#Also: Just because something isn't marked doesn't mean that he would necessarily be against it-

[roseplendunce]

Morality Challenge!

bold all the things your muse has done, will/would do is in italics, bolded italics means they've done it and will probably do it again.

murder / manslaughter / assault / robbery / breaking & entering / theft / embezzlement / money-laundering / kidnapping / torture / blackmail / arson / trespassing / treason / libel or slander / obstruction of justice / lying to law enforcement / creation of a weapon / espionage / riot / escape from lawful custody / contempt of court / public intoxication / conspiracy / accessory to a crime / harboring a fugitive / bribery / perjury under oath / resisting arrest / identity theft / corporate fraud / tax fraud / document forgery / destruction of evidence / assassination / counterfeiting / sale of a controlled substance / purchase of a controlled substance / failure to pay child support / hacking crimes / threat / pick-pocketing / shoplifting

Tagged By: @acoldsovereign (thank you for the tag!) Tagging: @darkhxntrxss, @magickmuses (whichever villainous muse you'd like), @smokes-and-bullets, @pellucidape, @the-demonpr0digyy, @the-purest-majin and whoever else wants to do this

[heyheydidjaknow]

Maybe it's just fuelled by bias, but I never interpreted L as a virgin or completely inept when it comes to physical affection. i mean i agree with the idea that he's not the most experienced, but idk i always held the notion that he would view sex, arousal, etc as [within the context of not having a partner] just an bodily inconvenience that could be ignored until it couldn't, or even just a way of stress relief that he'd either take care of himself, or resort to a one night stand (under a different alias, in an impersonal setting and most likely never contact them again).

i think in terms of physically affection he'd understand it phonetically - for lack of a better word; like when children are learning to talk, and instead of understanding the right pronunciation and meaning of words, they just know what it sounds like and know roughly how to use the word. L understands what affection looks like, he knows usually when it's expected and how to mimic and adapt to his partner's wants, etc. but he doesn't understand fully (either from his childhood, or his analytical nature) that physical affection is just a common thing that happens for the sake of it, and instead thinks it happens because x and happens in the context of y. if that makes any sense what so ever.

idk. this isn't a slight against you btw, i like the way you write him and i think you're the best person to dump interpretations of him if thats ok.

I agree with aspects of this but I’m still going to argue because it’s fun to do that. Obviously this is a perfectly valid way of interpreting the text but what’s the point of sharing opposing viewpoints if not to discuss and contrast them?

I’m going to mark his whole thing with Misa as one of my biggest points for L being somewhat into sex. We see him enjoying her hypersexual ads, he responds to her kiss on the cheek like someone who understands and is somewhat comfortable with physical contact and when he’s confronted about the obvious ickiness that is his restraining Misa he does seem genuinely off-put when Misa calls him a perv, which means he at the very least seems to understand how it could be construed that way. I agree with your point to an extent that in practical terms all things sexual would become something like a chore but I think that would just be the way that a lot of things would get if your mind is singularly focused on a task for extended periods. He just does not have a lot of time to take time to enjoy that sort of thing the same way he does not have time to enjoy eating a proper meal without working.

I agree with the general physical affection thing to an extent— that he would be naturally inclined to make it a bit more clinical and follow more linear reasoning— but I don’t imagine that a person whose job it is to watch and understand people would not also put together that physical affection is just a social need that people typically have. To not be able to understand that much— that touching someone can and is a mean in it of itself— seems like a huge oversight on his part if that is the case. And, again, he does respond positively to physical affection, so I don’t think he’s necessarily unfamiliar with it; even going beyond the cheek kiss, he has no issue holding hands with Light and Misa in their circle thing, and doesn’t react negatively or as if he’s startled when Aizawa grabs his shoulder during the whole Sakura TV incident. This leads me to believe that he has enough practical experience with being physically touched to not be weirded out by it or not know how to respond to it, which is why I’ve always hinted at the idea that his childhood did have a lot of normal person on person interaction in it to explain this discrepancy.

[quinloki]

Hii! So I wanted to send in another ask for the kink game with Corazon and Doflamingo, and I don’t really have an idea for a third character so maybe you could pick one you think would go interestingly with these kinks :)

oral fixation (I’m assuming that covers things like biting and finger sucking which were also on there but I feel like this is broader and leaves more room for interpretation)

period sex

Over-The-Knee Spanking

Some of these I’m not sure if they’re “kinks” necessarily but I used the generator thing you posted so I hope they still count!

Leaving me a Wild Card, eh? Well - you don't *need* to submit three and three for me to answer it, but I'll gladly accept the offered item.

I'm going to pick Eustass - not necessarily because I think he goes with Rosi and Doffy, but because I like the kinks for him. And I like him xD

Alright, let's do this by character \o/

Oh - one more thing before we go - Oral Fixation normally refers to being obsessed with or focused on ones own lips. Gnawing on lips, applying lip balm over and over, needing something to chew like gum or lollipops, or having unlit cigarettes, toothpicks, etc.

That's what it GENERALLY means, but I get what you mean from a kink standpoint, so I will adjust accordingly to it being focused on someone else's lips (and also maybe your own).

Doflamingo:

Oral Fixation - Yes - As much as Doffy fixates on anything about another person, he does have a tendency to focus on your mouth. Whether you're gagging on his finger or his cock, he enjoys the way your mouth twitches against him, the struggle of your tongue, the soft feel of your lips. He enjoys just dominating your mouth with his own, practically violating you with his tongue when he kisses you deeply until you're a panting, dizzy, sloppy mess.

I think he likes the mess too. Doffy likes to make a mess - there's so much decorum and order and bullshit with being a public figure that he likes to just get messy in bed. Which leads nicely into the next kink.

