#(part of the reason she gets so much time is just A Good Job but also she's non-union but there IS a union in her workplace so...

[lesbianmarrow]

augh. rewatched btvs 5x22 scene where spike & buffy go to buffy's house to get weapons before the big showdown. them having to retrieve weapons is such an amusingly flimsy excuse to have them go to her house so we can have the scene where she invites him in + he promises to protect dawn + "i know you'll never love me" speech. i love a paper-thin excuse to put 2 characters in a room together. especially when those characters are buffy and spike!!!!!!!!!!!!

it really is so striking the way spike refrains from asking buffy to let him in even though he would be perfectly justified in doing so as it's obvious that buffy has forgotten he's not allowed in. i think part of it is that he wants to make it clear that he will respect the boundaries she has set with him. but i also think part of it is that he doesn't wanna feel the pain of being rejected again, because that fucking hurt. if he doesn't ask then he doesn't have to hear her say no again. it shows how head over heels he is for her and how much he has changed since the beginning of the season, when he was challenging her boundaries so much.

spike's expression when he's walking thru the doorway......it's so endearing and some really great acting from james marsters. first surprise and disbelief, then glee which spike is trying very hard to restrain because these are grave times. and yet he can't help feeling so joyous that buffy trusts him. he glances as the doorway like he's thinking "ah yes what a nice house" which makes me laugh because it's so stupid but also sweet. i think it's him trying to play it cool and doing a not so good job of it. there's such a lightness to him - it reminds me of the feeling when you think you did something to upset your friend a few days ago and you're anxious that they've been angry with you all this time and you finally gain the courage to ask them about you and it turns out they were never angry or upset at all. the giddy relief you feel.

and then there's that little moment of tension where they're standing so close together and you think something might happen but then spike breaks off and goes to the weapons chest and starts rambling about what they should take. it's so notable that it's him who gets nervous and moves away. so different from the way he behaved with her in fool for love, getting up in her space and trying to make her admit she had feelings for him. he's accepted that she'll never love him back, and moments like this where it feels like maybe there could be something between them are too painful, so he disrupts the moment. moves away.

jumping to the end of the scene - i love that buffy is on the stairs when spike does his little speech. she's physically above him. "you're beneath me." not only that, she's ascending, just as she ascends at the end of the episode, accessing a level of heroism that spike will never be able to meet. rewatching this part, spike's expression really surprised me. when he says "i know you'll never love me," he doesn't look at all bitter or resentful. his face is open, understanding, compassionate, and thankful. because that's what this speech is - he's thanking her for treating him better than he deserves. he's so grateful for the respect and trust she has given him. it has been truly transformative, as we've seen. only he doesn't get to the actual thanking part, because he cuts himself off, saying he'll wait for her down here. i think he cuts himself off because he realizes that this isn't what buffy needs to hear right now. she's got an enormous battle to prepare for, and a sister to save, and spike's feelings simply aren't important. so he stops mid-sentence for her sake. i think we're meant to understand that the only reason he started to say this at all is that he really thinks he might die tonight and it could be his last chance to let her know what it has meant to him to be treated like a person capable of doing good.

i've focused on what's going thru spike's head in this post bc i think buffy is a lot harder to read here. which is interesting bc sarah michelle gellar as buffy is so expressive that usually you can always tell exactly what buffy is thinking. but when she's with spike in these episodes toward the end of season 5 it's difficult to tell how she regards him. i think a lot of the time even she doesn't really understand how she feels about him. their relationship is so paradoxical. she relies on him but she reviles him. she wants him around but she finds him intolerable. i might rewatch the scene again and make another post about what might be going thru buffy's head, but for now i'll leave it at saying that i kind of love how spike's feelings for buffy are crystal clear to us and buffy's feelings for spike are much murkier. spike started out as this cool mysterious antagonist, whereas buffy has always been the protagonist and we're constantly seeing things from her point of view and being made to understand how she feels. so it's kind of fun to see that flipped a little bit. and it also rings really true for me how buffy in this moment is like, i have 5 billion things to be worrying about right now, i cannot even begin to process whatever feelings i may or may not have regarding spike. and with all of that said........there really is a softness to the way she treats him in this scene. and it's nice.

anyway. these two ✌️ gonna go jump off a tall tall tower

[rivendell-poet]

Hello! It’s the same anon who asked you about the Hobbit movies :) I was wondering if you could write (no pressure! I just mostly wanted to share an idea) funny headcanons or a scenario of a female reader (could be a non-Mirkwood elf or someone from a long-lived race) who was part of Thorin’s company and meets Legolas again 60 years later when she’s with Frodo in Rivendell? Reader remembers how Legolas wasn’t too courteous to the Company and locked them up in the dungeons which made her dislike him quite a bit. And let’s just say that she wasn’t all too… thrilled upon meeting him again in LOTR and him joining the Fellowship with her ahaha. Bonus points if she remembers Legolas calling Gimli a ‘goblin mutant’ when he looked at Gloin’s locket in the Mirkwood forest xD.

Again, please take your time with this :) I understand that you have quite a few things to write, and I only want you to write whatever you feel happy writing <3

Hi anon! Sorry it took so long for your request, but hopefully this was what you meant with scenarios. If you'd prefer a oneshot please feel free to put a new request in <3 Thanks so much for the idea by the way, it was super fun to work with. And it genuinely means so much to read the last note on your request, so seriously thank you

*･༓˚✧ ❝𝐋𝐞𝐠𝐨𝐥𝐚𝐬 𝐱 𝐫𝐞𝐚𝐝𝐞𝐫 𝐰𝐡𝐨 𝐰𝐚𝐬 𝐩𝐚𝐫𝐭 𝐨𝐟 𝐓𝐡𝐨𝐫𝐢𝐧’𝐬 𝐜𝐨𝐦𝐩𝐚𝐧𝐲❞ ‧͙⁺˚༓˚✧ « scenarios »

Gender-neutral reader | Wordcount : 0.5k | TWs : None

✧ To be perfectly honest, you hadn’t wanted to join the Company in the first place - it was more of a collection of favours than a real desire to reclaim Erebor.

✧ Which made it so much worse when you and the Company got captured in Mirkwood.

✧ (It probably didn’t help that you’d let out a small laughed at the blond elf’s joke about Glóin’s son. In your defence it was funny.)

✧ As an elf, the guards had been cordial to you - and you’d managed to find out quite a few things about the kingdom. Such as the blond elf being Legolas, Prince of Mirkwood.

✧ He tried to visit you, once, holding the idea of having a better bed and better food over you if you gave up the information.

✧  And you may not have wanted to be in the Company, but you’d be damned if you weren’t loyal to them.

✧ So you’d simply refused to speak to him.

✧ Although all that knowing his name, and your time in Mirkwood, really did was help put a name and reasons for your grudge.

✧ A grudge that hadn’t gone anywhere, until now.

✧ Because sitting across you from you at the Council of Elrond was the same elf as the one who you’d only properly seen through bars. Not that there was recognition in his face.

✧ The matters only got worse when you realised the name of the dwarf who was joining you - Gimli.

✧ For the first leg of the Fellowship you don’t bring it up, because the quest to save Middle Earth is (sadly) more important than a simple grudge.

✧ It doesn’t mean that you can’t still be slightly petty to him however.

✧ You never do anything that could endanger him, just subtle things - like waking him up a few minutes before his watch should start, or loosening his dagger from his scabbard only enough to make him confused.

✧ Gimli eventually figures out it was you, but promise not to tell. He’s the only one aside from Gandalf who actually knows of your involvement in the Fellowship, but not of the precise comments.

✧ That’s a little bit of information you want to share on a good occasion.

✧ You decide to finally share the story a little after leaving Lothlórien, because you can tell the Fellowship needs some cheering up.

✧ And when you say it you feel completely justified in waiting this long.

✧ Because you get to watch the elf almost turn pale - as pale as an elf could go - as the realisation hit him.

✧ (The rest of the Fellowship does briefly have to deal with Legolas looking horrified while you laugh and try not to keel over.)

✧ Merry and Pippin join in the laughter as soon as you explain the joke.

✧ And it does the job in cheering the Fellowship up.

✧ Legolas takes it surprisingly well, although afterwards approaches you to apologise in private - genuinely expressing remorse for his actions.

✧ It’s unexpected but welcomed, and you thank him for it.

✧ From then on it becomes an inside joke between you all (especially you and Legolas).

✧ And, when facing what you are, even a simple joke can be one of the brightest lights for the two of you. A light both of you are grateful for.

A/N : Sorry to any readers who wished for comedy, I'm afraid I'm not great when it comes to writing this. But hopefully you enjoyed it! And, honestly, I'm very open to writing more in this universe/with this premise if people want some <3

« masterlist » thank you for reading *･༓˚✧ Taglist : @celestialhole / @starwars2222 / @xiaoseminence / @withasideofmeg / @nilintakan / @ferns-fics / @chewgazellechew / @recordofragnarokfan2 / @stormchaser819 / @raikan624 ✧ wish to be tagged?

[changingplumbob]

Foster Household: Chapter 9, Part 8

CW: Mental Health Struggles - Guide to content warnings

Chad: How are you today Carson

Carson: Not good. I mucked up at school

Chad: Oh? It’s not exam season is it

Carson: No. I just... I was painting and Ariadne came to talk to me and then the bell rang and all my intrusive thoughts started up and she didn’t finish what she was saying. She probably thinks I’m a rude idiot

Chad: Carson, remember how we talked about mind reading?

