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anominous-user · 4 months

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Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton.

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff | Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine | Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on.

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives.

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair.

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another?

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her."

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first." • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

#honkai star rail #double indemnity #veritas ratio #aventurine #golden ratio #ratiorine #an attempt at analysis by one a-u #relationship analysis #you know what‚ i guess i can tag the other names of this ship #aventio #raturine #you could make a fucking tierlist of these names #um‚ dynamics (yk what i mean) dont really matter here in the analysis just fyi if youre wondering its general enough #also if you're wondering about the compilation thread - its not done. it'll take a while (a long while.)#this post was so long it was initially just a tumblr draft that i then put into google docs. and it ended up being over 2k+ words long #is this a research paper‚ thesis‚ or essay? who knows! this just started as just a short analysis after watching the movie on may 5 #final word count according to docs (excluding alt text): 13013 - 43 pages with formatting #i wish i could have added more images to this‚ 10k words vs 30 images really is not doing me any favours…#plus‚ i hit the character limit for alt text for one of the images.#if you see me mixing up british and american spelling‚ you probably have!#oh yeah. if any of the links happen to break at some point. do tell. i have everything backed up #there also may be multiple links strung together‚ just so you know.#I link videos using the EN and CN voiceovers. Just keep that in mind if the jump between two languages seems sudden.#I had to copy and paste this thing from the original tumblr draft onto a new post because tumblr wouldn't let me edit the old one anymore.#Feels just like when I was finalising my song comic…#(Note: I had to do this three times.)#I started this at May 5 as a way to pass the time before 2.2. You can probably tell how that turned out.#Did you know there is a limit to the amount of links you can add to a single tumblr post? It's 100. I hit that limit as well.#So if you want context for some of these parts... just ask.#I'm gonna stop here before I hit the tag limit (30) as well LMAOO (never mind I just did.)

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everybodyshusband · 5 months

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it's healthy to go back and reread all the nice comments people have left on your writing i think :3

#this isn't a shitpost by the way i'm serious #i'm phrasing it like a shitpost because haha feelings cringe or whatever but genuinely it's giving me such an incredible boost #both in my general mood but in my belief in my writing skills too #you're all so kind and i appreciate every single comment you guys leave on my fics whether that's on ao3 or in the tags on tumblr #but yeah seriously going back and rereading compliments people have left on your writing is good for your mental health so go do that #and readers please write comments if you can !!! on any and all fics you enjoy !!#even a “💙” or a “loved this !!” is enough to make my day and boost my confidence and i know it's exactly the same for most writers #i'm feeling sappy and very appreciative of you all and i'm making it everyone's problem can you tell sdfjhbsdkf #anyway i'm going to continue reading and replying to comments then do some work and then come back and do some writing #because yay !! the motivation is sparked through nice comments and lovely people ehehe >:)#husband rambles #these tags are LONG i'm sorry O_O

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homunculus-argument · 1 year

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The ancient Romans didn't really care that much about distinguishing legends from historical records, a cool story is a cool story regardless of how much truth there is to it. Anyway, this one guy, named Gaius Mucius Cordus, later given the cognomen Scaevola - "left-handed", because ancient Romans weren't all that familiar with steel, and "balls of steel" was not an available option. Anyway the story goes that as a young soldier, he sneaked into an enemy' camp to assassinate their king. The attempt failed and he was captured. Looking death in the eye, he figured that the best course of action would be to survive by sheer audacity.

So he looked the king he just failed to assassinate in the eyes, told him that yeah I came here to kill you, and you can kill me now but you better get just as lucky every single time, because there's like 300 guys beside me who volunteered for this mission. And then he stuck his entire right arm into a pyre that was within reach, standing perfectly still in place while letting his hand burn, solidly keeping eye contact with the Etruscan king the entire time, just as a way of going "this is what I am capable of doing. This is what I can and will do to myself just to flex on you. The fuck do you think you could do that would harm me."

And the king was sufficiently freaked out by this and decided to just go alright, fair enough, you win this one, by all means please do fuck off, seriously just get the fuck out of my camp. So Mucius was freed and allowed to return to Rome, alive and unharmed if one does not count the collateral damage of one sword arm. And the Etruscan king came to the conclusion that whatever the fuck the Romans have going on, he wants nothing to do with that, and sent ambassadors to Rome to negotiate peace.

Anyway, that's also vaguely how I feel every time I see a tumblr user whose screen name is something like "autistic-faggot". I'm gay myself and have nothing but respect for people on the spectrum, but if all I know about this person is that this isn't just what they're braced to be called, but what the have specifically chosen to name themselves, and how they prefer to be addressed, you can't tell them shit that would even make them blink.

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dotster001 · 8 months

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For Tuna; Rook End

A/N: editing this is gonna suck, cause Tumblr is so glitchy today 😭 but as I'm sure no one is surprised...some of you have been waiting a long time for this specific ending, so I figured he deserved his own title . The next ending is a three way tie, so keep an eye out for a poll in the next couple days.

Chapters One Two Three Choose another End

“Rook Hunt, you have been chosen-”

“At last! The moment has come!”

Grim was immediately second guessing his decision. Y/N had told him all about how Rook's family had multiple villas, so he'd thought he'd be willing to put up with him the one day a year he'd have to. But the man was far too excited.

“Wonderful,” Grim said through gritted teeth. “So what we'll do is, tomorrow-”

“You're adorable, Monsieur Fuzzball. No need for that though!”

“Huh?”

“I don't need you. Au revoir!”

Rook practically skipped out of the room, singing a cheery tune to himself.

….

Grim was terrified. All day he'd been waiting for whatever Rook had planned. He'd stuck to your side all day, quivering in anxiety.

“Okay, Grim, what's wrong?” You asked, finally tired of ignoring it for the sake of his pride.

“N- nothing is wrong, human! You insult me.”

“Yeah, yeah,” you muttered.

You closed the book you'd been reading during the break in the lesson, and turned to him.

“Okay, so what's not wrong, then?”

Grim mumbled under his breath. But you soon forgot all about it, as the lights in the classroom dimmed, followed by a shower of rose petals raining down on all of you.

“Who is responsible?” Trein bellowed, but he was soon forgotten as well, as Rook appeared at the front under a single spotlight, violin music playing to his entrance.

“Bon jour!”

“What the fuck?” You whispered, quickly realizing that Grim was no longer by your side. He must have taken the opportunity to flee classes. Little rat.

“I am here because I can no longer keep silent about my affections!” He pressed one hand to his heart, the other dramatically extending to the classroom. “I am deeply in love.”

You looked to see if Trein would stop him, but just watched him sigh. Even the teacher knew to just let Rook be Rook.

“Mon Trickster! My heart beats so hard for you, it is apt to burst into a bloody mess of my adoration.”

There was now a second spotlight on you. You looked around to see where it was coming from, only to find there was no source of it.

A gust of wind picked up around Rook, making the rose petals that had fallen to the floor pick up, and swirl around him.

“Mon Tresor, say that you will allow me to forever kneel at your feet. Say that you will allow me to sing your adoration until my vocal cords tear. Say that I can write you poetry until my fingers fall off. Say-”

“God, Rook! I'd rather have you in one piece,” you cut him off with a laugh.

He stood upright with a light smile, swirling a finger in the air to turn the rose petals into a single rose. He gently kissed it, then tossed it to you across the classroom. You caught it, sniffing it and letting the aroma wash over you.

By the time you looked back up, he was standing right in front of you. You blinked, looking at the spot he was standing, then back at where he stood now. He smiled as though he was unperturbed by your confusion.

“If I stay in one piece, will you pledge your soul to me?” He asked sweetly.

“My soul? Not my heart?”

“For Seven’s sake, tell the boy whether you love him or not, so I can move on with the class,” Trein snapped.

“Okay! Rook, I like you too!” You said quickly.

“How exciting!” He snapped his fingers, and you heard the beginning of an orchestral intro.

Rook inhaled heavily, and began to sing.

“Goodness, class dismissed!” Trein shouted over the aria, which was not going to stop anytime soon. You gave Trein a pleading look. While you liked Rook, and were totally happy to start seeing him, this song sounded like it would go on for a while. Trein gave you an apologetic look as he shut the door of the classroom, locking it behind him.

....

Tag list-@shytastemakerthing @stygianoir @leonia0 @lleoll @eccedentesiast-sapphic @supertmntgirl @cxsmicdustdreams @aethermostbeloved @krystalkiller25 @asmallbean3 @theneurodivergentdummy @candlewitch-cryptic @smilingfox22-blog @phantomgaming1920 @the-dumber-scaramouche @noidonothavetimeforthis @bontensbabygirl @xxoomiii @somany-fandoms-solittle-time @bre99 @stupidsimp @sus0daddy @a-small-tyrant @imlost-sendhelp @mizukiblogs @redglasstear @ondragonhonour @1fandom2many @h3110-dar1in9 @ny0000mw00m @dreamlessnight @2dsimp @professionalreblogs @bigmoose1964

#for tuna #twisted wonderland #twisted wonderland x reader #rook hunt x reader #rook hunt

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charcubed · 11 months

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Don / Timeline Mobius' kids are coded as Lokis.

This does NOT mean Mobius = father figure.

More so that Mobius' previous wife was probably a mischievous scamp, and... jet-skis also relate to Mobius' true passions.

What will HE want?

Let me explain :)

First: look at the kids.

Kevin = Sylvie.

That's a minute man ^

Just like Sylvie burnt in season 1, episode 1 – and everything she used (the lamp and the reset charges) was stolen, just like Kevin's matches.

And the other kid?

Sean = Loki.

"Don" gets him to help in the same way Mobius got Loki to help catch Sylvie in season 1.

