Bakugo walks into your shared apartment to see you in the living room surrounded by packages, all excitedly torn open with discarded bubble wrap lying around you. Various Dynamight themed trinkets are littered at your feet, everything from keychains to can badges and exclusive cafe coasters.
He chuckles to himself while placing his boots in the closet by the door. “Go on another shoppin’ spree, sweets?”
You turn your head away bashfully, tapping your fingers against your thighs.
“…yeah. Someone was selling a bunch of limited edition merch.”
Bakugo strolls into the living room and observes all the items on the floor. He leans down to leave a kiss on your cheek before turning to head for the bathroom to shower.
“Ya know I can get ya that shit for free, babe,” he calls over his shoulder. “I am Dynamight.”
“I know!” You answer, picking up one of the keychains and smiling. “Just being a supportive girlfriend is all.”
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Grass is green, water is wet, and Jonathan Byers does not like Steve Harrington.
These are known facts in the universe.
Computers were going to take over the world, a “mobile” phone was being invented, and Steve Harrington had lost most of his hearing.
These were unknown facts--rumors even, if you will. Eddie had never seen even a grain of truth to support any of them.
(Well, maybe the computer thing, but only because Grant and Dustin both had made a couple of convincing arguments.)
So he doesn’t think about it, when his freshman gang up on him.
Doesn’t even factor the “can’t hear well” thing in, when he was tasked (demanded, whined, bitched and moaned at) with helping them explain to Steve why going to the release party of the new D&D box set, located at a hobby store only a mere 2 hour drive away, was important.
Eddie’s not even sure how the little shits got him to agree to do it until he’s standing in the parking lot in front of the former King himself.
“The store’s leading up to the release with a handful of one-shots.” He’s explaining, unsure whether to pull out the bored act or play up his court jester persona, and thus mixing and matching on the fly.
He does not care if Harrington doesn’t know what a one-shot is.
“They’re releasing the set at midnight. You have to be there to get it though, you can’t have someone else pick it up for you because they only got a certain amount in.”
Harrington’s frowning (no surprise) but it’s not until Eddie is well into his spiel about how his van is already full with the elder members of Hellfire, and thus has no room for the freshmen, that he realizes Steve isn’t quite looking at him.
Is in fact, looking over his shoulder.
Eddie stops. Follows Harrington’s gaze.
Parked across from Steve’s Beemer, is Jonathan Byer’s barely working clunker car.
A handful of steps in front of it, and thus nearly right behind Eddie, is the man himself.
His hands are still moving, mouth shaping words silent as he goes, his gaze locked not on Eddie or the kids--but on Steve.
Who turns back around as Harrington’s eyes slide right back to him.
“And this is taking place next Friday?” He says, in that sort of annoyed but resigned way parents aim at their children. “After school?”
“I’d like to go during school, but the freshmen insist you wouldn’t let them ditch out.” Eddie tells him. “They had two separate arguments about it.”
Loud ones, that had interrupted the game and given Eddie a migraine.
Once again Steve’s eyes slide away from him, to Jonathan.
“They’re not skipping school.” He says suddenly, a glare forming and Jonathan makes an annoyed noise.
“They argued about skipping, they’re not going to.” He says aloud, and finally steps up so that he’s next to Eddie instead of behind him.
“Munson slow down, I can’t sign as fast as you’re talking.” He adds, in the hang-dog grumble he’s notorious for.
Eddie stares at him.
“Can he seriously not hear me?”
“No.” Steve and Jonathan answer together.
“I can kind of still hear,” Steve adds, gaze returning to Eddie’s face. “But its more loud music or noises. I can lip read, but you’re also talking too fast for that.”
Without pausing, he turns back to Jonathan and says; “Why can’t you take them?”
“It’s Friday.” Byers deadpans.
Eddie’s not an expert on sign language, but his hands somehow looked deadpan too.
He’s not sure how Jonathan did that.
“So?” Steve snarks back.
What follows is an argument that Eddie is not, at all involved in, mostly because he’s too busy handling the fact that Jonathan Byers has learned sign language, for Steve Harrington, apparently, and given the tone the argument is taking they still don’t even like each other.
Eventually the argument ends, Steve throwing his hands in the air and demanding that Jonathan owes him.
(Eventually Eddie will corner the ever so quiet Will Byers and ask why the hell his brother learned sign language for someone he clearly fucking hates.
“Oh they don’t hate each other.” Baby Byers would say, in that shy, quiet way of his. “I think they’re actually friends now?”
“You think?”
“Well--you’ve seen them.” Will shrugs. “I think being mean to each other is kinda their thing.”
‘What the hell.’ Eddie would think, right up until he stumbled across one of the kids sign language books.
Byers the Elder, he decides, isn’t the only person who should learn sign language to chew out Harrington properly.
The pay off is immediate.
Or at least, the pay off of watching Steve’s shocked face the first time Eddie signs something vulgar at him is, anyway.)
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Genuinely curious about your take on Dick’s relationship with being both a natural performer and a private person at heart.
bruce wayne and dick grayson are very similar in many ways, but i'd say one of the most profound is their shared grief - experiencing immense personal loss at eight years old, in a spotlight on a stage that they can never truly leave. in the same way that the waynes murder cast bruce as a tragic figure in gotham, who can never escape the shadow of his parents passing. he was alone in the alley, but he will never stand alone without that weight of an audience again.
but the graysons literally died onstage, during a performance, before a horrified crowd. there is no part of dick's loss that is private. there is no part of this loss that is his alone. he is a born performer who loses everything, then transforms that grief into a literal symbol of light, which is taken from him again. how would u not want to fiercely protect what u have left? why would u ever want to share urself with a world that has already seen everything u are, and still wants more?
someone like that would bury themselves so deep that it becomes a non-story. nothing escapes the tight grip he holds over himself, the trickle of personal information he lets escape at a time. he wants eyes to pass over him, utterly disinterested. the less remarkable he is, the better. the easier he is to ignore, the more he can breathe.
brucie wayne is a performance for a goal, to hide in plain sight, but the art of pretending to be dick grayson is an act of self preservation. his body is not his own, nor were his parents. his name has created a legacy he has no control over. every kind smile is an effort to detract further questions. every barb, every cruel word means people might refuse to dig deeper. if he is nice, he is trusted. if he is mean, he is reviled. there is nothing more terrifying than being truly seen and still found wanting. people only get to witness what he wants them to. he controls the light, and the stage. the art of the performance is only showing the audience what u want them to see. never reveal ur hand. never show the other side of the box. and always keep the curtains drawn.
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HIW LONG DOES YOUR ART TAKE YOUU😭
Fun fact: I use to track my time when making art, for lineart, colouring and shading
So overall, it takes about 3 to 5 hours for one comic, this varies greatly with how many characters are present, or how much detail are in the comics, or if it has a background. For simple doodles, probably 1 or 2 hours
I know my own skills pretty well, so I’m able to gage how long any given comic could take me, and is also how I’m able to draw as much as I do ^^
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