Carson: Sort of. It’s like imagining what another person is thinking

Chad: Yep. It’s also a notoriously unreliable train of thought. There’s no way for us to know what someone else is thinking

Carson: Unless we ask?

Chad: Exactly. So while it might be easy to imagine that everyone is thinking the worst of us, it doesn’t make it true. How have you found talking to her when the intrusive thoughts are more quiet?

Carson: Good. Really good. I held her hands and it felt great

Chad: Have you read up on asexuality at all?

Carson: Oh I have and it was good! Like just... exactly what I feel and think has a name. It was... validating. Yeah, validating. I don’t know how touch averse I am, I guess I’ll find out with time

Chad: I’m glad to hear that. Is there anything else you want to discuss before we get to today’s workshop?

Carson: No I’m good

Chad: Great. So last time was all about identifying your symptoms and thoughts. Today we’re going to revise that and discuss some ways to apply reasoned arguments to those thoughts

After he had finished with Chad, Carson hoped on the ferry home and gave his mum a call.

Carson: Hey Mum, my session is all finished. Do you need me to grab anything on the way home

Kayleigh: Oh sweetie I’m sending the new address to your phone

Carson: New address?

Kayleigh: YES! The movers came while you were at school and we’re all set up

Carson: So strangers were touching my stuff? Mum do you know how many germs they could have left?

Kayleigh: We got you some brand new stuff to, don’t worry. You’re going to love it. If you want to clean anything I can help, okay?

Carson worried all the way to the new house. People touching his stuff? When he got there he was pleased to see there were no internal stairs though, much safer. Kayleigh showed him his room and while he was apprehensive he couldn’t deny that his mum had done a good job of preserving his things. Once he was settled Kayleigh left him to do his homework. The light here was much nicer to, but he’d probably have to be careful for mold with his room sitting above the water. Could sharks break through floors like Lachrymose Leeches if they smelled food on him?

Harvey: How’d your appointment go? Are you liking Chad

Carson: Yeah he’s really chill. Helps me not feel so stressed

Kayleigh: I’m sorry we didn’t give you a heads up about the move but we didn’t want you to make yourself sick with worry before we were here

Carson: *sighs* It’s not cool mum

Harvey: It wasn’t just her, we decided together. Be mad at both of us if you are

Carson: Do sharks break through floors?

Kayleigh: I don’t think so but if you want to know I’m sure your sister knows

Harvey: She is a marine biologist

Carson: Yeah I might do that

Kayleigh: And we’re hiring a maid. They’ll come every weekday and clean however much of your room and bathroom you want

Harvey: You’re so smart sugar

Carson: Oh watcher, could you wait until I’m out of the room before kissing? Yeesh

Our first visitor was eldest child Charlie!

Harvey: You found us!

Charlie: Too easily. The paparazzi are going to find you here you know

Harvey: As if, I don’t think they know where Sulani even is. Come play chess?

Charlie follows her dad to the back porch, gives her mum a kiss on the cheek hello, and sets down to play. Harvey however is not a great player and the game is soon over with Charlie the victor.

Kayleigh: Alright my turn

Charlie: You think you can win

Kayleigh: I taught you how to play remember

Charlie: Yeah with a long gap and more kids in the middle

Kayleigh: I’ve been tuning my skills for promotion, you’ll see

Indeed Charlie does. Although she does her best to distract her mum during the game with claims of spotting sea monsters in the distance, Kayleigh is the final victor of the night.

Previous ... Next

[miraculouslbcnreactions]

Hello! I found this small but really interesting ask about some comments Alya made in Origins about Adrien that Imthepunchlord answered a long while ago, and I’d love to also hear your thoughts on the points that they and the asker brought up! Please feel free to put your thoughts directly in a reblog if you like the post enough to add to it instead of answering this ask since that would probably be convoluted.

https://imthepunchlord.tumblr.com/post/651542468774526976/i-just-rewatched-origins-and-i-cant-stop

(link to the post in question)

I don't have much to add. @imthepunchlord summed the issue up really well at the end of their post, "what is 'in character' is up for debate most of the time."

These kinds of character analysis questions just aren't possible in Miraculous. The characters are wildly inconsistent, so you're not taking a well crafted story and pointing out how it all flows together. You're taking a slapdash story and twisting yourself into a pretzel to try to make it all make sense. Hard pass. That's why I just focus on the character's core and ignore a lot of the nonsense that canon pulls. It's not that I want to deny canon. It's that you cannot embrace all of canon and write a good story.

However, you all know that I love to play fix it, so let's give Alya some sugar and talk about how you can write her character to make her reactions to Adrien make a little more sense. I don't think that canon has thought her through this much, but this approach really fits her character and I love it! For those who don't want to follow the link to the original ask, we're looking at this bit of dialogue:

Marinette: Okay. I get it. Good job, you three. Very funny. Adrien: No, no, I was just trying to take this off! Marinette: Oh, really? You're friends with Chloé, right? Adrien: Why do people keep saying that? (Marinette huffs; he goes to his seat) Chloé: Now do you see what I mean about respect? Marinette: I know I've seen him somewhere before. (sees images of Gabriel and Adrien Agreste on Alya's cellphone) Of course! He's the son of my fave fashion designer, Gabriel Agreste! Alya: Daddy's boy, teen supermodel, AND Chloé's buddy? Ha! Forget it.

And trying to make sense of how Alya goes from this to being the head of team Adrienette. The obvious answer is that something happens off screen between Origins and the main part of canon, but let's go a little deeper than that.

A lot of people approach Alya as a reporter. A truth seeker. A fact finder. That approach isn't wrong, it may even be how canon wants you to read her, but it's not the approach that I like to take. Whenever I have time to really flesh Alya out, I go a slightly different route.

To me, Alya is a story teller. She wants the stories she tells to be accurate, but she can easily get caught up in a narrative and forget to take a moment to check her facts. A good reporter watching the above exchange would go, "If Adrien is a bully, then why did he protest his innocence? What's the real story? Who can I talk to in order to get the facts?"

A story teller may still do that, but they may also take Chloé's earlier bullying along with Adrien being Chloé's friend and come up with a very believable story about Adrien being "Daddy's boy, teen supermodel, AND Chloé's buddy." It fits the facts that the story teller knows and they don't have a reporter's instinct question everything. They'll only start to question their version of the story once a hard fact pops up that goes against the story.

The reason I like this approach is that Alya is the chosen of Illusions. That's not a great fit for a truth seeker. Illusions is a much better fit for someone who is drawn to stories. A person who values the truth, but who isn't driven by it. A good reporter is driven by truth. A good story teller is driven by the call of a good story.

If we take that approach and look at Alya's actions in Origins, then we see that she had a story in her head and was happy to fit the pieces into that story until Adrien did something that no longer fit the story. That's when the "ask questions, get the real story" instinct kicked in, leading her to discover that she'd misjudged Adrien. It would have been nice to see that happening on screen, but Origins didn't have time for that so we're just left wondering what changed Alya's mind and making up various stories to explain it.

You can also take Origins and use it as the start of an arc where Alya learns to be a better reporter by not jumping to conclusions since she does a lot of jumping to conclusions in season one (and even does it on occasion in later seasons). But you don't need to give every character a strong character arc like that and I enjoy letting Alya be solid as-is. I tend to tone down her jumping to conclusions issues and make her more open to giving things a second look.

This is extra true because Marinette has a pretty clear problem with snap judgments, so I don't want her and Alya to have the same flaw. I want Alya to be more unique in her flaws. It's not that she jumps to conclusions, it's that she's a little too quick to stop asking questions once she has a believable narrative. It's in the same vein as Marinette, but still it's own thing. It's also still a flaw that Alya needs to work on, but in a more nuanced way where it also acts as a strength under the right circumstances such as when she's in the field and needs to come up with illusions on the fly.

I cannot say if this is what canon is trying to do with Alya. The bones of this read are there, but the bones of the reporter read are also there. I just like this read more. It doesn't drastically change Alya, it's just a minor nuance that makes her fit into her place in the story with a little more grace.

[bowl-of-fruit-loops]

hey why did bill’s ex-wife move to clivesdale? literally no one from hatchetfield would do that. people die and go missing all the time and they refuse to leave. and if they do they don’t move to fucking clivesdale

[raccoonfagdyke]

I just wish people liked being around me

[six-of-ravens]

okay so, it's already August and I realized I have to book my fall vacation if I want to have one. original plan was to triangulate the exact time in which I can cause maximum pain to my coworkers, but no one will tell me when that is and my psychic powers are failing :/

Sooooo I've triangulated the best time to take off as the 10th - 18th of October. There's Canadian Thanksgiving on the 9th (planning your vacation around stats so you get bonus days off is Primo Adulting), and I'd also have my mom's birthday off so we could do something fun. And I think that'll be the sweet spot where we usually have our very short fall, so it'll be chilly enough to do lots of cooking and baking but not so chilly/such bad weather that I can't go for a hike/drive. (If it's one of the years where we have an extremely late summer or early winter I will just. Die. Especially if it insists on being 20+ C). I could also take the 3rd/half of the last week of October off, which might be more ideal weather-wise and spooky-enjoyment-wise, but I'd get one less day bc there's no stat to align my time off with.

Anyway sorry this post has no purpose other than I'm scared to book my vacation bc I don't want to use up my vacation days 😭 but also I really want to book it so I have something to look forward to...

