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twiyke · 10 months

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RISE TWITTER QNA! no major news or announcements, but here's a list of new information and confirmations:

S3 could be brought back as a retro show in the future, but it probably wouldn't happen anytime soon (focus is on mutant mayhem at the moment)

it was never decided whether capril would be friends or girlfriends (due to rise's focus on platonic relationships)

council of heads! they're in power, but a lot of influential yokai (like big mama) aren't easily controlled, and "game the system"

despite not having his dual katana, supposedly f!leo DOES still have mystic powers

ron corcillo would love to see a spin-off focused on the caseys (if rise were ever continued), and likes the potential of a raph + casey vigilante duo

the turtles got their names after splinter's love for renaissance art

big mama's henchman WAS planned to be the missing sister, and rather than venus de milo, she would've been named after a female artist (possibly frida kahlo)

for halloween: raph dressed up as a kitten, mikey as a lion, leo as a rockstar, and donnie as j. robert oppenheimer

the mystic weapons stolen from draxum acted as a conduit to help the boys unlock their innate mystic powers with a "little boost"

they didn't realise mayhem's potential as a character/force until too late, but it could've been fun to do some stories of him being an operative (a la perry the platypus)

there weren't any planned stories for side villains (aside from the foot's cupcake shop), most focus was on the turtles

not much on casey jr's backstory, just that cass and the turtles were fighting the krang and leo raised him as a warrior. casey jr only has brief memories of cass from when he was very young, and was mostly raised by leo

there were definitely six baby turtles (two sisters)! and the turtles were gonna split up to rescue the one with big mama and the one in "the dimension", but they never planned much of it out

there's most likely a time gap between the rescuing leo and the ending scene of the movie, as "after a fight like that, [everyone] would definitely crash and need some recovery time"

there would've been more big mama in future episodes, and stinkbomb was planned to return

since the turtles became known to the public at the end of the movie, they'd have to fight to retain their reputation. this and their reception to criticism/backlash would've become a major arc.

on brother rankings: mikey is definitely raph's favourite, and they all look up to raph

the stronger someone's ninpo is, the greater the drain on their energy is (as seen with f!mikey and karai)

there wouldn't be much threat on villains going after casey jr's future intel, because most of it would've been rendered obsolete

nickelodeon would never give up the rights to rise, but they could license it to a partner company (such as IDW for a comic!)

as previously mentioned, the 2nd sister would've been trapped in "another dimension" and venus/frida would have to be won over by "helping her see that she had been brainwashed [by big mama] as a child" (and redeemed)

given more time, the show would've fleshed out: the hamato story, the hidden city's origins (krang spaceship that crashed into the crying titan being the source of the ooze, its fuel being what gave the yokai mystic powers), and would've used the rat king (who ron corcillo would've liked to be a powerful yokai with rat-like abilities and some form of mind control, who could've threatened the council of heads for power in the hidden city)

as far as we know, the turtles (aside from leo's spanish) only speak english (and even their english is sometimes a bit off)

rise probably wouldn't have ever "gone dark", but after the turtles were publicly known and full-time heroes, it might've had more of an extended plotline

the turtle's casual clothes somewhat reflect their music tastes (r&b for raph, glam rock for leo, techno (and 80s) for donnie and boy band for mikey)

future heights: mikey grew a bit and then shrunk under mystic strain, leo was at least 6ft, donnie a little taller than leo, and raph at least 6'6

mikey's powers could get pretty intense, which could've resulted in some multiverse episodes (ron corcillo would be most inclined to do a 12 crossover, but any could work). while leo portals short distances, mikey's cross space and time (with great effort)

given more time, how the turtles met april would've been fleshed out

in terms of how they take after splinter: donnie and leo have a lot of his cockiness, raph his courage and sense of duty, and mikey senses him missing his family (which is part of the reason of why he tries to hold everyone together)

given more time they would've done more with the transfer of leadership from raph to leo (and originally the plan was to draw that out over S3, rather than the abrupt S2 ending). they would've been co-leaders for a while, and at times mikey or donnie would lead (they aren't really a group with just one leader archetype)

there were plans for april to have more time with the specific turtles other than donnie (like how the gumbus was focused on her mikey and leo)

the cast's mystic abilities would've increased over time, and splinter has a lot of power that hasn't been revealed (as he spent a lot of time in the hidden city in his past)

venus/frida would've been very disciplined and so serious that's she's funny, and the dimension sister would've been "a little kooky"

there weren't really any plans on how the turtles would look in cloaked human forms, just that they'd resemble lou jitsu and may be inspired by their VAs

mikey is the only brother who can fully pull all his limbs and head into his shell (being a box turtle)

any usagi appearances would be a rights matter, and depend on collaboration

on timelines: april is 16 at the start of the series and 18 in the movie, but exactly how much time passes isn't confirmed

ron corcillo would've liked to do more donnie + raph episodes, like one where despite how donnie considers himself smarter, raph ends up beating him in common sense and emotional intelligence

f!leo didn't go with casey jr to the past due to being mortally wounded in his bleeding side

given more time there would've been more flashback episodes with the turtles at various ages

