#ANYWAY! BLORBO FAMILY

[thetwilightroadtonightfall]

I did a quick drawing for ch 3 a while back (the first image), and recently I decided to add more to the story 😊

[isabellaofparma]

Our Flag Means Death | 2.02 - "Red Flags"

[shannonsketches]

Why is the anime so weird, it's not even the same series dude?? It's like,

Anime:

GOKU: I have a great idea to bring peace to the universe, and my leadership and compassion alone will unite us all. I have No Flaws and am A True Relatable Everyman :)

VEGETA: NO! I AM THE BEST AND I WILL CAUSE PROBLEMS UNTIL I AM RECOGNIZED AS SUCH!!!!

Manga:

GOKU: Vegeta what's cornmeal made of? I know it's what the corn eats, but what's it made of? VEGETA: Hey Kakarot let's play the quiet game until one of us dies.

[skyloftian-nutcase]

Friendly life advice from our friendly neighborhood Ganondorf :)

The captain sighed a little, leaning back against the palm tree. He watched Ganondorf for a while, watched as he rocked gently in the hammock seat that had been his perch for the last few hours. His gaze trailed down to the teenager in the man's arms, and he caught sight of the remains of skin paint that had mostly washed off, some kind of mark of royalty in the ancient past.

Royalty. The kid was a king.

Link sighed again, thinking about his own circumstances.

"Something's clearly on your mind," Ganondorf commented, his voice quiet as he watched the boy, continuing to rock both of them gently.

Link crossed his arms a little defensively. He supposed he was being fairly easy to read. "I just... I need to get my life together."

Ganondorf's eyes flicked upward from the sleeping teenager to the captain. Link felt himself shrink a little under the scrutiny; no matter how calm or gentle Ganondorf was now, his gaze was as intense as ever.

"Don't give me that look," Link accused, trying to glare back.

Ganondorf didn't comment. He didn't have to. He knew his presence was enough. Link hated that.

Rolling his eyes, he admitted defeat. "It's just... he's... he's my predecessor. All the expectations that have been on me... the entire war that Cia started... it's all from past heroes. And he's my direct predecessor."

"So you assume that you're inadequate in comparison to him?" Ganondorf surmised, though the flat tone of his voice clearly indicated his opinion on the matter. "Do you not recall the state he was in when I brought him here?"

"I recall Lana having a meltdown," Link laughed before growing somber. "But yes, I... I don't understand. I just... I don't know. He's, what, eighteen? And he's a war hero, a king, rebuilding Hyrule--"

"Are you not also a war hero? A captain? Rebuilding Hyrule?"

"I'm not rebuilding," Link grumbled, looking away and glaring at nothing in particular. "I'm just existing."

"And what of it? You need your rest. You cannot accomplish anything if you don't recover."

"Everyone else has!" Link snapped, rising.

Ganondorf sighed, looking down at the teenager again. "He is an example of what happens when you don't. I will not let both of you give me a heart attack, nor will I let you hurt yourself like that."

"I need to get my life together," Link finally repeated, wilting.

"Link."

Reluctantly, the captain straightened, looking at the Gerudo. Ganondorf had stopped rocking, sitting up a little more, full attention on him now.

"You're twenty years old," Ganondorf pointed out. "I didn't start 'getting my life together' until I was forty-five. We all learn and grow at different points in our lives. Do not try to figure it all out now. Simply take one day at a time."

Link finally laughed, relaxing. "What a day, for the Hero of Hyrule to be taking life advice from someone who started... how many wars?"

"Two," Ganondorf answered dully, returning his attention to the teenager. "And you know I'm correct."

"Yeah, yeah," Link agreed casually, approaching the pair. Ganondorf moved the boy's feet a little, making space for the captain, and he slowly plopped down beside him, letting himself lean on the Gerudo a little. He didn't protest when Ganondorf's arm slid around him, pulling him closer. He just sighed again, less disconcerted, closing his eyes and feeling the warm breeze.

