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room-surprise · 2 months

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New Ryoko Kui interview dropped!!!

(This is a quick and dirty translation made using machine translation, and which I've lightly edited to add clarity. I'm not fluent in Japanese so I may have gotten things wrong. I'm sure others will do a better job later.

ADDITIONAL CONTEXT: This article is from a Japanese gaming magazine, like the previous interview in Famitsu, so they focus on video games and don't discuss other influences, even though they do get mentioned and are clearly pretty major.)

Kui was able to write "Dungeon Meshi" because she was not good at eating food and participating in human relationships. In this interview, we dig deeper into the influence of games, and how Ryoko Kui focuses on things she likes and dislikes while writing. [Writers of the Gaming Generation]

Dungeon Meshi.

This manga is attractive for its unique theme of "dungeons, defeating monsters in the labyrinth, and cooking them," as well as the unique characters, detailed human relationships, and deep worldview depicted in the labyrinth. It is currently being made into an anime, and adventurers from all over the world are fascinated by the world of "Dungeon Meshi."

So I thought , "I wonder if this work was drawn by someone who loves food and people." The depiction of such delicious-looking food and the construction of delicate human relationships and characters. Surely, it must have been drawn by someone who absolutely loves it.

However, in reality, the author, Kui Ryoko, says that she "is not good at either food or relationships."

So why was he able to continue drawing things she was not good at?

During the roughly 10 years of serialization, Kui has continued to confront "things she dislikes." This interview delves into Kui's unique creative techniques... and at the same time, it also delves into her "favorite things."

That's the "game"!

Those who are familiar with the subject may already know this, but Kui is also a big gamer. And it seems that "Dungeon Meshi" is heavily influenced by RPGs such as "Wizardry."

As a result, this interview turned out to be "I asked Kui a lot about her likes and dislikes." Likes and dislikes. They are the source of all interests and curiosity.

So how do we use this knowledge in our creative endeavors? How does this knowledge manifest itself in Dungeon Meshi?

How were those charming characters and the deep world created? We spoke to the original author, Kui Ryoko, and the editor, Masaru Hiroi, about things they could only talk about after the series was completed.

This is a game with the volume of a great labyrinth. I hope you will explore it all the way to the final floor!

Dungeon food. It's eat or be eaten. There is no superior or inferior, to eat food is simply a privilege of the living. Dungeon food. Ah, dungeon food.

First, I want to ask about how Kui first encountered video games.

--What are some influences from games in Dungeon Meshi? What was your first game, Ms. Kui?

Ryoko Kui (hereinafter referred to as Kui): I played traditional RPGs such as [blank?] and "Final Fantasy."

I think the first game console I ever played was a Famicom, which my parents won in a lottery . So before I knew it, we had a Famicom at home. I think my parents bought me the Super Famicom and PS1 after that...

After that, I took a break from games for a bit around the time of the PS2, but around the time of the PS4, I was finally able to buy games with the money I had earned myself .

--Why were you able to stay away from games around the time of the PS2?

Kui: I was too busy with exams, so I thought, "Well, I shouldn't be playing games," and left. When I started living alone after that, I couldn't play games because I didn't have a TV. My computer was also a Mac. [Macs aren't compatible with many games.]

--What was the trigger that made you think, "I want to play games" again?

Kui: I think the biggest thing was starting the serialization of "Dungeon Meshi."

Fantasy stories all have different settings, but at the same time, there are also things they share in common. For example, if you want to create a fantasy work, but you only know "Dragon Quest," it will end up resembling "Dragon Quest." It's scary to copy the setting of only one work.

So I just wanted to play a ton of different fantasy games and get an idea of what the most common general understanding of fantasy is.

--Did you start playing it while you were still developing the concept for Dungeon Meal?

Kui: That's right. If I'm going to talk about "eating food," I have to play a game that has a system for eating food .

So I was interested in "Dungeon Master." However, at the time there was no easy way to play "Dungeon Master" on a real machine, so I played "Legend of Grimrock", which can also be played on a Mac.

["Dungeon Master," is a computer RPG released in 1987. Time passes each time you take an action in the dungeon, such as moving, fighting, or resting, so its biggest feature is that the game progresses in real time according to the player's actions. "Legend of Grimrock," is an action RPG released in 2012. It has a game design similar to "Dungeon Master."]

Until then, I had felt that overseas games and games played on PC were too difficult, but I felt like I had overcome one obstacle there. I thought, "Oh, this is pretty easy," and started playing a lot of different games.

-- Those two games are quite heavy even among RPGs, I think, so did you actually have that much difficulty with them?

Kui: No...I would say that my impression is more that best-selling games are easy to play (laughs).

I'm not that good at games myself, so I usually play games that allow you to adjust the difficulty on a super easy setting. So, games that allow you to lower the difficulty are always a lifesaver.

-- I've heard that apart from RPGs , you also like games such as "13 Sentinels: Aegis Rim" and "Paranomasite FILE23: The Seven Mysteries of Honjo ." Do you have a favorite genre, Mr. Kui?

Kui: I guess I'm just not very good at games that require you to use your brain through trial and error.

But in RPGs, if you just level up and keep tapping, you can win and progress in the game. Also, in novel-type games, if you read the text, you can progress. By this process of elimination, I quite like RPGs and text-based games .

Personally, I like games like Disco Elysium the most, which are text-heavy, top-down, and have maps to explore.

...Even I think that's a pretty negative reason (laughs).

Everyone: (laughs).

Hiroi Masaru (hereinafter referred to as Hiroi): But, Ms. Kui, you have really played quite a lot of games, haven't you?

Kui: No, the reason I'm able to play so much is because I play in a pretty callous way ...

I often buy a game, play it, and then just don't play it. So there aren't that many games I complete... I only complete a few a year. I play around 40 games, and if I complete 5 or 6, that's good.

When I asked if I could draw at Comitia, I got scolded.

-- Have you had any exposure to fantasy outside of digital RPGs?

Kui: I think it's not just games, but also the fact that I've always loved foreign fantasy novels . I was given books like "The Neverending Story," "The Lord of the Rings," and "The Chronicles of Narnia."

-- Dungeon Meshi gives off an atmosphere of Western fantasy like gamebooks or tabletop RPGs, rather than the typical Japanese fantasy games like Dragon Quest.

Hiroi: I think I went to Kui's house before the series started. At that time, we were discussing the name of a sci-fi manga called "Drawing Inside the Brain," which I had rejected many times.

Ms. Kui said she wanted to serialize this sci-fi manga... and when he was on the fourth draft, he said, "No, this isn't going to work," and when I looked at the scribbled notes next to her desk, she had already drawn the original version of "Dungeon Meshi" ! (laughs)

Kui: ……………No, I don't remember much (laughs).

Everyone: (laughs).

Kui: But I had wanted to draw a manga about exploring a dark dungeon, like Wizardry .

Since I was in elementary school, the manga I drew in pencil in my notebooks were all fantasy stories about swords and magic, so I had always wanted to draw a proper fantasy manga. However, there weren't as many fantasy manga in bookstores at the time as there are now, so I wondered, "Maybe fantasy doesn't sell."

Hiroi: At the time, there were a lot of people in their teens and twenties posting fantasy illustrations on online communities for artists, such as pixiv, and Kui was one of them.

I thought, there are so many people who want to write fantasy, so if she writes a fantasy aimed at this generation, it might sell.

And when I saw Kui's notes, I thought to myself, "Let's make a straight-forward fantasy manga, without making it weirdly twisted."

Kui: I originally thought of making this "dungeon exploration manga" as just a hobby... When I asked Hiroi if I could draw it at Comitia first, he got angry.

[Comitia is a comics convention in Japan for original self-published comics.]

Everyone: (laughs).

Hiroi: I said, "If you're going to draw at Comitia, then make sure you draw it as a proper serialization!" (laughs)

However, at that time, Kui had already published two collections of short stories, and they were being reprinted. In other words, she had a certain number of fans even before the serialization began.

So I decided, if Kui creates a pure fantasy for those fans, we can't fail badly. If it doesn't work, we'll just learn that fantasy is difficult to sell after all.

--By the way, were there any discussions between you and Ms. Kui about the fact that fantasy doesn't sell?

Kui: I remember vaguely talking about how fantasy manga doesn't sell well and how difficult it seems. I don't know much about light novels, so that might have been there for a while.

However, since a lot of fantasy manga were coming out around the same time, it was probably a "transitional period ." Maybe it was just when people started to feel more and more like they wanted to draw and read fantasy.

Not everyone is that interested in the things I like

-- I feel that "Dungeon Meshi" is a title that has breathed new life into the fantasy genre. How did you go about creating the setting and world when dealing with fantasy?

Kui: I try to think, "Not everyone is that interested in the things I like."

I like to think about pointless settings endlessly, but there are times when I think , "When this setting is actually made into a manga, people probably won't be interested in this story." So I try to include things that will make people interested, and cut out things that will distract people as much as possible.

For example, in "Dungeon Meshi" I initially wanted everyone to speak various languages. On top of that, I wanted to make the characters "only able to communicate with each other in one language"... but Mr. Hiroi said "Don't do that" (laughs).

Everyone: (laughs).

Kui: Even when I'm drawing it myself, I think, "It takes more than six panels to explain this setting...", and if I explain the setting more than necessary, it slows down the pace of the story.

Moreover, since "Dungeon Meshi" was a monthly serialization, unlike a weekly series, there wasn't much time for extraneous stories. Specifically, I had to draw one episode of about 30 pages per month.

In that case, there was no time to add in settings like "Actually, he was thinking about this behind the scenes" or "Actually, he can speak two languages." So, rather than there being any clear choices, there were quite a few times when "there was no time to do things normally." If it had been a weekly serialization, I might have included more.

--Does the scene where Chilchuck yells insults in his own language feel rather "forced"?

Kui: That's right (laughs).I thought, this only takes one frame...it's my chance [to include information about language]!

--So you haven't thought through all of these "fictional languages" yet?

Kui: If Dungeon Meshi were to be my life's work and I were to spend my whole life creating this world, I think it would be more fun to think about it...but initially, I thought that Dungeon Meshi would end in a few years.

Hiroi: Initially, I said, "It'd be nice if it continued for about five volumes" (laughs).

However, Kui's first draft really had a lot of material... so the editors cut out a lot of it. I understand that it's the parts the readers want to read, but I cut out the parts that deviate from the main story. So it's a battle between the "author who doesn't want to be cut" and the "editor who wants to cut."