though he'd never admit it, hueso has a close relationship with leo

in early S3 there would've been an episode of setting up the new lair

mystic warrior f!mikey is pretty old (maybe in his 70s), and is strong enough to use basically any mystic power, but at great cost to him physically

no major plans with bishop, but once the turtles became more well-known he could be a bit of a thorn in their sides (like j. jonah jameson to spiderman)

there might've been some redemption from big mama, but also some relapses into her "villainous ways"

given a full season, karai would've been alive for longer, and would've trained the boys for a number of episodes

confirmation that some of early s1 aired in the wrong order (which the writers weren't happy about)

in rise, there's always an unpredictability as to how sentient a mutant will turn out to be

raph probably wouldn't be super uptight about swearing, provided the boys weren't offending anyone

there weren't any plans for romantic relationships (and DEFINITELY never an april-turtles love interest), but if they had ever tried something eventually it would've been with the same species

there were no specific plans for alopex, rita, or rennet, but anything's a possibility

in terms of the 1000 years ago krang/mystic timeline, the spaceship crashed first (possibly spawning the yokai), and other krang followed it, drawing in the invasion

that seems to be about it but if there's any more i'll do a reblog with additions

#theres a couple other answers if you wanna go through the thread but they're a bit hand-wavy or double ups on info #rottmnt #rise of the tmnt #BLEEAGH im gonna go live my life now and eat breakfast

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coochiequeens · 7 months

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Finally I'm able share some good news

Wild festivals, exquisite fruit-bowls and unusually realistic renderings of motherhood and female friendship – not to mention a glimpse of Lady Hamilton as an enthusiastic follower of Bacchus – will go on show in Madrid on Tuesday as one of the country’s most famous galleries seeks to spike the patriarchal canon of art history with a new, and avowedly feminist, exhibition.

The show at the Thyssen-Bornemisza – called simply Maestras (Women Masters) – uses almost 100 paintings, lithographs and sculptures to show how female artists from the late 16th to the early 20th centuries won recognition in their own lifetimes, only to find their works forgotten, erased or consigned to dusty storerooms.

Organised into eight chronological sections that reflect artistic and social changes, Maestras also explores how female artists, gallerists and patrons worked together to create and celebrate art while living and working in the grip and gaze of sexist, and often misogynistic, societies.

Elizabeth Sparhawk-Jones, The Shoe Shop, 1911. Photograph: Elyse Allen/© Art Resource, New York Scala, Florence

Seventeenth-century works by Artemisia Gentileschi, Fede Galizia and Elisabetta Sirani give way to still lifes of fruit and flowers before the exhibition moves to portraits – including Élisabeth Louise Vigeé Le Brun’s Lady Hamilton as a Bacchante – and then to Orientalism, depictions of working women, images of maternity, sisterhood and, finally, to images of female emancipation.

Among the show’s early exhibits is one of Gentileschi’s anguished studies of Susanna and the Elders, while the later pieces include Mary Cassatt’s bleary-eyed Breakfast in Bed and Maruja Mallo’s playful Fair pictures.

“This exhibition speaks positively of that other half of art history,” said the exhibition’s curator, the art historian and critic Rocío de la Villa.

“For a long time, the feminist history of art has been beset by all the handicaps and obstacles that had been put in the path of female creators. For example, they couldn’t access the same artistic training that their male colleagues could. They generally lived in an extremely patriarchal system that denied them their rights and in which their signatures had no legal value.”

There were, however, “certain moments and certain places” in which conditions were more favourable to female artists, and the show aims to offer “a series of windows through which we can see a mutual understanding and a camaraderie between artists, gallery owners and patrons”.

It also reminds visitors that some talented women caught the eye of European royal courts, and that some had husbands who helped them in the studio – or even looked after their children – because they knew that their wives’ gifts far exceeded their own.

Mary Cassatt, Breakfast in Bed, 1897. Photograph: The Huntington Library, Art Museum

Guillermo Solana, the artistic director of the Thyssen-Bornemisza, said Maestras was another example of the museum’s continuing commitment to feminism, education and addressing the prejudices of the past.

“I’d promised myself that I wouldn’t do any mansplaining today but I can’t help it when it comes to explaining what I’ve learned from the process of doing this exhibition, because I’ve learned a lot,” he told journalists on Monday morning.

“The first thing I learned from this exhibition – and which I think the public will also learn – was so many new names; so many fantastic artists I’d had no idea about and had never heard of. Of course, we knew about Artemisia Gentileschi and Frida Kahlo or Paula Modersohn-Becker, but how many important artists have got away – or been taken from us?”

Frida Kahlo, Portrait of Lucha María, A Girl from Tehuacán, 1942. Photograph: akg-images/© Rafael Doniz @ 2023 Banco de México Diego Rivera Frida Kahlo Museums Trust, México, D.F./VEGAP

De la Villa agreed. “The public is going to ask, ‘How can it be that we didn’t know about these female artists?’” she said.

“How is it that their works were in storerooms until recently? Maestras is a feminist exhibition that seeks to emphatically correct the prejudices that have come about as a result of the patriarchy – prejudices that have meant that works by female artists have remained in museum storerooms during the 20th century.”