This tactic...

...is the same as this tactic.

The exact same method, on full display! Very amusing to me personally.

Aside from the fact that his kids are, hilariously, little hellions and perhaps take after their wayward mother (who maybe ran away in typical Loki fashion, if she wasn't snapped by Thanos? 👀)… and that that gave Mobius the unique ability to know how to "handle" Lokis, even subconsciously…

We see towards the end of the episode that "Don" cares about his kids, yes; of COURSE he cares about them! They need him!

But.

Being a parent reallyyyy isn't his passion. The work (in this case, jet-skis) is his ACTUAL passion.

He drops everything kid-related to talk about jet-skis... and also drops everything kid-related to talk to Loki.

These 2 things explicitly criss-cross. Deliberately in the context of Don trying to get Loki to fill the role of his new romantic partner.

Plus, y'know, there's the fact that Don immediately flirts with Loki at the store by telling him his entire schedule and announcing to him that he's single. Which is fucking amazing.

Yeah, that's the actual dialogue.

So, I'll spell it all out:

Don's kids are mischievous scamps, and his wife probably is/was too.

Loki is Mobius' ideal partner (which we already knew, but this is another fun detail to enjoy!) – and Loki will actually STAY. He'll REMAIN, if you will.

Mobius' ideal life involves focusing on work that he's passionate about, not being a parent. And it's OKAY for him to want that! Especially in the context of his TVA life. He has purpose-driven work; he's not "abandoning" his kids. And he's helping others.

Loki's conversation with Sylvie is a whole other post to unpack, but: what's wrong with wanting something?

Or: what's wrong with wanting SOMEONE?

It's about "who."

If you're very lucky... the where/when/why AND "who" align.

At the TVA, for Mobius, they do and they will.

Oh, that's lovely.

Yeah.

------

I write lots of Loki meta on Twitter, whoops! I haven't crossposted all of my ep5 meta yet because I'm offline this weekend, but you can find my tweets collected here.

My stuff on tumblr is under the tag "chars loki posts."

#loki meta #lokius meta #lokius #loki spoilers #loki season 2 #loki #mobius #loki series #jetski mobius #chars loki posts #ONE CROSSPOST! ONE! AS A TREAT

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girlboybug · 4 months

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daddy issues

“you ask me what i'm thinkin' about, i tell you that i'm thinking about whatever you're thinking about."

or the one where your boyfriend reminds you that you’re all he could ever want.

*unedited*

what’s playing 🎧: daddy issues by the neighbourhood

pairing : dilf!farleigh start x fem!reader (afab bodied)

word count : 3k

CONTENT WARNINGS : SMUT, age gap, dilf farleigh au mmm can you tell i’m ovulating, un protected sex, breeding kink, light impact play (he slaps reader a few times but nothing crazy), spitting, brief mentions of an exhibitionistic fantasy, size kink if you squint, cervix kissing yum, slight manhandling :3

TRIGGER WARNINGS : light slapping but nothing harsh and it’s all consensual, ermmm age gap with a power imbalance both professionally and morally but it’s all legal and reader is of age. if i’ve missed anything pls lmk.

a/n : hi guys! i know it's been a while since i've posted any work and i'm so sorry to anyone who has been wanting any updates. i missed you all, but life has been not the best. i won't share whats been going on, as tumblr is a safe space for me and id rather not bring my real life troubles onto here. i hope you guys enjoy this and forgive me for my absence <3

“you’re staring.” he says, not bothering to meet your eyes. you clear your throat, feeling flushed when you look away. “sorry.” you mumble, holding your legs close to your chest. farleigh sighs, shutting down his laptop and swiveling around in his chair before making his way towards you on the bed. your body lights up the second his proximity to you gets a little closer, and he sees it.

it’s hard to not see it.

he knows you try to hide it, to not seem like such an eager little girl, but your internal excitement when it comes to him is just so visibly external. it’s cute, it’s honest and it’s sweet, it’s one of the reasons why he likes you so much.

you welcome him in with open arms, parting your legs for him to climb in between and nestle himself into. he picks you up from the mattress with ease, his large hands supporting you by the hips and the bottom of your ass to reposition you on top of him.

he rests his hands on your thighs, watching as you rest yours on his broad chest, gently smoothing down the material of his white button up, the small embroidered dior catching your eye on the inside of his collar.

“you’ve been quiet today.” he states, his warm hands bringing life to your skin beneath your silk slip. “because you told me to be,” you frown, slumping. he laughs, twiddling with the lace hem at the bottom of your short little slip. “yeah, but you never actually listen.” his thumb guides your chin upwards, pulling your gaze back up to his eyes. “so what’s making you actually listen today?” he asks softly, his hand engulfing your cheek. you lean into his palm, sighing to yourself.

“i dunno,” you shrug, feeling small under his stare. “you dunno?” he repeats back, semi mockingly, but mostly full of endearment. you huff, glaring at him. he laughs again, and it makes something stir in your stomach. everything about him is so attractive, it can be upsetting at times. sometimes inconvenient.

there’s been more times you can count where you’ve sat on the sidelines while he conducts business meetings, strikes deals, makes compromises that are really more so situations that fully benefit him but worded to make it seem like they benefit the other person as well — and other business-y jargon you can hardly keep up with. but it doesn’t matter if you understand what’s going on or not, every time you sit and watch him in his element it lights a desire to stick your hand under your skirt and take care of the ache beginning to build.

it’s just so hot seeing him be ahead of every single one of his colleagues, running circles around them with ease. his intelligence and capability is just so alluring. you think that it comes with his age too, the experience, the knowledge on life. you’ve always thought older men were the standard for attractiveness, and when you met farleigh, he somehow managed to raise the standard you had set in the stars and bring it to a level far beyond that.

but with that, comes a sense of competitiveness with other women in his field. all closer to his age, more experienced than you are in almost every important aspect. it makes you a little insecure from time to time. you’re the first woman in her mid twenties he’s been with since he was in his mid twenties. he’s now approaching his early forties and it makes you nervous that maybe one day your company will bore him and he’ll crave someone else who can keep up with him.

this morning at the bright and early hour of 7am, that fear was reignited in you. you watched from your desk, as your boss, your boyfriend, discuss things you don’t think you’d even really be able to understand, with a beautiful woman in his office. a woman closer to his age.

you watched as he laughed with her, as he let her run her hand down his forearm, watching as he let her hug him before she exited. to wrap a neat bow around the shit filled box, she made it a point to send a condescending smile to you on her way out, almost like she just knew.

but, you know she’s just a coworker, she’s not even in the same department as he is, and is usually located in another location across the state but it felt horrible to see them interact. and it felt even worse knowing they would look good together, complementing one another with a high sense of class and elegance.

farleigh anchors you back to him, squeezing your hip and gently patting your cheek. “what’s going on in that head of yours?” he murmurs, looking at you intently. “hmm?”

“do you think i’m too young for you?” you suddenly ask, eyes already lined with tears. he’s a bit taken aback, not expecting the line of questioning. he takes a moment, swiping away your fallen tears. “no, i don’t. if i did, this—we wouldn’t be happening.” he says clearly, matter of factly, but there’s gentleness in his words, he wants to wipe away any doubt that might linger in your mind about you two. “why? do you think i’m too old for you?” he questions further, sitting up and pulling you along with him, making sure with every movement you remain close. you shake your head, sniffling.

“no,” you huff. “but i was watching you with…that woman in your office and i just…” you trail off, looking down at his button up again, smoothing down invisible wrinkles.

“got a little jealous?” he can’t help the smile that grows on his face and raises his tone, it’s embarrassing and you return his inflating ego with a silencing glare. “yes.” you admit, somewhat annoyed, but you know it stems from your insecurity and fear that he’ll confirm it.

“baby,” he sighs playfully, shaking his head. “i’m far from interested in her. i’ve got my eye on a new girl,” he grins, his tongue poking his cheek. “yeah?” you ask, folding your arms across your chest, suppressing your smile. “who is she?”

he looks off to the side wistfully, exhaling with desire. “ohh i don’t think you’d know her,” he waves you off, sighing when he leans back into the headboard. “she’s my secretary. she wears these tight little pencil skirts, and she has a habit of bending over often. i think she does it on purpose.” he adds, his hands running up and down your thighs. your efforts in keeping a straight face fall flat, your smile betraying them and perking the corners of your lips.

“oh really?” you giggle, leaning forward. “why don’t you make a move on her?” you tilt your head, wondering what his answer will be. “i’m thinking about it. i’m thinking about telling her how i watch her from my office when she thinks i can’t see her, how i think about bending her over her own desk and fucking her in front of all the little boys in their cubicles who think they have a chance with her.”

warmth floods your cheeks like a tide pool, dragging you into the depths of nervousness. his smart tongue and dirty mouth still manage to catch you off guard, never failing in making you flustered and shy. he loves it, he loves how easy it is to play with you.

you can feel him getting hard under you, and it excites you, it makes that familiar ache trickle all over. “i don’t think she’d be against that.” you reply, trying to hide the shakiness in your words, but he hears it. he can always see through you and your little acts.

“oh you think so?” he hums, squeezing your hips. you nod, leaning in closer, nudging your nose with his. “i think so.” you whisper, your lips brushing against his.

“you feel that?” he murmurs, lightly grinding his bulge against your panty clad cunt. you whimper softly, nodding. “it’s only ever for you,” he breathes out, pressing his lips to your lovingly with a chaste kiss. he peppers kisses to your lips over and over until he sinks into you, pulling you in with a hand behind your head.

he moans into your mouth, gripping your hips and planting you firmly on his cock, rocking into you with haste. the pressure and friction ripples through your cunt, nudging your clit just the way you need. you cup his cheeks while you kiss farleigh, melting into him and sighing with content when he migrates from your lips, sucking hot bruises into the side of your neck.

