#you know; for emphasis.

[frownyalfred]

thinking about a Damian who was raised his entire life hearing how much he looks like his Father, how he's the blood son, how he's better than any other child Bruce Wayne has taken in, starting to buy into it like a kid does, only to hit puberty and turn out looking like 80% Talia.

[drenched-in-sunlight]

*SoTE spoilers undercut

This is a continued discussion in light of Marika's newly discovered tragedy. It changes so many things about how we look at the story thus far but more importantly - the DLC story trailer, especially this scene:

think about how Messmer knows, very acutely, that at one point his mother could have been cut up and put in a jar. and that his other kins were not so lucky....... it gives that scene such a tragic edge.

he wasn't doing this just for the violence. this is his answer to Marika's love and all she has done for him. yeah it's not right, it's not justified, but as something done to avenge for the kind of pain she went through? it won't be logical nor right but it's something he will do again without hesitation.

the infirmary in Shadow's Keep shows that he's trying to care for and save whatever left of her people. their people.

the line he said in his armor set description hits different when you consider all that. he wants to be the heir to all her sorrow and all of her pain. wishing that he could alleviate even just a bit of the burden of her grief and survivor guilt.

i wonder if, when Marika hid him in the Land of Shadow, fearing people will judge him for the malevolent snake he carried, she raised him in her home village? this will explain why the Tree Sentinels guarding the village drop two Blessing of Marika - the blessing that specifically stated Marika made it for Messmer's sake and him alone. it will also explain how he knew of his Mother's tragic past and took it upon himself to carry out her wish of vengeance for her people.

(also if you wanted to get to Marika's village, you have to perform the O Mother gesture before her statue in his Shadow Keep, implying he's guarding the way to her home village as well.)

One other thing I like is that in the story trailer, the heroic music sounds like it's for Miquella. and it is, in a way. it is his boss music, but the lyrics has "Ave Marika Aeterna" (Hail, Marika The Eternal).

Given that the boss arena is where Marika - the sole survivor of a whole village, walked through to salvage the remains of her people, making them the symbol of her divine ascension, I wonder if that OST is actually for her - the God, the woman whose story is finally realized in this DLC, and those female voices singing in honour of her are the spirits of her fallen kins: cheering on their last hope for justice. Through this girl, those people who had been wronged and died there will live on eternally.

All this of course seems like such a charitable take on all this, after all Marika ended up being just like the oppressors who used to put her people in jars, but I think I just want to appreciate how the environmental storytelling of this DLC is simply amazing. and once you consider that this is, in the end, Marika's story, everything will make a lot more sense.

[juniemunie]

This post wouldn't leave my mind.

Error and Ink meeting before they completely become themselves is so....

ლ(ಥ益ಥლ) HHHHHHH

[yrsonpurpose]

It couldn't have just been the conference. Oh, my God, it is. It is, isn't it?

[hedgehog-moss]

One mistake I made a lot when I started learning English was writing both the auxiliary and the main verb in past tense—as in, "Did the rain stopped?" My English teacher had to really drill this grammar point into my head, she was like "the point of 'did' here is to indicate past tense, there's no need for another time marker." Me, genuinely baffled: "Why not?" Teacher: "Think of the 'ed' in 'stopped' as having migrated to the beginning of the sentence and become 'did'. So it's no longer in 'stopped'." Well I was sad to see it go. I pointed out that in French you'd say "The rain (itself) has it stopped?" and 'the rain' feels welcome to stay even though the whole point of the pronoun 'it' should be to replace it in a quicker way. But it would be sad if the noun & its pronoun never got to hang out together so we keep both <3

My teacher had a British look on her face that made my middle-school self wonder if maybe she thought my language wasn't optimally designed, and then she said that in English it would feel clunky to give the same piece of grammatical information twice, and "if you use 'did' then the -ed in 'stopped' doesn't add anything." That just sounded offensive, I mean since when do letters need to add something to a sentence? isn't it enough that they adorn the end of words & frolic with the others in friendship. If it bothers you so much just don't pronounce them. Idk, "did the rain stopped" felt so right to me. In the end my teacher said that "The rain has it stopped?" with the redundant pronoun is the more formal French phrasing anyway, and I was like yeah true we'd rather say "is it that it (itself) has stopped to rain?" and I felt like this really proved my point and I think she felt the same way

[shadystranger]

and then would come the murder you will never survive– your brother, sam

the profoundly rattled face dean makes right after cain tells him he'll kill sam. like someone just grotesquely ripped his arteries out. he looks shaken and filled with cowardice. his steadfast mask of unshakable fortitude shattered completely. It's almost as bad as a helpless child at the end of the world. absouletly terrifed. nothing brings him to his knees and breaks his soul quite like sam. It's like watching a proud king stripped of all his grandeur. It's so satisfying bc he does not make these expressions because of anyone else

[blackbatofel]

I just finished my reread of JLA: Tower of Babel and frankly, I'm surprised by the lack of Superbat fics about this plotline. I mean, it's the perfect setting for all the Superbat angst you could dream of.

