#‘how will this affect character’s worldview?’

[hamliet]

Derry Girls: A Masterclass in Detailed, Thematic Writing

Several years after the end, I finally watched Derry Girls, and it's become one of my favorite shows. Not only for the way it captures the absolutely unhinged aspects of Irish families (askmehowiknow) but for the sheer writing skill.

The vast majority of the episodes are laugh-out-loud hilarious, while also offering insightful commentary on the Troubles and on humanity's foibles as a whole. The characters are allowed to be human and act in unlikable, unsanitized ways, and to still be human and come back from that. (Almost like a metaphor for the Troubles or something.)

The story is also incredibly detailed; for example, when the girls are accused of killing a nun and Erin points out the nun was like, 98 years old and askes "might that shed some light on the situation?" there's an hourglass behind Sister Michael--emphasizing the idea that her time was up. Even more than that... the window is behind the hourglass, literally shining a light on it.

But that's a micro level. On a macro level, I also appreciated the way the story discusses the political backdrop that is part of its premise. Even as Erin, Michelle, James, Clare, and Orla grow up in a place that's been in a state of low-level warfare for decades, they live full lives. In fact, that's kinda the point.

Case in point: episode 4 of the first season, wherein Erin gets an exchange student from Chernobyl. The way the Northern Irish in general treat the Ukrainians is hilariously awful and patronizing, believing that they are giving them a respite from the troubles "over there" while Northern Ireland isn't in a much better state. But, as Sister Michael assures the Ukrainian students, the Irish troubles don't matter because "we're the goodies."

This line gets to the heart of what the episode is saying about political divisions and the way people view an "other." Everyone sees themselves as the "goodies." Because of that, they don't self-examine and wind up hurting the people they see themselves as wanting to help/save with their ignorance. It's a paradoxical egotistical (and frankly teenage) worldview that is also unwilling to look critically at oneself. The focus on their own perceptions over focusing on the actual humanity of the other results in ruining gifts that could come with cross-culture interaction, as seen in how Erin's misunderstandings and petty jealousy of Katya leads to her literally ruining a surprise gift Katya had prepared.

And the end of the episode also comments thematically on the story. One of the Ukrainian boys turns out not to be Ukrainian after all--he's actually Irish and from just down the road. He just didn't know how to say that. The ironic message is clear: despite differences in culture and views, they are actually all human beings, and assumptions make it hard for people to speak. If they could actually talk openly and without presumptions about who is "good" and who is "bad," they could prevent and solve a lot of problems.

This kind of background, symbolic commentary on the Troubles continues in just about every episode of the series. For example, even after the ceasefire, season 3 has an episode where it's discussed how negotiations are stalling, and the entirely of the rest of the episode takes place on a train that stalls between two separate places.

The Troubles are always something affecting their lives, but the only time the Troubles ever become the main story is in the finale episode. Which is also an episode that makes everyone cry. Michelle's brother is finally mentioned for the first time the entire series, yet it doesn't feel like a retcon so much as a recontextualization, and again mirrors how a lot of society (and Michelle's own family) have treated those who murdered others during the conflict.

Erin and James' relationship also works as a metaphor for the Troubles--an Irish Catholic girl and an English boy. Earlier in season 3, after they finally kiss, they're told they can't be together, that it's wrong, and that it'll create problems for everyone around them. Michelle doesn't want things to change. And Erin agrees that it's not good to pursue something.

But, in the final scenes, as Erin prepares to vote in the Good Friday Agreement and talks to James, she directly states she thinks things can't stay the same forever--thereby countering what she said to reject James earlier:

There's a part of me that wishes everything could just stay the same. That we could all just stay like this forever. There's a part of me that doesn't really want to grow up. I'm not sure I'm ready for it. I'm not sure I'm ready for the world. But things can't stay the same, and they shouldn't. No matter how scary it is, we have to move on, and we have to grow up, because things... well, they might just change for the better. So we have to be brave. And if our dreams get broken along the way... we have to make new ones from the pieces.

Symbolically, also, given that we know the outcome of the Good Friday Agreement, I think it's pretty clear Erin and James end up together even if we're not directly shown it.

That the last shot of the episode (besides the funny epilogue) is Grandda Joe, one of the eldest characters, helping his youngest toddler granddaughter Anna leap over a threshold as they leave the voting station, is also incredibly clear in its symbolism.

Erin: People died. Innocent people died, Grandda. They were someone's mother, father, daughter, son. Nothing can ever make that okay. And the people who took those lives, they're just gonna walk free? What if we do it, and it's all for nothing? What if we vote yes and it doesn't even work? Grandda Joe: And what if it does? What if no one else has to die? What if this all becomes a--a ghost story you'll tell your wee-un's some day? A ghost story they'll hardly believe?

I dunno, I think this is a sentiment we need more of in the world. A peaceful future means taking risks and accepting that punitive justice will not be perfectly doled out; however, if you allow more people to be hurt, is that not also injustice? It's a paradox that the story leaves us without a dogmatic answer to (for example, we never find out if Michelle's brother gets released), but it's also hopeful--because we know that the Good Friday Agreement largely worked.

(For further analysis of the final scene, I recommend PillarofGarbage's analysis on YouTube!)

[elliebell77]

For the ask thing with ships, i need to know your honest opinion on dreamxcross and then crossxnightmare

Also im curious where you'd place errorx dream

dreamxcross: makes sense, compels me

ok tbh im not like a huge cream fan. its not that i have anything against it i just am not super interested in it personally. EXCEPT in the context of character development. For example i personally headcanon that dream has a VERY black and white worldview (bad things can only be done by bad people for bad reasons and bad people can never be anything other than that) so i think having him fall in love with someone who would be considered “bad” would make for a really juicy character arc

crossxnightmare: makes sense, doesnt compel me

ive only really ever been interested in crossmare when it comes to bad sans polycule. But taken out of that context i just kinda find it meh? like no hate ofc its just for me personally i have a hard time seeing their relationship as anything other than boss/subordinate. Also thinking about cross’s undying loyalty to nm and maybe even views him with some reverence? oh god theres so much angst potential here. maybe it does compel me after all

errorxdream: doesn’t make sense, doesnt compel me

i just havent really seen enough of this ship for it to compel me. i think it COULD be interesting but id have to let it marinade in my brainrot juices for longer before i take any real interest. Plus I just dont really see the connection between them in terms of narrative? like dream and error just don’t really interact at all at least from the media ive seen

[engagemythrusters]

Once again, I am begging people to start questioning the actions of Star Wars writers and executives.

Why is the “greedy, resource hogger” character a fat, disabled man?

Why is the Black man the “violent terrorist whose impacts are useless except to harm others?”

Why are the main characters whitewashed?

Why is the autistic man killed after his disability was finally acknowledged?

Why does the woman die of no reason other than apparent sadness?

Why?

[significant-ace-nnoyance]

hey kiri :] so as you maybe definitely know from all the notes ive been scrolling through your blog like its my dash lol & i was wondering if you could rec any pjo fics ? romantic not romantic percabeth or whoever else im just curious as to what your favorites are + its been too long since ive read a pjo fic lol

WARNING!! I GOT A LITTLE CARRIED AWAY AND WROTE A WHOLE ANALYSIS OF WHY I DONT READ PERCABETH FICS AND THEN A WHOLE OTHER DISSERTATION ABOUT PERCABETH IN THE TAGS!!!

idk if this is beige flag or something but i dont read percabeth fics 😭 or like percy jackson fics in general? 😭

idk what it is but i feel like i just have such a specific understanding of percabeth and percy jackson characters in general that a lot of times doesn't map on exactly to the fandom versions and that's true for any media i consume but it like weirdly irritates me a lot more for pjo? i guess bc i care sm about it so it makes it a lot harder for me to search and sift through pjo fics to actually find ones that suit my tastes specifically and also any like slight changes bother me more?

or just when im reading the fic its really hard for me to feel like its coming from percy/annabeth because i think they feel like real people to me 😭 so its weird to see them in fanfiction because like. they exist in the world of the pjo books as People to me and so in fanfiction theyre just Characters that feel more like imitations of their Real Selves than fics usually feel like to me

and also rick has such a specific way of writing them both like its clear he really really understands them (bc theyre based on him and his wife awwww <3) and so even if the writing style is different i just feel disconnected from their pov in the fic. and on that note i feel like the books themselves read as fanfiction to me like MoA and HoH percabeth????????? godtier why would i literally read anything else. so usually when im craving that i read the books or i listen to seaweed brain podcast and talk aloud to myself about how i would have written things differently or added things or watch the show bc its also sort of fanfiction thats canon bc of how well it understands the characters in terms of their overall People selves instead of just a jumble of common tropes and attributes that sometimes fandom percabeth can feel like to me

i think its also because i tend to read fanfiction when i feel like there is something unfinished in the narrative or like when the source material didn't understand the characters as well as the fandom/me because i get really intrigued by hidden potential and also tragic storylines and fix-it fics and to me it's just a lot harder to see percabeth in an au??? or scenarios outside the book???? idk what it is because most of the media i enjoy is adjacent percabeth type relationships because i love the dynamic but when it comes to literal percabeth i just. can't deviate from the text unless it's seaweed brain pod or my imagination 💀

sorry that was a long rambling of me trying to pick apart my brain and figure out why i dont read percabeth fics LMAOO i do enjoy fics with other pjo relationships though, specifically non-canon ones like pipabeth or valgrace because they have a lot of potential rooted in the text and in the possibility of dynamics that make sense with the canon characters+backstories+traits but also go beyond the text bc they aren't actually part of the canon (so i can separate fandom leo from how i see canon leo if that makes sense)

anywayyyyyyyy, ive heard that percabethfeelsfandom writes good percabeth fics if you want to check her out, and ill let u know if i come across any good recs in the future :))))

x kiri

[vaugarde]

books that changed my brain chemistry at age 9. tbh.

[moonlayl]

The Stark and Hargreeves siblings have a special place in my heart because it’s so rare to find characters in western media that have more than two siblings, and even rarer where they’re all relevant to the plot and so widely different. 

[featherdawn]

I've fucking cursed myself with an animatic idea that I never made and now any song that's about the way the internet fucks with ur psyche gets automatically associated with monika in my mind

[morzowo]

.

[joseefinwrites]

Ultimate "Know Your Character Inside Out" Template

The ultimate template for creating a character, without losing your mind, while you're at it.