“i need you,” you whimper, meaning the sentiment in more ways than one. farleigh is the only man who’s ever made you feel the way that you do, emotionally and physically. you’ll always need him, whether it be a strong shoulder to cry on, or a strong shoulder to bite into when he’s got you nearly folded in half, fucking you stupid.

“how bad?” he breathes out, bringing his hand between your grinding hips, pressing his long fingers firmly against your cunt. he can feel the dampness seep through the material, laughing smugly when you gasp. “real bad huh?” he adds, humming in agreement when you nod dumbly. “i know baby,” he coos, kissing the space beneath your ear.

you shrug off the spaghetti straps of your slip, a breath of a shock being pulled from your lips when he acts faster than you, eagerly tugging down the white silk material to expose your bare chest. he groans to himself, lurching forward and taking your soft flesh in his mouth.

you arch your back closer to him, eyes fluttering shut and mouth agape with soft moans trickling out into the dimly lit room. he plays with you, rutting his hips into yours, hands and tongue lapping up and groping your breasts, hungrily squeezing, licking and nipping at your flesh.

your hands play with the curls at the back of his neck, tugging with a gasp when you feel his teeth graze your nipples. “farleigh,” you whine, throwing your head back, trying to grind harder on his cock. “need you,” he kisses your sternum, looking up at you with his hands far beneath your slip, wrapped around your sides, fingers gently skimming across your ribs. “i’m right here baby,” his voice cascading around you like caramel, enveloping you in its golden hue, rich and sweet.

he pushes your dampened panties to the side, groaning to himself at the sight of your cunt glistening. he thumbs at your lips, sighing lowly and spreading you apart.

his thumb rubs over your clit, chuckling when your lips part and a shaky moan escapes out. he rescinds his warm touch faster than you would’ve appreciated, softly cooing away your sounds of disappointment. he lifts you off of his lap, laying you gently down on your back. his large hand cradles the back of your head, lowering you down onto the pillow below you.

he unties his tie, discarding it somewhere to be found by the maids in the morning, a shaky sigh fluttering from your lips at the view of him above you. the soft glow of the lamp on your shared nightstand wafts all around him, tracing the outline of his full curls, highlighting his cheekbones and drawing a line down the bridge of his nose. his lips tempt you without having to move at all, no movements in forming words, he just stares at you and with that alone, you’re a perfect malleable thing ready for whatever he has planned.

“you’re beautiful,” he states in a breath of admiration, leaning back down towards you. “my girl,” he sighs, kissing your neck, breathing in the dainty vanilla, floral scent from the dolce & gabbana perfume you begged him for. but beneath the expensive perfume is your scent. your sweet natural scent he can never seem to get enough of, always crouching down to hug you from the back and bury his nose in the crook of your neck, sniffing right at the sweet spot. and now, it just turns him on further, fishing out his cock from his dress slacks, too bothered to take the extra steps in sliding them off his hips, too eager, too desperate to feel you, to be close to you, to be in you.

he pushes in, tugging a deep gasp from the depths of your chest. he groans the second your cunt envelopes him in, gripping him in and squeezing. your walls pulse around the girth of him, trying to adjust to the intrusion. he grinds his hips, shuddering above you. “fuck baby,” he chuckles in disbelief, kissing your collarbone.

“god,” you choke out, swallowing thickly, dragging your fingertips down his back. he starts pivoting his hips deeper in you, slowly pumping in and out, wanting to take his time with you, relishing in being able to savor your cunt. it’s been a few weeks since you both have had sex, he’s just been so busy with work, he hasn’t had the time to fuck you like you deserve, but now he has all the time in the world, and he intends to use it until the very last second.

you feel so full of him and you find yourself somehow wanting more, wishing you could be with him deeper, but in the same breath as that thought, he knocks whatever you have left in your lungs right out, pushing into you deeper as if he could sense what you wanted. your calves rest on his lower back, keeping him flush inside you.

gentleness starts to shed, and an eager pace takes its place, his hips moving faster and his cock hitting harder. your clit brushes against his trimmed bristle of pubic hair, whimpering at the friction, tears already brimming your pretty eyes as he fucks you.

and then you say something you’ve never said before, never even really thought of or fantasized about, but as you stare at him, watching him fuck you like he owns you, you can’t help it from coming out. “hit me,” you whimper pathetically, hardened nipples pressed to his chest with desperation. he stills inside you for a moment, panting with a look of confusion, unsure if you really just said what you said.

“what baby?” he asks breathlessly, swallowing thickly. “hit me, touch me, please farleigh,” you plead, fisting at his button up, grinding your hips down to try and regain some friction. he’s ashamed with the way his cock twitches inside of you at your desperation. so unadulterated and unfiltered in the act of something so filthy.

his hips start moving again, and he’s grabbing at your face, squeezing your cheeks until your lips pucker. “open.” he commands, and like a dutiful believer, you obey, parting your mouth for him. he spits and you swallow without being told to, moaning with a gasp when his hand lands on your cheek afterwards with zero infliction of pain, but enough heaviness to remind you his strength is there. it’s simply withheld to avoid hurting you and bruising your pretty face.

your cunt squeezes around him, arching your back into his chest as his hips pivot harder into yours. he takes notice, landing another firm but lovingly smack across your cheek. before your moan gains sound, his large palm covers your mouth, his lips finding your ear. “be quiet and listen,” he murmurs, leaving the air silent. all you can hear is him fucking you, how wet and loud you are. “you’re so fucking wet,” he chuckles in your ear, and the moan that follows behind his palm just proves his point further.

“do you hear that?” he shoves his hips in, pinning yours down with his available hand, giving more access for him to push in deeper. the fat tip of his cock nudges at your cervix, filling you out more than anyone ever has. “making a mess all over my slacks baby.” he grunts, but there’s no complaints to be found.

when he finally removes his hand from your lips, he’s greeted with your heavenly moans, rendering him weak with his face in your neck, mouth baring hot kisses, groaning your name.

his hand that nearly dwarfs your face comes back down, slapping the side of your cheek, his warm palm cradling it after the impact, his thumb running along your pouring waterline. “my little crybaby,” he grunts with humor, his hand sliding from your cheek to the nape of your neck, his other hand following suit. he presses down, forcing you to crane your neck downward, focusing your gaze on the sight of his cock disappearing in and out of your puffy cunt. “watch.” he utters in your ear, his teeth catching your earlobe before he pulls away.

and you do.

you watch him take you over and over, his hips slamming into yours, occasionally stilling in you to let the weight of his cock buried deep inside you hang heavy.

your legs tremble around him, unable to soothe them from the adrenaline that comes with getting fucked. “touch yourself.” he exhales, bringing his lips to your forehead. “wanna feel you cum,” and that alone could have made you finish. you bring your fingers to your aching clit, moaning a drawn out whimper at the stimulation. he watches himself fuck you, how he stretches you out and how your cunt accommodates him every time.

“fuck,” you sob, panting heavily, sweat starting to collect around your neck and trickle between your breasts. “can i cum?” you plead through a choked moan, clit throbbing in excitement when he nods, picking up the pace in his thrusts. he releases your neck, traveling up to your jaw and bringing you closer to his mouth. his lips are pressed to your’s in milliseconds, drinking in every little sound you let out as he fucks you through your orgasm.

a bruising grip rests on your jaw and hip, like a wordless statement of how much of you belongs to him. which is everything. you can’t think of a single thing about you that you could say isn’t apart of farleigh; hell, you can’t think at all right now, not when your poor cunt is getting pounded into and your shaky fingers can’t seem to stop rubbing circles over your clit. the feelings that deluge through your body are addictive, it feels so good that it trickles into a delicious type of hurt.

you’ve already cum, its existence proven by the white ring around the base of his cock, the sight has your hole weakly tightening around him. with no forewarning, he pulls out, leaving you hollow and empty, wincing from the loss.

before you can voice your confusion and protests, he’s flipping you around, guiding your hips back up, large hand pressing your cheek into the pillows below you. he’s back in you as soon as he exited you, groaning lowly to himself. “fuckin’ perfect.” he grunts mostly to himself, his cock twitching at the sweet little gasp you let out from the new angle. he travels into you deeper this way, nudging your cervix with every other thrust.

he curls behind your back, his chest pressed flush against your shoulder blades, his lips nipping and sucking bruises into the crook of your neck, breathing in your earthy dulcet scent. he brings your wrists to the small of your back, keeping them in place while his thrusts start to become more and more sporadic. “gonna cum, tell me how bad you want it,” he grits, feeling his climax fast approaching, eager to finish to the sweet sound of you begging for his cum.

begging for him to cum inside of you is as easy as breathing, if not easier, since he always manages to take your breath away, whether that be by his charming smile or with his hand wrapped firmly around your throat. “please cum in me,” you sob, tears staining the white silk pillowcases. “wanna be full of you, please farleigh, i need it, need it so bad,” you babble mindlessly, trying to fuck your over sensitive cunt onto him, your ass meeting him with every pivot he sends into you.

normally, he’d push you a little more, too indulgent in his desires to let you have it that easily. but the way you fuck yourself onto him and cry for him is enough to make any man give in. his pants come out sharp, his thrusts matching the tempo of his thumping pulse, spilling into you with a loud groan of your name, his hips fused firmly to your ass. he pumps into a few more times, swallowing hard at the sight of his and your sticky cum and the mess it's made. “gonna pull out now baby,” he murmurs softly in your shoulder blade, kissing the skin lovingly. you wince, squeezing your eyes shut, collapsing back into the bed with your legs tucked close to you.