She said the male-dominated artistic system had always sought to defend itself by denigrating female artists. Equally damaging, she added, was how historians had played down the achievements of women until their voices were silenced and their creations overlooked and then hidden from view.

“When women are hidden, or robbed of their past, they are robbed of their identity,” said De la Villa. “The power of culture is very important. It just can’t be separated from the social conditions we enjoy, or which we suffer.”

Maestras is at the Thyssen-Bornemisza museum from 31 October to 4 February 2024

#Spain #Madrid #the Thyssen-Bornemisza #Maestras (Women Masters)#Elizabeth Sparhawk-Jones #mary cassatt #frida kahlo #October 31st to February 4th 2024

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copper-16 · 5 months

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Masterlist

Down for requests always, but just because you send them doesn’t necessarily mean I’ll write them. Majority of my works can be found on ao3 (which can be found here), but I’ll link a few of the big ones below along with anything posted on here!

Ingrid Engen/Mapi Leon

did she feel better than me?

You Didn’t Let Me Finish

Do You See Something I Can't

Success is Easy

Haunted By The Ghost Of You

How You Get The Girl

la princesa

Ingrid Engen/Mapi Leon x daughter

Why Would She Say That?

She Feels Safe With You

Scary

You Can Do This

We Can't Figure Out What It Means

She’s Perfect

I’m Sorry

Elena - The Later Years

First Meetings

Misa Rodriguez/Marta Cardona

You Can’t Talk No Sh*t Without Penalties

Lena Oberdorf/Jule Brand

Hothead

Lia Wälti/Mariona Caldentey

I'm Scared I'll Always Be This Way, That People Will Not Want To Stay

Jana Fernandez/Jill Roord

Heaven Won’t Be The Same

Couples I will write for/have written for (placed in order of who I am most willing to write about, starting at the top):

Ingrid Engen🇳🇴/Mapi León🇪🇸- 20 works

Jana Fernández 🇪🇸/Jill Roord🇳🇱 - 4 works

Mariona Caldentey 🇪🇸/Lia Wälti🇨🇭- 2 works

Caroline Graham Hansen🇳🇴/Marta Torrejón 🇪🇸 - 3 works

Ona Batlle 🇪🇸/Aitana Bonmatí🇪🇸 - 1 work

Ona Batlle🇪🇸/Lucy Bronze🏴󠁧󠁢󠁥󠁮󠁧󠁿 - 1 work

Misa Rodríquez🇪🇸/Marta Cardona🇪🇸 - 1 work

Lola Gallardo🇪🇸 & Andrea Medina 🇪🇸- 1 work

Fran Kirby🏴󠁧󠁢󠁥󠁮󠁧󠁿/Maren Mjelde🇳🇴 - 4 works

Ana Maria Crnogorčević🇨🇭/Lia Wälti🇨🇭 - 1 work

Leah Williamson🏴󠁧󠁢󠁥󠁮󠁧󠁿/Lia Wälti🇨🇭 - 1 work

Sam Kerr🇦🇺/Kristie Mewis🇺🇸- 4 works

Frida Maanum🇳🇴/Emma Lennartsson🇸🇪- 5 works

Magdalena Erickson🇸🇪/Pernille Harder 🇩🇰- 2 works

Jessie Fleming🇨🇦/Niamh Charles🏴󠁧󠁢󠁥󠁮󠁧󠁿 - 1 work

Laura Wienroither🇦🇹/Stina Blackstenius🇸🇪 - 1 work

Tobin Health🇺🇸/Christen Press🇺🇸 - 1 work

Patri Guijarro🇪🇸/Claudia Pina🇪🇸 - 1 work

Cata Coll🇪🇸/Claudia Pina🇪🇸 - 1 work

Lucy Bronze🏴󠁧󠁢󠁥󠁮󠁧󠁿/Keira Walsh🏴󠁧󠁢󠁥󠁮󠁧󠁿 - 5 works

Ruesha Littlejohn🇮🇪/Katie McCabe🇮🇪 - 2 works

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doeeyeseddie · 1 year

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Pia pls, something with "sweater weather" 🥹💛

frida, it's 32°c outside and as far from sweater weather as it could be, but this was very fun to write, thank you 💘

send me a soft prompt

[read on ao3]

Winter in LA isn’t cold by any means, and having grown up in El Paso, Eddie should be used to lower temperatures – but he’s been living in LA for six years now, and clearly he’s become used to LA temperatures instead.

So when he wakes up on a cold December morning and the other side of the bed is cold, he grumbles unhappily as he gets out from under the cozy blanket, and looks for a sweater to put on over his sleepshirt.

He finds one of Buck’s thrown haphazardly over the back of the chair Eddie has in his bedroom, and pulls it over his head. It’s soft and smells like Buck, and Eddie breathes in deep once before going on the search for the man himself.

He finds him in the kitchen, leaning against the counter holding a cup of coffee and reading a book. His back is halfway turned, so Eddie gets a good look at the bold letters spelling out DIAZ on the back of the sweater he’s wearing. His stomach does a somersault and he pads into the kitchen, causing Buck to look up from his book.