Period Sex - FUCK Yes - Not only is it a mess, it's a bloody mess. Doffy's a bit twisted and I can see him actually smearing the mess all over you while he's taking a break between railing you. Sometimes being on your period can make you more sensitive to pleasure, and sometimes it makes you more sensitive to pain - it doesn't matter as far as he's concerned. He'll get his pleasure at the least, and he'll enjoy turning you into a mess in the meantime.

Over-the-knee Spanking - FUCK Yes - Doflamingo loves to mark you - maybe not permanently (okay, a tattoo or two probably yes), but he does like marking, biting, etc. Spanking makes your ass nice and red, and sometimes bruised, and all those marks are his fault. It's not just the marking part he enjoys, but the pleasure of watching them fade before he reapplies them.

Rest assured though, when it comes to over the knee spanking specifically You are going to position yourself, if you know what's good for you, you'll only make him tell you once.

Rosinante:

Oral Fixation - FUCK Yes - A passionate lover with little time to spare compared to how much he'd like to lavish you with attention, Rosi does have a tendency to fixate on your lips. Usually with his own lips. Not nearly predisposed to making a mess as his brother, his treatment of you is far more tender and sensual.

He'll still slip his finger into your mouth, teasing your tongue as you lick and suck his finger. He'll praise your lips and how soft and cute they are, how warm your mouth is. Things can still get messy as the passions progress, he's not going to stop because of it, but he's not trying to mess you up.

Period Sex - Yes, but - Yes as in the mess, or risk of a mess, isn't going to stop him. The but's in there because if you aren't comfortable or if you're in pain, he's not going to push for it. But menstruation doesn't put him off, and he's certainly not repulsed by it.

He might need help sorting out the kind of products you need, or how he can best help you with any discomfort. It won't take him but a few cycles to really figure out how to pamper you - before during and after any sex you have during it.

OTK Spanking - Sure - He's not against it, but he's not going to be the one initiating it in the strictest sense. You can tell him that you like it, and you can spend some time letting him experiment and sort out the best technique, but he's going to be worried about hurting you the wrong way. Grace is hardly his middle name, but he is in control of his own strength enough that he's not leaving bruises unless you're begging him to swat you harder.

He's kind of a squishy cinnamon roll though, and unless you're orgasming from getting spanked (and lucky you if you can), there's not going to be much enthusiasm from him on it. (but no resistance against it either.)

Eustass Kid:

Oral Fixation - FUCK Yes - Kid likes this messy. He likes to leave his lipstick on your lips, smudged all around your mouth. Sex should be messy - there shouldn't be anything pretty about it. If it's good enough you're too focused on the sensations to be worried about how you look, and that's some of the best parts of it.

It doesn't mean it can't still be sensual, and how exactly sensual is defined depends on the people involved. But he loves your mouth, the sounds that come out of it, the moans, the swears, the screams, the garbled muffled noises when his fingers are down your throat or holding your tongue in place.

Period Sex - Oh god you don't even know - You look good in red.

OTK Spanking - FUCK Yes - Eustass is gonna smack that ass one way or another, but there's an anticipation to this version of it that he makes use of. He doesn't mind being a brat tamer, and he'll let you give him all the rope he needs to force you over his knee, but he does enjoy leaning back and watching you put yourself over his knee.

The only exception to this is when he has you all tied up and it's not really plausible for you to put yourself over his knee. Whether in your ropes because you were good or bad won't matter much. You can wiggle all you want, but you're not going to squirm off those thicc thighs. Whether you thought you could or couldn't orgasm from being spanked, Eustass will have that debate settled before he's done with you.

Kinky One Piece Head Canons

[phoenix-flamed]

A bit of something that occurred to me last night during a conversation with @eikonbound --

Please bear in mind that, as always, this is headcanon laced with a lot of speculation.

It's mentioned that a number of The Undying are bastard children of the royal family. When I take this into account and couple it with the fact that Clive was the victim of vicious rumors regarding him being a bastard child of Elwin's, and the fact that Elwin had Clive removed from the line of succession for the throne in order to try and protect Clive from the scrutiny and cruelty of the nobility -- and give him a different yet still significant purpose in life beyond being heir to the throne or not!Dominant of Phoenix...

Call me horribly sentimental for this, but it feels like, to me personally, that Elwin was trying to satisfy everyone while protecting Clive most of all. If he had kept Clive as heir to the throne like Clive was supposed to be, because the one on the throne doesn't have to be the Dominant of Phoenix -- in actuality according to the Ultimania, it isn't supposed to technically be the Dominant of Phoenix... The royal court might well have given them backlash for putting a supposedly illegitimate Rosfield child on the throne rather than the nobility's very much favored Joshua. That backlash would more than likely hurt Clive more than anyone else. (Just look at his reactions to how Anabella treats him, for example, despite his best attempts to prove himself as worthy of their family name in her eyes.)

The fact that Elwin didn't send Clive to become a member of The Undying says to me just how much he really does love Clive.

Instead of doing what other Rosfield family members do, of tucking their bastard children(even though Clive isn't really a bastard at all, but you get what I mean; in the eyes of the nobility, Clive is one) away and out of sight and out of mind, removed entirely from the royal family's records and any sort of acknowledgment of their parentage... He chose not to do that. He chose to stand by Clive instead. He chose to remove Clive from the line of succession, not necessarily to cave into the pressure from the court, or to try and quell the rumors that were hurting Anabella and himself(but especially Anabella, because she's Clive's mother, and it's a mark of shame against her in the nobility's eyes), but to spare Clive of being forced to endure a lifetime of cruelty from the nobility that would follow him around like a dark shadow.

In my opinion, or headcanon rather -- no, Elwin didn't just seek to give Clive some modicum of peace and freedom, he also sought to give Clive the wings needed to soar, the wings denied to him by the Phoenix, so that he could show everyone what Elwin himself already knew: that Clive is more than good enough, and that Clive has nothing to be ashamed of regardless of whether or not he's the Dominant of Phoenix.