[onyourstageleft]

one of my favorite parts of being an adult with stable & disposable income is doing little things for my friends. husband's best friend tells the group chat that he lost his job? hubs and I message each other at the same time to go "imma send him money for snacks." we've been playing fortnite with our partner and her sister & her sister is the only one without battle pass? consider it gifted. these people have been here for me for the last 4+ years and we were all riding the struggle bus together in college, it makes me so happy to be able to give them a little bit of happiness especially when I don't get to see them in person that much anymore

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[seilon]

just sent a hastily-made new resume to a hiring manager at a place i might get a summer job at and realized after sending it that it still has “MONTH 20XX – MONTH 20XX” written for one of my past jobs’ durations fucking shoot me

[yohgu]

i feel like. if i continue school(college). rn. i will probably kill myself. but. if i dont continue school(college). my parents will kill me. so i guess im just going to kill myself

[yamujiburo]

Why I Love Hanamusa

I get this question very frequently but have never given a really in depth, definitive answer. All just kinda implied through my comics and spread out asks. So here's this I guess! Long post ahead:

First, as a Pokémon fan in her mid 20s, I love seeing a ship where the characters are both in their mid/late 20s. Already, they’re much more relatable to me and my current experiences. Most Pokémon ships are between preteens, which can be cute but ultimately don’t interest me as much as they used to when I was a kid myself. Not enough to get super invested in and draw a lot of fanart for anyways haha.

I’ll also start by saying that canon doesn’t always influence whether or not I’ll ship something. I’m much more drawn to potential. Could the characters work together? Do their personalities work together in a nice way? I feel like this so much of fanon is anyways. Especially with queer relationships because they’re rarely depicted in the first place. A lot of the context for these ships is usually up to the fans to piece together or make up in general. And that’s the fun part to me!

Jessie and Delia have only met in the anime a handful of times. Any interaction they’ve had has either been pleasant, or just a typical Team Rocket interaction, with Delia dismissing them/not seeing them as a threat. Already a great jumping off point for me since, truly, they don’t have any actual beef or true, ill feelings towards each other. It’s not TOO out of the realm of possibility for them to potentially fall for each other. “But Jessie chased Delia’s son around trying to steal his Pokémon!” That’s where that dismissive and aloof attitude that Delia has comes into play. I’ll go more into Delia’s whole deal a bit later but I do think this aspect of her personality is a large reason why this ship can work. It’s not that she doesn’t care that Jessie has a bad past, but she can tell that, on the inside, Jessie’s a good person. And, in a scenario where Jessie is trying to become a better person, is forgiving enough to give her a shot. I feel like this is such a solid foundation for a ship. A character who has done wrong but is trying to be better and another character who is willing to help them be better. A classic dynamic!

It’s not just one-sided though; where Jessie is the only one benefitting and learning from the relationship. I believe Delia could get a lot out of being with someone like Jessie. To understand why, I think it’s important to know these characters’ respective backstories.

Jessie is an orphan/foster child who grew up in poverty. Her mother Miyamoto (from The Birth of Mewtwo) was a Team Rocket operative herself, who went on a mission to find Mew. In order to do this, she had to leave Jessie when she was just a toddler. Unfortunately, Miyamoto went MIA on her mission leaving Jessie to more or less fend for herself. Jessie went through life with zero stability, evident by her MANY different careers and constant moving around. It’s implied in the show that she went from foster home to foster home, and later in life tried being an idol, weather girl, florist, wine connoisseur, actress, most notably a nurse and finally a Team Rocket field agent. And even while in Team Rocket, she, James and Meowth were always doing odd jobs to get by. We see that Jessie used to be a sweet kid, and even adult, but the world and her circumstances repeatedly did her dirty, leading her to become the character we know today. Hot tempered, mean, selfish, etc. But despite this, her soft side does still shine through for the people and Pokémon she cares about. She is incredibly loyal.

Delia, unbeknownst to a lot of fans, also had a rough past (see Pocket Monsters: The Animation). Like Jessie, she had a lot of dreams and aspirations like wanting to be a model and even a trainer. But when she was 10, her mother didn’t let her, telling her that she had to stay home and learn to run the family restaurant (she’s an only child). Delia’s father left her and her mother to be a trainer, and never returned. When she was 18, she married Ash’s father and became pregnant shortly after. But right after Ash was born, he also set off to be a Pokémon trainer. And soon after that, her mother passed away, leaving Delia with just the restaurant and baby Ash. This gives so much context to Delia’s attitude in the show. We see that Delia is pained whenever Ash leaves on a journey, but she never shows that pain to anyone. ESPECIALLY Ash. She’s very quick to shoo him off when he shows any sign of wanting to go on another journey and even when he returns home, she acts more excited to see Pikachu than him almost every time. Without all this backstory, it’s easy to just read this as a funny gag, BUT with context, I think it really shows how quickly Delia shuts down and detaches in order to not confront her own feelings. She’s afraid of losing people and getting hurt again.

All that said, I think Jessie and Delia provide each other with EXACTLY what the other needs. 

Aside from becoming rich and famous, Jessie’s biggest aspiration is to get married. In my opinion, this is more so an underlying want for love and stability. There is no one more stable in the show than Delia. Delia’s lived in Pallet her whole life, she’s worked at the same restaurant since she was young and she is always there when Ash comes back home. She has all the love, patience and stability Jessie needs and craves. While forgiving, Delia’s not stupid and can keep Jessie in check. Delia’s also just an angel, which I feel, would make Jessie want to be better. And on top of all this, on more of a surface level, Delia’s a chef and excellent cook. She shows love through cooking and Jessie, who grew up poor, regularly starving and eating snow, happily receives that love. Jessie’s able to live a happy and healthy life with someone like Delia.

Delia, as stated, is very stable. Likely pretty monotonous and solitary, especially living in such a small town like Pallet. This isn’t a bad thing but it’s a little sad when you consider that Delia also had dreams of traveling, being a model and a trainer. She had to give up so many dreams in order to fulfill her duties as a restaurant owner and mother. And even now, when Ash is off on his journey, she feels the need to always be home and be that stable pillar, leaving behind any ambitions she had, thinking it’s too late for her (she’s only 29 btw). But then along comes Jessie, dangerous, passionate, an absolute firecracker. Someone who’s whole life has been about chasing dreams and either, never giving up on them or finding a new dream to chase. Upon learning about Delia’s past aspirations, I could see Jessie pushing her towards them, letting her know that life’s too short and she has nothing to lose from trying. On top of this, Jessie’s also loyal. She, James and Meowth are depicted as doing anything for anyone who gives them food or shows them kindness. Delia does both so there’s no way Jessie would leave her. This fulfills an essential need for Delia, who is afraid of the people in her life leaving her.

There’s so much potential for mutual growth and learning between these two and I adore that. They compliment each other, they help each other and they bring out the best qualities in one another.

I’m not really sure how to end this and I could truly talk about them even more but I don’t want this to be tooooo long haha. OH I could end it with maybe the most funny aspect of this ship that I've brushed over and also what drew me to it in the first place. Jessie. As Ash’s stepmom. THE END.

[cafterdark]

There's something about gradual mind breaking that drives me wild.

Imagine this. Your life is shit, you're stuck ina deadend cubical job. 9-5 bullshit galore. One day, you're assigned to train a new coworker. She's pretty, way above your league. And yet she's kind. She compliments you and your skills honed to perfection working these bullshit shifts. But still, she's way prettier than you so you feel awkward even acknowledging them.

The two of you have lunch together. The two of you were talking, and she was still complimenting you for some reason. About how pretty your hair is or how cute your smile looks. You can't even comprehend looking anything but shit. She pouts and fiddles with her phone a bit. Then she asks you to watch a video. Suddenly you're back at work. When did the break end? No matter.

She tells you how pretty your eyes were. You smile because good girls accept compliments and tell her how gorgeous her lips are because good girls are honest. The rest of the day the two of you compliment each other.

It's beenmonth since then and both of you just keep complimenting each other. Sure, your compliments are getting kind of weird. You don't know when you started calling her Mistress as a joke, but it's hard to stop now. But she tells you that it's normal for good girls to call their Mistress Mistress so you keep doing it anyway. Besides, her compliments are getting weirder too. Mistress has made it a habit to pin you to a wall before telling you them. Then she just tells you how submissive and docile you are. She kisses you a lot now. Good girls deserve to be kissed by their Mistress ofc, so you don't complain.

Work itself is harder now. You just can't keep up like you used to. You're just so horny and Mistress doesn't help. You know that good girls are horny messes, but it's so aggravating. The tight clothes that show off so much don't help, but good girls are required to wear them so what can you do? Mistress has to pick up a lot of your slack, but she doesn't seem to mind. And besides good girls let Mistress do the work for them.

Breaks are great. Mistress shows you another video and you feel so good and good girls deserve to feel good. You feel so good that you don't remember what happens during them. You've started finding bruises and bite marks on your skin after them, though you don't know why. You don't care because good girls need to be marked. For the rest of the shift, she keeps touching you and teasing. By the end you can barely stand.

At the clock terminal, Mistress pins you to the wall and makes out with you before leaving. You're frozen by lust for several minutes before stumbling to your car.

Three months in and things are now really weird. You can't tell why anymore. Your head feels like cotton most of the time. You ask Mistress why everything feels so weird, because good girls always ask Mistress for help. She gives you some pets and kisses you, reminding you that dumb puppies don't think. Your boss threatens to fire you because of poor performance, but it's not your fault you're a dumb puppy. Everyone knows that dumb puppies don't work. Dumb puppies are to be submissive and docile. Mistress does most of the work, she's so good at it that she's up for promotion.

