#yes i am going to write this.

[skoulsons]

thinking about ellie returning to jackson and sobbing at joels grave. how she’d hug his stone and trace her fingers over his engraved name. how she’d sit beside it, resting her head against the stone as she played with the dirt beneath her, wishing it was his hands instead. how her tears would soak the snow. how she would talk to him, telling him how sorry she was for all that happened. for not getting the chance to forgive him. for his death or everything she did because of it. for pushing him away for so long. for making him feel the way he did those two years. how she’d tell him thank you for everything he did do for her. her birthday, teaching her, protecting her, and loving her. how she understands joel and his decision because of JJ and how she loves him, just as joel loved her. how she’d bring him any decent flowers she came across and would lay them right above where his head would be. how she’d read the cards that Jackson residents left for him. how she’d tell him more jokes from her pun book, hoping to hear his laugh one last time

[anneapocalypse]

So, just curious how many writers and creators will have to be forcibly outed by relentless harassment before we acknowledge that "This queer characters was written by a cishet person and that's why they're bad" is not good criticism.

[deep-space-lines]

okay but like. I just had the weirdest thought about that ‘don’t look I’m naked’ comic. Which is that that’s essentially the same thing Adam and Eve did after they ate the fruit of knowledge of good&evil. So I feel like the theological implications of that could kneecap Gabe if he doesn’t think V1 is a being with free will.

yeah ok. i dunno man. is this anything

((side note. this isn’t necessarily meant to be in-character or story-accurate or take place at any particular point in time, just a way to explore some Thoughts. i was also imagining more that V1’s words aren't actually spoken, more like Gabriel’s more articulate interpretation of whatever garbled mechanical noise V1 is using to communicate. I think an angel could do that.))

and then they fucked nasty the end

[egophiliac]

so on the subject of the "Crowley is secretly Revaan/Laverne/Levin/please Twst give us his name" theory, I think my feelings are best summed up as "I don't really buy it, but it's funny". like, in all seriousness, I'm not opposed to it; I have enjoyed the writing in Twst so far and I'm willing to trust that whatever happens will, you know, make sense and not be terrible. but I'm just not really convinced by the current evidence! maybe that'll change once we learn more, we'll see!

with that said, may I propose a few alternate theories about the possible Crowley/Revaan connection:

[rendevok]

The sensation of waking up next to you ❤️💙

+bonus doodle:

…and they mimir’d happily ever after the end. ❤️

(ID under cut!)

Miles is roused from sleep by sunlight shining on his face. Slowly, his eyes adjust to the light, until finally, his scope of awareness broadens to a body he had been sleeping on.

Page 2

Miles looks up to the figure that holds him, and upon seeing, his eyes widen in recognition.

Miles looks up to the figure that holds him, and upon seeing, his eyes widen in recognition.

The bottom panel of the page shows minimal details of a window shedding light onto the bed and blankets as seen from a higher view in the room.

Page 3

On the other side of the bed, Phoenix rests, his head propped by the headboard. His hair is messy from sleep, and his expression is thoughtful. The light of the morning highlights his features.

The sun shines through the blinds of the window.

Phoenix finally notices his observer, and turns to look at him.

Page 4

Phoenix takes Miles’ hand in his, and lifts it to gently kiss the ring on Miles’ finger. They both move to share a kiss, and their hands shift to hold one another. Miles’ ring sparkles in the sunlight.

Page 5

They link their fingers as they kiss, and the morning creates a quiet atmosphere around them.

They part, but remain close, their fingers fully interlocked. Phoenix greets “Good morning,” with a tender, loving expression as he looks at Miles. Miles’ own expression is soft, unguarded, and fixed on Phoenix.

Page 6

Phoenix and Miles settle back into their shared bed; the morning sun illuminates them. They both smile softly, seeming happy and at peace. Miles rests his head under Phoenix’s neck, and his hand on Phoenix’s chest. One of Phoenix’s hands rests over Miles’ own on his chest, while his other hand holds Miles closer, revealing a matching ring of his own. Both rings shine softly in the sunlight.

Bonus image

A small simple drawing of Phoenix and Miles having fallen asleep again while holding each other as in the final page of the comic.