--By the way, what kind of discussion took place between the "parts you want to cut" and the "parts you don't want to cut"?

Kui: There were a lot of them every time, but I can't remember them specifically now...it was just small, unimportant details that got cut.

In the scene where the hams made by the Red Dragon go back into the pool of blood, I remember saying, "You don't need these," and they were about to cut them off, but I remember desperately stopping them by saying, "We'll need them later!" I'm glad they weren't cut off.

But once I think of the setting, I want to include things, and then they get cut out, so at first I didn't want to expand the world too much.

I also wanted to complete the story within the dungeon. I didn't want to reveal the name of the country, and I didn't want to give the characters surnames. But in the second half, Hiroi-san told me, "The world is too small, so you should make it bigger," and I was like, "Are you sure?"

--Mr. Hiroi, why did you say that?

Hiroi: As the story progressed, it became clear that "Dungeon Meshi" was no longer just about saving a sister in a dungeon. So I decided that it would be unconvincing if the story had no involvement with the outside world, since what was happening in the dungeon was something that would affect the fate of the whole world.

For example, in real life companies, the more important a decision you make, the higher your superior's rank becomes, right? When I thought about it that way, I felt something was off about the idea of Laios and his friends deciding the fate of the world on their own. "How can they make that decision without anyone knowing about it?"

The fact that the Canary Team was there meant that there must have been a system of reporting, contacting, and consulting here, because that's how "society" and "organizations" work.

In short, I think we were thinking about the situation and asking, "If an organization were to get involved in saving the world, how persuasive could they make it given the society that exists in the story?"

Kui: Well, the plot hasn't changed at all.

From the beginning, I had intended to write a story about saving the world, but I also thought it was possible for the world to be saved by only a select few people in the dungeon who knew the circumstances. Changing it was what Hiroi-san thought would make it more persuasive.

When I was drawing the first half, Hiroi told me, "You don't have to decide anything yet." I was in a hurry to move the story forward and explain the world and story setting, but he told me, "It's better to limit it to introducing the four main characters until about the fourth volume." But in the second half, he said, "Introduce more people and expand the world."

Everyone: (laughs).

Hiroi: Kui-san was like , "That's not what you said originally!" (laughs) But both had meaning...

Kui: I was the one saying, "If we expand the world there, the story will never end, right...?"

After drawing it through to the end, I realized that the balance between holding back and expanding didn't work the way I had expected. I think this is one of the reasons why the serialization of "Dungeon Meshi" took so long.

-- But there are a lot of characters in "Dungeon Meshi," and the relationships between them are complicated. I heard that you also created the relationship diagram for "Taikaishu" [※3] ...

Kui: No, I haven't made one [I didn't do that?]!

[Taikaishu is a full-color web comic by Funako Tsukasa that began serialization on a website in 2005 and is still ongoing. Its unique worldview has earned it a loyal fanbase, especially on the Internet.]

-- Eh? Is that not the case?

Kui: To be precise, I just created an account on the fan wiki.

When I started reading "Taikaishu," I struggled with the complex setting and the large number of characters...and I thought "it would be easier to read if there was an explanation or a list of characters."

So I searched for a bulletin board where readers were sharing their thoughts and asked if there was a summary, but they said there wasn't. So I thought, "Maybe if there was a place where someone with more knowledge could summarize it," and I just made a wiki account.

So I didn't actually edit it. It seems like I've been given credit for someone else's work, and I'm sorry about that...

Dungeon Meshi was created from a sense of guilt about food?

-- "Dungeon Meshi" started off with the catchy theme of "cooking monsters," but little by little the darker aspects and deeper world were revealed. Was the structure of "little by little revealing the darker side" something you had in mind from the beginning?

Kui: I thought I needed a theme to serialize it so I thought I'd try "food education." There were a lot of gourmet manga at the time, but I felt like there weren't many that focused on food education.

-- Considering that the theme is "food education," it makes sense that the nutritional value of the dishes in the story is clearly written down.

Kui: With the theme of "food education," I also thought up a rough outline of the story. Rescue the kidnapped princess, defeat the evil wizard, defeat the final boss, and become king... the framework is pretty simple.

But when I actually tried to proceed with the plan, I realized, "No, this story can't be done so lightly..." At first, I thought I could draw it in a more light-hearted manner.

Hiroi: At first, you were trying to finish the fight against the Red Dragon in one episode, right? I was like, "is that possible?" (laughs).

Everyone: (laughs).

Kui: When I tried to actually tell it in one episode, it ended up feeling like a very brief summary... In order to tell the story I wanted to tell, I had to tell it more thoroughly than I originally thought.

-- Did you have any special thoughts about the theme of "food"?

Kui: No... well... if I had to choose, I'd say I have a strong grudge against food.

Since I was a child, I was a very picky eater, and mealtimes were a pain for me. I hated eating in front of other people, and there was a time when I hated seeing other people eating, so I would look for toilets that were rarely used and eat my meals in the toilet.

When I was doing it, the word "toilet meal" didn't exist, so when the term actually appeared in society I was so happy, thinking "everyone was doing it!"

[Toilet Meals are a social phenomenon in Japan.]

Everyone: (laughs).

Kui: I was thinking, "This is so terrible, right...?" but it was a relief to realize that other people were doing the same thing.

--So what made you choose the theme of "food education"?

Kui: My parents, who were struggling with my picky eating, taught me many things, including the "triple eating" method, but it was no use and I continued to be a picky eater into adulthood. My parents had instilled knowledge about food education in me, but I was not able to put it into practice.

[Kui might be talking about Triangular Eating but I'm not sure.]

So the only thing that remains is that I feel an enormous amount of guilt when it comes to food and eating...

Hiroi: If you think about it objectively, the series starts off on a very negative note.

Kui: But now I've gotten over the habit of eating with other people... or rather, I've come to like it. My editor takes me to lots of delicious places.

--When I was a student, I was trying to leave my udon bowl at school, but my teacher found out and made me eat the packet of udon by myself. There was no soup, and it was really hard to eat the udon by itself.

Kui: It must be tough. I tried to hide it, but my teacher found out and I got really angry.

Hiroi: I've tried to hide it in a drawer before. Then, something dried up came out of the drawer... (laughs bitterly).

How can I draw things I hate?

-- Or rather, is it the fact that you're not good at it that gives you a higher level of insight into the food?

Kui: I think it's because you're interested in it that you either like it or dislike it. Inevitably, you spend a lot of time thinking about it.

Since "Dungeon Meshi" depicts a lot of food, one might think "Do I like eating?", but in fact there are many times when I draw it because I dislike something .

--Aside from food, do you also draw things that you dislike?

Kui: Maybe. For example, human relationships, modern times, fashion...?

-- Perhaps the relationships between the characters in "Dungeon Food" are portrayed so delicately because the author is not good at dealing with human relationships?

Kui: I've always been very curious about things like, "(This person is usually so cold, but has such a charming smile in front of other people)" ...

I feel the same way, but I think people are different in the way they show their true colors. I think it's strange that it stands out to me...

-- I have a simple question. When you draw something you hate, how do you feel? No matter how much you hate something, do you find it fun to draw it?

Kui: The events in the manga don't directly involve me, so I don't dislike the things I'm drawing as much. Also, when I draw while looking for the good parts, it can lead to new discoveries.

Also, I think it's scary to draw only what I like.

In my work, the important thing is "what to capture with the camera," and there's no need to go out of your way to capture filthy things, but at the same time, I think the world will look bigger if you keep in mind that "there are a lot of inconvenient, dirty, and unpleasant things outside the camera." That's the feeling I have when I paint/create manga.

When playing a game, if I have to choose between a game where I only feel like I'm in the world inside the game screen, and a game where I feel like there are lots of people living on the other side of the screen, and that the people in that world could travel anywhere they wanted, I think the latter is more fun to play.

I'm always thinking about how to express that "sense of the vastness of the world" ...and I personally like games that have "a world" to them.

-- Do you ever incorporate elements from the game into your manga?

Kui: On the contrary, I think that is a part that cannot be adopted .

The best thing about games is that each person has a different experience. Games that have lots of endings are also a result screen for what you've done up until that point. When I see something like that, I think, "That's so cool."

Personally, I think that's the game's greatest appeal, and something that could never be replicated in a manga that doesn't have players.

If you're so busy, when do you play games?

-- I'm personally curious, how do you find the time to play games? Even though you're busy with your work as a manga artist, you play quite a lot of games.

Kui: I often use the Steam Deck before going to bed or during breaks between writing manuscripts. In fact, I almost only use the Steam Deck now. I keep it by my pillow, so I can take it and play before going to sleep, or during breaks...

--Is Steam Deck really that convenient?

Kui: I recommend it. The screen is small, but it can run Cyberpunk 2077 .

Also, personally, I've gotten tired of having to turn on my PC to start up a game...with Steam Deck, I can just turn it on and it starts up instantly, even when I'm lying down. How do you writers usually play games? There are times when you have to play games for work, aren't there?

--When it comes to work, I calculate backwards how long I'll be playing before I start playing...If it's a game that can be completed in about 60 hours, I usually estimate that I'll play for 3 hours a day and complete it for 20 days in a row.

Hiroi: It's a lot of work!

Kui: That's amazing... You really are a gamer.

I've always thought that I have a talent for playing games ... but I'm not really good at that. If I'm given a game that's a little difficult, I get tired of it right away, and I'm not very good at trial and error. The range of things I can enjoy is very narrow.

I wonder if game developers around the world are also struggling with the question of "Should I make my games accessible to a wide range of people, even those who aren't particularly gamers?" or "Should I make games that are challenging and can be played deeply?" The same problem exists with manga, too.

When there's a game that I can't play well, I feel happy because it means the creator decided that there's no need to pander to people who can't keep up.

-- By the way, when you play games, do you do it as a normal "hobby"? Or do you play more often to find material for your manga?

Kui: Of course, a big part of it is that I play games as a hobby, but it is alleviated by the fact that playing games might be useful for my work (laughs).

Even if I'm not that interested in a game, if I think "it might be useful for work," I'll find the courage to buy it, and no matter how expensive a gaming PC is, I can still buy it if I think of it as a work tool. So the hurdles for many things related to games are lowered for the reason that it's "for work."

--So, when you read manga, do you feel like you're reading it for work?

Kui: In my case, manga has become my job, so when I read it I can't help but think of work.

However, I still enjoy gaming as a hobby . That's why I don't want to lose this hobby... and I don't think I'll be able to enjoy it as much if I get involved in games as a job, so I don't take on any games-related jobs.