he crawls over on top of you, running his hands across your clammy forehead and temple. he peppers gentle kisses over your warm skin, humming quietly. “you okay?” he asks, laying beside you, pulling you into him after tucking himself back into his slacks. “mhm,” you nod lazily, shuffling around to face him. he chuckles, kissing your nose.

his arm wraps around you, securing you into his chest, rubbing your back in relaxing circles. his hand sneaks between your legs, scooping his cum with his fingers, shushing you playfully when you whimper, your hips shying away from his touch. “behave,” he chastises lightly, bringing his fingers to your lips. “open.” you open your bitten lips, tongue darting out along his digits, licking him clean. you hum something of approval, kissing the pads of his fingers before he pulls them away. “good?” he mumbles against your cheek. “good.” you confirm, kissing his hair.

he snakes his arms around your waist, unsatisfied with how far you feel from him wanting to be as close as humanly possible. you’ve always loved how touchy he remained after sex, used to the two pump and dump cycle you’ve had with past guys.

unlike them, farleigh isn’t just some guy, he’s a man – granted a man old enough to be your father, but that never bothered you, if anything it added to the appeal. but regardless of all of that, he loves you, loves being near you even in non-sexual contexts. he proves it every day, like he is now, whispering about how pretty you look right now. “i love you,” he says softly, and it sounds like the first time he said it, gentle and nervous. it makes you smile, opening your heavy eyes to peer into his. “i love you.” you repeat back with just as much truth and confirmation. “i love you,” you kiss him, sealing your promise with your lips pressed together.

#farleigh start x reader #farleigh x reader #farleigh start #farleigh catton #saltburn #saltburn fanfiction #saltburn smut #saltburn movie #saltburn 2023 #farleigh start smut #farleigh catton smut #dilf!farleigh start #dilf!farleigh #saltburn au #dilf smut

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iamthat-iam · 7 months

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"Ego", The Final Boss

Olivia (she prefers to be called Liv) has been on quite the spiritual journey for a couple of years. She was born and raised Catholic, then as a teen she decided to leave the church because it didn't resonate with her. She went through a law of attraction phase, followed by law of assumption, and finally, she found non dualism from a few Twitter and Tumblr accounts.

The message, from what she gathered, was that she needed to fully drop the ego in order to realize her true self/true nature and to experience whatever she wanted. She even read a few books where realized masters have spoken about their own personal journeys of dropping ego and how life is generally more peaceful for them now that they've done so.

Now, Liv is one with a troubled past. She would give anything to become an entirely different person with no childhood trauma, and just a happy life all around. She meditated every single day, practiced "sitting in silence", and tried her hardest to detach from her "ego."

She stopped enjoying her usual hobbies out of fear of identifying too much with the character. She would go out of her way to correct thoughts that she felt were "too related to being the person." Needless to say, her mental health began to go downhill very fast.

One of her best friends, Marcus, decided to check up on her one day through face-time. "Hey sis! How have you been?! Haven't seen you in a while."

"Hey..." Liv answered. "I'm not doing all that great to be honest."

"Yeah I figured that. That's why I reached out to you," Marcus stated. "I'm worried about you. It seems like you barely leave the house. Everytime myself or anyone else tries to make plans with you, you either cancel last minute or come up with some bogus excuse as to why you can't come out."

Liv had to laugh because everything he said was true. "So I'm guessing you didn't believe the story about my pet rabbit dying."

Marcus cackled. "GIRL. I've known you for years and not once have you ever had a pet rabbit. Stop playing."

"Okay let me tell you what's really going on with me," Liv began, "So a few months ago I found this 'spiritual practice' called Non Dualism, and the premise of it is you need to 'let go of ego' in order to realize your true nature as God, or Awareness, whatever you want to call it. Also you get to experience whatever you want."

"So this is the reason why you've stopped enjoying your usual hobbies, and why you've stopped having a social life?" Marcus inquired. "I'm going to be honest here. As your friend, I feel like I owe it to you to tell you the Truth even if it isn't what you want to hear. I don't think that this 'practice' has helped you one bit. Either you have misinterpreted the message, or these people are spreading misinformation. Never at any point should you sacrifice your mental health for the sake of 'becoming enlightened.'"

"I don't know what else to do," Liv started to cry a little. "I just want to become a different person living a life full of happiness, one without trauma and constant reminders of my horrible past. I hate being this broken person!"

"It's okay hun, I totally understand," Marcus consoled her. "I can help you. You remember my family guru right? She hates being called that, but I don't know how else to refer to her. Her name is Sage. My family has gone to her for spiritual advice and healing for years."

"Yes, I remember her! Didn't she help your mom heal her lower back pain?" Liv asked excitedly.

"She sure did. I can give you her number if you want!"

After Liv ended her face-time call with Marcus, he gave her Sage's number. She immediately reached out to her to schedule a day where they can meet up.

- -

One day, Liv arrived at a beautiful park to discover Sage already sitting on one of the benches waiting. "Hi! I don't know if you remember me, I'm Marcus' friend Liv."

"Yes! Hi Liv, it's nice to see you again," Sage reached out and gave Liv a warm hug. "Now what can I help you with?"

Liv sat down next to Sage. "Well, I discovered Non dualism a few months ago, and I'm not sure if I misunderstood the message or not, but I thought you had to let go of ego in order to realize your true nature as awareness. And after you realize this, you can experience whatever you want. So long story short, I stopped enjoying life because I thought I had to do that in order to be enlightened."

Sage hesitated for a moment, and then smiled. "Think about it this way.. if it's true that our true nature is awareness, or God, whatever label you put on it, why would you have to go through these unnecessary steps in order to 'become' it? If that's what you already are in the first place?"

Liv opened her mouth to reply, then closed it again. Maybe Sage had a point.

"Here are my thoughts. If anyone is telling you to 'drop the ego', it's bullshit," Sage chuckled. "The point of Non Dualism is realizing that you were always awareness. You were always the awareness behind everything that seems to appear. The ever-stretching, limitless silence that can take on the form of anything. The ego is just a thought. The idea that you are not already fully realized is also just a thought. In reality, there's no ego or person here to let go of. No person here who needs to become 'fully realized.' Just drop the idea that you are a limited human that has to become something, and you'll be golden."

Liv's jaw dropped to the ground. "You're telling me it was THAT SIMPLE THIS ENTIRE TIME?"

Sage laughed heartily. "Yes it is. Why do you think it took masters like Lester or Sri Nisgardatta months or YEARS to 'realize Self?' because they spent so much time trying to get rid of an ego that doesn't exist!"

Liv let out a sigh of relief. "So there really is nothing to do. I can't believe I exerted all that effort for nothing. I do have one more question, how can I experience whatever I want knowing I'm awareness? I want to be a completely different person with a different past."

"The person you think you are now, and the one you want to be are both illusions. You, as awareness, can 'choose' either one like a costume. Everytime you think about this ideal version of you, you've already experienced it," Sage grinned.

Suddenly a wave of emotions flooded through Liv, a mixture of relief and happiness. She felt the urge to give Sage a tight hug. "Thank you so much for helping me today."

"You're so welcome, sweetie."

Good for Liv, she has finally accepted her omnipotence and freedom to experience anything!

#non dualism #nondualism #consciousness #awareness #self #self realization #another long story but i hope the message was clear

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rainysofsunshineao3 · 5 months

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It's officially 2 Weeks until Jurassic World Chaos Theory drops so I'm making an overcomplicated really long analysis of:

*THIS* scene because I love them the normal amount :)

SOOOO... Lets start off with this vvv

First off, GOD THE ANIMATION. Screaming, crying, sobbing right now. That hesitant pause, the eyes movement as right before + as she says "Fallen". Our girl is so scared, I'm sure her heart is beating like, 1000 times ber minute. Her eyebrows scrunching together as she finally gets the words out, then raising like a weight is lifted off her shoulders? Goddamn, these animators got me sobbing at a fictional character.

The worry in her expression as she waits to hear what Sammy has to say and as soon as she figures out that it's a positive response, she just gets this look of absolute ADORATION. Look at that full-on open-mouthed smile she gives. She just looks so happy. You can also notice she's taking full, deep breaths again. It isn't really shown in the previous GIF, but girlie was definitely holding her breath. Convince me otherwise.

And then we have this MASTERPIECE vvv

There's so many things in this. She still has that like, half-dazed happy puppy smile and then Sammy kinda just launches herself towards her and you can visibly see the confused "oh shit, wat" widening of the eyes.

And I mean, to be fair, this girl is not the best at romantic cues. Like look at these...

Like, even in the beginning seasons, the way this woman looks at you and you can't tell? And she puts up with your dramatic ass? This is not normal heterosexual behaviour people. I know maybe 1 pair of friends who are straight as a ruler but are a little too comfortable with each other, but that's a minority.

Going back on track...

Yeah, Yaz isn't the best with romantic cues, and also, Damn, Sammy, I can't really blame her. You freaking yeeted yourself at her mouth, of course she wasn't going to kiss you back immediately. Like, y'all, especially for a first kiss, please ask your partner? This actually was my one problem with this scene, and I don't know why it doesn't get talked about more...

Anyway, Yaz closes her eyes the second Sammy touches her (like, fr, girlie was expecting atomic impact) then slowly opens her eyes.

But you can see the good second and a half that Yaz' brain just can't catch up to what's happening and it's the best fucking thing ever. I'd post like, every single time we have a "Yaz Brain Buffer" but tumblr only allows 10 images per post :(

Then finally - actually this time - we have the continuation of the previous GIF (not including the sapphic yearning slides )

Yaz finally just, understands and kisses Sammy back (thank god) but the real focus of this gif is that when they pull away, YAZ IS STILL LOOKING AT SAMMY'S LIPS LIKE GIRL.