[mlmxreader]

Hiya!!

😭 Oh no! He stole your side of the bed now!! His little face looks so smug too, I can't.

Eeeeeehh! 3 more updates! Your are too good for us and we do not deserve you. Also, how are you? Doing alright? How's that ankle of yours? I think you mentioned that you rolled it so I hope everythings going alright 🖤. Now let's get into it!

Prove It

I'll keep it short because I have little to no coherent thoughts .... oh fuck 👀👀👀.

Possessive kiss 👀. Grabbed their throat 👀👀. Gripped that ass and let that other person know exactly who y/n was with 👀👀👀.

🥵... I think that sums it up nicely.

Blue Sand

you would both bleed knowing that it was not the world that had gotten to you, it was not the shit that the planet had become - but it was loyalty, companionship, and dedication.

This one got me a little bit. I can understand the deep longing that both of them have for a world that will not be. A world that once was. A time where Max and y/n could have led lives in which they didn't have to constantly look over their shoulders. Where death isn't as common as breathing. That little moment they had together in the end, where Max couldn't say it in words but his actions were enough to let them know that he wanted the same 🥹. The feels are feeling.

Marking the other as means of reminding them that they are infact still alive is kinda poetic. In an environment that is hell bent on destroying everything, you don't allow it to have the satisfaction of being the only thing that makes you bleed. In this case, their blood is drawn by someone who cares deeply for them, not with the goal of injury but a means of reminding them of their humanity and most importantly, their promise to one another. I don't know if any of that made sense, I just thought it was really neat that you did that. "You would both bleed for something human." 🤌🏾🖤

Let the Walls Fall

He made himself comfortable against you, tethered to his rock and knowing that no amount of choppy and stormy seas would never take him away from you.

🥹🥹🥹

The feels are also feeling with this one.

Poor Tommy dealing with all of that but atleast he has y/n who in additon to noticing that something is off, also tries to reach out to him. Him melting into them when they hug him 🤧. My sweet, sweet touched starved man!! Actually though, it was so unbelievablely heartbreaking when he said you'll leave me and stop loving me like everyone else 🥺🥺. 😭 Baby no! I would ask who hurt him but the real question is who didn't hurt him?!

Thank you so much for writing these requests. Sorry for the short reviews but just know that I really did love reading each of these very much.

Take care, be safe and I'll talk to ya in the next one!

🖤🖤🖤

🐍anon

hello!!!!!

yes, he did steal MY SIDE of the bed bc he's an asshole. greyhounds are assholes. (I love him, I bought him a new toy recently and he hasn't stopped playing w it all day)

3 new updates and more to come!!! my ankle is uhm... I'm in constant pain every time I put pressure on it but tbh, it could be worse, like, I can still walk which means I can still work.

RIGHT!! LETS GO!!

Prove It

hehehehehehehehehehehehehehehehehhe jealous!Max certainly is something, huh?

Blue Sand

Max and his s/o both yearn for something that they can never have, but all the same... they can have a SEMBLANCE of it, even though that world is long and far gone. they might not be able to live happily ever after, but it's enough to live and to know that they're both loved. it's enough for them both.

to cut someone you love like that, to spill their blood not for pleasure or malice but for the sake of going "I'm here with you. I'm not going anywhere", is probably the most human act of all in a world like theirs. to find that destruction doesn't necessarily mean breaking, but rather, that destruction can cause a bond so strong that it will never be shaken. mutual destruction, mutual affection.

Let the Walls Fall

reader is Tommy's anchor, the only thing keeping him afloat when he's in a stormy sea 🥹🥹🥹

they GET each other 🥺 just as much as the reader knows Tommy and can pick up how he's feeling just by looking at him, Tommy can do the exact same 🥺 "you'll leave me" Tommy........ i FUCKING DOUBT THAT. that motherfucker knows you better than anyone else and loves you DEARLY.

you're so very welcome!!!! I love the short reviews as much as the long ones 🥹🥺🫶🏻 so thank you!!!!

[amysubmits]

Hi! What do you do, or better phrased, how do you adapt, when he makes a decision that you think is wrong, the wrong decision or the wrong direction, that you simply don't agree with?

Hi! :)

First, I'd share my view with him. I'd respectfully explain my concerns about his idea like why I think it may not work or why I think another path may work out better.

By "respectfully" I just mean the vanilla meaning of the word. As long as I don't use harsh wording or a condescending/judgmental/etc tone of voice then sharing my concerns or disagreement is seen as respectful.

He'll hear me out and respond. There have been times where he hadn't really considered my concerns or where I hae information that he didn't have, so he may change his mind after considering what I said. In other cases, he'll understand my view or my concerns but just disagree with me.

If he disagrees with me he'll usually explain his thinking more thoroughly while showing respect for my view. "I hear you, A may happen, but I think doing B is still best, and if A does happen, then we'll XYZ and it'll be okay." or whatever.

Usually, just knowing he's really heard and considered my worries helps me enough to make it possible to submit without feeling friction, even if I continue to somewhat disagree.

If he has a plan for how he'll respond if my worries come true, that helps me as well. That's not to say that it always completely satisfies me, or that I don't ever struggle to submit to his decision...I do have lingering discomfort sometimes, but I basically just try to submit still. and usually am able to do so without too much difficulty after I've been heard.

I see it as part of our relationship style (not necessarily D/s in general but specifically the way CD and I do it) that I am expected to basically 'suck it up' and let him do things his way even when I disagree, sometimes. I want him to lead our relationship and have the final say on big issues, and we do have really similar values, morals, priorities, etc so we agree a lot...but no two people are always going to think the same way. So I see letting him lead in a way I somewhat disagree with is part of letting him lead in his own way. I wouldn't want him to only lead in the ways that I would lead...I like him leading based on who he is.

