#you KNOW i'm gonna make an au about it

[krysmcscience]

The Lamb is malicious in a funny way and the Goat is funny in a malicious way. No, I will not elaborate.

Anyway, everyone give thanks to the Lamb for interrupting what was sure to be a very boring and patronizing PSA from their grouchy cat hubby. Truly, they are doing God's work. Granted, the Lamb canonically is God now, so, uh. Mostly they're just doing their own work.

Speaking of their grouchy cat hubby, yes this is absolutely still Narilamb, Narinder is 100% into his goofy-ass spouse always no matter what and we all know it, he just wasn't expecting his brand new adopted kid to share the same single goofy-ass brain cell as the Lamb. :)

[blackkatdraws2]

This little NPC is lost. The Narrator [Black] has come to guide her back to where she needs to be. [Blank Scripts AU]

I imagine Black would be a lot more tolerant toward his NPCs since they're basically just the Dungeons spawns, and by extension, his own creations.

[If you're familiar with manhwas / manhuas that features the dungeon / system genre, you'd be able to understand this AU a lot easier. The majority of my inspiration for worldbuilding came from those specific genres.]

[NOTE: 'Dungeon' is just another term for the Parable. Technically, Black owns a Dungeon and the Parable is just a small part of it. The Dungeon itself is much, much larger.]

For context, the comic below references this post about the Dungeon's children/guard dogs.

[They're more like the immune system since all they do is make sure the (body) is safe.]

[The reason the Narrator [Black] considers them his children is that the Dungeon is feeding off his energy and in turn shares the 'nutrients' to the monsters it produces, which transforms them into an image that resembles his power.]

And the old man below is Joseph!

Joseph is NOT AN NPC! He is a person who exists outside of the Dungeon!

[There are two separate 'worlds' for this AU. Inside the Dungeon (where most of the game-like stuff is happening) and the world outside (pretty much their normal world.)]

[There is a secret third world, and that's our world. Our reality.]

These characters are not actually important or anything, I just made them to make the AU feel more lively. To make a world that exists, you know?

When the Narrator [Black] first established himself in their world, he found a growing problem with homelessness. Not understanding human norms or why this has become a problem in the first place, he offers (tricks) them into working for him as janitors for the Dungeon and they accept for the money.

Most of them left after they got paid, but Joseph was one of the people who stayed. He doesn't have anywhere else to go and has no ambitions in life. He just wishes to live a peaceful life with food and a roof over his head.

Joseph defaults to referring to the Narrator [Black] with feminine terms due to his appearance despite his voice. The Narrator [Black] is not the type to care for such terms anyway so he doesn't care how other people refer to him as long as there's respect.

--------------

This post focuses more on the worldbuilding and background aspects of the AU! There are a lot more in store for the Blank Scripts AU, and I want to explore more on how the characters might interact with their surroundings and how this would work to make a world that makes sense.

It would be so cool if people made self-inserts or OCs for my AU actually. I'd love to see how you guys would work with my stuff. Play around with it like a barbie world for your little barbie dolls. Be canon compliant, be canon divergent, who cares, have fun.

[bixels]

While I do think anon was rude, I do think it's pretty shitty to set up all this stuff you were going to add the au and then just drop it. It's disappointing. Definitely unfollowing.

Bye.

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[manderleyfire]

– What's keeping us apart ain't even real, your daddy, his religion, it's got nothing to do with us. – It's not just his, it's mine too. I've got the same spirit in me, why don't you see that?

Alice Englert and Walton Goggins in Them That Follow (2019), dir. Dan Madison Savage & Brittany Poulton

[gildedmuse]

With credit towards @jhaernyl who shared some fantastic doctor/surgeon humor with me that ended up leading to.....

The ZoLaw AU No One Asked For...

Where Law is a surgeon on some small Northern Island.

Recently Transfered Nurse Sabo: Excuse me, sir, there is a man here? Roronoa Zoro. He's apparently suffered a small injury.

Law: *sighs* Let me guess, that loudmouthed robot made him come in.

