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#3 of my top artists haven't changed
etherealamoeba · 2 years
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galen-the-technomage · 9 months
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cause I feel like it, here are my top artists and songs in 2023 according to last.fm.
artists: 1= Kite 1= VNV Nation 3. Priest 4. Skinny Puppy 5. Tangerine Dream
tracks: 1= Off by Diorama 1= Changing by Kite 1= Phantom Pain by Priest 4. No Way Out by Blackbook 5= Before the Rain by VNV Nation 5= Algorythm Slave (Frozen Plasma Remix) by ZyniC
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lovebvni · 2 months
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'Advice From Your S/O' ( Pick-a-Pile ) (old)
I haven't done a pick-a-pile lately, I had covid then life got in the way, but I'm back with some shifting advice from your s/o! 
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You will be picking a number between 1 and 5
Breathe in....
Breathe out...
Now, what's the number you heard?
[pile 1, 2, 3
4, 5]
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pile 1
Pile 1!
Conformation this pile is for you: Have been having nightmares, waking up in the middle of the night, feeling like things aren't going well for you, 9, 999
Cards: 9 of Swords, Page of Cups, 9 of Pentacles
"I see you've been disappointed with your situation, but you know, things are going to get better. Take a break, look to your material life more than you look to shifting right now. Take a break, stop thinking about shifting. I think you're obsessed." Wow, your partner had NO trouble giving this to you straight up. They are basically trying to say take a break. Think about something else, be creative!
Things I kept seeing/hearing: memer, laughs a lot, is in physical or mental pain, obsession, Addison Rae, overachiever
pile 2
Pile 2!
Conformation this pile is for you: You have a mental illness of some sort, you want to work with a deity, you have a cat (or pet)
Cards: The Devil, 5 of Wands (R), 8 of Cups
You guys may have also been drawn to pile 1
"Hello, my love! I want you to be happy. What's wrong? Do you need to rant? I'm here for you if you do! I love you SO SO SOOO much! I was asked to bring you advice. Positive change is coming. I know, that really isnt advice but you NEED to know that happiness is coming to you, CHANGE is coming to you. You feel suck but, you're actually slowly moving forward! I'll always be by your side to hold your hand, dont worry!"
Things I kept seeing/hearing: The colour purple, 555, blue, deities, 'It's Nerf or Nothing!"
pile 3
Pile 3!
Conformation this pile is for you: You love listening to music, weirdcore, Simp/kin Bakugou, cook, denki kinnie 1, 111, 1111, fighter,  fire sign, childish
Cards: 7  of wands(r), king of wands, Ace of Cups, Ace of Swords
"HII! I'm going to be honest with you, you're not TRYING to do everything you want to! I know you want to do great things but you WONT PUT WORK INTO IT! Can you PLEASE actually try to put work into what you're doing? Put effort into it. You're wasting your potential. Once you do this, something new is coming! I promise, pinky swear!!"
Things I kept seeing/hearing: 111, 1111, January, New Beginnings are coming, JAM SESSION!!, artist, learner
pile 4
Pile 4
MENTIONS OF ABUSE/NEGLECT!!
Conformation this pile is for you: Shoto Todoroki, Hyper, 555, 1010, overachiever, doing more than needed, hard working, shifting for an escape, falling, box (LMFAO WTF??), spiritual, magic wand, have a snake
Cards: The World, Page of Wands(R), 10 of Swords, 5 of Swords, The Tower, 8 of Wands
"Hello. You are my world, I want you to know that. I am sending lots of love, because I know that there is a lot going on with you. The parental figures in your life do NOT treat you the way they should. I want you to know, I'm sending you signs and messages, I don't know if you're getting them/paying attention to them. I want you to know there are NO rules you have to follow, nothing you do will effect your journey negatively, okay? Every thing is downhill from here, a smooth ride, you are going to shift soon. Don't loose hope."
Things I kept seeing/hearing: Nicki Minaj, Billie Eilish, finally, endings coming, childish, blonde hair, red 3.
pile 5
Pile 5
Conformation this pile is for you: Shinsou, 333, 33, artist, drawing, roblox, Katsuki Bakugou
Cards: The Hanged Man, 3 of Pentacles, 3 of Wands, The Empress (R)
"WITHIN TIME YOU WILL SHIFT! CALM DOWN! Take a break, focus on what you want to do in your cr, do you like someone? Talk to them! Work on your script, do whatever! I love you! No matter what, I'll wait for you! Success is coming, you're almost at the top of this mountain!!"
Things I kept seeing/hearing: 333, Black, blue, sunglasses, cars, friends, online friends.
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bewitchingivy · 1 year
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WHAT HAPPENS BEFORE YOU MEET YOUR FUTURE SPOUSE // pick a card
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Hey, lovely souls! I hope you're all doing well~♡ In this new PAC, we're going to uncover what's going to happen before your future spouse comes into your life, to give you some little hints~hehe. Maybe the events mentioned in the piles is happening to you now, who knows?
methods used in this reading: tarot, intuition.
࿐ DISCLAIMERS:
Tarot or any forms of divination is not set in stone. It’s not your only future, but a probable one with the current energy you have right now. If a reading doesn’t resonate, simply let it fly away and shift your energy. Because you can change your reality, and you have the undeniable power to do so.
Please keep in mind that my readings are for entertainment, positive, or inspirational purposes only. Please don’t take them as a professional or medical advice. Any actions or decisions taken are your responsibility.
The images I use in my blog are not mine unless I say so. The pictures belong to their respectful owners.
Now choose one (or more) of the latest releases from my top 5 favorite artists!
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PILE ONE / lavender haze - acoustic version by taylor swift
Greetings to the people who chose the first pile! Lovely to have you here <3
What we have in the cards here is that you will have some sort of recognition, achievement, or success before you meet your future spouse. Why am I strongly getting a graduation of some sort? The people who chose this pile are probably studying in college or highschool. There's going to be a celebration that your friends and family will have for you. At this time, you're going to receive a lot of praise and recognition. I'm also seeing that there's something spiritual happening after that, it's like you're going to have some spiritual transformation. You're going to grow spiritualy. Lastly, we have the Fools card here which tells me that after all this achievements and growth in your life, you're going to take a short break or vacation even for just a little while. Like a month or something. You will do a lot of self care and reflection at that time, and then you'll be ready to start new beginnings. And this new beginning coming your way? That's when you'll meet your future person <3
signs, confirmations, messages; a white dog (like a husky?), 444, clover leafs, going to a cafe, kdrama, tarot, yes, you're not late.
Thank you for allowing me to read for you ♡ I'm sending much love and light your way and to your loved ones! — Ivy Feel free to send me a feedback and check out my masterlist for more!
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PILE TWO / say yes to heaven by lana del rey
Hi there! To you who chose pile two, I hope you're doing well!
So to begin your reading, this is somehow related to the first pile, since your first cards are the six of wands. Both piles are going to achieve some success. You'll definitely get some attention from this, I'm getting that this achievement of yours is like, going to attract a lot people's attention. For some of you, I'm getting that this is a career that you've always wanted to have, and now you got it. But here's the thing, not all people are going to have good intentions. There's going to be someone from your past, at first I was getting an ex friend, but some of you could have an ex lover too. You no longer talk with this person, but then when you've achieved this success of yours, they're going to be like, out of nowhere, “Hi! Congratulations, I'm really happy for you.” Which to me, guys, I'm sorry, but I will say that those are just lies. I'm mostly just getting that they'll be jealous of you, and they'll want to start over with you again just because you have this career or whatever success you'll have. You will notice this though. And though you still might care for them, and a part of you wants to start over your relationship, you will be disappointed to see that they still haven't change for the better and then you will eventually decide that you're not going to rekindle the fire you had with them. You're going to decide that it's over, like ever. (WEEEEEE!! ARE NEVEREVEREVERGETTINGBACKTOGETHER-) Ahem. Anyways, that's great. I'm proud of you already that you're going to do that. Because you'll need to kick this person's ass out of your life so your future spouse can knock on your door already.
I didn't got any more signs/confirmations for you, pile two!
Thank you for allowing me to read for you ♡ I'm sending much love and light your way and to your loved ones! — Ivy Feel free to send me a feedback and check out my masterlist for more!
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PILE THREE / rush! by måneskin
Hello to you who has chosen the third pile~♡ I hope you're doing well!
Before meeting your future spouse, you will face some sort of decision whether you should leave or stay in a relationship. I'm really sorry to hear this, guys, but this person has/is going to give you pain. You put your hopes for this person only for them to disappoint you. I'm mostly seeing this is a romantic relationship, but for some of you it could be a friendship or a family member. But if it is a romantic relationship, it's going to be long distance. And for some of you, I'm just getting this, that it's not really a relationship but more like a situationship. Let me tell you some hints about this person; they have strong water placements and one of their hobbies is artistic. You're going to take a lot of time thinking and considering whether you should leave or not (this could involve some travelling/moving to another country as well.) It seems like you will be confuse what to decide. But since we have the Page of Wands as the last card, this strongly tells me you're going to choose to leave this relationship/situation behind even if it breaks your heart. But you have to do it for what's good for you and this person. And indeed it is, I mean, come on, your future spouse is on their way to you after this!
signs, confirmations, messages; ships, ocean, living near some large body of water (like a lake, river, beach, etc), 222, 47, april, grow and evolve, secret garden by frances hodgson burnett.
Thank you for allowing me to read for you ♡ I'm sending much love and light your way and to your loved ones! — Ivy Feel free to send me a feedback and check out my masterlist for more!
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PILE FOUR / francesca by hozier
Hey there! If you've chose pile four, well, lemme say I totally relate to your reading HAHAH- nevertheless, I hope you're staying hopeful for the future! ♡
So let me clarify some things first, if you're somehow being held back by authoritative figures or more like, parents, then this is your pile. If you don't resonate with this, you can choose another pile. So! Oh, man. I'm feeling very tired and drained after tapping into your energy. You will be feeling this way before meeting your FS. So first, you're going to begin a new. chapter in your life. After feeling caged up or something, you're finally going to decide to take matters into your own hands and do the things in order for you to live your desired life. You're definitely going to do this, I have no doubt that you're going to manifest your desired life. You're also going to be working a lot on yourself, improving yourself to be better, doing shadow work, self care, and all the like. However! There's one problem here. You've let your parents have power over you. That's completely understandable, I'm with you, guys, and I'm still working on my situation myself. But you have to realize that you shouldn't let them affect you anymore. You're your own person. It could be that you're afraid to disappoint them or whatever, but it could also be that your parents are pretty judgemental and you're afraid to be judged by them if you do choose to pursue your dreams and desires. This will lead you to feeling restricted and held back again. You'll start being afraid to move towards your future. However, I definitely see here that someone will be coming towards your life at this time to help you get through this. And who's this person going to be? YOUR FS. AAAACK AHSISHAKSJSHSG
signs, confirmations, messages; 111, life path 8, connect with your inner child, be gentle to yourself, your fs is going to be someone you'll have a crush on first.
Thank you for allowing me to read for you ♡ I'm sending much love and light your way and to your loved ones! — Ivy Feel free to send me a feedback and check out my masterlist for more!
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PILE FIVE / being funny in a foreign language by the 1975
The people who have chosen pile five are the chosen ones. LMFAO, yeah if your life would be a story, your trope would be the chosen one. Anyways! It's nice to have you here, chosen ones.
Okay, so what I'm getting here is that you guys are going to be working very hard about something. You're putting a lot of effort into this thing, or it could be your relationships around you too. It can be literally anything. Just anything that you're going to put a lot of effort and work, to the point that you'll forget about yourself. You're somehow overworking yourselves at this time, guys. I'm also sensing there's some unhealthy attachment or obsession over this particular thing. Please, take care and look after yourselves. But then, I see here that there's going to be some sort of epiphany or an aha moment right after, guys. It seems like someone's going to give you some advice, or a very harsh truth that you need to know. And it will make you pause and think about what you've been doing and all the efforts you gave to this certain thing the whole time. It's definitely going to hurt and hard to accept. But you will know that it's the truth. You're going to feel like you will lose everything. Lemme give you an example; you've taken a liking to someone and you'd really want to be with them, but then you put all your efforts to become the person you're not just for them to like you and you're giving all your time and energy to that person only for them to tell you one day that they don't share your feelings. Been there, done that 🙋🏻‍♀ But that's okay, guys. Because right along the harsh truth, is a new beginning. You're going to have the courage to begin again and you're taking the lessons you've learned and become more wiser and braver than before, ready to learn more about life. After that phase, you're going to meet your person <3
I haven't got any signs/confirmations for you, pile five!