This thing of 'sucking it up' and submitting is only something that happens if I'm somewhat disagreeing, not if I am strongly against what he's doing. If I really was deeply against it, I would have to voice that I just can't agree to this, similar to safewording or setting a limit. I don't think that has happened yet. But we have had times where even after talking something out, I still am not 'all in' on his decision...but thankfully that isn't very common.

Him hearing me out and addressing my views and concerns reminds me of his respect for me and how he values how his decisions impact me. Basically, I'm always reminded that if he is deciding something I disagree with, i's never because he doesn't care about my beliefs or thinks my perspective is stupid. It's always just that he really thinks his way is best for us both. So knowing that it comes from a place of wanting to take care of me (and us) as best as he can. So that makes it feel very different than a scenario where someone would be disagreeing with me because they think they are superior or who see me voicing my respectful disagreement as a threat to them or what not.

The whole idea of D/s where the sub just has to say 'yes sir' to everything unless it's a hard limit would never work for me because I need to feel like my voice/views/beliefs/concerns/etc are heard in order to willfully submit, sometimes. CD is the same way. He's used wording before like...he's the pilot but I'm his trusted copilot, or something like that. He thinks two heads are better than one, and he deeply values my input. He doesn't want to be a dictator, he wants 51% of the vote.

Also, occasionally we miss the mark on either side. If a issue is really important to either of us, we might not express things as respectfully as we should, or if we're insecure we might get defensive or respond poorly even if the other was being respectful. Like maybe he did hear me out and tried to soothe my concerns but I still feel dismissed because he continues to disagree with me and in my insecurity anything other than agreeing with me may feel like rejection. Or maybe I respectfully raised my reasons for disagreeing but he took it as a rejection of his dominance even though it really wasn't. We're both imperfect, I don't mean to suggest otherwise. But those are rarities because usually maintaining respect on both sides makes things go smoothly.

[kusagrasskusa]

Yandere Simulator Delinquents.

They're basically copy and paste. Sooo here's my version of them for future reference! I got too excited writing the last one lol- It's been a while since I've been to inspired to write. This is a nice feeling uvu

Umeji Kizuguchi - Yellow guy

He has blonde, previously pink, hair and golden eyes. He wears a yellow shirt under unbuttoned blazer and carries a baseball bat around. He has a scar over his right eye. Umeji is Oroso right hand man and takes over position while she's gone; these are the cannon versions of him and all that's said.

This is my fannon version of him: He was hurt the most during the bullying and therefore the most fearful of pain. He flinches when touched and gets pissed instantly. He's the most cold and aggressive out of the five and it helped him keep him as the most feared of the delinquents. He works out daily, therefore having a good build and likes bitter foods rather than sweets. He'a quite ignorant and refuses to share his likes out of fear of being judged. He still feels depression but now faces more anxiety than anything. He often cries about it late at night.

But despite his depression, he's so determined to stay as a threat to many. It's the kist alive he's ever felt. He's somewhat narcissistic and has both an inferiority and superiority complex, actually. Sensitive to touch and criticism but damn his ego is big. He uses his strength and speed as another threat to fellow students, to let them know that if they mess up then he'll catch and hurt them.

His home life isn't fun. Parents maybe fighting here and there or gone for work or something. It wasn't abusive in any way or anything; in fact, they get along well when they're together. It's just the parents weren't attentive. As Umeji puts it, "My mom, dad, bless their hearts, but they aren't great." They tend to brush things off quickly and spend too much time to themselves.

Dairoku Surikizu - Blue manz

He has blonde, previously blue, hair and blue eyes. He wears a blue shirt under an unbuttoned blazer and carries around a boten or some shit, idk I couldn't figure it out. He has a scar on his lip and from Mulberry's art, it looks like he's the tallest of the group.

Fannonly, he's the most anxious of the group. He never talks about it to anyone but Hokuto, who brushes it off. Dairoku got his scar a long time ago when his parents were agruing; he hid under his bed when he was nine and started to cry. To calm himself, he started to bite his lip and scratch himself on the forearms and face to calm himself down. He cut himself in the process badly and tried to hide it from his parents so he didn't get yelled at.

His home life wasn't too bad either; his dad left the family not long after that incident when he was nine so his mom has to take on the roles of two people. She never has time for him so the other delinquents make him feel so happy. He likes- no, loves to talk to them but tries to look sketchy in the process.

Hokuto Furukizu - Purple manz

He has blonde, previously golden, hair and purple eyes. From Mulberry's art, he seems to be the second tallest, but very close to Dairoku. He carried around a metal pipe and wears a purple shirt under his opened blazer. He has a scar on his cheek too btw.

Fannonly, he talks most to Dairoku. He usually brushed off what he says, but relates to him most. Of the 5, he desperately wants to be normal and free the most. He was well popular in middle school but his anger once got the best of him and a fight caused him to lose a lot of his reputation. It just got worse as time went on however; but he misses those days so much.

His scare on his cheek came from the fight and serves as a curse mark to him; "The day they ruined my life." He hates looking at it and gets pissed off when people even look at it. He's always been hot headed but his physical appearance is his number one insecurity. Hokuto's homelife is normal and he's goodboi at home. Cleans, cooks sometimes, has an equally good relationship with his mom as he does his dad.

He managed to convince them that his new appearance and signs of depression from last year was just influence from ex friends. Eventually they just took his word for it despite how terrible of a lie that is, so they stopped asking.

Gaku Hikitsuri - Red guyz

According to Mulberry's art, the blonde who once had light blue hair and red eyes is the second tallest. He has a scar on his forehead and carried around a crowbar. His shirt is red and under, you guessed it, an unbuttoned blazer.