Another blink showing "Oh, ok. That just happened" and then we get the sweetest sapphic-yearning-fulfilled soft smile from both of them.

I'd scream with Brooklyn in the background but I CANT cause she's dead *sobs*

God I love these two so much. I need this representation when I was 10. They make me so happy I actually can't describe it. LORD, what a blessing and journey this was.

Hope these two had the same effect on you as they did me :)

TOODLES!!!

#Raine rambles for a bit #JWCC #JWCT #yasmina fadoula #sammy gutierrez #lgbtq #lgbtqia #sapphics #*SAPPHICS*#these two gay #very gay #lets go lesbians #yasammy #yaz x sammy #i will die on this hill #fight me #Yaz' Brain Buffers #XD

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chronicowboy · 1 year

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accidents happen (but i will love you on purpose) | 4.4k

They're in the baking aisle when Christopher brings it up.

"Am I just supposed to pretend I didn't see that earlier? Without a bribe?" he deadpans, eyebrows raised expectantly. Its such an Eddie look that Buck can't help but grin down at the price tags on the shelves.

"Pretend you didn't see what?" he asks as he compares the prices of self-raising flour.

"Buck." Chris sighs, long-suffering. Another Eddie-ism that Buck wants to bottle to give to Eddie on his worst days.

"Kid, I'm gonna need more than that." Buck grabs the bigger bag and drops it into the cart before turning to give Chris his full attention.

"I saw you kiss dad." Chris rolls his eyes. "You did it right in front of me."

"What?" Buck blinks. Of all the things he'd been expecting, well, let's just say that hadn't made the list.

He glances down at his list, tries to decipher Eddie's handwriting at the bottom of the page and promptly rolls his eyes at the unnecessarily expensive snacks he added there, gets a little chastened when he sees his own favourite brand of chips that he never allows himself to buy in Eddie's chicken scratch.

"Buck, you can't gaslight me," he scoffs, rolls his eyes harder. "I saw you French my dad."

"Where are you learning these words?" Buck blurts out, unwilling to face up to what his heart already seems to know as it pounds against his sternum.

"Mason." Chris shrugs. "He made a Tumblr account."

"He's eleven!" Buck squeaks, shooting an apologetic look at the single mother who flinches at the sound. "I'm telling his mom."

"No, Buck!" Chris groans, turns his puppy eyes up at Buck. "Pretend you didn't hear that, and I'll pretend I didn't see you French dad."

"I did not French your dad!" The words come out louder than expected, and Buck grimaces as the woman's baby starts to sniffle. She shoots him a dirty look, and he can only mouth a red-cheeked apology. "I did not French your dad," Buck hisses at Chris.

He'd know. Right? Like that's something Buck would know he did. Or, at least, he thinks so. Doesn't see how he could ever miss something like that. He's pretty certain he'd know if he'd kissed his best friend. This is probably just some evil mastermind plot to get something out of Buck. For all he knows, Eddie is probably in on it. A joint effort to turn Buck away from all the mushrooms he's been sneaking into their meals lately.

Yeah, that has to be it.

There's no way he kissed Eddie Diaz. Of all people! His very straight, totally platonic best friend. Buck doesn't even want to kiss him. Like, sure, he's objectively gorgeous. Handsome in his dumb dad Henleys, downright hot in his navy blue uniform, adorable in his cut-off sweats with that grumpy morning frog face of his. But a blind man could see how attractive Eddie is. That doesn't mean Buck wants to kiss him.

"I didn't French your dad," Buck repeats, just for certainty's sake, before heading towards the cocoa powder.

(OR: buck kisses eddie, goes grocery shopping with christopher, then realises he's in love with eddie - in that order)

#sami rambles #some fluffy balm to soothe the angst of the past few days #this is such a silly concept that came to me in the middle of a lecture but it fun so.#911 show #911 fox #evan buckley #eddie diaz #buddie #buck x eddie #christopher diaz #911 fic #911 fanfic #buddie fic #buddie fanfic #buck x eddie fic #buckley diaz family fic #buckley diaz family

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kaythefloppa · 6 months

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The Current Timeline of Wild Kratts:

Remember 3 years ago during the hiatus when I made that detailed post explaining the chronological lore of Wild Kratts and analyzed its timeline of a decade's worth of episode with a dash of my own HC involved in it and posted it onto the Wild Kratts fandom subreddit?

Yeah, I promised updates to it when the new episodes arrived, and here I am years later where the season has already premiered. Not to mention there were people who messaged me about legitimate errors I made that I accepted humbly, but didn't actually fix. Not to mention the crossovers that I completely ignored.

Well, much like in 2021, I had wayy too much free time on my hands and decided to go back and finally update that timeline. Unfortunately, Reddit's character limit prevented me from getting the edited version posted so I grit my teeth and decided to bring this fucker to Tumblr via copy and paste. Yeah, I'm not even kidding. So if you've ALSO got enough free time on your hands or are someone who read the original post who was desperately searching for an update, you've got it.

Full post underneath the cut: Warning, shit gets crazy down there.

The PBS Kids original animated show “Wild Kratts” has turned a decade old in the 2020's. Within that time, an autobiography, a 200 episode milestone, and a theatrical film based on the series is confirmed to be in development.

With new episodes of the show coming out, I figured that I’d analyze the show by making an analysis for its timeline. Like many shows, it does have continuity, but Wild Kratts is one of those shows which apparently has an extremely open universe where events happen within that universe, but they don’t seem to have a coherent timeline or any serialization. Many episodes are aired out of order and it’s hard to find a passage of time in a show which doesn’t rely on over-serialization in order to tell its own story.

I partly blame this on production errors as well as strict scheduling as well as the network focusing on releasing episodes in order of when they were produced as opposed to the intended date.

I’ll give it the benefit of the doubt that it doesn’t just rehash its timeline over and over again (unlike some other shows I know cough cough Arthur & Family Guy cough cough). Continuity does exist. It’s just figuring out how it falls in line that is the hard part.

I’ll update this post every time a new episode comes out. My plan is to analyze every single episode until the series finale so that we can determine how much time passes in the show. The way I'll order the timeline is by chronological order first. If there exists an episode or a group of episodes that do not contradict the order, but is not stated to go within this order, I will place them by original air-date and not production order.

I had found a website that lists every Wild Kratts episode (minus the hour-long specials) in order by air-date, unlike the Wild Kratts wiki & Wikipedia. Now, I did find some errors, as it claims that the first 2 episode aired on December 31st and not January 3rd, however I can forgive that as that has been a misconception for years and it got only the date wrong and not the order of episodes. So I was able to use that as a reliable source, more so than the fandom wiki. I am also running off of vivid memory based on my viewing experience as a kid, since I grew up with the show and have come to realize how much info I've retained from the universe of my hyperfixation and how I can use that to this post's advantage. Let's get into it.

Activate Analysis Powers!

--------------------------------------------------------------------------

SEASON 1:

Let’s start with the very first 2 episodes to be released: Mom of a Croc and Whale of a Squid.

In that episode, we see that the Kratt Brothers are already familiar with what’s around them. They’re familiar with the Minaturizer, their Creature Power Suits and Disks, and adventuring with the coolest creatures from oceans to trees (sorry, had to squeeze that reference in).

We see that some animals and inventions are introduced into this episode like the Hippo Sub, Crocodilla, and her daughters. However, let’s focus on things which aren’t introduced in this episode.

Most notably, the Gharial Power Disks and the Miniaturizer. Let’s focus on the disks first.

Near the climax of the episode, the Kratt Brothers use the Gharial Power Disks to substitute for Crocodile Powers since they did not have a disk. Gharials and Nile Crocodiles are both in the order Crocodillia, but were not in the same species nor family. That, along with different designs, makes gharials and crocodiles in general very different animals, which is why the activation didn’t hold up (I hope to god they actually make an episode around gharials in the next season).

Many people assume that this episode only takes place after Kerhonk since Chris uses Gharial Crocodile Power, but this is actually false. Listen closely to what Chris is saying.

“Ha! Crocodile. And a gharial is a type of crocodile!”

Now we’ve already established that a gharial is NOT a crocodile despite being a crocodillian, but let’s get to the important part. Chris is saying that as he pulls out his Crocodile Disk for the Creature Power Suit. Now here is the thing. He doesn’t pull out a Gharial Disk. He uses the Croc Disk to activate Gharial Power, but he doesn’t use a gharial disk to activate the corresponding power suit.

So if Aviva did invent Gharial Power by the events of Kerhonk, Chris would’ve used that instead of using the Crocodile Disk as a substitute. And assuming that episode predates Mom of a Croc, the Kratt Brothers would’ve obviously used the Crocodile Disk since they have used it before.

So that means there was some off-screen adventure where Aviva made Gharial Powers which took place before Kerhonk.

...But that would mean Chris would already have a Gharial Power Disk by the events of Kerhonk and Mom of a Croc. One of 2 things is likely the case. Either Chris didn’t have access to the disk and used Crocodile Power as a last resort (as we see, the disk holder doesn’t exist until Season 2, so he probably stuffs them in his pockets), or that episode exists in an alternate timeline, which we know isn’t the case since that episode’s continuity is brought up later (we will see soon).

So we’ve established that Kerhonk takes place after Mom of a Croc, which takes place after an unseen series of events that predate the series itself as we know it.