Thank you for allowing me to read for you ♡ I'm sending much love and light your way and to your loved ones! — Ivy Feel free to send me a feedback and check out my masterlist for more!
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velvet-games · 6 months
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I finally finished the piece for @prince-liest's OC, Tzafael! this really reminded me of how fun character design is (and also that I've completely forgotten how to make digital art, but that's besides the point...) <3
credit to @hogbogglerspirits for the umbrella design! I kind of butchered it so please look at the original and throw lots of love at them
LOTS of notes, draft sketches, brainstorming, etc. below the cut. enjoy!
(note: a lot of what I'm talking about is based on posts prince made under their #tzafael tag, so take a look at those if you haven't yet!)
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thanks for joining me below the cut! here's the sketch without the colors as a treat (in case you want to color it yourself or something, idk).
notes about making the digital drawing:
holy shit this took me forever -- I was not kidding about forgetting how to make digital art lmao. I forgot how much less forgiving digital lines are and genuinely lost the spoons to even attempt lineart, hence just a sketch below the colors.
some of you might've seen the original sketch I sent to prince, which the digital version diverges from just a little. it's mostly the halo which I'll explain later, and I finally caved and drew the sixth eye (you can tell I drew and erased it multiple times in the sketch lmao -- still don't know if I prefer it with or without)
here's the original color ref by the lovely @gendermeh! my color scheme ended up looking really different, so some notes about that:
I was looking at references for magpies like this
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and I wanted to basically follow that color scheme while also being somewhat similar to the original -- dark head/shoulders --> dark top of the jacket, bright blue wings --> bright blue bottom of the jacket, greenish tailfeathers --> green pants, hints of purple --> purplish sleeve and pant ends
I also tried (and mostly failed, let's be real) to capture the iridescence of the feathers -- they look like oil spilled on the pavement or iridescent hematite to me! I think the key ended up being adding bright greens/purples and roughly blending them into the blues or vice versa but I didn't really figure that out until I got to the pants lol.
I'm gonna be honest; I don't remember why I went with this shape for the tailcoat. I just remember being unhappy with the sketch and then trying a bunch of different shapes that mostly looked worse lol -- I think I landed on this because a split tail kind of looks like wings?
KEPT the shoes -- absolutely magnifique. I wish I knew how to color gold better.
added lots of jewelry! they like shiny things :)
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ALSO PLEASE LOOK AND APPLAUD ME. I FINALLY REMEMBERED TO LABEL MY LAYERS!! NO I DON'T REMEMBER WHY THE HALO HAS ITS OWN LAYER.
alright, time for some more design notes/explanations + draft sketches!
but first, a couple disclaimers:
I want to make it very clear that I LOVE everything about the original design. I made a lot of changes based on personal preference/the way I interpreted the character. I was actually planning on making a digital piece that was more faithful to the original design too, but I was just out of spoons for it cause of life stuff.
you probably shouldn't try to read the notes I made in the sketches I'm about to show you unless I say otherwise. most of it is incoherent brain vomit in illegible artist handwriting and I'll transcribe/explain the stuff I think is important :) (the stuff in quotes are direct transcriptions of my notes)
I know my sketches are very messy lol. I only draw for fun, so I usually don't force myself to make stuff any neater than necessary unless it's supposed to be a formal piece. try to bear with me.
1:
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my first few sketches of them! (I think?) this was before I sent prince a laundry list of questions so I was still trying to get a vibe
"magpie -- beak lips?" -- you'll see this in a few sketches; I considered giving them the lipstick design that velvette has since it looks like a beak. I still kind of think it's cute, but 1) I'm pretty sure velvette is the only character that has them, so I didn't want to make it seem like they were related somehow and 2) I thought it might be distracting with how much other crazy stuff I ended up including in their head/face
also, sidenote since it's relevant to what I said about vel: something I realized was important is how one character's design relates to the designs of the rest of the cast. I wasn't sure how much I should've gone for what looked good in a vacuum, how much should be based on what other characters looked like canonically, or what other characters would look like if I also designed them. it ended up being mostly the second option, but it was honestly still a struggle. should I take away some of the tumblr-sexyman-ness (no shade to tumblr sexymen; I love them) because there are other characters that already have it? should I relate their design to sera's and emily's in the show or should I think about how I would've designed sera and emily? should I follow some of the design philosophy of the original show and just throw stuff on there because it looks cool (the answer is yes btw)? decisions, decisions ...
I don't think this showed up really well in most of the drawings, but they actually have a black line down their nose! let's take a look at sera:
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since they're siblings, I wanted to include some similar facial markings. the nose line ended up being the only thing I kept though -- I was going to include freckles, but I have a compulsive need to give every character giant bottom lashes so there ended up being no room T.T I like that the magpie's hints of purple kind of match hers tho!
the wingification of the hair begins! I was still unsure of it at this point, but it was an idea I had since I was kind of struggling with how straight the feathers were in the original.
"maybe the ones on their head count as wings (so only one main pair)" -- I originally just had the 2 pairs of wings on their head, so I was thinking of just giving them 1 pair on their back so there would be still be 6 total. also this middle drawing of them is meant to be their exorcist outfit (I wanted it to be a cross between what the other exorcists wear and sera's outfit)
at this stage, I was thinking of giving them more magpie-like characteristics, so I looked at some references and tried to emulate them in a more human design. this ended up being really awkward so I scrapped it, but I still like the idea that their exorcist mask looks like a bird (kind of like a plague doctor's)
2:
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peekaboo! I love the idea of them using the wing hair to cover their eyes lol. (ended up using that idea for my own seraph OC since that's their biblically accurate purpose: to cover their eyes/faces in reverence/humility -- doesn't really fit with tzafael tho lol, so they show their face most of the time)
an eyeball in the bowtie -- pretty self-explanatory. the eyeball motif is important.
the one in the middle is just me practicing drawing the original design, and the one on the right is another exorcist outfit I think. I wanted to include the diamond motif/points that sera has on her dress (the diamonds on the bottom turn into eyeballs, which is why the final design also has eyeballs on tzafael's sleeves/pants)
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3:
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lots of notes on the side based on what prince said in response to my ask
"localized omniscience (power of sight) -- cool + ironic that their sight was supposed to serve God but made them see Heaven for what it really is instead"
another exorcist outfit, this time including the feathers
I was also experimenting with the halo; I was trying to make it look sort of like sera's crown, but that didn't feel right ...
some practice with eyes -- my style is pretty flexible with eye shapes, so I try to make them suit the character. I drew lute's eye and also an actual magpie's as references -- lute's because of the exorcist background and also because they looked appropriately sharp, magpie's for obvious reasons. once again, my compulsive need for giant bottom lashes strikes
there was honestly a lot to balance with the eyes -- I wanted them to look condescending/bored (lowered top lid) but also amused (raised bottom lid) and like a magpie (round) but also harsh/mischievous (sharp, maybe slit pupils like a snake) and similar to sera's (but not too decorated -- also does it make sense for them to look like sera's if emily's don't even look like sera's?)
considered having wings on the shoulders -- the magpie pattern is super cool, so it would've been nice to have that somewhere more explicitly in the design. I still think that might fit in an outfit they would wear in heaven (maybe for formal occasions)
the introduction of the sweatervest! honestly I kind of love this for the way it captures more of the preppy, spoiled old-money upper-class vibe some heaven residents have, but it was scrapped since I couldn't imagine them wearing that while trying to scare the denizens of hell. maybe something they wear casually though.
"yes nictating membrane (on every eye!)" -- AHH I'm so sad I didn't end up putting this to use. I just feel like the whole effect is based on actually seeing them blink, and I don't animate lol.
4:
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ugh, the nefarious laughter one ... don't worry I tried harder on a sketch later on lol.
"like the diamonds on Sera + Em" + "diamonds turn into eyes?" -- I draw the diamonds on the sweatervest turning into eyes later.
tried an actual bow instead of a bowtie -- very cute but didn't fit the vibe.
a skirt! I think they would wear a skirt sometimes.
5:
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"FUCK ASS BOB" -- asghdk the wingification of the hair continues. unfortunately, I'm realizing at this point that the silhouette of the hair is starting to look a lot like alastor's. I gave a very half-hearted attempt at mitigating this, but it goes back to the thing of how much I am obligated to the original show's designs and what looks cool to me -- I think the wing hair fits them and I didn't want to change it because of alastor, plus my alastor design actually has completely different hair anyway. I did add a third pair to the back to look like a ponytail though.
introduction of the scarf! I was actually going to include this in the final design but uh,,, I forgor. are you starting to see a pattern.
the reason for the scarf is that the "tzafael going to places they know they'll draw attention/can incite chaos" reminded me of that scene in avengers where loki walks into a fancy building looking pretentious af and just casually stabs a guy's eye out. not really the same thing but I felt like the vibe matched. hence, loki's funny little scarf fit.
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6:
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uaoughdfjh it was SO FUN to draw the wing hair, and it was at this point that I realized they had to stay even though I wasn't sure if it was too different from the original.
gossiping with rosie cause that's the first person I thought of -- tzafael also summoned a pearl necklace to clutch because of the sheer drama of it all (your ex-husband did what??)
also started drawing the rings on their hands. magpie like shiny.
7:
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lots of notes cause I was trying to compile the things I still needed to think about/incorporate into the final (I thought this was gonna be the last draft ... haha)
trying to include more bird/eye motifs
"fish ... purse?" -- ha! I forgot I was gonna give them a fish purse. I think I drew that in a later sketch, but not them wearing it.
"picked up Hellish traits bc of extended stay -- existential crisis?" -- I asked prince about the sharp teeth, and their answer implied that they became sharp as they stayed in hell longer, which got me thinking ... I feel like that's actually a great body horror concept. lucifer falling and looking like a normal angel at first, eventually waking up to more and more devilish features and feeling more and more like he's lost his home and his past self ... spooky.
another exorcist outfit -- I actually really like the eyes on the ribs! I never made a final draft for the exorcist uniform, but it would probably look close to what I drew here.
the one on the bottom was meant to be similar to the feathered shoulder pad idea, but this time with the whole magpie (with giant eyes). tried putting the "freckles" (really just dots in this case) over their brows, but that ended up looking kinda weird.
the eye is pretty close to the final design
the one on the right was supposed to be the full final design, but I was totally off lol -- the long trench coat really doesn't give off the right vibe at all
8:
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playing around more with the loki vibes of the scarf, also added an eyeball to the chest
I never got happy with the design of the back of the coat -- I think it should probably just be blank at this point. but the sketch here is meant to look like wings/tailfeathers.
yet another exorcist outfit, this time with more magpie motifs. I actually like this one a lot, but I probably should've added the eyes on the ribs from the last sketch. I think I also considered giving them actual tailfeathers at this point.
9:
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thanks for sticking with me! I promise we're almost done. have a trans dinosaur I saw while I was travelling as a treat <3
10:
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this is after I finished the sketch for the final piece and realized I didn't like the halo design. I drew lute's, sera's, em's, and adam's as refs. (honestly I love the show's idea that each person/people of each rank have a different kind of halo -- I wonder if they can switch them out?)
my main inspiration ended up being the exorcist halo, but I made it look more like an eyeball -- since it always points toward heaven, we can say it's always "looking" at heaven.
(also sera's feather lashes! they're so cute)
11:
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EVEN MORE EXORCIST DOODLES
12:
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tzafael shooing away my fox demon OC
13:
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these are actually sketches for my own seraph OC (raguel), but I wanted to include it since it has even more wing/feather hair variations. I also think the idea of the eyelashes being feather-like could've been cool for tzafael.
14:
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some more OG design doodles
tzafael and raguel together because self-indulgence is the name of the game babey (also wanted to draw tzafael freaked out with their wings flared)
(raguel's blind btw, hence asking for eyes -- tzafael has so many!)
you can probably read the dialogue here so give it a shot. I believe in you.
15:
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you know what? the fish purse deserves some doodles
16:
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putting them in Situations! I was reading over prince's posts again and I realized there were some funny things I could draw them doing/saying
again you can probably read the words here
angel dust also loves fish (but is apparently bad at taking care of them, hence the suffocating blobfish), so tzafael shows him their aquarium (complete with live fish and flora ofc)
I thought alastor was 8 ft but apparently he's 7.3 ft? so tzafael is enjoying the .2 ft they have on him
trying and failing again to come up with a design for the back of the jacket lol
THE crowley quote
apparently the halo still sends signals from the exorcists -- thought their reaction to the battle at the hotel would be funny
the nefarious laughter (take 2) that I promised -- based on a doodle of alastor viv did that I found
them being sad and curling up in a pile of shiny things like a dragon
OKAY I'M DONE. huge, huge thank you to prince for sharing their OC! this was a lot of fun and clearly inspired me a lot haha. please check out their writing; it's literally so good that I can't read anything else these days. I am chewing on their thoughts constantly.
this was an absolute monster of a post, so if you're still reading, I am both impressed and bewildered at your patience. I hope you enjoyed! (I certainly did!)
