#^ how the love feels normal in the sense that it isn't the 'does she like girls?' or 'do i like girls?' conflict

[delicatetaysversion]

my sister called me and kept asking excitedly that what's happening in my life and

[weareuniqueandimportant]

ALL CLOTHING IS SEXIST AND ANTI FEMINIST... WE CAN'T WEAR ANYTHING BECAUSE THAT IS HOW THEY ALL ARE... WE HAVE BEEN ABUSED THE SAME ASWELL... TRANSPHOBIC DOCTORS STRATEGY IS TO SHAME YOU THEY DID THIS SO MUCH... THEY WANT TO HURT YOU... BTW MAKE US TRANSITION WE LIVE IN FINLAND FREEZE OUR LITTLE ONES AND GIVE US DIY HRT...

[musical-chick-13]

Having an absolute deluge of Feelings™ about Ann O'Neill on this fine morning

[luxaofhesperides]

the beginning - danny

0.

The Lazarus Pit brings Danny back.

The child who went into them, however, is gone forever.

Danyal al Ghul is the soul who should reside in this body. Danyal has a life still to live and Danny died ages ago, old and surrounded by loved ones, ready to spend the rest of his forever in the Infinite Realms.

Something's gone terrible wrong, he thinks rather wryly, squinting through the cold green water that surrounds him. An ache echoes through his body and he brings a hand—small, a child's hand that shouldn't belong to him— to his stomach, where he can feel a large wound slowly pull itself together.

Did I get stabbed?

He means to continue the thought, but a sharp pain hits his head, making him curl up. He gasps and air bursts from his lungs, water rushing to fill in the empty space. Danny chokes, panicking, as memories slide into place, the lives of Danyal al Ghul and Danny Fenton fighting for dominance in his head. His lungs burn, throat working futilely to push water out, but there's nothing to be done.

Danny is a child again, and just like last time, he dies young.

1. So.

Assassins.

Danny honestly can't tell if this is a step up or a step down from mad scientist parents. On the one hand: he knows they loved him, as clumsy as it was, even though they loved their work more. On the other hand: assassin cult sounds like something out of a fairy tale, and while cool, is definitely not safe for kids.

And Danny, somehow, is a child again.

This really wasn't what he expected when he woke up on the sandy bottom of the pit. He's in ghost form, which is an unpleasant shock, but at least its familiar.

He is also, if his memory as Danyal serves him correctly, nine years old.

Kinda sucks that he died so young this time round. Didn't even make it to the double digits before he was taken out of the running.

He can't remember what it was like being so small in his last life. He can't imagine how anyone would look at a child and run them through with a sword. It's a cruel world he's woken up in. It's made worse by the fact that he's alone.

At least being down here without needing to breathe is giving him valuable time to think.

Danny has lived a full life already. He didn't really need or want another one, content to be a full ghost in the Infinite Realms. But going back isn't really an option, now that he's in a new body. The kid he could have been deserves to live fully, and the least Danny can do is live that life for them.

It'll be hard, but Danny's sure he can manage a decent life for himself.

Being presumed dead will make his escape from the assassins easier, though he'll miss getting the chance to meet his new mother; assassin as she is, Danyal knows her not by her blades but by her soft lullabies and jasmine-scented hair. The loss of her child must be hurting her deeply, but it's necessary. If Danny wants any semblance of a normal life, he has to leave her behind.

Besides, he's seen enough death. He doesn't want to ever be the cause of it.

So, he needs a plan for this new life.

Step one: get out of dodge.

The rest he'll figure out on the way.

2.

Turns out assassins weren't the most shocking thing in this new life.

No, that honor goes to superheroes.

Genuine, honest to God superheroes! With powers and everything!

To think that Danny once called himself a superhero. Ha! As if! He's nothing compared to the likes of Superman or the Flash or even Green Lantern. They're in another league. Literally. They're part of the Justice League, which has a whole slew of other heroes, and Danny is possibly their biggest fan.

Not like that's weird; most people in this world are huge fans of superheroes. Makes sense, since they're the ones who rely on their protection the most.

It does suck to know that his background belongs to that of a villain. Assassins aren't known for saving people, after all.

Part of him contemplates becoming a hero again, taking up the role of Phantom and joining the ranks of Superman. But he's had many years to come to terms with the loss of his teenage years and the bitterness that came with it. That experience, that life once lived, helps him decide each time that being a civilian is the gift this life owes him.

At thirteen, Danny lives in a foster home with six other kids. He's the oldest and has his hands full taking care of everyone else while their foster parents work three jobs between them to keep them all afloat.

When his younger siblings play superheroes, he gladly takes the role of the villain, swooping in with a blanket to kidnap away an innocent bystander that has to be rescued. He falls over dramatically at the end of each fight and praises his siblings' strength and teamwork, making them puff up with pride.

It's all fun and games so long as it only stays fun and games.

Superpowers are cool and all, but his came at the cost of his life, his health, his future. He knows, better than anyone, the price of being a hero. He knows that even Superman carries heavy losses on his shoulders, struggles under burdens no one can see.

He's lucky that the small town he ended up in—Luray, Virginia—has no heroes or villains. Too small a place to be on anyone's radar, apparently.

His classmates often complain about how they wish they could live in a big city where there's more to do, more to see, superheroes flying through the streets to protect them.

Danny is happy where he is. It's quiet, and small, and nothing like what he's used to, but it's safe.

That's all he really wants.

3.

Here's something that stays the same no matter what world he's in: Danny is a magnet for trouble.

If the trouble stopped at bullies, everything would have been fine. Danny could handle Dash, and he could handle Justin just as easily.

But the universe loves to escalate with Danny, specifically, which is why Danny had to reveal his powers when some villain-wannabe school shooter attacked his high school.

And to think he felt bad for Jackson when he didn't make it onto the track team.

Luray does not have a meta population. They're too small to have much of a population at all, and much of it is white which made him, half-Iranian, stand out even before he threw out a barrier of ice to protect his classmates a second before the gunfire began.

"Danny?!" his seatmate, Clarrissa, cries out in alarm.

"Everyone get out the window and run for it!" he orders, "I hold him back as much as I can!"

"You can't stay here!"

"Don't worry," Danny says, offering her a tight smile. "He couldn't kill me even if he tried. Now go!"

His classmates hadn't wasted any more time, sending him shocked looks as they escaped the classroom. A glimpse of his reflection in the window revealed glowing green eyes and blue mist wafting out of his mouth.

Looks like his time in Luray is up. He hopes his foster siblings won't be too mad at him for running away.

The gunfire stops, and Danny takes his chance to leap through his ice, intangible, and tackle Jackson, easily knocking the gun away from him.

"Monster!" Jackson spits at him, and Danny laughs.

"Bold of you to say that. I'm not to one trying to kill people."

He doesn't want to hear anything else that comes out of Jackson's mouth, so he knocks the guy out with a solid hit to a pressure point on his neck. Hopefully that'll keep him down long enough for the cops to get him.

Danny stands and means to leave, but something hits the back of his head hard and he's out before he realizes what's happened.

When he wakes up, he's strapped down to a table in what is undeniably a lab, and sighs.

At least he made it to sixteen before he went into another lab. Maybe in his next life he might even get all the way up to twenty before he's pulled back down here.

4. Though he has all his powers and a ghost form, that doesn't mean he is a ghost in this life.

No, he's fully a meta, which means meta-suppressing cuffs work on him.

It's not exactly a discovery he was hoping to have while locked up in a lab, but it's what he's got, so he has to roll with it. The cuffs are heavy on his wrists and around his throat, keeping him from escaping as a group of people in masks and lab coats bustle around, ignoring him.

His head is still foggy, though likely more from the drugs than the hit he took to his head.

He doesn't bothering talking to any of them; they don't see him as human, and Danny's dealt with enough of that in his past life.

Mad scientists love to talk though, so he still hears the gist of their plans: recreating the meta gene for normal people, making a profit from selling powers, getting rich and famous from their accomplishments. They had been using Jackson to get corpses for human testing, but they got Danny instead — someone they can harvest bio material for, a much better find than a couple dead kids.

If he had the energy to rage, Danny would have killed everyone in the room already. They planned to kill his classmates just for test subjects.

He doesn't want to be an assassin, but he'd gladly lean into those old lessons to make sure they never hurt anyone again.

But the cuffs and drugs do a good job of keeping him docile, barely able to think, as they transport him around to different locations and cut him open.

He's not sure how long it's been when they ease up on the drugs a bit. It still takes time for his body to work through everything, and he comes too with a throat that's dry and a stomach that hasn't had anything in it for quite some time.

The first thing Danny does when they start asking him questions is throw up on them.

If they wanted cooperation, they should have treated him better. This is fully on them.

It makes for a convincing argument for food and water and a bathroom break, at least, so he gets what he demands and takes care of his human body under the cold gazes of three scientists.

"You guys suck," he says conversationally. "Keeping test subjects alive is like basic knowledge. No wonder y'all suck at your jobs."

"Your comments aren't needed," one of the scientists says primly. "Get up. We need to study how using your powers affects your body."

They hook a bunch of different things onto him, then lock him in a glass cage and use the cuff around his throat to send jolts of electricity through him when he doesn't do anything. He throws a chunk of ice at them, watching as it breaks apart into small pieces when it hits the glass. The scientists scribble in their notepads, and when they look at him again, he flips them off.

He gets shocked again, but it's worth it.

The process repeats for another few hours, then he's pulled out of the cage, gets an IV stuck in his arm, and drops off into drugged oblivion before he has time to start throwing hands.

5.

It must have been months. Danny's not sure; it's hard to keep track of time when locked in isolation.

He knows he's fed at least once a day. He's been getting a tray of bland food at random times, but he's counted over 50 trays sliding through the little slot on the bottom of his cell door.

Turns out insulting scientists and their procedures is a bad idea, especially when he has the language to really bruise their egos.

So.

Isolation sucks.

But at least they don't drug him anymore!

The cuffs do their job of keeping him in place, and if he didn't have memories of another life to keep him company, he definitely would have lost his mind long ago.

There's other people in here, other metas. He's heard them screaming and begging for mercy. He's heard them go chillingly quiet. He wonders why there are so many superheroes in this world when not a single one has come to save them.

Surely at least one would notice metas disappearing and would investigate?

But no.

No one ever comes to save them.

So Danny needs to figure out a way past the cuffs, and then he can be Phantom again long enough to free the other metas and make every scientist involve pay for their crimes.

He just needs to wait.

He just needs—

6.

When Danny wakes up, the alarms are ringing. It makes his head pound, throbbing with each piercing sound.

He stumbles up, using the wall to keep his balance, and freezes when he sees that the door to his cell is open.

…Huh.

The hallway is bathed in red light when he steps out. No one's around. He wanders around the facility, searching for answers and only finds more questions.

There are other cells, also empty. Certain rooms have blood splattered across the walls and the floor, but no bodies. Labs are destroyed, broken glass on the floor. But every room is empty.

He wanders until he finds what must be a security room. There's a strange device dangling off a keychain on a rack, and Danny eyes it curiously. He runs his fingers around the cuff on his throat, feels the little depression where the collar comes together, and takes the rounded device. If it doesn't work, then it doesn't work.

But if it does work…

The cuff pops open easily, as if it hasn't been his greatest foe these past few months.

All at once, his strength returns to him. He has forgotten what it was like to breathe easily, to feel his powers come to his call so easily, to be reassured that he can take care of himself.

It's almost like coming back to life.

He transforms, settling back into his ghost form with relief, and flies through the facility in search of any other metas that may need help. He finds no one, but he does catch a glimpse of the outside.

The sky is so blue it almost hurts to look at. Part of the facility has been blown apart; rubble surrounds the place and the surrounding forest has been flattened. It looks as though a fight has moved through the area.

Maybe a superhero did come to save them? Rude of them to leave only Danny, though.

He continues his search, poking his head into different rooms and hallways. He finds a staircase going down and follows it into the basement. More labs greet him, and the glow of computers and strange vials of liquid leave him unsettled.

