#Acting is on point but if the plot is a mess what does it matter really

[shuenkio]

That basketball player | Lhs.

Paring: Heeseung X M!reader | Genre: SMUT

Synopsis: Since when did heeseung get that big glow up? Back in the junior year he was just a guy with his bang covering his forehead but now? You can't help but to stare at him every time he is playing basketball, jingling.

Cw: masturbate in the bathroom, bigger cock Heeseung, drunk, public explicit scenes, cursing, no plot Ig, alone time, mentioned of cum, stained etc. [18+] mdni

Non proof read | Eng is not my 1st.

This is a work of fanfiction, do not throw unnecessary tantrums on this nsfw/sfw blog. ©Shuenkio

A#N: Yo what! I feel pity to leave y'all alone with my no update so here a smut hardcore, before I vanish once again. (Yes this is me, a bit freaky than usual ಥ⁠‿⁠ಥ

Being friends with a sports guy like Heeseung is not an easy job, nor is it for your mental, freaky mind. Every time you were there, watching him practice for the competition. You can't find but to stare at a little distracted place, like a weirdo. However, it's not one fault side; since Heeseung does have his own package ever since then, it'd be a jingle bell at every instance.

Not to mention, back in the junior year, Heeseung is just a guy who just hit puberty, freshly adult, bang cover all his forehead like a nerd. In the meantime, all that matters transformed into this: a hot guy with a huge beard that could squeeze a lemon, a slender yet masculine frame from head to toes, and the most glow-up part was probably his middle part.

Which you can't help but to wonder while nosebleed; imagine how'd it look like to be sight. And so on, wondering turns into reality when it's happening during the party of one of your classmates. Walking in the bathroom, as you thought nobody was there with no light on, until when the lights flickered, you were stunned, your hearts just doing a back flip once you saw the tipsy Heeseung who's jerking off on the toilet.

Omfg, is this for real? Think to yourself. Can't hide the red blush that was painted on your face, you immediately apologize and leave; however, before you could, a large hand appeared and pinged you against the door, allowing you to escape this awkward situation.

"Hmm... M/n? What a surprise to see you here during my alone time," said the half-drunk guy, looking down to see his cock peeking through his zipper, naked. In front of you, but did he care? No. You swallow down, feel like a stone stuck in your breath—this is just a dream wake-up.

Your reaction was funny enough to make Heeseung chuckle out; you seem to be nervous, shy, and lately a bit of a turn-on.

"We're alone, aren't we? Now don't hide your true colors, bud; I know you've always wanted this, isn't that right?" Heeseung claim, pointed out right through you. No way he caught you in act, but where? Yet there's no use right now to wonder about it; a big gigantic cock is staring at you right now; he was so hard his cum is leaking out, desperate for some way out of those balls.

Out of surprise, you snapped as Heeseung let out a moan, in contact with his skin too close to yours. Cover your face with your palm to evade your crazy mess face; his pre-cum began to stain on your pants!

"Fuck m/n, take a hold of it. Before I change my mind, I'm not sober," panicking Sprint free in your vein as you shudder to his words, Should you or shouldn't? This once-in-a-lifetime opportunity is so rare, you wouldn't want to go to waste.

Seeing you froze in the spot, back pressed against the door too much, Heeseung snatched one of your hands and wrapped them around his shaft. Lord, have mercy.

"Ahh, so good, m/n, euuu, that's right," biting his lip, his back arching forward, thrusting inside of your palm in rhythm. Both of his hands are pinning you in between, while he endures in pleasure. No word to say; you seem to enjoy what you're doing. His foreskin moved up and down, his tip peeking in every stroke.

Heeseung's freaky side was not what you expected; he was far more wild. Your surroundings are no longer your priority; you didn't care if anyone might hear. Continue to please the man of your dreams; no, this is a dream to be able to touch him, your friend.

A few more strokes, his hip bucking more and more needy, his balls later slipped out of his underwear, come out before slapping against the friction of his own pant. As a result, the fire in him turned on even better. Both of you can't think straight, locked in this bathroom, just the two, enjoying times together.

"Cum... I need to cum m/n!! I'm going to piss Ahh Ahh FUCK." He's knees weaken. The hands that are pinning you in find their way to belt around your waist, despairing for support, before a load of hot cum splashes out on both clothes. Heeseung is indeed sensitive; that might as well be one of his weaknesses for your dictionary.

He then falls down on the floor on his knees finally, as he leans against the wall nearby in this tight space. Draining out and overwhelmed by the masturbation. Little did you know, there's also a stain in your pants too, not only from Heeseung's cum stained. Ugh, he got you in anyway possible.

"Shit..." A couple of minutes passed, his brows furrowing while his eyes shut, before he pissed out for real.

"I—damn it." 

[andy-skull]

This season has been so hard to watch and I'm really losing hope on it.

Ep1 gave us a glimpse into the future, that Sylvie would be happy to see Loki and was the only thing I could hold onto after such terrible reunion.

Don't get me wrong, I knew we wouldn't have Sylki together from the very first episode, but it's been 4 already and they haven't talked or fixed anything between them

Ravonna and Miss Minutes went full psycho, Dox and Brad made a lousy coup and were couped back. Inside civil war in a TVA Loki insists can protect the multiverse when it can't even stay afloat

Ep 2 to 4 were a set of side missions to fix the loom that ended up exploding anyway.

This season has been literally disaster after disaster in everything! Romantically, characters like Sylvie who seek free will now is a comedy of why terrorists should be banned and Loki is promoting police enforcement. Mobius is on denial, B15 is trying her best and still is not enough, same as Casey and ouroboros

Everything is all over the place, is a disaster, everyone is scared and miserable and everything ended up blowing up anyway

Loki asking Sylvie to have hope in what exactly? He's not telling her how he feels, the TVA can't protect itself less the multiverse. In what exactly should the hope rely on?

I don't even know if watching the last two episodes worth it at all. How will they fix anything at all?

[cal-writes]

I thought about Zoro, again. And how he stays calm when all other mugivaras are in disarray. How he has to be the last pilar standing, because if not him than noone. And how some people deam him emotionless and uncaring because of that, because he keeps his cool and talk logic in hard situations. (Like whan they had to leave Vivi behind, or all this mess in inies loby). And I thought how I want someone to see it, and hug him and let him be vulnerable for a bit.

I dunno if I mean it like a prompt, or just want to cry with someone over Zoro. Maybe both. Anyway I would love to hear your thoughts on the matter in any format :')

god yes i knooooow. going insane over him tbh. like i went into this in my previous meta post about him, esp in enis lobby/water seven arc where he is so clearly affected by everything going on but can't show it. (or feels like he cant)

this reminded me of a thing i havent seen many people talk about, which is that zoro is very often 100% spot on with his predictions, gets ignored, and eats shit for it.

like zoro isnt stupid (despite what some characters and parts of the fandom think) hes incredibly perceptive and his cold read on most people will be accurate. theres several moments where he will predice something happening, rationally explains it to the crew how the best course of action is one thing and then luffy being stubborn and the protagonis does what he wants

not to say that thats a bad thing! i think its awesome to show their dynamic

like back on zou when they find out sanji left to marry big moms daughter and everyone wants to go and get him back

zoro is harsh in his wording bc he always is but the core of the matter is this: if they go mess with big mom, while they are already anatagonizing kaido, they'll end up having to deal with two emperors. he understands that sanji knew that which is why sanji left the way he did (partially).

and we all know how that ended

not only that i think this fight is a fantastic display of zoro's core character trait. unlike the three captains in this fight, he doesnt have an ego about it. he's not posturing or peacocking, he knows immediately shits gonna go down (killer too probably but with the mask its harder to tell what killer is thinking) and he's the one person that keeps an overview of the battlefield that includes everyone. law eventually does once he gets over his control issues

and of course thats not the end of it in wano

"ill suffer twice as much after" and he doesnt care, beats king, nearly dies or maybe does die and nobody knows about that whole thing

then of course in more recent chapters (spoilers for egghead below)

we have his fight against lucci which i find striking in how the other characters perceive it

like jimbei can be excused, he doesnt know zoro all that long but the crew acts like this is a point of pride to zoro, to finish the fight. when we've seen zoro run away from fights plenty of times. and to me what he doesnt get to say is exaclty what ends up happening

if lucci isnt taken out, he will tell the elders about the plans he was privy to in eggheads lab. which of course he does when zoro is dragged away

if the vegapunk hadn't stepped in

zoro would have fought the elder and most likely lost

same way he knew he'd not be able to win against kuma

he's telling everyone to stay out of it because he wants to protect them. its not an ego thing for him. he knows the second he stepped up to that fight hes probably going to lose. he's going to do his best to win but he's not delusional

and i find it noteworthy that we are continuing this plot line of the crew not understanding zoro or not trusting him and not to mention this

lucci telling zoro he's dead weight

and a little bit later, sanji telling him the same thing

like, thats not their usual banter. this doesnt make zoro angry to like be able to fight off lucci better or sth. the panel of him standing there just, flinching honestly haunts me. (i eat it up oda please do somehting with it)

esp curious paired with my above example where i think zoro understands sanji quite well where i dont think sanji does in return. (another reason why i cant see them romantically im sorry itd require so much legwork for me to make that work)

i think it can definitely be read as a setup of zoro feeling apart from the crew. i think part of that is just due to the nature of his position as first mate in everything but name. like in a literal sense he is their superior the same way luffy is all of theirs. and we know from the usopp argument that he takes that a lot more seriously than the others. so i dont think - at this point in canon - zoro would open up to anyone except maybe luffy but even then thats not really the kind of relationship they have - and i dont think any of them actually see whats going on or what zoro has been doing basically the entire time.

zoro hasn't been vulnerable since his fight with mihawk

[aspoonofsugar]

Hi! Do you think Alastor and Lucifer are foils?

Hi!

Yes, of course they are!

Alastor and Lucifer's foiling starts in Dad Beats Dad (obviously), where they fight over Charlie's affection. They might seem as opposites throughout the episode, but they are actually the same, as they both try to impress Charlie with their powers:

[ALASTOR:] They say, when you're looking for assistance It's smart to pick the path of least resistance [LUCIFER:] Others say, that in your needy hour There's no substitute for pure angelic power!

