@archivalwrite || Continued from here
She stretched her hands outwards, gesturing again only once to call another serf over to her, and immediately they withdrew a cloth to begin to clean Miranda's claws for her. They tilted their head low, reverent, eyes cast down to their work, polishing each scale and working short, webbed digits around each pad on her palm. The otter didn't look up to Liam, switching instead between soap and wet cloth and another cloth and polish and finally a scented oil, content to keep work on attending to Miranda's hands, ensuring they were clean to perfection, instead of attempting to broach a conversation that they understood they were not a part of.
Miranda, who was still acting as though all of this was so mundane that she did not even have to pay it her full attention, something which Liam himself could attest to — looked down at the ground, less at the serf which was tending to her, and moreso like she was peering through them, looking at something which was not there simply to not look back at Liam.
"I mean — it would not be so hard, I do not think," she mouths the words down at the top of the serf's head. Maybe they are listening. Maybe they are not, because their ears are folded down, small as they are, nearly hidden beneath all the fur covering their body. Miranda certainly would not care either way, because this is not a secret she has to be wary of around her own staff.
This is not a secret either, but the aftertaste of secrets is still in her mouth, wrapped around her tongue, and she has yet to fully chew her way back out of it.
Would the serf even understand the profundity of the secret at hand either? Probably not. Things were different, when she broached the legal boundary between the Merkingdom and anything else left, and the space between Liam and Miranda and the serf was vast.
"It has only been... What, seven years since I first obtained a phone? And I do not truly use them when I return home either... Whoever else would I talk to if not you? It is not as though anyone else within the kingdom has any number I could collect."
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Woke up with immense feelings about SQ, and a... vision of a theoretical scene in Season 2, if he'd actually been there
Okay, so, Curtain is doing some incredibly inadvisable stupid thing as a panic reaction to the compound being infiltrated (Shocking, I know /s) and the kids basically grab SQ and abduct him for a minute to ask some questions and figure out what to do.
(This is a hypothetical situation where Constance isn't whammied and the children all arrive together and of sound mind)
However, SQ is incredibly and inordinately terrified. Following every direction or light suggestion like they have a gun to his head.
They try and sort out what's going on, if he knows anything about Curtain's plan, where the adults are (They got separated), if he's okay, when the kid breaks down crying.
Now, they were slightly concerned because he seemed oddly scared of a group of kids he's at least tangentially met all of before and who are several years younger than him, and he kept cringing like he expected to be hit or screamed at.
At this point we find out the Curtain has swept and fiddled around with SQ's brain enough that he has no memory of the Institute and thinks he's just been living at the compound with his dad his whole life. And as such he's been indoctrinated that everyone from Outside is cruel and awful, and he really is scared out of his mind that the kids are going to hurt him
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Hi! I hope you’re doing good in life! So it’s spooky season so I have an ask related to that. I don’t know if you play horror video games, watch horror movies/shows, or read horror books, but if you do, I have to ask: What is the most disturbing book, or video game or show/movie that you’ve played/watched/read? In my opinion, there is two types of horror: the ones that scare you, and the ones that traumatize you. If you can think of any book, movie, or game that really kind of fucked you up, I’m curious to know if you feel like answering. I hope you have a good day and a good life.
Hey, I’m doing good and I hope you are too!
the answer ended up being really long lol
Woof, this is honestly a pretty hard question, since I can't really name any horror (or otherwise) media that actually left me kind of fucked up for a bit, at least not to the degree where it affected me for a while. I probably haven't been really fucked up by anything since I was a kid, so I'll try and recall what a few things fucked me up back then...
Off the top of my head I know that two different spongebob episodes got me bad, the first being one with that tunnel of love thing (tho tbh i havent seen it in a while so it might still spook me today) and the one where i'm pretty sure for whatever reason squidward gets locked in some small locker and has some kind of fucked up dream, whatever that was. I remember there was an eagle in that one. the eagle terrified me. (i looked them up, and the first episode is titled 'tunnel of glove' and the second is 'squidward in clarinetland'. with how badly that second one got to me, i'm surprised i ended up learning to play the clarinet at all)
other than that, i think the courage the cowardly dog episode 'the house of discontent' got me pretty bad, too, but i think everyone who saw any amount of that series as a kid has at least one episode that got them fucked up.
there's probably a handful of scooby-doo stuff that got to me when i was a kid, but i could not name any specifics (asides from charlie the robot's original episode, christ) because i think i managed to see just about every bit of available scooby media around that time.
nowadays stuff still does kinda fuck me up, but it's usually only for brief bits of time. the most recent example I can think of is cowboy bebop's 20's episode, pierrot le fou, which is honestly some great horror, especially how it uses the show's typical format and flips it on it's head, but i wouldn't necessarily say it got to me because of it being scary, more because of the way the ending disturbed me for a bit. it was the only episode that had me stop afterwards and really look into it for anything other than clarifying a character's gender, lol.