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doctorweebmd · 3 months
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Helloo! I was wondering what are ur top bkdk fics? You write bkdk so beautifuily, the angst hurts so good‼️ A litany of love and loss and zero-sum game are so beautiful its crazy! I'm tweaking haha I literally cannot stop thinking abt them. All of ur fics r so good in a way thats magical. This might sound weird and kinda alot, im so sorry if it is but I really do hope I remember ur fics for a really long time.
lksajdfl;kasdfj omg don't you THINK i haven't noticed you going through this blog lmao i adore that thank you so much!!! and thank you for reading that hardcore angst you masochist lmao
BUT. thats a super hard question. okay keep in mind that a.) i haven't really kept up with bkdk stuff in >1 year so most of these are older, b.) many of these are, unfortunately, unfinished. it doesn't take away from how amazing these stories are to ME, but i know its a preference for many, so keep that in mind AND c.) every single one of these authors have MANY excellent fics, but these are the ones that have stuck with me. And I'm totally gonna forget some notable people so apologies in advance.
These are in no particular order:
The Space Between by kanae_vr - gorgeous and absolutely devastating work. One of those fics I stayed up all night reading and probably one of the first if not THE first that I commented on. Broke my heart.
In your dreams, nerd! by sapphicflower - Rani's whole portfolio of work is TOP NOTCH (can't recommend the art of falling and love was never easy with you, but since when did we like easy? enough.) but in your dreams, nerd! is still my favorite. The writing has such a magical, dreamy, otherwordly feel to it. Just beautiful.
[KILL GOD] by majjale - majjale is another author that you can read anything they've written and have your mind BLOWN. KILL GOD really stood out to me, though. This is probably THE only villain Deku fic worth reading. The worldbuilding, the reveals, the raw emotion - god, this reads like a novel and I'm simply awed.
To see you alive by overcastjpg - pain. PAIN. Cloddy writes some of the most gut-wrenching angst I've ever had the privilege of reading. And its not just painful interpersonal drama, its also a fascinating and dark plot that makes you feel like you've stepped into a gritty noir novel. Its like stepping into a story where its always cloudy and raining, but in the best way possible.
Undercover by Greyfrey - another author that has a portfolio of top-notch, professional-level bkdk writing. Undercover really holds a special place in my heart, though. The story is absolutely compelling, the character development is handled carefully and elegantly, and it just. It hurts. So, SO good.
Mirror Image by Eleke - this is just a very fun one; so absolutely creative and such an interesting way of imagining BKDK's dynamic in so many different worlds. The structure of the story and the POV changes are also SUPER artistic. Fantastic read.
Bonnie & Klein by surveycorpsjean - i won't belabor the point; this fic, along with everything surveycorpsjean writes, deserves all the hype and MORE. the yearning in it was physically painful and the sex was artistic, emotional, and most importantly, hot.
Doppleganger by waketosanity - another painful and gorgeous read. The pining and self-destruction Katsuki's going through this entire fic is honestly devastating. Its an indirect but powerful character study and, full disclosure, it hurts a lot. But its worth it.
Looking forward to being there by underwickedsky - This author's aura is very foreboding and they tend to write about very dark themes. Like any good mystery or horror, what looks benign on the surface dives into something terrifying. Honestly, this fic has not been updated in 3 years and is only, what, 4 chapters in? But every single one of them is captivating.
i think i found a place for us by dommymommy - sigh. god. i can't even explain it. its gorgeous. it hurts. intimacy is instantly replaced by loss. you ache during the entire story. katsuki's characterization in particular is... he's so skittish, and in denial, and afraid, and lonely. tbh i hope they dont follow me on here because out of every fic on this list and any other list beyond, seeing an update on THIS one would make me drop everything and start reading bkdk again. sorry.
mundane crimes by sifl - last but certainly not least. i dont know how sifl does it, honestly. their work is, in one word, haunting. the tone and cadence and sheer poetry of each and every single one of their works is just - its like they live in a completely different world. i'm obsessed with their style and have re-read this fic too many times to count. should be the AUTHORITY on writing katsuki.
Jeez and there's SO MANY MORE. Like I couldn't just choose one by katyastark, i love ALL their work. and iciclebeanbags and heartsinhay. and there's probably people i can't think of right now. there's SO MANY amazing talented writers we are SO lucky as bkdks
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alitherandom · 5 months
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Bad Batch is almost over so I'm going to ramble. If anyone can relate, please reply or reblog. Share what this show has meant to you, share your thoughts, share theories, tag people. Let's give it a send off.
Star Wars has been a massive part of my life for years.
I loved everything about the Clone Wars, the world building, the character development for the jedi, but most of all the clones. As someone who finds it hard to read faces, it was fun getting to know each of the clones as individuals with their own personalities and I actually never had any issues telling them apart. It hits hard, I think that's what makes their stories even more tragic.
Echo and Fives are my favourite Star Wars characters so I was really happy when Echo came back in Clone Wars season 7. That was why I decided to watch the Bad Batch- it then became my favourite series.
I'm not entirely sure what I'm going to do when this show ends. I think the hardest part is not knowing what the galaxy has in store for the batch and where it could go from here. Whatever happens I’ll always be grateful for the experiences I've had as part of this community over the last few years.
I think that's what's great about being part of a fandom. Seeing all the different ideas and projects that get put out there every day as well as knowing everyone else is in just as much suspense as I am. I haven't interacted on here that much until the last few months, but I check the tags a lot and all the fanart has been immaculate. The writers and artists are crazy talented and work so hard, I admire the level of dedication and aspire to be like that. 😂
I'm also really grateful for the three seasons we got with Clone Force 99.
Seeing Echo go from a shiny in the Clone Wars to becoming who he is now. (I could talk about that for ages, but I'll save that for another post.)
Seeing Crosshair regain his trust in the batch and get to change.
Seeing Hunter step up for his brothers and Omega.
Seeing more sides to Wrecker's strength.
Seeing Omega go from that kid who'd never seen dirt before to learning from her brothers and proving how brave she is.
And lastly, seeing Tech make the choice he did back in season 2. It wasn't easy to watch, because he deserved more time and there was definitely a massive hole in season 3 without him.
I'm not ready to say goodbye to any of them.
My favourite episodes in season 1 were the last few, when Kamino fell. It was the end of an era as well as a new beginning.
My favourite episode in season 2 was episode 8. I was really proud of Echo, plus he got a hug from Omega which I have admittedly rewatched far too many times.
My favourite episodes in season 3 were episodes 13 and 14. The stakes have been so high and it's been great seeing Echo's ARC skills in action again. (Plus the dialogue with Rampart was top tier. Hate that guy, but it was hilarious.)
I'm well aware of all the theories for the finale. I'm choosing to ignore most of them, but I’d like to present my own.
I hope Echo gets to finish what Fives started and the clones can finally be free, including Tech if he's CX2. I hope the batch gets to burn Tantiss to the ground and fly off into the sunset with Omega and the kids from the vault, and then I hope they continue a lifetime of bullying Rampart. I also hope Emerie gets to whack Hemlock with a steel chair, and then the Zillo beast can eat him.
…After all, Star Wars is based on hope, right?
If anyone actually ended up reading this to the end you're a real one- have a great final Bad Batch eve, and may the force be with you.
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thestobingirlie · 6 months
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Stancy antis need to stop using "he couldn't remember Nancy's favourite song" as an argument for why Steve 'doesn't deserve' Nancy.
1, favourite songs change. They haven't spent a lot of time together for over a year at the time of s4. That is plenty of time for a favourite song/ band/ artist to change with new releases and new artists coming onto the scene. And tastes change. She could have been into top 40 pop, or rock, or she might have got into the punk music that Jonathan listened to.
2, he never said anything about the music. He didn't make any indication to whether or not he knew what her favourite songs were. He called her name, begged for her to wake up, and shouted for the others to hurry up.
3, him knowing her favourite song didn't really matter that much. Because they were limited to whatever music was available in Eddie's trailer. Eddie was a metalhead and Wayne was an older man, so chances of there being anything to Nancy's music taste were slim. Even if Steve knew it, they probably didn't have it, and they didn't have time to get it. So it wouldn't have helped anyway.
And it's almost always ronance stans that argue this point. Sure Robin was trying to find music that could help Nancy, but Steve was too busy staying with Nancy, making sure she wasn't getting all broken up and dying a painful death. What else was he supposed to do? Leave her all alone in the Upside Down while under Vecna's curse so no one knew how she was?
people are seriously using that as an argument lmao? if you asked me at gunpoint what my favourite song was, i couldn’t tell you, let alone my loved ones
we all know that if steve truly loved nancy he would’ve been keeping her favourite tape up his ass, ready at all times in case nancy suddenly got vecna’d 🙄🙄
(also. kinda ridiculous for r/nancers to use this anyway because robin didn’t fucking know nancy’s favourite song either and she’d looked through nancy’s tapes, like, the day before.)
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leonenjoyer69 · 4 months
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I hope you don't mind this ask, but I'm in a huge Jekyll and Hyde hyperfixation rn (both TGS and OG novella) and I saw a post from you about how "Cotard's Solution" fits his Vibe; did you ever go on a ramble of Will Wood songs that fit Jekyll/Hyde? I'd love to hear them! I'm usually either an emo rock or hyperpop fan but I'd love to dip my toes into more Will Wood ever since my friends have shown me his songs :] I hope this isn't too much of an ask!
OF COURSE I DON'T MIND HEHEHE >:3 (also I'm so so sorry I kept forgetting about this 💀 BUT I'VE FINALLY DONE IT), I did originally connect a bunch of will wood songs to TGS characters in this post, and then I talked a bit about my Jekyll and Hyde playlist here (tho these are all various artists and Chonny Jash, not will wood, still a good collection of songs imo! Especially if you like emo rock and Hyper pop!!), but I would gladly go into detail about a bunch of Will Wood songs and how I connect them to TGS/J&H once more >:3
I LOVE WILL WOOD I'M SO NORMAL (also if there's any specific song from that first post, the honorable mentions in this, or my playlist that anyone wants an explanation for, just ask, bc idrk off the top of my head what to explain lmao, and if I have the thinking capacity to, I love explaining my reasoning!! :3)
OKAY OKAY, I'm probably not gonna hit many songs, but I'll try to get a few :3 I usually don't do these this in depth and I don't wanna make it too horribly long 💀
FIRST UP, A FRESH ONE I HAVEN'T TALKED ABOUT (bc apparently it hasn't been on my main playlist... I'm kinda slow sometimes): SKELETON APPRECIATION DAY
HEAR ME OUT, the "bones" could be interpreted as Hyde, or just all of Jekyll's hidden parts-- anything that isn't the perfect gentleman he prefers to show. And like!!! The lyrics can be connected so easily!! "While my cracking backbone lacks but backs up my false starts" transformation, next.
"All nightmares start as dreams and I hear my subconscious screaming" I don't even feel like I gotta say anything on that one.
"All love starts as a scheme, So wake me up, I'm tired of sleeping" bro literally didn't believe Lanyon loved him, the 'waking up' could be the first transformation.
And like!! The chorus!! "Bones, bones, bones, let me see your bones / Well, I don't wanna know if the feeling follows home /Bones, bones, bones, hell, we're all alone / If I come home, baby, will you show your bones?" Hell, I can see this as Jekyll asking (or at least wishing for) Lanyon to be more vulnerable, but!! Better yet, Lanyon asking/wishing that of Jekyll, since he knows how Jekyll just tends to cover everything up.
Idk, maybe I'm just talkin outta my ass, but I think this is really up there on my list of TGS-able Will Wood songs.
NEXT (another fresh song I haven't rambled about before): HALF-DECADE HANGOVER
I LOVE THIS SONG SM!!! I EAT IT UP EVERY TIME IT COMES ON!! PROBABLY MY FAV WILL WOOD SONG RN!!
Anyways, this song is so so soooo angstily Jekyll coded, let's go straight to the lyrics >:3
"Wonder how I didn't die / This is not my life. I'm no survivor, I only happened to survive" right out the gate, first lines. Bro literally drank chemicals and now shares half his life with an entirely different consciousness.