Nurse Sabo: No, he-

Law: Robo-ya's wife then. At least one of them is sensible.

Sabo: He came alone, sir, said he was training and suddenly felt something was off balance. I couldn't -

Law: *Going completely still*

Law: *Turning and grabbing the poor new trainee by the shoulders* QUICK! Answer me this: did he finish his training?

Sabo: Err, no, he said he was worried and he came right in so-

Law: BEPO GRAB THE CRASH CART! WE HAVE A CODE GREEN!!!

Law rooming down the whole hospital.

Law: WE CANT LET HIM GET AWAY HE IS SERIOUSLY INJURED *Pointing dramatically as Shachi and Penguin nod to one another, both grab jing gurneys and blocking off the ER exit*

Zoro: *Raising an eyebrow, though also still suspiciously holding onto his arm* Honestly, Torao it was no big deal, I feel fine now.

Law: *sighs* Zoro-ya... *looking down at the floor.*

*....And there is just a trail of blood on the floor leading to Zoro who is holding into his arm which he has (roughly) bandaged on.*

Zoro: What?

Law: .... Zoro-ya, give me your arm. Now.

Zoro: Torao, I told you, its fine, I just needed some ba-

Law: Give. Me. Your. Arm.

Zoro: Tch *hands over his stupid traitor arm*

Trainee Nurse Rebecca: *passes out cold*

Law: Zoro-ya, what has Law said about cutting off your own limbs!?

Zoro: But you always fix it and it was easier than-

Law: That's not the point Zoro-ya! You can't just cut off limbs whenever it's easy!

Sabo: So are they always like this?

Older HCA Ikkaku, who is used to these idiots: *holds out popcorn bucket to share*

No words. Her show is on.

Sabo: But none of the TVs are-Ooooh HCA Ikkaku: I said shhh!

Ikkaku: Roronoa just mentioned Doctor Trafalgar just being sour over Zoro's ankle stitches. That ALWAYS leads to drama.

2nd HCA aka Perona: *appearing from nowhere to grab a handful of popcorn* Doctor Trafalgar hates those scars. Everyone in the hospital - depth, probably the whole town - knows as much. Law doesn't exactly make it a secret.

Like catching someone up on a your favorite long running television show.

Only its live and one of the people is holding a detached bloody arm.

Ikkaku: *ignoring the wide eyes stare from young nurse* Ooh, Looks like Roronoa is going to let him attach it.

Perona: *giggling* Doctor Trafalgar is gonna give him such a hard time! Horohoro, I'll bet he wouldn't even call for the anesthesiologist!

Law: AND DON'T BOTHER GETTING CESEAR! WE'RE DOING THIS NOW!

Ikkaku: Yo, new guy, stop just standing around and get your pal there off the floor.

Perona: And hurry up, we doesn't want to miss when Roronoa finally smiles. Doctor Trafalgar goes bright red! It's SOOO cute! 💕

She's right, too, as anyone whose worked there long enough will attest. It's the best part of the whole show.

The trainee and new transfer are not sure about all this, but the employees who have worked there awhile seem to be.... enjoying it?

Law: WHAT IS WRONG WITH YOU, IDIOT!? WHAT IF I WASN'T HERE TODAY!? AND DON'T JUST ACT LIKE IT WAS A MINOR PAIN!!!

Zoro: Hey! Last time, when Robin made me come (damn noisy witch) and I showed the lady what was wrong, she passed out and you got all-

Law: Because you can't just show our poor check in team a gaping chest wound, Zoro-ya!

Law: *eyebrow twitching* Still! You're supposed to mention when you've CUT OFF YOUR OWN ARM!

It doesn't seem fair for Torao is getting so upset with him, especially since this time Zoro came in without even being made to. Oh, and he knew it wouldn't be a problem! Torao is the best surgeon in the world, Zoro knew he'd be able to fix him.

Sure enough.....

Zoro: Oye, Torao! Look at that! It's good as new! *Bright, sharp smile* See, ai knew there was a reason we kept you around!

Law: *immediately frozen*

HCA Ikkaku: *nudges nurse* Wait for it...