There's a green glow coming around the corner than reminds him of the Lazarus Pit he flew out of, once upon a time many years ago, and that's what draws him forward.

Tucked away in that familiar glow is a small body, floating in a tube of liquid. There's an oxygen mask attached to her face, but that doesn't stop Danny from recognizing her.

"Ellie?"

7.

Just like in one life, Danny is cloned. The difference is that this time, there's no reason for it, no insane godfather trying to recreate a version of him that will choose him.

No, this time it's from a group of scientists who should have known better, who decided to mess around with his genes, and brought his once little sister now daughter into such a cruel, dangerous world.

Danny barely remembers breaking the glass to get her out of there. He doesn't know where he found the coat to bundle her up in, flying out of the facility as fast as he could. He feels sick, knowing it's his fault that she's here now, forced into a painful, terrifying existence because he wasn't strong enough to save himself.

He's a runaway meta victim of mad science. He can't take care of her.

"I'm sorry, Ellie," he whispers to her, pressing a kiss against her head. "I'm so sorry."

She small in his arms. She barely weighs anything.

Danny blinks back tears and tries to find some place he can stop and rest, somewhere safe he can gather his thoughts and figure out his next steps.

This isn't like when he first woke up in this world, with both sets of memories.

This is Ellie.

She deserves more than just a wish and a half-baked plan for a better life.

She deserves a family that wants her, that can care for her, that can protect her. She deserves to grow up normally and not worry about destabalizing or being a replacement for him or being hunted down.

She deserves one life to be a kid and grow up safe and be whoever she wants to be.

Danny will never be able to give her that.

But maybe he can give her to someone who can.

8.

Danyal grew up with an assassin mother and a cruel grandfather who expected far too much from a child. He was taught to kill and be more weapon than child. He was taught the world was something for him to take, to protect, to water with blood.

Danyal was meant to be the next Demon Head, and the next Bat.

Danny knows he can't go to his mother. If they're both lucky, he will never have to see her again. Knowing his luck, he's already planning explanations for why he never went back to her.

Danny's father, on the other hand…

It didn't take much to put the pieces together. The notorious Bat is Batman, Gotham's vigilante and one of the founders of the Justice League. While a child would have been left confused by the many comments his mother made about his father, it was simple enough for Danny to line them up with what he learned about the heroes of this world and realize, oh, that's my dad.

It takes a few weeks of research, using public libraries with Ellie tucked securely in a wrap to his chest, but he's able to learn more about Batman.

The most important thing being that he has kids.

Of course, none of this is officially acknowledged, but everyone knows that the Robins are his kids. Current Robin, especially, likes to remind people that he's 'the son of Batman'.

Okay. Cool.

Danny has siblings.

Awesome.

He's… not looking forward to those conversations.

At least it means more people to look after Ellie. Assuming they take her in, which Danny's really hoping for.

But it's the best he can do, so Danny sets course for Gotham and hopes that just this once, everything will work out.

9.

Meeting the Bats of Gotham is a lot harder than he expected.

A week in the city and he's barely caught more than a glimpse of them. He can't dedicate a lot of time to tracking them down either, needing to break into grocery stores to get food for him and Ellie.

She's so quiet as a baby, and it terrifies him. She's only cried twice the entire time he's had her, and Danny spends every day begging her to hold on.

Time during the day is spent catching naps and researching common vigilante spotting areas in Gotham. He's got a map of Gotham taken from a library and has been steadily marking it up, putting stars in the best places to find a Bat. There are places all over the city, and Danny has no idea how to know which ones are the best.

The only thing he can do is wait at a different rooftop each night, clinging to Ellie, wondering if this is the last night he has with her.

On the ninth night, someone finally arrives.

"Step away from the edge," a voice demands.

Danny turns to see Robin approaching, hands held out as if to catch him. He's bigger than Danny was expecting. Which makes sense; most of the stories Danny got online are from when Robin was a kid, and it's been a few years since then. He must be a teenager now. Older, but still young.

"Robin," he manages to say, his throat tightening. It feels almost like there's a noose around it. It feels like that meta-suppressing cuff has clicked back into place, leaving him helpless.

"Step away from the edge," Robin repeats. "There is no need for this to be your last resort."

"But it is," Danny whispers.

Robin darts forward and wraps a hand around Danny's wrist, yanking him towards the center of the roof. "Why on Earth would you come up here? Surely you must have known that someone would stop you."

"Batman," he gets out. "I need to speak to Batman."

"What for?"

"I'm… I was told, once, that I'm his son."

10. Robin stares at him for a long moment.

Then he takes off his mask.

Danny knows those eyes: he sees them every time he looks in a mirror.

"Danyal," Robin breathes. "You died before I was born."

"I did. Are you…?"

"Mother told me about you."

So he has a little brother. If only he hadn't left first chance he got, he could have known his little brother, gotten away from that place before it hurt him too. Danny has made many mistakes since he arrived in this world. Missing a little brother is perhaps the worst of them.

"Mother…" Danny repeats. "She put me in the Lazarus Pit. I remember that. She didn't want me to die."

"I was born to replace you."

Just like Ellie.

So many mistakes repeating. He's never felt like more of a failure.

"Batman. Our father. He treats you well? You are safe with him?"

Robins brows furrow, but he nods, which is enough for Danny. "Yes. Of course. Isn't that why you're here now?"

"I'm not asking for me." Danny carefully, gently, unwraps Ellie. "I'm asking for her. Please, take care of her. She deserves more than I can give her. Ellie… she'd be your niece."

Robin's eyes are wide. He's frozen until Danny pushes Ellie against his chest, forcing him to lift his arms to hold her.

"Wait, what about—?"

When Robin looks up, Danny's already gone.

It's for the best.

(masterpost for all parts)

[emmafrostyyy]

y'all sleeping on Astarion/Lae'zel bc this moment is so...the way the flippant demeanor drops and he doesn't hesitate to call her out for sticking with her version of Cazador like their relationship is so underrated fr...

sitting down writing this bullshit like let me peel it like an onion a bit and elaborate why this pairing is fascinating to me

It's really interesting how during the most cathartic, life-altering moment in Astarion's questline, the reactions of the other companions are more about the moral wrongness/guilt of sacrificing innocent lives. Lae'zel doesn't do that and instead relates to his hurt.

She knows what's he's feeling, the lack of control, the unfairness of being powerless for too long. This is a woman who just found out her entire life purpose was built on lies, discarded and hunted by her own people after outliving her usefulness, and groomed to basically die for an insane power-hungry lich queen. She knows all too well that power isn't always real freedom. Her first instinct is to empathize with Astarion to steer him away from his hate and resentment.

Astarion/Lae'zel is so interesting to me because they're such a classic "can we make each other worse or make a better person out of the other?".

They both have genuine appreciation for violence and respect each other's ruthlessness. Astarion was used as a weapon of seduction while Lae'zel was of warfare. Sex with people is meaningless and not real intimacy for them, and while both have little understanding/experience of interpersonal relationships beyond the physical, they still feel and love very deeply. They have no frame of reference for things like friendship and warmth, but they badly want all of that and more, even if they don't know it yet.

In-game they can sleep with each other, which is basically the foundation of the normal Tav/Astarion romance. Lae'zel saw him during combat and got horny, who knows. Astarion who's used to luring people with his charms, takes up Lae'zel's blunt offer because she's a strong hardened warrior that can provide protection and be a worthy ally, and he doesn't know how to say no. Navigating the complications between one who wants to be seen beyond as a sex object, and one who comes from a totally alien culture with no concept of love/family/connections and only sex is honestly really compelling to me. It's a transactional, mutually beneficial thing with no emotional expectations. Once you get past the skeevy rockiness of their early relationship, I really like the idea of them slowly seeing something past the exterior and realizing they may have harshly misjudged the other, an unspoken friendship blooms, and in comes the realization that they are essentially loners longing for kindness and a comforting touch in the most desperate of situations.

Lae'zel is prideful, direct, has no sense of courtship talk, and doesn't hold back her thoughts the slightest--she's not sweet/agreeable and what you see is really what you get, which I imagine would be disarming for Astarion who's used to vacuous flattery and has difficulty trusting others. But she's also insanely protective, passionate, loyal, and an initiator-- every romance scene is triggered by her first and she's always showing effort towards her relationships, which would mesh well with Astarion who does need someone to nudge him.

She doesn't purposely suppress her feelings, she's just simply at loss at how to express them sometimes due to her wildly different upbringing. She stops the sparring match you agree to and an easy vulnerability slips instantly out of her: "I don't want to hurt you. I want to protect you, and for you to protect me." and "Thus far I've taunted you, devoured you, battled you. Now I want more than anything to soothe you." are romantic as fuck and Astarion of all people really needs to hear that tbh.

Astarion is also someone who struggles with reinforcing his boundaries, and a key theme in Lae'zel's romance is that she encourages and wants you to challenge her and learn to stand your ground. It's not gentlest method, but hey, relationships are about having to make an effort to learn each other's language.

I think he also would take pleasure "educating her on the matters of Fay-run" (I believe there's a whole banter with him teasing her and teaching her pet names) and would get a kick out of coaxing Lae'zel out of her shell with her shyness at showing public affection, and making her blush. Also it simply would be fucking funny to see Astarion who's used to easy seduction, trying to pass a persuasion check just to get a smooch and generally having to work to earn regular kisses from Lae'zel lmfaooo

Lae'zel also initially struggles to see her chains as chains. When she learns about Vlaakith's betrayal, she copes instantly through denial and shuts it down. Astarion is NOT having it and calls her out, he knows her well enough to recognize that she would value blunt honesty above all.

I imagine he also despises her lack of self-preservation, the way her entire identity is tied to duty and being in service of others, and doesn't understand her desire to still help/liberate the people that want her dead and are hunting her down. He wants to make this duty-bound soldier realize that looking out for herself, and putting herself first may not be the worst thing in the world.

They're so similar to each other but are also polar opposites in some ways that make a more equal, balanced romance I think. It's not a simple, one-sided, feel-good "she/he can fix her/him" fantasy because both of them have to earn each other's love, actually cut through the other's flaws, and actively motivate each other to be better versions of themselves.

They're not at all the other's ideal guiding hand. It's rough, jagged, and imperfect, but that's how healing goes. It's so far from being the healthiest relationship -- but even if their belief systems differ, their moral compass does often align. I imagine it's a slight relief for them to have a partner where there would be less shame and judgment when they expectedly, occasionally slip up and fall into their bad habits.

Also, man, the "You showed me the betweens and beyonds. Beyond war and peace, beyond passion and obsession, most importantly, you showed me freedom.", "First you were my wound, now you were my cure.", "But you saw something else in me - someone else I could be. Someone who could break the cycle of power and terror that started centuries ago.." lines really hit hard when applied to them.

Of course, they can also make each other worse, feed into the other's negative traits that will bring out the worst part of themselves. It's this duality of their pairing that is very interesting to explore, the way it can steer in either direction because it's an intense, fraught relationship at its core.

[ddaz3d-and-cc0nfused]

could u pls write a fic about a plus sized reader noticing Spencer doesnt look at her alot so one morning she wears lingerie and a see through robe and she teases him until he just takes her on the couch?

༉‧₊˚. 𝐬𝐞𝐥𝐟 𝐜𝐨𝐧𝐭𝐫𝐨𝐥 || 𝐬𝐩𝐞𝐧𝐜𝐞𝐫 𝐫𝐞𝐢𝐝

— pairing: spencer reid x plus size!reader

— summary: listen, it wasn't that you didn't love the domestic life with spencer, but god, you just really missed being touched (and penelope has a solution).

— warnings: uhh this is almost 3k of pwp firstly, penelope being the best wingwoman to ever exist, lingerie, teasing, unprotected sex, couch sex, vaginal sex, sub!spencer reid, dom!reader, kind of switch spencer and reader at the end, riding, heavy petting, subspace if you squint, mentions of oral sex (m and f rec), the reader is lowkey a freak (and penelope instigates it), clothed sex, the reader is dressed and spencer isn't, i held myself back from including a mommy kink, but that's the best you're getting from me, a lack of foreplay (be considerate folks), consent kink, praise kink.