"Down the days I have left, with one eye open"- could be him drinking the potion, with the one eye open being only half of him--"That was me screaming "Bitch, I am reality" / And stumbling off to lose myself in a brown paper bag cause me and / Sweet Evan Williams got a date down on Avenue / A staving shakes scraping change till daybreak / Turns out anyone can eat out the trash / Then wake up on the freeway mid-crash" could literally just be Hyde doing stupid shit and Henry regaining control 'mid-crash', ie when problems arise because of either of them tbh.
And the chorus!!! "Cause I was drunk when I made my bed / Now with a half-decade hangover I lay down in it /What have I done? Don't know what I've said / It's a half-decade hangover, either this, in jail, or dead / It's a half-decade hangover, Jesus Christ my aching head" bro was at his worst when he made that potion, and now he's stuck with the consequences. And the "this, in jail, or dead" those are the only options he thinks he has to deal with Hyde now!!
"Tripped on a couple steps, and collapsed on the stairs / Broke my neck on the backs of those who I've hurt and scared" my guy has been lying to everyone around him for years, but now everythings falling apart and it's coming back to bite him in the ass so hard now.
LAST LYRIC BC AT THIS RATE I'LL THROW THE WHOLE SONG IN-- "Sober, but still so much still hangs over / Please believe me when I say I poured my whole past down the drain / Say that a second chance is a chance I can take" first of all, the poured my whole past down the drain could be him literally giving up the man he was and taking the potion, OR, him dumping all the potions in that one scene, teehee. Secondly, the second chance part and the lines that follow in the song, totally him at Lanyon.
Next: OUTLIARS AND HYPPOCRATES
This one to me is a very Hyde song, specifically him talking to Jekyll.
"Cause I doubt that you would even if you could change / You think it makes you special, but it makes you strange / I doubt that you would even if you could change / The things that make you special are the things that make you strange" could be Hyde tellin Jekyll that he wouldn't get rid of him, even if he could, because it makes Jekyll fell better about his "lonely prince" persona, as Jasper put it lmao.
"I am the shadows cast aside by gallows, and you the red-hot sky" I just really like thinking about this line with them bc ✨imagery✨. Like, shadow Hyde, check. Gallows? Hell yeah. Red-hot sky? We got color AND, by proxy, sun and moon references, Let's go 🗣️
"You become immune to my toxic fumes / My dose-dependent presence in your life / It's all subjective, all due respect to the collective mind" I mean like. Toxic looking green potion. 'Collective mind', they're both parts of the same guy.
"Horrified at the sight of my reflection in your eyes, I don't belong there" mmmmm bodyswap mishaps 🤤
"Well, it's your conclusions that make mine delusions, so I make you sane / You can thank me later" idk how to explain it but the way this is said just gives major Hyde vibes, you get it, right chat?
"Who'd want to belong to anyone? (Ay, ay, ay, ay) I mean, what do people even do? / So, if you love me, let me let you go, my love (ay, ay, ay, ay), so I can be no one" him and his little crush/loathing on Lanyon, the silly
Next!!: MR CAPGRAS ENCOUNTERS A SECONDHAND VANITY
Literally the Jekyll and Hyde song ever. I mean, it starts with "you're trying to replace yourself" 💀
"Carving out a fact from a reckoning! /Beckoning your back, skin sagging off its skeleton / Levitating off the ground / Is another man wearing your face" LIKE DO I EVEN GOTTA SAY ANYTHING? This whole song is about false identities 😭
"All the other false identities / Remedies or enemies to mitigate your memories / Shuddered at what they found / When they stripped away the grace" like...
"Damn, I thought you're not your imposter / You're so sure you're not gonna get caught / Dead in your own skin / But you didn't choose what you were born in" this song gives big vibes for chapter 14 and 15, with the constant switching and fear of identity reveal and such.
"What you feel and what you do, are those things really you? / And if not, then what is? (Never, never, never) / So, my God, what's wrong with you? / And I'm still asking who that is" I really like thinking about this part as Lanyon asking Jekyll those things, even without an identity reveal! Since he puts up this gentleman facade and hides everything, Lanyon barely knows who Jekyll is.
"You'll never take me alive, baby (this is not enough) / You'll never take me alive (this is not enough to prove it yet) / You'll never take me, you'll never take me, you better pray that I die (no, I need to hit the bottom)" This part feels like a simultaneous Hyde and Jekyll part, with Jekyll being the parenthesised parts. Hyde being all cocky n shit while Jekyll tries to figure things out or something, idk lmao running low on explanation brain cells.
Honorable mentions that I just don't feel like explaining in depth rn, but probably could!!
The Song With 5 Names- very Jekyll coded
Dr Sunshine is Dead- kinda Jekyll coded, but VERY Hyde coded
2econd 2ight 2eer- the Hyde song ever
6up 5oh Copout- another mega Hyde song, if I could animate it would be over for y'all
Against The Kitchen Floor- Jekyll and Lanyon, these gay people make me upset
Cicada Days- also very Jekyll and Lanyon :(
Hand Me My Shovel!- Jekyll coded, I like to think of him making the potion
Basically, 90% of Will Woods discography can be spun to fit these silly characters. I love Will Wood guys :3 sometimes I wish I could verbally ramble about this kinda stuff, but also words are hard (and it makes me feel annoying lmao) 💔💔 but anyways!!! Thank you for the ask! I hope Will Wood consumes you just as well as it has most of the TGS fandom :3 <333
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kradeelav · 5 months
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so one of the technical bits i challenged myself with this gunter/corrin doujin was to:
(a) figure out an efficient process for professional multi-page artistic works in linux/true OSS programs - from ideation all the way to printer hand-off.
and
(b) a process that fit well with my brain and kept me from spinning my wheels endlessly redoing pages. it's a common problem with longer projects (aka why you see reboots of webcomics all the time, and also why i haven't been able to get "what greater sin" out for three years cuz i sucked at this lol).
why the focus on process though?
after mastering a certian degree of technical proficiency. it's what separates the hobbyist artists from the pros. not to toot my horn, but i'm quite good at project management process at work, and about two years ago it dawned on me to take some of that learned knowledge and actually apply it here if only to save eyestrain/wrist-strain time.
work lazier smarter, not harder etc.
before i get into the process outline, there's two programs that are doing the heavy lifting since i gave them a trial run with the last anthology and they worked great in tandem. (both cost no money and are available on all major OS's btw)
krita, my main drawing program. sketching/inking/speech bubbles/coloring/vector stuff can all be done here.
libreoffice writer - basically microsoft word for linux. i use it for arranging multiple pages, reordering, and exporting as .pdf to give to the printer (while amazing at rendering, krita can't export as pdf or show multi-pages)
so!
process wise, it occurred to me not too long ago that i needed to consolidate my multi-page creative projects into 3 major gates.
thumbnail sketches
proof of concept layout
"last 10" final
thumbnail sketches
thumbnails are a common concept in comics, but they're great for print front/back matter too. thumbnails ain't here to look pretty, their sole purpose to get the idea from your noggin to on the page.
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here's a completely unaltered spread from my journal with a ton of thumbs and notes for this doujin.
so what's the kind of stuff i think about with thumbs?
how panels in a comic fit together with the major emotional beats + line of action. does the eye follow the pages naturally? do you "feel" the emotional impact?
does the compositions work with each other? negative/positive space, weight on top or bottom or diagonally, etc. do the pages feel claustrophobic or too empty? do they breathe?
decorative framing elements that reflect the tone you want + how they generally lead the eye across the page
random notes about overall tone or potential future pages
etcetc
at this point i import that digitally, and start drawing a proper sketch off of it.
fast forward from that sketch to:
"proof of concept" layout
i'm calling this proof of concept instead of a draft as they serve different purposes. a draft is a half-finished work you can just screenshot and show to anyone for feedback (like comms). proof of concept here is showing a certian level of completeness across draft pages to measure consistency.
lack of consistency is the mind killer killer of comics.
proof of concept is specifically meant to nip the 'fizzled out halfway' issues in the bud. it's to show you how cool it looks altogether already, but also shed a light on problem areas that are potentially popping up on the earlier side, so there's less time wasted.
this is a little premature in the process for a proof of concept screenshot, but you get the idea here in a later strip, shown here as screenshots imported into libreoffice writer:
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another reason that made libreoffice writer essential is the accurate 2-page spread view. between that, being able to resize the page to whatever you need, and the very easy pdf exporter (with customizable compression), i don't know if i could do this kind of project here.
now, backing up - what kinds of consistency are we checking for here?
does the inking/coloring style change noticeably in a jarring way?
is there one comic strip that the pacing/paneling sucks in comparison to the others? or feels awkwardly added in tone and perhaps better saved for a different project?
is there one panel within a sequential series that's torturing you? what's the best way to throw it out and redo it even faster?
do the front/back matter support the meat of the inside in a clever, on-tone way?
did you accidentally change the font halfway through after you liked your new shiny toy? which one works better?
etc
keep in mind we're not just checking the consistency in one strip, it's for the book as a whole.
and then lastly,
"the last ten" final
"the last ten" is a mental concept i've used for the last ten years for single comic pages. it's especially tempting to noodle over endlessly making one comic page perfect, when you could have done ten reasonably good ones in the same time, and so i made this my last step making IC pages.
once when you approach a level of reasonably done, but kinda hate the page and are procrastinating on getting it out, stop, rest your eyes overnight, and list the last ten minor things you'd change.
once when you've changed those? out the door it goes.
i'm gonna switch to a different project but here's a good example of a "last ten" stage applied to illustrations when i did fallen!gunter's FEH mockups.
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looks pretty complete, right? WRONG :D
i can't remember the exact last ten i used, but it was something like:
too much of one specific glowy purple on both, i wanted more contrast with the red glow + "water" texture
needed more effects on the first image to better match FEH's aesthetic
change Leigh's credits after they got a chance to see it and give the thumbs up
knee/shin on left looks unfinished painting wise, clean up
missing chest plate silver decorations on left, clean up
etc
this is the last hail mary check to hack your brain into being satisfied with the page. you've had your say, onwards to the next one.
now, you can also have an additional 'last ten' for the project as a whole. but it's especially critical for comic pages to help keep the momentum/tempo/pace going.
anyway!
we'll see how all of this actually works in practice depending on how fast i can get this doujin out. :)
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ladycharles · 10 months
Text
Spotify is trying to get out of paying independent artists...
Next year they plan to change their rules to instate a 1000 stream/song/year cutoff under which songs will not make money at all. Worse, if the song doesn't reach 1000 within a month they will not pay EVER for that month even if it makes it to 1000 the next day.
These may not seem like huge amounts per artist but it adds up to millions of dollars and sets the precedent of not paying artists for their work. They will not stop here without a fight.
Shameless hypocrisy from me:
So why did I link a Spotify playlist? Those are my tracks with under 1000 plays this year* 🤣 Maybe you'll find something you like and we can keep the fractional cents flowing 💖💸💰
I have 21 000 streams this year from thousands of awesome people like you - I am not far in this journey but am well into the top 20% on the platform, so you can imagine how many artists are going to get nothing at all.
What you can do
If you want to help artists buying on Bandcamp is the most direct option. For streaming I can vouch for Tidal being a platform with better payout rates, better sound quality, and a smoother interface - not perfect but a lot closer. If you're willing, there's a petition in the above link I think.
If you are a musician and want to stand up, join UMAW. They are a new international union, the first representing artists and music workers in the new digital era. They already have impressive wins including getting Ticket master venues to stop taking merch cuts and improving pay at SXSW, a top US festival. They have sliding scale dues including potential exemptions for artists who can't yet afford 3 dollars a month (a thousand streams in Spotify terms). And we get to be in the same union 😉💖
Going forward I don't know if I will remove my stuff or what. I don't want my music unaccessible to my fans and that is the largest platform by far. I would love to hear what you think. I just know that I am privileged to be able to afford to make music and don't want to see this becoming even more closed off to the vital voices that haven't got funds or support. Between AI and streaming, one wonders if musicians will even exist in the future - let's keep the future full of dancing and merriment instead of this technofeudal nightmare the Daniel Eks of the world want to embrace.
*Noella might seem like a lie since it lists well over 1000 streams on my profile, this is the album version though and that's the single.
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seeminglyranch87 · 9 months
Text
Taylor & Travis Timeline
February 2024 - part 1
February 4 - Taylor Swift cryptically changes her social media profile pics to black & white images sending us Swifties into a frenzy of "what does this mean?" & "Taylor is up to something!"
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This is followed by her website going down - people investigate the error code and determine that this was done on purpose and that the letters "hneriergrd" spell "red herring" and 321 is a count down. Many fans expect the announcement of Reputation (Taylor's Version) others are wondering if she will announce the release of TS11?
What is Taylor up to ?????