Law: *frozen*

HCA Perona: *holding onto the trainee Nurse too tightly, eyes wide* Here it comes....

Law: *whole face turns bright pink, pulling his surgery mask up as if hiding* Whatever you idiot! Now, stop getting yourself hurt! I'm not sewing on any other limbs for another month at least, I swear!

Zoro: You are the best, Torao *smile getting even brighter*

Perona: 💕 Ahh, aren't they so cute? 💕

Rebecca: Are they?

Sabo: Or are they just scary?

Zoro: *still with that sharp smile as he twists his arm, practicing all his sword moves. Absolutely glowing with pride* Not even a scar, doc. You really are the best.

Law: Of course I didn't leave a scar! I'm not some useless sack of flesh like that Hogsback asshole. I would never leave you with an unwanted mark.

Zoro: *still studying his arm, smile becoming softer, warmer* You know... I wouldn't mind a little mark. So long as it was from you.

And Law's mask gets pulled up so high he's practically got his eyes covered.

(It's both.)

(They're both adorable and scary.)

[whorejolras]

ignoring the usual characters ("sold yourself") i am always saying deadass sex worker enjolras is realer than you think because of this reason. if he's been cut off by his rich parents and wants to dedicate as much time as possible to the cause, then he's sex working.

if you guys knew how many real world grassroots social and political movements were and currently are majority funded by sex workers, either donating their money or their time, both of which is paid for by doing sex work.

[justrambles]

au where a lot of people in hawkins are fantasy/mythological beings (dustin is werewolf, wheelers are faes, robin's a witch etc) and steve is a guy. just a human. but it doesn't stop him from being the trusted babysitter in hawkins.

claudia's been busy lately, so steve has been taking care of dustin's dinner. he's trying right now to make some edible spaghetti, waiting for dustin to come.

he hears the door open and the kid is unusually quiet. steve pokes his head out of the kitchen and sees him them.

dustin is giving steve his most innocent smile, but it doesn't take steve's attention from the being next to dustin.

he looks like a human, minus the fact that he has two large horns protruding from his forehead, blazing golden eyes, blood red fingers, and a tail. oh and there's smoke coming out of his mouth.

"uh... dustin, who's that?"

"who's who? :)"

"the man next to you??"

"oh! you meant eddie! yeah, steve say hi to eddie. eddie, say hi to steve."

the being—eddie— waves, also with a innocent smile.

"and he is–?"

"ohhe'sjustademonisummonedwiththepartytoday. he's no harm, actually."

"what?!"

so yeah, the party thought it would be fun to summon a demon and because dustin did the main act of summoning, the demon—eddie— is now bound to dustin by contract. he can't go back to hell until he finishes the deal, and in the meantime he's got nowhere to stay. and the kids can't take him in, their parents can't know about eddie. this leaves steve's.

steve's baffled, because did he just become housemates with a demon? and eddie is just curious of the human that has all those beings wrapped around his finger.

[bonefall]

inch resting... a heather destroyed tunneling and a heather brought it back...

Man like... in Clanmew, I've made it so they have two different names. Common-heather-star, and Bell-heather-star.

If I was in charge of this ship and Better Bones wasn't a rewrite/au to rework canon, I would have given them the same suffix in Clanmew, and then conflict-rename Heathertail on purpose into Bellstar

As if she got a new name on becoming a leader, breaking out of Heatherstar's legacy, and became the softer, pollinator-friendly heather. Surrounded by friends and lovers, bringing back that which was once destroyed.

[aeolianblues]

the real fiction in a lot of band AU fics is the amount of time bands seem to have on the evening of a show!

[cluescorner]

Randomized Robins AU - Ages + Worst Trait Exercise:

Steph (25):

Says her worst trait is her murderous rages (she is exaggerating for dramatic/comedic effect, she’s killed 3 people tops and for very good reason)

Thinks her worst trait is her spitefulness (one of the few traits she definitely got from her father + one that prevents her from fixing her relationships and living her best possible life. She’ll refuse to interact with someone she dearly loves after an argument (happens significantly less after Tim’s death) or will say things she knows are hurtful just for the sake of having the last word. This trait will worsen in some ways as the list of people who have wronged her and those she loves grows, but will also ease up as she matures and realizes the harm it’s doing to her relationships with those she loves most.)