He's a genuine tsundere; the angriest of the group. He easily crushes on people like a simp and gets nervous easily, so he acts all defensive and aggressive around them especially. Other than Umeji, he's the quickest to shove people around and assert his position. But for the most part, he intentionally shoves and shoulder checks people he finds attractive or who he thinks is superior than him, which is a lot of people.

He suffers from an inferiority complex that makes him think everyone judges him behind his back and talks about him especially. Therefore, he's the loudest and quickest to insults; he's also very self conscious. He's scared to make noise in class, talk, eat in front of people, and others because he's scared to be judged. Because as long as nothing is brought to the table, there's nothing to judge. His scar was actually from Kokoro, the bully who's just a sadist according to the character files from Yandev, who got pissed at him defending himself and hit him down with a ring. He got cut badly and almost passed out from the hit; but hey, it's not like he can do anything about since she's a girl, and he'd be expelled instantly. The bitch even resulted him with a broken arm at some point.

Home life isn't great; rundown trailerpark, alcoholic dad and whole of a step mom, dead mom, things like that. Damn, if only he got more than a mattress on the floor, a cover, pillow, dresser filled with all his clothes and school supplies to live on. But he can't even get a job without his scar making people think he's worse than what his persona displays.

Hayanari Tsumeato - Grey manz

The grey eyed, blonde hair man with natural red hair who carries around a lead pipe is Hayanari, who's last name "Tsumeato" means scratch mark. He has a grey shirt under his unbuttoned blazer and a scar over his nose.

Fannonly, he was the one with the no fucks given attitude. He was usually straight faced and brutally honest when talking to people, but wasn't necessarily judgemental. It's hard to explain but just because he says, "damn Daniel, you're built like a carrot," doesn't mean he cares about his appearance, even if whoever tf Daniel is actually looks like a carrot or not. He was the daredevil who did things solely for his entertainment.

In a way, it was almost sociopathic or narcissistic; he'd be fine with embarrassing someone in front of anyone because it got a smile our of him. If someone complained, he'd roll his eyes and convince whoever that they were overreacting and that they were the one at fault. He's very manipulative and sarcastic, usually just smiling cockily and speaking innocently. Kinda emo, but he wasn't against that title. He actually liked the occult and for the most part, was down for anything that didn't have too much time needed, like school or family.

He was in the middle of everything; okay with cooking, occult, art, science, reading, anine and games, so there wasn't much a person can dislike him for in terms of social standards. He wasn't appart of a dislikes group like the occult kids or science kids, not with a loved group like cooking or art kids. But when he started to express a bit of interest in the occult was when people could finally pin him down and bully him back for all those insulting jokes that sounded way too serious. And before he knew it, he got wrapped up in the hate and couldn't get himself free.

Home life is something he never, not even to his fellow delinquents, never talks about. But one thing worth noting is that he's never seen without a long sleeved shirt or jacket of some kind. He used to pass out time to time during gym classes because he was overheated due to bringing a long sleeved version of the gym shirt to school and never drank anything. When his parents were called, they always insisted on saying they'll do something about it but they never did, either. The delinquents do think there's some kind of abuse at his house; besides, Hayanari is adopted and those things happen often even if it's more common in the foster system.

His family is something he never talks about. Back in middle school, his friends were able to see his "parents" time to time when they picked him up from school. It was immediately obvious that he wasn't related to them; hell, he rarely called them mom or dad. At home, until adopted, was great. Friends coming over, happy family moments, being able to play games and use electronics, things like that. But when he was adopted was when it wouldn't be easy to just tell someone what was to come; quite obviously, it was abuse. Verbal and physical, nearly everyday. It was worse in the beginning but happened less often as he got older.

His "mom" would call the police a few times him because she felt "threatened." She hit him so he would hit back and yell while doing so, so she has evidence of an attack. But luckily, her skin isn't sensitive enough to show any marks unlike Hayanari's. Other times, his "dad" would get involved and hurt him badly.

[corrupt-fvcker]

Din Djarin NSFW Alphabet

NSFW Alphabet ( Din Djarin x fem!Reader )

Warning: filthy, filthy, filthy... my mother would be proud mortified

Word Count: 3.5K

Author’s Note: din owns 50% of my heart (obi owning the other 50% obviously)

A is for Aftercare (what they're like after sex): When it comes to taking care of you, Din needs to make sure you're okay. If he's anything during sex, he's rough. And sometimes, even if he's too stubborn to admit it to himself, he gets a little carried away (even though you'd definitely never complain). He gets lost in the moment, but when both you finish, he feels a little guilty about how tired out you are. But despite how rough he is during sex, he is nothing but loving and gentle afterward. He's careful to make sure that you aren't hurt, running his hands up and down your body in a soothing manner as he checks for any bruise that looks particularly painful. He cleans you with a warm cloth, wanting to make sure that you feel clean and comfortable. He'll kiss every mark that he left on your body, whispering words of praise against your skin as you catch your breath. With featherlight touch he'll brush your hair out of your face before kissing you softly to accentuate how much he cares for you. Once he's sure that you're comfortable, he wraps his arms around you and pulls you as close as humanly possible. Before falling asleep he tucks his head in the crook of your neck to pepper soft kisses on your collar before finally resting.

B is for Body Part (their favorite body part of their partner or themselves): Needless to say, Din is in love with every curve of your body, and it certainly isn't easy for him to pick a favored feature of yours because you're just so beautiful to him. However, if he had to pick one, Din loves your legs. He adores the curves of your thighs, how they're soft against his cheeks when he goes down on you. He loves grabbing you by your ankle and pulling you back into his arms in bed when you playful squirm out of his embrace. He can't think of a better feeling than when you wrap them around his waist when he's driving into you. When it comes to himself, he knows that you have a certain fondness of his arms. His years of training and hard work have made him strong, and he knows that you melt into him whenever he uses his strength to pull you close to him. When you're blindfolded and he's able to remove his armor, Din is in love with the feeling of your hands brushing up his arms to feel his muscles before wrapping your arms around his neck.