Travis Kelce arrives in Las Vegas ahead of the Super Bowl. Travis will not be attending the Grammys due to his commitments with the Chiefs.
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66th Grammy Awards - Taylor is nominated for 6 awards:
✨ Album of the Year ✨ Record of the Year ✨ Song of the Year ✨ Best Pop Solo Performance ✨ Best Pop Duo/Group Performance ✨ Best Pop Vocal Album
Taylor arrives at the Grammys in a white Schiaparelli gown (x)
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Taylor Swift receives her 13th Grammy for Best Pop Vocal Album. Taylor uses the occasion to announce the release of her 11th studio album "The Tortured Poets Department" on April 19, 2024! (x)
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Taylor is awarded the history making Album of the Year Grammy for her album "Midnights". This is the 4th time Taylor has received this award - the most for any artist in Grammy's history (x)
instagram
instagram
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February 4 - Taylor releases the tracklist of The Tortured Poets Department in order to get ahead of leaks. Swifties are collectively floored by the track names.
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TTPD Tracklist:
1. Fortnight (ft. Post Malone)
2. The Tortured Poets Department
3. My Boy Only Breaks His Favorite Toy
4. Down Bad
5. So Long, London
6. But Daddy I Love Him
7. Fresh Out the Slammer
8. Florida!!! (ft. Florence + the Machine)
9. Guilty as Sin?
10. Who's Afraid of Little Old Me?
11. I Can Fix Him (No Really | Can)
12. loml
13. I Can Do It With A Broken Heart
14. The Smallest Man Who Ever Lived
15. The Alchemy
16. Clara Bow
17. The Manuscript
February 5 - Travis likes NPR IG post (x)
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February 6 - Travis Kelce attending pre Super Bowl promotion and being interviewed. He handles SO many questions about Taylor (x)
February 7, 8, 9, 10 - The Eras Tour, Tokyo Dome, Tokyo, Japan
Dear Reader (guitar) & Holy Ground (piano)
Eyes Open (guitar) & Electric Touch (piano)
Superman (guitar) & The Outside (piano)
Come in with the rain (guitar), You're on your own kid (piano)
February 10 - Taylor departs Japan to fly back to USA to attend the Super Bowl with Jet renamed (The football Era).
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Ed Kelce speaks to People Magazine ahead of the Super Bowl (x)
Sirius XM Sports interview Andy Reid (x) and ask if Taylor is a distraction for Travis? Chiefs head coach Andy Reid replies
"...it's a tribute how [Taylor] has handled it, how Kelce has handled it. It hasn't been a distraction so there haven't been any problems with it... She loves the game and she obviously loves Kelce, I'm happy for both of them..."
February 11 - NFL Super Bowl LVIII, Allegiant Stadium, Las Vegas NV
Chiefs v 49ers
Travis up early and liking a post by Sportscenter where Shaq expresses his interest to meet Taylor (x)
Chiefs defeat 49ers 25 - 22 in a nail biting game that went to overtime. This is Travis Kelce's 3rd Super Bowl victory within 5 years.
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Taylor is joined by Blake Lively, Ice Spice, her parents Scott & Andrea Swift, Travis' parents Ed & Donna Kelce, Jason & Kylie Kelce, Ashley Avignon, Austin Swift & girlfriend Sydney, Miles & Keleigh Teller, Aric Jones, Ross Travis & Lana Del Ray & others in a private suite at Allegiant Stadium, Las Vegas. She wears a corset top by an Australian designer, quite possibly a nod to her next tour stop...
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Blake telling Taylor “He is going to win for you” (x)
Celebrating the Super Bowl win together!
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"Thank you for making it half way across the world, you're the best baby, the absolute best. Was it electric?" says Travis to Taylor
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*take special note of the caption!
Post Super Bowl press conference (x) Travis is asked "Has any couple had a better week than Grammys to Super Bowl cleaning up?"
Taylor, Travis and their friends attend various after parties to celebrate the Chiefs win. The Chainsmokers play multiple Taylor Swift songs, including You Belong With Me (x) Travis and Taylor are spotted singing along together at Zouk Nightclub, Resorts World.
Taylor says "that was the most romantic thing that ever happened" and then Travis kisses her on the cheek (x)
Taylor posts a tiktok about the event...
There is lots of PDA (x)
Travis gives his jacket to Taylor (x) on their way into XS at Wynn Resort, Las Vegas to continue celebrating.
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Travis and Taylor dance together when Love Story is played (x) (x) (x)
February 12 - CBS Sports air Travis Kelce Super Bowl Interview with Tracy Wolfson (x 1:35)
Tracy asks what it is like to have Taylor alongside him on this journey?
"It's been nothing but fun. We've both been learning about this lifestyle, knowing that I brought her into the football world. It's been an unexpected ride that I've just been having a blast with."
Travis also addressed fan conspiracies that the relationship is a fraud. "You're all crazy," he said with a laugh. "Every last one of you is crazy."
February 14 - the Chiefs post-Super Bowl win parade in Kansas City.
Go to previous update -> January 2024 Part 2
Go to next update -> February 2024 part 2
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Hey Aster! 👋🏼
What are your top 5 musicals?
HIII MANGO!! Love this question sm
I've actually answered this before BUT. My answers have since changed ever so slightly. SO I AM VERY HAPPY TO DO THIS AGAIN!
SO MY FAVORITES ARE
5. Newsies
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A forever fave, honestly.
The music, the dancing, the themes of growing up and fighting for y our place in the world, Jeremy Jordan... UGHHH. This was especially huge for me when I was like, 16!
4. Tick, Tick... Boom!
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I haven't recovered from this really.
The the the message the SONGS the performances ANDREW GARFIELD oh my GOSH. It's a love letter to artists everywhere. Very normal about this movie I swear.
3. Les Misérables
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BECAUSE OF COURSE!! IT'S LES MIS!!
Also the themes, and also the music, and the PERFORMANCES oh my gosh like. My personal faves are the 10th and 25th anniversary performances and I. Will never stop being blown away by this
2. Epic: the Musical
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I'm TOTALLY normal about this musical YEP. I definitely didn't cry multiple times in different songs. I definitely didn't crying during Just A Man, the Underworld, Thunder Bringer, Legendary and Love in Paradise. NOPE.
Okay but the themes the MUSIC the VOCALS the SHEER AGONY oh my gosh i'm BYE so normal about this musical
1. Phantom of the Opera
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Because DUHHH. Yeah I don't think I'll ever recover from POTO actually. Ever.
THE THEMES OF LOVE, FORGIVENESS AND GRACE??? The bittersweet ending, the MUSIC, the PERFORMANCES, Erik, and Raoulstine... YEAH YOU KNOW BECAUSE I TOTALLY HAVEN'T BEEN INSANE ABOUT THIS MUSICAL FOR ALMOST AN ENTIRE YEAR NOW, NOPE!!! NEVERRRR I totally didn't rewatch the 25th more than once and I definitely have not been in love with Raoul and i definitely have not been writing almost exclusively POTO fanfics NOPE!
Ask me my "TOP 5/TOP 10" anything!
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drill-teeth-art · 1 month
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About how many active ocs would you say you have? There’s so many of them! It’s incredible how many fun and unique characters you’ve managed to create; I’ve only ever seen some of them once or twice, but I can easily remember them regardless - you’re so skilled!! <3
I guess it really depends on what you mean by "active"! As an artist, I really love to design characters. I've got so many ocs I've made. Old ones pre-dating my Tumblr presence from table top games and roleplays with my friends. Ones from stories I wrote in middle school that I still draw from time to time. Sometimes I do one off character designs for fun just because I have an idea for a character and sometimes they stay one off but sometimes I start drawing them regularly. Who I want to draw rotates too. Sometimes I get nostalgic and draw older designs of mine a lot for a while. Sometimes I do a new design and that's my favorite one to draw for a few weeks before I'm onto something else and then revisit that design again at a later date. I like to think time spent doing something I love is time well spent. No matter how long or short. If I draw a character once? Awesome. I draw a character consistently for years? Awesome. I draw a character once and then again months later? It's all good.
That being said, I certainly have my current favorites to draw. But honestly I don't count them. Uhhh. Active... I guess as far as ocs I draw regularly, I feel like at a given time I'm drawing about ten-ish ocs routinely. Though who's getting routinely drawn is subject to change and I have way more than ten ocs.
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Here's some older ocs of mine just for fun! I drew Curly recently, but the others I haven't drawn in a while so might be fun to see a few faces new to you. Thank you for asking and the kind words! I work hard at designing characters I'm glad others like my many, many ocs.
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evilpenguinrika · 2 months
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How about 4 and 73?
Ask Game For Fanfic Writers
4. what is the plot bunny you’ve been carrying for the longest? optional bonus question: do you ever wonder why you haven’t written it yet and experience deep existential dread?
OHHHH BOYYYYYYYYYY. I actually have a few I believe. But I'll share a few since this would end up getting way too long lol (plus I would have to comb through my backlog to remember):
I have two plus one rewrite ideas for Ikarishipping. The rewrite is basically just a whole rewrite (for the second time in my life) of my biggest at-the-time on-going fic Bluebells and Lavenders/re: Bluebells and Lavenders that I posted way back on ffnet. The reason being that when I first wrote BbaL I was like, 13-15 and got a really nasty flame comment (I am showing my age with this lol) about my grammar and writing syntax, plot, etc and like, at the time despite English being my first language, I just could not understand grammar or the basics of the English language (look, words are hard okay 😥).
So I decided from that flame comment I was going to rewrite that fic and I did when I was 16-17. But since then my writing and style have changed and I would like to rewrite it and post it on ao3. I think I haven't gotten around to it is because it's just... A lot to do. And a lot to plan. When I rewrote BbaL and wrote re:BbaL I had meticulous notes that I have no idea where they are now.
The other two Ikari fics I want to write, one is insp by Marianas Trench song "Haven't Had Enough" which I also originally wanted to do a Cosplay Music Video back when I was 15-16 because why not lol. Plus CMVs were really popular back in my day (OH GOD I USED THAT PHRASE). I'm not sure if it's still popular now? It would be, also a Modern AU/College AU I think? I haven't really thought that ahead other than "slow burn rivals to friends to lovers" LOL
And the second idea is just inspired by the song "SUPERMODEL" by Maneskin. I'm not sure what the root idea would be other than maybe Paul and Dawn are both huge top models...? Yeah, I hadn't really gotten too far with this idea haha.
Another plot bunny I had on hold is a Hosie one actually! Actually I have a lot but I'll share two:
One is a Modern AU and it's actually inspired by my time working on student films. Except this idea is more Josie has a webseries and brought in friends from her film school days to help her out and Hope is the cinematographer. I started writing it actually, around the same time I was working on my own webseries. But since my webseries project went caput, I haven't found motivation to keep writing this fic.
The second is a Life is Strange 1 AU where Josie is Max Caulfield and Hope is Chloe Price. I wanted it to also be like a "choose your own adventure" type fic as well where at the end of certain chapters with BIG decisions, you would then pick your choice between 2 options and skip to whatever chapter your choice would be in. I think the reason I haven't done this is cuz it's also pretty hefty to write, and also doing a "choose your own adventure" is gonna require lots of meticulous planning that I don't have the spoons for.
73. how do you visualize scenes? do you see it like a movie in your head, or do the words just flow?
Definitely like a movie in my head!! It helps me more when I picture the scenes I want to write in my head and then I just figure out the words from there.
It's especially helpful when I write fight scenes! I watch a lot of anime and other action-based shows (recently binge watched Cobra Kai and watched some clips from The Magicians since I miss that show a lot), so when I write fight scenes in my stories (mainly You're The One Born To Save Hosie series), I just visualize the fights/actions like an anime. I mean, I already mucked up the magic lore in the TVDUniverse so I might as well keep going with the artistic liberties and flair with it haha. Plus, it's really fun writing these anime-esque action fight scenes :3
.
thanks for the ask!!
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iviarellereads · 1 year
Text
Nona the Ninth, Bonus Material: The Unwanted Guest
(Curious what I'm doing here? Read this post! For detail on The Locked Tomb coverage and the index, read this one! Like what you see? Send me a Ko-Fi.)
In which the fandom goes wild.
Laid out as a stageplay, surely setting us up (one might say, setting the scene) for impromptu fan performances, Tamsyn Muir gave us just one bonus in the Nona paperback, but it's a doozy. I am operating under the assumption that you have read (or listened to a fan assembled live or recorded performance of) the whole play in my comments. If you haven't, you can now read it yourself here for free!