“Hey,” he smiles, putting down the coffee and lifting his arm so Eddie can tuck himself under it in search of Buck’s warmth.

Once he’s wrapped around Buck completely, his cold nose pressed to Buck’s neck, he mumbles, “Morning.”

Buck presses a kiss to the side of his head. “You okay?”

“I missed you,” Eddie says, and doesn’t even feel ridiculous for it. “The bed was cold without you.”

“Sorry,” Buck says. “Do you want coffee?”

“In a minute.”

Buck lets his book close without putting a bookmark in it and wraps his second arm around Eddie too. He’s barely taller than Eddie, but sometimes Eddie really likes being tucked against his side like this, kept safe from the world. Especially when the world is cold and gray, like today.

“Love you,” he says eventually, lifting his head.

Buck smiles and meets him for a short kiss. “I love you, too. Coffee now?”

“Yeah,” Eddie nods, reluctantly taking a step back. “Thanks.”

Buck presses the button on the coffeemaker he’s programmed to make Eddie’s coffee (perfectly, unfortunately, which is why Eddie hasn’t thrown it out yet), and turns back to look at him again, a slow smile spreading across his face.

“You look good in my clothes,” he says, and Eddie shimmies his shoulders a little to make him laugh. It’s true he’s wearing a pair of Buck’s sweatpants too, which he forgot when he grabbed the sweater, but it’s not like they don’t share clothes all the time.

They sit at the kitchen table with their coffees, feet tangled under it, and start planning their day.

Breakfast in a bit, once Christopher is up, then laundry, grocery shopping and maybe some Christmas shopping, evening plans to be determined once they know if Christopher’s got any or if he’ll be spending it at home with them.

Buck gets up to look in the fridge and start writing their grocery list, and Eddie watches him, the same somersault feeling in his stomach as earlier.

“You look good in my clothes too,” he says, and Buck looks at him over his shoulder from where he’s half sticking his head inside the fridge. “You look good in my everything.”

Buck’s smile goes a little confused. “I– thank you?”

Eddie shakes his head with a laugh. “I just mean– you look good in all of my things. My clothes, my kitchen, my bed, my house. My life.”

Buck closes the fridge door and turns around to face him fully, eyes soft. “Eddie–”

“I love you,” Eddie barrels on, “and I want you here with me all the time. You should move in with us.”

“Yes,” Buck breathes, and he’s crossed the kitchen within a second, cupping Eddie’s face between his hands and sliding onto his lap. “Yes.”

Eddie has half a mind to worry about the chair – or maybe a quarter, because the biggest part of his brain is focused on Buck in his lap.

“Yeah?” he asks, hands running up Buck’s thighs on either side of him to settle at his hips.

“Of course,” Buck says, and he’s smiling so wide his eyes are almost disappearing. “I hate leaving here.”

“And I hate when you leave, and I know Christopher does too.”

Not that Buck leaves much, these days. Honestly, this is more of a formality at this point, but Eddie really does hate whenever Buck goes to the loft instead of coming home with him, so he can’t wait to be rid of the thing.

“We can throw out your bed and move mine here instead,” Buck suggests, and Eddie glowers at him playfully.

“What’s wrong with my bed?”

“Come on now, you know mine is more comfortable. And bigger.”

Eddie, who spent a lot of time in Buck’s bed especially in the early days of their relationship, when Buck still felt awkward knowing Christopher slept just down the hall, does know that.

“Okay,” he agrees. “I guess we can keep your bed.”

“Make it our bed,” Buck says, and Eddie wants to make fun of him for being a sap, but he’s pretty sure his face is showing exactly how much he likes it.

“Sap,” he says anyway, and Buck’s hands that have migrated to Eddie’s shoulders, move back up to his face.

“You love it,” he grins. “And you’re just as much of a sap, Mr “You look good in my life”.”

“Yeah, yeah,” Eddie says happily. “You’re moving in with me anyway.”

“I am,” Buck crows. “You’re never getting rid of me now.”

“Good,” Eddie says, and tilts his head up.

Buck gets the hint and bends down to kiss him, softly at first and then deeper when Eddie opens his mouth and pulls him closer by the hips. He runs a hand up Buck’s back and feels the letters on his sweater under his fingertips.

He never wants to get rid of Buck, no. He’s gonna marry this man.

#buddie #911fic #911 #buddie fic #pia writes #ask #leothil #frida tag

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thirdtidemouse · 5 months

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hilda characters in taskmaster, if this means anything to anyone:

for context, taskmaster is a show hosted by greg davies and pathetic assistant (/creator) alex horne. each series five comedians are made to do pointless and difficult tasks and are awarded points. it ends up being very very funny and very amicably argumentative.

for now, i'll do my classic 5 faves, but i would love to do more like edmund + some ocs!

hilda - starting with the kids, likely winner. i mean she is the main character, but she has those problem-solving skills and unbeatable enthusiastic spirit (which would definitely take a beating in this godawful game). i considered how different the competition might be given that they're kids? but lenny rush recently competed at 14 and he did awesome. hilda would definitely stand up for herself if she thought her score or the task was unfair but she is a good sport all round. most likely to miss the huge hidden-in-plain-sight clues. here to have fun but not fuck around. all the cheerful demeanor of rob beckett. likes to very gently make fun of alex. would never ever give up.