Still, Charlie doesn't care and all she wants is for her parental figures to support her:

Charlie: How come he can have faith in me, but my own father can't?

In short, Alastor and Lucifer find pride in their abilities, but need to let go of it, in order to show their love for Charlie. By the end of the episode, they both accomplish this. However, they succeed in slightly different ways, that fit their shared motif of shadow and light. In particular:

Alastor is linked to shadows, as his abilities let him manipulate shadows

Lucifer is linked to light, as his name means morningstar and his powers manifest in light-beams

As a result:

Alastor's development happens in the shadows, whereas Lucifer's in the light - This is true also on a meta-level, as Alastor's arc is the secondary plot-line of the episode, whereas Lucifer's is the main one

Alastor acts as Lucifer's jungian shadow and becomes a catalyst for him to change. Similarly, Alastor himself is challenged to grow by his own jungian shadow, aka Husk

What is the jungian shadow? It is the repressed part of a person. In stories, a character might meet another one, who embodies this hidden part of the self. By integrating with the shadow, the character evolves. In other words, Alastor represents a repressed part of Lucifer and Husk a repressed part of Alastor. Let's see how it all plays out.

ALASTOR, HUSK AND MIMZY

Alastor and Mimzy's bond is unhealthy, as they both enable negative sides of the other. On the one hand Alastor keeps covering for Mimzy, no matter what she does. On the other hand Mimzy feeds Alastor's ego by praising his power and abilities.

So, Mimzy never faces the consequences of her actions:

Mimzy: Thanks for helpin' lil' old me out of a though spot. You're always such a pal.

And Alastor feels respected and appreciated:

Alastor: It's nothing I can't handle. Don't worry Husker. Who in their right mind would cross me?

However, the reality is that Mimzy is using Alastor and Husk points this out:

Husk: You and I both know Mimzy only shows up, when she needs something. That bitch is trouble and who knows what kinda demon she fucked with to come running to you this time?

Not only that, but he openly calls Alastor out on his pride:

Husk: Big talk for someone, who's also on a leash.

Which results in Alastor reacting in anger:

That said, Husk is proven right. It turns out Mimzy has willingly brought chaos to the hotel, so that Alastor could solve things for her. Because of this, Alastor finally cuts ties with her:

Alastor: You deliberately brought danger to this place just to have me clean up your mess. I can't have that here.

This choice is important and it shows how the people around him are slowly impacting Alastor. On the one hand the Radio Demon listens to one of his subjects' advice. On the other hand he acts to protect the hotel. As a matter of fact the moment Alastor steps up as the Host of the Hotel isn't when he sings to Charlie in Hell's Greatest Dad nor when he transforms into a giant and fights. It is when he sends Mimzy away and sacrifices a little bit of his pride to do so. interestingly, this happens as nobody is looking at him, so he isn't really trying to impress nor to trick the others. He acts selflessly in the shadows.

LUCIFER, ALASTOR AND CHARLIE

Lucifer and Charlie's bond is strained:

Charlie: We just have never been close. After he and mom split, he never really wanted to see me. He calls... sometimes, but only if he's bored or like, needs me to do something.

At the root of this conflict there is Lucifer's inability to show his daughter how much he cares. He struggles to express his feelings and hides them behind a prideful persona:

Charlie: I told you when you called me five months ago. Or did you not listen? Lucifer: No, no, no, no. Just, you know, I just forgot. I've just been really busy, ya know with um... important things.

Instead of openly admitting his depression and sadness he prefers to look cold and uninterested. Even dismissive and condescending, like when he arrives at the Hazbin Hotel:

Lucifer: Wow, this place sure looks, uh... Uh-uh. Yeah. Uh-uh. It's got a lot of character!

Lucifer is initially too focused on what he cares about - meeting his daughter - rather than on what Charlie wants - for him to help her with the hotel. He happily hugs Charlie and then immediately moves on to pet Keekee, Razzle and Dazzle, who are his own creations. Only later he considers the welcome Charlie and the others have prepared for him. Even then, he still misses the point and tries to buy Charlie's love by showing off his magical powers:

Haha, looks like you could use some help From the big boss of Hell himself

Except that what Charlie wants from him aren't champaigne fountains or caviar mountains, but an appointment with Heaven, which he negates her. Not only that, but instead of being honest about his fears, he deflects everything on Charlie herself, by dismissing her plan:

Lucifer: Alright, listen, I love that you want to see the best in people, but these sinners... You know, they're just the worst. I, I don't know how much you can realistically expect from them in Heaven.

Luckily, the Radio Demon is closeby, as he forces Lucifer to show his true self.

On the one hand Alastor brings out Lucifer's insecurity and fears:

I'm truly honored that we've built such a bond You're like the child that I wish that I had I care for you, just like a daughter I spawned It's a little funny, you could almost call me dad

He juxtaposes moments of everyday life and affirmations of affection to Lucifer's materialistic and fancy promises. In this way Alastor highlights the faults of Lucifer, as a father. He points out that Lucifer is never there for Charlie.

On the other hand Alastor embodies the kind of sinner Lucifer despises:

Lucifer: Ya see? What I tell ya? Charlie, sinners are violent psychopaths, hell bent on causing as much pain and destruction as they can. There's really no point in trying.

And yet, such a violent psychopath is more willing to help Charlie than Lucifer himself:

Charlie: Dad, stop! He's defending this hotel. It may be a bit more sadistic than I'd hoped. But he's doing it for me!

This realization leads to a confrontation between father and daughter and to an admission on Lucifer's part:

Lucifer: I just don't want you to be crushed by them like... like I was.

The problem isn't Charlie, but Lucifer himself. It is not that Charlie's dream is silly, but that Lucifer's one has been destroyed. This revelation is important because Lucifer's mask comes off and he shows Charlie his weakest and most broken self. He swallows his pride and has Charlie see who her father really his. In all his mistakes and his hurt. And to his surprise Charlie accepts him. Not only that, but she admires him:

So in the end, it's the view I had of you That showed me dreams can be worth fighting for

Symbolically the song More than Anything starts with Lucifer and Charlie in the shadows:

They are repressing a lot and have no idea who the other is. Still, as the song goes on, they get to understand each other:

All that I'm hopin', now that my eyes are open Is that we can start again, not be pulled apart again 'Cause in the end, you are part of who I am

And they end the song surrounded by light:

What is initially in the shadow comes to light in three different ways:

Lucifer shows Charlie his true self

Lucifer sees Charlie for who she is

Lucifer exhibits his weakness in front of the whole Hazbin Hotel. He lets the sinners he dislikes so much witness the mess that he is.

His fragility is in full display. It is in the light for everyone to see.

PHENOMENAL COSMIC POWERS! ITTY BITTY LIVING SPACE!

Another similarity Alastor and Lucifer share is that they are two powerful beings that give much importance to free will:

Alastor: You should know better than anyone what a soul can accomplish when they take charge of their own fate.

Charlie: Together, they wished to share the magic of free will with humanity.

And yet, they are both trapped:

Alastor: I'm hungry for freedom like never before The constraints of my deal surely have a backdoor Once I figure out how to unclip my wings Guess who will be pulling all the strings?

Charlie: As punishment for their reckless act, Heaven cast Lucifer and his love into the dark pit he had created, never allowing him to see the good that came from humanity, only the cruel and the wicked.

On the one hand Alastor controls many souls, but his own is owned by someone else. On the other hand Lucifer is the strongest being in all of Hell, but he is regarded as a disgrace by other angels.

Moreover, they both project their unhappiness on others. Specifically, Lucifer blames sinners like Alastor:

Lucifer: Our "people", Charlie, are awful! They got gifted free will and look what they did with it! Everything's terrible!

While Alastor lashes out on his prisoners, like Husk:

Alastor: If you ever say that again, I will tear your soul apart and broadcast your screams for every other disrespectful wretch who dares to question me.

Still, the point is that Lucifer is exactly like Alastor. He is a gifted creature, who messed up royally and cursed humanity. Alastor instead is exactly like Husk, a powerful overlord, who still finds himself chained. Lucifer is the most hated being in all of creation and Alastor is on a leash. They are both lonely and desperate, but too proud to admit it. In other words, they are both losers:

Husk: There was a time I thought no one could relate To the gruesome ways in which I'm damaged But lettin' walls down, it can sometimes set you straight! We're all livin' in the same shit-sandwich

Just like everyone in Hell. And yet, this is not bad per se. Even if you hit rock bottom, you can still climb back up, as long as you let go of self-importance and start to earnestly empathize with others. As a matter of fact it is only through community and bonds that a person can be redeemed and heal:

Out for love Love Think of who you care about Protect them and be out For love Love You're gonna fight without gloves Long as you're out for love

This is what Alastor and Lucifer are learning through Charlie.

TWO DADS, ONE DAUGHTER

Season 1 sets up Alastor and Lucifer as two mentor figures to Charlie. They share this role in a way, which makes them almost perfect mirrors. Some examples:

Lucifer gives Charlie the hotel building and Alastor calls it Hazbin Hotel

Alastor helps repair the Hotel in the beginning, while Lucifer assists Charlie in building it anew by the end

Lucifer guides Charlie to Heaven, as he sets up her meeting with Sera and Emily. Alastor instead guides Charlie in Hell as he introduces her to Rosie and helps her inspire the cannibals

Both Alastor and Lucifer believe in Charlie, when she is at her lowest. Alastor does so before the final battle, whereas Lucifer after the fight

Alastor and Lucifer fight Adam (another foil of theirs) in the final episode. Moreover, both belittle his abilities and highlight how he is strong, but unskilled:

Alastor: You lack discipline, control and worst, you are sloppy!

Lucifer: So, this is what you've been up to since Eden? Gotta say, you really let yourself go buddy.

In particular, Alastor is the one supposed to take Adam down, but fails and Lucifer steps in by the end. This is just like in the beginning Lucifer is supposed to support and help Charlie with her project. Still, he is absent and Alastor fills the spot.

In other words, Alastor and Lucifer are unwillingly complementary and so far one has appeared when the other has been incapacitated. We'll see if this pattern continues. As for now, they are clearly framed as key to Charlie's development, so it is possible they will come to embody different sides of her:

Alastor represents the sinners Charlie wants to reach and all their pain and complexity. He is also linked to fear and the unknown. He is the ally she finds by herself. He is the found family Charlie chooses.