C is for Cum (anything to do with cum... hehe, oops): When it comes to finishing, Din prefers to do so inside of you. He likes the warmth and the tightness and the overall feeling of possessiveness that settles over him when you allow him to finish inside of you. Though if you don't want him to finish inside of you, Din isn't too picky, but he does love the view of his seed on your ass.

D is for Dirty Secret (a dirty dirty secret of theirs): Din is too stubborn to admit it but he enjoys the idea of fucking your ass. He would never suggest doing so, only wanting to approach the subject if you were the one to bring it up, but he finds that thought occupying his mind a bit more than he would care to admit. There's just something about the idea of you wanting him to do something so downright dirty that makes his heart race. You aren't completely oblivious to his secret despite him never hinting towards his fantasy, and you can't help but tease him at every given chance.

E is for Experience (how experienced are they? Do they know what they're doing?): Din is talented in the sheets, skilled. You never pried when it came to his previous flings, but you just knew that this Mandalorian was in no way a virgin. Though despite his undeniable skill in the bedroom, Din isn't all to experience. In his early days of being a bounty hunter, he found himself entertaining the occasional one-night stand and sometimes even a rare trip to a brothel. Din had even been in a relationship before -- not that he could even compare his past relationship with the bond the two of you share. Because all Din's past relationships (if you could even call them that) were pure for the sake of stress relief with little to none emotional attachment. So when you and Din finally admit your feelings to each other and attempt to have slow and romantic sex, Din finds himself a little out of his zone.

F is for Favorite Position (what's their go-to sex position?): Din is pretty persistent when it comes to the fact that he wants to be on top. Sometimes if you ask or if he's in a particular mood, he'll allow you to be on top, but it's rare. Din likes control and he likes to know that he's taking care of you in every way he's physically able to. There's usually two main positions Din resorts to when he's adamant of being in control with you. The first is missionary, he likes being able to see you without the barrier of his visor. Even if you can't see him, he loves to watch your face morph into expressions of pure pleasure when he's taking you. He wants to be able to kiss you while he can, peppering kisses on your neck and collar as well as slipping his tongue into your mouth whenever your lips part from a moan. He also thoroughly enjoys taking you from behind. The sound of his hips slamming into your ass if nothing short of addicting. He likes that he can go as hard and as fast as you'll let him, pounding into you as both of you chase your releases. And just as the two of you are about to finish, he weaves his fingers into your hair and pulls your back flush against his chest.

G is for Goofy (are they more serious in the moment or are they more humorous?): Din is naturally a man of few words, speaking with careful and precise purpose. And when it comes to the bedroom, there isn't much change in his mannerisms. He's tight-lipped and only speaks only he finds it necessary. He's usually too focused on bringing you pleasure than to allow himself to be too goofy with you. But there are times with Din allows himself to relax, bordering humorous with his teasing.

H is for Hair (how well-groomed are they?): Din is busy, both a skilled bounty hunter as well as a new father. He puts his job and others before himself, often being too tired to stay persistent when it comes to grooming. But when it comes to making sure that he's pleasing you, he refuses to let himself go. He'll make sure that he's decent but he isn't too crazy about spending his free time grooming himself when he could be with you or the Child. Though he makes sure that he's presentable and clean for your sake, never wanting you to feel uncomfortable.

I is for Intimacy (how do they act during the moment?): When it comes to a romantic moment, Din is completely in tune with your emotions and body. Most of the time, especially when he's feeling particularly stressed, Din is fucking you for pleasure -- both for you and him. But when the two of you are having a more sentimental moment, he can be very romantic. He'll whisper sweet nothings into your ear as you chase your high, kissing you with such passion that it leaves you breathless. But more importantly, Din allows himself to be open with you, letting you be subject of his deepest emotions without fear of being judged. Regardless of how romantic the two of you are feeling, Din always takes him time with you. He never wants to do anything in the bedroom but show you how much you mean to him.

J is for Jack off (masturbation): Din is known to occasionally masturbate, though he will be reluctant about it. Before you, he'd sometimes masturbate before his went to work, trying to keep his human impulses under control to keep him focused. But now that the two of you are together, he absolutely prefers fucking you rather than his hand. The only time he'll masturbate is when you're away and he finds himself missing your presence a little more than usual. He’d try to replicate your touch as much as he could, thinking of nothing but you when he strokes himself.

K is for Kink (one or more of their kinks): Again, Din is a little stubborn when it comes to admitting his kinks. But when he's really riled up, they sometimes just pop out of him spur of the moment. Blindfolding you isn't necessarily a kink of his, but he does enjoy having it over your eyes so that he can remove his helmet to actually kiss you for once. Sometimes he finds himself spanking your ass a bit excessively when he's feeling especially desperate for you after a stressful bounty. Teasing you also undoubtedly gets him off, he loves to watch you get fluster and try to hide from his gaze when he's pounding into you. He's always sure to mutter absolute filth into your ear when he's taking you. Unsurprisingly, you found Din to be a possessive lover. He has the tendency to mark you up quite literally everywhere. On your hipbones, inner thighs, neck, sternum, breasts, stomach -- everywhere. They're not as much there for others as they are for himself, he needs to know that you're his. And Din can't deny that he loves it when you leave hickies all over him as well, it being his and your dirty little secret that he is completely marked up underneath all the layers of beskar.

L is for Location (favorite places to get dirty): Although any place with you is perfect for Din, he prefers to take you in the safety of his ship. He likes to take his time with you, making sure that he pleasures you as much as he possibly can. He likes privacy and being able to remove his helmet to kiss you. He enjoys the comfort of the Razor Crest when he's finally able to let go. But that isn't to say that Din isn't more than fine with taking you outside of the bedroom. His job brings him to strange places, and he's more than fine fucking you anywhere. If you get too handsy in public Din won't hesitate to pull you into a secluded alleyway or into a cantina's bathroom. As long as he's with you, Din doesn't care where the two of you are.