End ID.]

[peoplesprincessgeorge]

nortrell + txt posts = true

[risingmoonyue]

Clone Wars AU where instead of chips, the clones are actually raised to be undercover as loyal soldiers knowing they'd betray the jedi ("traitors") on the order, and are all ready to complete their mission—

But uh. The jedi are really nice?? And kinda dumb??? And they reaaaally don't know how they survived this long when they are just so dumb and trusting and oh no they're attached.

There are many unfortunate realizations. The clones form a support group to rant about their stupid jetii because "—guys you don't understand he loses his lightsaber every two seconds and then smiles at me when I give it back and has decided since I have it so much I should know how to use it and this week he ordered chocolate for everyone what do I do—"

Bly be sitting in the corner, rocking because "Oh no she's hot"

Wolffe is sitting there holding in manly tears because Plo is a buir but he's a traitor but Plo is such a buir can he be my buir

Rex is like "listen I know Skywalker is supposed to be the one non-traitor of the bunch but like. He's crazy???? And the Commander is also crazy???? How am I supposed to keep up with them???? How much worse would they be without Kenobi????????? And I think Skywalker might actually murder us all if anyone touches the commander or Kenobi???????????"

And meanwhile Fox is all "I keep pulling this one weird jedi out of the dumpster and I can't get rid of him. How do I get rid of him, he's growing on me like mold and I hate it."

Meanwhile I cant decide if the Jedi know that somethings up with the clones and are keeping them close or if they just are genuinely like "man those guys are so great ❤️❤️❤️ I'd trust my life with them ❤️❤️❤️ if they don't tell me smth they def have a good reason ❤️❤️❤️"

[turtleblogatlast]

[ cw: risk taking behavior / circumstantial self harm kinda / ignoring of injuries / self-depreciation / slight ooc-ness but for a reason! / ]

Post invasion, Leo is fine.

More than fine! He’s better than before, even. That is, if you don’t count the slightly cracked shell and still healing bones, but those are only a problem when the weather wants them to be!

Leo really is better in the ways that matter.

He’s not as cocky, not as self-centered, and overall just more heroic in general if he does say so himself.

Raph even said he was proud of Leo!

So obviously things are going well.

But.

It’s not enough.

Leo’s better, sure, but he’s still got work to do.

So - and here’s something that will probably make his brothers faint on the spot - he needs to train.

_____

His brothers do not faint, but it’s a near thing for Raph. Mikey has to fan the snapper’s face and Donnie almost brings out the smelling salts before Raph shoots back to his feet with an excited grin.

Leo’s big brother gets teary eyed soon after and envelops him in a bear hug, saying once again how proud he is that Leo is growing up.

Leo lets himself be hugged, even hugs back as fiercely as he can, because unbeknownst to Raph, this marks the end of Leo’s childhood.

He lets himself be hugged like a kid one last time, looking through the hole in Raph’s shell all the while.

_____

Leo only trains the regular way with his brothers and occasionally April and the Caseys, but most especially Raph.

But of course that’s not enough, it was never going to be.

So he goes through the motions of the stretches, the spars, the meditation, and then he leaves.

He makes sure to have his excuses ready, usually defaulting to Hueso as his go to since his brothers are easily bought off with the promise of pizza. Leo hasn’t yet found the tracker Donnie installed in him, but when he does that’ll be dealt with too! But for now, this should be good.

See, the invasion made him realize something.

It’s not about him, but it was his shortcomings that led to everything going to hell.

So he just…needs to get rid of those shortcomings.

He’s working on it, gaining fighting skill in training, but there’s more he needs to do, more skills he needs to train.

Leo watches intently as Repo Mantis swindles someone, he memorizes the sleight of hand that Hypno performs, he sneaks back into the Mystic Library and is so quiet the hush bats forget he’s there, he talks Big Mama into honing his manipulation, and he even sneaks into human hospitals and reptile veterinary clinics to get a clue on more serious injuries.

And after any of these, he heads to Run of the Mill to compete in the Maze of Death.

_____

This is his twelfth time going through the (newly remodeled and even more deadly) Maze of Death, and would be his fifth time winning. The first three times had him waking up in Hueso’s office, and each time he wakes his old persona shines through.