How everyone keeps pointing out that Supes is the one closest to Batman, Clark emphatically referring to what happened as "your betrayal", how Bruce's files are cold and professional about everyone EXCEPT Clark (his fear of seeing him in pain), his guilt, how everyone else is loud and angry but Clark is silent and hurt, the fact Clark gave him the kryptonite in the first place. Clark having the final say and voting Bruce out of the League. Bruce KNOWING that he would do that and leaving because he didn't want to hear it.

The confrontation on Divided We Fall with all the accusations and the obvious hurt on both sides... then the agreement to reveal their identities together.

Tell me this wouldn't be an excellent break up/getting back together fic? The hurt/comfort of all times. If someone doesn't write this soon, I might have to.

[kacievvbbbb]

I’m not someone that particularly cares about a ship being canon or not, in fact I would rather the media I consume have no romance at all (giving my blog confusing yes I know)

But there is something about the canon ties between Shanks and Mihawk that drives me feral with need to see what their whole deal is.

Because like there are so many little inconsequential details that when taking separately seem pathetic and weak. But then put together it feels like it paints the picture of a larger undeniable connection and understanding between two wildly different men.

The fact that their main color is both red (Mihawk’s is a more wine dark red than Shanks’ bright red and a little more “subtle” given that Shanks is literally called red hair) but even then their main symbols, their identifying features, are red! Mihawk’s eyes and Shanks hair (yes while I love the gold and think that’s better I cannot ignore the fact that Oda consistently colors in Mihawk’s eyes red even though the gold is infinitely more popular)

They have the same birthday, are practically the same height, both with the promises to our two main protagonists to meet them at the top with a parting “gift”, both serve as a mentor to the protagonist (mihawk literally thought zoro how to kill him 😭), both with the bird(ish) iconography.

The fact that Mihawk, Mihawk! A man whose introduction was that he didn’t care much about anything and caused destruction on a whim, cares enough about what Shanks thinks to mentally apologize before trying to kill luffy (what the fuck).

The fact that whitebeard felt the need to reference his duel with Mihawk in his conversation with Shanks, despite not really being very relevant to the conversation and the fact that this is the first we’ve seen shanks in years and it is brought up in the same context as his relationship with Buggy (an already established relationship) reveals his relationship to Roger seems to point to the fact that this duel between Mihawk and Shanks is an important relationship to shanks. It couldn’t just be to show strength because he was about to clash with whitebeard the strongest man. It’s also hard to notice that those two relationships didn’t end particularly well for shanks.

Also the fact that it was Mihawk out of every character , Mihawk that brought luffy’s bounty to Shanks. Something he obviously knew would mean a lot to him. I used to think the scene was just there to show us how big a deal Shanks actually is like look at that fun childish alcoholic gang inspired our main hero? He’s actually a super big deal and he used to spar with the strongest character by far we had seen at that point (it wasn’t even close) and they fought on equal footing. It added a new layer of mystery to Shanks.

But it’s also the fact that even now with Mihawk’s bounty Shanks was mentioned and he’s the only one who this was mentioned for. Crocodile is just for his df and intelligence and they don’t mention that he literally tried and almost succeeded in subjugating a country and he was beat by luffy “or smoker given how many marines actually know the truth” even buggy who was literally Shanks’ sworn brother under the pirate king doesn’t get a mention like that. But Shanks and this duel is so integral to Mihawk’s character that it’s mentioned along with the only other long lasting fact we know about him and that is that he is the World’s Strongest Swordsman. Isn’t that fucking insane.

And like I feel insane scrapping all these details together as proof of something because they are all (besides the duel) the barest bones of a connection but god it is actually driving me insane.