M is for Motivation (what gets them going): Din loves to prove to you that he's in control, both over his own body and your pleasure. And with his helmet concealing his face, Din is able to pretend that he is completely unbothered by your teasing and touches if he chooses to do so. Anytime that you admit that you want him and are just as needy as he's pretending not to be, gets him riled up fast. Though the same can be said when you act the opposite, pretending that you don't need his help to get you off. When you act like a downright brat, Din completely loses himself. He's on you fast, throwing up against the wall and wasting no time to fuck you until you can't utter anything but his name.

N is for No (something they wouldn't do in the bedroom, turn-offs): Although Din is rather rough in the bedroom, he never wants to hurt you. Any bruise or mark that you bear after sex is due to Din's lack of self-control, not because he actually wanted to hurt you. He enjoys occasionally spanking you and biting the crook of your neck in a possessive manner, but he doesn't actually hurt you. Din wants to bring you nothing but pleasure, never pain or discomfort. Din also wants you completely to himself, he doesn't want to share you. He doesn't want others to see you like he gets to see you, your body is for his eyes only. He only ever takes you in public if he's sure that the two of you won't get caught.

O is for Oral (giving, receiving, skill... ): When it comes to going down on you, Din will eat you out like a starved man. In fact, he prefers giving oral more than he does receive it, which is hard to admit considering how he melts whenever you take him in your mouth. He's a complete sucker whenever you squeeze his head between your thighs and lace your fingers in your hair. And if you were comfortable with it, Din would insist that you sit on his face. He'll wrap his arms around your legs and pull you as close as humanly possible as he lapped at you, bringing you orgasm after orgasm. When it comes to you going down on Din, he's secretly an absolute mess. He'll act like he has everything under control, trying his hardest to keep the facade of his relaxed composure intact. He'll have his hand fisted in your hair and practically thrust into your mouth as he slowly but surely loses his grip on reality. By the time he finishes, he's a mess. His breathing is ragged and he's vibrating with pleasure as he struggles to remain impassive to the public eye. But you just have a way of knowing what you do to him.

P is for Pace (are they fast and rough? Slow and sensual?): Din can't help but be rough with you during sex, slamming into like a wild man. He goes fast and steady, intensely focused on bring both of you pleasure. He enjoys how you turn to putty in his hands when he drives into you, reminding you in teasing moans how he's the only one that can make you feel so good. If you were to ask, he'd slow down his pace for you, wanting to show you how much he loves you.

Q is for Quickie (their opinions on quickies versus proper sex): Although Din prefers the privacy of the Razor Crest, he will gladly fuck you anywhere. Every time he fucks you in any semi-public setting, Din loses all control. He can't even hide how much of a mess he is. Quickies are Din's golden ticket to fuck you as fast and rough as he possibly can, chasing each other's highs in as little time as possible. But even if he loses all control, he'll still tease you throughout the entire time. Taunting you for being unable to keep your hands off his cock for a simple trip to town, loving to watch you get flustered as he calls you desperate. And if the two of you get as far as removing your pants entirely, he will absolutely steal your panties as a trophy. He'll keep them tucked away and tease you about the fact that he has your panties in his pocket and how you're completely bare beneath your trousers.

R is for Risk (do they like to take risks and experiment?): Din enjoys an element of risk when it comes to sex, such as fucking you in semi-public places and touching you throughout the day no matter who's watching. And Din is willing to try nearly anything with you at least once, as long as you're both comfortable with the idea. Though Din makes sure before you attempt anything too risky to remind you not to hesitate to use the safe word.

S if for Stamina (how many rounds can they go for? How long do they last?): Due to his intense training and rugged lifestyle, Din's stamina is impressive. He isn't shy about it either, teasing you and bragging about how he kept you up all night fucking you senseless until you begged him to stop. He can easily last two to three rounds, only stopping if he was too rough with you or you're exhausted. What can he say? You drive him crazy, he'd gladly fuck you all night.

T is for Toy (do they own toys? Do they use them?): Although Din doesn't own any toys, he's more than open to the idea of using toys on you. He likes the idea of bringing you to tears without even having to truly touch you, which also offers him endless teasing opportunities. And if you wish to use a toy on him, he's open to the suggestion. He'd do just about anything for you.

U is for Unfair (how much do they like to tease): Din is merciless when it comes to teasing you. He gets off at the fact that his words can make you soak through your panties before he even touches you. He reminds you how he touched you the night before and how good he made you feel. He utters absolute filth about how he's going to fuck you against the wall of the Razor Crest as soon as you return. And his teasing only gets worse when he actually starts touching you. He'll grip your ass and tug you flush against his beskar-plated chest, his heated gaze burning through his helmet's visor. He loves to watch you squirm when he motions you to sit on his lap, teasing you by subtly thrusting his thigh against your core to get you hot and bothered. He'll tease your clit until you're a blithering mess, unable to do anything but gasp his name through broken moans.

V is for Volume (how loud are they? What sounds do they make?): When his helmet is on, only the occasion deep groan or a choked gasp will slip through the modulator. But when you're blindfolded and the helmet's off, you can hear all the little sounds that the helmet concealed. Airy gasps when you take him into your mouth, low groans when you squeeze his cock in your heat, near-silent whimpers when he finishes.

W if for Wild Card (random dirty headcanon):

Din secretly loves the idea of you binding his wrists together and having your way with him. He would never admit, not even if you insinuated that being something he wanted. He'd deny it without a second thought, maybe even turning on you and suggesting that you're the one that wants to tie him up. But the idea of being bound to your shared cot as you ride him drives him crazy. To be in such a submissive and vulnerable state goes against everything Din knows, but he can't help but crave the experience. He'd never trusted any of is past partners enough to leave him in such a vulnerable state, but Din trusts you with his life. And even if he'd never admit it, Din Djarin wants you to tie him up and fuck him senseless.