Scene One
The stage is set: a funeral, with seven coffins, a row of six and one at the front distinguished from its fellows by its many gold and violet flowers(1) and wreaths, and being propped open at the top. A tray of meat sits on the closed bottom. Mourners(2) in gaudy masks take a piece of meat, then lean into the open head, though the view obscures whether they're kissing or feeding the presumed corpse.(3)
Palamedes Sextus is the final mourner in the line, his mask plain, wooden, shattered and pieced back together. He almost looks like he belongs. As the last mourners file out, he considers the meat, skips it,(4) and reaches into the coffin.
A hand grabs his arm and the corpse sits upright. It's IANTHE TRIDENTARIUS. Her face is covered in bloody kisses. Ianthe You're fucked, my lad. The lights go out.
Scene Two
The room is now empty, except for a fireplace with no fire, and the door at the back. Ianthe stands by the fireplace, dressed as a butler. Pal enters, in a ruined grey suit with a purple tie,(5) though his body isn't apparently injured at all.
Pal is calling upon "the lady of the house", for at least the second time. Ianthe-butler says "the master's answer"(6) won't have changed. Pal would still like to hear that for himself, and offers a whole skeletal hand(7) when Ianthe-butler asks for his card. Ianthe-butler says "If you'd be so good as to stay here", and steps out through the door.
Pal faces the audience at the front of the stage. He speaks of the grammar of "if", and how sometimes it's used for permission and sometimes used to command while pretending to acknowledge another person's agency.
In the background, Ianthe returns, now dressed in an "ooh-la-la" maid costume with "an enormous purple feather duster",(8) flicking it at the dead fireplace. Pal continues his monologue on "if", finishing with the assertion that the phrasing Ianthe-butler used is over-the-top in its politeness, so it circles back to being rude again.
Palamedes A pretty silk glove over a fist of iron. Or, in this case, gold. He turns to the maid for the first time. Palamedes Don't you think? Ianthe No, sir.
Ianthe-maid curtseys and leaves, stage right.(9) Pal is examining the dead fireplace when the butler returns through the door, and says the master will see him in "the Almond Room". (10) Pal doesn't move, but robed figures wheel the coffins from the first scene back in, now numbered 1 through 7, standing upright in a semicircle in the center of which is placed a chaise longue.(11) Pal pays no attention to the action.
The door opens again and Ianthe enters, this time in a rather daringly unbuttoned shirt and a pair of leather trousers, plus a Lyctoral rainbow robe draped over her shoulders.(12) The whole affect is louche;(13) she carries a small clutch bag. Ianthe walks over to the chaise longue and drapes herself across it artistically.
Having made her true entrance, Ianthe says it's so good of the "Inspector" to call so late.(14) He says it's not that late, she affirms that it is quite late, given how he's in tatters and can't last much longer. Pal says she's been saying that for the last three visits.
Ianthe asks what Pal wants. He says the same thing he's been asking for, the body of Naberius Tern. Ianthe finally agrees that he shall have it, if he can win a simple game. Pal is surprised, but goes along with it. She says he only has to guess which of the seven coffins, after asking her no more than five questions, none of which can be directly asking which coffin he's in or anything about the coffins themselves. He debates with her about how many questions it would take under those other circumstances, and she observes that he must have been great fun at parties.(15)
Palamedes asks his first question unintentionally: will Ianthe play fair? She says she never does, and he has four left.
Palamedes pinches the bridge of his nose with one hand, turns away, and walks downstage. The curtain falls behind him--leaving him alone with the audience. Palamedes Ianthe's sparkling personality aside . . . this doesn't really make much sense. A new VOICE answers from the back of the auditorium. We do not see the speaker.(16)
The voice asks why it doesn't make sense. Pal says logic questions depend on a set of rules, and Ianthe hasn't set any. The voice suggests thinking more broadly, because logic isn't the important piece here: psychology is.
Pal almost talks himself out of this, but then the voice asks what would happen if he asked Ianthe to pick a number from one to seven. Pal realizes she likely would pick that number, trying to outfox him.(17) The voice says it won't be quite that easy, but Pal can get Ianthe to open herself up unintentionally and expose herself so he can get the answer. Pal nods and turns back to the stage as the curtains rise.
Voice I mean, more than she's already exposing herself with that shirt. (Pause) I'm kind of into the trousers, though.(18)
Scene Three
The curtain rises on the same scene as before--seven upright coffins, chaise longue, Ianthe--except that a robed and masked figure is now standing beside each of the coffins. Palamedes walks upstage to stand next to the chaise longue.
Palamedes says he has his first question. Ianthe corrects him, second, but invites him to ask. Pal asks if Ianthe believes in "the permeability of the soul?" Ianthe is dismissive, as the robed figures move the coffins. They place coffins 2 and 6 on their backs on either side of the chaise. Pal sits on coffin 6 awkwardly, as an attendant crowns Ianthe with ivy and sprays her with perfume, and another puts a gold cup in her hand and fills it from a gold jug.(19)
Ianthe wanted Pal to ask something more fun, maybe something sexual in nature. The attendants offer Pal a cup, but he covers it with his hand before they pour anything in.
Ianthe (Despairingly) You don't even drink! Palamedes In my defence: I'm dead, and this wine doesn't exist.
Ianthe suggests this improves it, as the false can have a "piquancy"(20) that the real lacks. Pal asks if that's a quote from something, and Ianthe, acting increasingly drunk,(21) goes on about pétillance(22) and asks if Pal's "tingue" ever "toungle[d]" when he was alive. Pal says they're not here to talk about his tongue, and makes to repeat his question, but Ianthe remembers. She addresses the attendants to say there's nothing the Sixth won't turn into a seminar, and she "shudders to imagine their pillow talk." Pal says "pillow talk is a science" on the Sixth, and Ianthe responds that she's not interested.
Getting back to the matter at hand, Ianthe admits(23) she does not believe in permeability of the soul. Pal asks if that means she believes "that the soul is both indivisible and impermeable", which she does. He asks if Ianthe believes the soul is malleable, can be altered or deformed. Ianthe says it must be so, or a revenant wouldn't behave as it does. Pal asks then if the soul is only imperfectly elastic, able to return to its original shape. Ianthe agrees to this as well
Pal summarizes: one would expect that a revenant would act like a newborn child in its behaviour, but there are cases where revenants clearly act in ways informed by their adult lives.(24) Ianthe accepts this, and with no reference made to the query about being in agreement being Pal's last question.(25)
Thus, Pal comes back to his original question: if you accept that the soul can be changed, and never fully recover, does it not follow that it can be diminished as well? Ianthe says that's not at all given. Pal says that surprises him, because most objects that can be deformed can be diminished. He compares it to a stone and a sculptor shaping it, and the stone can't regrow what was chipped off, and indeed someone who works around stone work will wear a mask to avoid breathing in the stone dust and damaging himself.
Tried beyond her patience, Ianthe takes off her garland and flings it irritably across the stage.
Ianthe can't do it anymore(26) and says the soul cannot be diminished because it's the underpinning of Lyctorhood. If the soul could be diminished, it couldn't be the perpetual fuel for the Lyctor's power, and only a soul can be used without being consumed in the process. Pal says that they don't know it, but Ianthe says she's a Lyctor, and she studied under Augustine who was a Lyctor for ten thousand years, and Pal has no idea.
Pal suggests that the rate of decay might be infinitesimally small, a soul might last a hundred thousand years before anyone noticed a change. Ianthe dismisses this as lacking evidence. Pal keeps trying to argue, but Ianthe says she's eaten a soul, and he hasn't.
Palamedes So your best argument boils down to "I know more about this than you do." Ianthe It's a very strong argument. Unless we get into "what's it like to be weirdly codependent with your dead-eyed cousin," I'm more or less guaranteed to win. Minions! Clear all of this garbage away; my guest has to go and take some deep breaths for a while.
The attendants move forward, and Pal walks to the edge of stage so the curtain can come down once more, hiding the action behind him. He says that went well, but the voice says the argument went nowhere.
Palamedes Ouch. Voice Sorry, babe, I can't compliment-sandwich this.(27)
Pal says it wasn't nowhere, he has a better idea of Ianthe's philosophical stances, and he thinks he can exploit them. The voice asks if jumping into Ianthe's "pet body" was Camilla's idea.(28) It continues that the Third are very good at giving people what they think they want, and Pal's best bet might be to stop asking Palamedes-questions, which she expects, and start asking Ianthe-questions. Pal isn't good at those, but the voice encourages him: play to your own weakness, everything here is Ianthe. Pal protests, not the bit that's Naberius Tern, which the voice points out is the part Pal is trying to find.
Palamedes considers this. Palamedes Ianthe questions. Okay. He turns upstage as the curtain begins to rise. Voice I believe in you. Palamedes (Over his shoulder) You didn't always. I had to fight for that.
Scene Four
The curtain rises on the stage, reset, with Ianthe on her chaise once more. The order of the coffins is now changed to 7-2-3-4-5-6-1.(29) Ianthe asks if Pal is feeling better, Pal says he doesn't feel much of anything, being dead, but he has his next question.
Ianthe Oh, Lord. Something juicy about pneumatic apocope,(30) I expect. I feel like I'm playing strip poker with Harrow; shyly unbuttoning her baggy black robe to reveal a baggier, blacker robe(31) underneath . . . (Pause) Yuck. I hope that hasn't awakened anything in me.(32)
Instead, Pal asks if Ianthe regrets murdering Babs. All seven attendants strike the lids of their respective coffins, once, together, then pick up coffins 2-3 and 5-6 and form waist-high barriers on either side of the stage by stacking them. Pal stands behind the one on the left, Ianthe behind the right, facing center stage.(33)
Ianthe gets a little up in arms over calling it murder. Pal says if she has another word for killing "intentionally and with malice aforethought," he'd be glad to switch. Ianthe says there was no malice involved.
Palamedes slams both hands down flat on the lid of the upper coffin, then thrusts his arm out to point an accusing finger at Ianthe.(34)
Pal accuses Ianthe of avoiding the question.
Ianthe is somewhat taken aback. So, after a second, is Palamedes.(35)
Ianthe asks why Pal did that, but Pal doesn't know. Still, he gets back on topic, and asks if Ianthe really denies she murdered Babs. No, it's a fair enough accusation,(36) but society is really to blame.(37) The cavalier's whole purpose is to die for the necromancer, though Cam's got "an element of horse/stable door confusion".(38)
Pal counters that the cav's role is to protect their necromancer, so what did Tern die to protect, Ianthe's ambitions? Ianthe says she is the sum of her ambitions, and that's why she and "Harry" are Lyctors, and Pal is "a little bag of bones."(39) Pal suggests Ianthe must be a real catch for salespeople, because she never stops to look at the price tag. If she came into his shop, he'd triple the cost of everything, and Ianthe would be too careless to notice the label swap. Ianthe retorts that if Pal came into her shop, she'd have security throw him out when he tried to haggle.
Ianthe states outright: the cost is the cost, and if blood must be shed, you demean yourself by arguing over how much. Pal asks if that's her answer, then, that Tern had to die, so she regrets nothing? Ianthe pivots and says she was very fond of him, and she thinks he was fond of her.
Pal is surprised, and Ianthe says Babs had some good points. He was always a good source of drama, for example. His tragedy was that he looked like he should be very interesting, but he never was. He was loyal, though it was to Coronabeth. He was sworn to serve before Ianthe and Corona were even conceived,(40) but he never shirked his obligation to it. Not like Harrow's original cav, who couldn't come to Canaan House because he was too sad. Pal says he heard it was because he got blown up, and Ianthe says yes, blown up for being too sad. And look at Abigail Pent, bringing her husband, and where did she get?(41)
Pal is flabbergasted. He says, so Ianthe was raised with Babs, since before Pal even knew Cam, and she still doesn't regret killing him? Ianthe pauses, then says no, and claps her hands.
Ianthe (Brightly) That's all, folks!(42) Back after the break.
Pal wanders downstage, distracted, as the curtains descend behind him.
Palamedes Do you know the worst part? Voice Tell me. Palamedes From her point of view, it all makes sense. Tern was shaped over years to be nothing more than--than-- Voice A perfect tool? Palamedes --a resource.(43) Something to be saved up and then spent at just the right moment. [...] Voice (Reproachfully) Cam would have smiled at "perfect tool." Palamedes Yes--she would have.(44)
A long paragraph is spent describing Pal pulling out, lighting, and smoking a cigarette. The voice draws attention to it, which makes Pal stare, with no described emotion or expression, at the cigarette between his fingers.