— wc: 2817

⋆ a/n: HEY SO i really let this get away from me in the sense of this was meant to kind of be dom!spencer but i blinked and all of a 2k was written of sub!spencer so yikes!! but i really enjoyed writing this, it's been literally forever since i've written pwp so... here ya go!! i'm trying to be more organized with uploading because i really want to clear out my drafts before starting any new projects.

masterlist | AO3

“Pen, have you ever seen those TikToks where it’s like ‘he has a whole woman in his bed yet he’s playing World of Warcraft’ or some shit like that?” You ask the phone that’s tucked under your chin.

You’re in the middle of putting up laundry, but a feeling of unrest bubbled beneath your skin.

Penelope laughs, “And let me guess, that’s how you feel right now?” 

You sigh, looking down at the shirt that refuses to turn inside out. You throw it back in the hamper with a huff before grabbing a pair of – Spencer’s – jeans.

“I just – I’m not with Spencer for just sex, you know that, but it’s been like… forever since I’ve gotten any.” You can’t even listen to yourself talk.

“We’ve been in this like… domestic bliss stage, and while I love waking up to breakfast in bed and giggly showers, I’m horny and every time he does something so normal – something that shouldn’t even be considered sexy – I have to hold myself back from jumping his bones.” 

Penelope lets out a rather unattractive chortle, but she continues. “Listen sister, while I love the Boy Genius as much as the next person, he’s kinda dense. With all those brains, he’s rather hard-headed when it comes to romance.”

“I know, I know, and those are one of the reasons why I love him! The denseness is cute, but I’m starting to think I sabotaged myself.” You look down longingly at the MIT t-shirt. Spencer was away at the office right now, so that means whatever conversation you were having with the colorful woman on the other end was completely inappropriate.

“You know what I think?” She starts. “Oh God.” You sigh fondly. “Oh, hush! Don’t even act like my ideas aren’t good! Anyway… If there’s one thing I’ve learned from being quite the seductress myself, is that at the end of the day a man is a man, and they can be reduced down to their most primal instincts.”

“What are you saying?” You inquire curiously with furrowed eyebrows. “I’m saying that you gotta work with what ya mama gave ya! Men are dumb, they see a tit or a nice ass and they lose all cognitive function. So what I’m saying is to put on some lingerie and act like a little minx! Guys love it when you tease them and act like you don’t know what you’re doing! It’s about the chase, my fellow curvaceous protege.”

“So you’re saying to… seduce him?”  

“That’s exactly what I’m saying – Oh! Good morning sir! Yes, sorry, I’ll call you back when I’ve got the answer to what you need… yes okay bye-bye!” And with that, you’re left listening to the silence. 

You laugh, shaking your head in exasperation before taking a seat on the bed.

Seduce him, huh? The notion almost seems ridiculous, but it really isn’t that far fetched. You’ve had sex with Spencer before, you know how his brain works, what gets him needy and what parts of you turn him on. Maybe it’s not such a bad idea.

You don’t really own any lingerie, because for one, the material that’s supposedly the back of your underwear gets swallowed by your ass, and two, Spencer’s never complained about your granny panties. But hey, it doesn’t hurt to look right?

Okay, seduce Spencer Reid is a go.

Taking one last scrutinizing look in the bathroom mirror, you leave quietly, walking into the kitchen and pouring yourself a glass of coffee. Liquid courage as they say.

The light pink sheer robe hangs off of your ample form, the fuzz on the edge of your sleeves getting in your way and irritating you. God, if this doesn’t work, a woman by the name of Penelope Garcia is going to find herself six feet underground.

Spencer sat on the couch slipping his feet into a pair of mismatched socks – you’ve stopped trying to organize them a while ago – tucking them into his converse. He’s off today, probably having plans with the bookstore and the park before offering to make the both of you dinner. It’s endearing to say the least, but food is not something you're hungry for.

“So, what’s on the agenda for today?” You ask before taking a sip of your coffee. He hasn’t looked up, but you’re facing him now, your scantily clad body exposed by the thin satin of your white bra and underwear. A devil in disguise (you hope).

“Hmm, I was thinking about playing chess in the park for an hour or two before going to the bookstore. A new novel about quantum physics just came out, and even though it’ll probably be about stuff I already know, I’m always willing to look at it from a different perspec…” Spencer finally looked up, his sentence slurring a bit. “...tive.”

“Ah! That sounds exciting! I’ll text you what I want for dinner later if that’s okay? Or would you rather I go shopping with you?”

He blinks, his mouth hanging open intelligently, as though he’s still trying to process exactly what he’s seeing. “Yes. I mean no - I mean… I… what are you wearing?”

You spare a lazy look down, as though you had forgotten you even had the thing on.

“Oh this? It’s just really hot in the apartment today. So make sure you bring some sunscreen and a fan, yeah? Don’t want you getting a sunburn or having a heat stroke.”

“I - I’ve never seen that set before, is it new?” He stammers. You click your tongue as if you genuinely had to date the outfit back, when in reality the tags to the set itself sits pretty in the bathroom trash can. “I have no idea honestly, it looked comfortable though, so I just slipped it on. You don’t mind, right?”

“I… no. I don’t.”

You beam at him, “Perfect. Oh! Let me make you some coffee before you go, I know how hard it is for you to start your day without it.” 

You turn back around, and you could hear Spencer fruitlessly swallow a gasp. The back of your underwear might as well have been a piece of string, because your ass cheeks were basically eating the material. It was uncomfortable, but oh well, beauty is pain.

You smirk in victory, pulling out a medium sized thermos and pouring the rest of the liquid in it.

You didn’t hear him move, let alone walk behind you, but two large hands placed themselves respectively on your hips, the man tucking his face in the side of your neck. You shiver at the hot blow of air that escapes through his nose, and his grip on your skin turns a little tighter.

“What are you doing?” The question is mumbled, but you don’t miss it. “What does it look like? I’m making you coffee, silly.” He huffs. “No. I mean what are you doing to me?”

He presses forward, pushing his half hard cock between your cheeks. It was your turn to gasp, and you couldn’t help but put down the pot of coffee, pushing the now full thermos away to avoid any future hazards. 

You hold on to the edge of the counter, tilting your head further to the side to give the needy man more access. He takes the hint, peppering sweet, heated kisses on the sensitive skin of your throat. You shiver once more, sighing out a smile.

“I don’t know what you’re talking about.” You know lying is useless, especially with the way your voice sounded so breathless. “You know you’re a terrible liar.” It was a playful dig, and his palms had begun to move, pushing on your full stomach to put more of your weight on him.

“Hm, but you don’t know every single thing I have in the closet, now do you?” You remark, yelping when he nipped at your earlobe. “Ah, but that’s where you’re wrong and you know it.” You do. “Do I?”

“This is terrible foreplay.” He jokes and you giggle. “I’d say I’m doing a pretty good job, don’t you think?” You push your hips back and add a bit of friction onto his cock. He groans and you feel your pussy pulse.

“You always do a good job.” Spencer murmurs.

You’re turned around so you can face him, and you wish you could take a picture to savor the look on his face. He’s beet red, cheeks and ears flushed a beautiful hue that leaves a twinge of pride pooling in your stomach.

He cups your face, drawing you in for a long awaited kiss. 

You sigh into him, hands twisting at the sleeves of his cardigan to pull him closer. He lets you in exchange of pushing you against the counter until your lower back is digging uncomfortably into the marble.

“Where do you wanna go?” He finally breathes. You stare at him as if you were in a daze before processing his question with a blink. “Couch?” You ask. “Whatever you want.” He says before joining your lips together once more.

He walks the both of you backwards slowly, and he takes advantage of when your mouth parts in a moan as he flicks his tongue against the top of your lip. He tastes like toothpaste and you might be a little crazy to think that it makes him way sexier than it should.

Your eyes flutter open and you push him away with hands on his chest gently.

“Do you trust me?” You gasp.

“Of course.”

“Good.” You say with a smirk.

You make sure he’s close enough to the edge of the couch when you push him on it, quickly clambering onto his lap and settling your hands on his shoulders; his fall naturally to your waist and you grin.

“Hi.” You whisper quietly. “Hey.” He responds back just as hushed. “You can grab my ass, you know.” You tease and his eyes widen just slightly. “I…” You guide his palms to hold the meat of your ass and he grips.

“God.” It tumbles from his lips in a whimper and you fucking melt. 

“Sorry I’ve been such a tease today, Spencie.” You say sweetly with a fake pout. “I just needed you so bad and you’ve been so, so sweet to me, my sweet boy. I didn’t want to ruin it by asking you to fuck me stupid.”

“You wouldn’t have ruined it.” He corrects with a whine. You had begun to grind down on him and he gripped you tightly, helping you rut against him. “No?” You question. He shakes his head quickly, his hair bouncing along with the swings.

“No. ‘Would’ve done anything you asked.”

“Yeah?”

“Mhm.”

“So, if I asked you to let me suck your dick until I’ve sucked the soul out of you, would you have let me? How about if I asked you to eat my pussy for breakfast, huh? Would you have done it?”

“Yes, yes, God yes! I want to… I wanna do all those things so badly.” He groans, all but pawing at you now. 

“I bet you do,” You coo. “I guess I haven’t been the only one pent up. But that’s okay, because I’ve got you, yeah?”

“Yeah.” 

You smile, leaning in to give him a kiss before traveling downwards to his belt and wrangling it open. You popped open the buttons of his jeans, sliding back so you can tug them down his legs. 

“Up.” You command softly and he obliges. 

You’re faced with his hardened cock bulging from under his black underwear.

“Oh… is this for me?” You know you’re being mean when you drag your fingertips over the spot where precum has begun to pool, only putting slight pressure on it just to hear that sweet sound of his breath hitching.

“Yes – it’s all for you.” Spencer whines and throws his head back against the couch. “All for me? My goodness…” You trail off as you drag his underwear down his thighs. His cock springs up and bobbles against his clothed stomach.

“Can I –” He licks his lips, “Can I take my shirt off?”

“Of course, my love.” You were just about to ask him anyway.

As he rids himself of his top you get up for a split second to take his pants and underwear off fully. As you go to undress yourself, he stops you.

“W— wait… keep it on please.” 

“Oh? You wanna be nasty and pull my panties to the side, huh? Dirty dirty boy.” You tisk, but in reality you feel like you’re about to explode. “Is that okay?” You smile at his question. “More than okay.”

You climb back on top of him, doing exactly what you said and pulling the white satin to the side before gripping his dick, lining it up to your entrance. He holds you steady looking up at you with those big brown puppy dog eyes as you sink down.

The stretch stings because of the lack of foreplay, but you can’t find it within yourself to care as the pain shoots up your lower back and is already fraying at your pleasure filled nerves. 

“So… so good. God.” Spencer chokes. 

Your lips are rolled between your teeth, eyebrows furrowed in concentration. You heave out a breath when he sinks down to the hilt, and he just rubs soothing circles on your hips. The feeling helps to guide you as you loosen up, and when you do, you give him an experimental clench.

He groans of course and you smirk lazily.

“‘Gonna ride you now, ‘kay?” You murmur as you lift your hips up before slamming down. Spencer practically shouts when he re-enters you. “Fuck, fuck, fuck…” He’s a whimpering, cursing mess. “That feels good, baby?” You ask as you bounce. Spencer nods and fondness twists in your chest.

“You’re so tight. I think ‘m gonna pass out.” He says dramatically. You laugh, grabbing his hands and slipping them under your bra so they can cover your breasts. “Well, don’t pass out until we’ve cum, alright?”

He gives your breasts a reassuring squeeze. “Of course.” He huffs and you giggle again. The giggles die out though when you shift and his tip prods just right.

“Oh shit.” You curse but remain in the same place.