Now onto the Miniaturizer. We see it in this episode, but 4 episodes later in Mystery of the Squirmy Wormy, the miniaturizer is invented. That leads me to believe that the episode takes place before Mom of a Croc. However, if you look in the background, you can see that the Walrus Power Suit is in the background with a harness and strap over it. This debunks my original theory of this episode predating the invention of the Creature Power Disks.

With the Walrus Power Suit in mind, it has a harness and strap over it, which brings up the question of why?

My answer would be that the harness and strap was meant for the Walrus Suit after it was damaged in Polar Bears Don’t Dance.

So now we’re at the original pilot episode, the first piece of Wild Kratts media produced by PBS Kids (excluding the Flash games that came out a month prior and were removed 9 years later, *sobs*). Here, the operation of the suits is different. Here, Aviva modified the suits for arctic survival and all it takes is for them to touch the animals with the gloves and then press the button. In many episodes, the modification occurs with the existence of a Creature Power Disc, or the disk is seen off-screen.

But the more I see into it, the more it makes sense. Ever wonder why we don’t see some creature power disks of creature powers in the earlier episodes? Maybe it could be the same reason why we don’t see the Polar Bear and Walrus Disk for the Creature Power Suit.

Aviva pre-programs the Creature Power Suits into the animal that the user can activate into not because she prefers this over making discs, or because the discs are already inserted into the suit, but because this was before she began making Creature Power Discs. This explains why in many Season 1 episodes, we don’t see the disc itself because the power is preprogrammed into the suit.

So at what point does this end and Aviva starts making discs? Any could be. All we know is that this would soon become the norm over preprogramming the power into the suits.

Polar Bears Don’t Dance could possibly chronologically take place around the earliest in the Wild Kratts timeline.

In Mystery of the Weird Looking Walrus, Aviva talks about upgrading features into the Walrus Power Suit. Maybe she isn’t talking about inventing the suits, but modifying the suits, which is fitting considering the walrus suit somehow malfunctioned and got jammed (which was presumably due to the cold arctic ice).

In the same episode, Zach and Donita’s interactions appear to be as if they had met recently, with Donita referring to Zach as the one who “vomitted from clams under the table.” So already we’re forming a coherent timeline with these episodes and we’re not even half-way through Season 1.

There would be one inconsistency. In this episode, Aviva says Jimmy’s controller is waterproof (along with food-proof) but in Seasquatch, 16 episodes later, Jimmy’s controller is protected by a shrink-wrap, indicating that it isn’t safe from the environment. Well, here’s the thing.

That episode shows a second appearance of the Squid Power Suit and Bumper the Sperm Whale from the episode Whale of a Squid which aired alongside Mom of a Croc on the premiere date of the series.

There’s no reason not to believe that the whale episode takes place after Mom of a Croc, which we have already established, takes place long after Polar Bears Don’t Dance. With that, my only explanation is that Jimmy’s controller wasn’t 100% waterproof since salty water can actually be very damaging to technology.

In Octopus WildKratticus Koki lists down many Creature Powers shown. This includes Honey Badgers, Polar Bears, and Octopi. This indeed indicates that these episodes where these powers debut are placed before this episode (some say it’s a retcon, but I disagree since Martin could’ve activated Honey Badger Power after the events of Honey Seekers).

Now let’s address the continuity in the series.

In Season 1, the Kratt Brothers have 2 adventures in the Australian Outback: Ones with kangaroos and koalas. In the koala episode, Chris mentions Aviva inventing Thorny Devil Disks for the Creature Power Suits the last time they were there. Considering that the kangaroo episode was 2 episodes prior to this one, I’m making it count.

Mimic is a sequel to Cheetah Racer, which takes place after Falcon City. In Mimic, the Cheetah Power Disk is invented, which is later used in Caracal Minton.

A Huge Orange Problem takes place after Kerhonk since Schnozzle (I think that is his name appears and Chris and Martin refer to him by that name.) This means that Kerhonk is in the official timeline of WK, meaning the only explanation as to why the Kratt Brothers had little access to either the Gharial and Crocodile Power Disc is that they physically had no access to it due to misorganization.

The Food Chain Game introduces new Creature Powers treated as familiar powers, which indicates that they were already invented off-screen. No episodes introduce these Creature Powers so that means the episode can't be out of order.

In Masked Bandits, Chris and Martin originally intend to use Wolf Power as costumes for their Halloween party, but instead Raccoon Powers are activated and Wolf Power is instead invented in Little Howler.

Ok so let’s go over the established time-line so far. When listing down the time-line, I’ll first do the episodes that chronologically fit together, then I’ll list episodes through air-date if there’s no connection or contradiction between them, then I will go back to chronology if I need to.

And that’s the end of the S1 timeline

Season 2:

Now already, we can see that Season 2 is a continuation of Season 1. The Tortuga HQ has an upgraded design, most likely from Aviva, which foreshadows the events of “Tortuga Tune Up.”

For the sake of things, I will put Speaking Dolphinese and Blowfish Blowout at the start of the S2 timeline because we don’t see the Tortuga so there’s a high possibility of it retaining its original design from S1 (I’m not including Lost at Sea because that was a terrible special that did nothing but combine 2 unrelated episodes into a movie).

The Seahorse Rodeo takes place afterwards since in Tortuga Tune Up, we see Blimpy (who is now an adult) and Ocean Pony.

Next we have Tortuga Tune Up, which shows Aviva modifying the Tortuga for swimming mode. Obviously I like to think the Tortuga’s redesign was an attempt to fix it, until Aviva had realized something was amiss.

Rocket Jaw: Rescuer of the Reef is a part of the Coral Reef saga of episodes so I count it at the beginning of S2.

Then we have Bad Hair Day, Race for the Hippo Disc, Creature Power Challenge, and Termites Versus Tongues, all of which are the first 4 ep. of S2 and take place in Africa. I consider those 3 chronologically connected. Plus, Zach recalls stealing the Creature Power Disc in one episode.

Happy Turkey Day is a Thanksgiving-related episode but I can easily consider it to be in the timeline.

Bugs or Monkeys serves as the first installment of the Central American Rainforest/Coral Reef saga. Followed by Shadow: The Black Jaguar, Rainforest Stew, Secrets of the Spider's Web, and To Touch a Hummingbird.

Then we get a bunch of episodes taking place in the Sonoran Desert. First we have Rattlesnake Crystal, which introduces the Sonoran Desert. I include this directly after the hummingbird episode because here, Aviva modifies Eyelash Viper Power for Rattlesnake Powers.

In the episode “Roadrunner” Chris and Martin say they have only JUST arrived at the Sonoran Desert. That episode’s plot is focused around the Tortuga getting a resupply, which is fitting considering they just recently crashed.

I would put “Skunked” after Roadrunner since it appears that they have enough resources by now. Then we’d get “Gila Monster Under My House,” then “Desert Elves”

Aqua Frog would come next I assume, I see no reason not to.

Groundhog Wakeup Call and Journey to the Subnivian zone have little ties to other episodes so I can place them in order of air-date. Since Attack of the Tree Eating Aliens takes place in the spring, we can have them come after those episodes.

So the Season 2 timeline goes like this:

Speaking Dolphinese → Blowfish Blowout → Rocket Jaw: Rescuer of the Reef → Seahorse Rodeo → Tortuga Tune Up → Bad Hair Day → Race for the Hippo Disc → Creature Power Challenge → Termites V. Tongues → Neck and Neck → Happy Turkey Day → Bugs or Monkeys → Shadow: The Black Jaguar → Rainforest Stew → Secret of the Spider's Web → To Touch a Hummingbird → Rattlesnake Crystal → Roadrunner → Skunked → Gila Monster Under My House → Desert Elves → Unnamed Burrowing Owl Disc Creation Episode → Aqua Frog → Journey to the Subnivian Zone → Snow Runners! → Groundhog Wakeup Call → Attack of the Tree Eating Aliens

Season 3:

Now, a lot of misconceptions have been made around Season 3 in terms of both continuity and air-date. My stance? Don’t believe a goddamn word that Google, Wikipedia, or the Wild Kratts wiki says. They have been getting the episode air-dates wrong since the very beginning, which is the reason I have to organize them.

As a longtime fan of the show who has been there since the beginning, I pretty much know the air-dates of the episodes by heart and the order.

The first episode is Hermit Crab Shell Exchange, second is Where the Bison Roam, third is Bandito: The Black Footed Ferret, fourth is When Fish Fly, fifth is Osprey. All 7 of these episodes premiered from April 7th to April 11th, 2014 as a part of PBS Kids' Wild Kratts Week, celebrating the show returning for its 3rd season.

The episode to air after that is the double-length episode, Back in Creature Time, which despite popular belief is NOT the Season 3 finale. The last episodes of Season 3 were centered around Madagascar. But before that, we see some adventures in the cypress swamp and the prairie.

Now that we’ve cleared up the misconceptions that people have had about Season 3’s episode order for the past 7 years (yeah a BIG fuck you to Wikipedia for that shit) let’s address the order continuity wise.

The first 7 episodes aired from April 7-11th as part of PBS Kids’ Wild Kratts Week! Celebrating the show’s renewal of S3. All but one would likely remain at their place. All except for Where the Bison Roam and Bandito since it introduces the prairie arc.

Back in Creature Time was after a LONG hiatus. Just to give you a good idea as to how long it was, the first 7 episodes of S3 aired in April when I was still in school, then the Back in Creature Time special aired months later long after I had moved into a different house during summer vacation.

The first episode to air after Back in Creature Time was Mosquito Dragon and Crocogator Contest (they were aired together as part of a special called “Swamp Things” but that special sucked for the same reasons why Lost at Sea did).

Now, this is something I noticed. Mosquito Bots were already invented by the time of Back in Creature Time, meaning that episode takes place after Mosquito Dragon.