He always waves off Hueso’s annoyance and questions and insists on trying again next time before he steals some pizza and bails.

The skeleton actively tries to stop him from entering the Maze after the first time, but hey- mystics are allowed before you enter.

It’s easy enough to teleport on by.

Harder to meet Hueso’s - and later his brothers’ - eyes when he fails again.

When he first actually won, Hueso congratulates him in that typical deadpan tone of his.

“Ah, felicidades, Pepino. Now you can move on, sí?”

“Hm? Nah, boneman! That run was sloppy!”

And then Leo runs off before Hueso can stop him.

He doesn’t even look at his picture on the champion wall when he next comes around. It’s not much to look at anyway.

_____

His second win is much like the first, and only his third win is actually acceptable.

But he knows the field too much now. He needs a challenge.

When he attempts to go through it blindfolded, he’s quickly shown how much he doesn’t know the Maze. So, obviously, he loses again.

He got a bit more banged up that time around.

“Pepino, basta ya, you’ve already won. Where are your brothers?”

“I can’t stop yet, señor! This is for my brothers - no les digas, please.”

Even if Hueso wanted to tell Leo’s brothers, they haven’t been in enough for him to get to, and it’s not like Hueso has their number since Leo’s the one Hueso usually contacts. For now, Leo’s safe to continue as is.

Though his injuries are getting harder to hide, and there’s only so much his shell in particular can take.

So to speed things up, he incorporates the blindfold into his regular training.

His brothers question it, of course, but hey, he initially got the idea from seeing Lou Jitsu do it in the third best Lou Jitsu movie, so it comes as a great excuse now.

He’s only a little put off by how fast Mikey adapts to it when the others try.

“I dunno-“ Mikey shrugs when asked, “You guys shine so brightly anyway, a mask doesn’t do much.”

Seeing their mystic energies is pretty cool, Leo can admit.

He just wishes he could grasp that himself - and that it was useful for a death maze.

_____

Leo’s training pulls off eventually, and soon, after a few more losses, he wins a forth time. But it’s a near loss, and a near loss is the difference between someone living and dying.

He’s gotta go again.

Hueso’s more insistent than ever, though.

“You must stop, Pepino.”

“But I can do better-“

“You don’t have to! Your shell is bleeding - ¡por tu propio bien, poner fin a esto!”

“I told you, this is for their own good! For everyone’s own good!”

He forgets the pizzas when he leaves. He claims sickness when he hides under his covers.

He ignores how childish the act makes him feel.

_____

Leo’s getting better, and his reflexes and tact in training shows this. His other training of his subterfuge and medical skills also prove to be useful.

He’s pretty good at hiding injuries, now! Though not so good at hiding a pained shell. Even Donnie looks at him with blatant concern (and understanding) when Leo can’t help but take a sharp breath whenever he lands on his back.

It’s hard not to go right back into waving everything off with jokes like he used to. Deflections are easier when they’re annoying!

But- this is just another reason that he needs to get better, right? So his brothers won’t worry. He doesn’t need the spotlight anymore - he’s over that, thanks.

He squashes down the part of him that perks up when Splinter says he’s growing up. He actively kills the part of himself that cries at the same phrase.

_____

So. Yeah. This’ll be his twelfth time running the Maze. And, hopefully, his fifth win. Maybe he really will move on after this.

The Hidden City is pretty big! There’s probably a bigger challenge somewhere.

Maybe Big Mama has a more secret Nexus hidden away, out of the public eye.

Well, whatever. That’s a future problem for him to figure out, yeah? For now, he carries on like usual, teleporting to the entrance of the Maze and diving right in.

Even blindfolded, he works his way through, dodging and weaving and feeling as he goes. He even tries to evoke his inner Mikey and calls on his mystic energy. Not enough to cheat, but enough to feel.

Usually, when Leo teleports, he swears he feels every part of himself disperse into particles. Now, with energy thrumming under his scales, he can feel particles everywhere.

It’s not refined enough to tell him everything, and he gets a fun new burn and a nice whack to the back by getting distracted. Still, it gives him more than he had before. It makes him more aware of everything, like he licked a finger and held it in the air to feel the direction of wind, but every direction blew wind, all in different ways.