Character Background Template ... (open)

1. Name:

2. Age:

3. Gender & Pronouns:

4. Physical Appearance:

   - Hair color:

   - Eye color:

   - Height:

   - Build:

   - Distinguishing features (scars, tattoos, etc.):

5. Background and Upbringing:

   - Where were they born and raised?

   - What was their family structure like (parents, siblings)?

   - Describe their childhood environment and upbringing.

   - Were there any significant events or traumas in their past?

6. Education and Skills:

   - What level of education did they receive?

   - Did they excel in any particular subjects or skills?

   - Have they pursued any additional training or education since then?

7. Personality Traits:

   - Describe their personality in a few words.

   - What are their strengths and weaknesses?

   - How do they typically react under stress or pressure?

8. Motivations and Goals:

   - What are their short-term and long-term goals?

   - What drives them to pursue these goals?

   - Are there any fears or insecurities that motivate or hinder them?

9. Relationships:

   - Who are the most important people in their life?

   - How do they interact with family, friends, and acquaintances?

   - Do they have any romantic interests or significant relationships?

10. Past Experiences:

    - Have they faced any major challenges or setbacks in the past?

    - How have these experiences shaped their beliefs and values?

    - Have they experienced any significant losses or tragedies?

11. Worldview and Beliefs:

    - What are their core beliefs and values?

    - How do they view the world around them?

    - Are there any cultural, religious, or philosophical influences in their life?

12. Inner Conflict:

    - What internal struggles do they face?

    - Are there any unresolved issues from their past that continue to affect them?

    - How do these inner conflicts impact their decisions and actions?

13. Connection to Outer Conflict/Plot:

    - How does their personal journey intersect with the main plot or external conflict?

    - What stakes are involved for the character in the larger story?

    - How do their goals and motivations align (or conflict) with the central conflict?

 

(Shorter) Knowing Your Character Inside Out Checklist

Personality Traits:

   - Introverted/Extroverted

   - Optimistic/Pessimistic

   - Assertive/Passive

   - Empathetic/Self-centered

   - Logical/Emotional

   - Adventurous/Cautious

   - Honest/Dishonest

   - Ambitious/Content

Beliefs and Values:

   - Religious beliefs (if any)

   - Moral code

   - Political beliefs

   - Views on relationships

   - Attitude towards authority

Fears and Insecurities:

   - Common fears (spiders, heights, etc.)

   - Deep-seated insecurities (failure, rejection, etc.)

   - Traumatic experiences (if applicable)

Desires and Goals:

   - Short-term goals

   - Long-term aspirations

   - What motivates them to pursue these goals?

Strengths:

   - Intellectual strengths

   - Physical abilities

   - Emotional resilience

   - Social skills

   - Unique talents or abilities

Weaknesses:

   - Personal flaws

   - Areas of vulnerability

   - Bad habits

   - Limiting beliefs

Backstory:

    - Family background

    - Childhood experiences

    - Significant life events that shaped their identity

    - Education and career path

    - Previous relationships

-Josie

[grandline-fics]

Shifting Focus

DESCRIPTION: The moment they began to see you differently

WARNINGS: None

CHARACTERS: Shanks, Kid, Smoker | Sanji, Law

WORDS: 2,850

A/N: Another part of this in honour of reaching 500 followers. This was my first time writing for Smoker so here's hoping you all enjoy!

*REQUESTS ARE OPEN*

MASTERLIST

---------------

SHANKS

Everyone knew Shanks was a flirt, a laidback charmer who always had a smile and a wink at the ready for the next pretty face he came across. No-one was meant to really take it seriously, to see anything that happened to be more than what it was, a fleeting moment of enjoyment for both sides. Serious feelings never truly came into play, it was easier that way given that he was always on the move. To let anyone believe he was the settling down type would have been cruel and he didn’t find any enjoyment in hurting people needlessly, unless they were his enemy of course. Everyone in the crew were more than used to his mannerisms, yourself included. You could understand his worldview on the matter however you never entertained him when he chose to flirt with you. Something that he finally started to notice and when he did, he couldn’t let it go. 

“Do I repulse you?” He asked suddenly one evening causing you to choke on your coffee. Your body tensed and you forced the liquid down your throat, wincing at the painful burn it caused and sharp tightness in your throat. You’d needed it to stay awake for your night shift but after that, you set the mostly untouched mug aside. Looking to your side you saw your captain staring at you intently, a small pout playing at his lips making you believe he was picking his words carefully to seem like he was keeping the conversation light. However underneath the joking you could tell there was a real question there. 

“If you repulsed me Cap, I wouldn’t have joined your crew, now would I?” You answered, looking back down to the sea chart in your hands, needing to keep track of any notable features coming into view. “What is it you really want to ask me?”

“I’ve noticed something about you.” Shanks began, scowling when you looked away from him to continue your work. You were always so task-oriented and levelheaded that even when you were joking with another member of the crew, you were still focused on what was needed to be done. Finally you looked up at Shanks again, eyebrows raised slightly to invite him to keep talking. “You don’t flirt back.” 

For a moment you had to think about what Shanks was getting at but finally you let out a laugh and lightly rolled your eyes. So he was in that kind of mood today. For a moment he almost had you by making you believe he was asking you a semi-serious question. Still smiling in amusement you shook your head and turned to go inside when a wind started to pick up. If you lost the charts in your hand it wouldn’t have been good. What you weren’t expecting was Shanks to follow you, with a sigh you settled down at your desk and sat back to stare at your captain who clearly wasn’t finished with this joke and you weren’t going to get any peace until you indulged him. “Am I being reprimanded for my lack of flirtation towards you, Cap? I’m surprised it’s affected you so much given how you’re never without company.”

“You flirt with the others on board.” Shanks pointed out, not really knowing why it was getting to him so much. Ever since he’d realised you’d joke around and tease the others on board but not him, it just kept gnawing at him. Shanks knew he shouldn’t get so irritated by it all but he just couldn’t help himself. He stepped closer until he was leaning of the edge of your desk, staring down at your calm expression. “So why not me?”

“I flirt with the others because it’s not serious and they know that.” You shrugged lightly, leaning back to regard your captain, a smile slowly pulling at your lips. “You, however are a different story, Cap.” With a breathy sigh you rose from your seat and Shanks’ earlier position meant you were now standing mere inches away from him, not quite touching but close enough for the warmth of your body to radiate into his. “If I gave in and flirted with you…I don’t think I’d be able to stop it as just a joke. I don’t have the same self-control that you do.” You murmured, tilting your head up slightly so your breath could softly dance against his skin. Satisfied that that should be enough for your Captain’s need for the joke to end you took a step back and grinned before sitting down at your desk. 

With your presence no longer engulfing his, Shanks blinked and immediately wanted more. More of that rush, that spark, more of you. However fate had other plans when Lucky Roux called for him and he had to do his duties as the Captain. Sharply letting out a huff of annoyance, Shanks reluctantly left your side to head onto the deck. When he reached the doorway, he couldn’t help but look over his shoulder and see your attention already drawn back to your work. Yeah, this was far from over.  

KID

There was never a dull moment on the Victoria Punk. Even on the calm days at sea, the heavy steps of the Captain and the usual tone of conversation was carried at a volume louder than some other ships were used to. But that was what you liked about it. It was only when the ship was deathly quiet outside of sleeping hours that any of you felt the need to worry. The seas were calm and laughter surrounded you all as you sat in the living quarters with plenty of drink to see you all through to morning if you wanted. 

Currently you were all playing a game with the bounty posters you’d all seemed to collect. It was a simple enough form of ‘Kiss, Marry, Kill’ by selecting three posters from the pile however each person that had to answer ended up getting drawn into a fierce debate about their answers. If you didn’t want to answer on your turn however, you had to drink. It was an empty punishment since all of you were drinking happily regardless. 

“Look I stand by my answer okay?!” Wire shouted, unable to keep the grin from his face knowing the argument was in good spirits. “I had the worst draw out of them all so far, you guys have been getting it easy.”

“Just hurry up and pick my three okay?” You grinned, sitting up from your lounged position to get a better look for your turn. Wire reached over to the pile of posters lying face down on the table and picked three at random, slowly flipping them over to reveal Blackbeard, Franky, and Bartolomelo. Grinning you sat back down into your previous position. “Kiss Bartolomelo, Marry Franky, Kill Blackbeard. Easy.”

“Not that I’d argue with the decisions, you just made up your mind so quickly…” Killer noted, a grin in his voice as his face remained hidden by his mask. You rolled your eyes and grinned. 

“Nothing to think about, Blackbeard is…ugh” you suppressed a shudder at the mere thought of the Emperor. “Franky is dependable and skilled, and fun from what we saw when we allied with them so marrying him wouldn’t be the worst thing.”

“You didn’t think about Bartolomelo as marriage material?” Kid asked with a grin and you laughed up at your Captain who you’d been leaning against for a majority of the night. 

“No way, he’s a major Strawhat fanboy. I’d be competing against that entire crew for his attention, sadly we just weren’t meant to be.”

“Yeah, you’re real heartbroken about it I see.” Kid laughed along with you and the others. The game continued for another while, some of the crew stopping from being too drunk to stay awake while others began to head for their quarters. Those remaining all agreed this would be the last round and it meant you were to deal out three posters for Kid. 

You were still far too comfortable lounging against your Captain so you quickly reached over, fumbling you flipped over the first three you could get your hands on and flopped back before even seeing who he had to choose from. From the sound of the stifled laughter you could tell his options were going to be good. With an anticipated grin you turned on your side and pushed yourself up with your elbow only to become surprised to see your bounty on the table along with Buggy the Clown and Nico Robin. You couldn’t help but become curious about what your Captain would pick about you although you supposed as long as he didn’t pick you to kill it was all fine, it was just a game after all. 

Kid suddenly felt tense and couldn’t help but look away from your printed face to the physical version of you. The you he suddenly became all too aware of. You’d been part of the crew forever and he’d never needed to see you as anything other than a valued member like the others. What if he said something that made you uncomfortable. But if he didn’t play then you could misread that too and make things worse. Fuck, why was he overthinking this? He had to finish the game and hope nothing more was said about it. “Kill the clown and kiss Robin.” He muttered quickly before looking away and draining the last of the alcohol in his mug. 