Lucifer represents the angels Charlie wants to communicate with. He is also linked to dreams and ideals. He is the legacy she inherits. He is the biological family Charlie wants to re-connect with.

In short, they are both parts of who Charlie is and she needs them to grow into herself. Just like they need her to mature and find redemption and happiness.

[ganondoodle]

(totk rant)

something i dont know if i have ranted about specifically is .... how i hate how little defined the sonau (zonai) magic is

like i get it, its magic, but it feels like it can do anything when the idiot plot demands and cant when it doesnt for no good reason, just like the enigma stones (secret stones)

(its not that each little thing is a problem, i dont need everything single thing explained, but that the whole mess of sonau magic, enigma stone magic and elemental magic feels like .. a mess, and a stupid mess at that! you dont know what is what and what soemthing can and cant do and that leads to a bad kind of confusion, one that makes it feel like there are no rules except when the plot demands it)

(also i will forever refuse to call it sonau 'tech', bc its not, its some vaguely stone textured pieces that do a thing when hit or pieces floating around some vague magic bs, theres no cogs, not maschinery, nothing that makes you feel its got an internal mechanism like the shiekah tech had-- worst part being they had planned sonau bs to be more magic than 'tech' but then, as i previously ranted about, decided to make it 'so players can immedaitely know what it does just by looking at it' and then decided they still needed to explain to you what the obvious fan thing does 5 times over when you already learned it on the literal tutorial ALSO ITS A FAN- WHAT IS THERE TO TEACH ME ABOUT IT- ... wrong post .. anyway)

sonau magic, apparently, can, replace an entire living persons arm that was 'beyond repair', when the person giving their arm IS ALREADY A GHOST (or dead for that matter, yes you can argue its the part of his arm that was left over at that point but .... that also leaves the question how the hell he could suddendly, conventiently, move that arm part independendly to catch link, when it flopped over limply a second ago .. and was also able to .. see? how would he catch him otherwise .. but only after it flopped over .. for no apparent reason too, its not like zelda picked the stone right off it or soemthing-- ALSO why does it not look like it then, like its long nailed creepy thing, but instead his perfectly alived arm argh)-

teleport people to places that have moved kilometers away from where it originally was (as in, rauru teleporting link via dismembered arm part train to the garden of time that was not in the sky last he remembered) but ..only like that?? i guess?? since no one else ever teleports via sonau magic, its always shiekah stuff that teleports except for this one instance (and it cant be it just went back to raurus ghost bc .. he acts like he just woke up as a ghost too so he couldnt have been ghost chilling in the garden of time either ....... why wasnt his ghostly version attached to his slightly less ghostly arm part anyway .....)

lift entire pieces of land into the sky i guess ?? (off screen ... somehow .... for no reason ............ after all the sonau that were there were dead (who did that?? the constructs??????????) and no scar left on the surface either)

make shield, once rauru, otherwise minerubot (we dont know if either did that in the og fight with ganondorf since ... we dont get to see ANYTHING of that 'fight' i am BITING this game in a non sexy way)

let you swim upwards and through ANY amount of earth (only link ever does it)

glue literally anything to anything (unless you shake it too hard) and have that glue actully make the glued together pieces work together as if there was a mechanism connecting it (only link ever does it like that, other NPCs are shown to be able to get pieces to work together without it ... and with no explanation either how THAT works, sicne there is no mechanism in anything??) (fuse is just the same glue glued into an extra ability slot, its not different in any means)

can ALSO glue stuff to the literal MASTERSWORD?? which, if i can be honest, i really dont like, idk, the mastersword itself being fused to some random other material and getting those weird green symbols on it while even changing its form temporarily when you pull it out?? idk, that feels like desecrating an holy object to me (and yet again .. sonau stuff in everything and everywhere ..)

reverse time on objects and generally copy other peoples abilities?? its not the stones since link doesnt have one, its like .. built into rauru bracelet even, thats kinda weird, what do you mean his bracelet is perfectly made for housing that exact number of peoples abilities- or ghost copies for that matter O.o

grab someones heart and seal it in a condition between life and death for THOUSANDS of years while dissolving its wielder ??? i would consider it being influenced by rauru light powers (which is still stupid to give to him of all people) having sealing capabilities towards "evil", but when he does it its really only typically sonau magic stuff, green glow, the symbols, the spiral (... why IS it a spiral, did he turn himself into a less stupid version of the shrines? lol)

(now theres things that overlap with the engima stones, but since its all such a mess i cant tell what part is strictly sonau magic bs and what is magic pebble bs and what is just kinda ... both)

stripping people of their clothes and teleporting to weird dream like dimension tm (end of game)

bringing back ghosts (rauru did the oh no im ghost gone now too which is why i cant tell you anything you should know link looooooool- whoops he back) sonia was never even shown as a ghost before (why? .. no seriously, why? you cant me she didnt have any regrets when she died? why does everyone get a ghost like its nothing but not sonia .. until that point .. which is probably just so she can hold hands with rauru and fuck off again, we wouldnt want her around when rauru isnt, the most importnatest coolestest guy to ever kingexist )

reverse irreversible transformations via stone (you can, uwu its time powersss!! me all you want it sucks in every aspect and i will not be argued with)

restore someone 'beyond repair' arm even when it was not fully purified as it was implied to be necessary at the start- and also just .. take away the arm that got transplanted? (games allergic to consequences)

(more stone than sonau but .. i feel like those two are inherently linked anyway)

"enhance" peoples already existing magic abilities- which .. isnt really true? like that sounds like a lie bc except for giant rauru laser he uses only once, no one seems to actually use it like that, speaking of which

giant laserbeams capable of taking out an entire family of moldugas

my point being, like i talked about before, is that all of the other people with stones, we either dont get to see what they can do bc they just get it and are only shown standing around doing nothing giving no example of its effect (old sages) or the new sages creating copies of themselves that they give to you, which i would argue, is not enhancing their abilties, bc their ability is very element specific, not the shiekahs copy game, yes their ghost houses their ability but .. thats not 'enhancing' that just a double- plus, and this drives me mad, THEIR GHOSTS GO AWAY WHEN THE REAL ONE IS AROUND, which defeats even the idea of it being stronger just bc there two of each now, so they get nothing and you get a ghost copy if they arent around themselves which is not something i would call "enhancing" (its so gamey .... it only exists like that so you get shitty companions with those abilities in the game and when they are around dont get double the already shitty way of activating them.. and i hate it, i hate how gamey it is, you can make things work without it feeling THIS gamey)

ooooor, are just a set piece, like sonia, who doesnt use her stone for anything, bc she cant have been too weak on her own to time reverse a single cup of tea now can she (i wouldnt put it past them)

the only other time it seems to work as it was said is with ganondorf, bc he had miasma (gloom ... ) powers before and just kinda .. miasmad himself up more

time travel! somehow!! even though the traveling person has not shown any time powers before that point, has no idea what the stone is or how to use it, and no idea where to go, nor to think of going there even in panic (which is something i would have accepted, like .. idk atreus travel via the marbles in god of war, how he thinks of home and travels to his old home instead of where he meant to go, thats a neat twist!) (also .. sonia is the one whos lived all her life with time powers and, supposedly, acts like a mentor to zelda (if you can count that one scene where she says some vague -cheer up- stuff) .. what if sonia could time travel, bc she actually knew how to use it, and went into the future to warn them or lead them into the right direction .. already thinking of better things again ..)

stones can also turn people into eternal, immortal (lie, you can kill dragondorf) dragons, permanently (also a lie, zelda is reversed, and 'she was just sleeping uwu', stone she ate is ALSO back) (dragons being something i thought of being ethereal, untouchable and timeless sacred beings you shouldnt try to understand or control- but no, sonaus stupid stones can just turn people into them and its only used for one cool set piece and a fake emotional hook, also a shitty way to bring zelda back into the future all fine and dandy bc her learning to control her sudden new time powers well enough to travel back on her own would have been too much agency for our little maiden prize- the whole dragon thing also feel like desecrating dragons to me)

(probably more im forgetting here lol)

in the end, what my problem is that its TOO much and TOO messy, theres no lines and all the rules told to you are proven wrong with no input from you or even hint at it being possible and no logical lines to it

like sure, in botw the shiekah tech and the encient energy is also rather vague, but you get a sense of what it is, its magic that powers their tech! and it doesnt go beyond that (unlike the sonau stuff which is .. both made AND powered by sonanium?? which feels a little ... stupid) and the people sometiems had some elemental magic, like urbosa and her lightning etc in totk its just all over the place, all the things work together in vague ways and seem like they can both do everything and nothing, which leaves you with an unsatisfying confusion and possible frustration (if you are me, who cares too much) instead of a intrigued curiousity (like i had with the ancient energy from botw) that can still feel like you not knowing the answer too doesnt distract from anything, its feels plausible on its own-

... hey, been some time since i got to rant in long form! take everything with a few more grains of salt than usually, i still have covid :/

[vasito-de-leche]

I love how you write, your interpretations of characters are my favorite. If you're okay with it, may I ask for romantic headcanons of Horropedia (Reverse 1999) x Reader? I would love to know what he is like when he's developing a crush, how he confronts his feelings when he realized them, what he's like when in a romantic relationship, etc. Thank you very much!

;R1999 HORROPEDIA - Relationship Headcanons

Compilation of headcanons about Horropedia in a romantic relationship.

awe! i'm glad you like my stuff! and thank you for the lovely words and request, cause i've been itching to write for horropedia <3

i got a liiiiittle carried away with this one, hope that's alright!

Horropedia as a character is fascinating because at a surface level he's a mess and a walking stereotype - a "nerdy nerd" with a very specific hyperfixation on the horror genre, the tall guy with glasses who explains the plot and does his own thing regardless of how others view him, the first one to die in a movie solely because he's perceived as cringe etc, etc.

And yet, his medium is "logic" - he, better than anyone, understands the nonsensical laws that make up the concept of horror, he sees the patterns and the reason why some things are done this way instead of that way. Through logic, pattern recognition and analysis, Horropedia can pretty much understand anything and work his way around any problem, no matter how unorthodox his solutions may be.