He makes it to the end with minimal injuries after that, and sure, his shell is screaming at him now, but he thinks he did a shell of a good job.

…Ah, he needs to cut that out, huh? Man. Maybe Donnie’s collar idea was a good call after all.

Leo needs to be a hero. Not a face man. Not a failure.

Not a kid.

_____

Leo doesn’t smile when the Minotaur takes his picture again for the champion wall, and he doesn’t listen when she tells him to “go home and never come back.”

He doesn’t plan to, anyway, yeesh.

He’s tired as he trudges out of the exit, and Hueso catches him when he stumbles.

Hueso doesn’t say anything. Leo doesn’t either.

Or, he doesn’t, until he feels a familiar large hand helping him up as well.

Leo’s face whips up as he flinches back, eyes wide as they meet with a worried (so, so worried) Raph’s.

“You told them?” Leo asks Hueso in betrayal, heart thudding wildly in his chest.

“Pepino…”

“Told us what?” Mikey pipes up from behind Raph, coming closer to get a better look at Leo, “Leo, what’s going on?”

“Your shell has been having pretty big setbacks on its healing, is this why?” Donnie demands, glaring fiercely as he motions toward the Maze.

Leo feels unmoored. “I-“

“Leo.” Raph interrupts, and no Leo doesn’t want to hear it- “Are you okay?”

And Leo wants to say “it’s not about me”. He wants to say anything that proved he learned his lesson, that he’s not a liability or worse, an active danger to his own family.

He wants Raph to continue being proud of him. He wants his brothers to trust him.

Instead, he passes out.

_____

The next time his eyes open, Leo’s on his side, staring at his blue lava lamp.

He knows without looking that his shell is re-bandaged. He knows his other injuries have been dealt with too.

And unless Leo learned how to do some pretty impressive medical sleepwalking, he knows he’s not getting away this time.

All three of his brothers being in his room prove that.

“What’s been going on, Leo?” Mikey asks, and his voice cracks partway through.

He’s looking at Leo like he’s searching for something, but Leo doesn’t have anything to show. Nothing’s hidden, he just did some light spring cleaning is all, throwing out all the parts he didn’t need.

All the parts they didn’t need.

And yet despite everything, he can feel himself falling back into old ways, a grin tugging at his beak and lackadaisical deflection on the tip of his tongue.

Maybe he should let that part of him show, just for once. It wouldn’t seem like too much of a setback would it? And he could really use a fun pun right about now-

No.

No it’s not about him. He needs to remember why he did all this in the first place.

“Okay- sorry, guys.” He smiles, softly, quietly, “I guess I got too caught up in training. I’ll work at it some more, don’t worry.”

“Oh, I see. Training. That’s all it was, huh? Training.” Donnie hisses more than says, nearly vibrating in anger.

“…yeah?” Leo nods slowly, because, uh, that’s literally the most honest thing he said. It was training.

“If it’s just “training” then why the secrecy, hm? Why in Curie’s good name did you prefer to sneak around rather than, oh, I don’t know, tell your family?”

Leo feels his shoulders rise at Donnie’s aggression, defensiveness welling up in him, “It was my training! Nothing went wrong, I’m getting better!”

“Better?” Raph asks incredulously, “Leo, you’re wasting away. A tap to the shell stuns you for minutes, you lost weight, and your dark circles are worse than Raph’s ever seen them! You aren’t getting better-!”

“YES I AM!”

The words rip out of Leo before he can stop them.

The room is silent as his brother look at him, all wearing expressions of hurt that Leo put there again.

“Yes I am.” Leo reiterates, shaking, “Because- if I’m not-“ He squeezes his eyes shut. “If I’m not-“

Then what was all this for?

Arms slowly wrap around him, and he knows now from the feel of the mystic that it’s Mikey.

“You’ve gotten faster, and sneakier.” Mikey says quietly. “When I accidentally cut my hand, you knew exactly how to take care of it.” His voice grows firm, and he backs out of the hug, “But those are your skills. You, though, you’ve been…you’ve been…”

“You’ve been dilapidating before our very eyes, and trying to hide it.” Donnie finishes, jaw tight. “You think we wouldn’t notice? After everything?” To Leo’s horror, Donnie’s voice is hoarse with tears, “You absolute dumb dumb.”