Does the depth of the world come from the fact that it is "not decided"?

-- I heard in advance that "Dungeon Meshi" was written with a clear awareness of "what should be explained" and "what shouldn't be explained," so could you tell me more about that?

Kui: Having read a variety of fantasy novels and games, I thought that the "moment of discouragement" was the "repeated use of foreign words." When you write something like "XX of XX of XX," if there are three or more katakana characters, there is a high chance that it will be skipped over by Japanese readers.

That's why I try to refer to town names as "the neighboring town" whenever possible, and refer to characters who appear in flashbacks as "uncle" rather than by their full names, so that readers can understand without having needing exposition.

The magic used during battles in "Dungeon Meshi" is depicted in such a way that you can "understand what kind of magic it is just by looking at the picture."

-- What other aspects of Dungeon Meshi are there that you deliberately left out of its concrete settings?

Kui: Numbers and language are the settings I avoided touching. For example, just by deciding the month of birth, it is first determined that there is a moon in this world. From there, it is also determined that there is gravity.

What's more, just the concept of a "birthday" means that there is a division into a "year" and that the world is determined to have a 365-day cycle. It quickly becomes complicated.

But on the other hand, if I were to set the details and make it something like "This country's currency is 1 gold, which is worth 5 yen," it would be a burden on the reader. When reading the work, the reader would be forced to convert it into "1 gold = 5 yen" in their minds every time. That's why I try to write it with "readability as a priority" as much as possible.

However, if you're creating a "fantasy" in the truest sense of the word, it would be better to create something that corresponds to that world's calendar or metric system in order to really immerse yourself in that world, so it's difficult to get the balance right...

-- I think that style of "deliberately not giving explanations" is quite amazing.

Hiroi: I think that 's definitely partly because "Dungeon Meshi" is a silly title.

The "mindset" of the reader is a little different...I think that from the very beginning, the reader is made to recognize that "this work isn't going to say anything too difficult."

Kui: Also, we had to give a bit of thought to coming up with the character names.

For example, the main characters in Wizardry are given names that correspond to their professions, such as "Warrior" or "Wizard." The "Senshi" in Dungeon Meshi was taken from that ... I named him after thinking, "I want that person to play an active role."

That's why I wanted the overseas version of Senshi's name to be "Fighter", but I was worried that overseas readers would be like, "What does that mean...!?" so I kept it in my head.

--The character names in "Dungeon Meshi" tend to be around 3 or 4 letters long and fit nicely.

Kui: If the name gets too long, it won't fit in the speech bubble...It's generally said that a line in a speech bubble should be about 7 to 8 characters long to be easy to read.

So "Chillchuck" is really long... I actually thought that the abbreviation "Chill" could be used more, so I named it that way, but it didn't work out so well, so in the end I just kept calling it "Chillchuck". Even I was thinking "that's long" while drawing it (laughs).

Everyone: (laughs).

Kui: Anyway, there are quite a few manga-like circumstances where "maybe four characters would be enough."

--By the way, are there any rules for naming the characters in "Dungeon Meshi"?

Kui: It's not detailed, but there are "settings within the story" and "meta-settings that are just for my own enjoyment."

For example, [if Dungeon Meshi was a game] the Shuro party has names that would be given by a certain type of player. When playing a games, some people give their characters themed names that follow self-imposed rules. In that sense, meta-wise, the Shuro party is played by a player who names their characters with a plant-based restriction.

Also, since the player likes girls, the party members are all girls, and so on... (laughs).

Hiroi: Oh, I didn't know that!

Kuon: ...While it's fun for myself, I also create characters by asking questions like, "Why is the party mainly made up of women?" or "Why do they all have similar names?"

However, even if I revealed these settings in the story, it wouldn't have made the story any more interesting, so they are merely "settings that only exist in my own mind."

-- What are some specific examples of "settings that you deliberately didn't reveal"?

Hiroi: I still remember when I said, "I want you to depict the elven kingdom in more detail," Kui replied, "That's going too far."

The dwarven country was depicted quite a bit, so I personally thought it could have been shown a little more...

Kui: I felt that if I depicted that, it would limit the reader's imagination.

There are definitely "lines that suggest something might happen," and when it comes to parts that are better left to the reader's imagination, I often choose not to draw them.

Also, even when we present settings that readers think they can just skim through, they often try hard to remember them...

It all started with the manga "Eating soba through your nose."

--Let's go back to the topic a little. How did Ms. Kui and Mr. Hiroi meet?

Hiroi: I think we scouted her.

I saw a short story that Kui had posted on Pixiv and sent him an email asking if I would like to draw a manga. I remember that he had a really funny four-frame manga called "Eating soba noodles through your nose ." It was about a character eating soba noodles through his nose and crying out in pain... I think I was drawn to his drawing ability, which made me feel like "Wow, that looks painful" when I saw it (laughs).

And from that point on, we have come to this point.

[This may not be the exact comic that Hiroi is talking about, but it's a comic Kui posted on her blog about someone eating soba through their nose.]

Kui: Oh, is that so? Isn't it something like "Shugaku Tenshi" [※4] ?

Hiroi: No, that's not true! The manga about eating soba noodles through the nose was made before "Shingaku Tenshi". By the way, that manga was planned to be published in "Rakugakihon" , but when I asked Kui-san "Can I publish this?", she was very against it...

Kui: No, that's fine, but... I didn't think other people would find it that interesting.

Everyone: (laughs).

Hiroi: But that was more than 10 years ago...

--By the way, was Mr. Hiroi the first publisher to contact you?

Kui: Before that, an editor at East Press had contacted me. I was originally publishing fantasy manga that I had drawn as a hobby on my personal website. I compiled them into a self-published original comic and exhibited it at Comitia, and they asked me, "Would you like to publish this long manga as a book?"

However, after the editor asked around to various people, it seems he was told that "this will be hard to sell"... so the plan was dropped. Instead, it was decided to release a "short story collection" of short manga that had been published at the same time . This is "The Dragon's School is on the Mountain: A Collection of Works by Ryoko Kui" published by East Press.

I was contacted by a few other people as well, but the two people I still keep in contact with are Mr. Hiroi and the editor at East Press.

-- When you went from drawing short stories and web comics to starting a commercial serialization, did you study anything like "how to draw a serialized work"?

Kui: I learned almost everything about how to draw manga from Mr. Hiroi and the editors and writers at Harta .

I had absolutely no understanding of whether panel layout was good or bad, so up until the middle of the serialization, I would rearrange the storyboards one panel at a time, and I would get lectured like "Don't put a panel like this here."

I was also impressed when I was shown original manuscripts by other artists. They look beautiful in print, but the real thing is even more impressive. This is what it means to be good at drawing manga.

It didn't finish as I expected

-- Speaking of "serialization," you mentioned earlier that you initially intended to end it at about volume 5. Did "Dungeon Meshi" continue longer than you had anticipated, Ms. Kui?

Kui: First of all, I didn't really understand what a "serialized" comic meant, so I didn't even know how much of a story I could get done in how many pages. So, I thought I could wrap up the story nicely in about five years, in five volumes.

But I never quite got around to finishing it. It was so hard... (laughs).

Hiroi: To be honest, when I first heard "Volume 5,"I thought to myself, "(Are you kidding me...?)" I didn't say it out loud though (laughs).

--Honestly, even as a reader, around the time of the fight with the Red Dragon in volumes 4 and 5 I was starting to feel like, "Huh? It seems like it's coming to an end soon..."

Kui: From the beginning, my goal was to "defeat the Red Dragon at the halfway point." However, I was supposed to fight the Red Dragon in Volume 4, even though it was supposed to be 5 volumes. So I thought, "Huh? It's not over yet," and I gradually lost interest.

By the time I got to around volume 10, I felt like no matter how much I drew, it would never end. I didn't want to drag it out, but no matter how much I drew, it just never seemed to finish.

Hiroi: Even from an editor's perspective, it seemed like Kui was getting very anxious from around volume 10 onwards.

-- Having finished the long-running serialization of "Dungeon Meshi," did you experience any changes in your mindset?

Kui: I think it was great to have the experience of learning that it would take 10 years to draw a story of this scale. And when I think about my lifespan and how many more works I can draw... it makes me dizzy.

Hiroi: I feel like I'm constantly fainting...

-- Ms. Kui, are there still any works you want to draw in your mind?

Kui: Not that much. But I love drawing manga, so I want to draw a lot. I don't know if I'll have the stamina to continue for another 10 volumes, but I want to continue working as a manga artist somehow.

But maybe... I don't think it will sell that well next time...

Hiroi: Stop! Don't say that!

Everyone: (laughs).

Kui: In that respect, "Dungeon Meshi" sold well, so I was able to draw what I had imagined to the end. Next time, I think it would be better to consider the opposite scenario of "if it doesn't sell" and make it shorter.

That's the next new challenge.

-- In addition to the expectations for your next work, do you feel any pressure?

Kui: In my case, the first collection of short stories I published was fairly well received. For a manga I drew for the first time, that's about it.

That was a relief, but at the same time, I felt that "Ideally, the reputation of my next work will also steadily increase, but there will definitely be ups and downs." If the reputation of the next work is bad, will I be able to continue drawing without getting discouraged? I realized that the "battle with myself" had just begun , and I was terrified when I read the first volume.

What game has cute illustrations, in your opinion?

Kui: This is a completely different topic, but you 've played SaGa Frontier 2 , haven't you? Aren't the pixel art in SaGa Frontier 2 really cute?

--The pixel art in SaGa Frontier 2 is...the best!

Kui: The illustrations in "SaGa Frontier 2" have such exquisite balance... if you try to express that in a picture, you can't reproduce that cuteness. It's like "exquisite head-to-body ratio."

-- In your opinion, Ms. Kui, are there any games that have cute illustrations?

Kui: The first one that comes to mind is definitely SaGa Frontier 2. Also, I still remember how cute the character designs were in Final Fantasy Tactics.

But back in the day, I used to trace characters from FF7 . I thought, "There are so many cool designs in the world..." (laughs).

Hiroi: Nomura (Tetsuya)'s drawings are amazing, aren't they?

Kui: I traced Cloud and Aerith on tracing paper and quietly said to myself, "So cool..." and got really excited. I noticed something while I was working on the "Dungeon Meshi" anime...basically, games and anime are made by many people, aren't they? So I always thought, "Many people must be giving various opinions to make them."

But when I got involved, I realized that one person's power is quite large. This was quite surprising. I thought that there were multiple people who wrote the script and storyboards, and that each person had their own responsibility, but... the power of one person is quite large.

