actual care towards ehabilitation. To let those who genuinely repent reincarnate.. granted there are options like "cloud of spore sor a butterfly" but I get that maybe Freddy Kruger dose'nt need to come back as a wolverine and possibly maul faces. Let him get a chance at that third time around.

But for Bill.. a place to self reflect, heal and come back as something powerful.. as hell. There's no ESCAPE: whatever's running this place is clearly powerful enough to hold fucking BILL down. Darcy's helmet is there too in a nice little cameo and I wouldn't be suprised if every dead disney villian deemed enough of a threat was here. Honestly making Bill and Belos room together is the punishment they deserve. or belos does, Bill would get a kick out of having someone to torment so maybe just let him do it in moderatoin. As a treat if he participates in group.

It's Bill.. trapped in his own personal hell... a place he can't escape through manipulation, surrounded by people he dosen't respect, with the only way out being self reflection and a cursed arts and craft project that was quickly confiscated before it coudl take the reader. Bill's fate was already great in the show.. but this improves on it> Bil got conned twice and is trapped in a hell he could easily escape but never will because he just.. can't grow. He won't. He refuses to. His ego can't take it. So all that's left in the book is bill pathetically whimpering that SOMEONE wil lcome from him.. but with his henchmaniacs thinking he's dead and having spent his life burning bridges.. no one ever will.

This book is amazing. Read it if you can. A truly great little followup that fills in some gaps, is packed densely with jokes, has some really effective horror and has a truly amazing ending. Check it out if you haven't and if you can.

Thanks for reading

[highfantasy-soul]

Ok, here's my breakdown of Jessie Gender's video on NATLA. I decided not to post this as a comment on the video because I just don't feel like it would be productive, but I needed to refute the points she was making as she's a quite respected (at least, I really respect her opinions on things) video essayist and I felt like this video was...wild.

So, I guess it's best to just watch along with her video and read my commentary side-by-side because I don't give much context for my points, this is just a stream-of-consciousness style response.

To be perfectly clear - this is not intended to be a 'hate post' about her, this is just me feeling very strongly that the interpretations of things she had in her video needed to be talked about and another perspective given.

I shift from saying 'you' to 'Jessie' like halfway through (when I decided not to post this as a comment) but I don't feel like going through and changing all those, so yeah, just ignore it.

1) you insulted a martial arts kata as 'a mildly choreographed dance' - it shows a complete lack of understanding of other cultures and a desire to take a quick dig at something you didn't like in a way that insults a cultural practice. I really didn't expect to hear that sort of comment from you so it was pretty jarring when you said it. Ironically, you say that Sokka was wrong to assume the Kyoshi warrior's kata was a 'dance' because that's 'a girl's place' when...you literally made the same insult with not a hint of recognition just a few minutes earlier about a movie you didn't like…

2) I felt that the live-action really deepened a lot of the themes from the OG - take Iroh's storyline for example, fleshing out Suki's character so she's...you know, her own character and not just there to teach Sokka a lesson, and delving into how hard of decisions you have to make during a century long war. Idk, I'm just really curious as to how you felt quite literally the polar opposite of me

3) Sokka's sexism: the animated show handled it one way, but Sokka's treating women as 'less than' wasn't a core part of his character - in all honesty, it doesn't actually make any sense as he was raised by Hakoda (who we never see being sexist), Gran Gran (who left the NWT due to its sexism), and was surrounded mostly by older women. The sexism storyline in the cartoon was to teach a very blatant lesson to kids "don't be sexist, boys!" while the live-action made Sokka's struggles much more realistic and in line with the world building: he struggled with non-traditional masculinity and if he was 'allowed' to be that way while they were at war. For me, it's a much more important message for young men today than the very dated 'women can fight, too!' message that was needed in the early 2000s. It's very odd to me how you claim that Sokka always taking charge isn't ever challenged when...in literally the scene you're showing when you say that, Katara challenges him.

4) I'm sorry, but I cannot possibly see how Suki is her own person more in the animated version than in the live-action. She was literally created solely to teach Sokka a lesson and have no character traits other than 'I'm a strong woman warrior' where 'woman' means 'I like romance' rather than...I'm a whole person with my own wants and desires and fears that have nothing to do with a love interest as is shown in the live-action. You keep comparing the animated and live action as though they were trying to tell the same story about Sokka's journey with his role in the world, but they weren't. Of course Suki's attitude toward him is going to be different, of course he's not going to need to tell her 'you're right, I'm a dumb, terrible man, pretty please could you teach me', because it's a different dynamic they're going for in the live-action.