You ride him in abandon, the sound of skin meeting skin radiating out into the early morning air of the apartment. The sound is nasty and wet and it causes your head to swim. The buzz of mind numbing pleasure swims around in your gut, and you can almost grasp it.

“Spence I – I need more, can you…?” You moan out, your head tilting back. “Yeah, yeah, I got you, sweetheart.”

One hand leaves to rub furiously at your clit and your hips cant forward, sending you landing on his naked, sweat slicked chest. Your thighs burn and you rest for a moment, but Spencer doesn’t seem to match the same sentiment, because the other hand holds you by your hip in a grip that’s almost bruising. 

The fat is spilling through his fingers but he uses it as leverage as he now fucks up into you. You squeal, throwing your arms around his neck and tucking his face into yours. You mark him mindlessly, body trembling as you near your orgasm.

You can feel him twitch inside of you when he sets a pace, bringing you up and down in a way that indicates he’s nearing an end of his own.

“Together, okay?” You cry out, “‘Wanna cum together.”

“Okay, honey, okay.” 

He sets his feet on the floor and rubs harder at your sensitive bud, and the arousal that implodes inside of you is so blinding that you white out for a minute. Every one of your senses are overwhelmed, and you can hear him mewling into your ear before warmth paints your womb.

It’s silent in the apartment for a moment before you speak.

“I have to tell you a secret.” You whisper mindlessly, laying your cheek on a bony shoulder. “And what’s that?” He runs his fingers up and down your spine.

“This set is new.”

“I know honey, I saw the charge on my card.”

“What?!” You exclaim, pulling away from his body to search his hazy eyes with your wide ones.

“You forget I can see the bank statements.” Spencer says with a smile. “No, no. I – I didn’t mean to use your card.”

“You didn’t have to… I may have uh… may have slipped one into your wallet when you weren’t looking.” He admits sheepishly. You stare at a moment and then smile incredulously. “Did you… secretly sugar daddy me?”

“Oh God, please don’t call it that.” He says with a groan, leaning forward to bury his face in your chest.

“Yeah, yeah. Whatever sugar daddy.” You tease, running your fingers through his sweaty locks.

ೃ⁀➷ my lovely taglist!: @alina02 @louderfortheback @minervadashwood @their-love @fandomsarelifee @theendofthe70s @nomajdetective @mgg-theprettiestboy @phoenixblack89 @celtic-crossbow @hallecarey1 @bunnybabe-babydoll @dixonzzgirl @violettavirus @khxna

[catssluvr]

it would be sososo wonderful if you wrote a cute little blurb abt Spencer and fem!BAU!reader both coming into work with little doodles all over their arms and the team notices or something <3 (yes this is the same anon that sent the headcanon lol)

hii! i loved your headcanon and am so glad you requested this 💌

𝒅𝒐𝒐𝒅𝒍𝒆𝒔, spencer reid

spencer reid x fem!reader

you relationship with spencer is revealed when you both show up to work with doodles on your arms <3

warnings: none <3

ˏˋ°•*⁀➷

Spencer reaches for the mug full of hot coffee, taking a generous sip. His button up feels almost immediately too hot, body warming up due to the hot beverage. He rolls up his sleeves without a second thought, arms covered in little doodles on full display to anyone in the bullpen who decides to look at them.

"Hey, pretty boy. Did you see- are those hearts?" Derek approaches his desk with a teasing smile already making it's way to his lips. Spencer scrambles to cover his arms up, clumsy pulling his sleeves down.

"Did i see what?" He feigns innocence, crossing his arms over his chest as he's way too nervous to actually button up the sleeves. There's no way he's going to out the relationship he's been hiding for a good few months because of some doodles.

"Oh no, you're not running away from this. Why have you got cute drawings all over your arms, uh?" He teases even further, trying to take a peek at the skin under Spencer's button up.

Your gaze immediately shoots up to them once you realize what Derek is referring to, quickly faking a normal expression once you realize your eyes have widened. You pretend to be looking at the files in your table, waiting for the answer. Your table is not far from his so you really have to keep it cool.

"I uh- i was bored and drew them." Spencer says the first excuse that comes to mind and realizes rather quickly how bad it sounds. His neck turns red and it soon spreads to his cheeks and ears too.

"You want me to believe you were bored and decided to draw hearts and butterflies on your arms? Sure, Reid." He chuckles, making sure to give him a hard time.

"Aw, does my sweet boy genius have a girlfriend?" Penelope snoops in, a less teasing and more bright smile on her lips.

"It sounds like he does. Unless he's suddenly ambidextrous and is able to draw perfect hearts on both of his arms." Emily comments, just as interested to make Spencer flustered as Derek.

"I- What if i am?!" Spencer's voice comes out a tad bit squeakier than intended, facade crumbling very easily. He looks at you almost desperately, trying to find a way out of this interrogation without having to reveal your relationship.

"Come on guys, leave the poor boy alone." Rossi saves him before you can, but he seems just as curious as the rest of them. Raised eyebrows and looking directly at him.

"Do you know anything about this, gorgeous?" Derek turns his gaze to you. Spencer gulps nervously, trying to act as normal as possible now that you're also about to be involved.

"Me? Why would i know?" You question a bit too defensively. Lying isn't exactly your forte and now that everyone is looking at you, it feels even harder.

"Wait- do i sense jealously?" It now feels like you're the next chosen victim to their interrogation. You might have aimed for careless but it definitely came off as defensive and bothered.

"You really don't." You roll your eyes as you answer, noticing the way Spencer gives you an apologetical look. You smile for long enough so that he notices but quick enough so no on else sees it.

"I think we do." Rossi agrees with Derek.

You sigh exasperatedly, hand coming to rub your forehead. What you don't notice is the way your shirt rids down, exposing your also covered arm.

"Oh my god- she has them too!" Penelope gasps, not holding back the surprise.

You wonder how they hadn't figured out you and Spencer are dating before. You both aren't exactly great liars and it was just a matter of time until someone caught one of your stollen kisses on the workplace.

"Oops?" You mutter out, cheeks painfully hot as you give up on trying to hide it. There's no way they would believe any kind of excuse now.

"Can't say i'm surprised." Emily is the first to say anything, leaving to go back to her desk as if nothing had happened.

"I'm so happy for you guys." Penelope ruffles Spencer's hair with a smile that's definitely making her cheeks hurt, while Derek resumes to shaking his head with a chuckle.

Spencer gives you a lopsided smile and you quickly realize he's trying to know if you're okay with all of it. You nod with a smile of your own, fingers tracing the doodles on your arm.

ˏˋ°•*⁀➷

love you,

cat 🤍

[planete777]

BAD INFLUENCE・⁠｡♪ LN4 [+ OP81]

( lando norris x fem!reader ft. oscar piastri)

READ PART 2!

IN WHICH. getting high was never on oscar's roster. getting high and enjoying it with y/n and lando wasn't either, but that just makes it much more... exciting. (based on this ask)

WARNINGS. 16+, suggestive content, drug use (as per), high hotness pt 875443, oscar cameo (woop woop 🥳), make outs, first time getting high, oscar being whipped for lando and y/n? wbk, a bit of mxm content between drivers, shotgunning coz it's my most favourite thing ever

NOTE. LANDOSCAR!! this may probably be my favourite fic and is my longest so im looking forward to you guys reading it!!! well overdue in my humblest opinion, but i delivered hehe. enjoy my luvs and a very happy new year in advance mwah mwah mwah 😚😚 i appreciate all of you readers, thank you for all your support 💓💓💓

SIDENOTE. my askbox is now closed for requests 🤍

‧₊˚✩彡 taglist @laciijane @ferrarrigirl @norrizzandpia @mimi-luvzyu (use askbox above if you'd like to be added!)

frankly speaking, a 'you up?' text from oscar piastri, whose entire persona was an antithesis of what that type of message usually pertained to, isn't something lando was expecting at 1am after a tedious race weekend. knows oscar to be one who sleeps in too early, as if his circadian rhythm was built upon the foundation of a restrictive curfew, and even fathoming the fact that he is awake past 12 is rather peculiar.

yet, with the mutually pre-established sense that lando would be awake (he's probably an insomniac, but it's not too concerning for him to actually check), and that oscar was asking if he was just for the sake of, most likely because he's, unusually, unable to sleep, lando replies with much sluggish vim.

fingers moving as if they played in a dream, he's able to reply with 'yh, why????' and sends it off before throwing his phone on the bed. he thinks, if he's sober, he would care more that this is oscar!!!! who is normally adamant about getting sleep!!! and not looking more sleep deprived than his naturally downturned eyes already make he seem to be!!!! but his mind feels like gooey viscous, and he counts about 3,000 peaks and troughs of the popcorn ceiling above before losing count and seeking solace in the spliff that burns his throat like a madman. he ponders if he's going crazy.

it's not long after that the undulating, monotonous buzz from his phone tickles his skin and with a sigh he goes to reply. and as he does so, his girlfriend, curiosity piqued, perks up from the foot of the bed.

"who's texting you this late?"

she looks ridiculously amusing: head hanging off the edge, loose and completely yielding like a dead body, and the only thing that reassures lando of her consciousness is the occasion movement of her arm to take another drag.

he wedges the joint between his reddened lips, lips curling awkwardly to speak, "piastri. dunno what he wants th- oh shit."

he's never felt such a sinking, crippling feeling of his high escaping him like a broken dam before. it's weirdly chilling, and for a good second, he feels brightly and vividly sober again. the texts just... stare at him and he almost wants to hurl his phone at the wall and watch it rain a litany of debris.

osc: just... forgot to give you back your stuff that i borrowed

osc: found some green leaf stuff in it lol im a bit concerned

lando's read it so many times, he's more than certain he knows just how many letters it consists of. fingers hover above the keyboard but it looks like they're weirdly swimming in air as he debates just what to write, and y/n is suddenly hissing his name, having sat up.

"— lan'! fucking hell, what happened?"

he moves on autpilot, back resting up the headboard, "he's found my weed."

y/n— y/n snorts. she sighs, moves back to her original pose, and lando's brain feels like static.

"love, i thought it would be worse."

lando splutters, "worse? babe, this is already bad! he could tell management for all i know." the mere thought of that makes lando's mind congeal. nevertheless, high out of his wits, he thinks he would somehow find a way to continue even if he was implored to stop.

she's disagreeing and laughing, and lando doesn't know what to make of it.

"nah, you're good. oscar wouldn't tell a soul," it's silent as he sees a burst of smoke ascend from the edge of the mattress, "tell him to bring it over."

lando fights with himself in his head. it's hilarious, really, watching his face morph from one emotion to another, and after 5 minutes with no whooshing affirmative of a message being sent, y/n exhales.

the bed curves in as she crawls up towards lando, before plucking the phone from his grip.

"it's really not that deep, lan'," her voice feels like cotton in his ears, "oscar isn't like that."

her fingers fly across the keyboard, how she does so in her inebriated state, lando has no clue, and just as quickly as she snatched the phone, she's sliding it back between his fingers.

"how— how do you know that?"

all presumptions, really, lando thinks. they may be good friends, him and oscar, but they've still got many, many steps to go before he's reassured that the other wouldn't go running his mouth to management because he found *fucking weed* in his bag.

the little voice at the back of his mind seeths, 'you shouldn't be smoking anyway', but he ignores it. what the hell does it know?

y/n goes to straddle him, crotch digging into his. its a soft wave of pleasure that oozes from the pressure, and lando lets a small moan mix with the puff of smoke he blows out. they would've fucked if only his limbs didn't feel like they've been detached and re-stitched; maybe they'd end the night with a lazy ride.

his girlfriend smirks, all cunning and undeniably hot, sucking in as much smoke as she can before blowing it all on his face. if anybody else had done this, he'd turn feral, but there's something alluring when y/n's exhale tickles his skin like feathers.