──No matter how much the work is divided up, it's important to have a director or supervisor who brings it all together.

Kui: Yes, in the end, it depends on the power of the person who takes the lead ...

However, at the same time, I think that the division of labor between scriptwriting and storyboarding is something that would never be possible with manga. In the end, you have to create everything in one person's mind, so "bias" inevitably arises. So personally, I don't like the idea of it becoming a "world created in one person's mind."

Hiroi: However, not only in manga but also in novels, the individual author's personality is strongly expressed. I wouldn't go so far as to say "ideology"... but the person's way of thinking is strongly expressed.

Kui: Speaking of which, people who create games alone, such as indie games, are amazing.

It's often said that manga artists "come up with everything, from the art to the story, all by themselves," but I don't think they can compete with independent game creators who create the music, programming, and art all by themselves.

Moreover, even more than manga, no one can give their opinion until the game is completed. If you think about it that way, making a game by yourself is really a "one-man battle." At the same time, what I like about games is that there are quite a few "works that are not made with much consideration for cost" ... I enjoy it a little bit.

-- Do you ever think, "I want to make a game?"

Kui: I once bought RPG Maker , but it ended up being a complete failure... (laughs).

Everyone: (laughs).

Love for "classic RPGs" was a major influence on "Dungeon Meshi"

-- I'd like to ask you, Ms. Kui, since you play a lot of titles on Steam and other platforms, have you ever had any problems playing a game?

Kui: Simply put, a "game that doesn't work" is a problem (laughs).

This sometimes happens with games made by individuals on Steam... they don't have any reviews, so there's no way to deal with it other than contacting them directly. There have been a few times when I've been stuck and wondered, "What should I do?"

Other times, I'll buy a title that just happens to pop up at the top of Steam's rankings. Sometimes I'll play it thinking, "The graphics are kind of cute, so I'll give it a try," only to find that it's incomplete beyond the framework.

--So now people are playing titles that aren't that major.

Kui: Also, when I played Planescape: Torment, which is said to have influenced Disco Elysium.

While playing, I came across a character who was suffering from a terrible curse that made his whole body smell and become sticky. A quest was triggered to ask the NPC who had cast the curse to lift it, but when I asked them to lift the curse, I ended up being cursed with a curse that made me have constant hiccups ...

So when I was walking around the town, the "hiccup" dialogue started popping up all the time. What's more, every time it happened, I would freeze up for about 0.1 seconds. All the dialogue was filled with "hiccups." Anyway, it was a troubling curse.

I had no idea how to deal with this either, so I decided to just kill the NPC who had put the curse on me. The NPC also challenged me by saying, "Maybe if you kill me, the curse will be lifted?", so I tried killing him, but... it didn't lift the curse at all (laughs).

Everyone: (laughs).

Kui: I thought maybe the quest would progress in other places, so I walked around here and there, but the curse was not lifted after all. I was really curious, so I looked back at overseas information exchange thread online, and I found someone had written a lecture that said "You know what happens if you kill an important NPC without thinking about it, right?"

So I realized that this curse can never be lifted again. Even if I wanted to rewind, it was an auto-save, so I had to go back almost to the beginning... I was really... in trouble!

-- But "Planescape: Torment" hits a pretty impressive spot. Was it something that just happened to catch your eye while you were browsing Steam?

Kui: I originally liked games in the same genre as Baldur's Gate, so I think that's how I got into Planescape.

Also, I saw information that a huge amount of text in Planescape was translated by one person... I'm not very good at English, and games like Planescape have a lot of text to begin with, so I'm at a loss if it's not translated into Japanese .

However, when extraordinary people like those who make Planescape use their precious time from their lives to accomplish great things, I feel very grateful.

-- So, Ms. Kui, do you prefer games that are closer to the classics?

Kui: That's right. The first game I played was The Elder Scrolls V: Skyrim, and it was so much fun that I searched for "games similar to Skyrim" and played a lot of the games that came up.

All of them were completely different games from Skyrim, but they were fun. However, I don't like "old games". I think that newer games are generally more polished and well-made.

-- Wizardry, which influenced Dungeon Meshi, is also a classic work.

Kui: When I was a child, I saw my father playing Wizardry V : The Heart of the Maelstrom. As time passed, I remembered that there was a game called Wizardry. The game I played at that time was Wizardry VI: Forbidden Pencil.

I also played Wizardry V , but it was hard to see the map unless I chanted a spell. I was directionally challenged, so even though I had a guidebook at hand, I couldn't progress.

--By the way, were you more interested in making a manga out of "Wizardry" than the tabletop RPG "D&D" ?

Kui: When I was researching fantasy, "D&D" was often mentioned... but I had never even heard of "TRPG" before. First of all, you can't play it without friends, and I was shocked to find out that lots of people have friends they can play with like this...!?

Everyone: (laughs).

Kui: So when I looked up TRPGs on Wikipedia, I couldn't imagine that people actually played this kind of game. I was more confused and thought, "How can people really role-play in front of other people?"

After that, I watched replay videos on YouTube and it was only then that I understood how games like D&D worked.

Games, manga, novels. What is the purpose of all creative works?

-- What was the last game you played?

Kui: Recently I played a school management game called "Let's School." It's made by a Chinese company that also made "My Time at Sandrock."

Hiroi: You really like that kind of game, don't you? (laughs) Oh? Haven't you played "FF7 Rebirth" ?

Kui: I'm thinking about playing the remake of FF7 once it's completed.

Hiroi: No, no, if we don't do it now, we'll never finish it! It'll be a long time before we do it!

--Honestly, I also thought it would take about 10 years for FF7 Rebirth to be released.

Hiroi: I thought it would take about that long too... I really wanted it to be completed while I could still see. So, please do it!

Kui: Once it's finished...I want to play it all at once (laughs).

--Do you and Ms. Kui often talk about games?

Hiroi: Ms. Kui sometimes says, "I want to talk about this game, so I want you to play it." I played "Red Dead Redemption" because of that. Also, a long time ago, Ms. Kui recommended "13 Sentinels: Aegis Rim."

Kui: Whenever there's a game I want to discuss with someone, I always recommend it to Hiroi.

But maybe I haven't been playing games as much lately. Until now, I've been playing games because I thought of it as "for work," but now that the serialization of Dungeon Meshi has ended, I've been playing less games.

Moreover, I'm not the type of person who gets that into one game...I don't generally play through a game in repeated playthroughs, and I'm usually satisfied once I've finished the story.

Hiroi: Then we have to start [a new ] serialization soon.

Everyone: (laughs).

-- I'd like to ask you personally, do you have any "recommended indie games"?

Kui: I highly recommend "Papers, Please" and "Return of the Obra Dinn."

First of all, "Papers, Please" is a simple "spot the difference" game, so I didn't have high expectations at first. But when I played it, I felt like there was a proper "world" to it . Also, I was curious to see how the story continued.

And "Return of the Obra Dinn" had a great atmosphere. There were hints to solving the puzzles if you looked closely, but there was also a good balance of being able to force your way through, and the music and production were cool.

Hiroi: Come to think of it, you read quite a bit of the novel after the serialization ended, didn't you?

Kui: Ah, you mean "1984" by George Orwell? That was good...

I've always thought that creativity isn't necessary for life... It's entertainment, so it's not essential to life. But after reading "1984," I thought, "I guess creativity is necessary after all."

Humans need stories to experience things that should never come true, to prepare for bad things, and to prepare for understanding other people... You might think, "You should have already learned that when you were younger," but I was deeply moved by this realization.

Anyway, I feel that it would be great if people could learn things they didn't know before through this work.

Hiroi: ...Overall, it just felt like we had a fun time talking about games (laughs).

Kui: We just used the interview as an excuse to talk about the game (laughs).

-- No no, thank you very much for sharing your valuable story! (End)

I think I can understand a little bit about being interested in things you hate.

It's easy to analyze "why do you like something?" when you like it, but it's surprisingly difficult to analyze "why do you dislike something?" When you understand the reason, it seems that "why do you dislike it" is often more meaningful.

Perhaps creative works exist in part to help us understand the things we dislike.

I was able to hear a lot of deep "creation stories" that made me think about such things. Also, Ms. Kui is a huge gamer. Mr. Hiroi also likes games quite a bit. Since serious talk and game discussions alternated, the content may have been emotionally confusing. But I feel like "Dungeon Meshi" has a similar atmosphere.

If you haven't read "Dungeon Meshi," please take this opportunity to read it. It depicts a fun adventure. On top of that, it may help you prepare for difficult things that might happen in your life someday. Of course, it's also extremely interesting as a manga. I think it's definitely one of the best "entertainment" of our time.

Why does the body want to live? What does the mind want?

This is because we have a "desire" to pursue what we like and dislike. In fact, "things we dislike" are just as important as "things we like." By understanding our own "likes and dislikes" through creative works and entertainment, humans can prepare for things that happen in their future lives. Food and creative works are equally important for human growth.

...That said, I'm not sure if it has a nice punchline, or maybe not.

To eat. To experience creative works. These are truly the privileges of life. In order to live, we must continue to eat.

Now it's time to eat. What shall we eat today?

#dungeon meshi #delicious in dungeon #ryoko kui #kui ryoko #dungeon meshi research #translation

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i-cant-sing · 6 months

Text

TIME TRAVELER AU PT 2

Original post/idea here. Part 1 is here. Part 3 is here.

Check out my MASTERLIST for more!

I fucked up.

You thought as you sat on the bed, holding your head in your hands.

I fucked up so baaaaaad.

Not only have you healed Baldwin of his leprosy, forever changing history of the LEPER KING, but also managed to somehow be his bride. To make matters EVEN worse, you cant just up and leave right now because you dont know the disastrous effects it'll have on the future now that Baldwin wont die of leprosy, which means that the kingdom of Jerusalem wont fall to Salauddin and his muslim army and after that its just a domino effect.

You tried to view your options here.

I stay here, marry Baldwin and fuck up the fabric of time and space because how can someone from the future marry someone from the past? Wouldnt I cease to exist?

I leave, return to my time where authorities arrest me for fucking around with time- that is, if I even exist in the future now that I've altered history. Who knows if my ancestors survived/were born after this?

No. Neither option is good. I need to stay here and fix this. But in a way that i dont draw too much attention to myself so that im so insignificant that nobody remembers, let alone writes about me in the history books.

You were drawn out of your thoughts with someone knocking on your door. "Come in." You said, straightening yourself.