Her worst trait really is her spitefulness

Cass (26)

Says her worst trait is her self-righteousness (she believes that her goals are righteous and, as a result, she is righteous. Cass becomes very defensive whenever someone questions the mission and often does not second-guess herself. This is a trait she only develops later in life as she grows closer to Bruce/learns to understand herself more/starts to love herself more. But she knows she isn’t perfect and when somebody she trusts criticizes something she is doing she is willing to listen. She just usually isn’t the one to START the introspection.) 

Thinks her worst trait is her self-righteousness. 

Her worst trait actually is her obsessiveness (she gets it from Bruce and, while not as bad as him, she will easily become preoccupied with her night-life and the mission if someone isn’t there to pull her back. She will do this to the point of self-destruction and it hurts her relationships with the people she loves, especially Steph.)

Tim (24)

Says his worst trait is his spitefulness (he actively rejects the idea of mending his relationships with the older members of the family and this causes him to also lack good relationships with the younger ones)

Thinks his worst trait is his obsessiveness (similar to Cass, if he gets fixated on a task or idea he will neglect everything else in his life in order to dedicate more time to it. Unlike Cass, he will almost never be dragged away from it unless Pierrot snatches control of the body and forces them to take care of themself.)

His worst trait actually is how manipulative he is (the KING of guilt-tripping and using people’s emotions against them. He’ll do whatever he needs to do to get what he wants, he’s not above crocodile tears. And he will do it to whoever he needs (or wants) to with little care for how his actions impact others.)

Pierrot (Insists: “Age doesn’t apply to me! And even if it did, I'd probably be the oldest. Or the youngest! I’d never be a middle child, though.” Mental assessments by the Bats have put him around 21, with a margin of error of 3 years. Pierrot has called this “blatant character assassination by my eternal rival!”)

Says his worst trait is that he is an irredeemable psychopath without any regard for the wellbeing of others (this is a lie and everyone who's important to him understands this). 

Thinks his worst trait is his parasitic nature (he literally would not exist had Tim not suffered the way he did. Plus he is a living reminder of one of the worst things that happened to many of his loved ones. He is a parasite injected into a functional person's body and contributes to his continued suffering. This is also a largely incorrect judgement of himself, caused by his actual worst trait.)

His worst trait actually is his limited sense of self (he doesn’t really know who he is outside of ‘inheritor to the legacy of the Joker (a man he despises yet also views as a father)’ and ‘chip in Tim’s brain that became sentient’. He slowly develops an identity over the course of his life and relationships with other people, but he lacks the foundations of identity that most people have. Pierrot will often almost become a caricature of himself and what others perceive him to be because it's the only person he knows how to be. This causes wild swings in how he behaves and relates to others, sometimes to the detriment of himself and others.)

Dick (17) 

Says his worst trait is his clinginess (he is a very extraverted person who likes to be around others, which mixed with his fear of abandonment after his parents died means that if he goes a few days without seeing/talking to a friend he will get very anxious.)

Thinks his worst trait is his anger issues (he gets ticked off very easily and will explode on people. He’s kind at his core and is usually very nice, but he has a temper that can escalate significantly. Spoiler (and later Twist) help him channel this anger into something positive.)

His worst trait actually is his anger issues.

Barbara (18)

Says her worst trait is her disability (internalized ableism, she thinks of herself as less valuable than the other Bats because she cannot be out there in the capes like they can. She will grow out of this as she matures and as she learns how invaluable her support for the team is.)  

Thinks her worst trait is her disability 

Her worst trait actually is her overly-independent nature (In an attempt to overcompensate for everything she can no longer do, she has resolved to do literally everything that she possibly can without any help from others. This results in many instances where she either takes on too much and winds up not being able to fully realize any of her tasks or where she makes her life and the lives of others significantly harder by refusing help when offered/not asking for it when she needs it.)