“Aww you wanna marry me?” You cooed, the smile growing wider on your face. With everyone satisfied with a good ending to the game, the crew began to clear up their drinks and the bounty posters and move to turn in for the night. You got up with a groan and stretched out your arms, finally feeling the need to rest too. With a yawn you turned to Kid who was still sitting and smiled softly. “Not heading to bed, Kid?”

“Yeah, heading soon.” He grumbled lost in his own thoughts that were now occurring to him and you tilted your head, a frown falling on your lips. Quickly Kid realised you were going to worry and he recovered enough to smirk at you. “We need our rest, right? We’ve got a wedding to plan huh?” He forced the joke out, relieved to see you laugh and leave while wishing the rest in the room goodnight. When you were gone, Kid glared at Killer who was sitting far too relaxed for his liking. “When did you add their bounty to the pile, Kil?”

“I have no idea what you’re talking about and you have no way of proving it.” 

SMOKER

“Vice Admiral?” You paused in the middle of the G-5 Base corridor when you spotted the base commander leaning against the wall with his office just a few feet away. At the sound of your call he made no sign that he’d heard you. It wasn’t exactly uncommon for someone of his rank to get lost in thought especially if there were certain higher ups breathing down their neck or certain pirates occupying their minds. Adjusting the documents in your hands you approached the base commander. “Vice Admiral Smoker?” You asked again and moved to lightly touch his arm to get his attention. 

At the same time, Smoker turned sharply and knocked into your hand causing you to drop your files in surprise. As the papers fluttered to the floor you kept your gaze on Smoker, concern growing in your eyes. His usual steely gaze seemed to have dimmed and you noticed the small tremor in his otherwise imposing frame. As one of the base’s medical staff your critical, scrutinising stare was pinpointing all that stood out to you. Since you were dealing with the commander himself, you felt you had to be somewhat nicer and couldn’t just order him to rest. “Are you sick?” You asked and immediately his stare sharpened at the implication. 

“I’m fine.” Smoker’s answer was gruff as to be expected but you could hear the slight shake that could have been missed had you not been listening out for it. When he saw you weren’t fooled he finally took a proper look at you and through his mind that was getting foggier by the second he managed to recognise who you were and what department you worked for on the base. Inwardly he cursed his bad luck. He’d been trying to get to the safety of his office but a dizzy spell hit him hard and he had to stop to catch his breath just mere seconds before you’d approached him. Smoker didn’t want to be babied, getting sick was a rarity for him. He just wanted to get to his room and sit there in peace until he felt a little better. No one else had noticed his state all day, why did he get cursed with bad luck like this at the final moment? He just needed to get rid of you before you tried to take a closer look at him. “Aren’t you going to pick up your documents?”

“Well since you're not sick and are partly responsible for me dropping them. You can surely help me lift them, right Vice Admiral?” Your question was so sweet and innocent but still Smoker glared at the challenge in your eyes. In any of his previous interactions with you, you’d seemed so reserved and quiet but now he could see another side to you. With a grunt, Smoker lowered himself to the floor, trying to fight the wave of dizziness and aches rolling down his body. Mentally he cursed you as you smoothly crouched down and started collecting sheets at a pace far faster than he was able to. When Smoker was focused on the task you’d given him, you struck. Your hand touched his forehead before he could react and you scowled at the man in disapproval. “You’re burning up with a fever. You’re going to your room and resting.” 

Your order left no room for disagreement and before Smoker’s mind could truly catch up, he found himself walking into his room with you. When he was lying on his bed you set about gathering what was needed to help his fever and aches before making yourself comfortable at his desk to fix the scattered documents into their right files again. From the small layer of dust gathering on the surface you could tell Smoker didn’t use it much, being a man of action over paperwork. “You don’t need to stay, I’m fine.” Smoker grumbled. 

“The second I leave, you’ll rest for an hour at most and call yourself cured. I’m not leaving until I’m happy you’re actually fine.”

“An hour is all I need.”

“Didn’t know you had a medical degree.” You noted dryly. “Do I call you Doctor Vice Admiral Smoker or Vice Admiral Doctor Smoker?” It surprised you when Smoker’s deep laugh rumbled through the air and a small smile graced your lips at the sound. Perhaps he should laugh more, it was a nice sound and it would help make him more approachable to some people. 

“You can call me whatever you want.” Smoker mumbled, it wasn’t often people stood up to him like this and he had to admit it was refreshing to see. Unable to fight it, Smoker yawned as his body was beginning to give in to its need for rest. When you heard the telltale signs of him falling asleep you let out a sigh of relief that the medicine you’d given him was started to take effect. 

In the early hours of the morning, Smoker stirred at the soft feeling of fingers lightly running through his hair. It was a comforting feeling and still under the haze of sleep that hadn’t fully left him, his mind hadn’t properly caught up so he let himself relax into the feeling. Reaching up he curled his fingers around your wrist holding your hand in place as his eyes slowly opened and met your face. 

“Your fever’s finally regulated.” You informed him gently, keeping mindful of the time and not wanting to speak too loudly. “If you promise to drink more fluids and stay in bed until at least late morning I can leave.”

“I promise, thanks Doc.” Smoker mumbled with a half-smile, stifling a small yawn and letting his eyes fall closed again but when he didn’t hear you leave he opened his eyes again to see you still standing there. “Problem?”

“Um, kinda need my hand back…or did you want me to stay?” you laughed softly, trying to hold back the grin when Smoker tensed and quickly let go of your wrist, allowing you to leave. “Remember your promise.” You reminded him as you left, smiling to yourself as you left to your room with the memory of Smoker’s blushing, embarrassed expression fresh in your mind. You had to admit it was pretty cute to see. 

[wilcze-kudly]

I do find it annoying how a lot of Zutara fans tweak the character's stories, personalities and even the timelines to suit their own needs.

Once again, there's nothing wrong with fanon and headcanons, however if looking through the lense of canon, you're objectively wrong.

I ended up stumbling on a post from a Zutara shipper. (At this point I'm regretfully considering not following the tags for Zuko or Katara because I get way too much Zutara content lol) I'm not replying directly to her because I don't want this to turn into an argument, and I know she doesn't take criticism very well.

Ok, So let's break this down.

The character who was first out of the group to trust Zuko?

I'm quite sure this is referring to the scene in Ba Sing Se's caves. And yes, that is a very important scene. I think it's a very important scene preceeding Zuko's 'relapse'. It shows how he's matured during his time in Ba Sing Se and therefore it serves to add to our dismay when he joins Azula. I adore the fact that Zuko's journey to redemption is not linear, it certainly adds a lot to the character and shows us how his trauma affected him.

It's also a horrific moment for Katara. To have her worldview on Zuko and firebenders as a whole challenged, and then for it to go blowing up in her face. It rips open old wounds of her childhood. It refreshes her resentment of Zuko and the Fire Nation as a whole. It parallels the death of her mother when Aang dies due to Azula's lighting and she is unable to do anything about it. It places her back in that spot of helplessness. Even though she's grown up, even though she's a master waterbender, she still comes a hair's breadth to losing one of the most important people in her life.

No wonder she hated Zuko so much after this.

It's an important moment for both characters, but I wouldn't say it is that in a romantic sense. It's a sweet, hopeful moment that then turns absolutely horrific and visceral for both parties.

I could argue that there are other characters who could be given the title of 'first to trust Zuko'. Funnily, Appa being one of them lol.

But other characters trusting Zuko dovetails nicely into the next point.

The character who emotionally connects to Zuko?

Well, technically, I'd argue that most members of the Gaang connect emotionally on one level or another with him?

But I'd argue that Aang is the person Zuko connected with the most. Aang is Zuko's parallel. Aang is the first person to reach out to Zuko. Aang is the person who showed mercy to Zuko, multiple times. Aang is the person who valued Zuko's life, the life of someone whose whole life goal is to capture him.

This was also an incredibly important moment to Zuko. This is the thing he brings up when trying to convince the Gaang to let him join.

Zuko: Why aren't you saying anything? You once said you thought we could be friends. You know I have good in me.

The character Zuko feels safest letting his guard down around?

It's Mai. Love her or hate her, her relationship with Zuko is incredibly important to him. Maiko isn't my favourite Zuko ship, in full honesty. But even platonically, Mai and Zuko are one another's reprieve from their respective shitty lives.

People often talk about Katara touching Zuko's scar while discussing healing his scar, however one could argue that she did so as a medical examination. Mai touching Zuko's scar is a casual thing, neither of them really make a big deal of it and that's the beauty of it.

I'm mainly talking out of my own personal experience, as someone with a huge amount of burn scars, but there is a world of difference between someone inspecting my scars like Katara did and simply accepting them as a part of me, like Mai does for Zuko.

With Mai, Zuko isn't the scarred banished prince, Ozai's son or Azula's brother. He's just Zuko. And they speak freely with one another, arguing like real people do. Often, being comfortable having arguments is actually a sign of being comfortable with one another.

The character who helps Zuko heal from his trauma?

Once again, this is a bit of a flawed question. By the end of the show, Zuko isn't even fully healed, in my opinion. He has made leaps and bounds on the road to recovery, but when he will truly heal if ever is yet to be seen.

Zuko's journey to recovery includes plenty of people. This includes Iroh, Aang, Song and Jin. People who show him the error of his coping mechanism. Who challenge his worldview, who coax him out of the his shell of pain and anger.

The character known for showing most compassion to others?

Yes, Katara's compassion is a huge part of her character. Her need to help and protect those who cannot do that for themselves cannot be understated.

But Aang's compassion for others and all beings is just as great, if not greater than Katara's. Compassion and nonviolence are huge parts of his culture and his own philosophy.

Aang: Wait, we can't just leave him here. Sokka: Sure we can. Let's go. Aang :No, if we leave him he'll die. Aang airbends himself off Appa and retrieves Zuko, bringing him to Appa. Sokka: [Sarcastically.] Yeah, this makes a lot of sense. Let's bring the guy who's constantly trying to kill us.

Friendly reminder that Aang could've absolutely wrecked Ozai, but held back because his own moral compass was so powerful. Hell, he was friendly and nice to Azula, the woman who literally killed him.

This is why Aang and Katara work so well together. They're both incredibly compassionate people who will immediately jump in to help others in need. Like they did during the Painted Lady, destroying the factiry together.

The character who primarily bears the burden of having to step up into a parental role?