A couple of servants walked in, all women. "Princess Y/n." They all courtesied. "We've been sent here by his majesty to prepare you for dinner with him."

Princess? Ah yes. Only a couple of hours ago, Baldwin had proposed to you, I guess the concept of asking wasnt a thing here as he just slipped on the big beautiful ring on your finger.

You narrowed your eyes at them. "First of all, Im not a princess. You will address me as Y/n only. And secondly, Im not going to join him for dinner, so there's no need to prepare me" The maids all shared a look of confusion before the head servant spoke.

"But we cant address you as anything else until you wed the king, after which you will be our queen, princess."

"Didnt I just tell you not to call me princess? Just call me Y/n!" The head maid shook her head. "Princess, we can not do that. If we do, then we would be punished. And we must prepare you for dinner with his majesty!" The maids moved ahead to start helping you but you raised a hand, halting them.

"I said, no." You said sternly.

"What... what will we tell the king, princess? He's expecting you-"

"Tell him i cant come because Im sic- no, Im not feeling well and Id like to be alone." You cant say "sick" in this era, because that means "death sentence" here and you dont want to be fretted over and bring attention to yourself as "the king's fiancee got SICK!". Besides, you do need to be away from Baldwin as much as possible and have some time to plot your moves.

You had pulled out your notebook and began writing out dates and historic events of this era to plan your escape. You're trying to find some sort of shortcut where Baldwin gets sick again and dies, leaving his kingdom in the hands of his sister and brother in law, who will bring its downfall-

Someone knocked on your door gently. "Princess?" You quickly hid your notebook. "Come in."

Baldwin walked inside and towards you, eyes worried as they scanned you up and down.

"I heard you're not feeling well?" He asked and before you had a chance to back away, he had cupped your cheeks in his hands tenderly. "What's wrong? Shall I fetch the royal physician?"

"No." You replied with your face smushed in his hands. "I'm fine." You pulled your face away his large hands.

Confusion spread through his blue orbs. "Then why did you not join me for dinner?" He asked, using a hand to push your hair over your ear, not taking the hint that you didn't want him touching you.

"I just-" what possible excuse could you come up with that would be both effective and not insulting enough to have your head chopped off. "you- you dont care about me."

Baldwin looked at you in bewilderment. "I dont... care about you? Princess, how can you say that?" He tried to cup your cheek again but you backed away before he could, putting on a face of hurt.

"How can I not? You dont care about what I want, or even ask me what I need?" You feingned pain in your voice, turning away from him for dramatic effect.

He grabbed your shoulders and turned you towards him, his pupils grew wide as if trying to search for what it is that you need. "My love, what do you want? Just say the word, and I'll give it to you."

You looked down, again for the theatrics, and Baldwin lifted your chin. "Go on."

"You never- never asked me to marry you."

"Huh? But I did today-"

"No, you stated it- demanded I marry you." You furrowed your brows and looked down again.

Baldwin smiled. Of course, how could he have not asked you? You were a girl after all, you want to be courted the traditional way. Its not your fault that you dont know that kings do not ask permission for things. They just get it, because who would refuse to marry a king?

He kissed your forehead, lifting your chin again to meet his eyes. "Im sorry, princess. I shouldve asked." He took your hands in his and had that charming smile again. "Will you marry me, Y/n?"

"No." You shook your head. "I... I cant marry you, your majesty." You said, adding tears into your eyes. His brows furrowed in concern.

"What? Why?" You tried pulling your hands away but he didnt let go, tightening his grip ever so slightly.

"I-" well, you could say that youre not catholic and the church would never let you two get married, but you also dont wanna be tortured for being a "heretic". Maybe religious differences could be the last plan. Taking your silence as hesitance, Baldwin spoke. "I can offer you everything and more. Jerusalem would be yours. What is it that I lack that anyone else could offer?"

"I am not a good match for you!" Ah yes, lets do the typical "its not you, its me." You bit your lip as you yanked your hands out of his and walked towards the window, your back to him (theatrics). "You and I are not equals- no we are nowhere close! Youre a king, your father was a king, your family is royalty. I come from nothing, as did my ancestors. There will never be stability in our marriage when we come from such different backgrounds!" You never thought that you would be putting yourself down and call yourself "inferior" to break up with a man.

Silence hung in the air, as you held your breath.

"Youre right." You heard him say behind you. "We are not equals, we never will be." For some reason, instead of being relieved, a chill ran down your spine. Baldwin wrapped his arms around you, resting his head on your shoulder. "I may be a king, but youre far superior to me. You're an angel, sent to me by God, and you saved me. I wouldnt be king anymore if you werent here, princess."

Warmth spread from your cheeks to the tip of your ears, both due to the close proximity and his words. Sensing your bashfulness, he chuckled, kissing your cheek as he turned you around to face him. You could hear your own heart beat at how close he was.

Baldwin tilted his head, half lidded eyes staring at you. "Youre everything and more that I could ask for, princess. Never put yourself down and compare yourself to me, hm?" He said, giving your arms a gentle squeeze before moving away, but not detaching himself completely as he took ahold of your hand and looked back at you.

"Now that this is settled, let us go eat. I've had the servants prepare a feast for us and then we can discuss wedding arrangements-" shit shit shit shit shit fuck it!

"I'm not catholic!" Baldwin halted at that. You've already said it, might as well dig yourself a deeper hole. You let the tears form in your eyes. "Im... Muslim. I didnt tell you because I didnt want you to think I was working for Salauddin and spying on you for him, you know I wasnt! I really did only want to know about you. Please believe me, I wasnt-"

"I believe you."

What? Just like that.

"You- you believe me?" You breathed a sigh of relief. "Thank you. Once again, Im sorry i didnt tell you I was a Muslim, but dont worry, I'll pack my things and leave tonight-"

"Why? We still have to get married."

You blinked slowly. "But... Im Muslim?"

Baldwin shrugged. "So? It doesnt change anything."

You looked at him in bafflement. "It does! It changes everything! We cant get married! Im a Muslim! The church wont allow interfaith marriages, and I dont intend on converting to catholicism either if thats what youre suggesting!"

"I am not suggesting that. You can be a muslim if you want to, but we're still getting married." Baldwin stated matter of factly.

"The church wont allow it-"

"The church will do as I say. I am the head of the church. Besides-" He smiled.

"I dont remember angels having to prove themselves to be a catholic. You saved my life, you cured my incurable disease. As far as the church is concerned, youre a miracle sent to me by God. Youre the Chosen One!"

Is he... is he hearing himself? Can you try to convince him?

"But... but Jerusalem deserves a Catholic Queen-" you tried weakly, but he cupped your cheek and smiled gently at you.

"I am Jerusalem, Y/n. And I deserve you." Was all he said before pecking your forehead.

He tugged you along with him. "Now, we have to eat."

You dont want to eat. You want to stay behind and think of another strategy because clearly you cant talk yourself out of this wedding.

"I'm- I'm not hungry." You said, making him frown.

"How is that possible? You havent had anything since morning. I dont want you getting sick before the wedding." Baldwin continued to pull you along.

Does he not listen?

"I dont want to eat- I- dont feel like it." You said a bit harshly this time, hoping he'd take the hint.

And he did, finally stopping. He sighed and let go of your hand. "Okay. I suppose if you really dont want to, we can skip dinner tonight." Fucking finally. "Its just... I seem to have developed a habit of enjoying meals with you. And now that my leprosy is cured and I have no more diet restrictions, I just- I had the kitchen prepare some of my favourite dishes that I was able to enjoy before my disease disabled me."

You stared at him. Is he- is he trying to guilt trip you? Baldwin once told you that due to leprosy he had ulcers in his mouth, and he couldnt eat different types of food, and was only able to have bland, soft goo.

You looked away from his big sad eyes. He's not getting to you. You need to go back to your room, make yourself scarce, be far away from him as often as possible.

"You can still go and eat dinner alone."

With one hand, he cupped your cheek. "Princess, you know I cant eat until you eat too. But its okay, if you dont want to eat, then I wont too. I guess I'll just have the servants finish the chicken roast and oh-! They even made strawberry cream cake for dessert. But- maybe another day."

You looked into his eyes, those blue orbs that were filled with sadness, resembling a kid who was just told "no candy!"

Sighing, you held his hand. "Maybe I can have a few bites."

His face lit up. Ah, he knew you'd come around. "Lets go!"

The next day, youre helped by the maids to get ready for the day. Apparently, Sibylla wanted to meet you and discuss some things, and you suspect she wants to talk about the wedding preprations.

The maids had prepared your bath and were very insistent on washing you themselves but you made them all leave the bath chambers. Finally, they compromised when you told them that they could dress you up if they wait outside.

Setting your old clothes on the bed, you entered the bathroom and settled into the warm water. The essential oils and flower petals soothed your mind and body, and you finally had some desperately needed silence to hear your own thoughts.

Last night at dinner, Baldwin was very- well, "happy" would be an understatement to how he felt near you. And all those forehead kisses and skin contact doesnt go unnoticed by you either. You suppose that since he had leprosy, he never really had or was allowed to touch anyone else. But now that hes cured, all thanks to your dumb ass, he craves the physical intimacy.

You closed your eyes as you sank deeper into the warm water. Gosh, did I really have to give him the water? Had I not done that, he would still be ridden with lepro-

Your eyes snapped open. Thats it. You just have to make sure he never drank your water in the first place! Yes! You can go back in time and sure, its always dangerous to go back in the same time period more than once, but you really dont have any other option now, do you?

After half an hour, you finally exited the bathroom and the maids practically ushered you to sit in the chair as they finally, FINALLY got to dress up the future queen of Jerusalem and after a whole hour, they're finally done. And... well you look good. Your hair has been done nicely, and a delicate golden headpiece, almost like a elegant hair band sits on top of your head. They added some color to your cheeks and lips with crushed berries. As for your clothes, they dressed you in a dark blue tunic with loose, flowing sleeves. The tunic itself was made of silk, probably brought in from the Byzantine empire and was only available to the upperclass of this time.

"I am not wearing those!" You said when they opened the jewellery boxes. There were diamonds and other precious stones adorning the earrings and necklaces.

"But princess, you must wear these. It is royal protocol for the king's bride to be, and the future queen to wear the royal jewels." The head maid said. She doesnt know that you dont plan on sticking around and if you leave wearing these jewels, who knows what havoc would that cause?

"No. I dont want to wear them."

The maids shared a look of concern. "What?" You asked them.