Damian (16)

Says his worst trait is his perfectionism (he is overly critical of both himself and others, taking any flaw or problem and amplifying it to an absurd degree. This is due in part to his life with the LoA (where even a brief misstep could lead to death), in part to how others treated him initially as Spoiler (any flaw was fixated on and used as a reason to either mistrust him or portray him as unworthy of the mantle), and in part due to the fact that he is Bruce’s son (the only person with worse perfectionism problems than Damian). Gradually, Damian has improved in this regard but it’s still a massive barrier to both his own happiness and his relationships with others.)

Thinks his worst trait is his perfectionism 

His worst trait actually is his perfectionism

Duke (16)

Says his worst trait is his definitely-real secret evil side (says this as a ‘my dad is a villain so who knows??’ joke)

Thinks his worst trait is his impulsivity in his words (Sometimes he will crack a joke or say a remark without thinking it through, leading to a LOT of hurt feelings and drama. He’ll say something without thinking it through and wind up seeming insensitive. This isn’t done because of malice, rather because Duke is someone who’s quick to act and speak. But while the mantle of Insight and his awakening powers have helped him with his actions, they do not always help with his loose tongue. As such, Duke gains an unfair reputation in the media as an instigator and will accidentally cause family drama through what he says.)

His worst trait actually is his impulsivity in his words

Jason (14)

Says his worst trait is his bad manners (he grew up on the streets and has no idea how rich-people society works, which he’s pretty insecure about considering he’s now the youngest kid of Bruce freaking Wayne). 

Thinks his worst trait is his reactiveness (Jason never got the privilege of planning ahead for various events in his life, so he instead needed to rely on being swift and harsh in how he could react to situations. It’s saved his life on multiple occasions and helps significantly in his role as Spoiler, but it can also lead to extreme overreactions (accidentally causing kidnapping scare after Jason ran away following a fight with Dick) and a struggle to plan things out ahead of time. As he grows more secure in his place in the family and in life, this trait will lessen but never fully dissipate.)

His worst trait actually is his reactiveness

[fnafawoundleftbleedingau]

I plan on doing another version with a more detailed background in the future, maybe I'll draw a few more of the animatronics and do either one big piece or a set of 4 based on the sketches I posted yesterday. Either way, I'm really happy with how this turned out, I tried a different pen to ink this to try and maintain the sketchy quality of the original lines, and I really like it! Then I tried using watercolor brushes for the coloring. :3

[fiepige]

Seabeast Hobie Moodboard

GIF Credits: @sushi-stims, @pridesquishy, @helium-stims,@gloomystims, @zoeinflowers, @fluffygif, @glasseyeartspy and @gaasublarb

[innytoes]

Guardian Angels AU + Criminals AU for Willex please :D

-Alex is a guardian angel, and he's trying to convince his manager to give him harder cases. All he got to do was keep himbos alive. Like that guy who tried to fix his amp in the rain. His soul was sunshine yellow, and glowed. And the run away who nearly ate poison hotdogs, whose soul was a deep blue. He wanted more than himbos, come on, he was ready.

-So his boss gave him a new charge. Who was a criminal. Doing crimes. Like, all the time.

-And when he asked what he was supposed to do with this, his boss just smiled and told him to figure it out.

-So he did. Guardian Angels were supposed to safeguard not just the person physically, but also their soul. He was pretty worried, but when he looked it up in the Soul Room, his criminal's soul was as clean as any of his himbo charges. His soul was a bright, vivid green, like a newly formed leaf. Which was weird. Weren't crimes Bad? Shouldn't his soul be dull and tarnished?

-He talked to some more experienced Angels. Rose cooed and patted his halo, telling him humans were more complicated than that. She told him to look into what exactly Willie was doing.

-So he did. Whenever his alarms weren't blaring because Yellow was trying to befriend a dog about to bite his fingers off or Blue's blood sugar got dangerously low because he'd been writing for hours, he watched Green.

-And he learned that most of his Crimes were just... art. He was making the world more beautiful. Sure, he was trespassing and climbing places he shouldn't and technically defacing property. But Alex could also see the joy it brought others, the hope.