"how do i know? well, oscar, he kinda reminds me of you—" lando interrupts with a raised brow and a questioning stare, but y/n proceeds, "both of you are- you were- itching for a release. him not as much as you, but i still see it."

and lando can't really deny that, because he sees it too. in the way oscar's eyes seem to dart with dreaded uncertainty, and the way his shoulders are always up and tense, as if he has been tied like a puppet.

"that's what i call 'destined to get high'," y/n banters. it makes lando snort and roll his eyes (ultimately omitting to dwell on the sliver of seriousness that leaks through).

"dunno why you're rolling your eyes, you were basically begging me to give you a spliff," y/n taunts, and even though he groans at the reminiscence, he doesn't deny it. doing so would be like calling himself michael schumacher.

"yeah, whatever," he takes a lazy drag, a hand sliding up and down y/n's thigh, "at least i'm sexy when getting stoned."

y/n cackles, dissolving into a small giggle as she twirls her fingers through lando's curls; she never wants to let him go.

"damn right, baby."

another ping sounds from lando's phone, and subconsciously, his hands snakes to get it.

when he turns it on, he doesn't think he can be gobsmacked with such intensity twice in a day.

landooo: yh just bring it over

landooo: you can join us if you'd like

landooo: 😉

osc: uhm sure..

"y/n."

-.-.-.-.-

weed.

he'll be fucking damned.

the laugh that is punched out of him is one of disbelief, and, quite frankly, sheer horror.

he'd only wanted to borrow some shaving cream, after all, he's not one to favour the prickly itch of stubble. and in perfect, restless lando fashion, he was given the whole essentials bag and tasked with finding it himself.

which then leads him to now, palm burning with the weight of three spliffs that had somehow tumbled out of a flat metal tin.

he stares at them for so long that he might as well have burned holes into them (ironic), and in a flurry of movement, he's stuffing everything back into the bag, zipping it closed. if he doesn't see it, then he doesn't know it's there. cool.

but he's just standing, in the middle of his hotel room, completely clueless and delirious. he doesn't know how many times he wipes perspiration off his palms and onto his shorts, neither does he know how he's able to text lando about his findings.

originally, he thought that sending the infamous, suggestively connotated 'you up?' would've trimmed a bit of the tension away, yet it seems like lando, without fail, waters the situation with a fuck-ton more.

"'join us'? fucking hell."

oscar feels absolutely scorched from the wisps of his hair to the tips of his toes, and a spark of something curls in his gut.

no, absolutely not.

it's- he flips his watch to check the time- one am for fuck's sake, and lando's— getting high. smoking weed. [most likely] with his girlfriend.

whatever it is that makes his gut its abode curls even more as he shoves his feet into the nearest shoes he can find, and tames his hair in the mirror by the doorway. finding the night already too hard to bare, he doesn't dwell on what he'd done, and heads off to lando's room with sickening anticipation swirling within the grooves of his skin.

the walk is only a few seconds long, and oscar curses the fact that they weren't roomed further apart (impractical in usual circumstances, but the current predicament is anything but usual). he guesses he stands there, navy blue wash bag clutched in a vice grip, for many minutes (his concept of time tonight is royally fucked— how has he stayed up this late?) before he musters up some courage to knock on the door. in the quietude of the night, the sound is magnified to the point where he winces and hopes that no one else on their floor wakes up.

he hears a quiet rustle from behind the door, sighs for the umpteenth time that day (honestly, he could have a smoke for himself to- no.) before it's swiftly open.

y/n stands there, no sign of a spliff in sight, but her heavy lidded red eyes (that must hurt, right?) and the pungent smell of weed is enough to tell.

"ah, golden boy is here," y/n's grinning, as much as she can do without it looking robotic, and oscar blushes.

"g-golden boy?"

"i said what i said," she opens the door wider, and oscar's vision catches a limp leg hanging off the side of the bed, "you coming in or what?"

he's never been in such a mind-tearing crossroad before. wants to be reasonable and say no, afterall his job is on the line here (just because lando hasn't been caught, doesn't mean he won't, too). but then he's thinking that he's played angel's advocate for too long, and, as if the universe wants to commit a double homicide, lando is walking over, countenance lackadaisical and bends down as he wraps his arms around her waist.

he asks for forgiveness, because such a temptation before him is completely unforgiving , and oscar finds his vascillations come to an end the second he makes eye contact with his teammate.

it's then he realises that the something that had been driving his intestines mad was sheer want, and, having a mind of their own, his feet shuffle into the room, decision finalised by the click of the door shutting behind him.

he just hopes he doesn't regret this is in the morning.

the couple, with eased familiarity, move back to the bed, leaving oscar standing there, lost and expecting. lando regains possession of the spliff, back flat against the bed and arm bent behind his head.

he's turning to oscar, several beats later, with a heated look that just pulls the australian right in.

"put the bag down, osc," he's demanding— oh fuck, "and come over here."

oscar feels rather mortified at the effect lando's assertiveness has on him. his heart curdles, drips away like goo, and he can't think straight.

toes off his shoes, sliding them out of the way with his foot, before dumping the bag on lando's luggage and tentatively making his way to the bed.

it's excruciatingly daunting, must he say, and he's sure it's blatant because y/n is grinning softly and beckoning him closer with the wave of a hand.

"you're good, oscar."

then he's fully on the bed, a thin sheen of gray blurring his vision and the stench of smoke so thick, he could get high off it alone.

lando's splayed in front of him, watching intensely as his fingers accomodate a joint between them, and y/n's at his side, right at the foot of the bed, fiddling with a metal tin of her own.

he wonders just how long they've been doing this for.

"for me, since i was 18/19 maybe. lando started about a year ago."

oscar's brain fucking spasms.

his head whips to y/n, then back to lando, who just smiles and takes another drag, "a year?!"

the girl beside him giggles, turning back to him with a freshly rolled spliff of his own, "yeah. practically drooling to take a hit."

his teammate groans, dragging a hand down his face before sitting up, they seem to go through this ordeal once or twice before.

before he can question any more, y/n points the joint at him, "you sure you want to do this?"

funny, he's asking himself this. has been ever since he read the proposition that lando (y/n) had sent, and he had replied with a seemingly confused 'sure'. heat feels like a thousands ants crawling up his body, and the silence is even worse because he's certain his ears are filled with cement.

"am i— am i gonna get addicted to... this?"

lando shakes his head just as y/n shrugs, "depends, love. if you've got good enough self control and don't rely on it too much, you'll be fine."

oscar gives a sigh of relief, but turns tense again as he looks at lando. almost telepathically, he knows what oscar is thinking.

"no osc, i'm not hooked on this. i only do it every couple of weeks or so."

his hands raise up in defense, "just asking, mate."

"and you have every right to, baby," y/n says, then scoops his hand into her grip and puts the spliff in his hand, "now take this and let lando teach you."

oscar doesn't know what to do with it. he just stares at the green stick in his hand and wills up some courage to look back up at lando. for the first time in 22 years, he's going to experience what it's like to get high, and the excitement that crawls up his spine is chilling.

"take this," lando pushes a bottle of water into his hands, and oscar looks at it in confusion.

"it's your first time, so it'll probably make you cough a ton. drinking water helps."

oscar nods, gently taking and unscrewing it open. he gulps it down like a starved animal, and almost chokes when he notices his teammates girlfriend staring bullets into his face. his heart jumps and he stops drinking.

"now put the spliff in your mouth and let me light it for you."

oscar does so, feeling the weight of the rolled joint between his lips is completely maddening.

his teammate fishes a black lighter from the bedside table, then scooches closer to oscar's crossed legs. lando's body is like a furnace of drunken heat, and it only gets worse when his hand lands right on oscar's bare thigh.

it feels perfect and oscar thinks he's surfing on the waves of euphoria already.

"this good?" lando questions his touch, and oscar doesn't waste time to nod, "alright— when i light it, you're gonna try and inhale as much as you can. don't let it stay in your throat or you're gonna cough."

oscar bobs his head affirmatively.

"if you can't, just take it in small amounts, not too much that it hits your throat."

then lando's leaning in, flame swaying from the lighter, and oscar's eyebrows scrunch as he follows it closer and closer to the spliff.

it's instaneous, the heat that fills his mouth, and in a hurried succession, oscar is inhaling and spluttering like a madman. his eyes are burning, they may already be red at this point, and his nose feels ripped off.

"take it easy, love," a hand- y/n's- rests upon his back and he finds himself needing composure, and not only from his failed attempt to smoke.

"wow uh that was— uhm..."

lando rubs his thigh, with the intention to comfort, but oscar finds himself more pent up than before. the weed is already kicking in and his mind feels chopped into pieces and mixed with cake batter, and every touch feels like a punch.

"you good to go again?" lando queries. oscar nods, his throat feeling too rough to speak up, "okay then, take your time and calm yourself down. small intakes, yeah?"

the spliff goes back between his lips, and with lando watching him like he's the best movie he's ever seen, he's sucking in the smoke cautiously and— fuck, it feels so so good. he's unravelled everywhere, not a kink left in his joint nor a knot remaining in his muscles, and when he breathes the smoke out, he lets his head fall back with a smile on his face.

"there you go," lando's voice sounds loose and airy in his mind, and oscar finds himself loving it.

"look at him, babe," y/n chimes from beside him, and his head rolls to give her an inebriated grin, "told you he was meant for it."

lando hums, agreeing, from in front of him, "gonna shotgun with him."

whatever that is, y/n is eager to see it happen, and oscar gives lando a confused look. it only evokes a cute grin from the other, who plucks the spliff from oscar's fingers.

"i'll take a hit and blow it in your mouth, if that's cool with you."

and— oscar moans involuntarily. he doesn't know where it comes from but it's practically punched out of him with how loud it is, and lando smirks widely. all oscar can do is watch as he fills his mouth with smoke and shuffles closer to him. his heart palpitates, beating like a drum piece, and his skin is damp and flushed from the intensity of it all.

lando assesses oscar's decision, confirming his consent as he nods, and slowly, lando snakes an arm around his neck, pulling him closer. oscar is compliant, body wanting and downright desperate, mouth opening on autopilot.

the second lando's lips attach to his and the smoke is pushed into his mouth, oscar fucking loses it. his eyes roll to the back of his head, and he's grabbing lando's hair and pushing his mouth deeper.

he's kissing his teammate with all he has to give, and lando— he's reciprocating it, lips hungry on oscar's, biting and licking everywhere. for a second, oscar can't think about anything, mind filled with just lando, as his tongue slips in and turns the kiss filthy.

oscar hasn't made out with anyone with such ferocity. he's encompassed in scorching heat, and the euphoria just gets better as lando trails his lips down his neck. the bites and licks are inclement, and oscar's sure there'd be marks tomorrow, angry and purple, but right now, he doesn't care. not when lando's hands creep up his shirt, and run up his torso, resting upon his nipples and twirling them around his fingers.

"oh fuck, lando," his moan is so high pitched it sounds foreign and it's almost hard for him to believe that it comes from him. but he's sure it does, because another is forced out as soft hand turns his head to the side and there's another set of lips on his in an instant.

he thinks he could hooked on y/n's kisses, warm, wet and so fucking sensual, he feels worshipped. not an inch of skin is missed by her tongue, and with every drag of her lips against his, he's concluding that this would be the perfect way to die.

oscar's so hard in his jeans from lando's stimulation, y/n's kisses, and the heightened sensation of everything from the weed, that he almost cums in his shorts. he can only imagine how plump it could be, and how a mouth on it would have him sobbing for days.

but he doesn't have to, because lando creeps a hand to his crotch and squeezes. the whine that leaves oscars mouth and into his teammate's girlfriend's is criminal.

"gonna suck you off so good, osc," lando moans in his ear, breath warm and words dirty, "you like that?"

and as oscar begs him to, he thinks that maybe getting high with lando and y/n isn't so bad afterall.

[bluebugjay]

A lot of people aren't vibing with Charles and Crystal's romance and honestly i think it's because it's not necessarily supposed to be a full-fledged, endgame romance.

I think it's written to be a fling.