[maripr]

I think John Ward deserves to break down a little at the end of FAITH bc he just destroyed the cult that groomed him since childhood and abused him and his childhood friend, he's managed to protect everyone he loves, he's realized God's been with him the entire time, he has fred all the souls that were taken hostages in the rite of the second death, and he has been forgiven by the very person he wronged. He deserves to break down a bit, after things have calmed down, as Lisa and Garcia both hold him as his falls on his knees and his shoulder shake and he holds his crucifix close like he's hugging it and he wails like a child and as the tears fall on the cross once bronze, they leave golden streak, cleansing his vision of it, cleansing his heart.

[iammorethananame]

Me: *financially independent and uncomfortable accepting monetary help*

Also me: *fiercely anti-captalist and anti-rich people*

Still me: *staring wistfully at @theidiotwhowritesthings's sugar daddy!Joel Miller AU* I want one

[silverwhittlingknife]

How do you feel about Jack Drake?? What are your thoughts on him and Tim’s relationship?

Anon, I hope you were interested in a novel, because look, I am fascinated by Jack Drake.  He’s key to a whole lot of what I find compelling about Tim as a character, and if I were in charge of DC, I’d bring him back to life.  This would make Tim unhappy but would IMO make for good plotlines.

Jack and Tim’s relationship is Complicated (TM)...

Jack and Tim hug in Nightwing 20 / Jack impulsively yanks a TV out of the wall in Robin 45 / Tim grieves in Identity Crisis

“I could tell the truth.  But I don’t.” - Robin 66

...and it involves a whole lot of Tim lying, and feeling guilty about lying, and thinking about telling the truth, and choosing again and again to keep lying.

And I think that’s great.

Below the cut:

Shorter version - key points about Jack

Really long version - my gentler take (vigilantism is choir and Jack loves sports) vs. my harsher take (Jack has some major flaws)

Final thoughts

Shorter version - key points about Jack:

He’s a bad parent.  He’s self-centered, he consistently prioritizes his own comfort and interests over his son’s, and when upset, he does things like order Tim off to boarding school.

But he’s never a bad parent in an actionable way.  He’s not like David Cain or Arthur Brown, who are abusive monsters.  Jack’s not a monster!  He just...kinda sucks.

He genuinely loves Tim. If Jack’s aware that Tim’s disappeared or is in trouble, he’s always worried and upset.  He periodically resolves to be a better dad, and IMO he’s always sincere.

And Tim loves him, a lot.  Tim’s protective of him and worries about him when he’s kidnapped or in danger, and when they’re reunited, Tim’s really relieved and usually hugs him (and Jack hugs back!). 

...But they have very little in common, and that’s a problem. Jack doesn’t value the things that Tim values, or respect the people that Tim admires, or care about the things that Tim’s interested in.  Tim lies to him a lot, but that’s partly because he correctly guesses Jack wouldn’t respond well if he knew the truth of what Tim’s up to.

The Batfamily is a surrogate family that Tim’s drawn to because of the ways his real family doesn’t meet his emotional needs…but also he feels guilty about that and disloyal. (And to the extent that his dad recognizes what’s going on, he's jealous and resentful!)

Very long version:

(LISTEN I HAVE SO MANY THOUGHTS ABOUT THIS)

Okay!  So first: Jack’s a character who IMO is pretty up for interpretation.  You can interpret him very charitably, and make excuses for the bad behavior, and fill in the blanks sympathetically when situations are ambiguous; or you can interpret him uncharitably, and emphasize the bad behavior. I don’t think either approach is invalid - it depends on what kind of story you’re interested in!  I have enjoyed Bad Dad stories and also stories that redeem Jack.

My personal take on canon is that Jack and Tim’s relationship is in a gray area.  Jack's definitely neglectful, and he does prioritize other things over Tim, but he’s never so bad that Tim can easily reject him, and he's never so bad that Bruce could justify taking Tim away.  He's just...not great.  Tim loves him, and feels loyal to him, but it’s a very mixed-up complicated love.

I have a gentler take and a harsher one which I switch between as the spirit moves me. xD

My Gentler Take (tl;dr: vigilantism is choir and Jack loves sports)

Here’s the core conflict: Jack and Tim are very different people with different values.  Tim idolizes Bruce and Dick and vigilantism, and secretly gets involved, knowing his dad will hate it. He gets increasingly wrapped up in his secret world and lies to his dad...because if his dad finds out, he’ll make Tim quit.