"what you can't take away from me is that i had an absolutely lovely day."

"people say my ADHD means i have shit problem solving skills. no sir!"

frida - nerdiness to rival josh widdicombe. knows the taskmaster's tricks and snoops all around for clues/hidden solutions. genuine competence and competitiveness of someone like sarah kendall, as indignant and argumentative as ed gamble. the one time she doesn't find the hidden alternative answer is when the main pathway is just 'do a really long maths sum to get the code for the lock' and she just gets on with it because she can. tries not to act overly proud of herself but after a particular stressful win she definitely gets up and cheers. argues with other contestants. gets very annoyed by alex and sometimes tells him to shut up.

"the only way i get out of this with any dignity is if i die right now."

[to a small plush vole] "you've got no chutzpah! your organizational skills are lacklustre, and your timekeeping is abysmal."

david - the awkward swagger of james acaster but absolutely 0 of his winning spirit. definitely a fan-favourite pathetic contestant. the show would wear his psyche down so much he would snap and end up begging for points in a total breakdown à la joe wilkinson. gets genuinely cocky after a rare win. gets very stressed out by alex and is very scared of greg. like mae martin, is initially very nonchalant about the tasks, but can become freaked out quickly. not very good at getting points. ashamed of his failures and overjoyed with his successes. most likely to be given a humiliating solo task.

"please don't take it away from me."

"well well well! looks like last in P.E., first in being a legend!"

johanna - total sweetheart, smiling all the time even when she fucks up and loses, much like charlotte ritchie. although she does fuck up and lose considerably less. less nervous though, here to have fun AND fuck around. a sally phillips approach to tasks, meaning chill as fuck, inconspicuously normal contestant, that consistently produces either the most terribly planned OR the most creatively out of pocket and deranged 'solutions', of which back in the studio she has zero explanation for and can only laugh uncontrollably as if it wasn't entirely her idea. this will inevitably win her a lot of points but she will fall short on something like charlotte ritchie's first prize task, in which she brings in all of her bedding, is told 'you can't just pick up stuff from around your house,' and is given last place. this also makes her place her head in her hands and giggle. her attitude carries charlotte's consistent likeness to a children's tv show host. zaniness and well-spoken ramblings of mike wozniak.

"when you have no other ideas, you stick to your bad idea."

"i was excited, there was fire, i'd been told to undermine a vole and i let him have it."

kaisa - will not embarrass herself for love nor money. could not give a fuck about any of you people and simultaneously is incredibly determined to win. would get increasingly distraught with the incompetence of any teammates in an ed gamble outburst. despite this, is a cooperative and hardworking teammate. would spend long periods of time in silent thought before carrying out her plan with no explanation along the way. like james acaster, does not ever say hello to alex, just because she 'doesn't have to.' generally does not like alex. to quote jamali maddix, 'he's a punk. i don't like him.' acts like a rebellious teen in the presence of greg. i have no solid outfit headcanons right now but she would wear what bridget christie wore:

"i've got three sensitivity levels! and i'll be honest, i'm on my top fucking one right now!"

"i knew we were against the clock, and i didn't give a fuck"

and here is my final test of character - one of the most simple and most telling tasks, from the very first episode:

"eat as much of this watermelon as you can in one minute."

hilda - romesh ranganathan. upon entry of the lab, she wields the watermelon above her head and smashes it into the floor, devouring as much of it as she can. total tunnel vision. she throws up a little at the end. wins the task.

frida - josh widdicombe. enters prepared with a knife, manages to hurriedly cut and eat a portion of the watermelon, with not nearly as much vigor as hilda. is not giving up any dignity for this. 3rd place.

david - frank skinner. was not expecting a whole watermelon. manages to quickly get into the melon but falls short at his eating speed. is clearly trying not to choke. 4th place.

johanna - tim key. no utensils required. cracks it open right there on the table, eating as fast as possible, almost to the same wild and untamed degree as her daughter. is docked points because she sneaks a final bite of watermelon after the minute is up, just because she enjoys it. 2nd place.

kaisa - roisin conarty. was also not expecting a whole watermelon. total lack of urgency in comparison. leaves the room and spends 50 of her 60 seconds retrieving a knife, which she totally could have done beforehand, manages to crack open and eat a total of 9 grams of the watermelon before her time is immediately up. last place. couldnt give a fuck though

thanks for reading guys. if you have anything to add or ask then please do. peace and love

#taskmaster #hilda the series #hilda netflix #hilda #johanna #kaisa #frida #david #au #my au #taskmaster au

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astrojulia · 1 year

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Olá! Tudo bem? Sou nova seguindo a sua conta e, se caso ainda permitir perguntas astrológicas eu queria fazer uma, quero trabalhar com artes plásticas (pense na Frida Khalo) e provavelmente será uma arte confrontadora, crítica, com temas pesados, tabus ou apenas sombrio/melancólico, eu queria saber que tipo de fãs eu teria? Eu sei que há uma asteroid em especial que fala sobre, é o fan, eu tenho ele em escorpião na minha casa 10. Grata antecipadamente.