Charles is a flirt; one of the first things he thinks about when Edwin tells him ghosts can't feel is that he would miss kissing, he says himself it's nice to be seen by someone his own age, he calls Crystal fit, etc. Assumably between cases he has a very small social circle of literally just Edwin so it makes sense that this girl who he gets on with and finds attractive immediately becomes a bit of a crush for him.

Then Crystal picks up on his flirting almost immediately, again they get on, etc. She says if he wasn't dead and she wasn't dealing with the aftermath of her toxic relationship with David he would be a good addition to her body count, i.e. just a fling. She doesn't say they'd date or she could fall for him just that they'd probably hook up.

Their first kiss happens when they're both dealing with some heavy stuff, Charles is angry, continuing to push down his trauma with his father and his past, Crystal is annoyed about not being any closer to getting her memories back whilst trying to deal with the trauma her last relationship caused her. They find comfort in each other in that moment. Crystal says she wants something real and the care they have for each other is real, there's no manipulation, no secrets. It's honest and it's innocent.

The song that plays in that scene is called Young Blood (White Sea Remix) by The Naked and Famous and has lyrics such as 'we're only young and naive still' and 'can't help myself but count the flaws, claw my way out of these walls, one temporary escape' and 'we lie beneath the stars at night, our hands gripping each other tight, you keep my secrets hope to die' - It does align with the idea that they're what each other wants in the moment, a distraction, to be able to pretend everything is normal and ok (keep each others secrets)

Crystal in the next episode, the next morning after their kiss, literally calls Charles a 'cute distraction' and says they should be friends. This time both of their issues and trauma are the reason for them not continuing the relationship. Blatantly, Crystal isn't ready for another relationship so soon after David, she wakes up with a nightmare about him and Charles. They bring up Charles fighting the Night Nurse and Charles says that he thought they were on the same page about it and 'at least that's how it seemed last night' which again leans into the fact they were both looking for comfort. Charles and Crystal kissing had nothing explicitly to do with her supporting his actions fighting the Night Nurse and yet that's how he took it because that's what he was searching for comfort from and acceptance on. Which is most likely why he seems to take the rejection harder than Crystal, seemingly agreeing to be friends more out of respect for her choice than the want to call it quits himself.

Charles tells Edwin later on about the kiss (right after Edwin is complaining about having to cancel plans with Monty) and says though he didn't physically feel it, he did feel it 'up here' and points to his head. The mind is generally not the place you feel love, I feel that's a given. (reminds me of the starfish on the beach that Niko says are in love, Edwin points out starfish have no brain and Niko says love doesn't require logic, meaning: love is not stored in the mind.) Charles and Edwin's conversation veers off to being about there own relationship, with Charles saying he wouldn't want to be dead with anyone else - not even the girl you just kissed? No? Ok.

The way that episode goes (The case of the two dead dragons) Crystal and Charles end up arguing about the very reasons they decided to not continue their relationship. Crystal likens Hunter and Brad to David, and Charles defends them saying not everyone is her demon ex-boyfriend which seems like he's projecting and really defending himself. Then Crystal calls him out on his 'rage problem' and what happened with the Night Nurse. So though they comforted each other the night before, their real feelings for each others issues are surfacing and they're not so on the same page. Of course they get over this and apologise soon enough. Though in the end, it's Edwin Charles opens up to and actually talks to about how he's feeling rather than pushing it aside and looking for a distraction. And after that, Charles gives Crystal genuine comfort not just a distraction by listening to her talk about her nightmares/visions about David. (immediately followed by the scene of Edwin and Monty on the swings in which Edwin suggests they don't see each other anymore, then back tracks, they kiss followed by rejection which definitely has... parallels)

After that, Crystal and Charles are still an obvious source of comfort for one another, they talk to each other about their stresses, they stick close together a lot of the time but there's nothing inherently romantic to their actions aside from the fact we know they have kissed which gives their actions a depth that, for example Edwin and Niko's don't, despite them also being affectionate and spending time together alone.

Then in the last episode as Crystal is attempting to leave for London, her and Charles share another kiss. When she tries to say bye to Charles, he says it feels like a 'good-bye good-bye' rather than a 'see you back in London good-bye' and Crystal doesn't correct him, essentially confirming it was supposed to be a forever goodbye. She instead kisses him. It's a good-bye kiss. A (supposed to be) final kiss. A 'we had a good run' type of kiss. Crystal kisses him because she thinks she'll never see him again. It's similar to the first in which the kiss itself is the beginning and end, and it doesn't mean much past that. It's a kiss as a secret again, like their first kiss. A kiss to fill the space left by things they don't want to talk about. She doesn't want to admit she's planning on leaving for good so she kisses him instead, it's a comfort and it's a distraction. (and its consistent)

When Crystal decides to stay in the end, Charles says it'll be great, then specifies that 'solving cases together' will be great, not anything else that could of implied. Which could either be them just being awkward, or a flip in their dynamic that now Crystal is the one more involved in their relationship and Charles is the one setting boundaries.

Overall I think they have a really interesting dynamic. They are exactly what each other needs in moments and then the opposite in the next, they care about each other so much yet are possibly the people that unearth each others insecurities and traumas the most. They're both looking for a new, different kind of relationship and find it within the other but inherently once the novelty fades they fall more into being friends than anything more. I think like most of the relationships in this show, they're supposed to be complicated, they're supposed to be more of a journey than a destination. They learn and grow from their interactions together and I think that's something really beautiful.

[the-cat-and-the-birdie]

How They Tell Their S/O They're Spider-Man (& Spider-Gwen) - Spider-Crew x GN!Reader Headcanons

Miles - The king of acting like he isn't a nervous wreck. Honestly, it takes Miles months before he finally has the courage to come out and say it. He'd ask Gwen and the others over and over for advice. He prepares a big speech, invites you out so the two of you are alone. And though he has it planned out, he acts nervous the whole date and it's pretty obvious something is up.

Miles can barely remember his speech, but he tells you about how much he cares about you, and how he's been struggling keeping something from you. Eventually, after fighting himself a bit, he tells you he's Spider-man, unzipping his suit to show you the suit under it.

After telling you, he's ten times more relieved. He's just happy he has someone who he can actually talk to about it (besides Genke), and he says up all night telling you about the cool things he's seen. He'd enjoy calling you while on patrol, when he's handling a 'villain-of-the-week'.

Though his biggest hope is that it doesn't change the way you see him, because he's still Miles first, Spider-man second.

Gwen - Gwen really struggles with this. She'd fight the hardest to keep it under wraps, coming up with white lies to keep the peace. It kills her inside, and makes her paranoid knowing that one day she might slip up. But she tries to play it cool, and shrugs it off if anything comes up.

But being confronted is a lot for her to take. The thing Gwen fears the most is hurting the people she loves. If confronted, Gwen would deny it at first, get defensive, then eventually just break down and admit it.

There may be tears, but she's just so done hiding everything from you. She'd hold you, and tell you she's really sorry for lying and hiding everything. The guilt gets to her the most. But afterwards, she's just happy that she can finally show her whole self to you. no more secrets.

She's much happier having someone she can go home to. And even though she doesn't talk about the stress a lot, having a shoulder to lean on really helps her.

Pavitr - If we're being honest, Pavi makes little to no attempt to hide it to begin with. Why? Because being Spider-man is fun, it's the best! Why wouldn't he want to share that with the person closest to him?

It only takes a couple weeks, maybe a month or two before he can't take it anymore and just blurts it out to you. He's nervous, but excited, more hyper than usual. And unlike Miles, he can't beat around the bush. He just says it. One second you're hanging out with your bf, another second he's telling you he's Spider-man, and hanging from the ceiling.

Pavi really likes to show off. He wants to share with you all the cool things he sees and does, and hiding things from his partner for long doesn't sit right with him. He wants to feel close to you, and he can't do that when he's hiding stuff.

Right after he wants to take you web-swinging, or show you all his cool stunts, but he understands if you need a little time. He kinda tells you with little warning.

Hobie - Hobie leaves it up to you. He trusts you and he knows you're smart. That's why he's with you. He knows that eventually, you'll know something is off. So he just lets you piece it all together.

He'll leave parts for his web-shooters around, he won't hide his bruises, or clean the occasional blood off his boots. He may catch something a bit faster than a normal person would, or seem to 'sense' something before anyone else.

He's strong in his morals, and he isn't going to lie to you or try to hide it from you. If he's going out, he'll text you and tell you. And if you ask where he is, you'll get a sarcastic answer. He's not hiding it, he just isn't saying it.

If you decide to not bring it up, fine - it's squashed. If you do come out and ask him, he'll tell you the truth. He'll give you his mask. But he'll also play it off. He doesn't want it to be a big deal, because being Spider-man isn't something he does for fun. Or fame. He does it because his dimension is shit, people are suffering, and someone has to do something.

Really, he hopes it doesn't change anything between the two of you, that he can just be his (super-powered) self, and you'll love him for all the other cool shit he's got going on.

____________________________________________

Thanks for reading :) Let me know what you think loves bye

[writingoddess1125]

You get high with them- 🍃 🚬

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Luffy

You of course bought some edibles the last time you were on land. Now chilling jn bed you ate some and Luffy came in- Assuming the gummies were just normal candies he partook in some before you could give the warning.

He ate a easy 400mg and now is laying next to you as high as a kite. His gum gum abilities also being messed with by the edibles as he is quite literally dropping over the sides of the bed.

"My face feels heavy and fuzzy" He hums, blinking at you slowly.

You smile at him and giggled at his reactions.

"You're absolutely fucked up-"

He nods at this and just giggles as he lays there. Clearly a giggly high.

Sanji

You offer Sanji a bit from your joint while sitting in the kitchens. He accepts figuring it won't be that bad-

Sanji and you will talk with you for a while as you two shared the joint. When it hits him however- it hits him hard.

"This feels weird" He smirks at this and passes the joint back to you with a smirk. The man shows a whole new side of himself- were where he is just so chill and open! Super cool too.

"Yeah I do see Chef Zeff as my father. I'll never let him know since that would boost the old man's ego way to much- But I love the old guy"

Will come up with amazing cooking ideas and actually prepare them, often having music playing as he does so.

"(Y/N) I just got an amazing idea- what if I cake the creamy cheese sauce from the pasta and add it to ramen instead and top it with spicy seafood, a soft boiled egg and green onions. A cheesy spicy ramen"

Zoro

When you first offer to zoro he absolutely refuses- It isn't until a few weeks later when he sees you at it again does he agree. You make him a small joint to start out with and the two of you sit on the main deck under the stars and pass it back and forth.

He will start to get a bit chattier. Talking to you a bit more about random things- He smiles and giggles a bit more.

"This is a new experience for me- I usually don't want to dull my senses"

You take another kit and cough a bit, Waving the smoke.

"But you drink a fuck ton" You pass him back the joint and he nods.

"Touché"

Eventually however he gets sleepy, immediately turning into the sleepy high. Just laying on the deck half asleep and joining in humming a song with you.

Usopp

Truth be told- Usopp is the most open to the experience. He lies saying he does it before despite being fairly clean. However is interested in the opportunity!

Will be the one wanting to try a pipe- Which you will happily provide and the two of you will sit in the bottom haul of the ship and pass the pipe back and forth-

Usopp will actually start to yet honest with you- really really honest. It turning almost into a therapy session between the two of you.

"Man I really miss my Mum... she was just an amazing person and it makes me upset to think she only heard about how her son was a lying mess up instead lf someone great"

He admits, sadly looking at the pipe before taking another rip of the pipe.

"I'm sure she's proud of the man you are Usopp. You are a good guy and an amazing pirate" You praise, patting his shoulder.

He nods at this and smiles. Defiently a honest high Ironically.

Nami

Nami is no beginner- In her time away from Arlong she used to smoke to feel a bit of stress relief. So when you offer she comes prepared with her favorite bong.

Sitting together the two of you will talk for hours while taking massive hits of the bong. Eating snacks stolen from the kitchen as you play records.

"So- You think that Buggy can take off his dick?" You question watching Nami take another massive rip from the bong, holding it in for a good second as she nodded and releases the cloud of smoke.