Breaks are so fun. Mistress shows you another video. When you wake up, you feel sooooooo good. Like all the energy built up during the morning was just released. Mistress cleans you up and then she starts working again while you heel. Then when you clock out, Mistress attaches a leash to your collar and gives you a walkies home. The walkies home is the best part.

Six months in and life is perfect. You don't work anymore and that's okay. Dumb puppies don't work anyway. You and Mistress live together at her place. You sleep in your cage and if you're a really good puppy, Mistress lets you sleep at the foot of her bed. The best time is when Mistress works. She works at home now. Your job is to be adorable by sleeping in a dog bed under her desk. Well, that and pleasure her, because a dumb puppy's only role is to be her Mistress's fucktoy.

During lunch Mistress fills your bowl with kibble and it tastes amazing. She doesn't show you videos anymore. She says you're perfect now. You don't understand what she means but it doesn't matter. Dumb puppies don't think after all.

After Mistress finishes working, she takes you on walkies and plays with you. It's so fun and nice and amazing. And if you're a really good girl, the best puppy in the whole world, she'll let you sleep in the bed with her. Your life is amazing.

[sincerelyneo]

could i request a mark smut 😣😣 where reader and mark just had an intense argument but in the end, they cant be mad at each other for long so they just fck it out of each other 🤐🤐🤐🤐

mad at you | l.mk

“then i try to leave, but baby i just can’t stay mad at you”

💿now playing: mad at you by why don’t we

❯ summary: Mark learns that you’ve made a ‘selfish’ decision that’s bound to put a strain on your relationship. Next thing you know, you're knee-deep in an argument that somehow ends with you sprawled out beneath him; because, let’s be honest, he’s never really been any good at staying mad at you.

❯ pairings: idol!mark x fem!reader

❯ genre: angst, smut, established relationship, make up sex

❯ words: 4.3k

❯ tags: 18+ minors dni!, lots of arguing, swearing, reader is lowkey dramatic, makeup sex, unprotected sex (don't do this!), nipple play, dry humping, brief clit play, slight needy mark bc i can't help myself, creampie, reader uses she/her pronouns, reader and mark argue and resolve it by fucking.

an: i love writing angsty arguments (testament to my real relationships lol) so thank you so much for this request. it lowkey brought me out of writer’s block.

The honeymoon stage lasts approximately thirty months or two and a half years – which would make sense considering you and Mark were approaching your third year together and have argued more recently than you ever had. 

But this time it’s different. You’ve never seen Mark like this, so angry that his face is bordering red and his jaw ticks so hard it might crack as the both of you drive in complete silence from your work dinner. He doesn’t even bother sneaking his usual glances at you when he pulls up at stoplights, the hand he likes to place on your thigh is gripping the wheel instead, and the only noise in the car is his rugged and frustrated exhales. 

You could feign ignorance about why he's upset, but you know the reason all too well. And while a part of you acknowledges his right to be angry, another, more prideful part, resists the idea of apologising, especially when you think his reaction seems so disproportionate to your mistake.

So you sit in the passenger seat, arms crossed and body frozen, contributing to the cold silence settling between the two of you. You prepare yourself for the earful of a lecture you’re about to get when he pulls up outside your shared apartment. 

He parks the car, slams the door shut, and strides towards your building without a backward glance. You scoff at his pettiness; he's never been so angry that he wouldn't at least wait for you to get out of the car with him. He doesn't even slow down when you trail behind. And when he nearly lets the elevator doors close without you, any chance he has of receiving an apology from you flies out the window, you think. 

He does, however, show some decency by leaving the front door open for you as you both step out of the elevator and head towards your apartment – how chivalrous. 

The chivalry doesn’t last long because the minute he hears you clasp the door shut, he’s glaring at you, arms crossed tightly over his chest, and you can't help but notice that he's rolled up the sleeves of his dress shirt in frustration. If he weren't on the brink of yelling at you, you'd be tempted to make him do more than just roll up those sleeves — you'd want the fabric torn off and thrown on the floor in an instant.

“Paris, Y/N?!” Mark seethes, voice deep and uneven. “You signed a fucking contract to work in Paris?!?”

You pause, attempting to gather your thoughts, but the momentary silence doesn't offer much clarity. Eventually, you settle on, "It's just a six-month gig..." – a statement that seems to send him into a frenzy. 

“Just six months?” He rubs his jaw repeatedly in disbelief, “That’s six months that we won’t get to see each other, did you even think about that huh?”

You scoff, “You’re one to talk, need I remind you that your job takes you away from me for months at a time.”

"That's not fair," he protests. "You knew exactly what you were getting into when you agreed to date me. I didn’t agree to not seeing my girlfriend for months because she’s gallivanting away in Paris without me."

Your eyes narrow and your nostrils flare, “So what? If you would have known, you wouldn’t have wanted to be my boyfriend?”

His eyes widen and he shakes his head. His hands fly to his hair and he tugs at the strands as he huffs out a breath. 

“How the fuck did you get that conclusion from what I said?” He asks, voice sounding baffled. “The reason I’m so mad is because I like being your boyfriend, but I’m not going to see you for the next six months.”

“You’re being a hypocrite right now.”

He rolls his eyes and scoffs, “Right, because I’m always the one being unreasonable.”

“Yes, you are,” you scorn, “This job is my dream, don’t you see how selfish you're being?”

“I’m selfish?” He gasps, “That’s rich considering you didn’t even consult me when making this decision, I had to find out from your smug little co-worker in front of everyone. You were thinking solely about yourself, Y/N.”

You're on the verge of screaming. How is he not seeing things from your perspective? He's usually so understanding, so open to hearing your side. But the razor-sharp look in his eyes tells you that there's no getting through to him. He's convinced you're wrong, and nothing will change his mind.

“It’s for my job, Mark,” you cross your arms and shrug. 

“And how many times have I told you that you don’t need to work? How many times do I need to tell you I can look after the both of us?”

“And how many times have I told you that I don’t want that? I don’t want to have to always rely on you!” You snap. 

Your teeth grit as the words spit out of your mouth. They seem to hit Mark, deep, his eyes softening for a fleeting moment before sharpening again. He swallows thickly and blinks before running a hand through his hair. 

“Then what are we doing, Y/N?” He asks deflated, “What are we if you don’t want to rely on me?”

You're not sure what compels you to say it – whether it's the way you're all worked up, the entire context of the argument, or some inner recognition that you're the one who's fucked up this time despite you both having stuff to apologise for. Still, you escalate the situation from zero to one hundred without a second thought. 

“Oh, so you want to break up?”

He shakes his head and tongues the inside of his cheek, “When did I say that?!”

The fight only gets worse after that, the two of you blowing up after every sentence. You run around in circles, throwing accusations and insults at each other to the point the original premise of the argument is lost along the way of a thousand new arguments. It’s like every little thing you’ve both done to irk each other over the last month is brought up; and by the end of it, the two of you swear you’re done with each other. 

Sure, you've had your fair share of arguments, but the biting finality of the word "done" as it leaves his lips sends a sharp pang through your stomach – it hurts like hell. You've reached your limit with this endless cycle of back-and-forth; you've had enough of him. Storming past him, you head towards your shared bedroom.

Mark sighs and reaches out for your arm, but you pull away. He doesn't like this, doesn't like the chilliness he feels from you. He doesn't want to end the argument like this; it's never gone this far without a resolution before.

“You can’t just storm away when we argue Y/N, it’s childish.”

“If you don’t like it then leave!” You slam the door shut after you and lock it. 

Mark hates this more, not being able to talk this out because you’ve put a wall between the two of you. Then your words register in his mind and he’s the most hurt he’s ever felt. You want him to leave. Fuck that, he thinks. He’s not going to watch his relationship go down the drain over a petty argument. 

He knocks on the door a few times, then jiggles the doorknob, calling out your name and pleading for you to let him in. But you remain unmoved, denying him even the satisfaction of hearing your voice telling him to go away. This only adds to his frustration. He's the one you've upset, and yet here he is, begging for you to open up so he can fix things.

After a few more tries he scoffs, your words echoing in his mind once more. Leave. It crosses his mind as he makes his way to the front door of the apartment. He swings it open, ready to clear his head and crash at Johnny's for the night. But just as he's about to step out, he catches sight of a picture of the two of you on the coffee table where he keeps his keys. 

It’s from your honeymoon phase when it was easier for the two of you to say you’d never let anything come between you – when love seemed to blind you both. Mark picks up the photo, memories flooding back to the day it was taken. It was the day you met his parents and shared your aspirations of becoming a fashion designer. You reassured them that you had your own dreams and weren't just with their son for his wealth – though his parents wouldn't have minded either way; they would have been content with any girl that made their son happy. And you made Mark happy – you make Mark so fucking happy. 

Which is why he can’t believe he’s even considering leaving you in this apartment on your own after a fight. He shuts the front door and makes his way to the couch. He's eager to resolve things with you now, but both of you are too caught up in emotions, spouting shit you'll likely regret in the morning. So he opts to grab a few sofa pillows and a blanket from the storage closet instead. He strips down from his dress shirt and pants, throwing them to the floor before lying back and resting his eyes with a heavy mind.

Regret doesn't hit you until 2:00 am the following morning, when you're met with the chill of an empty space beside you as you reach out to cuddle your boyfriend, only to find him absent. Sure you thought he was overreacting to the news, but you're also painfully aware that your own words were uncalled for. You shouldn’t have asked him to leave – you didn’t want him to. 

As you heard the front door open and then close with a clink, a thick lump formed in your throat. The realisation that you had driven him away hit you hard, and you lost all motivation. You lay on your bed, makeup still intact, as you sniffled and sobbed quietly into your pillow. And even now, after tossing and turning from your mind running laps, you’d only managed to sleep for a few minutes. 