5) When Sokka pinned her in their lesson in the live-action idk how you got that she was 'demuring herself' to Sokka? Just as in the cartoon, he managed to get the upper hand - which she promptly took back, teaching a lesson along the way. She didn't make herself less so Sokka could feel secure in his masculinity - it's a bit odd you feel that showing respect to someone and helping them learn is 'demuring yourself'. I much prefer them respecting each other than the animated version of them seeing each other as less than and then...her giving him a kiss to prove 'see, I'm a romance-loving girl, too'.

5) To me, Suki beating Sokka in the live-action when the first sparred wasn't her being mean, it was her not understanding how much less experience Sokka had fighting - she genuinely thought he would be able to hold his own against her because he had told her he was the best warrior in his tribe. Her face clearly shows 'I have no idea what I did wrong - I thought that type of sparring is what everyone did for fun, why was he uncomfortable with it?' Not really sure why you made the connection that us seeing Sokka's abs was meant to indicate that his insecurities are unfounded when...literally the whole season shows us that Sokka's struggles aren't "end goal = big strong warrior" but rather "you don't have to be a big strong warrior to help, you are allowed to delve into other aspects of who you are and those are just as important". Just because he has muscles, also doesn't mean he's a competent fighter - those two things aren't the same.

6) It feels like you took certain scenes and made wildly left-field interpretations of them and then claimed that that's what the show was intending you to take from it. It's like saying that the scene that cuts from Sokka saying he bets Momo tastes like chicken and cutting to the scene that shows people cooking meat actually means the showrunners are saying Sokka is going to cook and eat Momo this season and that will then give him the powers of the Avatar. It's very clearly not what the showrunners were saying, but if you interpret it in the least forgiving way and then make a wild leap off that, then yeah, you might get upset with that made-up interpretation. Same with the reasons they didn't put Sokka in the Kyoshi outfit - there is 0 evidence of them nixing that part due to transphobia. I didn't see it as any malicious intent, just a streamline of the plot so Sokka doesn't have to go change before running away on Appa.

7) I feel that the live-action DOES challenge the Fire Bender's colonialist rhetoric in the Kyoshi Island episode, but the animated...doesn't? At all? It's solely about girl power - and as we see with Azula and all the women fire nation soldiers, the fire nation doesn't seem too caught up in sexism. You know what they are caught up in? Which you mention? Bender supremacy. And that's what the live-action directly addresses with Sokka being so surprised that Suki is able to hold her own so well even though she isn't a bender. He's seen just how powerful benders are (they destroyed his home, killed his mom, and beat his ass last episode) and it's in line with the worldbuilding that he feels like he's already several steps behind in being a good enough warrior because he doesn't have bending (a storyline that isn't brought up until an episode in season 3 of the animated show). To me, the live-action Kyoshi storyline refutes the Fire Nation's imperialistic themes much better than the animated show does.

8) The live-action's lesson wasn't that might makes right - Suki never did any strength training exercises with Sokka, she taught him how to control his body and use his opponent's strength against them. Fight smarter, not harder. Know what you're fighting for, not just that you want to fight. Even if you don't have the resources of your opponent, it doesn't mean you're doomed from the start. That last one is particularly poignant when we look at how much stronger the Fire Nation is than the other nations they're subjugating: it's the classic 'oppressed rising up against their oppressors and not winning because they just punched harder, but because they used what they had to fight for a righteous cause and didn't just give up because the other side was more powerful'. That's quite directly what the live-action was saying - the exact lesson you thought it should be saying. You have to do some serious extrapolating from the animated episode to get to those themes while the live-action drew that concept up to the forefront immediately.

9) Aang's journey to accept his Avatar responsibility and the previous Avatar's enforcing this is directly from the animated series. Like, directly. It's not the live-action show saying 'colonialism good'. Showing the Avatar power wasn't the showrunners saying 'see, this OP is good and cool', it was to show the magnitude of it - something the animated show does too. The live-action does talk about how terrifying and damaging that power is - literally the previous episode has Aang almost toss Katara and Sokka off the mountain and they mention it. Just earlier in that episode, Sokka talks about Aang almost killing them and Aangs major hang up about embracing it is that he might hurt someone. Kyoshi argues that not learning to control it will hurt more people and - y'all, individuals are allowed to have their own views of the power that everyone doesn't have to agree with. What happened to 'make strong characters with flaws in their world view?' did you all of a sudden decide that's NOT actually good writing? So having the Avatar who used her powers liberally, and as the video states, used them maybe too much, telling Aang that he needs to use his own powers a lot is…consistent characterization? Which is then challenged by Roku later as he tells Aang that all the Avatars are different and have different views on the power of the Avatar. Why is Kyoshi's opinions suddenly taken as wholly accurate in representing what the show overall is trying to say? She's giving her opinion to Aang - an opinion that has some truth to it, but also some flaws that Aang will need to navigate on his own journey. Kyoshi and Roku's stories are not compressed all into Kyoshi - only the aspect of Roku taking control of Aang and using his body to fuck shit up in the Avatar state is compressed - not the ideological aspects of it

10) Sokka supporting Katara's fight against Pakku is a culmination of his arc to let go of obsessively protecting her and actually letting her decide her course of action herself - because his arc was different in the show than in the animated series. Trying to say that the reason he told her to kick Pakku's ass didn't fit because he was never sexist wasn't the reason - it WAS a culmination of his arc, you just refused to see it by clinging to the old one.