“I- but I need to train. The Maze is-“

“Leo, we don’t care that you ran through the Maze. We care you did it alone.” Raph says quietly. “We could have joined you, any time.”

“But- but I’m doing this for you-“

“Listen to your brothers, Blue.” They jump as a new voice joins the fray, heads turning to see Splinter make his way into the - frankly crowded - room.

“Dad, I-“ Leo begins, but trails off, suddenly more unsure than ever in the face of his father.

“It’s good you’re finally picking up training! Especially for your brothers’ sakes! But there’s such a thing as going overboard, you know.” Splinter pokes a sharp claw into Leo’s plastron, “Just because you’re dragging it out this time, doesn’t make this any less of a sacrifice. My son, you’ve taken after Karai an awful lot, haven’t you?”

Leo just looks at his father. At his brothers. Then, he looks down at his calloused hands, bandaged and scarred from overuse.

He swallows dryly. “Is that a bad thing?”

He feels his family crowd in around him, feels his father’s hand on his shoulder.

“It’s not wrong to want to be better, Leonardo.” Splinter says, softly and with so much grief and guilt that Leo can never begin to understand, “But you were never bad to begin with.”

Leo’s breath hitches.

“And-” Splinter’s hands rise up to frame Leo’s face. “You are much too young to ever consider sacrifice the best answer.”

“You got me to relax, Leo. So I’ll do the same for you.” Raph grins, eyes wet, “We’re still kids, right?”

And-

Leo smiles, watery but genuine. “Yeah, Raph. We are.”

[starry-bi-sky]

Stuck in the middle of a forest made of

Flesh and bones and they're all scared of

A lost little boy who has lost his heart

Fear's not enough, they have to

Tear him apart —-------

There are two things Daniel Fenton knows that his family knows as well: 

He’s adopted.

He can’t remember anything else before that.  

‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 

What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 

When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.

(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 

The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.

It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 

The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 

His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.

(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 

(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 

They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  

(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)

Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 

He turned back around and went inside.

—-------

Where do we go

When the river's running slow

Where do we run

When the cats kill one by one

—------

One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  

He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 

It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 

He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 

Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 

(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)

After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 

He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.

—------

Hazel beneath our claws

While we wait for cerulean to cry

Unsettled ticks run through time

Enough for the hunt to go awry

—-----

There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 

He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 

Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 

(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 

(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  

He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 

A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 

He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 

His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.

Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   

—-------

Harpy hare

Where have you buried all your children?

Tell me so I say

—-------

When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 

Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.

He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.

Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 

(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)

(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)

(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  

—--------------

It clicks and it clatters in corners and borders

And they will never

Hear me here listen to croons and a calling

I'll tell them all the

Story, the sun, and the swallow, her sorrow

Singing me the tale of the Harpy and the Hare

—-------

More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 

Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 

His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 

They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 

It is a fast dream. 

His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.

His brother, face obscured in all but his eyes, which are green as emeralds, nods. 

The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 

The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 

His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 

(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 

—---  

She can't keep them all safe

They will die and be afraid

Mother, tell me so I say

(Mother, tell me so I say)

—-------

When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 

The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 

(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 

(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   

Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 

(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)

—------

Seeker, do you ever come to wonder

If what you're looking for is within where you hold

Will you leave a trail for them to follow a path

You'll soon forget

Home

—---------

When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 

When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.

‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 

He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.

He ends up calling himself Phantom. 

(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 

----------

Home is where we are

Home is where you are

Home is where I am

-----------------

Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.