You stretch your stiff legs and reluctantly leave your bed, unlocking your bedroom door with sleepy eyes. You're taken aback when you see Mark sleeping soundly on the sofa, his breath steady with his eyes closed. You thought he had left, but there he is, covered only by the blanket from the storage closet. It breaks your heart to see him like this; he's likely cold, and he'll probably have a stiff neck in the morning for practice. And you know it's all your fault.

The guilt eats away at you, and without hesitation, you rush to the bedroom to grab his pillows and an extra blanket. Realistically, you should wake him up and insist he sleeps in bed, but the fear of his lingering anger keeps you from doing so. Instead, you kneel in front of him, attempting to swap the sofa pillows for his own bed pillows.

However, your efforts prove futile because Mark is a light sleeper – a detail you foolishly overlooked in your worried state of mind. He blinks as he wakes up once, then twice, appearing confused to find you in front of him in the living room instead of beside him in bed.

“Baby?” He whispers, his eyes hazy as he tries to make sense of what you're doing. It doesn’t take him long once he spots the sofa cushion in your hand to put the pieces together.  

You bite your lip and sigh, “I know you're mad at me, but I didn’t want you to wake up stiff in the morning.”

Mark's chest constricts. How could he possibly stay mad at you when you're so cute, fussing over him like this? He notices the smudge of black makeup beneath your eye, and his heart tightens once more – this time with sadness rather than affection.

His hand reaches out to touch your cheek, and you’re shocked at the touch. “You’ve been crying?” He asks and you bow your head. 

"I thought you left..."

Mark wants to laugh at the irony. You asked him to leave, and yet here you are, upset at the idea of his departure. He swears if he weren't so in love with you, he'd rant about how much you mess with his head, pushing him to the edge only to pull him back again.

“Would never leave you, baby, you know that,” his voice is soft and comforting as the rough edge of his fingertips finds your jaw. 

You can't control it; tears fall freely from your eyes. He's being incredibly considerate and gentle with you, even after you acted like a bitch. Honestly, you almost wish he'd just yell at you instead. But he doesn’t, his eyes widen and he immediately sits up straight letting the blanket fall to the floor as he pulls you up to sit on his lap. 

He shushes you, his hands finding your waist where he rubs soothing soft circles into the fabric of your tank top, “Hey, why are you crying? I’m here…please don’t get upset, Y/N.”

His kindness only amplifies your guilt. 

"I'm so sorry," you stifle in short sobs, your voice almost cracking. "I should've talked to you about the job offer before signing the contract... I-I didn't mean to act so selfishly. I just... I wasn't thinking."

Mark gives you a half-smile as he runs a hand through your hair. "It's okay, baby... You got caught up in your dream. I'm sorry for not realising that. I'm the one being selfish by always expecting you to put me first."

"No—"

He interrupts you to continue his apology. "You were right, you know. I always expect you to wait for me while I'm on tour. I never considered it from the other side, with me waiting for you... But I will. I'll wait because I know how much this job means to you."

Your face buries itself in the crook of his neck as you cry even harder, and he tuts gently while rubbing your back.

"Please don’t cry, Y/N," he murmurs softly. "I hate seeing you upset."

"Can’t help it," you muffle. "I hate that I upset you…"

Mark pulls you away from his neck, needing to look into your eyes as he speaks. "It's normal for couples to argue, baby. We just need to promise to communicate better, okay?"

His fingers stroke your cheeks again, and you lean into his touch. The warmth of his hand feels so comforting as if he was made to soothe your skin, the only person capable of bringing you relief. You bite your lip and nod against his palm, because you're more than willing to work on your communication if it means never feeling like this again.

"Now, give me a smile. You know, the pretty one I like," he says with a laugh. "If I'm not going to see you for the next six months, I don’t want one of our last moments together to be so... sad."

You smile at him and press your forehead against his with a whisper. "Me neither.”

You’re so close to each other that you’re practically sharing the same breath, if you had said that two hours ago you wouldn’t have believed yourself. But here you are, lips so close that your heavy breathing practically begs him to kiss you.

Mark feels it too, so when he does, it's like the softness of his lips is a bandage, mending the angry tension between the two of you. It patches up the last few hours that have transpired, and when he pulls away, it feels as if nothing even happened.

His hands grip your hips firmly, his fingers pressing down as he guides your body to grind against his clothed crotch. His lips find yours again, accompanied by a groan that escapes into your mouth. It's only when you feel him harden beneath you that you remember he was half-naked on the sofa – clearly after you locked him out of the bedroom.

Suddenly feeling suffocated by your own clothes, you pull away from him to strip off your tank top, tossing it over your head before discarding it somewhere in the living room. You yearn to meet his lips again – the only place you truly feel safe – but Mark wants to savour the way you look. Your clothed cunt eagerly grinding against his hard-on, hips chasing a high so eagerly that your bra strap has slid loosely down your arm.

You're a vision, Mark thinks, one that has him salivating and desperate to fuck you. He almost curses at himself for nearly ruining it all, for nearly walking out on the most beautiful person on the planet, the best sex he's ever had – and not only that but also the funniest, sweetest person he knows he'll ever meet.

He leans into your neck, his nose nuzzling into you as he whispers softly, "I'm sorry... so sorry, Y/N." His hand leaves your hips to cup your breast over your bra, massaging the mound with just enough pressure to elicit soft moans from your lips.

“‘s okay,” you whimper. 

Your head falls back as his hand snakes around to unclasp it. He wastes no time brushing his intrusive fingers down your chest, wearing a filthy smirk because he knows just how sensitive you are there. The tip of his finger circles around your nipple until he’s right in the centre, feeling it harden under his touch. He pinches it, and you jolt forward on his cock, making his boxers tighten, and he groans.

He loves how responsive you were to him, watching you writhe over him as he touched you in torturous pleasure. Just the way you arch your back into his touch has pre-cum leaking out of his cock. 

He leans in this time, sucking on your nipple and opening wide to get as much of the tender tissue of your breast in his mouth as possible. He holds your waist in place to keep you grinding on him to entice enough friction for him to feel good too. 

And when he looks down to see where the two of you meet, he moans when he sees the wet patch leaking through your shorts onto his boxers. 

“Fuck, so wet for me, baby. Just for me.”

You whimper, and his hand slips into the hem of your shorts. You’re glad you never wear panties to bed because his fingers find your clit immediately, relieving you of some of the neediness you’ve been feeling from grinding down on him. He rubs small circles as his mouth licks and sucks and nips at your bud. 

“Mark…” 

“Shhh baby,” he coos, “wanna make it up to you. Please let me make it up to you, let me make you feel good.” 

You whimper with a nod of your head, humping into his hand, legs opening wider to give him easier access to the place you’re most sensitive. You let out mild pants, hips bucking more aggressively from the stimulation on both your nipple and clit.

And when Mark notices you getting close, he pulls off your tit to look up at your face. It’s his favourite part — watching your features contort when the bliss is at its highest. It makes his chest swell with pride knowing he’s the one making you cum, knowing his touch is enough to make you shake and moan. And if he wasn’t such a selfish lover, he’d think the sight is something everyone should see at least once.

As you come down from your orgasm, your eyes flutter open to meet him. Mark doesn’t know whether it’s from seeing your orgasm paired with the argument from earlier but he’s the hardest he’s ever been. 

You notice it too, looking down and giggling. “Now it’s my turn to make it up to you.” 

He lets out a soft huff, and a muscle in his jaw twitches with his Adam's apple bobbing in his throat before he nods. You free his cock from his boxers and shimmy yourself out of your shorts. You let out identical gasps when your bare cunt brushes against the tip of his cock. 

Slowly, you sink onto him, fully feeling him inside of you. Your head falls forward, your forehead resting against his shoulder as you take in the size of him, the way he fills you just right — the way he always does. 

The stretch as you take him in never gets old, eliciting the same whimpers and whines. You can feel his hands resting on your hips, then slipping to the bend of your waist, silently urging you to move as he presses you downwards.

You lift your hips, slow and steady as you let the sensations wash over you, drawing a low groan from deep in his chest. His grip on your body tightens as you sink back down, blunt nails digging into your skin. The sounds he makes only drive you further into finding a teasing rhythm because his voice is just so pretty. The sounds are soon muffled to your disappointment when his mouth presses into your skin, so his tongue can slide along the top of your breast — making the disappointment fade away real quick. 

You let out a breathy cry, hands rising from where they’ve been resting, flattening against his chest, to wrap around his shoulders. The slow pace you’d adopted was becoming not enough. And you could tell from the way Mark is rutting his hips up to meet you, he shares the same sentiment. 

Your mouths collide as you pick up the pace, using his shoulders to leverage yourself as you bounce up and down on his cock. When he breaks from the kiss, an unrestrained groan slips past his lips, low and rough, followed by another, and you have to bite back a whimper of your own.

Mark can’t help the noises, he just loves the way you swivel your hips in a way that makes him see stars. He loves watching you work yourself on him for pleasure – he loves when you ride him.

And right when you squeeze around him, he rewards you with a loud, obscene groan, a sound that makes you dizzy and limp. Everything about Mark is intoxicating and downright addicting, and you were in no hurry to kick that addiction. In fact, you craved more of it – needed more. 

You grab his hands and guide them across your body. He squeezes them at your hips, smoothing across your thighs, your stomach. His hands were everywhere, eyes dark and desperate, wordlessly begging for you to give him what he needed, the same thing he’d been kind enough to already give you. 