I think "parental role" is an incredibly vague term. There's a lot of things that go into a "parental role". Katara plays a stereotypically "maternal" role, while someone who plays a "paternal" one would probably be Sokka.

Katara deals with very "homemaking" tasks like sewing and cooking, etc. And Sokka often takes on the role of leader, hunter, gatherer and also protector, despite being a nonbender.

This coincides nicely with their core childhood traumas. The loss of Katara's mother impacted her greatly, leading her to have to step up into a motherly role. While Sokka was clearly heavily traumatised by his father departing and the crushing responsibility of having to care for his entire village.

Sexism also probably played a part in this dichotomy.

The character who represses their emotions to be strong for others?

I'd argue that this could apply to all the members of the Gaang in some capacity.

Aang's pain is something most of us will never experience and cannot hope to understand. The complete horrific destruction of his culture and home followed him through the entire show. He was entitled to his grief and rage, yet he supressed it. We see during Appa's kidnapping, how easy it would be for Aang to rage, to let himself be destructive. And yet, he wakes up every day and chooses to smile and goof off, because his friends need someone to remind them how to be children.

Sokka puts on a very impressive bravado, despite having a lot of insecurities. However, as the oldest member of the Gaang (pre Zuko) he puts on a facade of the confident and unbothered older brother. Even if he's the butt of almost every joke, he still keeps that demeanour up, letting it slip only a few times.

I'd actually argue that Toph is the person whom this label fits best. While we know Toph as witty, callous and strong, we have to remember that she kept up the facade of her parents' good, helpless little blind girl for no reason other than her mother and father's comfort. She actually hides a lot of her hurt, covering it up with a prickly exterior.

I want to do longer think pieces about Toph and Katara so apologies if this isn't complete.

I'm actually baffled by the idea of Katara repressing her emotions. She's actually quite straightforward and open about her feelings. She yells and feels a lot of emotions and lets them be heard. She gets angry and sad. She's actually kinda bitchy sometimes and that's honestly why I love her so much.

The whole inciting incident of the show was her getting so pissed off she somehow pulls a giant iceberg from the bottom of the sea.

She is anything but repressed.

She is angry.

She's angry at the fire nation, at Sokka, at her father, at men, and with good right to be so.

This is what makes her an amazing character and one who broke the mould of a lot of female characters at the time. Her anger and unrestrained emotions rang true with a lot of watchers at the time. I'm not sure why this is being taken away from her rather than celebrated.

I reiterate the point I made at the beginning of this post: there is nothing wrong with headcanons and fanon interpretations for one's enjoyment. I do find it a bit odd when it changes a character too much (because then, why not just create an oc?) but it's all in good fun. However, you shouldn't push that onto other people and how they perceive canon and you certainly shouldn't use it to take away from other characters. It's a very unfair way of entering discourse.

[nanowrimo]

How to Use Meal Scenes to Develop Characters, Relationships, and Your World

Worldbuilding can sound complicated, but why not make it a little more simple by focusing on food? It may be the domestic touch you need! NaNo Participant Lacey Pfalz talks about using meal scenes to develop your world and your characters.

There’s one thing that remains a universal human truth: we love food! While our perspectives on food might differ, people all across the globe gather together during mealtimes — and thus, mealtimes are made memorable.

Meal scenes can also help your story in a few key ways, especially if it’s fantasy, science fiction or historical fiction.

Meal Scenes for Worldbuilding

If we’re using food for worldbuilding purposes, does that mean we can say we’re worldcooking?

Just kidding! Worldbuilding, especially in historical fiction, science fiction, and fantasy, is an integral part of what you must do as a writer (In truth, it’s also important for writers from other genres, but we’re specializing in these three today).

Meal scenes can be an important part of the worldbuilding process. Food is intrinsically tied to a culture or a country, or even a small region. That’s why it’s important, when building your own world, to take time to figure out the bare minimum of what your characters will be eating.

Let’s do an example. Your world is fantasy, your kingdom set beside a wide river. Perhaps your capital city, where much of the action is located, is surrounded by wetland.

If this is the case, what types of food would likely grow there? Seafood, fished from the large river, might be your characters’ staple proteins, while rice might grow better than another grain because of your kingdom’s wetlands. Fruit, perhaps even coconuts, might be the sweet stuff your main character loves to devour.

Remember that your world directly affects what types of food your characters will be having: is there coffee in space? What about in Byzantine Turkey or your new riverside kingdom?

Shannon Chakraborty does a phenomenal job with this in her fantasy series The Daevabad Trilogy, which is set in the eighteenth century across the Middle East. Her first book, The City of Brass, is especially good at showcasing the often-fragrant dishes of the various cultures across this region of the world (some copies of the book even have a short list of recipes from the book that foodies can try whipping up for themselves).

While her book is set within the fantastical world of the Djinn, her food is based upon recipes that have been preserved for centuries.

There’s one small reminder with all of this: it’s important not to get too caught up in describing each dish so much that you end up taking the focus away from the characters in a meal scene. Meal scenes can be breaks from fast action, but they should also continue the plot.

Meal Scenes for Developing Characters & Relationships

Character development can be hard, especially if you have a handful of characters that you love! But in order to make your readers love them too, you have to show them interacting with the world around them.

That guy we love to hate? Maybe he’s a loner who has grown up eating by himself. Having him forced to sit and eat with a group of people who have known each other for years might be an awkward moment for him, but it helps readers to learn more about his own worldview — and it might just help get him out of his shell, or at least off the love-to-hate list.

Besides helping you develop a single character, writing meal scenes with some of your characters can also help readers learn more about the relationship between your characters.

Let’s say you have your main character, MC. MC leans over and steals a French fry from her best friend. There’s no issue, right? That’s because they like each other, and the best friend has likely eaten with MC before, and knows she enjoys stealing food from other people’s plates.

But when MC tries it again, this time with the guy sitting next to her, he whacks her hand to stop her from stealing. This sparks an argument that seems, at least to everyone else watching it, pointless, but readers will know from the rest of the story that they’re the enemies-to-lovers trope. This argument is just one of many before they finally acknowledge their feelings towards one another.

See how that worked? A meal scene wasn’t useless; it pulled the story along by giving readers another taste of the enemies-to-lovers trope that so many enjoy reading.

If you need a more visible example of how this can play out, try watching a movie like Pride & Prejudice, (the book is amazing, but I’m suggesting the movie as a visual aid). The movie does a great job showcasing just how different the members of the Bennet family are individually, how they act around each other, and how they act around company.

There’s often little action in meal scenes, so they’re not meant to be overused. The plot should also still be there — take the cringey proposal scene between Mr. Collins and Elizabeth in Pride & Prejudice, for example, which follows directly after a meal when the rest of her family abandons her. In this case, the plot (and Mr. Collins’ advances) ruin her meal.

Perhaps your meal scene is the much-needed respite in between battling fierce aliens for planet Earth, or the first time your main character’s enemy-to-lover has entered her home. Either way, meal scenes are an important way to immerse your readers in what kind of world they’re imagining as well as showcasing how your characters act and — more importantly — how they act around each other.

Lacey Pfalz is a travel journalist by day, hopeful author by night. She belongs to the class of graduates she dubs the Class of COVID-19, having graduated with a double major in history and writing at Wisconsin Lutheran College in 2020. Her writing passions include fantasy, science fiction and historical fiction (with a little bit of romance, of course!). As someone with a physical disability, it’s her dream to write a fantasy series featuring a main character like her. Header Image by Jack Sparrow

[suresne]

i’m hesitant to jump into the Kim Discourse but i disagree with statements that boil down his worldview/morality to “kim is a good cop first and foremost, no matter what”

there are so many examples of him doing shit in the game that directly compromises the reputation and aims of the RCM, and not just in a corrupt cop type of way (though there is some of that, obviously)

if kim only cared about being a good cop, why does he go along with harry’s unhinged side missions and whims at pretty much every chance he gets, putting aside the murder investigation? we know that he has “authority off the charts” and could make harry toe the line, but he almost never does. he has a stern affect, but it’s often just for show.

if kim only tolerates/likes harry because he is a detective of the RCM, why does kim clearly get joy from their adventures that have nothing to do with, and even sometimes interfere with, their police work? just because kim says that line to harry about how “an officer of the RCM shouldn’t be on the street” doesn’t mean he necessarily believes, even in the beginning of the game, that harry is only really valuable as a detective of the RCM. he may project that as a value he has adopted, but that doesn’t mean it’s truly how he feels.

kim uses his position in the RCM as a way to distance himself from things that are messy, like politics and emotions. it’s easier for him to say to harry “no RCM detective should be on the street” than “i care about you for some reason i can’t explain and don’t want to see you sleep in the dumpster.” because he’s a pathetic little man who can’t talk about his feelings

i’m not saying that kim isn’t misguided or that his admiration for the RCM isn’t misplaced. because he is, and it is. but making his seemingly unwavering devotion to the RCM the salient aspect of his character at the expense of other things just doesn’t make a lot of sense to me.

also arguing that kim could never grow or be radicalized is doing him a disservice, imo. knowing harry for a week makes kim confront the rigidity of his thinking about reality itself. is it really so strange that he could have the potential to reflect and reevaluate his worldview? the game didn’t make its characters so complex and human for them to remain rigid and unchanging.

[piratecaptainscaptainpirates]

Musings on what the Gravy Basket can tell us about Ed's worldview and self-image

It is very, very unsafe to be asleep or otherwise vulnerable in front of others. Like the first thing out of his mouth is asking Hornigold if he did "anything weird" to him while he was out. Compare to how easily and peacefully he fell asleep next to Stede their first night together

He is so fucking mean to himself. Like, all the time. Constantly shooting down his own ideas, and even care (like Hornigold feeding him soup) is made into something scary.

Hornigold is him, and he hates Hornigold. He's horrified by Hornigold. The way Ed hates himself isn't just a passive thing, it's active and terrified and violent.

He thinks he always has to find an "angle," like thinking about how Hornigold could sell the sandals he makes, and he finds this tendency in himself to be boring and tiresome

He scolds himself for not being a "people person," even though he very much is. Ed's a charismatic, likeable person who other characters generally have no problem getting along with as long as they treat him with the bare minimum of basic respect

He believes that Stede left him because of Ed telling him about the night he killed his dad - for Ed, the root of everything he hates about himself comes back to that one moment that forever defined him as a monster

He thinks he's boring and bland. He desperately tries to prove that his mutiny wasn't "basic," but he clearly thinks it was. He doesn't think he's an interesting person.