"Its just... his majesty picked these out for you himself. He would be mad at us if you were not wearing these." One of the younger servants spoke as she fumbled with her fingers. Through the mirror, you looked at everyone's worried expression. You doubt that someone as calm and collected as Baldwin would lose his marbles over his fiancee not wearing jewellery.

"I dont think the king would be mad at you if I dont wear some jewellery. He isnt one to get angry that easily, you know?" You said chuckling, but it died when you saw them share the same concerned looks again. This time, you turned away from the mirror to look at them directly. "What? Go on, no secrets."

Another maid mustered up the courage to mumble. "Well- it's just- the king- I mean- his majesty is calm but um-" she paused to look at the other maids for help but they all avoided eye contact. "Out with it." You said a bit sternly.

"His majesty... gets... emotional- yes, emotional! When it comes to matters concerning you."

"Emotional? What do you mean? Speak clearly, no word will get out of this room, I promise." You spoke all while glaring at the other maids to make them silently comply to not tattle on their friend.

The maid bit her lip. "His majesty... gets mad when he thinks that you're not being treated well." You gave her a look to continue. "A few weeks back, while you were strolling out in the garden, his majesty reprimanded some of his knights for not escorting you. He asked them why they weren't guarding you?"

A few weeks back? It may have made some sense for Baldwin to be protective of his bride to be, but you two weren't engaged until yesterday. And before that, his relationship with you was barely platonic, more like a king-servant thing.

"Tell her about the kitchen incident too." Another maid whispered.

"What kitchen incident?"

"Um, 2 months ago, when the kitchen had prepared a feast for his majesty, he almost fired the entire kitchen staff for serving olives with the entree." You gave them a quizzical look. "Well, his majesty had told them that you can't eat olives and had told them not to include it in the palace's food. But it was a feast to celebrate his victory and the staff thought it'd be best to add olives because the king likes them."

Your eyes widened at that. He almost fired the kitchen staff because you said you can't eat olives? I mean, it's not like you're deathly allergic, you just didn't like how tart they were and when Baldwin saw you picking them out on your plate, all you could manage to blurt out was that you can't eat them. Perhaps, he thought you had diet restrictions like him.

You huffed. That still didnt warrant such a reaction from him. "That isn't nice. Don't worry, I'll talk to him."

The maid looked at you in horror. "No! I mean, his majesty would not like that we- um..." she tried to come up with appropriate words that wouldn't be insulting. Her scrunched up face as she thought hard made you giggle.

"Fine, fine. I won't say anything to him. You have my word." You said, smiling at them assuringly.

The head maid then held out the pearl necklace to you. You sighed and nodded, and they all cheered as they started picking out the jewels for you.

Its okay. You told yourself. I can always drop them somewhere before time travelling.

As soon as you were dressed, one of Sibylla's lady-in-waiting came to fetch you. She hurried you, saying something along the lines of "you must see princess Sibylla right away!" And you couldn't stop her from pulling you along, so time travelling will have to wait.

"Princess Sibylla needs to see you right away, princess!" The maid said as she pulled you towards a room. Knocking on it, the door swung open and you were met with the sight of different gowns hanging on dummies with maids tending to them, and right in the center of the room was Sibylla, practically jumping on her heels.

"Y/n!" She yelled out as she ran towards you and engulfed you in a hug before her lady in waiting, the same one standing beside you, cleared her throat. It caught Sibylla's attention who gasped softly before backing away and immeadiately giving you a courtesy. "I mean, princess Y/n." You gave a nasty look to the lady in waiting before shaking your head at an embarrassed Sibylla. "You don't need to courtesy to me, princess Sibylla."

She immeadiately beamed. "Of course I do! You're not going to be just my sister in law, you're also going to be Queen of Jerusalem! Of course i bow to you."

Me, a queen? Yeah, we'll see about that.

"Still, I consider us friends before anything else." You offerer her a small smile. "You called for me?"

"Oh? Oh, yes!" She immeadiately grabbed your hand and pulled you further into the room. "I didn't know what colours and material you preferred, so I ordered them to bring everything with the best seamstresses in kingdom!" She pointed at the seamstresses, who bowed to you.

"But... I don't need clothes. I already have a wardrobe." Your statement made Sibylla laugh as did a few of her hand maidens.

"Ahh, you're so naive!" Sibylla giggled. "That wardrobe doesn't exist anymore. You're a princess, soon to be queen, you need a royal wardrobe!" She said as she dragged her hand over one of the gowns, feeling the material. "And! You still have to select your bridal gown!"

For the next 3 hours, Sibylla had the maids show you different gowns and materials, even helping by giving her input as to what would suit you.

"I still like my old clothes, they're quite comfortable." You sighed. Designing your new wardrobe was not something that needed your urgent attention at the moment. You need to return to your room and get the time machine from your old dress and leave this era.

Sibylla nods. "I understand what you're going through. I still remember how they burned away my entire wardrobe when I married Guy. But I suppose its poetic in a way. Since you're starting a new life, so why not start one by getting new clothes!"

Wait.

"They burnt all your old clothes?" Sibylla nods. "Mmhmm! In a way, you're burning away your past! And starting a new-" You didn't stick around as you immeadiately rushed out of the room and made your way towards your own.

You can't- your old clothes has your time machine. If they burn it, you can't ever leave!

You burst into your room, looking at the empty spot on your bed where you'd left your clothes before going in the bath.

"No." The maids, they must've put it in your closet. You searched it, searched your entire room but to no avail.

A maid walked into your room, watching you tear apart the bedroom. "P-princess? May I help-"

"Where are my clothes?!" You walked upto her, the poor maid's fright apparently on her face. "WHERE ARE MY CLOTHES!?"

"They- they're burning it-"

"WHERE?!"

"The gardens!"

You ran out of your room, and made your way towards the royal gardens as fast as you could, but with how huge this palace was, getting there took a while. Not to mention when you did get to the gardens, you didn't spot anyone there, but you did notice the smell of something burning, which lead you to the back of the gardens, that was away from everyone's sight.

There you found them, two maids burning your clothes in a small bonfire.

"PUT IT OUT!" You yelled as you rushed towards them, startling them.

"Princess-" they began bowing.

"Didn't you hear me? PUT THE FIRE OUT!" They scrambled about trying to find some water, but of course, they didn't have it.

"I'll get it from the fountain!" The two maids ran to get a bucket of water for you, but it would be too late by the time they came. So when you spotted your old dress burning, you pulled it out with bare hands, not caring about burning yourself.

The dress was mostly burnt to ashes, while only few bits remained that were still on fire. You managed to wrangle out your time machine out of it, the small metal box that was burning hot and left marks on your skin as you tried to hold it.

But even from here, you could see the damage was done. The area that displayed the year had now completely melted off, as did some of the buttons.

No. No. No. No. No. NO!

You couldn't help but cry as reality began to set in. You're stuck here.... you're stuck here forever.

Heart wrenching sobs wracked your body as you tried to hold the hot metal machine in your hands, your skin burning as you tried. Even when the servants came and poured the water on the fire, you still kept on crying, clutching your machine to your chest, partly to conceal it, partly from helplessness.

The maids looked at each in worry as they tried to console you, tried to pacify you, lest you had them executed. But it didn't matter, you were inconsolable. While one of the maids sat by your side, trying to soothe you, the other one ran in to get help.

Moments later, when you were able to hide the machine in your clothes again, someone came up and touched your shoulder from behind.

"Y/n?" You looked up through your tears. It was Baldwin. For some reason, seeing him only made you cry harder as you finally realised that you were stuck here with him. That you fucked up permanently.

"Oh princess. What's wrong? Don't cry- shhh, I'm here." He pulled your body towards him, letting you sob into his chest heartbreakingly. Exhaustion, frustration and shock must have overtook your body, as you fainted in his arms.

"Princess? Y/n?" He tried waking you up before collecting you in his arms and rushing back into the castle.

Hours later, you woke up to find yourself back in your room, lying in your bed. Your eyes looked down at your hands which were now wrapped in bandages. They only served as a reminder of what youd lost- your time machine.

Tears welled up in your eyes again. Am I- am I really stuck here? You sniffled.

A hand came up to caress your cheek, startling you.

It was Baldwin. "Princess? Do you want to tell me what happened?" His soft tone made you even more sad, and you raised your bandaged hands to wipe your tears, but he caught your wrists and lowered them back gently, using his own hands to wipe away the tears.

"No, you cant use your hands for sometime. The burns need to heal." His hand remained on your cheek, thumb caressing the area under your eye. "What happened, Y/n? Why were you so upset?"

You cant avoid the topic for long, and now that your way of escape is gone, you need to be careful of what you say and how you act around the king.

You let out a shaky breath. "They... they burned my clothes."

"Mmhm. Dont worry, I will have them bring in the fanciest clothes for you. Sibylla will make sure of it. Only the best for my princess." You shook your head. "Its not- its not that... They were my clothes... they burned away-"

"I know... but its a tradition. The maids burn away the bride-to-be's old clothes to signify that youre detaching yourself from the past and starting a new life." He explained, watching as you sniffled. Clearly, you were still upset over this.

"But the maids, they still should've informed you of this tradition before doing anything. I know how emotional of a transition this could be for girls." You nodded sadly, heart still sinking at the loss of your machine. "Dont worry though, they will be punished harshly for it. I have them in the dungeons tonight, and tomorrow-"

"What? Punished? No!" You cut him off. You dont want anyone to die because of you, especially when you dont know if anyone these people could potentially be an ancestor of yours.

"But they caused you harm. You burned yourself due to their-"

"No, no. Please, don't punish anyone- I- it was my fault for not knowing about royal traditions! Please, your Majesty, I beg you- don't do this- i- i-" You pleaded.

"Shhh, okay. Okay. I won't punish them for it." He patted your hair. "On one condition."

You looked at him in confusion.

"You call me Baldwin from now on." He grinned. "We are to be husband and wife soon, I don't want us to use royal titles with each other."

Your eyes widened. Is he- is he really giving up titles? You're not that blind to see his attempts at intimacy, but what you don't understand is why or even how you came to be on the receiving end of it.

What exactly is it about you that has made him want to marry you? Surely, Baldwin would've preferred to marry someone of this era, someone who is more compatible with him. Despite you trying to blend in the past months, you allowed Baldwin to see how you're not... as Conservative as most people of this time period are. One could say that he may be impressed by how intelligent you are than others, but it also brings up the factor of being "threatened" or "insulted" by the same intelligence.

Even though you consider beauty to be a "subjective" thing, the whole "beauty is in the eye of the beholder", you're not blind to how attractive others are. So why not them?