The voice brings him back, asking if he has any ideas for his last two questions. Still distracted, he says he thinks he does. The voice warns, he needs to use these wisely. If he doesn't turn up something, he'll lose. At this, Pal comes back to himself, drops and stomps on the cigarette, wipes his hand on his jacket. He wishes he had more time to think. As he turns away, the voice says he "used to say that a lot."
Scene Five
The stage is back to neutral, but the coffins in order 3-2-7-4-1-6-5. Ianthe asks Pal if he's had any insight. Pal asks what Ianthe made of Gideon Nav, at Canaan House. Ianthe asks why the curveball, and Pal says he had a question to spare, and was curious. Ianthe is reluctantly kind of proud of Pal's sudden trash talk.
The attendants take coffins 3, 2, 7, and 4, making a rectangle of them on the stage, a dueling ring. Attendants bring two rapiers, offering the more ornate to Ianthe, who accepts, and the less ornate to Pal, who refuses politely. The attendant is confused but takes up a dueling stance with Ianthe in the ring.
Ianthe asks where she should begin on "sweet Gubbins."(45) Pal asks for first impressions. Ianthe and the attendant duel, the latter poorly. Another attendant takes the place. Ianthe says she was intrigued, because everyone else was exactly on script for their Houses. Harry playing her part to the hilt, but Gideon dawdling behind her? Not the Ninth brand.
Palamedes "Harry"? Ianthe It's my little name for her, you know. Palamedes I can't think of a single thing she'd hate more. Ianthe You lack imagination.
Another duel with an attendant, another win to Ianthe. Pal asks what was off. Ianthe says, well, everything! The sunglasses, the vow of silence she only barely kept, the way she handled her sword. She accuses Gideon of wandering around "like she was the protagonist and we were all there to give her something to look at."(46)
Another duel, another win. Pal asks when Ianthe knew she'd underestimated Gideon. Ianthe says she estimated Gideon Nav exactly right from the first moment she laid eyes on her: a hilarious moron. Pal suggests Gideon "was smarter than even she realised."(47) Ianthe is dismissive: Gideon lived and died a dope.
Another duel, another win. Ianthe says that's all Pal will get out of her on this one. Pal says it was "tremendously helpful" actually, and thanks her. Ianthe looks suspicious, but Pal is already walking downstage, his hands in his pockets, the curtain already falling.
Voice Poor Gideon. I think she sounded fun. Palamedes Mm. You'd have liked her, I suspect. I did, once I stopped being jealous.(48) Voice Can you do this with one more question?
Pal stares at the audience for a moment, and says he thinks so, though he'd have liked less... the voice supplies, psychology, and he agrees. The voice, addressing Pal as "my child", says "there's no shame in a bluff."
Pal, on the subject of shame, says he does feel ashamed of rooting around in a dead man's body like this. He didn't like Tern, but the man deserved better than this fate.
Voice "Use every man after his desert, and who should 'scape whipping?"(49) Palamedes (Surprised) I like that. Is it from something? Voice Yes. It's complicated.
Pal asks if she still thinks of him as a child. Her problem was always reminding herself that he was one, as she told him often. He apologizes for not saving or avenging her or Pro. She says she couldn't save Pal either, and Cytherea was so fast, Pro couldn't even touch her. And, at least "we both"(50) were killed by the same person. Pal isn't comforted. The voice says it'll work out "in the wash."
Pal says he wants to believe, so much, that she is who she says she is, but she can't possibly be here. He asks how she did it. She says she gambled on the truth,(51) then died.
Palamedes You died . . . again? Voice Truly, wonderful news for my haters.(52)
Pal asks if he can know what happened. The voice says yes, but she's not allowed to tell. It was awful, "in the old sense of the word."(53) Pal asks if she can give him something. She describes a letter Pal wrote that delighted her.
It convinces him, and he tells her, though she says he doesn't have to, that he loved her, still loves her, and would have loved to learn to love her better. She says it would have been beautiful, and "Camilla would have had to cook."(54) But she didn't just want beautiful, she wanted it to last, and knew it could never. She didn't want to steal Pal's youth and potential for love away from him.
Palamedes This again? From you and her both?(55) That merely by loving you, I added to your torments? Voice (Encouragingly) Yes, and also my agonies. Palamedes Dulcinea . . .
Dulcinea, finally named by the structure, says that Pal and Cam were her best friends, and she "loved real, ugly, unfinished things." There's a freedom in being incomplete. Now she's not in the River, and will never be again.(56) Pal says if she's on the shore, he can find her. She asks which shore. Pal asks her pardon. Dulcinea says a river has two shores(57) and he might find that out for himself if it ends well.(58)
Pal asks to see her. She asks if he's sure. He is.
Blackout on the stage. Then a light on Palamedes--a Palamedes who is completely dazzled, and staring blankly outward, at nothing in particular.
Pal recites a Bible verse(59), then the lights black out again, then return to normal. Behind him, the curtain starts to rise.
Dulcinea Was I cute? Palamedes turns and moves upstage. Palamedes You're perfect.(60)
Scene Six
The stage is back to neutral, the coffins replaced but reversed, leaving the order 4-7-2-3-1-6-5.
Ianthe says the tension is killing her, or really, killing Hect. Pal says he has a question left. Ianthe says it better be a whopper, because right now she estimates he has nothing upon which to base an answer. Pal asks if she's ready, and Ianthe makes fun of him for it.
Pal asks, if Babs had died at Canaan House, before completing the Eightfold Word, would Ianthe have eaten Corona instead?
The attendants all hit their coffin lids together, once, then pick up the last three coffins and set them in the middle of the stage, like two benches and a table. Pal sits on the left hand one, Ianthe on the right, where she gets a pack of cards from an attendant and starts shuffling slowly. Throughout the scene, they play and pick up cards.(61)
Ianthe says it would be "rather peculiar" to eat Corona, seeing as she's not a cavalier. Pal doesn't understand why. Ianthe explains that the cavalier's spirit is not just a power source, it's the Lyctor's body's defence system when their consciousness is elsewhere. Pal knew that much. Ianthe says her sister is not a swordwoman. She'd have lost to Magnus, not as a cavalier, but as he is now.
Pal says Corona's compatibility as a power source would have been even higher than Tern's, and surely you could train some more sword skill into the cav's spiritual remains. Ianthe says that no, the cavalier is essentially frozen at the moment of death. Pal wonders...
Ianthe Oh, no. We're not going through this again. The soul is a diamond, Sextus. You can leave it in a glass of wine for as long as you like, it's never going to soak anything up. Palamedes (Mildly) I thought you objected to analogies.(62)
Ianthe says the point is that she wouldn't have used Corona to finish the job. So, Pal asks what else she would have done, perhaps using someone else's cav. Ianthe says that would be terribly inefficient. Pal says, better than nothing, and she'd still be a Lyctor. And, Harrow's situation was "unorthodox" but she still has power on a scale her mortal self couldn't have dreamed of. Ianthe admits, alright, she might have used another cav, and starts going through the others available to her.
Pal pulls Ianthe out of that line of thought and back to the subject at hand. Now, he wishes Ianthe to imagine a situation where things at Canaan House went almost as wrong as they could have, Cytherea coming up the steps, and Ianthe and Corona the only survivors, the Eightfold Word on Ianthe's lips. Does she fold or raise?
Ianthe refuses. She says Pal couldn't understand the bond between twins. Pal, for his part, says that won't work on him this time, and demands to know why Ianthe's answer. Ianthe says nothing.
Pal continues that Ianthe has stated that the goal is always worth the cost, so either that was bravado, and there are costs Ianthe won't pay, or Corona is part of her goal. Will Ianthe tell him which it is?
Ianthe plays her last card. Softly, she says Pal can believe what he will, but she's won: he has no idea which coffin Babs's body is in. She stands, and an attendant clears the cards. Pal says she hasn't answered the question, but she insists she has: no, she wouldn't have killed Corona, and she doesn't have to justify that answer.
Pal stands, and the attendants put all the coffins back, again in reverse order, leaving 4-7-2-3-5-6-1, then all leave the stage, leaving Pal and Ianthe alone. Pal says he has one last question, it's yes-or-no and if Ianthe can answer it, he'll surrender immediately. Ianthe is suspicious, but Pal insists, all he needs is for her to be able to say yes or no. A question about Naberius.
Ianthe accuses Pal of trying to buy time, but Pal says if that were the case, he'd start another argument about how souls work.
Ianthe So, what--if I can't answer this question of yours, am I expected to do the decent thing? Applaud politely and retire? Palamedes Ianthe, I've been in your head for what feels like a week. I would never insult you by expecting you to do anything either decent or polite. Ianthe inclines her head in graceful acceptance of this point.
Pal says she has nothing to lose by answering, and she owes him a question from before.(63) Ianthe says she owes him nothing, but they look at each other, and she gives in, and tells him to ask. Pal's final question is whether Ianthe knows where Babs's body is.
The two move to stand at either end of the row of coffins. Pal starts explaining how the little signs, like the purple tie, started to tip him off, but he assumed it was Ianthe setting the rules. He opens coffin 4, which is empty.
Really, it was the cigarettes that did it. They don't exist on the Sixth, because of the fire hazards. He has never learned how to smoke, but he did it by reflex. Ianthe opens coffin 1, empty again.
Pal continues his exposition, that he wasn't sure until question four. He opens coffin 7, next one in, empty again. He asks how Ianthe knew that Gideon used her rapier like a racquet. Ianthe protests, she saw Gideon fight, but Pal got the full details from Cam, and by the time Ianthe showed up at the end, Gideon had her two-hander back.
Ianthe says she might have watched the duels. Pal says it's not possible, as Gideon only fought two duels, and Ianthe wasn't in the room for them, nor at any other time Gideon might have used her rapier. Ianthe says Babs and Corona both told her about it. Pal says that's unlikely, at least in such detail as about the racquet. It's not even a comparison Ianthe would make.
But it is the one Babs might.
Ianthe opens coffin 6, empty. Pal continues that Ianthe expresses little to no respect for rules, but in her ranting about Gideon, she said Gideon didn't know how to duel as a negative. But, Ianthe Tridentarius would have found that punch at the end of their fight funnier than anyone. He opens coffin 2, empty.
Palamedes You only got one question wrong, Ianthe, and it was the very first question. You can't admit what's happened here because you're fixated on this idea of the soul as inviolate and inviolable--this perfectly solid, impervious thing, the diamond sitting in the glass of wine. But souls are permeable. When they rub up against each other, they bleed--they mingle--they contaminate each other. Just from the handful of real-life seconds I've spent wrestling you for Naberius's body, I've picked up the knowledge of how to light a cigarette and a disturbing new enjoyment of trash talk. Ianthe opens the lid of coffin number 5. It's empty. She and Palamedes are now facing each other from a few feet apart, standing on either side of the last remaining closed coffin, number 3.
Pal says it's messier than he expected. He's started remembering things he never saw, from Cam's point of view, just from spending a few months in her body. Lyctorhood isn't swapping out a battery, it's a transplant. When she took Babs into herself, she ate a piece of meat, and that meat is digesting and its component parts mixing in with hers, to become indistinguishable. He knocks on the lid of coffin 3, and says if he's wrong, if Babs's body is inside, Pal will end his career "with a truly spectacular cock-up" and death will be welcome. If it isn't, then it's nowhere.
Palamedes turns downstage and starts to walk away from the coffins. Ianthe remains staring at coffin number 3. Palamedes There's no body left to find, Ianthe. Or, as I gather they call you now . . . Ianthe Naberius.(64) Palamedes keeps walking, away from the stage toward the back of the auditorium. Ianthe stands like a statue next to coffin number 3. She reaches out and places one hand against its closed lid as the curtain falls.
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(1) Our first hint at the occupant, really. Violet eyes, gold arm, and the gaudiness (affectionate) of the Third House in general. (2) Who are the mourners? The robed figures? For that matter, who are the audience? We have Ianthe, we have Palamedes, we have Dulcie in the audience from kind of across the River. Does that imply something about the audience versus the mourners as representing different things? Are they all just figments of Ianthe's imagination, background characters of her life, or is this something more? (Knowing what we do, probably both.) (3) What did you assume it is? I don't think the bloody kisses actually answer the question very satisfactorily, because, from whence cometh the blood? I do love the symbolism of the meat platter though, because that's all Babs ever was, and Ianthe is still eating him up. (4) Pal passing on Babs's meat is perfection, to me. He does consider it, maybe because of the desire not to stand out, maybe because of permeability starting to influence, maybe just because he's not yet aware of what it means. But he decides against it, because he's the last one there, because unconsciously he knows it's not his impulse to eat, because he recognizes on some level that Ianthe's meat platter is and has only ever been Babs. (5) Funny how much this stands out on immediate reread, eh? (6) The lady of the house, the master of the house, just another play on the gender fluidity that's easy for the eye to slip past. (7) I can't help but feel that this is related to Harrow's scene with Cam in HTN. See, Pal's soul was anchored to part of his skull. But if you recall, Harrow was spinning it out into a skeleton, starting with a hand. And I can't pinpoint right now, but I think I recall someone in the fandom wondering if the powder that caused Paul's transformation in the end derived from Pal's bones, even though he was at that point anchored fully to Cam. But, either way, the hand feels meaningful here. Hands so often are in this series.