He is desperate for approval, praise, and affection. He just wants Hornigold to play with him and treat him kindly.

He has internalized many of the cruel things that have been said about him - the obvious example is how Izzy is always calling Ed "insane" and Ed admits he's worried he's insane here

His innkeeper roleplay isn't just about an inn, it's about what he wants in life. He finds being an innkeeper attractive because it's safe, peaceful, and everyone likes you - he's tired of danger and feeling hated.

[scintillyyy]

the steph brown conundrum aka the problem with steph being a character with hugely divergent doylist and watsonian readings

okay, so like. there is always a part of me that feels that to this day, didio kind of won when it came to the destruction of steph's character. like she wasn't a toxic character like he thought before he got his hands on her, but since he did & there was fallout from it, it has completely destroyed dc's desire to do anything potentially interesting with her, even as they've brought her back. like. she will always just kind of be a shell of her former self, doomed to stay uncontroversial and in the background. because when it comes to steph, and the problem with utilizing steph as a character now, you have to acknowledge two things

steph from an editorial and out of universe perspective was treated horrifically. the nonsensical and terrible things they made her do to move along the plot of post-crisis are awful and excessively reckless to the point of intentional character assassination & it was all done to justify her fridging for bruce's (and tim's) manpain which is awful

but the things that steph did as a result of the above are extremely load-bearing and important on plot and character dynamics and motivations from war games all the way to reborn era & to try and remove or minimize things that happened as a result of those actions just because they were arguably out of character from her has the unfortunate result of completely and intentionally warping the characterization of everyone who interacts with her to the point where it negatively affects almost every single other character instead.

so in order to show this we need to start at war games, talk about what happened, & go into how this affects things & why her character assassination is not as easy to fix as cass's or leslie's

so war games. ah war games. you know, having recently reread it, war games is frustrating because it's arguably a semi good event for most everyone except steph and leslie (especially leslie--now that was character assassination.). so let's get into the bare bones of what exactly happens in war games (war games being the three main events of this time: war drums (the prequal), war games proper, & war crimes (the follow up & worst part of the event)) (and i'm not saying i necessarily agree with this, just. this is what we have to consider.)

war drums:

this event has two main stories - the bruce & leslie story and the steph becomes robin story

in the bruce & leslie story (which is definitely racist), we have a young teenage pregnant girl who shows up at leslie's clinic having been shot. leslie attempts to save the girl and baby, but is left in a precarious situation where only one can be saved. she reluctantly calls bruce for help finding the girl's family, who finds out that the girl in question is popstar l'shea's sister--the popstar and her entourage in question kidnap leslie & the girl & bruce finds them, where it's revealed the girl is actually l'shea's daughter (like i said. racist.). l'shea makes the decision to save the baby, which kills the girl. leslie tries to get bruce to see that he can't save everyone, and ultimately gets upset about the cycle of violence she feels he perpetuates when he goes to take mr. freeze back in. she later comes to talk to bruce & it ends on a positive note fairly consistent with the bruce & leslie relationship--one in which leslie wishes he could devote himself to saving lives nonviolently & hoping he could see her as an example. my only quibble is that bruce responds as "ha-ha" leslie when if you compare to the batman chronicles #18, bruce absolutely counts on her to challenge his worldview & be a shining example of what he cannot be.

we do start to see the seeds of character assassination for leslie here imo, though this part is the best understanding of her by far--she's always been a foil to bruce as far as her pacifism and her determination to try and show him that there are other ways than his crusade, but traditionally she's always been defined as well by her immense love for him & he for her. she fundamentally disagrees with his crusade, but she's going to be there for him because she knows there's good in him that's worth saving--because to leslie, every life, including bruce's, is worth saving. anyways, read the batman chronicles #18, where she's determined to use O- blood on zsasz because of her firm commitment to the belief that every life is precious & she and bruce talk about their differences in opinion but how she's determined to keep showing him there's another way & he wants her to do so. this leslie who has, up until this event, been troubled by his crusade--but has decided it's tireless, but worth it to show him the good in people, suddenly seems a lot more, hm. overtly hateful of how batman operates & the fact that he puts criminals back in prison just for them to break out and the cycle to continue & has a sudden desire to not work with him if at all possible because of her total disagreement with his methods. which is. hm. somewhat but not entirely consistent with leslie's motivation. leslie would have no problem asking bruce for help if it meant saving an innocent & the fact that he believes in the redemption of criminals is something she inherently believes in. anyways i digress-

the other main story is, as we all know, the steph becomes robin story. and while you do not have to agree with how it is written wrt stephanie, the barebones of what exactly transpires is thus: tim has quit robin for his dad. he is attempting to live a normal life--go to school, hang out with friends, & not do the vigilante thing even when he sees people in need. he meets up with steph, who tells him of her determination to return to spoiler now that her broken leg has healed & he tells her that it's very hard for him to leave the house on account of jack always being suspicious that he's going out to be robin & be involved in anything vigilante again (it is implied that this is the first time he had been able to get out in a while because of his dad, as he didn't know she got her cast off). one day, when tim is at school, darla aquista, who has a crush on him, kisses him out of the blue. this happens to be seen by steph, who is now officially active again & chooses to be active during the day as a result of wanting to avoid batman as she doesn't have his approval, has gone over to tim's school to check on him because she's suspicious he's hiding something from her other than he's basically under house arrest from his dad atm since it had been so long since she had seen him. it, of course, looks terrible to her and she flounces off--deciding that she's going to become robin. bruce agrees, which everyone--alfred, barbara, eventually tim, etc completely understands to be a scheme to lure tim back. steph proceeds to completely ghost tim for the next two months--he calls and leaves messages, and she never calls back or comes to see him at all--she is completely radio silent & avoiding him and he doesn't know why but he is worried. bruce tells stephanie that she will not be privy to any secrets & the minute she disobeys an order she's out (a double standard, yes, but completely consistent in that he, again, is using her basically only to lure tim back). meanwhile, scarab is hunting tim, killing boys in his age range with dark hair and their families in an attempt to kill robin as there is a contract out for his life. tim then finds out through the newspaper that the reason steph has been avoiding him is because she became robin & calls the batcave to finally talk to steph & ask her to meet so they can finally talk in perso. about what exactly happened and how on earth steph became robin. cassandra comes instead--steph doesn't show up because batman and robin are busy hunting scarab who is trying to kill tim/previous robin & tim needs to be put under protection. steph gets a tracking device on scarab. day 49, bruce and steph go to get scarab, bruce goes in while steph is let behind for support in the batplane, bruce gets blinded, steph disobeys bruce and comes in to help, steph gets caught by scarab, scarab gets away in the batplane because steph forgot to arm the security system. steph officially gets fired 3 weeks later for disobeying an order on day 71.

yea, it's something. but it is what it is.

war games:

so we get to war games proper. overnight, a gang war has erupted & set the city ablaze and into chaos after a letter was sent out calling all the crime bosses to the harbor where a firefight breaks out on account of the main player who was supposed to be there if those letters were sent out, matches malone, not showing up. since tensions are high, it's easy for then to start shooting and killing each other & in doing so creates an immediate and widespread vacuum of power in the criminal underworld of gotham that people leap to try to fill & wipe out their competition in the meantime. innocent people are caught in the crosshairs.

nightwing (who is already having a terrible time) shows up to help (with tarantula) & is personally dealing with the emotional fallout of letting tarantula kill blockbuster amongst other things.

barbara is doing her best to help out and triage people to help, but there's really only batman, batgirl, nightwing, tarantula, & orpheus against a whole city. and at this point, tarantula has taken over a gang under batman's command to try and control things and can't overtly help & orpheus was already in control of a gang under batman's command in an attempt to protect women & children and exert some control over the criminal underbelly of gotham and also cannot overtly help out.

stuff with hush is happening in gotham knights but i don't care aj lieberman, by god, i do not care.

tim is doing his best to go about his day and keep his promise to his dad and not go out to help despite the fact that the city is falling apart. this becomes harder when a rival gang comes to kill his friend darla aquista at their high school, on account of her father being a mob boss. the kids are panicked and run into the school for sanctuary and safety, but are followed in and darla is shot.

what happens next is that tim's school is taken over by gangsters--the ones who came to kill darla, and the ones who see the opportunity to kill the ones who are trying to kill darla--and the kids are trapped in there with them, doing their best to hide, but some are taken hostage & are at the mercy of their captives (kids are killed). tim shelters in the nurses's office & does his best to go out and help who he can bring to safety, alone with getting a lay of the school (which gang is where).

meanwhile, bruce, cass, & dick have been informed that tim's school is taken over and kids are dying. along with all their other current trauma, they have to go find tim in an active shooter zone where he could very well be dead. dick gets to be the one who finds him (such a traumatic time for dick btw), and he's thankfully okay. they get control back of the school and free the kids. batman comes out on live television holding darla's body--she's not dead yet, but she's close.

we find out where steph is. selina finds her and we finally find out why this happened: upset at getting fired and frustrated that she's never been able to truly land their approval, steph lashed out & stole a plan designed to unite the crime families in gotham under batman's control hoping that if she was able to set off a plan for batman & it worked he would take her back and she'd finally have his approval. however, the main man didn't show up and it fell to pieces--doomed to fail. and the reason that this all happened is because steph was never told that batman is matches malone. there's actually a ton of 'bruce what have you done' here. catwoman shelters steph & tells her to stay put. steph does not do so, she leaves so she can try to find orpheus & help get the situation under control because she knows he's key to the plan.

tim, unable to stand by any longer despite his promise to his dad after the thing at the school, returns to the manor where he is greeted by alfred & returns to being robin.

batman finally also realizes that what happened is his war game contigency plan/hypothetical/thought experiment just as a citywide blackout hits--a plan he never intended to implement, it was one of his hypotheticals. & they also start looking for orpheus, as he's the key because they need to keep him alive as the plan was for the criminal underworld to reform united under his, and therefore batman's, rule.. steph finds him first, just in time to see his throat slit--by black mask.

steph gets into a one v one altercation with black mask and is overpowered and at his mercy. he tortures her. it's gross, we all know.

tim tells his dad he's returned to being robin. we get what is probably some of the best jack drake charactetization. tim meets jack and dana so they can go help out at leslie's clinic to help the injured.