How Your Natal Chart Can Reveal Your Target Audience

~ Arts Edition

Navigation: ੈ♡˳Masterlist

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*ੈ✩‧₊˚Your target audience // Asteroid Fan (151590) // Ruling Planet ·˚ ༘´>

Olá Mefemmefatale!! Como você está?? Sei que demorei um pouco pra responder, mas é que o seu post criou posts extras pra eu poder responder da forma que eu queria... Quando li a sua pergunta eu queria responde-la assim como te ajudar de verdade. Por isso que fiz um post sobre o Asteroide Fan (151590) assim como mudei um pouco a resposta. Eu não quero que você tenha só fãs, mas clientes que vão comprar da sua arte e que isso possa ser uma forma de sustento seu, por isso a mudança. Nisso eu fiz um post para falar "tudo" sobre como você pode atrair clientes assim como estou escrevendo agora algo mais específico para artes. Realmente espero que você goste e que eu possa ter ajudado... O post vai estar em inglês só para que todos do meu tumblr entenda! Beijos do fundo do mar!!

╭┈◦•◦❥•◦ 5th house: Trying to summarize, and a lot, the 5th house, it is the house of pleasures. Creativity, self-expression, and artistic talent are included in this. The sign located in this house can provide clues about your artistic style and the types of clients who may resonate with your artistic work.

・❥・ Aries in the 5th house: you have a bold and fearless approach to creativity, and you be drawn to projects that require a lot of energy and passion. Clients who are attracted to fast-paced, exciting work be drawn to your style.

・❥・ Taurus in the 5th house: can indicate a talent for creating beautiful, luxurious works of art. You have a slow and steady approach to your craft, but your attention to detail and dedication to quality attract clients who value high-end, long-lasting pieces.

・❥・ Gemini in the 5th house: you have a versatile and adaptable approach to creativity. You be drawn to projects that allow you to experiment with different styles and techniques, and your ability to communicate effectively attract clients who value clear, concise messaging in their artistic projects.

・❥・ Cancer in the 5th house: can indicate a deep emotional connection to your creative projects. You be drawn to works that evoke strong feelings in others, and your ability to tap into the emotions of your clients make you a popular choice for projects that require a personal touch.

・❥・ Leo in the 5th house: can indicate a bold, dramatic artistic style that appeals to clients who are drawn to attention-grabbing works. You have a natural talent for performance and self-expression, and your charisma and confidence make you a popular choice for projects that require a larger-than-life personality.

・❥・ Virgo in the 5th house: can indicate a meticulous attention to detail in your creative work. You be drawn to projects that require a lot of precision and accuracy, and your ability to organize and streamline your work attract clients who value efficiency and practicality.

・❥・Libra in the 5th house: you have a natural talent for creating beautiful, harmonious works of art. You be drawn to projects that require balance and symmetry, and your ability to create aesthetically pleasing pieces attract clients who value beauty and elegance in their artistic projects.

・❥・Scorpio in the 5th house: can indicate a deep and intense approach to creativity. You be drawn to projects that explore complex emotions and themes, and your ability to create powerful, transformative works attract clients who are looking for something truly impactful.

・❥・Sagittarius in the 5th house: can indicate a free-spirited, adventurous approach to creativity. You be drawn to projects that allow you to explore new ideas and perspectives, and your ability to infuse your work with a sense of joy and enthusiasm attract clients who value a sense of playfulness in their artistic projects.

・❥・Capricorn in the 5th house: can indicate a disciplined and structured approach to creativity. You may be drawn to projects that require a lot of hard work and perseverance, and your ability to stay focused and committed to your goals attract clients who value reliability and consistency in their artistic projects.

・❥・Aquarius in the 5th house: can indicate a unique and unconventional approach to creativity. You be drawn to projects that push the boundaries of what is expected or accepted, and your ability to think outside the box attract clients who value innovation and creativity in their artistic projects.

・❥・Pisces in the 5th house: can indicate a deep connection to the spiritual and mystical aspects of creativity. You be drawn to projects that tap into the subconscious or explore deeper, metaphysical themes, and your ability to infuse your work with a sense of magic and wonder attract clients who value a sense of enchantment and mystery in their artistic projects.

╭┈◦•◦❥•◦ 5th house Ruler in the houses: The ruler of the 5th house can provide additional insight into your artistic style and the types of clients who may resonate with your work. The placement of the ruler in your chart can indicate which areas of life may inspire your artistic work and which types of clients may be drawn to your style.

・❥・Ruler in the 1st house: You may be drawn to projects that allow you to express your individuality and showcase your unique talents. Your clients may appreciate your confidence and your ability to stand out from the crowd.

・❥・Ruler in the 2nd house: You may be drawn to projects that have a practical application or that allow you to make money from your artistic work. Your clients may value the quality and craftsmanship of your work and be willing to pay a premium for it.

・❥・Ruler in the 3rd house: You may be drawn to projects that involve communication or that allow you to share your ideas with others. Your clients may appreciate your ability to explain complex concepts and to present information in a clear and concise manner.