So you rock yourself forward, providing a new type of friction that makes you whine helplessly into his skin. Blunt nails mark into the plush of your thighs, a futile attempt at grounding himself. The upward thrust of his hips and the strained catch of his breath tells you that he's growing impatient. You know the pace was slow, but damn it, it felt so fucking good to feel him like this, every inch of him sliding into you, hitting all the spots that makes your brain stop working. It also felt like a sick little way to get revenge...

“Faster,” you hear him say. “Please baby, need it faster.”

You could feel his hips bucking up to meet you. Then his thumb finds your clit, working in circles and making you squeeze around him with a shrill, gasping cry. It was his attempt at bargaining with you, doing anything to make you speed up and shamelessly fuck yourself on his cock. Maybe if he pleases you, you’ll let him cum.

“Please fuck me properly baby, need it,” he rasps, “You want me to forgive you right?”

And then you remember what led you here in the first place. You’d upset him and now you’re teasing him – you suppose it’s only fair if you pick up the pace a little more, fuck him messily and desperately enough to have him dizzying towards his climax. 

And once you do, his thrusts grow sloppier, and your thighs start aching. It feels too fucking good so all that you can do is cling to him and let him take the lead, strong hands guiding you as he sucks against your neck. And even though you’re supposed to be the one making him cum, you find yourself buried in the crook of his neck, gasping as your walls clench and nails dig into the skin of his strong back. 

The slight stinging sensation is enough to work Mark over the edge, and you feel him twitch inside of you, sending shock waves up your spine as he fucks his cum inside of you with a final powerful thrust. You roll your hips to help him along, taking all you can get from him and he moans his appreciation as you do. 

You remain tangled up in one another as you come down from your respective highs with foreheads pressed close. You wrestle to find his hand, lacing your fingers with his as he rubs his thumb over your knuckles. He kisses your nose, then your lips, with a tenderness that makes your heart feel like it’s being squeezed. 

You don’t want to move just yet, so you release your hands and wrap them around his neck, nuzzling your nose against his before you speak.

"Mark?" You mumble, your voice tired and hazy. He hums in response.

"I’m sorry," you say softly.

You feel his smile against your mouth before he kisses your lips. "It’s okay, baby. I don’t even remember what we were fighting for."

[coquettepascal]

texas sweet

summary: joel is your friendly neighborhood dad of the year, so why is his driveway empty on father's day? better yet, why do you feel the need to make up for everyone elses absence?

tags: 18+, smut, handjob, desc of joel mastubrating, a "massage", neighbor!joel x f!reader, massages, general cheesiness, soft!joel, pathetic!joel, almost(?) sub!joel, reader gets blueballed (sorry), biting, joel whimpering, joel being a proud girl dad, no-outbreak, ellie and sarah exist, tommy is mentioned(!!), joel is a southern gentleman, mention of reader having parents, no desc of reader but she can fit between joel and the couch, dilf!joel (yum)

a/n: my first joel fic ever... i would like to thank every person who has written no-outbreak!joel or pre-outbreak!joel. i freaked it.

(4.9k, not beta read.)

Moving to Texas was not the plan, or even the “blessing” your mother claimed it would be. Being the one who took over your grandparents home after they moved to a seniors facility? Fantastic! Amazing, even. Leaving your job, friends, and boyfriend, back home? Horrible. Heart wrenching and annoying. 

Austin, for the most part, was lonely. Long distance didn’t end up working between you and your boyfriend, your friends just got busier with their jobs, and it wasn’t like your parents could just drive 14 hours to see you every weekend. Co-workers were nice, but honestly who really wants to hang out with people you already spend 40 hours a week with? Maybe you were jaded, or picky, which was what your mother also claimed, or maybe your whole life was uprooted for what felt like no reason.

What you weren’t picky about, was the view from your bedroom window. You’re not a peeping tom, or a perv, but it isn’t your fault that your dilf-y next door neighbor is so easy on the eyes.

No, moving to Austin was not a blessing, but Joel Miller was.

Joel was the neighborhood guy. Need an oil change? Joel. Need your fence fixed? Joel. Block party? Joel’s yard. It’s like he doesn’t know how to say no to anybody, that southern politeness deeper than the drawl that lies in his voice. When you had first moved here he had helped you move your couch through the door, all smiles and polite nods. He barely introduced himself before he was asking if you needed any help, and he had called you “young lady,” which made you giggle. Such a giving man, but of course he was. A single father to two daughters? “No” wasn't in his vocabulary.

Sometimes, you think if your dad was as good a father as Joel Miller was, maybe you wouldn’t be fiending after him with such ferocity. Watching him with his two girls, Sarah and Ellie, was something that tugged your heartstrings no matter what. Sarah wasn’t around a lot anymore, apparently she went away to a fancy college. You had helped her pack all her stuff into Joel’s truck, but quickly went inside when you saw him getting misty eyed, you didn't want to embarrass the poor guy. Ellie is younger than Sarah and still lives at home. Honestly, you didn’t know much about her apart from the fact that she was adopted and that she’s in high school. She’s always happy to chat, but she’s also always going somewhere, which leaves Joel lonely sometimes. 

Joel seems better suited for loneliness than you are though. His brother Tommy comes around pretty often, though they seem fairly opposite. Tommy truly is sweet, has always chatted with you during block parties (even if it may be for nefarious reasons when he’s had too many drinks,) but he looks like… a fuckboy. Without fail, every time he rolls up to Joel’s house, he’s blasting some shitty new country music and wearing Pit Viper sunglasses as he carefully parks his spotless truck. Despite their differences though, they get along just as well. Your summer evenings are often interrupted by the sound of their laughs and the crisp sound of the two cracking open some cold ones. 

So why is it that when Father’s day rolls around, Joel’s driveway is empty?

You aren’t watching on purpose, you just happen to glance over that way a lot. The only action you see from his house is Ellie leaving for her friend's house sometime after noon, like usual on a Sunday. No signs of Sarah or Tommy. Part of you figured that maybe Sarah would make the lengthy drive down from her school, or maybe that Tommy would show up at some point, but nobody does. 

‘Not creepy,’ you assure yourself as you go upstairs to peer through your bedroom window to see if anyone is there. You could totally look through the kitchen window that directly faces his backyard, but you fear the day he’s looking right back at you. 

Looking outside, you see nothing. Joel’s grey-blue truck sits unmoved in the driveway, his plants are watered though so you guess he came outside at some point. The thought makes you feel a bit sad, the image of Joel and his soft eyes watering the plants, whistling to himself and trying to tell himself it doesn’t matter that nobody came. He probably really doesn’t care at all, a lot of men aren’t very sentimental or emotional about days like this, but you care.

He’s a good man, a good father, and a good neighbor. Seeing him be underappreciated on what is basically his day is ticking you off for some stupid reason. When 3pm rolls around you decide that you have to do something for Joel, it feels wrong not to. 

Which is how you end up in line for the register at Home Depot. You sat in the parking lot for 10 minutes racking your brain, trying to think of things that guys like, but came up with nothing. Joel is a contractor, so he’ll probably find some use out of a 50 dollar Home Depot gift card, but it still feels too impersonal. Joel literally fixed your toilet when a date you took home broke the handle off the tank mid-vomit. He’s too nice to just hand a stupid gift card with “Happy Father’s day” scrawled across the mini paper envelope. He deserves something thoughtful, something gentler than a gift card for (probably) his job. 

…Which is how you end up waiting in line for the register at the supermarket. You have a bouquet of flowers in your hand, with a Home Depot gift card shoved in your jacket pocket. It feels utterly ridiculous to give Joel Miller flowers, to pick out which colours you think he’d like and get the florist to wrap them up neatly with a bow, but you have a good reason. At some point in the past week you had seen a post about how a lot of men never receive flowers. It resurfaced in your head as you picked your brain again, making you wonder if Joel had ever received flowers. You know that he was married once, but that was when Sarah was little, it’d probably been 10 or even 15 years since he had any gestures like that made for him.

Not that this was for romance reasons. It was for father’s-appreciation-day reasons. Of course.

Maybe you shouldn’t be so invested in your neighbors emotions and life, but it’s too late now. You carefully pack away the flowers in the back seat of your car, snuggling the gift card into the ribbon that holds the flowers together. 

—

And if you thought that standing in line at Home Depot, or at the supermarket was bad, it’s so much worse trying to work up the courage to knock on Joel’s front door. You can’t figure out how to hold this bouquet of flowers behind your back without dropping them, so you just awkwardly knock on his door with one hand, flowers in the other. At least the gift card is managing to stay in place where you tucked it, but you wish you told the florist not to write his name in cursive.

Your repeating thoughts of “Is this weird? Am I weird?” are interrupted when he opens the door.

Joel looks… normal. He doesn’t look sad like you thought he might, if anything he looks more confused at you being there. His brown hair is tousled slightly and he’s wearing pajama pants, even though he smells fresh. Joel’s eyes meet yours and he tilts his head quietly, as if waiting for you to go on, but what do you even say? Oh shit that’s right–

“Happy father’s day,” your voice comes out shyly. You shove the flowers at him a little abruptly and he blinks in surprise, accepting them. It’s awkward for a second, the way his eyebrows shoot up as he notices the cursive lettering of his name written on the envelope.

“These’re for me, darlin’?” He asks curiously, still looking over the flowers.