steph, eventually, after being tortured, finally tells black mask that the plan required orpheus and is now obsolete because orpheus is dead.

cass is looking for steph because she's probably the only one aware that steph is out as spoiler & she knows that the last time she saw steph steph was lying to her about something

leslie is currently acting extremely out of character. and she's kind of a jerk to cass when cass comes looking for steph & is downright hateful about his mission. (which. is ooc for leslie--while she's never agreed with bruce's mission she's always, always, loved and respected them all--consider her in NML vs here. she wants to end his crusade and him to do something better, but she's always looking to be a beacon of hope that there is another way. every disagreement should be steeped in her love for them).

hush is still here for some reason and will tell black mask where the batcave is

catwoman is concerned about steph--who has passed out from the torture--calling her "the kid you messed up so badly she started this whole mess"

batman takes over oracle's & the police's system by force. we're really in it now. steph wakes up, determined to get to batman to tell him about orpheus's death.

black mask, however, has taken over orpheus's identity and is contacting batman, ostensibly to continue the "plan". and darla officially dies, meaning her father is out for revenge and wants everyone killed.

batman meets up with black mask as orpheus & figures out spoiler was there, but he assumes she fought zeiss. he leaves, black mask is planning...something as orpheus.

batman has barbara take over the police waves once more. barbara is getting really sick if this shit.

gotham city is starting to rail against vigilantes as a result of the widespread chaos of war games, calling for them to turn themselves in.

batman has orpheus call a grand meeting. ostensibly to end things and ensure peace in gotham with everything unified under orpheus's commands. orpheus is, however, dead. black mask uses the meeting to set everything ablaze again & barbaba has to call off the vigilantes from helping to protect the gcpd to go help batman--this is the straw that breaks the camel's back of this causes an official break in the uneasy alliance between vigilante & gcpd and comissioner akins gives the order to shoot to kill vigilantes on sight (as also, as a result of the plan failing due to orpheus's murder it seems as if batman et al are on the side of the villains causing mayhem)

at this point the game it out of control & they have to focus on stopping it. cass finally has a chance to talk to batman and tell him her suspicions that steph was the one who set the entire thing into motion, which he has now figured out (on account of him finding traces of spoilers's at orpheus's)

dick gets shot in the leg by the police while fighting firefly

tim meanwhile is happy to return to robin, and actually has bunch of nice things to say about steph's time as robin--that she kept things light for bruce, that he's not too proud to learn from her--even if he did admittedly resent her a little bit for how it all went down. he's also currently in the middle of a breakdown over darla's death and is pretending everything's okay by just go go going.

steph has freed herself from her bonds and gets into it with black mask, finally overpowering him when she realizes "this isn't a game". she gets a gun to his head & wants to pull the trigger and end him for good, but can't--as that would mean betraying everything she's been taught. the hesitation costs her and black mask gets the gun and shoots her in the shoulder & kicks her down the stairs & leaves

she manages to get herself up despite her extensive injuries and escapes by rooftop, where she's finally found by batman, who brings her to leslie and begs her to save steph. he then tells her she did good & that she did everything she could & that the city owes her after everything she went through.

and black mask is still causing trouble--hush supposedly told him the location of the batcave & he plans to solidify his reign as the undisputed crime lord of gotham by sending everyone there--it's not the batcave, however--it's the clocktower. all the criminals are now converging on and headed for directly for barbara. they get in and make it past all her defenses and invade her safe space, black mask making it to her control room & taking her hostage. the gcpd also descend upon the clocktower.

batman goes ham and almost kills black mask, saying it'd be worth it to end everything that's transpired. tim creates a diversion by lying saying they'll turn themselves into the police. barbara blows up her clocktower so that bruce has to make the decision between saving her & killing black mask. bruce chooses to save her & it's over. bruce gets called to leslie's clinic, where it turns out steph had too much internal damage to save her. steph tells him that she started it all, and bruce says he knows but that they took care of it. he tells her that tim isn't mad at her and that the baby she had won't want for anything ever. he lies and says that taking her on as robin wasn't just to bring tim back, that she was really robin & that he'll be watching over her. she dies. black mask takes over as the new criminal overlord of gotham city.

as a result of all of the above, we get the following: gotham is no longer safe for vigilantes to operate. tim has been set in motion on the path of loss from darla to steph to his dad in another event that will eventually lead him to the mental space he needs to be in to become red robin and leaves for bludhaven. cass follows in her grief of all that transpired. dick is out of commission due to his gunshot wound & dealing with the fallout of working with bruce while feeling like he doesn't deserve to, but is also the only one left to work with bruce. barbara, whose safe haven was trampled upon and destroyed, feels gotham to go be with the birds of prey in another city. bruce is operating all but alone, save for a couple of other distant vigilantes.

we find out that bruce didn't--couldn't--tell tim steph had died until hours after the fact, and that's when tim was finally able to hear the whole story as to how steph became robin all the way to how the gang war got started. this is also when dick finds out the whole story as well.

and thus, war games ends

war crimes:

so we make our way to the epilogue of this storyline. the very aptly named war crimes

the public is still railing against vigilantes. it comes out publicly that stephanie brown was spoiler, then robin, and that her injuries were not thus that should have killed her. batman finds out and goes to leslie's to find out who leaked stephanie's information, only to find out leslie has resigned and her chief resident left with her. batman finds the resident, murdered in a clear attempt to set batman up. (it's black mask setting him up). a man named aaron black is railing against black mask, batman, & the gcpd for the gang war

we find out that treatment was deliberately withheld from stephanie and she was purposely left to die. we find out aaron black is the not so dead arthur brown. & we find out that crystal knows something and is prepared to spill it all. black mask comes dressed as batman to attack crystal brown on live tv. we find out the joker is after black mask for killing robin. the joker gets arrested, black mask gets arrested (and escapes), a tv reporter gets indicted, the leader of the odessa mob gets indicted, commissioner akins and athur brown don't get indicted, and batman has finally figured out who killed stephanie and goes to africa where she fled to.

in, quite possibly, the greatest moment of character assassination in this entire gd event we find out it was leslie who let stephanie die because she was tired of batman's crusade, destroying everything she once stood for just to prove a point to bruce about the senselessness of it all and to try and put an end to it. congrats to dc for this horrific epilogue.

so there it is--the entire event. it certainly is a thing that happened. and that's the problem--it happened. and it was very, very much intended as a personal fuck you and goodbye to the characters of stephanie brown and leslie thompkins. and that's terrible on so many levels. but unfortunately the fact of the matter is, despite that and regardless of any personal feelings about it, war games became a load-bearing event to batman canon.

because war games had so much influence on fundamentally upheaving and changing the status quo of the characters involved and storylines following this could not happen without war ganes existing. without war games, tim does not become the tim that will eventually become red robin. without war games, dick is not injured and out of commission and does not flee to new york and the mob, leaving bludhaven for tim and cass and on his passively suicidal mission that will eventually lead to infinite crisis and the one year boat ride. without war games, barbara does not leave gotham because she needs to leave it behind, only to return during the reborn era & all the tension that entails. without war games, bruce doesn't end up alone & isolated as needed for the red hood storyline. without war games, stephanie is not killed and thus can't be evolved into batgirl as an apology for the way she was treated. the dynamics caused by war games are essential to the stories that come after it. and then you're left with two very, very uncomfortable truths:

one, war games was a horrific fuck you and. fridging to a female character solely because of the evil sexism present at dc editorial at the time and of course you want to delete anything that had such awful intentions behind it

two, war games happening is essential to the trajectory of every single bat characters' story that comes after it including hers. and so it had to happen. and the thing with war games is that steph, while not completely to blame for it transpiring, was humongous part of it transpiring no matter what. because we end up with what it seems to me, the grand circle of blame. it goes as follows: war games never would have happened if bruce hadn't made his contingency plan to begin with -> yes, but. even if it is one of bruce's toxic traits to do that, he never intended for the contingency to go into effect and it was more of a hypothetical than anything and the only reason it ever saw the light of day was because steph stole it and put it into action -> yes, but. if bruce had been less of an asshole and told steph the basic information of matches malone is batman she wouldn't have made the mistake -> yes, but. to completely blame bruce is to remove any and all agency from steph, because nobody put a gun to her head and forced her to implement the plan, that was entirely her decision. and as much as we would have liked her to have decided she no longer needed batman's approval, the fact of the matter is she did want it and she did make the decision to send those letters -> yes but, if bruce hadn't had a contigency to begin with she wouldn't have had such an awful plan to steal -> yes, but having contigencies for plans that will never come to fruition is honestly a normal thing for them and bruce planning out a hypothetical is just another tuesday, and it was steph who set it into motion -> yes, but... and so on and so forth endlessly until the end of time. like, whether things were out of character or whatnot is a valid discussion (though all comics characters are doomed for stories where they're out of character), but putting that aside: the fact is, for every character's trajectory into the reborn era, war games had to happen. and for war games to have ever seen the light of day and happened, steph had to make the decision to send those letters.

and so we're left with this. steph made those decisions because of horrificly sexist behind the scenes decisions. if steph didn't make those decisions, then no other character trajectory makes sense. and that's how we end up with a steph conundrum that is so much harder to fix than any other character assasination of the time. because cass's was easy to retcon as brainwashing, it makes sense for slade being involved. leslie was easy to retcon as faking steph's death, that removes her intent to kill a child and restores her original characterization of every life is sacrosanct. but war games? war games does not and can not happen unless stephanie decides to send those letters. things with tim and barbara and cass and even through steph becoming batgirl don't happen unless steph sends those letters. and when she sends those letters, hundreds of innocent people die and even though bruce is largely to blame (and is blamed, by the narrative), there is a culpability of steph's active decision in the entire mess that exists.

and if that culpability exists, if she sent those letters and war games happened, and innocent people died and barbara had to blow up her home and tim had to do cpr with darla's blood pouring over his hands and dick got shot in the knee and had to find tim in an active massacre, and cass lost herself to grief, then from an in-universe perspective while it's easy to for them to blame bruce for the majority of it, it also is true that every single one of those people has the right to question whether she is capable of making good judgements because of the extremely bad one she made that had so many in-universe consequences & they were all victims of it. from an out of universe perspective, it is so, so, so hard to put that kind of culpability on her, though, because of the sexism involved in deciding to make her make those decisions.