In a sense, I'd compare Horropedia to Pavia. Both are characters who are subject to the stereotypes and images others assign to them - but whereas Pavia both fights and plays into all of these roles, Horropedia just brushes it off and continues doing his own thing, being genuine and unapologetically himself.

When it comes to romance, it's easy to assume Horropedia has no interest in it - they're two different genres that don't go together most of the time. It's also easy to assume that he would be a troublesome partner, due to the laser focus attention he gives to his interests. And the latter is partially true: his lackluster love life is entirely because romance hasn't entered his radar, at least not enough to pull his attention away from his one true love.

But I think this is where the aspect of "logic" comes into play. All Horropedia needs is that spark, to find something to truly become invested in when it comes to romance - once he finds it, he'll dedicate the same amount of attention to detail and care as the horror movies he loves so much.

On the subject of Horropedia developing a crush.

Similar to Click, Horropedia would need some time to start noticing the signs of a crush - the difference is that Horropedia is a little quicker when it comes to realizing he's fallen for someone. His forte is horror movies, but he still knows a thing or two when it comes to other genres.

When he cannot rationalize his behaviour around you in a way that makes sense to his current fixation or situation, that's when he knows. And given how straightforward (to the point of bordering on obliviously rude) Horropedia can be, I'd say he'd also be the type to address this crush right away. Now that there's this brand new thing in his life, he'd like to understand it better - to dissect and study the way romance is potrayed, explore how it feels and just analyze it to hell and back. Basically, he wants to know the rules, to figure out how to best proceed.

Of course, he wouldn't dream of confronting you directly, only an amateur would do such a thing. Instead, he asks his friends and pretty much anyone within his general vicinity. He wants to understand romance from every angle, to hear about it from all sorts of people until he feels like he knows enough to start forming his own opinions.

His questions are all theoretical situations that begin rather innocent, innocuous. What does the hero of a romcom do to get the romantic interest? Does it follow a three act structure? And should the third act climax start with a confession or the breakup?

Overtime, they become a little more specific. To the point where his closest friends might suspect something is up, until Horropedia finds himself asking about your interests so that he can figure out the perfect gift for you. Just in case. He finds himself watching romcoms and making extensive research and charts and essays into the genres.

The funniest thing to me is that Horropedia would be extremely casual about this whole ordeal, this crush makes him extremely intrigued in the concept of romance (an oddity for someone so themed around horror), he finds himself staring at you from across the room (this is the third time he's walked into a door because of it) and so on and so forth. But he's so chill about it.

When confronted about his crush - should Blonney or anyone else decide to tease him a little by prodding - Horropedia has no problem blurting out that he has, indeed, fallen for someone. But he'll take your name to the grave, not out of shame or embarrassment but because "he doesn't want to spoil the plot, as obvious as it might be".

On the subject of Horropedia confronting his feelings and some more insight into his mentality.

I'd say there is this small possibility of Horropedia feeling disheartened if he begins to neglect his real passion for the sake of his feelings - it's that sort of guilt and shock one gets when they realize they've forgotten their wallet the moment they're meant to pay for dinner, or when they realize they've forgotten to turn off the oven.

Horror is a huge part of his life and who he is as a person - literally look at the name he's chosen for himself - and given how heavily coded he is to be neurodivergent, I can understand this aspect of him. The feeling like one must choose between two things they enjoy, and all the other things that might come with hyperfixation, both positive and negative.

This is the biggest obstacle for Horropedia when it comes to finally taking the first steps into forming a relationship with you or confessing - the irrational thought that by doing so, he's prioritizing you and romance over horror, something that he holds very dear. One of his stories gives some insight about Horropedia's relationship with horror and how it's something he shared with (and possibly was started by) his grandfather.

I feel like he'll grow a little distant, as a way to set some boundaries for himself or draw a line between his identity and his feelings for you, separate the two so that he doesn't have to feel guilty for giving one more attention than the other. Maybe he simply stops bringing up films around you, because "you're probably not that interested anyway". Masking, he's masking.

But overall, I can see Horropedia being capable enough to get out of this mindset by himself - or with a little help from someone else. Either way, he simply loops back to realizing the obvious: you two were friends, before he realized his feelings for you. You were fine with the whole Horropedia Experience. You liked him for who he was. And he liked you just as you were.

Horropedia is the one who confesses first, the one who asks you out. 100%. And it's so unnecessarily dramatic.

I DO think that Horropedia would make sure to be the one who confesses, just so he can put everything that he's learned about romance into play. And he delivers the most award worthy performance. It would be all about redirection, an unexpected reveal - his skills and animations are also all about fake outs and misleading the audience, after all.

In my head, there's this whole scene about Horropedia asking everyone to help him out confess to you, and everyone is so excited for it - but then he just asks them to fuel this slow rift that formed between you and him, to act vague, distant and mysterious should you ask Blonney or Tooth Fairy about him. Again, unorthodox and weird, but he's cooking. This is all done with the intention of forcing a confrontation between the two of you, just so he can pour his heart out right there - it's all or nothing.

Again, I want to insist that Horropedia, despite being a logical man, still makes as many aspects of his life revolve around the things that he loves and is interested in - he likes films, he likes you. And while romance is not his preferred genre, he still wants to explore all there is about it all thanks to you.

That alone should tell you how much you mean to him. Even if his methods aren't the "proper" way, you know he's putting his whole heart into this. It's all over the top, there's fake rain, etc etc. Of course, your reaction to this is up to you!

If you're mad at him for such convoluted plan, he'll sit there and allow you to scold him to your heart's content - he's used to it as one of the many troublemakers that the Foundation failed to raise as model students. If you laugh at him because of how ridiculous this guy can be sometimes, he'll laugh along, trying to get you to tell him what he could've been done better to get a third act reconciliation. And if you start crying, jump into his arms and play along then he'll be over the moon, trying every single impactful one-liner from every romcom he's watched in the past few weeks.

On the subject of Horropedia and how he acts when he's in a relationship.

Dating Horropedia is pretty easy, because you're dating your best friend. However, it is very easy to misunderstand Horropedia's way of showing affection - those who are more on the insecure side or less receptive to his subtleties may feel like there's been absolutely no shift in the dynamic, that he's treating you the same way he'd treat Tooth Fairy or Vertin.

This is far from the truth! Once Horropedia finally settles into the relationship, he grows very comfortable and allows himself to just exist around you - which isn't saying much since he doesn't mask as much around friends, but it's all about the subtle things!

I like to think Horropedia is very particular about space, as in he makes a point not to invade people's spaces if possible and he'd rather remain in his little bubble. But when it comes to you, he's very casual with physical touch. He's not as cuddly and touchy as characters like, let's say, Matilda, Jessica or Pavia, but being able to rest his head on your shoulder means a lot to him, or just have you lean on him when sitting together. This is pushed to the limit when you two pull all-nighters, binging all of your favorite movies.

He's on cloud nine when you pay attention to his ramblings and makes sure to listen when you ramble to him as well. More than often, he'll do his own little research into the topics you like, just so you have someone to properly discuss things with! Horropedia more than anyone knows what it's like to be brushed aside for being too much or too weird, to have no one listen. Despite his confidence, he has had days of feeling like he keeps on talking to a wall, so he doesn't want you to ever feel like that.

It's all about sharing interests and recommending things that you may like, keeping up with the latest events and so on and so forth, having looong discussions at night about whatever topic you two are extremely invested in.

If these discussions get a little heated and end up as arguments, expect Horropedia to insist on arguing because he's just stubborn like that - it'll take him time to realize that he might've hurt your feelings, or that he might've be hurting too, but he'll come around eventually to talk it out.

Overall, dating Horropedia would be fun because he's full of surprises and excitement, but he's also considerate in his own way.

[honey-minded-hivemind]

Imagine an au where Reader knows almost as soon as they get their powers that the other mutants are (or will become) yanderes. Maybe they're an isekaied person who played a weird otome game. Maybe they watched a yandere version of X-Men Evolution. Maybe they read a comic or book about it. Point is, they lived their new life with no knowledge of their previous one, and there is no going back or remembering it. (It's just a fun fact that isn't important to the au itself).

Reader seems to be able to see the future and have visions and dream about the future. But they know, without a doubt, that they have to avoid others, no matter what. They're almost like a magnet for trouble. Almost everyone everyone could potentially meet, human or mutant, will likely either a, kill them, b, hurt them, c, kidnap them, or d, try to force them to join them. Reader sees these bad futures, and they have a breakdown. Their julournals are filled with notes, their room is full of boards and papers full of writing that makes no sense (except to them), and then Reader leaves, in the middle of the night, amd decides they need to hide, or find a way to avoid people, because they feel like if they even speak to the wrong person, or do them a kindness, or get in someone's way on accident, then their life will be in danger.

Xavier sense a new mutant, one who is in deep distress, and tries to send his team after them... but nothing. This new mutant always seems to know where they plan to go, or whatever place they want to intercept them, and they'll go in the opposite direction or simply go in what seems like random circles... A few times they come close to finding them, but it doesn't work. So all they can do is try to reach them another way, or sew if they can't get them to come to Bayville...

Reader does eventually go to where everyone is, but only because they're tired, their head hurts, and they've had visions of all the bad things that could hapoem if they don't at least show up in that exact town, at that exact school. They're a nervous wreck showing up in town, they're quiet and jumpy during classes, and a lot of the school wonders if their home life is okay, and if Reader needs help-

This leads to Reader pointedly trying to appear more put together, and still falling short. Everyone is convinced there's something wrong, either at home or in their personal life or that they're traumatized by something, but no one can get close enough or actually speak to them to find out what it is that's bothering them.

Mystique catches on that Reader is a mutant, starts to investigate, and gets her team to try and find out their power. The Brotherhood teens all fail, spectacularly, even, because Reader acts like a frightened, awkward mess, to the point it's almost comical how fast they run away or how quick they are to excuse themself, it's just less funny because they genuinely seem terrified when anyone gets close or asks them a question. This eventually comes to a head.