And I’m not saying Mishanks is going to become canon or that it should or that I even particularly want it too. What I do want is to see how deeply these two are connected. What are these red strings of fate tying them to each other. Why can’t apparently ten years of little contact sever it? I swear to god if it’s actually nothing much I will lose my fucking mind. If nothing ever comes of all of this I will actually go insane. How can some people look at this and not see foreshadowing!?!?!!

[beatcroc]

peppino "never tell the health inspector" spaghetti

hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino] [gustavo]<- u are here [gerome] [noisette again]

[corpusdiem-seizethedead]

Husk: *flirting* On a scale of one to ten, you're a nine, because I'm the one you need.

Angel: …I'm a ten

Husk: It's a pickup line-

Angel: *clapping between syllables* I.👏 Am.👏 A.👏 Ten.👏

[arthursfuckinghat]

There needs to be a scientific study done on how Rockstar Games' Arthur Morgan is able to provoke the most earth shattering emotions I didn't even know I had in me

[m-for-now]

Friendly reminder that in the Demigod Diaries (which is canon I believe not that it matters at this point), Leo Valdez genuinely refers to Jason Grace as "surfer-dude handsome"

[dootznbootz]

"But in TSOA, they do this-"

"But in Circe, they do that-"

[hyperpotamianarch]

Pleasant music playing. The logo of Camp Nephillim appears on a sky-blue background. The logo is a tilted Star of David in which all the points are stylized as wings, with the words "Camp Nephilim" above and the Hebrew equivalent - "מחנה הנפילים" - below. Underneath the logo is a tagline - a quote from the Tanach.

The logo & background slowly fade. The music also fades, though a bit later than the logo.

[Setting: Int., an office of some sort. The back wall is covered with book shelves, with many of the books being in Hebrew - the Talmud, multi volume edition of the Tanach and such books. There's a table in the middle of the room. Behind it sits Tuvia Rosenbloom, an adult Jewish man with curly dark hair, a short beard and sharp green eyes. He wears a blue Camp Nephilim t-shirt, with a Tzitzit under it and a yarmulke on his head. He sports a friendly smile.]

Tuvia (with a noticable British accent): Shalom! Hello, and welcome to Camp Nephillim. I am Tuvia Rosenbloom, the camp councelor, and I'm here to explain to you about what this camp is and why you're here. Your journey here was likely shaking, so in the meanwhile take your time to relax and drink a cup of water while you're watching this orientation video. Please remember to say the blessing before!

[He lifts a cup of water, says the blessing and drinks before continuing]

Tuvia (cont.): So, first thing first: you should know that many thing that you may have thought were merely myth are, in fact, quite real. This includes angels and demons - though they aren't exactly the same as you might've imagined them. No, the whole "Biblically Accurate Angels" meme wouldn't prepare you enough either. Angels can also sometimes appear differently than their natural form, and can even seem like regular humans. They sometimes fall in love with humans, which is how most Nephilim come to be.

[Tuvia's office disappears, to show instead a Chumash opened in the Book of Genesis, chapter 6]

Tuvia (cont.): What are the Nephilim? Well, as the Torah says,

"It was then, and later too, that the Nephilim appeared on earth—when divine beings cohabited with the human women, who bore them offspring. Such were the heroes of old, the men of renown."

[Setting returns to Tuvia's office]

Tuvia (cont.): So, those are the Nephilim, then: children of Divine beings and humans, who are heroes and men of renown. And you are likely one of them.

[Tuvia takes another sip from his cup, then sets it aside]

Tuvia (cont.): You might need some time to digest that, feel free to pause the video for a few minutes. Getting back on topic, though: you are, likely, the child of a divine being. If you always grown with a single parent who only rarely reminisced of another parent you don't know what happened to them - you are likely a Naphil. It may grant you certain abilities relating to the position your divine parent served in the universe. Note, however, that those divine beings aren't gods. We do not worship them or offer them sacrifices, even as mediators between as and G-d. Some of those Divine Beings do like to consider themselves gods and were worshipped by old civilizations - the Greek and Norse pantheons, for example. That doesn't make them any more gods than the Angels known in Jewish lore - they are merely forces. Powerful, but not omnipotent.

[Tuvia pauses for a moment, letting that sink in]

Tuvia (cont.): There are other types of people who might find their way to Camp Nephilim, however. Perhaps you were training in magic under the Egyptian ḥartumim of Per Ankh and felt uncomfortable during Passover; maybe you studied under the tutelage of the Chaldeans in New Jersey, and they were harsh on you during Tisha b'Av; or maybe you were either born with the Re'iyeh, the Sight, or were granted it by an experiment gone wrong. I, personally, am descended from one of the few Jewish bloodlines that inherited the Re'iyeh from one of our ancestors. We can see the hidden world, and the threats within... and they tend to look back. Which leads us to demons.