(8) So, one reason I gesture at this is because the purple accents continue throughout, and it's impossible to ignore them with the Tridentarius natural eye colour being the most obvious parallel. The second reason is because Pal isn't the only one who picks up pieces of his companion in this sequence: Pal specifically said he finds the outfits nurses wear sexy, but those are so close to the stereotypical maid outfits as to justify a little eyebrow raising at Ianthe picking up a piece of Pal, I think. The final reason I gesture at the feather duster is because it's described as "enormous" specifically in the text. How big do you think it is? How big do you think you could make a prop for this performance? Grab a few purple feather boas at the Spirit Hallowe'en or something this autumn, fold them in half, tie them at the fold point to a sturdy stick. Just, you know, in case anyone's thinking about a cosplay, since this will be the defining feature. (9) I'd love to see a deeper examination from someone with theater experience as to what the stage directions might indicate, the comings and goings from each wall. (10) Why is it almonds? Is this a reference to a piece of media, a name of a nut as one or both go "nuts", or something else? I saw a compelling argument that it's related to the amygdala, two almond-shaped lobes in the brain that relate to memory, decision making, and emotion processing. (11) A note: not a lot of Americans in particular ever hear the original pronunciation of this word, so for the wise, it's "shayz", not "chase" or any of the other ways I've heard it. "Long" isn't quite the same as the French "longue" (it's got a sort of w in there, lowng, with the g a little more present) but it's close enough. It's "chaise" that really got the short end of loanwording. (I'm not saying anyone has to change how they do it, language is defined by use, not by origin, but a "chaise longue" comes from literally being a long chair in French, and if anyone DOES want to honour the original pronunciation over where it's gone, I want to help them.)
(12) I have no idea what this is referencing, but I feel sure that it is evoking something. An outfit of Augustine's that I can't find referenced in the text? Generally the male leads on historical romance novels, to play again with gender presentation? Some other specific thing? (13) Louche - indecent, disreputable. Think a neighbourhood of dive bars. (14) Flipping the script, keeping Pal off his guard as much as she can by jumping around a story and reassign the roles and the lines. (15) We know he actually probably was fun at parties, because according to the Cohort Intelligence Files, Judith met him at one once, and thought he wasn't serious enough about his role and title. Which, given that Judith has had a stick up her ass her entire life about duty (again, affectionate) I think we can take to mean that he was genuinely trying to be personable and fun at the party. (16) Dulcie is literally and figuratively separated from the stage, just as her spirit is now, apparently, if she's to be trusted, across the River. Does that mean beyond the stoma, or is there a more literal-figurative other bank? Is it that distance from the situation that gives her this insight, or was she always this good at reading people? (I'm asking here now to save myself another footnote later. Conservation of energy.) (17) Never go in against a Sicilian when death is on the line. This little sequence gives me very third-party Princess Bride vibes, though it's far from exclusive to that title. (18) Dulcinea, you naughty lady, I love this for you.
(19) I'm currently ignoring all symbolism that might be contained in the numerology of the doors because I don't understand it and I haven't seen anyone unravel it. However, I do feel like I'm right on the edge of recognizing what the ivy crown and perfume are supposed to represent. Ivy was often associated with Dionysus, the god of wine, fertility, ecstasy. The indulgence of the perfume and the further pouring of an ambiguous liquid into a goblet hints toward this end of things, but ivy was also a crown for Thalia, the muse of comedy, which would be perhaps even more apropos given the stage play of it all. But also, ivy was known outside Greek influence to be associated with fidelity and marriage, because it's green year-round and cleaves so sweetly and strongly to that upon which it grows. And all of these layers, every single one, comes back to permeability of the soul, and Ianthe's consumption of Babs, despite her skepticism. (20) Piquant - having a sharp or otherwise stimulating flavour. (21) I feel confident that this is what's intended by the tingue toungle bit, the implication that Ianthe might be getting drunk on her false wine, or at least is pretending she might. (22) Pétillance is much as Ianthe describes it, a light sparkle in a drink, or a sense of very mild fresh tingling from a very low carbon dioxide concentration. (23) OK I really haven't seen anyone mention this before but there's a fascinating thing going on with quotation marks as Ianthe replies here. Her direct responses to Pal, that she does not believe in permeability, all the way through to her aside, it's all in extra quotation marks, which Pal's statements don't have. (24) Pal was personally privy to one in the Doctor Sex story, after all. (25) Yes, I counted. Didn't you? It's very gracious of her to let all this stand as the one question for the sake of the narrative. (26) And here, indeed, is where the mysterious scare quotes end.
(27) I bet NONE of us guessed that this line belonged to Dulcinea when Tor did the pre-reveal puzzle. (28) Ah, but Dulcie, they've been slowly becoming Paul all this time. (29) I know I said I'm ignoring all the numerology, but I find it interesting that 7 and 1 are the only swap here, when Pal has just agreed to try to be more Ianthe. (30) This one's tricky. It's not an actual condition. In modern usage pneumatic just means engineering relating to air and air pressure, like pneumatic tires. But likely here it relates to the lungs (like pneumonia). And "apocope"… now that's a real puzzler, because it means the loss of the final sound or vowel in the pronunciation of a word. But, it comes from the Greek term for cutting off, like an amputation. So, I think Ianthe is referring to cutting out of the lungs. (31) I don't have the full context, and search engines are… really, really bad right now, but I do know that "a bigger, blacker dick" is a white response card in Cards Against Humanity, meant to outdo the card "a big black dick", and outdone itself only by the card "the biggest, blackest dick". This game was very popular a decade or so ago, because we were all edgelord jerks. (Yes, I have regrets.) At any rate, I assume they got the reference from somewhere, possibly a Chris Rock comedy routine title? But I can't find anything, er, definitive on the subject. (32) This, on the other hand, I can very much point at definitively. A scene in the TV show Community had the dean of the school hoping that watching a person in a dalmatian costume flex doesn't awaken anything in him. (33) Anyone who suspected the Phoenix Wright reference from this stage direction, job well done.
(34) OBJECTION! Alright, that's not the best video, but I couldn't find a simple one from the games that included both the slap and the pointing. There are compilations of the pointing animations of all the characters who ever object, but not the slap that comes first. (35) I do sort of love that they call attention to it to make sure you understand that it's a reference, but… Look, LOOK, look me in the eye and tell me a little of Jod isn't rubbing off on Ianthe already, that proximity to him isn't melting things across a little, and tell me you don't believe Jod absolutely played those games. Permeability of the soul need not be limited to literal contact with the soul: I think Muir is hinting that every time you let someone into your life, your souls are connecting, exchanging. And, isn't that true in real life? Can you say, for absolute certain, that your friends, your interactions, even your experience on social media, haven't changed you? I'm all about looking at the Watson and the Doyle, and I think this carries the weight of both. (36) What she says is "It's a fair cop, guv'nor." which has proven very difficult to run down as far as a specific reference, with guv'nor on the end, but generally is used to mean "I admit it, you caught me". (37) See, besides being a fairly common excuse given for committing crimes, I think this might be more evidence of Jod's influence. He's really good at blaming his problems on anyone but himself. I feel like I don't know as much about Ianthe, despite spending almost as much time with her. I could believe that she had a habit of it before… but given the whole point of this story, why not read more into it? For funsies. (This also makes the previous line a loose Monty Python reference, a skit of theirs included the line "All right, it's a fair cop, but society's to blame.") (38) Closing the stable door after the horse has already escaped. Ianthe sees the quest for a better Lyctorhood as pointless. If you recall, even she had the good sense to be awed when Paul emerged, but I like the context this gives to that.
(39) As a bonus question, when this scene takes place within the storyline of NtN, do we think that Ianthe still believes that Harrow's body is Harrow returned to the fold? Questions I have to ask myself the more I think about them… (40) Well, and left unsaid is that Corona was the older twin, the rightful heir, and Ianthe's jealousy has probably always been mixed evenly with her superiority because she got the power and Corona didn't. (41) Insert all the exaggerations here, because I'm fascinated at Ianthe's implications, as I see them. Abigail Pent ended up exactly where she wanted to be. Ianthe only seems to see the death, the wasted ambition and potential. She didn't know Pent at all. (42) I'm just glad Muir didn't try to write out Porky Pig's speech impediment to get this one across. (43) We joke a lot about Babs only ever being for consumption, never being a person, just an object. But it's also very much the truth. Ianthe never overestimated his worth to her. She just underestimated what he had done and would do to her. (44) Is this Dulcie hinting that Pal is already subject to his own permeability, even right before the cigarettes? (45) Gubbins - a collection of useless bits and bobs. Ianthe is so mean about Gideon, considering the friendship bracelets. Then again… Kiriona is the saddest girl in all the world, so she probably knows Ianthe doesn't really mean any of it. (46) Which is, of course, true. She was the protagonist of her story. But it's so interesting to see Ianthe, of the clever, quiet, observantness that still managed to miss so much, catch that behaviour. (47) Saw a post about how Pal makes this astonished face with Kiriona starts spouting necromancy facts, and how this line gives it new context. I just. Love. These books. I love Muir's brain. Every line can be looked at under a microscope and then the entire book totally recontextualized by ten words in a bonus story.
(48) Once he realized that Cytherea was not Dulcinea, and he had nothing to be jealous about, really. (49) The line from Hamlet is "Use every man according to his desert and who should 'scape whipping?" The short version of the context is Hamlet chastising Polonius for saying he'll give the guests what they deserve, because if we all only get what we deserve, who gets anything more than corporal punishment? So, where did Dulcinea get this line? Some force across the River? (50) This line is driving me feral. We both? Is that Dulcie and Pro, or Dulcie and Pal? Which we, Muir? (51) I want to believe this is a reference to Fullmetal Alchemist, but I have no supporting evidence for the case, just a suggestion that you go watch Fullmetal Alchemist Brotherhood or read the manga. (52) Another observation from a post I saw, but, what an incredible way to reframe a lack of success. "I missed the bus. Truly, wonderful news for my haters." It's a silly thing, but I bet if you tried, it would lighten the burden of a lot of everyday "failures" into a much more average sort of vibe. (53) Awful, as in awe-ful, as in filling one with awe. Incredible how THAT one twisted over the centuries, amirite? (54) I think this definitely confirms the part where both Pal and Cam were in some sort of polycule-y thing with Dulcinea. (No, I don't think Cam and Pal are in romance or sex with each other, but I do think that some relationships defy the simplicity of the labels we have access to.) (55) His conversation with Cam, earlier in Nona, that Nona heard on the tape. That Cam would rather carry his soul than live in a world that didn't contain him. They're such a mirror for Harrow and Gideon. (56) Does that mean she's beyond even a Resurrection? (57) I want to start singing that old, old song. Somewhere, beyond the sea, somewhere, waiting for me… It's a river, not a sea, but I must wonder if Muir ever smirked at the thought of it regarding Dulcie and Pal here. But, this recontextualizes a TON. One, Pal not telling Cam before the Paul-ification that he'd spoken to what he truly believed was Dulcie. Two, his saying "beyond the river" in that same final exchange. Three, everything we've ever been told about the River in the narrative... (58) If what ends well? What does "well" entain?
(59) Daniel 10:6, Douay-Rheims translation as Muir is so fond of it: "And his body was like the chrysolite, and his face as the appearance of lightning, and his eyes as a burning lamp: and his arms, and all downward even to the feet, like in appearance to glittering brass: and the voice of his word like the voice of a multitude." Daniel, speaking of having seen an angel. I got goosebumps when I realized. (60) Cute is insufficient to the moment, Dulcie. And you well know it. (61) Has anyone guessed at what game they're playing? It's not proper poker that I can tell, because you don't play that many cards down in it and they're not betting per se. Also, they play more cards than they're described being dealt or picking up. (62) Pal confirming his suspicions as we race to the end. (63) One assumes, her playing unfair up front and interpreting his first clarification as a question. (64) It was never just about her use of Babs as a puppet, adding his name to clarify to the readers of Nona that it wasn't Ianthe's body on the page, it was her somehow retrieved cav. It was always for this. She was always Naberius. Fuck.
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