(as an aside. you also get this same issue that occurs as a part of the last arc of the robin series--wherein in order to justify steph no longer being spoiler and graduate her to batgirl, they need her to make a mistake so bad it would justify the idea that spoiler is a tainted mantle & she can't go back to it--so they decide that she needs to hire assassins to try and kill tim under batman's orders. now this is stupid & nonsensical, and she makes a mistake like that due to writer sexism thinking that that was the way to go. but her making that mistake and hiring those assassins is essential to the overall self isolation of tim & him being unable to trust her amongst everyone else that he needs to be in the headspace to kick of red robin & steph needs to have made a mistake that taints the spoiler mantle & makes people not want her to be it otherwise why would she become batgirl... it's messy. very messy.)

but because of all the horrific sexism out of universe behind the decision to write her to do these things, you're left with. hm. it is hard to want to make her have any culpability because that would just be entrenching the sexist writing she's had & she was the biggest victim, but to just completely throw it out is to make every other character appear completely irrational and unreasonable when it comes to dealing with steph. and that's truly hard for dc--who, once they make her a headlining character in her own right as batgirl, now has to be a lot more careful when dealing with steph. because if any other character does have reasonable concerns about steph continuing to exist as a vigilante after the decisions she made that sparked off war games, or hire assassins for tim, or etc etc etc then you risk people being like "no, maybe these people have a point. maybe these people shouldn't have to work with her if they feel at all uncomfortable by decisions she made that resulted in truly terrible times for them."

so you end up. dc finally has to do something grand, something triumphant for stephanie's character to make up for the completely atrocious way she was treated before. and you get batgirl 2009, which is a triumph for her character, it's the approval she's always deserved but never given, she finally gets to show all her naysayers that she's worth it--that they were all wrong about her and she deserves to be there just as much as them. and she does deserve a big doylist apology--she was treated terribly & cruelly & it wasn't right for dc editorial to do so. but you run into. hm. this problem of in order to make this big doylist apology work, you need everything that came before it to have happened. because it's a big doylist apology you can't actually have it that those things to have happened because if steph has to prove herself to the naysayers, the naysayers have to be completely wrong about her.

and that's hard given we're in reborn era and bruce is "dead". because in that case, steph's naysayers have to be barbara, tim, & dick. and while steph shouldn't have to prostrate herself for forgiveness & they shouldn't blame her for everything ever (they've all had their own issues where they've made mistakes, some with tragic consequences, and therefore can't call the kettle black), the problem with having to make them her naysayers is that you have to make them unreasonable about her & that's hard to do when they were all victims of something that occurred in part due to a decision she made. you have barbara, who should be able to have reasonable concerns about whether steph is fit for the job because she had to blow up her own sace space because steph sent those letters. but you can't acknowledge that because that would be entrenching the sexism behind that decision. so you make it so barbara is the one in the wrong about her. you have dick, who should not be able to look at stephanie without remembering his little brother calling him, wanting to commit suicide over everything that's happened, without remembering the tim at the edge of the pit, without remembering getting the call-code 619-and realizing that tim's at the site of a massacre occurring at his school and could be dead, and he gets to realize he was completely wrong about her with no consideration to what complicated personal feelings he may have about her on account of his own most precious relationships. you have tim, who does have things to apologize to her about, to be sure, but has to be cast as completely in the wrong despite the things she did having to have happened such as hire assassins & everything he had to endure as a result of her sending those letters. and that's not to say that any of this means that she shouldn't be a vigilante of course, you can't have a double standard where male characters are allowed to make mistakes and continue on regardless of mistakes made and not afford that same grace to female characters. but at the same time, it's uncomfortable to cast barbaba, dick, and tim in the role of naysayers to be overcome because that erases their victimization by the events that had to have happened in order to make it to this point. and again, they don't have to blame her to feel like it's her fault to have reasonable discomfort because discomfort =/= blame, necessarily.

and you get into this entire mess solely because of the decisions didio made because he hated her character and was determined to destroy it. and it's gross! we hate didio! but like. way back to my original thought, in a way, he did succeed a little. because of the horrific things that happened to her due to cruel and gross out of universe editorial decisions, you do have to be extra delicate with the character. you've lost the ability to show steph making any sort of mistake that has significant ramifications because to do so is to go back to war games & all the baggage that that entails. you need to play it incredibly safe with her. she can't be shown to be in the wrong because of the horrific way she was treated. at the same time, you need things to have happened, but you need things to not have happened. it's just a lot of baggage for a character, and there's probably a reason why they still play it safe by sticking her with tim (until they broke up) and now cass. it's uncontroversial after everything she's been put through. idk. i think current continuity is the best chance to finally really do something interesting with her again given that the mistakes of the past are so softened and don't need to be forefront to the character anymore because we are in an era ripe for things happened but they didn't happen, but will they? i don't know.

[alphaketoglutaricacid]

shuro notes

upon rereading some of dungeon meshi, I got a better grasp on his role in the story and why hes in the main supporting cast along w kabru (main protag of the suporting cast), namari, and mithrun (main antag of the supp cast) . Contrary to most of the characters disliking eating monsters, he seems to dislike eating, period. In his first appearance he refuses to eat maizurus cooking (with maybe some mermaid eggs sprinkled in..?). His refusal to eat ties into his extreme passivity. He seems to dislike how his father does what he pleases with no regard to how it affects others, and his fear of doing the same seems to play a huge role in how he lets other ppl walk all over him. He ignores his own desires, including his own hunger, because consuming means taking another life. To live means something else has to die, so to desire is to want to take from others. To try to live up to the image of an impassive leader he tries to not participate in this process at all! But bc hes a human being he has to eat, so instead of never taking from others, he starves.

With Falin, I think he realizes there is a way forward where he could be himself and face the ugly realities of what it means to want. To be unabashedly yourself while not hurting everyone in your life. His love comes from a deep place of admiration! I think part of the reason why he's so dead set on saving her is bc he wants to be her equal—she saved him from his nightmares without a second thought, and part of it is to repay her kindness and to be able to reciprocate it. I think he foils nicely w marcille bc he proposes to her (asks her to choose her future) while marcille doesnt want her to move on from the time they were both children. I think this plays a huge part in why marcille hates him, bc its a reminder of how the time will pass and also he aims to take falin away from her. Interestingly, she also became fairly distant and withdrawn after falin left and they both formed their relationship w her bc dirt and bugs r cool. They both are the party members in Laios squad that fly off the handle the most. Socioeconomically, they both seem to be in the least dire straits and kinda prissy abt things as a result. On re-read something else clicked into place.

After his fight w laios that starts w legit grievances and devolves into him hitting all of laios’ insecurities like a game of whack-a-mole, shuro says he’s returning to his home country and after that he would never see any of these ppl again. Even before falin got eaten, he knew he was going to have to leave the party but couldnt bring himself to tell them. The way the convo goes, it seems part of the reason why he proposed to her so suddenly is bc he wants to take a part of his time on the island back home with him—i.e. that hes not ready to say goodbye. That the prospect was taken from him so suddenly is why this is the first thing hes asked for or wanted for himself. Interesting parallels to how marcille is not ready to live the rest of her 1000 year life without her friends now, and how falins death is a catalyst that brings her fear to the surface—that for both of them, theyll live the rest of their lives never seeing the ppl they love from this island again. I think part of the reason he is so nasty to laios in particular is bc his entire worldview falls apart at laios' actions

Both desire wise and literally, Shuro is starving. And like a starving person getting his first meal in a long time, I think he gets a little greedy—when he gives Laios the bell, he says if the party somehow makes it past thistle, to ring it so they can all escape to the East--where he's headed. Likewise marcilles solution is to bring everyone with her to the 1000 year lifespan. Thats surprisingly childish of both of them! Also not a solution to the problem that suits anyone but themselves. Theres so many solutions to this. He could write. He could call. He could communicate view morse code using that bell instead of attempting to blink in morse code to communicate to laios how he doesnt want to be here. Falin voice: I’ll go visit you, okay? He could set foot on the island again. Honestly. This is so embarrassing for him.

But I think it gets at a core theme of the work. Marcille, Laios, and Shuro all say their greatest desire is to save Falin, but once u get down to it, theyre pretty basic-to not be left alone, to be w monsters who u feel a kinship with, to not have to leave. Namari says she left bc of money but later on goes u must never let go of your fear. Kabru says he wants to get to know laios to prevent utaya from happening again but its much simpler-he wants to be his friend. Our base desires are petty, but they are what keep us going day to day, just like how every living being has to hunger and eat to achieve the goals they set out for.

Lets talk abt his relationship w his retainers.

Hein- theyre childhood friends that have drifted apart in adulthood. By the familiar way she talks about him when hes not around, I think she wants to be close to him again. I think the distance between them is probably intentionally imposed by Shuro bc hes afraid theyll turn out like maizuru and his father. She thinks hes unreliable in a way i think u can only rlly get when u know someone for that long. I wonder if some of that I thought wed always end up together and I want him to like me even tho I dont like him back is wanting that closeness in friendship again

Maizuru- Good god whats happening here. she loves him but also treats him like a child even tho hes a 26 year old man. I think its got fun connections to how kabrus adoptive mom treats him like a child, how marcilles not ready to see falin n herself as adults, thistles relationship w degal. Now these are all relationships where differences in lifespan come into play, but w maizuru n shuro i think u see something real banal in why these elves cant let the ppl in their lives go. She coddles him bc she loves him and tells him at the end he doesn't have to eat the dragon if he doesn't want to, but he rebukes her and says he has to eat it to accept his own failures. So like he doesn't need to be coddled he needs ppl in his life to challenge him so he can grow. And at the end he realizes it tastes good--that even tho his journey had so much conflict and in the end he failed to save falin he made friends! He grew as a person! He starts reaching out to his retainers again! He got to harrass the elf cops and give them migraines! Ties a lot into laios speech to marcille that if falin didnt die they wouldn't have met all these ppl and gotten to eat all this food.

Its wild she put that hag curse on him. Poor kid cant even take a shit in peace. Actually the fact that he couldnt even have that time for himself n grew up constantly feeling watched explains a lot. I think the fact his father nonchalently burnt it and then roasted mochi over it without giving him any explaination made him think oh this is just what everyone goes through and im the weird one for being frightened. And it takes him 20 years to find out that no, its not normal to be haunted by a ghost that chases you with a knife. Pretty apt metaphor for how rules have defined his life without him fully understanding why they're in place. I'll give it a crack tho--it seems like the time period his homelands based on the sengoku period bc its a period of heavy civil war where ppl below upsurped the ppl above them. The strict hierarchy is probably an attempt to exercise social control in an extremely precarious situation.