[mindstriker]

i really wish more people would get into Scarecrow as a character outside of the "hot" iteration of him cillian murphy played in Batman Begins because honestly he's such a nothing character there. he's really just Ra'as' 5-minute-screentime-having lackey, but he's magnetic because come on. it's cillian murphy.

i just want to grab people by the hand and gently guide them over to all the other delightful interpretations of him. look, guys. he's from georgia. he has religious trauma of the evangelical-adjacent variety so heinous it would make catholic guilt look like the greener grass on the other side of the fence. he once drugged batman just to follow him around on patrol while he hallucinated all night to psychoanalyze him and attempt to convince him to retire. he also once made him chamomile tea. he may or may not have changed his own last name to crane in reference to the fact that he was bullied in school by being compared to ichabod crane. because he was built like a skellington. sometimes he just has a gun and uses this in place of his typical fear toxin gimmick. in one iteration he gets fired from being a university professor for firing a gun in the classroom to prove a point. he generally tends to condescend towards everyone, but seems to get along with fucking harley quinn of all people specifically despite the fact that you'd think her positive attitude would give him a hernia. he's an absolutely batshit individual. he's shockingly self-aware and chooses to be terrible despite being aware of how terrible he is. he thinks he's batman's therapist. please i am begg in g y ou i know his glittery blue eyes and submissive attitude in batman begins are appealing but please there's so much to love here i beg of you look at him

[lotus-pear]

bsd fic authors i understand yalls pain SO well right now why is it so fucking HARD to write dazai. like i have a whole fucking spreadsheet dedicated to tireless analysis i have done on my part so i can accurately characterize him but he is such an unpredictable and morally gray character that it's hard knowing his limits and boundaries and where he draws the line for himself.

[medicalunprofessional]

a nightmare come true

[fulcrvm]

I am thinking thoughts about airports and flying again. And Dreamling, of course.

So. Human AU. History professor Hob has to fly around a lot for work, perhaps for conferences or smth of the sort so it's always to a small handful of the same nearby cities. He's pretty neutral on the idea of flying in general, though he wishes it was a bit more environmentally friendly, but Hob is a sucker for a nice airport and especially a nice airport lounge during layovers or before boarding.

Hob has begun to frequent a small local airline (White Horse Air, the logo is a coat of arms with a little pegasus, wyvern, and hippogriff on it, haha) when traveling because he likes their service (they've never lost his bags, not even once!) and their flights are never fully booked, which makes them quieter and easier for hob's chronic pains. He always picks seats with no one next to him so he can sprawl out and so it's easier on his knees.

Until, one day, he boards the little plane and there's someone in the seat next to his. Hob's sure that when he booked his seat, the other one was empty. Oh well, whatever, Hob's not going to bother the other man already sitting there for one flight— he'll just have to be a little more mindful booking next time. Hob shuffles into the seat, and notices that the stranger sat beside him is reading Sir Thomas Malory's Le Morte d'Arthur! Hob gets excited because! That's a William Caxton publication! And Hob has so much to say about Caxton! He turns to the stranger to strike up conversation about it and... is immediately lost at how pretty the stranger is. Handsome, gorgeous, yes of course, but pretty, with the shell pink lips and focused blue eyes and slight frown at the book in his hands. Hob picks up his metaphorical jaw off the metaphorical ground and strikes up conversation with the stranger. Though the other man starts off apprehensive, somehow the two hours of flying fly by and the two of them end up talking about all sorts of art, history, and everything in between. Hob learns that the stranger works in publishing, thus his interest in Caxton.

Their flight lands, and the two of them disembark at the gate, still attempting to continue their conversation while Hob tries to wrangle his carry-on bags. (The Stranger only has a small laptop bag on one shoulder and a suit jacket folded over his other arm with him.) Then Hob has to check the time and begrudgingly says that he should probably head towards his next gate soon— this is just a layover after all. The Stranger looks ever so slightly disappointed and admits that this is his actual destination and he needs to meet his sister soon. They part ways, and Hob tries to dwell on the strange warmth in his chest. He thinks about the Stranger for his entire work trip afterwards.

This, somehow, happens a couple times. Turns out they both frequent White Horse Air, and though they're never in booked seats next to each other again, the flights are always empty enough that they can shift to sit next to each other once the plane's in the air. They chat the flight away, and then part ways once they disembark, with the Stranger headed to the baggage claim and Hob to his next flight. One time, the Stranger even requests the hostess to bring out a special bottle of Chateau Lafitte 1828 just for the two of them to share. Hob's in awe. He really enjoys their conversations, it's nice to be able to talk about his interests in a non-academia environment. The Stranger always has the most intriguing and eye-opening perspectives on everything, too. It doesn't really help that Hob thinks... maybe he's developing a tiny, teeny, really inconsequential really crush on his Stranger. He's not in grade school anymore, how does he feel like this about someone he doesn't even know the name of yet!