This is a great setup for an ongoing comic.  It’s practical, because it provides endless potential for plotlines, and it’s nicely thematic, because it maps closely onto relatable real-life situations with extracurricular activities:

Tim the drama nerd whose dad thinks he’s playing football and not in the school play; 

Tim the closeted-queer kid secretly getting involved in his school’s politically-active Gay-Straight Alliance; 

Tim the choir kid whose dad only values making money and wants him to go into the family business (and Tim keeps promising himself he'll give up choir soon, definitely soon, but maybe he'll stay in just a liiiittle longer, because they need him, you see, the last tenor left town, so...); 

Tim the computer geek with the sports-obsessed dad (this one’s just canon);

etc. etc.  

The extracurricular metaphor works pretty well for Tim’s relationship to vigilantism.  Tim's involved in his "extracurricular" because he genuinely thinks it's important and fulfilling, and he values it and wants to be good at it. He idolizes Bruce and Dick because they're good at it. He's been collecting information about it since he was a little kid, and hiding it from his parents because he knows they wouldn't approve. And mayyyybe there's also an element of low-key rebellion against his dad, and maybe that's secretly part of the appeal. And yet also as Tim gets more and more invested, he starts to daydream: maybe I could tell my dad and he'd be proud of me and supportive. But he doesn't, because actually he knows his dad would be upset and angry and make him quit.

And - again, just like with lonely kids and extracurricular hobbies - one of the things that happens is that Tim starts getting his unfilled emotional needs met ... by people he knows through this secret hobby. And people like Bruce and Dick start turning into a surrogate family. Which Tim feels guilty about. And also as Tim gets more and more wrapped up in their world, he has to lie to his dad even more, which means the distance between Tim and his dad gets bigger and bigger and more and more unfixable.

I love this dilemma. It's simple, it's recognizable, it provides endless sources for conflict, and there's no obvious solution! Tim can't tell Jack: he'll make Tim quit! And Tim doesn't want to quit, because he loves choir / art / theater / whatever.  Yeah, it’s difficult, and there are challenges, and sometimes he has doubts...but at the end of the day, he cares about it a lot.  And everything he values is there, and all the people he admires and cares about are there, and all he wants in the world is to feel like he's one of them and belongs there. So he has to lie, even though he doesn't want to lie, and he feels guilty about it...

...but also he ends up lying more and more.

(Sidenote: I think it's important that Tim chooses to keep lying - Tim's narration often glosses this as "I have to lie to my dad," and that's certainly how it feels to Tim, but this... isn't quite true. He has to lie to his dad, because if he doesn't, his dad will get mad at him and try to stop him, not because he literally has no choice about it.)

Other Reasons Why I Like The "Secret Extracurricular" Interpretation

(tl;dr it complicates not just Tim's relationship with his dad, but also all his other relationships)

Tim's problems have some obvious parallels to Steph and Cass, who both become vigilantes while rejecting their evil supervillain dads. But Jack isn't evil. And that means the Tim-and-Jack relationship is ambiguous and complicated in ways that I like. Steph and Cass can just leave their Bad Dads in prison, and say good riddance, and feel very righteous and triumphant about it! Tim’s more complicated. Tim gets into vigilantism ostensibly out of duty and altruism, but secretly, he's also involved for straight-up selfish self-fulfillment reasons. He's lonely, and bored, and his life feels pointless, but he thinks that Bruce and Dick are cool and amazing and he wants to be a part of the things that they do.  When his dad gets jealous of Tim’s relationship to Bruce, and feels like Tim’s looking for a surrogate family, he’s... not wrong.

And the ways in which Jack is not Actionably Bad complicate things from Bruce's POV.  If Jack was a straight-up villain, it’d be an easy call to keep in touch when Jack finds out and makes Tim quit...but he’s not a villain, not really.  So what do you do?  Do you try to surreptitiously stay in touch with Tim even though you’re ignoring his dad’s express wishes and thus forcing Tim to sneak around?  Do you respect his dad’s wishes and stay away from Tim even though you have a years-long relationship at this point?  