Also side note: kinda impressive he can do magic when he was six. Probs a combination of maizuru being a talented teacher and his own skill. The fire cast… close but no cigar. Also interesting is how the magic he casts seems more elf-y in nature vs maizurus gnomic spirit magic. I wonder if hes his partys black mage- the occupation his party is pointedly missing vs the toudens missing their white mage and kabrus party being well rounded at all points. If so thats hilarious that when the toudens lost their previous mage and everyone was panicking he was like well… im just not gonna say anything #OnBrand. I do wonder if the bell he gives laios is his own magic tho.

Also shuros mother is mad at maizuru for being shuros dads mistress but gives her her children to raise…. Lets unpack this contradiction. Incidentally my tin foil hat theory is Shuros a bastard child. maizuru n his dad have been fucking since 4ever -> one of these children is not legitiment -> probs the one w a strange distance from the rest -> whys shuro succeeding his dad so up in the air when his competitions a 14 and an 8 year old. It's not important tho.

izutsumi + inutade: the fact that he doesnt speak up is his defining moment of moral cowardice. Its tied to his passivity! Hes scared of saying or doing the wrong thing bc hes afraid of hurting others, and he does basically attempt to torch his relationship w laios like it was contaminated w anthrax. Like the first time he tries to be active it went horribly, but his involvement moves the plot forward enormously—with him kabru would not have run into Laios, izutsumi would probably not have been able to run away, he raises the stakes of the journey by indicating they probs cant return to the surface so they have to keep going. And even tho its messy, ugly, and embarassing, he can still pick up the pieces afterwards. Nothing he does is as harmful as his passivity on inutade and izutsumis situations which unequivically, he knows is wrong.

Also w all the references to buying people, I looked it up bc i was like.... like slavery...? it seems to be a reference to retainership as a social caste where people buy your services and as a result you owe the estate your service. You get paid and you have rights, but it seems like you are bound to your station, but depending on the time period japan is supposed to reference, some ppl took on these positions for the sake of social advancement. Regardless, it seems the caste system is also less rigid than stated and ppl can move amongst the positions. There doesn't seem to be an exact cultural equivelent to this, but I think the closest concept is like, being a vassal. I was like if this is slavery this narrative portrays izutsumis time w the nakamotos too ambivenlently and hien going don't you feel any gratefulness for them taking you in makes no sense. But I still think theres something pretty rotten going on here.

Allegedly, as a ninja, you ascend the ranks based on your skill. And yet izutsumi and inutade are at the bottom, and hien, the person that was born into this role, is at the top! Izutsumi and Inutade aren't even considered human in the island of wa--this distinction is given to tall-men only. Theyre both from positions where I feel like the other characters are like they should be grateful they got from one horrible situation to this one thats a system based on merit and skill, but like out of everyone, theyre in the least position of power to say no, to even appreciate what other options there are for them in the world. Like its deeply coercive and wrong. Whats up w shuros father collecting ppl like theyre trophies man. So we can see a system allegedy based on merit is not one at all. Also I feel theres undertones of japanese imperialism with izutsumi being from the equivelent of central asia and having a soul of a child stuffed into her like some kinda of science experiment. Maizurus constantly trying to "civilize" her by teaching her ettiquite such as using your chopsticks. Like the rhetoric of the elves ape pretty directly to imperialistic sentiments, it would not surprise me if theres intentional commentary about japanese imperialism in how izutsumis treated bc japans kinda known in the east for their imperialism... theyve just done it so many times like my parents were like we left our families, our culture, everything we knew behind to go to america.... but we kept our death grudge against japan tho!! #lmfao. Honestly fair. anyways i think theres intentional parallels between how izutsumi is treated as both as a child and a feral animal by maizuru and how the elves treate other races as children that need toys taken away from them. But also how fundementaly, maizurus unsuited to take care of izutsumi bc the tools she has are not suited to izutsumis needs! She has no understanding of izutsumis life. Her hag curse turns from a highly questionable child rearing tactic on shuro to outright a slave collar on izutsumi. Teaching shuro ettiquate and being able to fight gives him the tools to survive in the postion he was born in but is erasing the culture izutsumi grew up in and has been taken away from before she even knew what it meant. Bc she was treated like a circus freak she never got to choose for herself! Tho providing the basic comforts to shuro is a privilage, it's not to izutsumi bc shes never been able to choose what she wants in life. It's why shes set up as shuros narrative foil like so:

This is his pensive look btw its a consistant tic that he lookes like hes glaring when hes deep in thought. Maizurus is both these people's strange mother figure who feeds them in liu of their actual mother. She smothers shuro in love and doesn't let him face actual challenges in life while she intensely disciplines izutsumi. Shuro reacts to this by aquiessing and never making demands of his own while izutsumi constantly refuses to conform. This is probably why he doens't get her.

In the early points of the story, shuro either says leave izutsumi for dead or leave her so she can pursue her freedom. The ambiguity is intentional, because i think in this part of the story we are not supposed to have a good read on him. But it's also because because of his passivity he doesn't do shit for her! So he loses out on having any type of relationship w her even tho they were tormented by the same curse. But crucially he may have learned from this w inutade, who he explicitly aknowledges how her situation is fucked up and her worship of his father is due to an insane power imbalance even tho he has no clue how to talk to her about this. And at the very end of the manga, he gets into an eating contest with her at her prodding as equals. So maybe there's hope he can do better. But I think its important that his relationship w izutsumi is non-existent as a consequence of his passivity despite the things they have in common bc theres no excuse for it. Thier relationship probs deserves its own post.

benichidori - very funny amongst all these complicated relationships these two just straight up dont know each other n r too shy to do so. Is what I was going to say but then I realized benichidori has taken shuros place as hiens closet friend and I wonder if theres any jealousy abt that. But also she shares a lot of traits w shuro and isnt that just interesting:

but even more interesting is her comic:

this is beat for beat shuros conflict w laios.

We only care about one thing: the crushing opinion of everyone in the universe.

I didnt get this on my first read even tho laios was like hes smart but he is incredibly sharp. Hes good at making useful deductions when things dont add up. It rlly reminds u hes trained in espionage.

He keeps kabru on his toes! interesting for such a smooth talker.

He gets kabru to open up about his motivations here and how it affected him and kabru actually shares some of his own feelings on the manner when usually hes holding ppl at arms length. I think him getting a chance to recite this helps prep him to talk to the caneries where notably, hes a lot more clinical about it.

Its nice all three of these ppl can challenge each other and support each other. I think it would be funny if kabru hits em up in the future like do u wanna start some shit for old times sake

able to tell chilchuck was not a child

is afraid of marcille which tbh fantastic call

Everyone else horrified marcille just killed a man but he's like yeah #tracks.

Other things that reminded me hes basically a fixer:

Spends his screentime evading the elf cops.

Refuses to talk to the canaries even under threat of being interegated for 50 years despite threatening laios party multiple times that hes gonna tell on them. instead spends his time going tbh i've never known anything in my life. I'm stupid like that :pensive emoji:

Incredible bit of manipulation on his part-he pretends to be thinking out loud to cast doubt on the canaries judgement to appeal to the ppl in the dungeon that are not motivated by the goodness of their hearts. Reminds me of namaris relatively selfish reasons for leaving the party--needing to get paid, which is a need she was ignoring for far too long and also laios was also not paying proper attn too when namaris in dire straits, and how she says she left the party after the dragon bc she remembered to never forget your fear. That selfishness must also drive you forward. Then he uses that doubt to twist the situation to say all their information could be false so maaaybe the situation is not as dire as they claim and they have other motives (social control). And he pretends hes talking to the caneries but this is directed to everyone else. He and namari pretend to pick a fight so the leader's distracted and everyone else uses this opening to scatter, which causes enough chaos that it breaks the control the elves have. Which is wild bc shuro knows the dungeon is dangerous bc kabru told him about utaya. He also knows laios party can be dangerous w the amount of collateral they cause w the dragon. He puts a lot of ppl in danger that do not need to be even though multiple times he worries about people getting hurt. At his core, tho, I think he wants to see laios and his party again and that selfish desire trumps everything else in this moment. Namari and shuro are so ride or die TBH.

He never shares any of this when not prompted. Except notably at the end he interrupts when ppl think laios might be dead. Which as an aside I think its interesting his biggest contribution to saving falin is not thru his fighting prowess, but through the simple fact he reached out to laios. His compassions his greatest strength. Laios frestrautes him and kabru, and they both punch him and complain that theyll never understand him, but I think they dont have to. Love requires compromise—it requires eating things you really dont want to, you clash and you hurt each other, but what matters most is that you keep reaching out to one another, that you keep on trying to understand each other. Living requires you to hurt and be hurt, to give and take.

Once again stuck in the middle of an insane and ancient beef

low key funny that he remembered the last time he was here and he was like u know what.... ill just sit this one out....

If my son told me he spent the last week pissing off the elf cops, Id be like yeah thats what the nakamotos are all about TBH

Theres pretty juicy stuff abt how laios is interested in shuro because hes exotic like a monster and his own relationship with being othered by ppl and the fact that shuro is constantly referred to as a foreighner even to ppl hes known and has risked his life for for two years + how to laios monsterhood is a type of freedom while being othered is a type of dehumanization for shuro + how hes trying to show some kind of solidarity to shuro but hes microagressing him thru his attemps + how laios just is being explicitly saying the racist beliefs everyone else implicitly holds just like how mithrun says other races are inferior races which horrifies the rest of the elves but its honestly what they believe but I'm tired and need to think abt it a bit more.

Why do shuro and his party from an island primarily composed of humans and other ppl sometimes not classified as humans but have similair lifespan bc of sociopolitical reasons imitate so many interracial dynamics despite being of the same race? It's to show how marcilles wrong about how the inequality between races exists bc of lifespan differences. Her own fears due to fantastical reasons of being a half-elf and unable to relate any of her insecurities to other ppl are not exclusive to her! Tall-men - Tall-men relationships run along the same lines and have the same conflicts. All the things she fears are things that make her human, that other people have also felt.

in conclusion:

think abt the messiest person u know. Its a man

jk its marcille #feminism