・❥・Ruler in the 4th house: You may be drawn to projects that are inspired by your family or your personal history. Your clients may value the emotional depth and authenticity of your work and be drawn to the sense of comfort and familiarity that it provides.

・❥・Ruler in the 5th house: Your artistic style and your clients may be closely aligned, as this placement emphasizes creativity and self-expression.

・❥・Ruler in the 6th house: You may be drawn to projects that require a lot of hard work and attention to detail. Your clients may value your ability to organize and streamline your work and to deliver high-quality results.

・❥・Ruler in the 7th house: You may be drawn to projects that involve collaboration or that allow you to work with others to achieve a common goal. Your clients may appreciate your ability to listen to their needs and to work with them to create something that meets their expectations.

・❥・Ruler in the 8th house: You may be drawn to projects that explore the deeper, darker aspects of life or that allow you to tap into your own subconscious. Your clients may value the intensity and emotional power of your work and be drawn to the transformative effects that it can have.

・❥・Ruler in the 9th house: You may be drawn to projects that involve travel or that allow you to explore new ideas and perspectives. Your clients may appreciate your sense of adventure and your willingness to take risks in your work.

・❥・Ruler in the 10th house: You may be drawn to projects that have a strong professional or public component. Your clients may value your ability to create work that is both practical and enduring and that can help them achieve their own professional goals.

・❥・Ruler in the 11th house: You may be drawn to projects that involve social change or that allow you to make a positive impact on the world. Your clients may appreciate your innovative and unconventional approach to your work and be drawn to the sense of possibility and hope that it provides.

・❥・Ruler in the 12th house: You may be drawn to projects that involve mysticism or that allow you to tap into the spiritual or metaphysical aspects of life. Your clients may value the sense of wonder and enchantment that your work provides and be drawn to the emotional and spiritual resonance of your artistic style.

╭┈◦•◦❥•◦ Moon: The Moon represents emotions, instincts, and creativity. The placement of the Moon in your chart can provide insight into your artistic inspiration and the types of clients who may resonate with your work on a deep emotional level.

・❥・Moon in Aries/1st house, you may have a bold and energetic artistic style that reflects your passion and enthusiasm. Your work may be inspired by your instincts and your desire for new experiences, and you may enjoy taking risks and exploring uncharted territories. Your client base may include people who are drawn to your adventurous spirit and your fearless approach to creativity.

・❥・ Moon in Taurus/2nd house, you may have a sensual and tactile artistic style that emphasizes texture, color, and form. Your work may be inspired by the beauty of the natural world, and you may have a talent for creating works that appeal to the senses. Your client base may include people who appreciate the richness and depth of your work and who are drawn to the sensory experience of your art.

・❥・Moon in Gemini/3rd house, you may have a versatile and expressive artistic style that reflects your curiosity and your love of communication. Your work may be inspired by a wide range of subjects, and you may enjoy experimenting with different mediums and techniques. Your client base may include people who value intellectual stimulation and who appreciate the diversity and versatility of your work.

・❥・Moon in Cancer/4th house, you may have a deep emotional connection to your artistic work that is rooted in your family and upbringing. Your work may be inspired by your personal history and your memories, and you may have a talent for creating works that evoke a sense of nostalgia and comfort. Your client base may include people who are drawn to the emotional honesty and authenticity of your work and who value the sense of comfort and familiarity that it provides.

・❥・Moon in Leo/5th house, you may have a dramatic and expressive artistic style that emphasizes individuality and self-expression. Your work may be inspired by your passion for life and your desire to make a bold statement, and you may enjoy being in the spotlight. Your client base may include people who appreciate the confidence and creativity that you bring to your work.

・❥・Moon in Virgo/6th house, you may have a precise and analytical artistic style that reflects your attention to detail and your love of order. Your work may be inspired by your desire for perfection and your appreciation of the beauty of simplicity, and you may have a talent for creating works that are both elegant and practical. Your client base may include people who value precision and clarity and who appreciate the understated beauty of your work.

・❥・Moon in Libra/7th house, you may have a harmonious and balanced artistic style that reflects your love of beauty and your desire for peace and harmony. Your work may be inspired by the principles of balance and symmetry, and you may have a talent for creating works that bring people together. Your client base may include people who value aesthetics and who appreciate the serenity and tranquility of your work.

・❥・Moon in Scorpio/8th house, you may have an intense and mysterious artistic style that reflects your deep emotional intensity and your passion for the unknown. Your work may be inspired by the darker aspects of life, and you may have a talent for creating works that provoke strong emotions and reactions. Your client base may include people who value intensity and who are drawn to the depth and complexity of your work.

・❥・Moon in Sagittarius/9th house, you may have an adventurous and free-spirited artistic style that reflects your love of exploration and your desire for freedom. Your work may be inspired by your curiosity and your love of travel, and you may enjoy experimenting with different styles and techniques. Your client base may include people who value freedom and who appreciate the spontaneity and vitality of your work.