Reader, seeing a vision where the school is destroyed, killing everyone inside, including Mystique and the mutamt teens, and how the remaining mutants turn evil and get revenge for it, ends up asking to see Principal Darkholme. They're jittery, sitting across from her and trying not to stare at anything for too long, but shakily explain they saw something, something bad, and need to tell her... Mystique gets to listen as she's told that there's a terrorist, some anti-mutamt racist, who plans to set a bomb inside the school, amd that if she or someone else doesn't stop that person, then it will kill everyone inside, including her, and Reader, and every teenager and teacher who comes in that day...

Mystique and Xavier team up, just this once, and have themselves amd their teams find this person, their group, stop them, gather the evidence and their blueprints, and leave them where the police can find them... In the news the next day, it says a bombing plot against the Bayville high school was stopped, possibly due to an unknown hero or anonymous do-gooder, and that there will be investigations to shut down any members of this group still out there...

Reader did it... They stopped something bad from happening... But now...

The people they were trying to hide from know what their power is... and are now trying to get them to join them...

And all Reader can do is try to hold on, and be careful... because they see how wrong things could go... but with how the future can be changed by anyone... Reader isn't so sure what will happen in the end...

[blank468]

My somewhat final thoughts of My Hero Academia

Note: Now that MHA is now doing an epilogue and is ending soon, I might as well give my final thoughts about this series. I’ll probably continue to talk more about it after the series is officially over but I’m not going to do a full fledged hour long review because I have better things to do.

This is a generic shonen empowerment fantasy that managed to screw its own theme and message. Any good will I would’ve given to series at the beginning is completely irrelevant as it when on. The morals and themes are constantly changing to throw random s**t on a sheet of paper that either doesn’t make sense, contradicts what being shown on screen, or if it doesn’t fits the tone of the story. My hero is not a deconstruction of the shonen genre that does anything new that would make it stand out. Most of the ideas and plot points created either have horrible execution, given no amount of attention where they’re just ignored or just have horrible payoffs. It follows all the exact same tropes seen in every other series and makes them worse. It also gets to the point where it rips off Naruto and makes the same mistakes it did. The amount of plot twists that are excused as some kind of subversion are obnoxious and predictable where’s it gets incredibly annoying. The world building is horrendous and just makes the story feel small for a world that has a life changing impact. The power scale doesn’t always make sense and it does nothing but act as a way to reward characters that didn’t earn it.

It has a dangerous and horrible message for victims of abuse and bullying. My hero has no problem telling the audience that if you’re a victim of any kind of abuse, it’s your problem and you should just act like it’s not a big issue. Apparently it’s ok lie to your friends, family and colleagues that you can trust but it’s not ok to lie or even hold accountable to your abuser. And no matter if he/she has a reason for the way they are, you are always in the wrong and you should spend your sad life praising and benefiting them.

There exists way too many characters for the audience to be invested in and after watching them for several arcs, they are just stereotypes with nothing new or original about them. Many of them come across as either being stupid, annoying, useless, unlikeable, petty, ignorant or just both. Some characters will either exist to benefit others or just highjack the story, ruining every other character’s chance to get any sort spotlight. The series is way too reliant on putting focus on unpleasant and uninteresting characters to please its large audience. The humor is way too reliant on a character’s personality trait. No matter what they do, the story expects us to automatically like them regardless of how horrible and selfish their actions are. Izuku may not be the worst character, but he’s no where near as great as everyone hypes him up to be. Bakugo is an unbearable mess of a character that serves no real purpose in the story and exists to take away every characters chance of development. His development is one of the laziest and obnoxious parts I have ever seen in any story and yet he’s the most popular sadist in the show with no sort of reason or sympathy for me to like him. Any criticism given to this d**khead is automatically shot down and people like me get harassed and called a brain dead immature f*g for stating our opinion.

Aside from Twice and Gentle/ La Brava, these villains are not that interesting and what ever traits about them gave them something to do is absence. Shigaraki is the stories biggest wasted potential that went from being an idiot to being an incompetent idiot to benefit my left nutsack. Toga is a Mary Stu who went from being a sad and annoying character to an annoying and self centered bitch who complains after being told her actions are wrong. Dabi is just a Gary Stu who’s only interested in wanting to kill his dad. Spinner is a joke that is constantly scammed by his creator.

The only saving grace I can give to this series is the art style of the manga and some parts of the Todoroki family drama. I can even say that Horikoshi’s art style and how he designs characters and panel designs inspired me as an artist. The anime as a whole is fine but it’s not perfect, but that’s mostly because it doesn’t do a whole lot of creatively/artistic things to make it on par with the most popular anime series. As an artist, I would recommend my hero as a reference to use to improve your work. If you just want to read or watch a series that has fights that just make you feel some kind of emotion, then you might get something out of this series. It’s not even the absolute worst thing I’ve seen; I’ve seen much worse in other genres other than shonen manga. It’s just rare to find a badly written series without being surrounded by d**kriders. It’s just a disaster of a series, and I wished I spent my time during the pandemic watching another series like Demon Slayer, or Black Clover.

[mistresscitrusslice]

I will never get why some people think Jayce and Viktor’s arcs aren’t connected enough. Like, did y’all not see how so much of what they did impacted the other? They’ll literally say there weren’t genuine moments between the two and still have the gall to post this shit on the Jayvik tag and say they could do a better job writing the show than the actual writers.

The point IS that they’re growing apart and not resolving their problems jointly throughout the series. Jayce gets drawn in by the worst parts of Piltover and Viktor gets drawn in by the worst parts of Zaun. That’s- that’s literally spoonfed in the “We lost our way” scene.

Their plots seem disconnected BECAUSE THEY’RE INTENDED TO BE. Because Jayce’s priority list is a mess of incomprehensible scribbles and Viktor’s go-to move is to lock himself in the lab, fuck everything else. That’s. The point. They lost sight of their goal just as they lost sight of each other. If Caitvi is an example of how Piltover and Zaun can work together, Jayvik is an example of how Piltover and Zaun can fall apart.

There are still people out there saying that Jayce doesn’t express worry for Viktor’s impending death outside of the hospital scene. And apparently there wasn’t enough story emphasis on Jayce insulting the people of the Undercity. That Jayce and Viktor “really don’t act like good friends or anything” AND THEN POST THIS IN THE JAYVIK TAG AS DIRECT PROVOCATION. If you can’t see that they’re close, then you’re denser than the brick wall I feel like I’m talking to. This isn’t even about shipping. Some people LITERALLY cannot see the platonic love waving its arms in front of you.

Jayce can’t figure out priorities, but we DO see him working with Viktor on the Hexcore, trying to influence the way it reacts to organic matter. In fact, I think the only time he spends in lab after becoming councilor IS TRYING TO SAVE VIKTOR.

Viktor also pushed him away at the start, saying not to worry, and Jayce respected his wishes. He only starts accepting Jayce’s help after getting sent to the emergency room.

You know what else he does to try to save his partner? HE DEPOSES THE HEAD OF THE STATE. (Besties, if your bf won’t dethrone a ruler for you, he ain’t your bf <3) As soon as Heimerdinger said he would destroy the one chance they had at saving Viktor’s life, Jayce took immediate action and removed that obstacle for them.

Wdym they never focused again on the fact that Jayce insulted Viktor’s people? We see that that line had IMMEDIATE AND DIRECT AND LASTING CONSEQUENCES. It’s implied that Viktor would have told Jayce about the shimmer since he said, “Jayce will understand,” but decides not to tell him anything after Jayce says that bullshit. Without someone to bounce ideas off of while using the shimmer and the Hexcore on himself, he gets a lot more reckless and Sky goes poof.

One thing leads to another. Just because it wasn’t spoonfed to you doesn’t mean you can’t use your brain and make the connection. Besides, Jayce eventually writes up the proposal to free Zaun. Viktor presents this peace treaty to the Council alongside Jayce, so we can assume that it has been at least partially resolved between them, but likely that we will see more of it in season 2, or so you need that spelled out for you as well?

I said this a in a response already, but seeing as it was deleted to curate this user’s echo chamber, i still felt the need to post this where people could see it. Fuck you, but you can’t see this anyway, so nobody’s feelings will be hurt.

[onlylove4louis]

"We're in the endgame now"... We're gearing up for the final horror show, where everyone loses. And I'm tired of the hate I'm seeing in this fandom for Louis. I want absolutely nothing to do with any of it.

If you hate Louis. Block me

(I do not care in the slightest why you do, I don't care)

If you feel Louis is to blame for literally everything, and/or you're consistently posting about how much you think everything his his fault. Block me

If all you care about is Claudia and you treat Louis like a 'whipping boy' or 'punching bag' or Scapegoat, for her. Block me

If you are incapable of understanding that Claudia can mess up and make mistakes too, that she's just as capable of making bad decisions and being responsible for some of what's happening to her, based on choices she's made. Just like EVERYONE ELSE. And instead you want to act like that's impossible and anything wrong that happens regardless, is Louis' "fault". Block me

If you consistently act like everything about Louis, his choices, decisions and actions. Everything he does and everything that happens to him, is ALL about her. Block me

If you have no compassion, sympathy, empathy, or capacity for actually even trying to understand Louis. Block me

If you're actively blaming him for what's going to happen in Paris. Block me

If you're already saying outrageous stuff like "he let her die". Block me

If you're actively wishing, or post about how you hope Louis dies. Block me

If you consistently treat Louis like he's just a plot vehicle for Claudias character. Block me

If you genuinely are convinced that Louis doesn't love or care for Claudia. Block me

If you think it's perfectly okay for her to mistreat and abuse him. Or anyone else for that matter. Block me

If you're constantly on your shit about him at all, just so that you can boast up Claudias character. Block me

If you can watch Louis be marched down a sewer to his "death" and watch him be willing to die, if it means Claudia will be able to be happy and accepted and taken care of. And all you can think about is heaping more hate on him, in favor of Claudia. Block me

If you can watch him slowly spiral into madness and force himself to keep it all together and lock it away, with no one to help him, just so that he can smile for Claudia. And all you can think or post about is how "selfish" he is. Saying stupid stuff like he betrayed her, he never does anything for her, blah blah blah. Block me

-> I just simply don't want to see it, and I'm so tired of coming across the bullshit that people are constantly spouting and posting about, when it comes to Louis. While treating NONE of the other characters the same. I'm tired of getting on this site, and spending the majority of time, daily, blocking people. You feel however you want about Louis, hate him all you want, I don't care. I just don't want to see it. So please, if you come across this and you identify with ANY of the above, just block me. Easiest way to not see your garbage, accidently, while scrolling here just trying to enjoy this show and this fandom, and this character. I'm only interested in those who either love him, understand him, have compassion for him, see him as his own character/person. Are able to understand that regardless of how toxic and damaged and unstable and monstrous he is or can be, that just like everyone else, he too deserves companionship and love. That he doesn't deserve to be abused and traumatized and manipulated and used. That he doesn't exist just for Claudia... And of course those who, while he may not be their favorite character (which is fine) are still able to give him grace and space and the same treatment and consideration, they afford other characters. So yeah, if you've made it to this point and you feel "called" out or "attacked" or upset by any of the above, you're most likely one of the people I'm talking to/about. Block me. I'm no one important, you wont miss anything, it wont matter at all. Please just hit that block button, because I sincerely want nothing to do with you or anything you have to say.