Again: a bit similar to the extracurricular analogy.  Say you’re the choir director and you’ve built this whole relationship with a kid in the choir, and you’re an important mentor to him and you care about him etc. etc. etc.... and then right before a big performance, his dad finds out he’s been secretly involved, and yanks him out.  How would you react?  Well, maybe kind of in some of the ways Bruce reacts.  You replace him. You’re annoyed with him. You miss him. You want him to come back. You’re also worried about him.  You’re upset with his dad.  But also... what should you do, exactly?

Bruce and Alfred and Dick care about Tim as if he were part of their family, but he’s not part of their family, and there’s a lot of interesting tension there.

My Harsher Take

Jack never hits his son.  But his temper is a big deal.

In his worst moments, he takes out his anger on Tim’s stuff - wrecking his room, or ripping his TV out of the wall and confiscating it.  When he’s worried about Tim, he usually expresses that fear by yelling at him / punishing him / sending him away - threatening to send him to boarding school in Metropolis in Robin III, or threatening to send him to military school abroad in Robin 92, or actually forcing him to go to an all-boys' boarding school post-NML.  

This is bad behavior!  It is Not Good!  

And you can easily connect the dots to a bunch of Tim’s terrible coping mechanisms, like the constant lying and or the fact that Tim’s go-to methods for dealing with interpersonal conflict are 1) repress it and pretend it never happened (most of his fights with Bruce), 2) withdraw from the relationship until he can pretend the conflict doesn’t exist (when his friends get mad at him in YJ, he quits the team for a while), or 3) literally run away from home.

Also, Jack is a Manly Man with firm opinions about how men behave vs. how women behave, and he thinks boys shouldn’t be scared and thinks Tim should date hot girls and pushes Tim to work out and wants him to play football and expresses period-typical sexism, etc. etc. etc. ... and though obviously this wasn’t what the writers had in mind at the time, all of that is certainly interesting to read backwards in the light of Tim as a queer character.

More Disorganized Thoughts on Jack Drake

Tim’s our hero, so we’re naturally more sympathetic to him, but it’s also true that relationships are a two-way street, and Tim doesn’t value any of the things his dad values, either.  Jack at various points is shown to care about grades, business, money, boarding schools, archeology, football, a kind of macho bragging-about-dating-hot-women ethos, and a very public and performative kind of caring. Tim tends to respond with discomfort or disinterest or even disgust.  When Jack gets on TV to try to rally the government to save his son from No Man’s Land, Tim isn’t touched—he’s mortified.  When Jack makes some bad investments and loses money, Jack’s deeply upset and his self-image is majorly impacted, and far from being sympathetic, Tim’s annoyed and kind of contemptuous of the idea that this is a problem.  Jack thinks fishing in the early morning and going to tennis matches is a fun father-son activity; Tim finds it exhausting and tedious.  And so on.

This means that Tim often longs to be closer to his dad in theory, but this longing is more tied to fantasy than to reality. He rarely seems to enjoy spending time with His-Dad-The-Actual-Person.  So for example, when Tim’s deadly ill with the Clench, he has an extremely poignant fever dream about telling his dad the truth and getting hugged…even as he insists in real-life to Alfred and Dick that he does not want them to tell his dad what’s going on.

The same is true of Jack, who IMO genuinely wants to be closer to his son and is continually declaring that he’s going to turn over a new leaf and get closer to his son…and just as continually backs out of activities or loses his temper when faced with spending time with his actual son.

Tim and his dad sadly get along best—by far—in Absence Makes the Heart Grow Fonder situations.  When Jack gets kidnapped or is in danger, Tim worries for him (and Tim grieves him deeply when he dies).  When Tim disappears or runs away, Jack’s genuinely worried about him.  So e.g. they have a really moving emotional reunion and hug when the earthquake hits Gotham, and Tim panics about his dad’s safety and comes running home (and meanwhile Jack’s been panicked about Tim’s safety!).  It’s the day-to-day, regular life stuff where they don’t connect.