11) The whole argument as to 'why show genocide' I already made a post about, but to condemn the depiction based on the way you interpret the showrunner's quote is disingenuous. Again, it's taking something and making up a narrative around it so you can feel justified in hating it. It's important to show a culture before they are killed because they deserve to be seen as people, not just martyrs. They had lives. They lived and were happy and had a rich culture. They were not just 'fated to die and be told of in history books'. Genocide is disgusting and hard to watch - it's calculated and brutal. Showing that drives home just how awful the actions of the fire nation are in practice rather than just theory. Yes, the airbenders fighting was 'cool' to see - in the way that all action is 'cool' to see. But no, the genocide wasn't played as 'look at neat fighting!' in the live-action. It was shown as brutal and terrible, horrifying and surprising, and the airbenders didn't deserve what happened to them. It also gives you a direct view of what the fire nation is capable of when they come to the south pole and the northern water tribe: you've SEEN the devastation first hand and you DON'T want to see it again. The threat isn't theoretical, it's very real.

11.5) To take a CHILD'S quote about the sequence being 'so cool' is absolutely WILD to me. GORDON IS A CHILD! No, he's not going to have the most sophisticated and politically nuanced sound bite to say about the action sequence in an interview. HE'S A CHILD! Holy mother of god. To use that to bolster your point that 'that's the way it was intended to be viewed and how everyone is going to view it!' is just…..holy shit. You're taking media interpretation from A CHILD??????? Do you think, if we interviewed a child about the OG show, they'd talk about the fucking colonialism??? How Azula was abused too and didn't deserve her fate?? Or do you think they'd say "The fight between the Fire Lord and Aang at the end was so cool!" Honestly thought Jessie Gender wouldn't try to bolster her interpretation with a quote from A CHILD, but I guess here we are…

12) It's wild that she makes the point that conservatives are incapable of reading deeper than just the surface-level visuals of a story while…she's doing literally the same thing just in the opposite way. The live-action depicted the genocide, therefore they MUST just want to 'cool' visual of firebenders fighting airbenders! There can't be any other things at play here! No story being told whatsoever because all it is is spectacle! That's all I see! Ironically, she's falling into the same trap of not looking deeper at why one might depict the horrors of genocide and the battle against people with no army.

13) Aang actually treats the genocide as more immediate in the live-action than he does the animated show. Most animated episodes, you can forget that it even happened, while in the animated show, it pops up a lot in some unexpected ways like when he's uncomfortable waterbending because Gyatzo had always been his teacher, when he yells at Bumi for making light of the genocide, his desire to get to the north to keep it from happening again, when Zhao proclaims that he can wipe out an entire race of benders and Aang says he knows exactly what that's like, when he constantly stays to help people because 'I couldn’t help my own people, but I can help them'.  Not only through Aang, but also through every child in the series - like with the animated show, the live-action shows how kids are shaped by the generational trauma of the war plus the immediate effects of it: Teo ready to fight, Jet making compromises to fight back, Sokka shouldering too much responsibility so young, Katara's trauma around her mother's death and her waterbending, Bumi losing his faith, Zuko and Azula being shaped by their father to be the perfect weapons to continue the war.

14) Interpreting Zuko's comment of 'sometimes the weak can become strong' right after his father mutilated him for showing compassion is not meant to be taken as a thesis that 'Zuko just needs to get better at fighting, this is what the story is saying, I am very smart'. It's showing HIS CURRENT view of the world - the idea that his father has taught him that he needs to be strong and Zuko has bought that and wants desperately to earn his father's love. Zuko's story through the series is showing that 'strength' isn't what his father defines it as (or what Jessie defines it as in her video) but rather it's strength of character - compassion is not weakness, it's strength, and no, that doesn't mean if you have compassion you punch harder.

15) The live-action show makes the Fire Nation MUCH more nuanced than the animated show - we see how Ozai and Azula aren't just maniacal villains, but we see the pain and torment their upbringings deal out to them, and in turn, deal to others. It shows the cycle much more clearly and showing fire nation citizens who disagree fleshes out the culture even more.