[flower-boi16]

Why Oops Is a DISASTER

So...Oops. I have ranted about this episode a few times before, and most of y'all would know that this along with Western Energy are my two least favorite episodes of the show. But those were just unstructured rants about the episode. I think it's time for me to give a full analysis on why this episode FAILS in every single way, from the plot to the characters to EVERYTHING. And here, I'm going to analyze why.

1. Miscellaneous Issues

First, let's start with some miscellaneous problems I have with the episode that can't be put into an individual section. First there's the recurring problem of tonal issues that season 2 has where serious scenes are interrupted by unfunny sex jokes as usual with this season.

Then there is the fact that Stolas...is completely fine in this episode, when in the last episode he was in the hospital and the show made a REALLY big deal out of it, but now he is just completely fine? What was the point of making such a big deal out of Stolas being injured and possibly DYING and having a massive cliffhanger when it's not even going to matter anyway?

It simply just shows how big cliffhangers in this show don't matter, Stolas and Blitz's conflict in Ozzie's? Gets ignored and then resolved with a text message. Stolas getting injured and possibly dying? Nope, he's fine the next time he makes an appearance. Why should I care about big cliffhangers in your show if they aren't going to matter anyway? What was the point of that cliff hanger in Western Energy if it was just going to be resolved two episodes later?

But now it's time to get into the REAL meat of this episode's issues and oh boy...there are so, so, SO many of them.

2. The Plot

So...the episode's plot...it's a mess. There is no other episode in this show with THIS many plot holes I can think of. I am just going to name each plot hole in this episode by the order that they appear in, K? K.

We might as well pick up where we left off, that being; HOW DID STOLAS GET OUT OF THE HOSPITAL??? How was he SOMEHOW able to recover so quickly? Can blue bloods recover quicker than normal demons??? That would be a solid explanation if that was what the show gave us...but no! Also why is Stolas going to ASMODEUS of all people for advice? And why is Ozzie acting all friendly to Stolas now??? Did the writers just FORGET the last interaction they had was Ozzie MOCKING Stolas???

Then there's the fact that blitz just. Conveniently had a knife in his shoe even though we NEVER seen him use it before, which he could conveniently use to cut the ropes which he for some reason didn't use earlier??? Like you could say it's because Blitz wanted to fuck with Fizz but there's literally no reason for him to DO that! Why didn't he use the knife earlier???

Then there's the fact that NONE of the villains apparently heard all the chaos that was happening during Blitz's whole plan to kill all the minions. Why didn't they think to check up on what was going on?? Like??? Oh ya, then during Fizz's music number Blitz drops a METAL BLOWTORCH and it makes a loud clanking sound that none of the villains hear for some reason?? Why did not hear it? Why didn't they turn to see what that sound was???

Oh ya, and Blitz makes a hole into the building and after Fizz flings them out of there it crumbles??? For some reason??? How does putting one hole into a building suddenly make the whole thing COLLAPSE??? Then after Fizz and Blitz fling themselves out of the warehouse, which they are a LONG DISTANCE FROM, Striker just suddenly catches up to them that quickly?? HUH??? How was he able to catch up to them that quickly when they were VERY far from the warehouse (that CRUMBLED) in only like, 15 seconds??? Also why doesn't Striker have any injuries from being in a building that COLLAPSED??? Striker should not just have a few bruises, he should at least have a broken arm or something at best or be DEAD at worst.

So as you can probably tell, Oop's plot is a MESS. There are so many things that don't make sense about it that make the plot completely and utterly BROKEN. And no, don't tell me that these are just "nitpicks", because they aren't. A plot hole no matter how big or small is a plot hole, and when there are too many of them they begin to add up. So now that we've gone over the mess that is the plot of this episode, let's get into the next problem with oops...

3. The Pacing

This section is going to be shorter than the others but it's still an issue, pacing in this episode is...bad. It's WAY too damn fast and everything in the episode feels very rushed. I'll talk about this later but the resolution to Blitz and Fizz's friendship feels incredibly rushed due to the episode's bad pacing; not to mention the reveal just being 20 fucking seconds too. Nothing in this episode is allowed to breathe, everything happens so fast it feels like the episode was written on cocaine.

The pacing especially affects Blitz and Fizz's conflict in this episode but again I'll talk about that in a later section. Now, all of these issues would be enough to make this episode a 3-4/10 but...there are more problems, two more major issues that make me truly dislike this episode, and what makes this episode a 2/10 boarding on a 1.

4. The Cage Scene

Sigh....the stupid cage scene. Y'all know why I hate this scene, and I already talked about it in my Stolitz post so I'll just get to the point; this scene is basically the show trying to gaslight Blitz for not loving Stolas. We're supposed to believe that Stolas did all of these nice things for Blitz but like, not only is it TOLD to us rather than shown, it's also a retcon; none of what Blitz says about Stolas doing these nice things lines up with Stolas's behavior in Season 1, so it's a contradiction and a retcon.

And the show paints Blitz as in the wrong for not loving Stolas (again, talked about Blitz's demonization in my Stolitz post), because "Stolas genuinely loved Blitz and Blitz just hates him for being a prince!", even though that does not change the fact that it's a retcon AND that even if Stolas does care for Blitz and does some nice things for him, that DOES NOT automatically make his treatment of Blitz good. Stolas is still an abuser, yet the show once again coddles him for his mistakes and portrays him as an UwU soft boy who just loves Blitz, and like I already said in another post, anybody who dislikes Stolas or is upset by his actions is demonized by the narrative. I already went over this scene multiple times so I don't really need to go over it again, but this and a later issue I'm going to talk about is one of the main things that truly makes this episode a 2/10 and one of the biggest problems in it.

So now, let's get into my last issue with this mess of an episode...

5. Blitz and Fizz's Friendship

So Oops was advertised as an episode that would explore Blitz and Fizz's friendship and their trauma. This was one of the many interesting plotlines that season 1 left for season 2, so the writers surely couldn't fuck this up, right?.....right?

As you can probably guess, they did, and they did it SUPER badly. There was so much interesting potential for this storyline...that the episode didn't even touch on. That's my first issue with Blitz and Fizz's friendship here; the episode never really explores it that much. We don't get to learn what their childhood was like together nor do we ever even see any memories of them as best friends, none of that.

Their friendship feels so underexplored and underdeveloped that it makes the reveal of what happened have little impact. Speaking of that reveal; it's...so underwhelming and rushed. It's just a 20-second reveal of what happened that gets randomly dropped out of nowhere. This reveal has little impact because not only does it last for only 20 seconds, the lack of buildup to this reveal combined with the pacing and tonal issues make it so underwhelming.

There's no build-up here, it just comes out of nowhere and the audience is barely given much time to process it at all. It lacks any actual impact to it at all. Ya see what I mean when I say this episode's pacing issues harm it severely? Then there's the rushed forgiveness, where Fizz just forgives Blitz for the trauma he gave him and getting his limbs burnt off. He literally tells Ozzie to give Blitz the crystal cuz he "earned it", implying that he has forgiven him.

This just felt so rushed, it would have been more believable if Fizz hadn't forgiven Blitz but decided to give him a second chance if he really wanted to make amends with him so badly. It would have been more interesting and well-written than Fizz instantly forgiving him.

So ya, in conclusion; Fizz and Blitz's friendship was done very poorly in this episode. It's not only unexplored but the resolution to their conflict is rushed and underwhelming. I think I've gone on enough so I'll end this here.

6. Conclusion

So ya, that's why Oops sucks. It's easily tied with Western Energy as the two worst episodes of the show. They are both complete disasters on every single level, and I think I may talk about Western Energy one day. So ya...bye

[litnerdwrites]

It's interesting how Nesta had to apologise for something she wasn't even in the wrong of doing while Rhys, who overreacted by threatening to kill her (for a mistake he made) and chasing her out of the city, did not have to. Especially, after it was canonically established by Feyre herself that he did not have the right to do that..

And for someone who claims to write about badass female mcs who crush patriarchy and choose the course of their own lives, shouldn't an apology scene for something in which a female's right to information on her own body was undermined be a fundamental part of the book?

I mean, she could add a bonus chapter about the characters in question fucking to make babies but had to keep the apology off-page? Weird.

The only somewhat sufferable part of the book was the scenes with the Valkyries and the smut (if you ignore the poor timing).

I don't know if it's my eldest daughter syndrome acting up but I feel strongly about this.

I agree completely. I won't deny that Nesta has some things to apologies for, but so does Rhysand, and Feyre and Mor. I'd even argue that the things the IC put her through negate the need for her to apologies, or at least makes it a little less urgent/important than the apologies she's owed. This is mostly due to the fact that Nesta's so-called crimes amount to a bad attitude (most on page examples of which are pretty understandable to me), and issues she had with Feyre in childhood. Meanwhile, the IC's actions are immature and ignorant at best, and extremely abusive at worst.

Honestly, I don't think any of them, much less Rhysand, see what they did as a mistake. If any of them did, they wouldn't have made her walk through those woods. Feyre would've demanded Nesta be brought back otherwise, but she didn't.

As for Rhysand, honestly the part where he hugged Nesta gave me ick. Especially when Nesta said he'd been acting like a brother the whole time because he hadn't. He abused her. He broke her down. He only showed any semblance of decency (even then it wasn't much) when she did something to benefit him.