Jack's written quite differently by different writers. Mostly, Tim's parents are at their least likable in his early appearances and early miniseries (this is where you get, for example, Jack and Janet being nasty at each other while a pained employee looks on, and Tim disappointed to once again get news of where his parents are via postcard - "I guess that sums them up! Never know where they’re going to be–or when–or even how long!” - and Tim alone on school break, and Bruce and Alfred thinking there's something weird going on with Tim's parents, etc. etc.). Jack's more sympathetic but still often unlikable in most of Tim's Robin solo, and he's almost invisible (but positively treated if he does show up) in Tim's team books.

For obvious reasons, Jack's remembered way more sympathetically after his death. Tim's completely devastated by Jack's murder, which he arrives moments too late to prevent, and he basically never gets over it. We see him grieving Jack again and again in Robin, and also in Teen Titans, and also in Resurrection, and again in the Halloween Special, and again in Batman: Blackest Night, and all the way up to the end of Red Robin. Tim also grieves for an extended time over Janet - he hallucinates a happy reunion with her when he's feverish in Contagion, and hallucinates her in the final issue of Robin, and the reveal-your-buried-emotions song in Robin 102 brings up his grief for her too (meanwhile, other characters dance or laugh or otherwise get giddy).  Tim’s grief over his parents’ deaths is intense and long-lasting.

I'm not going to clip comic panels because this is long enough, but if you're curious, here's a nice and fairly lengthy compilation of comic panels with Tim and Jack.

If you're interested in a Jack-centric story with a softer-but-still-recognizably-canon take on Jack, I really like the way Jack’s narration is written in the one-shots Heart Humble (set shortly before Jack dies) and Never a Hero (Ra's resurrects him during Brucequest, and Jack's archeology skills turn out to be unexpectedly useful).

[puddingcatbeans]

tim drops a glass and spirals.

Tim is just trying to drink some water. Hydrate or die-drate, as Steph has taken to reminding him. But he must have moved too fast, or his lack of sleep must have caught up to him, because the next thing he knew, the glass had slipped out of his hands and smashed into pieces on the kitchen tiles.

Tim hears the sound as if there was an audio delay. A ringing had started in his ears, but nothing is louder than the sudden pounding of his heartbeat. He keeps hearing the echo of the glass smashing, and something in him is screaming useless apologies. It takes him a moment to realize he's having trouble breathing.

Oh, he thinks. I'm having a panic attack.

Out the corner of his eye, he sees Kon rush into the kitchen. He was choosing a movie, Tim recalls absently. He always takes too long flipping through the categories, only to make Tim choose in the end.

"Rob? Hey," Kon is saying. He has his hands outstretched, but he stops an arm's length away.

Tim's fingers are clenched tight around the edge of the counter. He unlatches one, reaching out. When Kon steps forwards again, Tim clutches at Kon's shirt, right over his heart. He tries to copy Kon's breathing. Kon, the lovely specimen that he is, takes exaggerated breaths and counts aloud for him. They're doing one of the grounding exercises from training -- because PTSD is practically a requirement for capes by this point.

It's not working.

Tim gasps, head low and tears in his eyes. "B," he says. "I can't--"

"Okay, okay," Kon says. "Hold on."

When he makes to step away, Tim grasps his shirt tighter. He knows it's not rational, Kon's probably just trying to get his phone, but he can't make himself let go. He squeezes his eyes shut, struggling to get his breathing under control.

Distantly, he hears Kon's voice. "Mr. Wayne," Kon says, in the voice he uses when he's nervous but trying to hide it. "Sorry to bother you, but uh. How fast can you make it to Tim's apartment? Or I can fly him to you, if it's faster."

Tim stares at the glass pieces by his foot. They're kind of pretty. Like ruined things are, something you can never take back, only sit alone in a too-big mansion wondering where you went wrong.

"He's here, he's fine--um, physically fine. He's having a panic attack, I think, and uh--I think he'd like to see you--Oh, fifteen minutes, okay..."

He doesn't know how long he stands there, Kon's TTK holding him up. Then Bruce is there, and Kon is easing his fingers off his shirt.

Bruce is dressed in an immaculate suit, the kind he wears for the office. His face, though, was all Batman. Tim can't stop the flinch when he meets those stern eyes. They soften immediately.