Did he only like you because you're intriguing? Does he still think you're a spy? Keep your friends close, and your enemies closer?

Probably. Or maybe he really does believe all that mumbo jumbo about you being "an angel sent to save him."

"As you wish... Baldwin."

Last night, after Baldwin had left you to rest, you stayed up and tried to figure out if you can fix your time machine, and if not, then can you built another one?

Fucking hell. You closed your eyes. I made it once, I can build it again. But it's easier said than done.

Back in the present, you had the technology to build it. Now? You have to first make the technology and the tools from scratch before you could even get on making your time machine, all while keeping your science project discrete, which was easier before because you weren't going to be married to a fucking King!

Right now, you're sitting in Baldwin's private dining room (yes, there are more than one dining room. He's royalty, what did you expect) having breakfast- well, being fed breakfast.

"You really don't need to do this." You said as Baldwin fed you another spoonful. He smiled as he wiped your lips with a napkin. "I don't need to, I want to. Besides, I don't want my princess starving."

Involuntary, your face flushed. "I- the maids could've fed me. And im not a princess." He frowned slightly. "Why would you- open wide, princess- why would you want the maids to feed you when you have me?" He pushed the spoon to your face as you parted your lips, but then he pulled it away and brought his face close to yours. "Do I make you nervous?"

You backed away immediately. "I- no- I mean-"

He burst out laughing. "I'm- I'm sorry princess, but you are just too endearing!" Baldwin chuckled as he grabbed the spoon again and fed you.

Your cheeks reddened, this time more out anger than embarrassment. "I don't want to eat anymore." You muttered, turning your face away.

He smiled as he brought the spoon to your lips again. "Ah ah, but you still haven't had enough." However, you rejected again, looking away instead of replying.

He sighed, placing the spoon back on the plate. "I'm sorry, princess. I shouldn't have laughed at you."

"You shouldn't have." You mumbled, face still turned away from him.

His lips quirked up a bit. "You know, for someone who insists that she's not a princess-" He turned your face to him gently. "- you sure have all the blandishment of one."

"Blandishment?"

"Flattering actions of a princess." He nodded.

You frowned. "Are you calling me a spoiled princess? A brat?"

"I would never!" Baldwin gasped. "I enjoy you acting like royalty, demanding respect and attention. You deserve it and more. Besides-" He picked up some food on the spoon again and brought it to your lips. "Even if if you were a spoiled, bratty princess, I wouldn't mind. I would enjoy spoiling you, hm?" He nudged the spoon to your lips softly.

You parted your lips, making him smile. It really is hard to stay mad at him when he looks at you with his baby blue eyes. They just- they draw you in.

"Also, before I forget, I will be leaving the castle today to meet Salauddin. So you can either hand out with Sibylla, who still wants to help you design your wedding gown, or your can-"

Salauddin? "Why are you meeting Salauddin? Isn't he your enemy?"

He chuckled. "Only on the battlefield. He and I have developed a friendship, or a mutual respect over the years. As to why I'm going to meet him, is... well, you."

"Me?" He nodded. "Since you told me that you're a Muslim, I thought that we could perhaps have a discreet Islamic wedding- what is it called? Nikkah? So, I could go and learn more about it from Salauddin."

You opened your mouth to protest. You don't need to be part of history as the "king of Jerusalem's Muslim wife" or "the Muslim-Christian wedding that took place during the Crusades", even if it might make the world more progressive.

But then, you didn't protest. "Can I come?"

Baldwin raised a brow at you. "You want to meet Salauddin?" You shook you're head. "Well, no, not really. I mean, I don't mind meeting him, but I just want to get out of the castle for a bit. It's been months since i left this place, I just want to get some fresh air." This could be the perfect opportunity for you, because if memory serves you right, Muslims of this era had made significant advances in science. Maybe you can use their help to get some tools to make the time machine again.

Baldwin looked unsure. "I don't know if it would be safe for you-" you held his hand with your bandaged ones. "Please, Baldwin? Can't you take me with you? And wouldn't I be the most safe when I'm with you?" Ah yes, stroke the male ego.

Finally, he smiled.

"Alright. I supposed it would be fine, after all, you should see the kingdom you're going to be the queen of."

Thoughts? (Also, I need to go shower rn, so I'll put the read more later. Doing so much effort for u guys, my spoiled greedy children)

Part 3 is here.

#yandere baldwin #yandere king baldwin #male yandere #yandere male #yandere x reader #yandere x #yandere x darling #yandere #baldwin iv

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requinoesis · 2 months

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⭐The Magic Drawing Pad! 📱✨

I was surprised to receive a Tablet from XPPen in exchange for a review. Here’s my experience! 📝✨

Initially, I thought the tablet's design, meant for drawing away from a workspace and outdoors, didn't suit my lifestyle. As an introvert who rarely leaves the house or is socially active, I decided to review it from a homebody’s perspective.

I've never drawn on a display tablet before, only on regular digital tablets like the Wacom Bamboo and my current Huion Inspiroy Ink. Now, I have the XP-Pen Magic Drawing Pad to try out!

At first, it was frustrating! Everything I drew looked crooked and ugly, and I felt like a fraud. But it wasn't the tablet's fault; it was like learning to draw all over again since I was used to the computer and had abandoned traditional art.

I was rushing, thinking I should be perfect immediately. I took a deep breath and remembered that learning a new tool takes time and patience. Once I gave myself the time to adapt, things started to work out.

I only explored the tablet's basic functions, but its interface is similar to an iPad or cell phone and works well. I transferred files to my computer via Telegram, but Google Drive could also be used.

There are several illustration apps available. I chose Infinite Painter first because it is similar to Procreate. I found it amusing that the process of creating art was recorded while I was drawing!

In conclusion, I find the Magic Drawing Pad to be an ideal tablet for beginners venturing into screen drawing for the first time. It offers a practical and enjoyable experience!

Feel free to ask any questions about this tablet, and I'll do my best to answer them!

They also told me to say that there would be up to 45% off during the Prime Day event on the Amazon store and the official store from July 16th to 17th! 🛍️✨

⭐ - US store: https://amzn.to/3L08x36 ⭐ - CA store: https://amzn.to/3VanP9W

They also recommended this keyboard!

⭐ - ACK08 smart keyboard: https://bit.ly/3VCgAYv

Thanks a lot to the XPPen team for their patience and for the opportunity to try out this tablet!❤️✨

---

I did this little speedpaint experiment too if you want to see! The function of recording while drawing is a very cool experience!

youtube

That's it, I hope you like it!✨

#xppen #xp pen tablet #art #illustration #digitalart #Youtube #advertisement #AD #product reviews

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surielstea · 2 months

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Debts and Gifts

Fic requested by @weirdo-fun

Pairing: Azriel x Fem!Reader (marriage of convenience au)

Summary: Azriel and Reader are out shopping for solstice when Reader stumbles upon someone from her past and Azriel’s sees to it that she forgets about him.

Warnings: PDA | Reader is a former courtesan | very, very slight nsfw, public (ish) | Azriel being feral for reader at all times.

3k words.

It was the last market day before Winter Solstice, which meant pop-up shops and vendor carts lined the main streets of Velaris, selling anything from hand-made jewelry to warm meals.

The streets were teeming with last-minute shoppers dressed in their warmest coats, everyone seeking warmth so much so that one of the cocoa vendors had a line around the corner.

I stood at one of the less crowded establishments, staring at the crystals beneath the protective glass, twisting my wedding ring around my fourth finger, a habit I picked up the moment it was placed on my finger.

"Come, this way," A familiar voice says and I turn from the crystals to face him, the dark-haired male holding out his scarred hand as an invitation. I pull my scarf up higher, hiding my flushed cheeks as I intertwine our cold hands. It was just so the crowd didn't split us up.

"I still have to get Rhys a solstice present," Azriel murmured, using the advantage of his height to look over the bustling crowd.

"The High Lord is the last on your list?" I giggle teasingly.

"Who says I got anything for you?" He lifted a dark brow at me and I frowned, squeezing his hand slightly.

"I think Mor and Cassian would beat you up if you didn't get anything for your wife," I state and he tenses slightly as if he's never heard me call him my husband before. I have, of course, many times to win arguments or just to tease him, so what was the difference now?

— flashback —

As a girl born in the Hewn City, I really didn't have much of a choice when it came to my line of work. It was a Courtesan or a housewife. And I wasn't exactly wealthy enough to afford the pretty dresses or delicate perfumes that would draw in the suitors in the first place. So courtesan it was.

Madame Welder was an older lady but I swore there wasn't a wrinkle on her. She was also the only person I've ever been afraid of, and I was her favorite disciple, lucky me.

It was my bidding day today, a day in every courtesan's life that would determine her fate of success. A day when men across courts would offer an obscene amount of money to take her virginity.

I dreaded this day. "At least you look pretty?" Mor smiled from beside my head, her hands planted on my shoulders as I stared at myself in the mirror, the dress I wore was more conservative than I had been expecting, don't get me wrong it wasn't modest by any means, but I've seen other girls dressed in sheer white chiffon for their own bidding days.

The gown was made of delicate white silk, and my décolletage was enunciated by curtaining fabric, covering just enough to prompt curiosity. The length was short, but not alarming enough for me to be embarrassed.

I did look pretty. I didn't exactly feel it.

"Yeah," I murmured. "At least I look pretty," I sigh, spinning on my heel, deciding the sight of myself was too foreign to handle. I walk towards my vanity and reapply my slightly faded lipstick.

A knock at the door made me flinch, I wasn't ready for this.

"Dearest, it's time," My Madame’s voice says through the door and my spine stiffens. I looked to Morrigan with creased brows.

"Everything will be fine," She smiles at me so casually the facade makes me believe her for a moment. "I'm taking care of everything alright?" She hums, coming closer to cup my cheeks. "Alright?" She repeats and I nod, my shoulders slightly relaxing and she smiles a bit brighter.

"Good."

The Shadow Singer had bet on me that night, in fact, he bet the largest sum that my Madame had ever made off a girl. She was more than happy to usher me off towards him.

"Az? What are you doing?" I whisper shout at him the moment we're in solitude. "Did Morrigan not tell you the plan?" His brows furrow, creasing in the center.

"The plan— what are you talking about?" I shake my head confused.

"We're getting you out of here," He says simply and I blink, then blink again, making sure I wasn't imagining this.

"I can't just leave, I'm indebted to my Madame," I explain and he rolls his eyes as if I should've already figured all this out.

"I just paid her more than she's made in her career, you don't owe her anything."