Offering pity jobs for somebody else's sake without taking into account Nesta's strengths or passions into account isn't what a brother, or anybody who cares for her, would do. Staring at her like a circus attraction when she enters the room isn't something a brother would do. Forcing her to social events just to ignore her isn't something a brother would do. Financially abusing her, refusing to give her a salary for her work during the war, along with her inheritance, is not something a brother would do. Not caring for her wellbeing beyond how her sister feel's is not something a brother could do. I could go on.

I think, at the end of the day, this amounts to a simple fact. SJM clearly doesn't see anything wrong with the things she writes and narrative she creates. No matter how you argue that ACOSF is a healing story, not a redemption story, it doesn't matter. Through analysing the sext, the author clearly shows how she feels about Nesta. Looking at what she says about the book, the author clearly has little understanding of mental health, and hasn't done enough research on it to be able to write a healing arc that isn't straight up abuse/torture (seriously, the bar is in the crust of the earth).

ACOSF could've been the best book in the series. All of the material, the concepts, the potential was there. Nesta's story was set up in ACOFS, and perhaps I wouldn't have minded the actions of the IC as much (from a literary perspective anyway) if they had been acknowledged as wrong and the IC apologised. I don't think anyone would've minded the locked in the HOW plot either, if, at some point, the characters acknowledge how abusive it was. If the narrative itself acknowledged how messed up it was, and did something about it.

If Cassian apologised for abandoning her after the war, Cassian especially. If Feyre apologised for not trying to reach out in a way that Nesta was comfortable with. If Elain apologised for not being there for Nesta the way Nesta was for her. If Mor apologised for, intentionally or not, isolating Nesta from the rest of the court. If Amren apologised for her comments. If Rhys apologised for sticking his nose where it didn't belong.

Rhys apologising for the hike, or threatening to kill her would mean nothing because both he and the narrative don't see anything wrong with his treatment of her. If he did, then the forced training/library/stuck in the how part would've ended half way through the book.

The part that infuriates me the most, however, is that they don't see their wrong doings at all. They still think they're doing the right thing and that they know everything. It's messed up.

[magpod-confessions]

Honestly i wanna hear opinions on season 4, cus im gonna confess i could NOT finish it (didnt move on to season 5 either lol). Got to like ep 135 & i just couldnt tell any of the episodes apart it felt like such a drag; just a slog of misery with some offhand Important 5 Minutes once in a blue moon. I hate repetition & i got the sparknotes from fandom/wiki stuff so yeahhh i just stopped listening; i still love TMA & it’s story & characters, it’s just the execution that got to me RIP

Everything felt kinda forced to me ig? Like there was some shoe-horned “humans are more monstrous than the actual monster” that snuffed S1 Jon’s fun cockiness/jackassery just to make him ? The best one in the archive ??? & all of his wrongdoings are either off-screen or justified by him being tricked into becoming a literal monster against his will (who would STARVE w/o his ‘evil-doings’, which didnt even kill ppl). Also felt like everyone got needlessly dumbed down except for Martin (the Love Interest ofc, who got 180’d from his pre-established incompetency to be some mastermind in a playing field he should have REALLY been inept in) just so they’d be blind to Jon’s situation & be mean to him LMAO

They started trying to make Jon accountable for “choosing this” & i couldnt handle it, held no fucking water to me—the guy being explicitly puppetted & manipulated as the entire plot? That guy is expected to take responsibility here? Felt like some after-thought theme they threw on top of it all. Anyways uhh feel free comment either on what i said and/or your personal thoughts on the season, or nothing if ya got nothing lol

🗣️

Ehh disagree. S4 isnt my fav but I dont think its bad. S1 Jon to s4 jon feels like natural character progression to me. He starts as acting all high and mighty to try hide the fact he has no idea what hes doing and is terrified, and then experiences a lot of ppl dying that he feels is due to him and is his responsibility. At that point his thought pattern is 'I keep messing up and making mistakes and getting myself and everyone around me hurt, so other ppl surely know better'. Hes got a lot of black and white thinking around him, which has been consistent throughout his entire characterization

I dont think any characters were dumbed down either

Melanie was always angry, she only go worse bc she had smth making her think everything she did was justified and when that stopped she became avoidant and stopped lashing out. She was still angry, just managing it better

Basira has always been Daisys no1, the person to justify all of Daisys actions. She knows what daisy did and why its bad but she holds onto the idea that daisy is right in doing so. She blames jon for what he does bc logically she knows its wrong, hurting ppl who havent done anything is wrong, but still excuses daisy bc she needs to. Bc that was a fact of her life and it cannot be wrong. In the unknowning she focuses on facts to keep her grounded and to her 'Daisy is a good person' 'Hurting ppl is wrong' and 'If you hurt ppl you are a bad person' are all facts she needs in her life to stay grounded. How she justifies Daisys actions is by saying that the ppl who daisy hurt were worse and it ultimately helps more ppl to have them gone. Not only can she not do that with Jon, as she believes those he hurts are entirely innocent, she also doesnt care to. Shes not close with Jon and she doesnt have 'Jon is a good person' as a fact in her mind, so she doesnt need to work to excuse his actions. Its all or nothing with her, if you hurt and continue hurting ppl, no matter your reason, you need to stop and the only way you will stop is if you are gone. She also has a lot of black and white thinking, gotta love the autism podcast

Martin being a mastermind in s4 also makes sense bc him being stupid is an act. If ppl think your stupid theyll underestimate you and ultimately leave you alone. They wont scrutinize you, they wont attack every part of you, they will brush it off as just a typical normal thing. It will get you ignored and you cannot be hurt if nobody knows who you are or how to hurt you. Its a lonely miserable existence but its one martins used to. Martin rarely drops the mask of 'Sweet but stupid' bc he needs that to survive and tbh he probably learnt that from needing to survive his mom LOL. Martin just knows and picks the best method of getting ppl to like him, which for him is doing exactly what they want and keeping their expectations low so they wont hurt him as much when they mess up. Honestly in s5 I see him as hes finally got to a place where he doesnt care if everyone hates him, bc he has someone who does and thats all he needs. Hes survived the worst of it and he doesnt care anymore

Part of the reason everyone blames Jon is bc he is there and he is the one who is currently causing the most problems. Also they dont actually see the extent that Jon is manipulated. Elias talks and interacts with Jon differently to how he interacts with others. All of them met Jon when he was already at the institute, they meet him when it does actually look like he made his choice, entirely of his own free will. It doesnt help that daisy is there, someone who completed their transformation like Jon did and turned back on it, and she looks like shes managing well enough. She is surviving without feeding so why cant Jon do the same? Also basira does trust elias on some level. She trusts he knows more than she does and can be an asset if used correctly, which definitely doesnt help things. Also the idea of Elias is locked up, he cant affect Jon anymore so why is Jon still acting this way. Elias has very effectively vilified and isolated jon and jon doesnt fight back against it bc he believes it as well. Other ppl are normally right so why wouldnt everyone be right abt him?

Oh my god that was an essay and I absolutely missed sooo much stuff but idk take that - rosette

i literally have nothing to add . rosette sincerely you are insane and i love that . i honestly don't have a lot of s4 opinions that i could really put down , but i also disagree anon . s4 may not have been the best , but it certainly wasn't Bad or not enjoyable to listen to . coming from someone who has listened to the podcast twice now [ and who is planning on a third relisten ] , i really do enjoy s4 as a whole . martin's buildup and his manipulation of peter lukas is honestly one of my favourite parts , because it has been said that martin was originally going to be apart of the mother of puppets ! this shows that part of martin we didn't get to see but has been there . i got distracted and don't remember what else i was gonna type um . whoops - deceit

[fanfiction-blep]

Does anyone else wonder if pandora has the equivalent of weed *cough catnip* for the Navi? Imagine Miles getting some into his system and his senses just kind of go hazy. Loses control of himself a bit and drops the tough guy act long enough to make known how much he cares about you. Bonus points for stoned out sexed up miles 🥵

PLEASE I love this idea, I did google it. I know they have different poisons they can use to hallucinate, but I love this Concept. And I'll do two parts. One where Just Miles get's high and then one where they are both high as it doesn't sit right with me to write smut where one person is under the influence and the other is not.

That's some plant~ Na'vi Miles Quaritch x Fem/Reader

Warnings: Substance use? fluffy, Quaritch HIGH AS BALLS, soft Quaritch, Quaritch being baby.

Okay I can't think of a specific plot of this would happen so bare with head cannons for now.

Okay so he ingests it as an accident, maybe in the field? Like maybe there is a plant? And you don't have to prepare it, its chemical components can be ingested without any prep and bam. hello 420.

So you know the planet well? And you are teaching the recoms what is safe to eat and what isn't or what will do nothing but taste bad.

Quaritch is down bad okay? he likes you a lot and all this plant stuff isn't his thing he doesn't know how to impress you. Normally he would show off, in whatever way popped into his head but he realised that didn't work for you so he tried to act like he knew what he was doing.

He saw a large plant with a purple stem. large star like leaves five times the size of his head pointing out in every direction the odd flower sprouting. He picked two or three leaves and shoved one into his mouth, it tasted a little bitter but it was damp and once down the aftertaste wasn't bad.

What he didn't know was the best way to take this plant was in a tea, but no big blue simp man wanted to show off, he walzted over to you, already chomping down on the second leaf. Smirking at you. Your eyes went wide trying to grab the remaining leaf from him.

"Please tell me that you didn't eat that" "Ya just saw me eat one, what's the problem sweetheart?" He had pulled his hand into the air and was now lifting his head eating the third leaf. "Quaritch stop!" She wasn't sure whether to laugh or to cry at his impuslive behaviour. A hand resting over you're mouth in shock. It hit him there. You weren't messing around.

"Miles?" You asked placing a hand on his bicep. "How many leaves did you eat?" "Three" He spoke as if he was a child who had gotten caught eating cookies before dinner. "Alright, back to base. Now!" you gestured the rest of the recoms re grouped and headed to the ship in confusion.

"What's wrong did i eat something poisonous?" She stared up at him. "You just ate Pandora's version of cannabis!" "Fuck"

now you would be both mad, but mainly confused, who just randomly eats a plant they have no knowledge on? Miles Quaritch apparently. you would have told the science guys and insisted you would watch over Quaritch yourself.