"Tim," Bruce says, and Tim sucks in a breath. Bruce doesn't have a nickname for him, but like chum for Dick, or Jaylad, or how he calls Damian son. But Bruce will call his name like this sometimes, quiet, warm. Something that Tim holds carefully in the corner of his mind.

"B," Tim manages. He rips his hand off the counter. It hurts his nails. His legs are shaking.

"I'm right here," Bruce says, and it's not fair how easily he projects calm and commands all of Tim's attention. He holds out a hand, keeping eye contact. "I'm not going anywhere. Conner's in the other room. You're safe."

"I know," Tim says. He gulps in more air. Forces himself to hold it, breathe out. Without meaning to, his hand finds Bruce's. He holds it in a deathgrip. Bruce doesn't complain. "I just. I dropped the glass."

Bruce nods. He barely casts a glance over to the wreckage. "It's okay. We can clean it up later. No one is hurt."

"I didn't mean to," whispers Tim.

"I know."

"I'm sorry."

"There's nothing to be sorry for."

"Okay."

Bruce squeezes Tim's hand. "Would you like Conner to sit with you while I clean up the glass, or would you like me to sit with you?"

Tim reaches up to wipe at his eyes. "I can... I should clean it up. It's my mess."

"That's not one of the options, Tim."

"... You."

"Okay," says Bruce. He leads them both into the living room. Kon takes one look at them and disappears back into the kitchen.

They sit on the couch. Feeling exhausted and wrung-dry, Tim leans into Bruce's shoulder. His solidness is familiar. Safe. There's a part of Tim that is still cowering on the kitchen floor, bleeding and shivering at the memory of sharp nails and sharper reprimands. But he's miles away from the lonely ten year old who thought love was something to be earned. He's better now.

By the time Conner returns, perching awkwardly in the armchair, Bruce has put on a documentary. It's about the desert. Tim sinks further into the couch. He breathes.

[ravenrambles6229]

Sometimes I am really struck with the dissonance from the fact that I am writing soul-shattering angst of my blorbo then I turn my head to look at canon and he's just like

[icyfox17]

NEW BLORBO ALERT

Your honour I've seen two (2) episodes and im in love with him

[mushtoons]

barer of the curse -> (keeps getting obsessed in fandoms that have little to no body else in them)

[lillyanne4writes]

Sometimes i think i left my jjk phase. Then i remember that Gojo is the most powerful force in his universe, but instead of exploiting that for his own gain or just sitting back and spouting wisdom at others, he actively leverages his position to challenge the status quo and make the world safer for kids, which is so incredibly rare in fiction. And i go insane about this series all over again.

[enhanced-operatives-division]

Junicrane/Starstruck Ramble

I will not be brief, all under the cut

To clear some things right off the bat:

No corpse, no proof with Juniper. Obligatory this is set in a canon where he's alive and adjacent to the agency in some way.

Reggie & Juniper are just gay to me, but I don't mind any interpretation of their sexuality

The games are set in 1967/68 to me (based on a couple bits in game) which is before it was legal to be gay in America at least (1971), which is relevant to how I interpret canon as being somewhat grounded in reality, despite unrealistic elements.

This is just an insane amount of headcanons/elements of and AU all culminated into one post. I will talk about some headcanons like they're just facts because they are established in my head, and it saves me over explaining literally everything, however I will explain some parts a little bit for clarity.

Alright. Actual beginning of the ramble:

Juniper is a character to me who had gotten so lost in his job as an actor and a social presence that in the end his whole life revolved around that 'role'. Because of this, by the time he's put into the situation where he's around the Agency, he basically knows nothing about himself, though he doesn't realise at first. Furthermore, what little identity he had has changed in so many ways. He's no longer a beloved famous actor in the prominence of public light, he's legally dead and he tarnished his career just before he was supposed to die, with the bonus of that making him lose the majority of his estate. From that, he also has horrific facial scarring from the electrical burns from literally having his face fried. I believe a friend of mine made a post about this a while ago (I also think they were the first to think it up also), but, to me, Juniper has a permanent trimmer in his right arm (aka his dominant hand) from the electrical current and it is messing with his nervous system.