And if we’re to include the cypress swamp saga, that means that Back in Creature Time comes in around the middle of the S3 timeline chronologically. That’s not even including the prairie episodes.

There were also Madagascar episodes. I consider Lemur Legs is chronologically the first of the order since the Kratts enter Madagascar here, and the finale of this arc is Golden Bamboo Lemur, where they leave.

This will be hard to crack, but I might be able to do it.

A thing that I noticed was that the Dragonfly Power Suits got redesigns frequently in S3. In Osprey and Mosquito Dragon, it has basket legs, resembling its S1 counterpart, but in Florida Panther and Back in Creature Time, they look completely different. In-universe, this can be credited to Aviva redesigning the suit, so I tried to arrange the episodes in a way that would make the suit's metamorphosis (pun not intended) feel less jarring than if you were watching the episodes in production order or viewing order.

So the S3 timeline is

Hermit Crab Shell Exchange → When Fish Fly → Osprey → Crocogator Contest → Mosquito Dragon → The Search for the Florida Panther → Opossum in My Pocket → Slider: The Otter → Back in Creature Time → Where the Bison Roam → Bandito: The Black Footed Ferret → The Amazing Creature Race → Prairie Who → Mystery on the Prarie → Under Frozen Pond → Capture the Fishmobiles → Praying Mantis → Lemur Legs → Chameleons on Target → Aye-Aye → Lemur Stink Fight → Tenrec Treasure Hunt → Fossa Palooza → Mini Madagascar → Golden Bamboo Lemur

Season 4:

Once again, this season was distributed out of order and the years that have passed since its release, however, as someone who, once again, watched every episode the day they aired, I can correct the misconceptions.

Firstly, the first episode of S4 was The Last Largest Lobster, and the last episode was Musk Ox Mania. The 3rd episode was A Creature Christmas, followed by 5 additional episodes, one of which introduced Paisley Paver and Rex into the show.

Now the confusion is that A Creatire Christmas aired as the 3rd episode of S4, yet animals and Creature Powers in that episode wouldn’t be introduced until later. So I’ll list down all of the episodes that come before the Christmas special.

The Last Largest Lobster comes before Stars of the Tide (they literally aired back-to-back).

Panda Power Up comes first in the China-located episodes. Next up comes Golden Snub Nosed Monkey Man. Red Panda Rescue features both Giant Panda and Snub Nosed Monkey Power, so I imagine it comes next. At the end of that episode, Aviva alludes to Red Panda Power, which is present in “The Colors of China”

Pangolin Rescue follows that (remember, all of these take place before A Creature Christmas). Along with the Two-Tusked Narwhal Adventure, the Snowy Owl Invasion, the Puffin adventure, the Other Martins, and This Orca Likes Sharks.

At this point, we’ve covered all of the pre-Christmas episodes. Now let’s do the ones we have left.

Liturgusa Krattorum, Eel-lectric!, Sea Otter Swim, Box Turtled In!, Animals Who Live to be 100 years old, Archerfish School, and many others.

Something to note is that Aviva narrates how the villains have never before teamed-up. Ignoring the fact that it is not true, that episode would have to come before Krattorum.

Here’s the timeline of S4:

The Last Largest Lobster → Stars of the Tides → Box Turtled In → The Other Martins → Sea Otter Swim → Animals who Live to be 100 Years Old → Spirit Bear → Panda Power Up → Snowy Owl Invasion → Golden Snub Nosed Monkey Man → Red Panda Rescue → The Colors of China → Pangolin Rescue → Archerfish School → Baby Tooth & Kid Musky → Musk Ox Mania → Puffin Rescue→ Mystery of the Two Horned Narwhal → This Orca Likes Sharks → A Creature Christmas → Cheetah Adopted → Eel-lectric → Liturgusa Krattorum → Creatures of the Deep Sea

Season 5:

I’m gonna throw in my personal opinion… This is my least favorite season of the show. The premiere episode, Alaska: Hero’s Journey was pretty cool and in my opinion, jumped the shark for Wild Kratts as we know it. Not only did it establish continuity with previous adventures and use it as a key-factor for the episode’s story, but it introduced a Creature Power Suit for Koki and had a very mature theme and an awesome message.

And then it went downhill from there. A lot of episodes, whilst enjoyable, felt pretty weak. Some were forgettable, and it felt like it talked down to its audience more, and there were just a lot of things that I felt didn’t work. This is where I think the show began a heavy seasonal rot and I know I'm not alone in this.

Ok, opinions aside, the time-line of this season is a lot easier to decipher than the earlier ones because there were less episodes.

Even though Alaska: Hero’s Journey was the first episode of S5 to be aired, the Bald Eagle Power Suit was shown, yet it wouldn’t be invented until The Fourth Bald Eagle.

Many listings show Mystery of the North Pole Penguins as the S5 premiere. And given that there are no continuity errors in that episode, I can see it being the start of Season 5’s storyline.

In the next episode, Temple of the Tigers, Martin and Chris head to India to adventure with tigers. A majority of S5 takes place in India, including the episode where Paisley Paver and Rex return, so I view the tiger episode as the start of the “India” arc.

There are also several episodes centered in Europe, as part of what I like to call, the “Europe” arc.

Creepy Creatures would go near the end of this timeline, as we see many S5 Creature Powers and animals by then.

So here’s the timeline for S5

Mystery of the North Pole Penguins? → Temple of the Tigers → The Dhole Duplicator → The Cobra King → Sloth Bear Suction → Elephant Brains → Cheeks the Hamster → Fire Salamander → Komodo Dragon → Wild Ponies ---> City Hoppers! → Blue Heron → Choose your Swordfish → The Erminator → Hercules: The Giant Beetle → Creepy Creatures! → The Fourth Bald Eagle → Alaska: Hero’s Journey

Season 6:

This season in my opinion, was a slight step up from the 5th season, since we get to see more interesting animals, and the writing feels a lot more breathable. The color palette, I specifically would go without, because it just looks weird. What I do like is how they recasted Koki, a character of color, to be voiced by a woman of color, and I'm glad this change is permanent.

Instantly, we get an instance of a continuity error: Martin is shown to have a Jackrabbit Power Disc in the 2nd episode of S6, yet he doesn’t get it until the Easter special, In Search of the Easter Bunny. There’s actually a reason behind this. The original title for the episode focusing on bunnies was titled “Spring Bunnies” and was listed as the Season 6 premiere, however this was cut and the bunny episode was released almost a year later. My working theory is that because of tight schedules, “Spots in the Desert” was released before the introduction of the Jackrabbit Power Disc.

We return to the Amazon once again with the double-length episode, Amazin’ Amazon Adventure and we get some newer amazon episodes after that.

In a promotional video for Hero’s Journey, the Kratt Brothers said that Season 5 would have at least 23 episodes. My guess is that they had to cut down the last 5 episodes because of COVID or something.

There are two things that stand out the most to me in this season's timeline. For starters, in the Hammerheads episodes, we see that the brothers have an Antelope Disc for the Creature Power Suit despite there being no episode centered around those creatures or introducing a Power Disc. Much like the Burrowing Owl and Gharial Discs, we're to assume that there was an adventure focusing around that animal/an invention of that Creature Power Disc that was not televised, and thus is part of this season's lineup.

The second was how in one of the first episodes of Season 7, Chris expresses a desire to adventure with wolverines, despite that happening in the previous season. So in a rare case, this has to go in a different season's timeline to remain consistent.

Anyways, let’s go onto the timeline of the most recent season. I’ll be going off of habitat here just to be consistent.

In Search of the Easter Bunny → Mystery of the Flamingo’s Pink → Spots in the Desert → Wolf Hawks → Deer Buckaroo → Unnamed Antelope Adventure Episode → Hammerheads → The Vanishing Stingray → The Real Ant Farm → Mystery of the Mini Monkey Models → Amazin’ Amazon Adventure → The Great Froggyback Ride → Parrot Power → The Race to Goat Mountain → Iron Wolverine → Adapto the Coyote → Tartigrade Xtreme → Uh Oh-Ostrich! → The Great Creature Tail Fail → Cats and Dogs →

Season 7:

The long-awaited Season 7 has arrived as of 2023, marking the return of the show to PBS Kids after two years of a hiatus. With eight episodes having been released, 13 more confirmed on the way, and the 200th episode milestone airing in S7, fans have a lot to hope for. And thankfully it means new fodder for my timeline list.

As I've said before, The Race to Goat Mountain cannot be a part of Season 7's timeline since it has to take place before their actual wolverine adventure.

This in of itself is purely subjective but I like to imagine that Clever the Raven would be the first episode of S7. For a few reasons. One, it was the first episode of the season to be confirmed (in an interview with Jane Goodall). Secondly, compared to Outfoxed, it felt more like a season premiere. With the fanservice-callbacks, the villains returning, the simple-structure of the plot with no rising or falling action and the episode's overall writing, it basically marks off a check-list of everything in the show that you were missing out on for 2 years and everything that you're coming back to after such a long break. Plus it's my favorite out of all of the S7 premiere episodes. Call me biased, but this one's going first.

Our Blue and Green World was the first of the episode batch in 2024. Personally, I am putting it as the most recent spot in the S7 timeline, after the other 3 episodes. The reason being is because with Paisley Paver's redemption, this episode feels like a huge game-changer, one that the writers hint will affect the rest of the series. I think this special should've been the last to air in the batch just to get viewers hyped for what's next. It's basically like a mid-season finale of some sorts:

Three new episodes will air in November of 2024: Salamander Streaming, Bumblezzz, and Chimpanzee and Me. Until the episodes come out, I will list them in the timeline in their release date order.