16) Jet was much more nuanced in the live-action as he's RIGHT about the mechanist being a spy and the king being lax in his duties. He's created a community of people to try to heal from the harm the fire nation has caused them and he gives actual good advice to Katara, helping her emotionally heal and remember the good aspects of her mother.

17) The argument that 'the live action is trying to ignore the past' is a massively simplified narrative. The live-action is showing Aang stuck in the past, unable to take large steps into the future. Pain, trauma and loss can anchor us in the past - it's HEALTHY to keep moving forward rather than only thinking about the pain in the past (ie Jet's advice to Katara). Aang was continually trying to avoid the genocide happening again while simultaneously trying to get past Avatars to do the big hard work for him. His lesson is not to 'forget the past just live in the now' but rather, don't let fear of what has happened in the past stop you from making a difference in the future. Yes, war is loss and suffering, but if you get paralyzed by not being able to prevent that, the fire nation will just keep marching across the world. It's about not letting the past immobilize you to the point where you stop fighting back against oppression - or getting together with a community to help you fight for fear they'll die just like those in the past did.

17.5) Letting go of the past is a buddhist philosophy that is a lot more complicated than Jessie is making it out to be here. Just as in the animated series, characters can come to realizations about lessons they need to learn while still taking seasons to fully learn the lesson - just because Aang said he's ready to let go of the past doesn't mean he's now ignoring it and all will be smooth sailing. It means he's ready to start taking steps to do that and approach life in a healthier way. It's wild that Jessie took the direct quote "I need to let go of the past to focus on my future" and then states that the show is saying "the character's aren't seeing future possibilities and hope, they're focused on the now" when, quite literally, the quote she just referenced….is talking about building a better future.

18) Then, she references later seasons (Aang in the fire nation school) a lot to indicate that the live-action is ignoring those concepts from the OG when….we're talking about season 1 here - not season 3. Why is the world not allowed to organically grow? Why would you make the argument that 'season 1 didn’t explicitly deal with these concepts that aren't brought up until season 3, so therefore they are ignoring them'?

19) Jessie uses a lot of clips from a Daily Wire (conservative talkshow) guy as if that has anything at all to do with the live-action ATLA. She's trying to draw a line between that ideology and the ideology of the show and I feel like she had to bastardize the NATLA show in order to do that so horribly, her interpretation of the story and themes is completely unrecognizable to what is actually shown on screen.

I usually agree with her takes on media, but this video was not it. Every interpretation she had, I interpreted the scenes/lessons in the exact opposite way and, I believe, I interpreted it closer to what the showrunners intended.

Oh no, i just had a thought: this is The Last Jedi all over again! I saw so many negative interpretations of that movie that I just sat and scratched my head over like "How in the WORLD did you get to that conclusion??" when I thought my own interpretation was just...the obvious way to view the movie. I had no idea my views on it would be so controversial. Here we are again. Time is a flat circle. Life is a meaningless cycle of disappointment and confusion, neverending.

[autistic-ranpo]

TACHIGIN HCS BC THEY R SO IMPORTANT TO ME

-tachihara def uses gel n shit to make his hair lie the way he wants it to

-gin found this out the hard way when she tried to run her fingers through his hair

-T4T SO REAL (transmasc tachi and pangender gin)

-they go on picnic dates <3

-it took longer than tachihara would like to admit to realize gin was akus sibling

-'yeah i bet akutagawa is an only child w the way he acts lmao' '????? huh'

-they are both so girlfail. dont ask me to explain

-they cuddle a lot (read: gin just lays on top of his boyfriend like a cat all the time)

-it shocked tachi so much when gin spoke for the first time. like were talking cartoon cat type shit

-tachi sees gin in public before he really knows them and falls hard

-he gets the balls to ask her number and she looks at him so weird

-he is thoroughly humbled and walks off

-later when they start dating they go out in public and gin is all casual

-tachi loses his shit

- 'IT WAS YOU??? IT WAS FUCKING YOU??? ALL THIS TIME???' 'yeah :)'

-gin teaches tachi to braid hair and now its his fav thing to do (gin loves it)

-tachihara hates sitting still for too long, so when theyre laying on the couch or when hes at work and not doing anything he makes little pipe cleaner animals

-(he gives them to gin <3)

-tachi has like an 18 step skincare routine idc

-gin uses axe

-gins love language is physical touch and tachis is words of affirmation and acts of service

-when they get home after a mission tachi cooks/bakes to unwind and gin comes up behind him and just hugs him

-they r both so protective of eachother

-def steal each others clothes all the time

-THEY RULE AT COUPLES COSTUMES

-WERE TALKING ALL OUT EVERY YEAR

-avid heart shaped sunglasses enjoyers

idk i love them sm 💕💕

( @chuuyanakaahara )