A stammering of “um” and “yeah” leave your mouth pretty quickly and he smiles. You’re pretty sure he says thank you, but you just kind of stare at him awkwardly. A beat passes between the two of you as he admires the gift. “You uh– You don’t think of me as your dad, do you?” Joel asks. Oh fuck. You hadn’t thought about the fact that maybe that was what he would take away from this. All of your thoughts had been consumed by worries that he’d think you were trying to hit on him, but here he was thinking that you thought of him as a father figure. Which you didn’t. Your dad is fine, no need to replace him, at least not at this point. 

“No, no. Oh my god– Sorry,” You choke out, half laughing. It’s a quiet moment on the porch for a second, just the two of you standing there. Maybe you should explain your thought process.

“It’s just that you’re a dad and like– not to sound like a weirdo freak but nobody’s been at your house all day and it made me sad for you. Not that I pity you but,” your voice trails off as you fear you’ve made this worse. Joel seems a bit surprised at this, mouth opening slightly but then transitioning to a soft smile.

“And what if I told you that I wanted everyone t’leave me alone today?” He asks you slyly. And oh god, that is so much worse than him mistaking this gesture for flirting or pity. You never would have thought that maybe the guy who does everything for everyone probably just wants to be left the hell alone for a gift. Your heart drops in your chest, taking all the blood in your face with it. Embarrassment floods you with a force you didn’t realize possible, stuttered apologies leaving your lips as fast as you can. Joel shakes his head, laughing quietly as you sputter “sorry” repeatedly, like a broken sprinkler.

“I’m jokin’, sweetheart. I appreciate this,” he says. The crows' feet by his eyes shouldn’t be as charming as they are, but combined with that rumbling laugh and smile… he could get away with anything. He plucks the Home Depot gift card from the ribbon and huffs a laugh, like he’s impressed.

Well that’s… something? It made him smile right? Maybe feeling bad for Joel was better than feeling stupid in front of him. You step back, towards the stairs of his porch, but he shakes his head. “You were really this worried?” He asks, admiring the flowers. That makes your heart bloom in your chest, seeing how much he really liked this. Joel didn’t seem much like a flower guy, but you saw the way he kept his yard neat, with tulips in the spring and his lawn trimmed squarely. Shyly, you nod in response to his question. It feels silly to worry for him like this, you don’t know if he considers you a friend the way he is in your head.

“S’awful sweet,” he tells you. Something about his presence is so big, a balance of hospitality and intimidation all at once. Maybe it’s his big stature, broad shoulders and thick arms, a body built for work. Or his voice, the strong timbre of it, humbled in southern twang. Joel is a force of warmth, a heat that can’t be contained. His heart shines through his golden skin, forcing whoever he looks at to have a spotlight. That’s where the intimidation lies, in how he makes you feel like there’s a halo over your head, all his attention right there. 

He’s so hot you don’t even want him to look at you.

But there he is anyways, smiling as he admires the gift again, dorkily leaning in to dramatically huff the flowers. His mouth is moving but you're deafened by the sensation of a blush on your face. You thought it was just a silly little crush, because who wouldn’t find Joel attractive. He’s handsome, hard working, and just an all around traditional man. But this attraction… It's like your crush on him has given you tinnitus. His lips are moving and you aren’t registering the words. Wait shit, he’s speaking–

“Darlin’?” Joel calls. He looks at you, head tilted, and still fucking smiling. The way his eyes glimmer, the crows feet that squeeze them into a smile… Why is it so hard to hear him?

“I asked if you wanted to come in,” he repeats. 

—

You’ve never been inside Joel’s house, but you’d never thought about it either. Being in it, now, it all makes sense. Photos of his daughters are framed everywhere, their achievements plastered on the walls in shines of silver and gold. It’s hard not to imagine Joel hunched over his kitchen counter, tediously cutting pictures out to place them in frames. He was only an idea before, an idea of a man, and now he has become one wordlessly. All it took was stepping inside his house, smelling him everywhere. Life dances in the jackets that are tossed over dining room chairs, the toolbelt dumped by the shoe rack at the door. The picture of Joel you held in your mind begins to come alive, the movements in the details of his life stealing your breath. He is more than a good man, he is a great one.

And now, you have to strike up a conversation with him.

Joel grunts as he sits down on the couch beside you, placing two glasses of water down. He places his glass in front of the can of beer sitting on a coaster, distorting the label to nothing but warped blue and red. Is he hiding that he was drinking? Why is that cute? 

A pause hushes both of you as Joel gets comfortable, sitting down. He’s paused a show, but it just looks like it was whatever movie was playing on the local TV channel. 

“You must be so proud of them,” you say, eyes glazing over the pictures of Sarah and Ellie. You can tell exactly which photos were taken with a camera and which were taken with his phone. One picture of Ellie, maybe when she was 13 or 14, is from her soccer tournament. She’s smiling, holding up a ribbon for MVP, and Joel’s thumb is in the bottom corner. It’s strange to realize that Joel has basically been a father twice over, but also admirable. 

He talks for a little while, rambling about Sarah and her time up at college, and also how Ellie has been doing better in school this year. You always had a feeling Ellie was a bit feistier than Sarah was, but to hear how proud Joel is of her anyways makes your heart flutter. His love for them was so unconditional, so why weren’t they here today? You ask him, a half smile crossing his lips as he hears your question.

“Sarah called me ‘round lunchtime, one of them video calls. Had lunch with my girl and got to catch up with her. She’s so damn busy, y’know that? Always studying and,” he catches his breath, realizing he’s blabbing again. A reddish tone creeps up his neck in embarrassment.

“Point is, she called. Was nice of her, I miss her lots,” He finishes quietly.

Your eyebrow raises. He didn’t mention Ellie. Joel huffs.

“I’m 99% sure she’s over at Dina’s making me a gift, but it’s fine that she forgot. I’ve been on her ass about homework, fair’s fair.”

He looks cute when he’s begrudging, one side of his mouth sliding to the side so part of his cheek puffs over it. You nod, making a comment in response. The conversation is so smooth you forget what you’re saying as soon as you’re laughing. 

This is easier than you thought it would be. Joel’s always been friendly, obviously, but you just assumed he would be more closed off than this. Even if it’s just rambling about his daughters, or Tommy, or the jobs he’s been managing and how annoying his clients are, it’s something more. Something more than the passing glances and small conversation you’ve had before.

You talk a bit about your own life, how tough the move to Texas was, how lonely it can be. Joel doesn’t seem as receptive to this, but there’s an understanding in his eyes that you can feel. He’s a tough clam to slide your knife into, and you doubt you’ll feel his tongue today. The eager blabber he has for his family and career doesn’t extend to himself, and it seems you’ve hit a wall with him. Or maybe you’ve hit too close to home. “Sorry,” you say, feeling a little weird. 

This whole day has felt like you’re pulling against a lead Joel wasn’t even holding in the first place, like you’re always doing too much. But just like the rest of the day, he isn’t holding the rope around your neck. He’s surging forward with reassurances blooming out of his mouth, Texas sweet to the bone. 

He shakes his head, telling you that it’s fine, he gets it. A joke about being a single father, a smile directed at you, consoling. Vaporub for your congested anxieties.

“I’m sorry darlin,” Joel starts, and fuck is he sending you home? Is that your cue to leave? You did too much, he was just being nice.

“-- I didn’t even offer you water when you came in. D’you need somethin’ to drink?” He asks.

God, doesn’t he get tired of being this nice? Your neighbors warned you that he was a grump when you first moved here, dirty liars. 

“Oh, sure, uh. Water would be good, thanks,” you reply.

You’re only half paying attention to the grunt he lets out when he gets up the first time, your eyes busying themselves with the way his cotton tee stretches across the muscled planes of his back. But, after he hands you the glass of water and groans when he sinks back into the couch, you notice. 

You down the glass like you’re parched, but really your mouth just needs to be full right now. The sound of his groans are bouncing in your ear canals as your neck flushes red with each gulp of water. If he notices, he doesn’t say anything.

“Bad back?” You ask after you catch your breath. 

He hums in response, talking about how it comes with the job he has. “All that lifting in my early years…” as if he’s a thousand years old. Joel mentions that he’s been to the chiropractor a few times, thanks to Sarah’s begging and pleading.

“I don’t know, I think it’s gimmicky. They get you on the table and the guy feelin’ you up acts like he’s Christ himself,” Joel says, rolling his eyes. 

The idea of Joel, shirtless and face down, grumbling as some guy works his hands over his skin. The idea of Joel groaning in relief as someone else works those knots out, God you wish you were a chiropractor, you wish you could put your hands all over him.

Greed hardens over your mind like a shell, and the words tumble out of your mouth before you can stop them.

“I could– I could help, maybe. My dad used to have a pretty bad back and I kinda figured out how to work knots out.”

Joel’s eyes widen, looking over to you with mild interest. For the first time today, around Joel, you don’t feel like you’ve overstepped. In fact he looks interested in this offer. A beat passes between the two of you, hesitation caught in his throat it seems.

It’s probably super fucked up in his head, his younger neighbor coming over and offering to rub him down. But your mind is still greedy, coated in thoughts of his skin under your palms, and that southern rumble that’s given you dilf earworms.

He looks like he’s about to say no when you speak again.

“You don’t even have to lay down, or take your shirt off. Could just lift it up,” you offer. 

Joel still looks like he’s going to say no, the left side of his mouth raising to make up some reason. You can’t let him, not when you’ve been this ballsy. Walking out of here now would make this infinitely more awkward.

“It’s your day, Joel,” you supply him with a reason to say yes. The reason might be silly, might be a last minute add-on to his father’s day, but who cares.

Apparently not Joel, since he pulls his shirt up to his shoulders, the fabric scrunching around his broad frame.