All in all, he's not doing great, but he's too proud to admit that he's not doing great, because if anything, what's left of his ego is all he has as a defense since he's deep in unfamiliar water.

Before ending up around the agency (I have multiple interpretations of this, so I'm just going to bring it up generally), he'd never actually seen Reggie, and his only impression of him is a single voicemail, which was his only reference he had to later impersonate him. Juniper probably has very little feelings other than the ones he projects onto him because of Phoenix and that, at the very least, he's physically attracted to Reggie to some degree (that's like the beginning of how everything else would tumble into place in this sort of interpretation at least).

And on Crane's side? His feelings towards Juniper are probably very intense and muddled. On the one hand, he adores musical theatre, and that's his now ex-favourite actor. The thought of just casually being around him blows the bit of fanboy in him away at first because THAT'S the GUY, plus the inklings of a celebrity crush which still poke at him. And then there's the rational side of him, which knows Juniper has committed absolute atrocities on the side of Zoraxis, and hates him for that. Then there's how much Juniper comes off as an asshole at first because he refuses to cooperate with anything the Agency tried to put in place. He finds Juniper endlessly frustrating, and yet he's stuck working with him since, afterall, he's the one who knows the Agency's history with Juniper the best. I imagine him acting a lot like how he does IEYTD 1 around Juniper.

At this point, I'm just describing the pitch for a romcom.

I think the start of their relationship with one another largely started with Juniper trying to wind Crane up. It was a way of getting his attention, and I don't think Juniper knows why he's so dead set on that at first, because I don't think he realises he has a crush on 'this grump' at first. (I think that's actually the fun part about these two, because it's almost like a role reversal of the celebrity crush dynamic. This ex-big name actor has a TERRIBLE crush on an average joe and it is KILLING HIM.) But of course the Agency keeps them together because Juniper is at least conversing with Crane, so it's a start.

Through one way or another, they actually get talking casually, at least mildly at first. It takes Juniper a long time to fully deconstruct the wall he's built, and the thing is, Crane isn't the one trying to deconstruct it, at least at first, because yeah, Juniper realises if he wants Reggie to actually like him in any way, he can't keep winding him up. So they talk. Small talk at first, something rhythmic and almost easy to keep to a script. And over time that turns into actual conversations. Genuine ones in which Reggie rips out the occasional one of his jokes which Juniper is endlessly endeared about. The way he smiles just before he makes them, like he wants to chuckle at what he's about to say before he says it. That's probably when Juniper realised that he does have some vague crush on him, and that it wasn't going away.

This is what kickstarts John I can't-buy-you-things-to-impress-you-so-acts-of-service-it-is Juniper to do little things for him. It mostly starts off as him trying to make Reggie his tea how he likes it. However, the nerve damage in his arm makes that hard, as the weight of the kettle and trying to pour is hard all of a sudden. And he refuses to accept that, so he tries for a very long while. Long enough that Crane would go to investigate what was going on. And when he does see Juniper leaning over a cup with the kettle as he uneasily tries to pour it, and when Crane asks Juniper responds so matter-of-fact that his intention is nothing but genuine. And it catches Reggie off guard because Juniper hadn't done anything like that up to that point, and his very apparent vulnerability is so clearly on show.

It shifts something between them.

From that point on, conversations are longer, more familiar. Both of their attitudes soften, and Reggie makes more jokes. Juniper learns how to better use his left hand while strengthening his right back to a point where it could be used again. Slowly, they're both spending time with one another not because they have to, but just because they can. Little bits at first, not too far outside what they already were doing, but those little bits turned into long bits to a point where the other person's company was genuinely desirable.

As time passes, Juniper probably realises that he doesn't genuinely know much about himself or what hobbies he's into, because he never really had the time when he got big, and his home life in his youth wasn't bad, but it wasn't picturesque. I think Reggie would pick up on it, and absolutely try to introduce him to some things he's into. Some things stick, other things don't (corn husking very much stays Reggie's passion, and John will go with him sometimes because it's him, but it's not something he strongly cares for). Crane introduces him to a lot of music, and it's something that becomes a staple between them, with tracks they listen to more than others (tragically, I know relatively little about 60s music so I couldn't really say what). Occasionally they dance, never anything intense, think slow dancing, but the closeness is nice.