the endings of both neon genesis evangelion and end of evangelion had me shaken, the latter more so than the former, but not really due to horror aspects, though. i did have to take a walk after finishing end of evangelion. i don't really watch horror movies, i just... read the wikipedia plot descriptions of them.
honestly, i think some of the more popular youtube analogue horror series have gotten to me worse (likely due to the fact that they can get a bit more fucked up than, say, a tv show or movie), specifically the walten files (which i did watch) and the mandela catalogue (which i just watched wendigoon's vids on), and those two and mostly because facial distortion is generally just an incredibly effective form of horror imo. a lot of the time (esp with the childhood examples) the way i was 'fucked up' was that id be in be visualizing the stuff that scared me, and both the mandela catalogue and the walten files had me doing that for a bit.
now that i remember it, i was really scared of fnaf when it first came out. i first learned of it second-hand from seeing some other kids looking into it, and the bits and pieces i put together about it really scared me.
honestly, it's usually straight-up disturbing sequences or imagery that gets to me the most, and i know my limits well enough to generally identify and avoid that stuff, which is probably why i don't have too many recent examples. i've got one or two examples of non-horror movies that fucked me up as a kid, but that's mostly because they were wildly inappropriate for someone of my age (at the time) to be witnessing, so that's a different sort of topic.
i mean, i think i generally have a decent tolerance for fucked up stuff in media, anyways, i mean, i enjoy berserk and haven't really been too upset or disturbed by what happens in it (look theres some nasty shit in there im not saying its not that bad) so there's definitionally some kind of line that media needs to cross to really get to me nowadays, or it just needs to be a specific kind of fucked up. books generally don't do that for me so i don't have any book examples. no games, either, though shadow mario and the haunted house segments in super mario 3d world scared me so much that i had to make my mom do the levels for me, and i'm pretty sure scooby doo: first frights scared me a bit when i first played it on ds.
other than that, though, I just think that, in pokemon x, the story that an npc tells you during your first trip to route 14 and then the strange office building encounter with the animation-less hex maniac creeped me out pretty bad.
yeah, it's kind of hard for me to think of anything (recent) that actually really fucked me up or anything. most stuff just scared me, never really fucked me up or figuratively traumatized me in recent years.
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a/n two posts in one day… ruh roh… (I miss gojo </3)
ex!satoru who doesn’t really understand the concept of being an ex. he just thinks you want a break from him. but permanently separated? hell no, he could never understand that.
“‘toru… things aren’t gonna work out between us,” you begin as he sits in front of you at your dinner table in your shared apartment. he looks at you with no emotion, as if you didn’t just end things. “we’re growing in separate ways, and i feel i would only—satoru.”
you could scream at him—he’s not paying attention, scrolling on his phone instead. he shows you the order he placed for dinner, coming in twenty minutes. of course, he bought your favorite.
“satoru, can you please be serious for one minute?” you huff, clearly annoyed that he’s not listening while he’s purchasing things he knows will make you swoon.
“i am serious,” he says, placing his phone down to observe your breathtaking features.
“you weren’t even listening,” you say, crossing your arms as you slouch in the seat.
“baby, of course i’m listening—you’re crazy if you think i’m leaving you,” he coos condescendingly, and you roll your eyes.
ex!satoru who, in fact, respected your decision and gave you your personal space, not exactly broken up in his eyes, just a temporary break.
ex!satoru who stays over at suguru’s place for a few months, whining every day and night about how he missed being in your arms.
“i miss her,” gojo says as he pets geto’s cat, miyu, while geto himself groans as he cleans his apartment.
“can you at least help out and stop whining like a bitch,” geto says, adjusting the pillows neatly on his couch. this only causes gojo to frown and embrace miyu in a tight hug, nuzzling his face in her soft fur as she tries to get away from his grasp.
“and let go of miyu, she doesn’t want you holding her.”
ex!satoru who continues to send you money, always sending you hundreds and hundreds of dollars for food, shopping, and especially paying for your necessities. he doesn’t care that you work for yourself—you’re still his baby, and he loves spoiling you. his money is your money.
unknown number sent $500!
—go get some food, baby~ ♡
unknown number sent $600!
—please unblock me on insta
unknown number sent $300!
—i love u, mama
ex!satoru who chokes on his breakfast when shoko says you’re going on a date. gojo, never in his life, was speechless, and that really creeped out shoko and geto.
“satoru… are you good?” geto asks concernedly—even miyu jumps on gojo’s lap, sensing a difference in his character.
“yeah, i’m good…” he says calmly, placing down his utensils to pet miyu’s soft fur.
ex!satoru who does a little investigating of who this mysterious man is, finding his identity within ten minutes. he scoffs when he finds his social media—he’s nowhere near as handsome as he is. what do you see in him?
ex!satoru who sits comfortably in the luxurious restaurant where you and the mysterious man planned to go. little did you know, gojo texted the man, telling him that you’re married.
“aiko?” gojo hears a soft voice call as he turns to look at you. your eyes widen when you see gojo. this has to be some kind of joke—he is fucking crazy. you turn around, going back to the entrance, but gojo grabs your wrist.