—

You feel a little stupid, slotted behind Joel on the couch. The two of you are basically shoved up against one another, Joel wriggling to give you access to his lower back. He hasn’t said anything yet, no reassurance that this backrub is any good. You think you’re doing well, you feel the knots loosening. It might be better this way, him not making noise. The groan you heard earlier was more than enough to push you into a frenzy.

Your hands work further down, where his waist begins to pull in. Looking closer you can see where the softness of his tummy is, a fatherly badge of honor. Continuing your movements, you gently press your thumbs into the flesh there, and earn yourself Joel’s first noise.

Not a grunt, groan, complaint, or cuss. A whimper.

Your voice clashes with his, both of you talking over each other accidentally.

“Are you okay–” you ask as his voice flounders again, a “Darlin--” leaving him out of his own volition.

Pulling your hands away you begin to pull his shirt back down his back, mortified. How could you claim you were good at this and then hurt his back more? Joel’s been through enough today.

“Please don’t stop,” Joel’s voice grabs your brain again, forcing your focus.

He’s sliding his shirt up again, just by rolling his shoulders as he hunches over, waiting for you to continue. His face is in his hands, and his ears are pink. It’s the first time he’s asked you for anything tonight, you can’t refuse him. 

Placing your hands back where they were, you begin to massage again. It seems like his lower back is the main problem, with the way he’s grunting into his palms. As your hands work away the aches he begins to swear to himself. 

“Fuck,” he grunts as your thumbs dig deep, soothing a pain he hasn’t felt eased in years. 

This is good. Pride spreads in your chest, knowing he feels better. Your hands work away, and you get laser focused on untangling these massive knots in his back. Eventually you break your focus, switching to softer rubs and small scratches up and down his back.

Tearing your eyes away from his skin, you realize the throw pillow that was beside you earlier is gone. The yellow corner of the cushion peeks at you from where you saw Joel’s belly earlier, over his lap. A thick forearm is crushing it into himself there, the veins in his neck pulsing. 

Flames lick up your face, onto the tips of your ears and down your neck, heating your spine. Is he aroused right now? “Joel?” You ask quietly. 

He shakes his head, voice tight.

“I’m sorry, I don’t know what’s wrong with me. Just– it just feels nice,” he admits.

Your hands pause. Okay, so he’s admitted he’s hard. What do you do now? Keep rubbing his back and blueball the poor guy? On Father's day? That seems mean, and awkward. Everything about this is awkward though, so it couldn’t really get worse.

“I could… I could help it feel better,” you offer meekly.

You’re not scared of a dick. You aren’t. Your voice is quiet because it seems like he is horribly ashamed of this, probably feeling guilty.

Joel rubs a hand over his face.

“You don’t have to, you can just go,” he says, but his voice betrays him. Need is sewn in his tone, a desperation.

Part of you wonders how long it’s been since someone touched him like this as you reach around, palming the front of his jeans. The hiss he lets out tells you it’s been awhile. How wrong that is, an attractive man like Joel being forced to get his own rocks off.

Getting the button and fly of his jeans down is difficult when you can’t see, even worse when your brain is making up images of Joel masturbating. He’s so shy when he’s being touched, does he bite his sheets? Bite his other fist in the shower? Poor boy, he deserves this. 

His hips lift off the couch to help you shove his jeans and briefs down. Joel’s bare ass slides against you and he cringes. “Is it okay if you don’t look?” He asks. 

You hate that he seems so insecure, but you’re not going to push him. Nodding into his skin, you press your face to his back, resting your cheek near the blade of his shoulder. He’s heavy in your palm, warm skin with veins your fingers can trace over.

Telling him that he’s big feels redundant, you’re sure he knows that about himself. Neither of you seem very sure about what you’re doing, the shuddering breaths from his chest matching your hesitant grasp around his cock. 

“Are you okay?” You ask again.

Joel nods into his hand, asking you to please touch him. 

Admittedly, it’s a dry hand job, but Joel doesn’t seem to mind. The flick of your wrist is fluid, even if your arm is cramping from being wrapped around him. Joel lets out these little noises, grunts and whines. His hand is covering his eyes while the other one rests lightly on your forearm, like he wants to know that you’re still there.

Need is exuding from him, making his desperation take over his need to really give a shit about how submissive he might be appearing. He shudders particularly hard as you squeeze on the upstroke, voice choking.

“Shit– shit, please,” he gasps, “please can I spit in your hand?” 

It’s a little surprising, but again, you can’t refuse him. You say “yeah” into his skin, closing your eyes as you feel him spit into your hand. It’s filthy, his saliva on you as he guides your hand to jerk him off. Joel uses your palm to slick the head of his dick, teasing himself on your skin.

It’s the first time you’ve seen him be selfish all day. Part of you wants to call him a good boy, but part of you also knows this might not be normal for Joel. Hell, this isn’t normal for you either. 

Instead, you ask him if it’s good. A rasped “yes,” emanates from him between a low groan and a curse. Your head lifts from his back as he begins to shudder, his orgasm creeping closer. Listening to him is so good, you’re a mess between your legs, where your core nudges his ass.

Without a thought, you sink your teeth into the meat between his shoulder and his neck. Not enough pressure to bruise or hurt, just to let him know you’re there. There was no intention to push him over the edge, but your little bite does. A guttural groan is forced out of him as he comes into your hand, stringing sticky between your fingers. 

“Fuck– fuck I’m sorry, oh my god,” he pants, shivering. 

Your head is shaking again, reassuring him that it was okay, that he’s okay. 

“It’ll wash off,” you joke, feeling the stick of him on you. 

—

Joel does help you wash it off, once he’s done redressing. He’s clingy though, arms around your waist and chin hooked over your shoulder as you wash your hands in his kitchen sink. He’s definitely sleepy, eyes blinking slowly when you peek at him while you dry your hands.

You step close to him, your damp hands meeting his dry ones. The awkward spirit of the evening has been killed off, his shyness melted away.

“Usually I’d offer to return the favor but… I have to pick up Ellie from her friend’s house now. I’m really sorry, darlin’,” he admits.

Shaking your head, you push away the negative feeling that surfaces. How are you supposed to go back to being neighbors after that? But also, what did you really expect?

Joel leads you to the door, legs a bit shakey. A smug feeling joins the negative ones in your chest at that, but it’s not enough. 

“I really do apologize,” Joel says again, “but this just gives me an opportunity to see you again. If you’d like, obviously. I think I owe ya dinner.” 

And there he is, not holding your lead but reassuring your heart. He wants to see you again.

Your eyes meet his in the dim light of the hallway, catching those sweet eyes in your own. He looks so hopeful, so apologetic too.

“I’d like that, but you don’t owe me anything. It’s Father’s day,” you point out. 

Joel rolls his eyes. This Father’s day excuse is a little overused between the two of you now, but it’s still cute to him since you’re the one saying it. He opens the door for you, slipping his own boots on and grabbing his keys.

“Fine,” Joel says, “but when Pretty Neighbor day rolls around, you let me know.

[bunnys-kisses]

retired!price never thought that he'd ever become father. it honestly was only a passing glance throughout most of his life. like if he saw a kid at the grocery store or a colleague had a child. but, that all changed when you met him. there was something about you that got him going. he thought he had too much respect for women, but he felt almost chauvinistic towards you. you were younger, smaller, frailer. you should be at home cooking him dinner and putting the kids to bed instead of working the dreadful customer service job you were at. wouldn't life be better?

think about it, it's okay love. price would take care of everything. anything his angel needed, she got. that included a pretty ring and a round middle full of price brats. when price left where you work with purchases in hand, there was more than one occasion where he'd go back to his car and pleasure himself in the driver's seat. his car parked in the furthest part of the parking lot. alone with his thoughts of you. one baby on your hip and the other in your womb, price coming home to the scent of a warm-cooked meals. nights spent battering your poor soft, spongy womb, keeping it nice and full. you'd be in such contrast with your gruff husband. he stood so much taller than you, he could bruise you with ease. but he only wanted to love you, to feel you take him every night. to see you raise his children. he aiming for a minimum of three, close together in age. he was already looking at places that would be perfect. away from the hustle and bustle of london and somewhere quiet, where his wife would live a comfortable life. in his mind he always thought you were a virgin, pure for him to take apart and make to his liking. you'd be the perfect mrs. price, a phrase that went through his head as he came all over his hand. pearly cum even stained his blue jeans.

doesn't the life that price laid out for you feel perfect? a loving husband, kids, a big piece of land. you weren't going anywhere with this job, wouldn't it be more fulfilling to be married to price? he was retired and would raise your children alongside you. you'd be perfect for him. he wished that you'd see what he saw. something nicer for such a lovely woman.

it took a lot of courage for him to ask you out. it was the first time he felt nervous in a while. you simply giggled, a voice delicate like glass, you broke his head, "oh, sorry sir. i already have a boyfriend!" price just smiled and nodded, he wasn't going to cause a scene. he took his purchases and wished you a great day. but it was hard to pull the man that price was prior to retirement. the man needed a mission like a bloodhound needed prey.

oh, you had a boyfriend. what was his name? where did he live? what did he do for work? when price got his answers he didn't think your boyfriend was good enough. you needed a man, not a little boy who still used his old university i.d. to get discounts. he wasn't going to provide for you. he was weak. so why don't you take out your phone and text him goodbye because price always joked to his former team that he could fit a body in the trunk of his car. while he'd laugh it off, that and the neatly winded rope tucked in the corner were there for a reason.

please, his angel. come with him, he'll always keep you safe.

xoxo, bunny