Through all of it, Juniper is battling the worst crush of his life, and he can't stand it, because I think he struggles to read people since he doesn't have anything like a script or a director to refer back to, so he has no idea if Reggie likes him back or if he's just desperate for that to be true. I think because of that any sort of confession between them would be incredibly raw, not only because of the time they live in making it hard for them to be truthful about how they love, but because it's a complete show of Juniper who's worked to be this better person. I don't exactly know how that would go, mainly because I don't have one set version of their dynamic, this post is just a generalisation of main consistent points.

Reggie does like him back, because he's gotten used to Juniper being just this guy, not a figure in the public eye, not a Zoraxis lackey, and not any sort of Agency operative (despite being under their care to some degree). He's someone he genuinely cares for, because they've given one another the time of day to learn one another, and I think because Reggie was a field agent, he was a lot better at reading Juniper than Juniper was at reading him. Eventually Juniper's company becomes something he could see around him for the rest of his life, and I think he accepts that he likes Juniper a lot more gracefully.

I think any affection directed at Juniper would at first be met with him feeling a little muddled. Reggie was a very physically affectionate person when he could be, and sure the initial flirting with one another came with the occasional little touches, but everything now was so deeply intentional. I also don't think Juniper would almost ever get over the novelty of being able to kiss him, or many other gestures, because it made the fact that they were together so very real, and it was great. I do think it comes easier to Reggie, and it's a big way of showing how much he cares, so it's important for Juniper to try and show it back because he knows how much it means to the other.

I like the idea of them eventually living with one another, too. I think Juniper would have always had a quiet little daydream of sorts where he does just live a domestic quiet life, and he can with Reggie (well, as close as they can get between the Agency and Zoraxis always being at odds), and he loves that, and he loves him, and it's immense.

I think they cook for one another a lot, it helps Juniper work on his dexterity in a controlled environment, which means a lot because it's a huge point of insecurity (that and his scars). He does improve, and Crane is proud of that and shows it and it's great. I also think they'd probably cook together too, because they can deal with being in the kitchen together and they work well with one another. It's probably a good way for them to unwind because over time they can do it in relative silence.

As I said before, I also think music is a staple in their household, and that Reggie listens to things on vinyl almost all of the time because he likes the background noise. Sometimes Juniper will catch him chuntering along to the music which he finds endlessly endearing. I wouldn't put it past his dramatic ass to also join in to fluster Reggie, but I also don't think Reggie would mind that terribly because Juniper has listened to the music enough to know the lyrics, and that's huge to him.

I don't think they are without rough patches, no relationship is, but I think the good part about them is that they're willing to talk about it (... eventually). They're used to long conversations, and while they're often less fun conversations, they're needed and they know that, and it works out.

Alright. I think I'm done for now. I haven't mentioned everything, but this definitely got the worst of it out of my system. If you ever want to hear any specific thoughts my ask box is open but other than that, behold my general dynamic for these two which has been festering in my head for years. I think they're great

[thetwilightroadtonightfall]

NOT SO MISSING ✨ LINK (a Dropbox folder containing images and documents; please don’t forget to read the General info doc) ✨

[chocodile]

At long last, my giant doll customization project is complete!

I have successfully transmuted three innocent Sylvanian Families figures into @kwillow and I’s evil animal nobility. Hyden (rabbit wizard) is mine, Theo (dapper rat) and Ambroys (foppish unicorn) are hers.

This was intended to be a one-off project, but making these is addictive. I may already be gathering supplies for the next batch of characters...

[lyxanislive]

I love the way you draw shiro and allura!!!!!!! They’re adorable!!!! Shiro especially is my favorite :D!!! he looks so happy!!!!!!! And allura!!!!!!!

Thank You Sockdooe for your kind coments!!!!

The showrunners did every character so dirty - the least I can do is make sure Shiro's hair is floofy

I hope whatever Shallura landed (or lands) on your Birthday is a good one for you!

Here's some linework of an upcoming one!!!