“no, no, no, baby, please let me talk,” he pleads, and you fold from the way he calls you baby. oh, how you loved and missed the way he called you baby and claimed you as his own.
he guides you to the chair in front of him as he holds your hand, your pretty acrylics grazing his hands. he loved the way you looked well put together, his baby doll.
“my love, i promise to leave you,” he says, rubbing small circles on your hand. your heart pangs at his confession. “i just want to know how you’re doing.”
“i-i miss you so much,” you say. gojo feels like he’s hallucinating at what you just said. “shoko told me you were having a date today, and i felt so jealous—” you stammer, and gojo blinks multiple times, stunned at what you’re saying.
“this guy aiko asked me on a date, and i wanted to make you jealous,” you continue, frowning at being confused with your emotions. but gojo, on the other hand, is putting two and two together.
“give me your phone,” he sternly says. you stare at him in confusion, but you oblige, taking out your phone from your purse and handing it to him. gojo smiles as your lockscreen is still a baby photo of him. he unlocks your phone—the password still the same, his birthday.
“i was meaning to change the lockscreen,” you quickly state, not trying to look like a weirdo in front of him.
gojo goes into your contacts and clicks aiko’s contact information, calling the number. multiple rings go by, and the man on the other line picks up.
“hello—”
“shoko, i know this is you.”
you look at him and your phone in horror. shoko set you guys up by making a fake number to make you go on a date with ‘aiko’ but really you’d be with gojo.
“ahh, did my plan work? both of you kept whining about each other—it was infuriating. i had to do something,” she says on the other line, gojo clearly hearing geto’s giggles in the background.
“don’t ever do this again,” gojo says as he hangs up the phone. the two of you burst out in laughter, but for you, it’s more embarrassing that you were flirting with shoko through texts!
fiancé!satoru who proposed to you a few weeks later, he’s beyond happy to be in the arms of his baby again <3
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do you have any recs for horror by Indigenous authors?
Do I ever!
Never Whistle At Night is a collection of short stories that will chill you to the bone. A wonderful collection that includes several Indigenous women authors.
Empire of Wild by Cherie Dimaline was definitely a fun choice to bring on a camping trip last year. The ending had me feeling all kinds of conflicting emotions.
And Then She Fell by Alicia Elliott is a WILD ride. More Thriller than Horror and I feel that Native readers and Non-Native/White readers will have very different experiences reading it. I don't want to give too much away because figuring out what's going on as you're reading it is definitely part of the appeal.
Mexican Gothic is exactly what it sounds like. A scary remote village in Mexico? A big scary mansion run by a rich colonizer family? A badass Meso-Indigenous main character trying to figure out a mystery? It's all here. The build up is slow but as soon as shit starts getting WEIRD it's nothing but thrills and fun.
Anoka by Shane Hawk is another collection of short stories. It's a short read but each story is as fun and creepy as the next. Read at night <3
White Horse by Erika T. Wurth is for all the urban NDNs out there. The main character is a certified badass. I love the NDN/Punk rock feel of it combined with the horror of the supernatural.
Taaqtumi: An Anthology of Arctic Horror Stories. Terrifying. Scary. Dreadful. Cannot recommend it enough. Read it alone or at night when all is quiet to get the most of this experience. You'll have nightmares. lol
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the tragedy of armand in dubai is the fact that he genuinely likes daniel. yes, there is a threat there, and he hates how good at digging daniel is (as every liar despises the truth), but despite it all, for some unknown to us reason, he has an outstanding amount of sympathy for a boy he tried to once kill. that’s why at the end he is getting outsmarted and beaten. it’s because once his emotions stepped in, he wasn’t as guarded anymore (should i quote, unaware of the plotting around him because he was in love?).
armand tortured daniel back in sf, thinking him unimportant. it was louis who saved him. and yet in dubai there is a weird shift of the dynamics. in dubai it’s louis who messes with daniel’ parkinson’s and armand is the one to stop him. someone who likes to chase his mortal victims and gets the thrill out of them begging, suddenly decided that this mortal didn’t deserve that kind of a treatment. it’s louis raiding daniel’s memories and armand trying to clear the air, thinking it have gone too far. it’s armand apologising to daniel after louis raided his mind, explaining to him that he was invited there as a guest, trying to maintain a hospitable atmosphere in the house. it’s armand taking care of his levodopa transfusion and it’s armand getting weirdly intense about the last dinner and dropping that mysterious sentence “i do hope you’ll join us”, as if he actually cared.
what conclusions might be there apart from the obvious? in san francisco he wouldn’t have cared if daniel died, that’s how inconsequential he was to him, and for some reason fifty years later armand is weirdly protective of him. he still stays in the shadows, and only shows his concern once there is a crisis on the horizon. armand likes him, and for someone who never wanted the interview to happen he is weirdly drawn to their conversations and wants to actually tell him things about himself. something once again he would have never done in san francisco. if that’s all not a proof that the dm happened in between those decades, then i don’t know what is.
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