The way that old lady who never got out anymore would look at the bird he'd painted on the side of a building, and smile. The way the little stickers Green would doodle and slap over hateful symbols not only removed some ugliness from the world, but also make people laugh with dumb puns.

-Sure, there were also other crimes. He stole sometimes. But it was only so he could eat. He even shared his meals when he could, often with people younger than him, more vulnerable.

-And okay some of the crimes had to do with harassing those in power but really, Alex had seen the souls of those people. They could use a little chaos.

-Angels didn't have favourites, but Alex found himself watching Green more often than not. Not that he didn't like listening to the music in Blue's soul, or experience the joy of Yellow helping animals at the animal shelter. But something about Green fascinated Alex.

-So he kept cops from bothering Green while he was making the world more beautiful. He made sure to preform some little miracles that meant that maybe that box of stolen food had more in it than it should, so that everyone Green shared it with could have some. He saved Green from getting hit by a car when he was skating in traffic, though he couldn't help but make it a close call, in the hopes that he'd learn skating in traffic was bad.

-Rose was the one who noticed first because of course she did. "I will have your back no matter what, but you be very careful and think very hard about what you're going to do, mijo," she warned, even though Alex was just doing his job. He was doing it better than he ever had, really. He stopped futzing around as much with Blue and Yellow, trying to get them to meet already, which his boss was happy with. (Of course, his boss didn't know it was because he was too busy obsessing over Green.)

-He didn't understand what Rose meant until it was much, much too late. Until he was falling, falling, right into the path of an oncoming skateboard and...

-"Oh man, you dinged my board!"

-"You ran me over!"

-Being human wasn't really what Alex had been expecting. He sometimes missed his wings, and the fact that it was so dark out without his halo. He didn't like having just two eyes. It gave him anxiety, not being able to see the world in five dimensions.

-But he knew Rose was looking out for him, and he knew he was where he was meant to be. Here with Willie. He couldn't see his soul anymore, but he knew it was still as bright and beautiful as ever. Just like Willie himself.

[retrograderesemblance]

RP Tierlist

tagged by: @smiletimeisrunningout <33 tagging: @timeguardians , @anoseforrottenapples , @widowshill , @noiranamnesis , @richardxoliverxmayhew , @laviexenrose , @brooklynislandgirl , @apurekindness , and anyone else who wants to do this!

[sparky-is-spiders]

Pleeeeease tell me about the time travel jonsasha fic. I'm assuming it's jon who goes back in time? From where, end of s5? 👀👀👀 Is it preestablished js, or canon compliant until the time travel? Are they going to try to kill elias......

Alright. So. This answer doesn't need to have context but I'm going to provide anyway, so buckle up for several paragraphs of rambling. Under a cut for length.

Anyway so last year I made this post. It's not required reading but it is relevant. Basically, in my first six months(?) or so in the fandom, when I was big into jm, I read a buncha time travel fix-its. I've sorta moved away from them (heads up this fic will NOT be a fix-it) but at the time I really enjoyed them.

(To clarify, nothing wrong with liking time travel fix-its or not wanting to touch the implications. Time travel identity theft isn't real and we're all here to have a good time. If that's your jam you do you)

Now. The Thing With Time-Travel Fix-Its is that there's going to be a past version and a future version of your intrepid time-travelers and you're going to have to Deal With That, and a common method of Dealing With That is the time travelers waking up in their past bodies. Pretty normal, not unusual, dodges some complicated tangles re: having two versions of certain characters floating around, a perfectly understandable choice that nontheless carries Implications.

Namely: what does it mean to take the place of your past self? For you? For them? For the person they could be? For the people around you (who may as well be interacting with a stranger)? Is that really you? Are you really them? Could overwriting your past self count as murder/identity theft/Bad?

And I thought about it. And I thought about it. And I thought about it. And then I got super into jonsasha dual archivists AUs.

Okay. Context over. We can (finally) talk about the fic.