He would be SO CLUMSY. Imagine him falling into a wall and apologising to it. Or staring at random inanimate objects and having very existential thoughts.

"Do ya ever wonder about the fact we never ask our beds if they want to be laid on?" You would have to stifle your laughter. getting him to his room was a MISSION. Lyle tries to help you. As Miles isn't able to walk by himself. You being a Na'vi you can kinda help him?

But man's is THICCC and even as a Na'vi you struggle to hold his whole weight. Also he doesn't want Lyle helping him. He starts swatting at Lyles hands. Incoherently mumbling at him. "What's the matter Colonel?" "Only want the pretty lady touching me." He would pout and rub his cheek against your head.

he was fucking purring, like actually purring while rubbing his cheek all over your head.

Lyle walked away as soon as you reached your room, you had picked your own room as you had all the medical supplies that you might need in case he has a bad reaction.

Okay so I have this vision in my head off him lifting his arm off your shoulders and trying to walk to the bed and just walking in a zig zag line. and doing a little fist bump in the air when he sits down on the bed.

Okay so you decide to grab him a glass of water, grab a med kit and take his temperature. Imagine him trying to bite the thermometer. Like your trying to put it under his tongue and he's acting like a child. You finally snap at him. "Just let me take care of you!"

"yes ma'am" He would push his legs together and make his back all straight and stare at you with this little goofy grin. You would place two fingers on his neck to check his pulse, and he would lean into your hand!

He's a little goofy baby boy. The whole dom thing melts away, and he just wants to be close to you.

He just wants to feel you, he comes down a little still high off his rocker but he's less toddler like. He gets sensitive to touch. Any fabric starts to irritate him, He starts pulling on his camo and tank top. Overwhelmed by the feeling on his skin yet unable to fully communicate what was happening due to fog in his brain.

You understand and walk over lifting his arms up and pulling off his tank top. You don't feel comfortable with him taking off his trousers due to his situation so you go to his room (Only for a moment) And find him some sweatpants. In hopes that it will make him feel better.

When you re entre the room he gets all excited and smiles at you. "You came back!" He wouldn't get overexcited it was more of a whisper. He would do little grabby hands and pull your hips pressing his face against your torso. Eventually he has wrapped his arms around your waist pulling you into his lap. Face buried in the nape of your neck, breathing in your scent.

"Ya smell soo good" So all his sense are heightened and he has always adored how you smell he has just never talked to you about this. "Miss how ya smell" at this point you give in and you start stroking the hair on his head, Causing him to purr again. The vibrations tickling your chest.

You stayed like this for a while until he fell asleep and you had to lay him down, in a half awake state he would pull you back onto the bed. "Need to hold ya pretty girl" "Don't wanna loose ya"

100% waking up thirty as hell.

Smiles when he sees you left a glass of water next to the bed for him, plus a few fresh fruits.

Fells slightly guilty about his behaviour because he doesn't know you feel the same way about him. He climbs back into the bed because he will be damned if he stumbles back to his room at unholy hours of the morning.

All the guilt melts away when he feels you roll into his side smiling in your sleep nuzzling against the bare skin of his chest.

is going to ask you to try the plant with him for sure, he just has to wait for you to wake up.

[tobiasdrake]

Beyond the necessary inclusion of the original 1984-1995 Dragon Ball manga, "canon" is whatever you want. The "whatever Toriyama worked on" criteria doesn't really work, because he's had at least a small hand in the conception and story of basically everything.

Nowadays, people act like Super is somehow the "oNe TrUe CaNoN" continuation and all that matters anymore, even though there's two separate versions of Super that can't even jive with each other. What's more, that same "Super is everything" crowd also can't even decide which of those two versions is the more important or "canon-est" one — a few years back you'd more likely see claims that it's the anime, since it was the original product and the manga simply served to promote it, but now you'll see more claims that it's the manga, just because it's the only version left.

Which should all go to show just how much of a ridiculous and self-contradictory mess this whole topic is, and why any given person is better off just not buying into it. Just take the original manga as your starting point and go in whatever direction you prefer from there.

The concept of canon is actually really important when doing critical analysis, part of which depends on understanding the choices being made, what they represent from a creative perspective, and what they lend to the story. It's important to be able to identify what was part of the creator's original vision, what the creator came up with years later and bolted on after the fact, what was added by other creatives, what was interpreted by other creatives, etc.

To draw a fairly extreme example, let's talk about Bulma's ki-sensing abilities.

In a filler arc of the Z anime, Captain Ginyu takes control of Bulma's body and rides a motorcycle over to spectate on Goku and Frieza's fight - While also seeking to take over a stronger body.

During the American dub, Ginyu's inner monologue celebrates that being in Bulma's body has granted him the ability to sense ki.

Ginyu: This is strange! In this body, I can clearly sense the intensity of each of their power levels!

However, much later in the series, we have Vegeta and Trunks fighting Cell. Bulma needs Piccolo and Tenshinhan to explain to her what's going on.

Well, that's a little strange, isn't it? Why would Bulma need Piccolo to explain what's going on to her? Why can't she just use her own ki-sensing and figure it out for herself?

Is this a plot hole?

Well. No. Obviously not. The reason Bulma can't use her own ki-sensing is because Bulma can't sense ki. That was a line from a localized dub of a filler arc of an adaptation of the original source material. It's three stages removed from original canon. Obviously it has no bearing on the core plot of Dragon Ball, which was written long before it even existed.

With regard to Dragon Ball Super, things are... dicey there. The way Super works is that both and neither are the true canon. Super was created by way of Akira Toriyama writing out a story outline for what he wanted, then separately delivering those notes to Toei Animation and to mangaka Toyotarou, each of whom fleshed out those notes into a complete story by applying their own creative vision.

So it's a weird situation where there isn't really a true canon to Super because both versions of the story are separate creators' adaptational interpretation of the same outline. The Super anime, of course, was made by the studio that made the Z anime so it borrows a lot of elements that Toei created for their version of Dragon Ball. The manga version does not, but it does feel subtly off because Toyotarou's interpretations of the characters don't always mesh well with the original story.

[ananicoleta]

Looney Tunes headcanon time!

I've been thinking about this for a while so now I gotta share it on here!

Bugs Bunny doesn't get mad easily. That's just how he's wired. Calm, collected, level-headed, usually pretty relaxed, lazily strolling down the street while humming a merry melody (eh?), he prefers to chill and doesn't really take anything seriouslly.

A Warner Bros. intern messed something up, be it accidentaly or because he was a careless idot? Bugs doesn't even flinch and immediately finds a way to fix whatever it is.

A student at Acme Looniversity is goofing around way too much during a lesson? All Bugs has to do is give him a look and the child stops at once, but he never raises his voice or loses his temper.

One of his enemy messes with him? Pfff, are you kidding? That's the most fun he's gonna have all week!

Even when he gets irritated by one of them, he doesn't actually get mad mad and he certainly doesn't hate them (he's too cool for that). It's more of an "oh, he interrupted my peaceful afternoon? now i'll have to fuck his entire shit up" kind of thing. He might be mildly annoyed in the beginning but by the time he starts plotting the poor soul's demise, his irritation is long gone. His motivation is rather the principle of "don't mess with me" rather than anger.

Sometimes Bugs will fake being mad to get his point across (to scare people, usually a nemesis or a student), but again, he's not really angry, he's just exaggerating.

However, and this is where my headcanon comes in, this doesn't mean that sometimes Bugs Bunny doesn't get pretty fucking MAD.

Like I said, it's very hard to get him at that point. But when he gets there oh, Lord have mercy! And it's not what people (who have obviously never seen him in that state) might think.

He doesn't shout. He doesn't get physical. He doesn't throw a tantrum. If he does any of those then again, he's not really mad. He either does it for comedic effect or to intimidate. No. It's much more unsettling than that.

Instead, he just goes quiet. And not the usual relaxed, watching-shit-go-down-from-the-sidelines quiet. Oh, no. He's rigid as a statue. His upbeat expression is replaced by one of pure coldness. No condecending smirk, no smug look, no playfullness in his eyes. Just a motionless face with an icy stare.

If Bugs speaks when he's like this he doesn't raise his voice. He doesn't need to. Instead, his tone is serious but surprisingly... calm. Not relaxed like it usually is, but more like... even. Controlled. Firm. There is a slight strain in his voice as if he's doing his best to hold back the greatest rage someone has ever seen (because he is).

If he does this to anyone then that person/toon will most likley shit their pants. Because they know, oh, they know they fucked up big time if Bugs Bunny acts that way towards them.

Whenever he's like this literally everyone is scared of him. Toon or human, doesn't matter, if Bugs is this angry YOU STAY OUT OF HIS WAY.

No one messes with him, not Elmer, not Sam, not Wile, not Marvin, not any of his enemies, no Acme Loo student, no WB intern, even the executives are nervous around him if he's like this. Even Daffy, who gets a kick out of pushing Bugs' buttons every time, is nope-ing himself out of that situation so hard. Like nope. Not today. Nuh-uh. He wants to live, thank you very much.

I feel like I should mention that Bugs isn't cold hearted though. Even if he is in this state he will not be a prick to people who have done nothing wrong or to the ones he cares about. He realizes it's not their fault.

He might be a little distant but it's just because he wants to be left alone to calm down. The others know and understand and will leave him to cool off.

Again, though, he doesn't get this angry that often. In all his life he's probably been like this like three or four times (which is very rare given that he's been around since like what? the 40s? but even if it's happened only a few times it was enough to earn him the reputation of being really damn scary when pushed to far).

Also, he's never ever like that because of a Looney Tune or an Acme Loo student or anyone he cares about. If you are part of the aforementioned categories then it's damn near impossible to get Bugs to be that mad at you. Annoyed? Sure. Angry? Sometimes, yeah. But never mad like that.

No. This type of rage is reserved for a special breed of people. The ones that have crossed Bugs big time, that have done something really messed up.

What makes this so scary for the others witnessing it, even if it's not aimed at them, is the fact that it's so different compared to the way Bugs usually acts. Like, he's almost unrecognizable. Besides, the rabbit is pretty powerful given his whole WB mascot gig thing. He can rock your entire world with just a snap of his fingers.