・❥・Moon in Capricorn/10th house, you may have a disciplined and structured artistic style that reflects your ambition and your desire for success. Your work may be inspired by your dedication and your love of tradition, and you may have a talent for creating works that are both practical and enduring. Your client base may include people who value reliability and who appreciate the hard work and discipline that you bring to your craft.

・❥・Moon in Aquarius/11th house, you may have an innovative and unconventional artistic style that reflects your desire to break free from tradition and explore new possibilities. Your work may be inspired by your vision and your love of experimentation, and you may have a talent for creating works that have a futuristic, visionary quality that speaks to clients who are looking for something fresh and new.Your artistic style that resonates with clients who appreciate non-traditional, out-of-the-box ideas.

・❥・Moon in Pisces/12th house, you may have a dreamy and imaginative artistic style that appeals to clients who value creativity, spirituality, and sensitivity. Your work may be infused with a sense of otherworldliness, and you may be particularly skilled at conveying deep emotions and spiritual themes through your art. Your clients may resonate with the deep emotional resonance of your work, and be drawn to the introspective and contemplative nature of your artistic style.

╭┈◦•◦❥•◦ Neptune: Neptune governs Creative Expression, Imagination, Visual, and Aesthetic Appeal. Its influence can enhance your sensitivity to visual stimuli, enabling you to create art that is visually captivating and evocative. Here, we can discuss how you allure people, making them unconsciously drawn to your art.

・❥・Neptune in the 1st house: You may have a dreamy and imaginative artistic style that is infused with a sense of mystery and enchantment. Your work may be inspired by your innermost thoughts and emotions, and you may have a talent for creating works that are deeply personal and introspective. People may be drawn to your art in a way that feels almost unconscious, as if they are being drawn into a dream.

・❥・Neptune in the 2nd house: You may have a highly developed sense of aesthetic appeal that allows you to create works that are visually stunning and evocative. Your work may be inspired by the beauty of the natural world, and you may have a talent for creating works that are both practical and beautiful. People may be drawn to your art because it has a timeless quality that speaks to something deep within them.

・❥・Neptune in the 3rd house: You may have a talent for creating works that are infused with a sense of magic and wonder. Your work may be inspired by your love of communication, and you may have a talent for creating works that are both visually appealing and intellectually stimulating. People may be drawn to your art because it has a transformative quality that sparks their imagination.

・❥・Neptune in the 4th house: You may have a deep connection to your personal history and your cultural heritage, which inspires your artistic work. Your work may be infused with a sense of nostalgia and sentimentality, and you may have a talent for creating works that evoke a sense of comfort and familiarity. People may be drawn to your art because it has a sense of emotional resonance that speaks to something deep within them.

・❥・Neptune in the 5th house: You may have a natural talent for creating works that are emotionally resonant and visually captivating. Your work may be inspired by your love of self-expression and your desire to create something truly unique and beautiful. People may be drawn to your art because it has a sense of enchantment and magic that is hard to resist.

・❥・Neptune in the 6th house: You may have a talent for creating works that are both practical and beautiful, with an emphasis on attention to detail and craftsmanship. Your work may be inspired by your love of order and your desire to create something that is both aesthetically pleasing and useful. People may be drawn to your art because it has a sense of refinement and elegance that speaks to their sense of taste.

・❥・Neptune in the 7th house: You may have a talent for creating works that are infused with a sense of harmony and balance. Your work may be inspired by your love of collaboration and your desire to create something that is both beautiful and meaningful. People may be drawn to your art because it has a sense of emotional depth that speaks to their sense of what is important in life.

・❥・Neptune in the 8th house: You may have a talent for creating works that are infused with a sense of mystery and intensity. Your work may be inspired by your fascination with the darker aspects of life, and you may have a talent for creating works that are both beautiful and haunting. People may be drawn to your art because it has a sense of emotional power that speaks to their sense of the unknown.

・❥・Neptune in the 9th house: You may have a talent for creating works that are infused with a sense of adventure and exploration. Your work may be inspired by your love of travel and your desire to create something that is both beautiful and meaningful. People may be drawn to your art because it has a sense of wanderlust and exploration that speaks to their sense of possibility and adventure.

・❥・Neptune in the 10th house: You may have a talent for creating works that are infused with a sense of ambition and professionalism. Your work may be inspired by your desire to achieve great things in life, and you may have a talent for creating works that are both beautiful and practical. People may be drawn to your art because it has a sense of purpose and direction that speaks to their sense of what is important.

・❥・Neptune in the 11th house: You may have a talent for creating works that are infused with a sense of community and social change. Your work may be inspired by your love of humanity and your desire to create something that has a positive impact on the world. People may be drawn to your art because it has a sense of social responsibility and awareness that speaks to their sense of what is right and just.

・❥・Neptune in the 12th house: You may have a talent for creating works that are infused with a sense of spirituality and mysticism. Your work may be inspired by your love of the unknown and your desire to create something that is both beautiful and otherworldly. People may be drawn to your art because it has a sense of transcendence and wonder that speaks to their sense of what is beyond this world.

Thanks for reading this far! I hope you enjoyed it and that I could have helped in some way on your journey!! Feedback, likes, reblogs and ideas for new posts are highly appreciated. See you next time! Kisses from the Sea.

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