"But—" I begin.

"No buts, Morrigan and I devised a whole plan to get you out of this wretched city, you're not ruining it because of your good morality," He tuts, cutting me off and a frown pulls at my lips.

"No, Az it's not that," I sigh with a shake of my head. He cocks a brow, waiting for an explanation.

"Every girl under Madame Welder's wing is, more or less forced into entering a bargain with her," I pause, only to swallow thickly before continuing. "A girl cannot leave her organization until she has met the qualifications," I finish but his confusion still lingers.

"The qualifications being?" His head tilts and I rock slightly on my stiletto heels, my feet aching.

"There's only three, the first is that the girl has made Madame Welder a certain amount of money," I murmured and Azriel snorted. "I think I crossed that one off, the others?" He leaned back against the hallway wall, so very casual as he gracefully swept his hair away from his eyes.

"The second is that it must be after your bidding day, which we now needn’t worry about,” I murmur, upright about the third and final requirement. He noticed my stress but said nothing, waiting for me to finish.

“The third is marriage.” I finally manage to spit out and he blinks, his shoulders relaxing as he breathes a sigh of relief.

“Thank the cauldron I thought it’d be far worse,” Azriel hummed and I looked at him like he was crazy. “We'll find you someone to marry,” He waved me off.

My brows creased. Someone would have to give up their chance at love so I could have a chance at freedom? It didn’t feel right. I’ve never been free, marriage meant surrendering my family name, which meant that I was one-half of someone else that I barely knew.

“Who would possibly give up their freedom if only to grant mine?” I narrowed my gaze and he shrugged. “We’ll get married,” He suggested and a pink flush warmed my cheeks. “We can figure this out, I’m not leaving you here,” He shakes his head, grabbing my hand in his. I squeezed it in reply, my blush still blazingly hot across my face.

He suddenly pulled me down a hall and I yelped as he took me towards the exit of the slightly crumbling tower. “Where are we going?” I asked with pursed lips.

“I bought you for the night didn’t I?” He cast a glance back towards me with a sly wink. If I wasn’t red, I most certainly was now. My spine stiffened but I continued to race after him. “Relax,” His thumb brushed over the back of my palm reassuringly. “We’re going to find you a ring.”

———

I was grateful for him that day, even more grateful that it was him Morrigan selected to bid for me. Not that I'd ever admit it aloud, but gods was I glad it was he was the one, out of all the others, who ended up putting a ring on my finger.

"Stay close," Azriel snapped me out of my thoughts but before I could register what he said, he pulled me into the crowd. I squeezed onto his hand tighter as I weaseled my way through people to keep up with him. He let go of my hand in favor of slipping it around my waist, holding me close to him as we traveled through the sea of people.

Lucky for us, most people of Velaris feared Illyrians so everyone made an effort to avoid us at the sight of Azriel's wings.

"What are you thinking of getting Rhys?" I ask as we weave and bob through the crowd.

"I have no idea. What do you get a lord who already has everything?" He sighs.

"A lint roller?" I suggest and he turns to look at me, slightly confused but I brush him off. "How about a new pair of shoes?" I try but his skeptical expression remains.

"He's not Morrigan," Azriel grumbles and I roll my eyes, continuing to shuffle alongside him. "What'd you get him?"

I shrug. "A new fancy jacket, say what you want. The male likes his clothes," I state and he only nods, his mind reeling.

We continue to walk in silence for a few minutes before he suddenly tightens his hold on me and pulls me in another direction.

"You really have to stop yanking me everywhere, I'm going to get whiplash one of these days," I huff as we enter a small, cozy bookstore. I look at him incredulously and he brushes me off.

“Since when does the High Lord read?” I scoff, walking down an aisle of colorful, and very enticing spines.

“We’re not here for Rhys,” He shook his head and I looked at him bewildered, my brows bunched. “Go on, pick out a book,” He waved me off and I blinked, still slightly confused. He sighed, giving me a soft smile.

“I got you a gift already, but I figured I wouldn’t exactly be fulfilling my role as the best husband ever if I didn’t spoil you,” He flashed me a pearly smile, showcasing a pair of dimples that I loved so dearly.

“How many can I get?” I ask him cheekily, as a joke surely, only expecting him to get me one but instead, he reaches to his side and picks up a wicker basket from its stack. “You can fill this up,” He handed me the basket and my eyes nearly popped from the sockets.

“Gods I could kiss you,” I muse, crashing into him in a hug. He didn’t stumble, but it took him a moment before he hugged me back. Registering what I said, I quickly pulled back. “Sorry,” I murmur, clutching the handle of the basket tighter.

He chuckled softly and shook his head. “That was the reaction I was looking for,” He smirked and I blinked, my breath caught in my throat.

He jerked his head towards the books behind me and I closed my mouth, realizing I must’ve been staring at him like a gaping fish. “Thank you,” I say, normally this time, and spin on my heel to examine the titles and covers of the many volumes.

I was in the midst of skimming through some adventure tale when a glimpse of someone caught my eye. I looked up, spotting a blonde male in the aisle beside mine. My breath hitched and I quickly slammed the book shut, putting it back on the shelf and walking as fast as I could without running towards the other direction. I foolishly bumped into a hard chest before I could turn the corner.

Fortunately, it was only Azriel. His shadows swirled around my ankles worriedly. “Everything alright?” His hands come to my shoulders and I swallow thickly. “Yeah,” I nod, glancing back to the male in the other direction who I wish I didn’t recognize. I looked back to my husband but his gaze had already followed mine, picking up on what I was running away from.

“You know him?” His expression hardened.

“No!” I blurted out, terribly loud and I clapped my hand over my mouth nervously. He gave me a pointed look and my shoulders slumped. “Fine, yes. He was a patron at Madame Welder's organization,” I say with a hushed tone. “He always kept an eye on me. If you weren’t the one that won on my bidding day, it would’ve been him,” I explain in a murmur and his face contorts, not into anger but rather… amusement?

“What’s so funny?” I scowl.

“We’re married.” He grabbed my left hand, holding it up to showcase the ridiculously large diamond on my fourth finger. “Remember?” He tilts his head but my frown remains. “As far as I can tell, there’s no ring on his finger. This means two things, one: you’re taken. And two: you’re doing a lot better than he is,” He said unambiguously. I swallowed down my nerves.

“Yes, but this,” I gestured between the two of us. “It isn’t real,” I argue, keeping my voice low.

“It can be,” He smirks, and my flush returns. “To him, at least,” He goes on.

“What do you want me to do? Kiss you in front of him?” I cross my arms.

“I mean unless you want to keep hiding behind me then go right ahead, but when he looks over at you and recognizes not the ring on your finger, but your shyness he’s going to think you’re the same girl you were ten years ago.” He explains.

“I’m not.”

“I know that, but don’t you want him to know too?” He raises a brow.

“You’re just trying to manipulate me, so desperate for some touch in your life,” I narrow my gaze on him.

He smiled, then shrugged. “Have it your way, I’ll be over here.” He began to stroll towards the male I was so terrified of being seen by.

I cast a glance at the blonde and noticed he was walking closer. “Wait he’s coming over here,” I grabbed Azriel by his shirt and he stumbled towards me finding purchase on the shelf beside my head, caging me against it.

“Oh, now you want my help?” He taunted and I rolled my eyes.

“Shut up and kiss me already,” I pulled at his shirt again and he wasted no time in following my command.

His lips were tender against mine and warmed me so thoroughly that I thought about stripping from my winter jacket. We’ve kissed before, for our wedding, and a few times after that in front of crowds to prove our love, but it didn’t feel like any of the previous kisses this time.

Because this time it was just us, the rest of the world melting away as my arms sling around his neck, one of my hands tangling into his black hair while my other one traces lines on the top of his taut wings.

He pushed me back onto the shelf, cradling my hips as he pressed against me, needing our kiss to be deeper.

It could’ve been a peck, could’ve been an innocent, chaste moment. But when his tongue swiped at my lower lip I understood that both of us wanted so much more than that.

I opened my mouth, granting his tongue access and gods did it feel good to be explored so fervently by him. He was hungry, like he’d been aching to taste me for years and he wasn’t prepared to give me up anytime soon.

He shifted, kicking my legs wider, and pressed his knee against the apex of my thighs. Every nerve in my body thrummed in reaction, my back arching off the shelf, my chest pushing against his. I needlessly gripped his hair, using all my energy to resist grinding against his leg.

“Az,” I murmur onto his lips, trying to convince myself to pull away but my willpower wasn’t strong enough, because to be honest, the last thing I wanted to do was end this.

“Hm?” He murmurs in reply.

“We’re in public,” I reminded and he nodded, very aware of our surroundings, aware of everything in fact. His shadows were slithering up my torso sporadically. He removed his knee from my core and a soft sigh escaped my lips. “Sorry, couldn’t help myself,” He whispered, then kissed me gently once more, just a soft peck this time. I was slightly shaky as he pulled away entirely. I nodded, licking my lips and savoring the lingering taste of him.

I turned back to the bookshelf, completely forgetting about the blonde male across the way until an unfamiliar voice spoke from beside me. “Pardon me, can I get by you?” I turned to the sound, finding the blonde male. I froze for a moment. It wasn’t him. I had no idea who this man was. I was so stupid to think someone so wretched from the Hewn City would be here, in the most protected city in the world. I catch myself, quickly peeling my leaden feet from the floor, scooting closer to the shelf so he could pass.

Azriel looks at me, slightly alarmed. “It wasn’t him,” I murmur, and this time my husband’s amusement actually forms into a laugh.

“You just wanted me to kiss you,” He teases and she crinkles her nose in spite.

“It was your idea,” I huffed, stomping away to a separate aisle, far away from him. But he caught me quickly, his arms slinging over my shoulders as he hugged me from behind while I examined a display table of Sellyn Drake's new novel.

After what felt like only another moment my basket was filled and Azriel had paid for each book, making me promise that I’d be surprised when I opened them on Solstice morning.

We stepped back out into the cold, my hand in Azriel’s while his other held my heavy bag of books. I smiled greedily, looking up at him. A gust of wind blew past us and it wiped away my smile, a shiver running down my back as my eyes stung from the cold.

“Come on, let’s go home,” He pulled at my hand and I looked up at him curiously.

“What about Rhys’ present?” I say and he shrugs.

“You’re cold, I’ll find something for Rhys another time,” He proposed and I nodded, squeezing his hand a little tighter and inching closer. I blamed my body for seeking warmth but we both knew that the kiss we shared meant more than we played off.

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