Timeline of Season 7:

Clever the Raven → Outfoxed → Owl Odyssey → No Name Dream → Backpack the Camel → Fish Out of Water → Our Blue and Green World → Salamander Streaming → Bumblezzz → Chimpanzee and Me

CROSSOVERS:

There are three shows that Wild Kratts has crossed over with. One of which came out after I made this post, two of which before, but I decided to add them here just for the fun of it and to commit to the lore-dump of the timeline. Whether or not I'll extrapolate that into forming a huge novel about the expanded universe of PBS Kids, only time will tell.

Night Shift: (Odd Squad)

This was the first crossover the brothers had done with another show, Odd Squad, a live action math-based cartoon that is set to air its fourth season in 2024. The Kratt Brothers have their traditional live-action opening that is interrupted by Otis and Olympia solving their 'odd problem' a running gag with various different characters throughout the series as a 'cold opener.' The reason there is such a massive overlap between the two fandoms is because of that scene in the episode.

How to fit it into the canon? Well, since this is shot similarly to a Wild Kratts live action opener segment, then we can equate it with the "what if!?" element of the show. It should be noted that the Kratts are following a white-tail-deer, an animal they would later adventure with in Season 6. So you could have this episode take place directly before the "what-if?!" section of that episode that transitions into the animated story.

Wild Batts: (Nature Cat)

In 2015, PBS Kids launched a new nature based show known as "Nature Cat" featuring the titular cat and his gang of animals exploring nature. This special aired directly after Wild Kratts: A Creature Christmas, so PBS Kids often marketed both the WK Christmas special and the Nature Cat premiere, so much so that at the end of the Christmas episode, the Kratt Brothers themselves promoted the new Nature Cat special. It only made sense that these nature brothers from another mother teamed up! And thus we had Wild Batts! In this episode, Chris and Martin "Batt" have to find a new home, after their old one is destroyed, challening Nature Cat and Ronald's fear of bats in the process and learning more all about them. Several references to the Kratt's show are made, such as the classic "Living free and in the wild!"

How to fit it into the canon? In the episode's context they are literally bats, but in the context of the show itself, they would probably be in Creature Power Suits. And one thing interesting is that Chris and Martin are said to be Indiana bats, an endangered species of North American bats. We know that there is no singular Creature Power Suit for a generalized species as we've seen with the crocodillian, owl, and snake-based Power Suits. So it's possible that Aviva modified the Little Brown Bat/Vampire Bat programing with Indiana Bat Power. So this would probably take place post-Season 1. I have it take place in Season 6 since Wild Batts aired around the same time that Season 6 just started airing, ironic ain't it?

Oh, and the episode also makes bat references to other PBS Kids characters, such as Peg + Bat (Peg + Cat), George the Curious Bat (Curious George) Daniel Bat (Daniel Tiger's Neighborhood) and the Bat/Cat in the Hat. Now, the logical man within me says that these are easy puns to laugh at and not look into. However, the sick twisted fuck that is me says, connect that shit together. Since we've already established Odd Squad, we can probably say that there was an 'odd problem' turning these random PBS Kids characters into bats (probably including the Kratt Brothers if you don't buy the idea that they're in very convincing Creature Power Suits) and that the Odd Squad is able to save them with a reverse-bat-inator and they all go their separate ways, never to meet each other again until their grand return in PBS: Endgame (ok maybe I'm going too far into it but just a funny thought, also yes that is the one MCU reference I decided to cash in).

Cry Wolf: Molly of Denali

The 3rd of the Wild Kratts crossovers, airing in summer of 2022. This was a massive thing in the WK fandom, mainly because around that time, news had come out that the show would not air any new episodes until 2023, which was a massive low blow. This crossover between Wild Kratts and Molly of Denali, while not enough... at least damaged this blow and is an okay entry point to Molly of Denali, another pretty damn good PBS Kids show.

The Kratt Brothers help Molly and her dad track a missing pack of endangered wolves, learning more about them on the way. In the episode it's established that Molly is a huge fan of Wild Kratts, referencing their show a lot, implying that the Kratts we see here are 2D representations of their IRL selves rather than their 2D-in-universe selves. Still, I came here to overanalyze, and overanalyze I shall! Since the Kratts did their whole "what-if!?" skit in Odd Squad, then I could see the same happening here, just not being necessary for the episode's plot. I'll suspend my disbelief again because what the hell.

How to fit it into the canon? I'd have it come between Season 6 and 7. It aired around that time, and again, it was almost certainly done so as compensation for making fans wait 2 years for the new season to drop. Plus it lines up with my headcanon of Clever the Raven being the first in S7's timeline, since the brothers would still be in the mood to adventure with wolves.

So to conclude, all of these crossovers I see as very recent in the show, you could cut them out and lose nothing, but add them in and get more of something, which is what I'm doing. In terms of timeline to the crossovers specifically, here it goes.

Wild Batts → Night-Shift → Cry Wolf

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CONCLUSION: THE CURRENT TIMELINE OF WILD KRATTS

Polar Bears Don’t Dance → The Mystery of the Squirmy Wormy → The Mystery of the Weird Looking Walrus→ Unnamed Gharial Crocodile Adventure Episode → Mom of a Croc → Whale of a Squid → Aardvark Town → Flight of the Draco → Platypus Cafe → Bass Class → Build it Beaver → Voyage of the Butterflier XT → Honey Seekers → Fireflies → Tazzy Chris → Octopus Wildkratticus → Walk on the Wetside → Elephant in the Room → Let the Rhinos Roll → Kickin’ it with the Roos → Koala Balloon → The Blue and the Grey → Falcon City → Cheetah Racer → Mimic → Kerhonk → A Huge Orange Problem → Caracal Minton → Zig-Zagged → Seasquatch → The Food Chain Game → Masked Bandits → Little Howler → The Gecko Effect → Flight of the Pollinators → Birds of a Feather → Googly Eye: The Night Guru → Stuck on Sharks → A Bat in the Brownies → Raptor Roundup → Quillbur's Birthday Present → Speaking Dolphinese → Blowfish Blowout → Rocket Jaw: Rescuer of the Reef → Seahorse Rodeo → Tortuga Tune Up → Bad Hair Day → Race for the Hippo Disc → Creature Power Challenge → Termites V. Tongues → Neck and Neck → Happy Turkey Day → Bugs or Monkeys → Shadow: The Black Jaguar → Rainforest Stew → Secret of the Spider's Web → To Touch a Hummingbird → Rattlesnake Crystal → Roadrunner → Skunked → Gila Monster Under My House → Desert Elves → Unnamed Burrowing Owl Disc Creation Episode → Aqua Frog → Journey to the Subnivian Zone → Snow Runners! → Groundhog Wakeup Call → Attack of the Tree Eating Aliens → Hermit Crab Shell Exchange → When Fish Fly → Osprey → Crocogator Contest → Mosquito Dragon → The Search for the Florida Panther → Opossum in My Pocket → Slider: The Otter → Back in Creature Time → Where the Bison Roam → Bandito: The Black Footed Ferret → The Amazing Creature Race → Prairie Who → Mystery on the Prarie → Under Frozen Pond → Capture the Fishmobiles → Praying Mantis → Lemur Legs → Chameleons on Target → Aye-Aye → Lemur Stink Fight → Tenrec Treasure Hunt → Fossa Palooza → Mini Madagascar → Golden Bamboo Lemur → The Last Largest Lobster → Stars of the Tides → Box Turtled In → The Other Martins → Sea Otter Swim → Animals who Live to be 100 Years Old → Spirit Bear → Panda Power Up → Snowy Owl Invasion → Golden Snub Nosed Monkey Man → Red Panda Rescue → The Colors of China → Pangolin Rescue → Archerfish School → Baby Tooth & Kid Musky → Musk Ox Mania → Puffin Rescue→ Mystery of the Two Horned Narwhal → This Orca Likes Sharks → A Creature Christmas → Cheetah Adopted → Eel-lectric → Liturgusa Krattorum → Creatures of the Deep Sea → Mystery of the North Pole Penguins? → Temple of the Tigers → The Dhole Duplicator → The Cobra King → Sloth Bear Suction → Elephant Brains → Cheeks the Hamster → Fire Salamadner → Komodo Dragon → Wild Ponies -> City Hoppers! → Blue Heron → Choose your Swordfish → The Erminator → Hercules: The Giant Beetle → Creepy Creatures! → The Fourth Bald Eagle → Alaska: Hero’s Journey → In Search of the Easter Bunny → Mystery of the Flamingo’s Pink → Wild Batts → Spots in the Desert → Wolf Hawks → Night-Shift → Deer Buckaroo → Unnamed Antelope Adventure Episode → Hammerheads → The Vanishing Stingray → The Real Ant Farm → Mystery of the Mini Monkey Models → Amazin’ Amazon Adventure → The Great Froggyback Ride → Parrot Power → The Race to Goat Mountain → Iron Wolverine → Adapto the Coyote → Tartigrade Xtreme → Uh Oh-Ostrich! → The Great Creature Tail Fail → Cats and Dogs → Cry Wolf → Clever the Raven → Outfoxed → Owl Odyssey → No Name Dream → Backpack the Camel → Fish Out of Water → Our Blue and Green World → Salamander Streaming → Bumblezz → Chimpanzee and Me

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And there you have it so far folks. Thirteen years, seven seasons, 160 televised episodes, plus four crossover episodes amounting to 164 canon episodes in the current Wild Kratts timeline. More are on their way and more of this grand Creature Adventure is beyond the horizon. Keep on Creature Adventuring, see ya on the Creature Trail!

Am I a genius, or am I a genius?

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