[Tuvia leans back in his chair, putting his hands together]

Tuvia (cont.): It is important to remember that Demons - or Shedim, as they are known in Hebrew - aren't what you've come to expect from beings with such a name. They aren't evil monsters, hell-bent on tempting you to sin. Rather, they are... adjacent beings to us, not dissimilarly to elves or goblins in modern popular media. However, they are nothing like you may have come to expect from elves of the Tolkeinian kind. They are wilder than them, and prone to hurt humans. They aren't always murderous or impossible to reason with either. Some of them, like our lore instructor Yonatan Shida, are rather friendly. Many of them crave blood, though, and nothing is tastier to them than the blood of the Nephilim, or other humans capable of seeing them. They live in the edges of society and can feel when someone is looking at them. And when you do... when you acknowledge seeing them... you become fair play.

[Tuvia returns to his previous posture, lifts his cup and takes another sip]

Tuvia (cont.): You likely had a significant encounter with Shedim, or maybe other types of monsters, on your way here - but it probably wasn't your first time seeing them. It might have been a man who, upon a second look, had chicken legs. Perhaps you could've sworn that a weird stranger who seemed to follow you had two heads. You may have seen a horse fly on the horizon, or encountered a tall person with an umbilical cord tying them to the ground on a field trip. They were less of a threat to you back then. But yo have grown, and your powers and abilities grew with you - along with the Shedim's ability to sense you. They will be coming for you - which is why you're here. Camp Nephilim is a place for Jewish Nephilim and Ba'alei Shem to train. To get used to the powers granted to us by virtue of our parentage or via other means. We're not the only place for such training; Camp Half-Blood in Long Island offers training for children of entities from the Greek Pantheon, while the 21 Nome of the House of Life in Brooklyn offers training in Egyptian magic, and the Chaldean school in Jersey City will train you in the Mesopotamian vain. None of those, however, is built with Jews in mind: the worship of pagan gods is common in all these places. They don't supply you with Kosher food, tend to not care for our holidays and often enough rife with latent antisemitism. We offer a Jewish alternative - no matter what is your level of observance or what congregation you belong to, you can be sure we have here at least one synagogue you can daven at and one you'd never set foot in. We do not worship any god but G-d here - you can honor your parents in ways fitting the traditions of the Torah, but even if a divine parent asks of you to worship them you are not required to. Another difference between us and the other Camps and Schools is that you aren't trained to slay Shedim here. You're trained to keep them at bay, imprison them if necesarry. Unlike other monsters, Shedim die like humans do, and so killing them should be only taken as a last resort: if your life are in danger you should kill whoever threatens you, but otherwise killing Shedim is like murder. We would ask you to refrain from doing that unless necessary.

[Tuvia gets up]

Tuvia (cont.): That is it for the orientation video for now. Further explanations on your sleeping arrangemnt and schedules will be given to you when you exit the room. Welcome to Camp Nephilim! We hope you enjoy your time with us.

[Outro music playing, the picture of Tuvia's office is replaced by the blue background with the Camp's logo to the side while the credits are shown on screen]

———

Writer wishes to note he knows nothing about writing stage instructions.

[topayitfoward]

Minkowski and Eiffel's relationship is something I love thinking about because. Because Renée Minkowski did not like Doug Eiffel when they met. And it's so funny, because it's so obvious in the first couple episodes that she didnt, but it's super neat and sweet to watch them grow and start to learn and care about each other as the episodes go on and they encounter more things together.

But it's also really fucking bittersweet, because you get super attached to their dynamic, you get comfortable with Minkowski and Eiffel and their story, and then it ends with Renée and Doug's story beginning. Their story ends with Minkowski knowing everything, and their story starts with Doug having tapes, and he knows he can always memorize them, and rewatch every movie he's ever referenced, and become that jerk he's been told and shown he was, but he still goes to Renée and asks her if he's still that person, because from what he's seen, spending time with Hera and Minkowski was about the best damn thing Doug Eiffel ever did, and I'm honestly glad that we don't hear her reply to his question/she doesnt answer it, because her saying she'd like to find out together, 'more than anything', solidifies her reply and their friendship in a much better way than any words could've (and it makes me sob)

[deeva-arud]

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