"Abso-fucking-lutely he can. He said he would take every thing apart and I saw how small he had himself flying- There is no way he hasn't sent his cock through the air"

"Wait- so if every part... do you think Luffy can stretch his?"

You both burst out in hysterical laughter and continue to talk mindlessly. Nami is Defiently the social butterfly of highs, just laying out the best of conversations.

Buggy

You get caught by Buggy smoking at first- however he is fine with it and interested in what you could possibly be doing.

Buggy is more then willing to smoke with you, thinking this will be a fun experience for you all. It's an experience all right-

Let's say in stupid thoughts you guys get hotboxed in his bedroom. Buggy has his hair down and will be talking about random philosophy and sounding intelligent unlike his normal Goofy self.

"You know, I've always wondered how the system of devil fruits work?- if one can exist at a time say I die. Does that mean another Chop Chop fruit will appear? Who controls this?.. Does that mean a plant knows when I died?"

You nod at this, also curious of this question.

"You know, I never thought of that... wait wait- so Does that mean a plant is closer to a God then anything else if it knows when you die?"

You two will talk for hours about random questions, before stumbling to get some snacks in the middle of the night.

[fairandfatalasfair]

I know people have posted about this before but it honestly it striking how much the boys do not default to violence as a way of solving problems. They're detectives in the classic sense - they're looking for clues and unravelling mysteries, and most of the time they can handle things with subtlety instead of force. It's not off the table, but it's very much an option of last resort.

The first time we meet them they're dealing with a ghost that is actively trying to kill them, and they're not fighting, they're running. While trying to figure out what happened so that they can go back in with a better strategy. Even when the cursed ghost catches up with them, Charles hits it exactly once, to get enough breathing space that they can get back to the office and get the resources they need to break the curse. Their plan with Becky was to slip in and out while Esther was distracted - they only ended up in a fight because hauling Edwin and Becky out of the magical void took longer than expected.

And as much as Charles comments in Ep. 3 about puzzle solving being "Edwin's way" and hitting things with a cricket bat being his, that absolutely goes for him as well. In the flashbacks where he confronts his friends, he pulls them off and puts himself between them and the kid they're beating up - he doesn't continue the fight once the victim is safe. In the Devlin house he's visible shaken and upset from the first round of the cycle, but it's not until they've witnessed the murder several times and Edwin's plan to break the loop has failed and he's confronting the possibility that there may not be another option that he tries to fight Devlin directly. Most of what he does with his cricket bat is pull it out and plant himself between Edwin and whatever he's decided is a threat.

I suspect that's part of why Edwin was so rattled by the first encounter with the Night Nurse - not because it was wrong or unjustified, but because it's not normal for Charles to hit first.

And these are not normal circumstances! Charles has been pushed pretty hard at this point, and has just been assaulted in a way that Edwin probably isn't fully cognizant of, and was acting urgently to stop the Night Nurse from doing the same thing to Edwin. I think his reaction was absolutely justified, and possibly necessary. And I think Edwin's response, whether it was intended that way or not, did read as condemnation - at least to Charles who is already beating himself up for not being able to protect the people he loves and doubting whether he's a safe, trustworthy person.

But I also think it's notable that the next time he deals with the Night Nurse - after he's processed some of his feelings of anger and helplessness, after he's been reassured that he's still the best person Edwin knows - he takes a different tack. She's still imminently threatening to split them up and send Edwin to hell, which is probably Charles' worst nightmare. But this time he turns to negotiation, to appealing to her sense of justice, to looking for a loophole that could let them stay together. He's back to trying to solve problems by working through them.

And in fairness, the fact that she came back after being eaten by Angie is also a pretty strong indication that trying to fight her wouldn't have worked. But I do think it says something about Charles' attitude to the world that despite describing himself as "the brawn" and thinking of himself as the fighter between him and Edwin, his reflex is still to problem solve first, to use force defensively and only when necessary. That yes, he's angry and justly so, but unlike his father, or the boys who killed him, he doesn't choose to turn that into an excuse to hurt people. That his use of force is judicious and careful and is always, always about preventing harm.

[bluespiritshonour]

Water Siblings and Fire Siblings as Foils

Katara and Sokka are peak sibling rep: they bicker, they hurt each other, they take turns being the voice of reason while the other goes batshit crazy—and they'd die for each other.

And very clearly Sokka's daddy's boy and Katara's momma's girl: and for most parts, they seem to be content with that dynamic.

Look, parents have favourites, let's establish that first: don't come at me for it.

But in a healthy environment, where all of the kids’ emotional needs are met irrespective of which kid gets along with which parent, they're less likely to tear themselves apart yearning for parental affection.

Sokka and Katara's family was a normal one, a healthy one—as healthy as one can be in a war ravaged world—and Sokka and Katara are normal siblings. Even after their mother died Katara doesn't seem to care much that Sokka gets more time with their father. And everytime she brings up their mother Sokka gets this weird look on his face, which, I think is later explained by the fact that he feels guilty that he doesn't even remember what their mother looked like. And it's not because Katara seems to know more about their mother despite being younger.

Neither of them grudge the other for having been close to one of the parents—let's call it ‘being close to’ instead of ‘dad/mum loved you/me more’ because that's what would come up with Azula and Zuko.

One can say that Azula's daddy's girl and Zuko's momma's boy... Except it isn't like that.

Azula wasn't loved by her father; neither was she close to him. If anything she had the illusion that she's close to him. But children can sense when they aren't loved, which can explain why she took her mother being close to Zuko so hard. Because she didn't get that from her father and isn't she supposed to be daddy's girl? But dad's good to her; mum... isn't. Dad lets her do what she wants... As long as she obeys him or she'd end up like Zuko.

For Ozai, both his children are pawns. He uses Azula to abuse Zuko, which in turn is to get at Ursa. And honestly, Ursa was a bad mum and an abuse victim and not the villain are takes that can co-exist.

A lot of mums in primarily patriarchal cultures end up abusing their own kids while trying to protect them in an environment where they themselves hold little power.

Ursa and Hakoda can be compared in this.

Katara haters can look away: she isn't whiny. And even if she is, well, she takes responsibility when no one else does so I guess she deserves to complain if that's what it takes. Katara is extremely mature. When she was mad at Hakoda, she still had the critical thinking skills to point out that yes, she understands why he left. He had to! She doesn't blame him for that, it wasn't his fault that there was war going on—but it still hurt!

And what does Hakoda do? He hugs her and apologises. He doesn't defend himself, because he doesn't need to. She understands! She said she does and he doesn't insult her by making excuses. He acknowledges and validates her pain.

Unlike Katara, who grew up in a healthy family with parents and grandparents and a whole community—Azula was isolated and under the influence of Ozai. And she was so young! If you remember being that young, you'd remember thinking that parents are always right. You don't realise that parents make mistakes too—and while her emotional needs weren't being met by Ozai, she turned to Ursa—but Ursa was at her wits end trying to undo the damage of Ozai's abuse on Zuko.

If she had given attention to Azula, Zuko, who thought that Azula was perfect and already had father's approval would have gone off rails—and since she didn't... Azula went off the rails.

Which was exactly how Ozai would want it. I don't like the comics much but it made sense that Ozai would hold both the children as bargaining chips against Ursa. Ursa made her choice, or rather, the illusion of her choice and Azula had to pay for it: the real reason Zuko could turn over a new page while Azula couldn't was because from the very beginning, Zuko had his mum and uncle.

Azula had no one!

Like Hakoda had to go to war and leave his children behind, Ursa had to choose between Azula or Zuko; Ozai orchestrated it as such.

But while there were people to pick up Hakoda's slack, there was no one to guide Azula. Sokka and Katara raised each other and they had Gran Gran.

Zuko and Azula were constantly pitted against each other by a war-mongering father.

I don't like this unrealistic expectations that fandom has of a family where both the siblings not only love each other equally, they also process emotions similarly (see: the Sokka vs Katara debate on how they both react to trauma) and parents who love all the kids equally.

Katara and Sokka are normal and realistic in the way that they are both different people: they process grief differently. Katara takes up responsibly and grows up too fast, it takes a toll on her and she's vocally expressive. She turns her grief into anger. Meanwhile Sokka internalises it in a survivor's guilt kind of way.

There's also gender involved in the way both pair of siblings interact. It's more subtle for the fire siblings than the water sibling. Plus, Suki makes Sokka drink his respect women juice, please y'all don't call Sokka sexist. That was character development for him which was addressed. I could make another post for gender and A:TLA.

And they both love each other dearly and they're okay with the fact that one is daddy's boy and the other is momma's girl. It's okay.

In contrast Zuko yearns for his father's affection and Azula yearns for her mother's. And while Zuko feels inadequate, for Azula it's “behave or you'll end up like your brother.”

She also learns to derive a sick sort of pleasure from watching Zuko suffer—which is entirely her father's doing. Because in rare moments when she doesn't have anything to gain by getting Zuko into trouble...she actually kind of looks out for him. It's extremely rare and sprinkled here and there to show us the Azula that could have been.

And I don't think Zuko really realised that Azula was abused too—not until he lets go of his father. Until the final Agni Kai. What I love about it is that despite portraying Azula as Zuko's tormentor for 3 seasons (and she was his tormentor) they did not frame the Agni Kai as some epic good vs evil shit.

Because from Zuko's point of view Azula was perfect. He's out here vying for his father's affection while she gets it freely. She's so lucky!—until he lets go of his father and realises what a monster he was... And he also realises that father never really loved Azula either...

They didn't say as much in words. But the final Agni Kai is proof enough. Zuko doesn't rejoice bringing Azula down (technically Katara did it). At this point, I guess, he realises that Azula's a kid too. Even younger than him—that their father couldn't care less about either of them.

Okay. I really do think that Zuko suddenly becoming invested in Azula's redemption would make sense after the Agni Kai. I also read this Twitter thread by Aaron Ehasz where he says he had plans for Azula's redemption and it was fantastic.

So yeah. Without being overt, the water siblings and fire siblings are contrasted by each other. Which is why I don't like the comics trying to do this brother-sister thing where they put Sokka and Katara and Zuko and Azula in back-to-back panels like... Even if I'm a huge supporter of Azula-deserves-redemption I didn't like those panels in the comics.

P.S. don't pit Sokka and Katara against each other. You aren't Ozai. They're different people who process trauma and loss differently and hence, react differently.

Adios.

[yumeka-sxf]

My thoughts on Spy x Family: EYES ONLY Guidebook (English ver) - part 1

I finished reading through my copy of the English version of the SxF manga guidebook "EYES ONLY." There's tons of fantastic information about the series, but I wanted to share my thoughts/commentary on parts that were the most interesting to me. Since there's so much content to cover, I'll be dividing it into a few different posts. Also, rather than go in the order of the book's sections, I decided to group the content based on topic. This first post will cover Endo's comments about the characters individually, as well as information about Garden.

Endo's Q&As and comments about the characters

Loid:

I like that Endo provides a reason for why Loid wears a WISE logo pin as it's something more than one fan of the series has questioned! And I totally agree with Lin about his "lack of distinctive features." Compared to so many other anime characters, especially shonen main characters, Loid's design is so plain, particularly in his hair and clothes. At least in his spy outfit he has a gun to make him a little flashier, but when he's in his casual clothes, he literally just looks like "some guy," haha. But that also makes sense for his character.

I love how Endo gave specific numbers for comparing Loid and Yor's strength (Yor: 10, Loid: 6-7)

Anya:

I did notice what Endo is talking about how Anya's design changed over time. But that can be said for all the characters really, and it's definitely not uncommon for manga-ka's styles to evolve as they get a better feel for their characters and world.

He mentions the classical language thing that was also brought up in chapter 42. Definitely makes me think that will somehow tie into her backstory.

Speaking of Anya's backstory, there was this little excerpt about the researchers at the lab. So one thing we can say for sure about her past is that she was not treated well there at all (which has been hinted at in the series).