So, I am a simple creature and Jon is my darling beloved. So I didn't want to just kill him off before the fic even begins (although. hmmm. tempting, actually). But i did need him replaced by s5 Jon. So. What if he was just... displaced? Shoved out of his own body by an imposter? A ghost invisible to all? Alone? Afraid? Watching his friends interacting with an unknown but possibly malicious entity? And thus, the Time Travel Nonsense AU was born!

So there's no outline and it hasn't had a lot of Rotation Time in awhile, but I do have a series of loosely connected Ideas down so you can have those.

Something else is living in S1 Jon's body. He doesn't know what it is, or what's happening to him. He can't really interact with his surroundings, either. Can't be seen, can't speak to anyone, can't do anything but watch. Even the thing puppeting his body doesn't seem to know he's there. And it behaves... strangely. It has some of his mannerisms, and it acts like him, but a little to the left. It's uncanny, watching something that is him-but-not-him like that... and it's lonely.

(S5 Jon is going to be an "it" because S1 Jon is perceiving S5 Jon as a monster/creature (although I do believe in it/its Jon supremacy, to be clear)).

He tries to figure things out on his own. Tries to signal for help. Tries to take his body back. Tries to speak to the new occupant. Nothing.

The fic initially opens with a transcript of his statement regarding the experience. It's technically for everyone but it's addressed to Sasha specifically. I don't know what happens with it after though.

At some point, he does manage to make contact with Elias. It's So Weird how only his boss can see him, but it's something at least. Especially because he's so goddamned lonely.

He's a ghost at his own job and in his own house. He hasn't spoken to anyone in weeks. The others think his replacement is behaving a little oddly but seem to be getting along better with it than they ever did with him. It's revealing things about him as if it was him. It feels horribly invasive, and lonely, and frightening, and awful. His only source of comfort is Elias, and they start a sort of weird situationship sorta thing. It's a good thing Elias is so helpful and trustworthy huh?

Maybe Sasha finds the tape. Maybe she just thinks Jon is acting Weird. Either way, she gets to snooping and is drawn closer to the Eye.

Elias, meanwhile, is trying to get Jon marked, and closer to being the Archivist, and back in his body, AND trying to figure out what it was that replaced Jon. Jon is trying to do the last two. Idk what s5 Jon is doing. Maybe finding ways to break whatever binding will cause Elias' death to hurt other institute employees?

Anyway, after a certain point, Sasha is connected enough to the Eye (and Looking hard enough) that she can see S1 Jon, and they start working together too. Maybe they try to keep it secret from Elias? Idk.

S1 Jon will get his body back, and S5 Jon is eldritch enough to probably not need one.

Ok honestly by this point things are reaaaaally vague if I'm being real. So, lightning round:

The JE situationship breaks off due to Elias'... everything really (I mean, once its revealed that he's evil and sinister and stuff).

Jonsasha's misadventures trying to get Jon's body back result in them racking up marks.

Sooooo much of this is me being enamoured w/ outsider PoV... time travel but from the perspective of someone who ain't travelling. Another important aspect is S5 Jon trying desperately to fix things but failing because the whole project is Doomed and he is being sabotaged from the start by an invisible force (himself).

Also S1 Jon accidentally making things worse for himself because all the information available and his general situation push him to do so.

Sasha survives the Not!Them (obviously) (how? good question!!)

Jon and Sasha have a weird complicated Thing. Their research into S5 Jon sort of separates her from the others and they kinda become drawn into their relationship and stuff. Also from the whole "same master same monster" situation they got going on.

There's going to be a short tape transcript of Jon telling Sasha about his situationship with Elias. Idk if I'llbe able to indicate it over audio transcript but they are both sitting on the floor or cot or whatever and Jon's head is on her lap.

Jonsasha are t4t and autism4autism.

I have a really specific image in my head of them running out the institute's front doors while holding hands, very near the end of the fic.

They do run off somewhere (maybe Scotland still idk) and they do read the 160 statement. Together <3.

And yeah that's everything. Got vague and floaty near the end there but to answer your questions: yes, yes, canon-compliant until time travel, and maybe at some point idk.