This all comes to a head when Hob mentions to the Stranger that his layover is a bit longer than it usually is, and if the Stranger is in no rush, they can continue their conversation in one of the airport's lounges. White Horse Air is a bit too small an airline to have their own lounge, but Hob's collected enough miles to get into one of the other airline lounges and is fully willing to pay to get in one if it means more time with his Stranger.

The Stranger is extremely enthusiastic about the idea— which shows up physically as a subtle, coy upturning at the corner of his mouth and a little sparkle in his eye. (Hob feels proud that he can read this reaction so well.) He's so enthusiastic, in fact, that the Stranger offers to get them both into a first-class lounge. Hob doesn't even pretend to hesitate to say yes.

Let's just say they get to the lounge, split some cheese and wine, and the proceed to get even more enthusiastic with each other in a private room. Hob's lucky he brought a change of clothes in his carry-on. (Maybe Hob's not so lucky and can't sit comfortably during his next three-hour flight.)

Hob gets a bit emotional when he has to leave for his next flight (already missing being able to hold his Stranger's face so gently, being able to card his fingers through his soft, smokey hair) and gets his guts together to ask if the Stranger wants to exchange phone numbers or something, so they can be in contact more regularly. Perhaps even, meet on purpose maybe? The Stranger smiles and kisses him lightly on the cheek when he slips a business card into Hob's hand.

Hob's so caught up in it all that he doesn't check the business card until he's fully boarded and sat on his next flight. And he gawks.

Morpheus Aion The Dreaming Publishing House

As in, one of White Horse Air's biggest shareholders? Aion, as in, probably the sibling of Teleute Aion? As in, Teleute Aion, the CEO of White Horse Air?! Hob almost passes out.

In the end, Morpheus and Hob laugh it out. Morpheus promises he never abused his sibling privileges to invade Hob's privacy, but used the sibling perks to frequent White Horse Air flights a little more than he even needed to just for the chance to see Hob again. They're both happy to not need to keep flying just for that chance anymore, haha. Idiots in love! Turns out, while Teleute lives where Hob keeps having his layovers, Morpheus and Hob actually live just a few hours driving from each other from their shared initial departure location. It all works out perfectly, and Morpheus self-restraint from inviting Hob to move in (so they don't have to keep travelling to see each other, no matter how small) lasts not even a year after they officially start dating. Hob doesn't even pretend to hesitate to say yes :)

(Years down the line, much after they're married, Hob finally has enough miles to get them back into those first-class lounges to have more fun. It's all very lovely.)

[ambient-arena]

what if the narrative wasn't so horrifically fond of gideon. what if instead of the lobotomy harrow just straight up tore herself apart trying to pry gideons soul away from hers. what if she resorted to the same violent, animal desperation john did when trying to consume the earth but instead of trying to destroy she was trying to recover. what if harrow in an unimaginable fit of despair forced her entire soul and necromantic capabilities to their intense limits but it doing so inadvertently rendered the task she was trying to complete impossible. like trying so so hard to use necromancy to give gideon's soul back that she accidentally ended up cementing its place inside her as an eternal furnace even more. and then what if she just lived like that with gideons soul and memory inside her and it was terrible and everlasting. yeah what if also my brain is rotting out of my skull

[skrunksthatwunk]

thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.

[sad-leon]

Family Photo

Vs The Photo Casey brings back from the future

Im gonna throw hands with Splinter. Why is he so hard to draw ;-;

*sobs*

Anyways,

Little bit of context;

Donnie destroyed the photo (woulda destroyed the whole thing, but Mikey stopped him) after Leo abandoned everyone when he realized he caused the apocolypse. Casey never met Leo in the bad future.

This is for my seperated Leo Au that I'll post more about after the crossover :D

It does have a happy ending, theres just a shitton of angst first, of course

I spent so many hours on this so I wanted to share