Endo also discussed the origin of Anya's pink hair (namely, there really isn't any origin, lol).

Yor:

Interesting that he spent the most time designing Yor, and also about the origin of her stilettoes. And his apology to the cosplayers for that bonus feature about Yor's hair, haha.

I had to chuckle when he said they can't measure her strength because she keeps breaking the instruments! Also the fact that she hasn't learned how to make a single successful meal since the stew…Endo is such a savage sometimes, lol. But keep in mind that this book was originally published over a year ago, and obviously we know from recent chapters that her cooking is improving. I also like that he mentions that she has left witnesses to her work, like in Extra Mission 2. I wonder if that will be a bigger plot point somewhere down the line.

Like Anya having pink hair, Endo expresses some regret about making Yor an assassin (but his laugh makes it clear he's not terribly hung up about it!)

Bond:

I know some people are bothered by the fact that Yor is Bond's least favorite. But I think Bond's (initial) dislike for her originated from the chapter where he assumes he would have died from her cooking. Also the fact that Anya put the idea in his head that she would "murder" him if he did something she didn't like, like shun her food (which is obviously heavily exaggerated). But again, this book was published over a year ago, and the most recent chapter revealed that he definitely doesn't dislike her even if she's not his favorite. It's perfectly normal for pets to have family members they prefer over others for whatever reason.

Franky:

I love that Franky does charity work. I hope we'll see that in a future chapter.

Fiona:

It's interesting that he ranks Fiona's combat ability so low, especially when you consider what she did to Wheeler in the recent arc. But to me, that wasn't so much a display of combat prowess as it was totally raw, uninhibited willpower.

Yuri:

I love his blunt answer about whether Yuri has other interests besides Yor. Also intriguing that he mentions Nightfall when discussing Yuri's combat ability…maybe those two will meet eventually?

Information about Garden

Since Garden is still such a mysterious entity in the SxF universe, I tried to gather everything about them that the book mentions.

It's interesting that Yor sees Shopkeeper as her mentor since he taught her survival skills in her youth. The book also raises the question about how Yor found Garden in the first place…maybe something Endo will expand on in the future?

So the information Franky gives us about Garden is exaggerated? Gah, that just makes them even more mysterious!

The above was a cool bit of trivia...so it seems like the secret police might know more about Garden than WISE. Perhaps Yuri will find out about Yor's real identity before Twilight?

Continue to Part 2 ->

[acapelladitty]

NSFW Alphabet: Cooper Howard

Summary: A full NSFW alphabet for Cooper Howard/The Ghoul from Fallout (2024).

Fic Masterlist

Link to AO3

A = Aftercare (what they’re like after sex)

Pretends that he's not needing anything after sex but actually loves it when his partner wraps themselves around him like a second skin. Won't ever admit to it, but the way his arm snakes around to pull them even closer is hint enough to his real desires.

B = Body part (their favorite body part of theirs and also their partner’s)

Likes his hands because they're quick and dexterous, and can justbas easily gut a gulper as they can seek out and tease a clit. Not much pride in his own appearance aside from that. He's also a tit man and the pillowy softness of them is so opposed to his own body that he only enjoys them more, usually with his mouth as much as his hands.

C = Cum (anything to do with cum, basically)

Sterile as all fuck, he can do what he wants with his cum and it makes no difference. Enjoys the taste and likes oral because of it. He does love for his partner to hold onto his cum though, either by swallowing or by pushing it back up their holes with his fingers. They earned it so they're going to keep it.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

Has experimented with his new abilities as a Ghoul in some interesting and intense ways. Usually pushing the edge of pleasure and pain as he tests his own limits. His leathered skin is less sensitive than most so he's spent some of his more boring nights doing things to himself that would have a normal man in fucking hysterics.

E = Experience (how experienced are they? do they know what they’re doing?)

He knows his way around a hole that's for sure. He slept with one or two folks before Barb but he was pretty monogamous after that despite the sleaze of his acting career. He and Barb did share a very healthy, vibrant sex life and he was eager to experience new things with her but nothing too outside of the 'vanilla' realm.

F = Favorite position (this goes without saying)

Seated with his partner riding his lap like any good cowgirl should. The close skin-to-skin contact, plus the easy access to their chest, makes it a firm favourite as he's generous with his tongue and teeth. Plus, it lets him enjoy their facial expressions and hold some eye contact as he drinks in their pleasure.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Never 'goofy' is a daft sense but isn't above using filthy talk and double entendres while cracking a wicked smirk. Lots of word play around his status as both a cowboy and a monster and he likes to remind his partner of BOTH of those facets of his personality.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

Look at the poor cunt 😭 he's a great big baldy bastard with nary a pube on him. The only hair he has are the follicles that fall off the folk he occasionally scalps.

I = Intimacy (how are they during the moment? the romantic aspect)

Surprisingly romantic given how gruff and generally detached he is, but only with a romantic partner. A random fuck gets a casual pump and dump while sex with a partner has some meaning for him and he likes to feel his partner close and ensure that they have a good time with him.

J = Jack off (masturbation headcanon)

Not at the top of his priority list in the grand scheme of things. If he's feeling horny then he'll deal with it and leave the mess splattered on the ground where it fell.

K = Kink (one or more of their kinks)

Roleplay is a kink of his and he would be at his happiest role-playing a very traditional "cowboy saves a damsel and she's looking to repay the favour" type scene. His most 'out there' kinks include a mild touch of erotic cannibalism, ropework, and dom/sub dynamics relating to discipline and cnc.

L = Location (favorite places to do the do)

Strong enough to make any vertical surface a viable spot for a fuck, there are very few areas that Cooper can't turn into a good spot for sex. His preference is for a bed though because he can be a lazy fucker when it suits him but that's an indulgence he's very rarely afforded.

M = Motivation (what turns them on, gets them going)

Very easily motivated if he can sense his partner is down for a rough tumble in the sheets. All he needs is a WHIFF of a chance of hole and he'll be rubbing himself across you like a cat in heat. Hand straight to the groin like it was magnetic.

N = No (something they wouldn’t do, turn offs)

Sharing his partner? Oh no. He'd fucking kill any third party before they could do anything too untoward. He's jealous as hell and volatile with it as he claims so little in the shithole that is the wastelands. Will threaten to tie his partner up and leave them for the raiders and beasts but that's just a horny threat.

O = Oral (preference in giving or receiving, skill, etc.)

One leftover from his previous life is his love of giving oral. His wife loved it and he loved receiving it in equal measure. However, with things as they are, he'd rather get his rocks off in warm hole when the opportunity and time arose.

P = Pace (are they fast and rough? slow and sensual? etc.)

Normally? Fast and rough. However, in the quieter moments when the sun hangs low and he feels relaxed enough to enjoy some time with his partner, he takes great pleasure in some slow and sensual sex.

Q = Quickie (their opinions on quickies, how often, etc.)

Due to his circumstances, quickies are often the only option for some hole so if he and his partner are frisky then it's as and when the potential arises.

R = Risk (are they game to experiment? do they take risks? etc.)

I think choosing to fuck someone in the wastelands automatically qualifies as a considerable risk. But, yes. He's fond of risk and it's something that he'll continue to push and push until he's satisfied.

S = Stamina (how many rounds can they go for? how long do they last?)

Ridiculous stamina. The kind of stamina that will have smoke pouring from your hole if he's not careful lol. As a ghoul, his skin is slightly desensitised so he can go for longer but usually only lasts one good round.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

Not really a big fan of toys (finds his cock and mouth MORE than capable thank you VERY much) but will use easy-to-access objects like his lasso and knife for some kinky play.

U = Unfair (how much they like to tease)

Only teases when it's a game he's playing. Most of the time, he's looking for some quick, rough action that he and his partner can enjoy in their limited, quieter moments. In terms of vocal teasing? He's very quick to spout off with some sleazy promises and demands.

V = Volume (how loud they are, what sounds they make, etc.)

Tries to be very controlled but does have a tendency to grunt and growl a lot which makes him more animalistic than vocal in terms of his speech when he's fucking someone.

W = Wild card (a random headcanon for the character)

Cooper would like to eat a little bit of his partner if they were willing and had the bit going spare. Most of his meals are a necessity but to have a willing offering would be quite erotic and a big deal for him.

X = X-ray (let’s see what’s going on under those clothes)

His cock is the same shade as the rest of his skin but with a slightly deeper tone in his cockhead. Very average length but on the girthier side with a slight lean to the right when he's fully erect. No pubes, obviously.

Y = Yearning (how high is their sex drive?)

Makes a lot of inappropriate comments and touches which would have you believing that he's constantly looking for some tail. That's only true because he tends to be hornier in high-stress situations which, unfortunately, is most of the time.

Z = Zzz (how quickly they fall asleep afterwards)

He doesn't sleep much and there's something possessive in him that makes him happier watching over his fucked-out partner as they sleep rather than sleeping himself.

[racke7]

De-aged and injured Danny

Danny is found out by his parents. They don't take it well.

Clockwork is very upset about this, because he'd gambled on almost-certain odds of them being chill about it. So now he has to run damage-control before this very unlikely time-line goes even further off the deep end.

Unfortunately, Danny needs to be in the living world, not the Infinite Realms. Which means that Clockwork needs to put Danny somewhere safe. Somewhere where nobody will find him.

And double-unfortunately, the only place that remotely fits this bill is to contact Lady Gotham.

City-spirits aren't... super-reliable. They're Neverborns who very very rarely consider "humanoid shapes" worth figuring out. So they just kind of... exist. An ectoplasmic presence that's undeniable, but also extremely difficult to have a conversation with.

Thankfully, Lady Gotham is (for all of her... quirks) generally very hero-aligned. Which is why she's the best one to ask for sanctuary for Danny.

Danny who Clockwork de-aged as a way to "limit his injuries" of being vivisected.

Lady Gotham agrees, but she only has one "safe place" to put him. And her Knight is a little bit too paranoid for her to just dump an injured child in his lair, without causing more trouble than it's worth.

But it's hardly a difficult thing, to arrange a few things, and place Danny in a spot where his injuries will cause her Knight to hurry to his aid.

Such as... in a room filled with medical equipment, right next door to where Joker has just lost a fight with Batman.

Things escalate somewhat when Batman finds him and makes some assumptions about what Joker has been up to. Tempers run a bit high, someone loses a few extra teeth, someone else has to physically drag Bruce off Joker's body before he beats him to death, and the Joker considers the whole thing a grand old laugh (he has no idea what's going on, but it sure pissed off Batty, and that's always a treat).

Of course, the Batfam has to actually investigate the scene, evacuate Danny, give Danny medical aid, and then also ask Danny about what happened.

Danny wakes up and is very confused about a lot of things.

He's no longer being vivisected. Great. Love that part.

He's somewhere he doesn't recognize (the Batcave). Could be good, could be bad. At least the bed is pretty nice?

He's very small. This feels like a personal attack. He might not have gotten a good growth-spurt yet, but taking away what he had is cruel and unusual.

And there's a weirdo in an... armored bat-costume? Who isn't setting off his ghost-sense? What the hell kind of "normal" person wears something like that?

Still, Danny does answer the questions that Batman asks him, because... well, there's a green post-it-note in his pocket that says he shouldn't lie.

So Danny tells Batman about his parents cutting him up "for science". And Batman hears that the Joker somehow managed to hire two mad scientists who (upon the tiniest bit of suggestion from the Joker, who'd definitely seen the similarities between Danny and Jason and thought it would be a "funny prank") had leapt at the opportunity to vivisect their own son.

This is definitely worrying, because from the phrasing, they'd been "wanting to do it for a long time". And considering Danny's slow heartbeat and low body-temperature? They'd been wanting to do it because he was a meta.

So, somewhere out there (the Bats had found no trace of the two) were two deranged lunatics who wanted to cut open metas to "see how they worked".

Batman does the very reasonable thing and actually contacts the rest of the Justice League with their descriptions, just in case they'd managed to leave Gotham before the Bats had tracked them down.