X is for X-Ray (what they're packing): Din is huge, both long and thick. The first time you saw his cock you almost gasped, thinking that there was no way in hell that it would hit inside of you. Luckily, Din wasn't a blushing virgin and actually knew how to use it. The morning after the first night you spent together, you couldn't walk.

Y is for Yearning (how high is their sex drive?): Although nobody would suspect it from a high-esteemed Mandalorian, Din is needy. He wants you after every bounty, always missing you and your body no matter how long he was away. If he finds himself growing bored during flight, he won't hesitate to put the ship in autopilot to go fuck you. If you gaze at him too long or brush against him, he's practically ready for you. Though under the rare circumstance of company, he's able to act more relaxed and reserved, making you look like the needy one.

Z is for Zzz (how quickly they fall asleep after): Din always makes sure that you're comfortable after you finish, cleaning you up and wrapping you up in blankets. He always waits for you to fall asleep first, no matter how exhausted he is because he wants to make sure that you're okay. He'll run his hands through your hair and wrap his arms around you, tucking his head in the crook of your neck as he grows tired.

━ ━ ━ ━

thanks for reading :)

[casmybelovedass]

The Destiel Folder: Season 10

[Season 4; Season 5; Season 6; Season 7; Season 8; Season 9]

Episode 1:

Cas is slowly dying, practically naked, in a bed, and the first thing he says when talking about Dean is "I miss him" (6:35), with a soft smile. "Why would he just disappear?"

... I'm sorry but If Cas Were A Woman, this would look like a scene from a movie or something, where the wife talks to a friend over the phone about her missing husband. JUST SAYING

Crowley: "The girl seemed nice. Slightly damaged. I could see the old you falling for that." (9:29) uhm... who else is "nice and slightly" damaged? I don't know... CASTIEL??!!!

So... these two men (actors Todd Mann and Brad Mann) we see with the DemonGang, are real life twins (9:14).

At (27:18), Crowley states him and Dean did "extroardinary things to triplets" ... and, well, the only twins with a possible other sibling we see are... them

And this is not the first time we hear about Dean doing "things to triplets" with a buddy of his (15x07)... and the first time he was NOT a demon... so, there's that. And triplets don't necessarily mean "all females"

Cas, while talking about the good things that come with choices, mentions "hope, love, dreams" (39:06), and Hannah points out that "those are human things". Human things...

Cas is talking about his own personal experiences with creating chaos, so those are the things he felt after rebelling for... Dean... WOW. ICWAW, it would totally be read it as a reference to Dean. A romantic one. Fight me

Episode 2:

Cas is dying, just got back from a fight that left him wounded, doesn't have enough power to heal himself, is on a mission to restore Heaven, and once again he chooses to go save Dean (9:35), and the way rage builds in his eyes when learning Dean has become a demon. Look at this shit

I might be crazy, but this feels like a touching metaphor to me:

"I think you don't know what you want. Tell me, Dean. What are you? A demon? [...] Maybe you're human. [...] Why don't you do us all a great, big favor... and pick a bloody side!" (22:22)

METAPHOR

Episode 3:

We are reminded that, even tho in terrible conditions, on the verge of death, Cas is willing to risk it all to save Dean, and is devastated by the thought of Dean not making it (4:47 - 5:17)

This is so funny to me, I'm sorry, but Cas is so visibly uncomfortable with Hannah touching him, it's hilarious (15:58)

"I've been around humans for long enough to see how easily distractions occur. Emotions, feelings... They're dangerous temptations." (22:32) like rebelling against your own kind, destroying your home, falling... all for a human?

"I'm trying to keep our priorities clear." Moments earlier, Cas listed "Getting to Dean" (22:17) before anything else. In fact, Hannah says "I am very clear of my priorities... and yours." = Dean (23:00)

Cas is not sure whether the cure will kill Dean or not, and in any case, he wraps his arms around him, and softly says "It's over... Dean it's over." (35:40) as if hushing him to sleep, in what could have been their last moments together... wow. Think about this ICWAW

"Well, I can see his point. Only humans can feel real joy, but... also such profound pain. This is easier." (36:17) Look at the way Sam is looking at Cas looking at Dean

BITCH OKAY!!

SAM KNOWS

POSSIBILE future Empty reference "real joy"

Cas already stated he misses being human, but knows how fragile they are in both body and spirit:

Castiel really wants to be with Dean. For real. But maybe he thinks (see season 9) him being an angel is an obstacle to their feelings.

Only by being human he can truly be happy (MMMMMMHH SEASON 15), but isn't sure he could handle the pain that comes with it. A possible rejection, the thought of Dean dying, him leaving Dean... MMMMHHHHH

"You look terrible." [...] "Well, you, on the other hand, you... *checks out Cas* Looking good." (39:09) full homo right there. Also parallel with Ketch in 13x18 ("You don't look good." "Yeah, well, you're not my type, either.")

The way they are looking at each other here... man.

Cas is so happy to have Dean back, and Dean looks hurt about Cas leaving so soon.

"So... so, you're back?" "At least temporarily." (39:27) bitch, you know that's not what he ment.

In all of this, Cas is trying to make Dean feel better about the whole situation (DAT SMILE 40:18), and Dean replies with "I'm glad you're back, man.", basically no-homoing himself...

Cas starts walking out of the room, but stops and turns back [insert concerned husband here] (40:27), and Dean has that hopeful look in his eyes, like Cas is going to stay, and the hurtful look comes back as soon as Cas is gone

Episode 4:

"On your knees!" "Wow, I'm awfully flattered-" (34:33) SASSY BI DEAN IS THE DEAN WE DESERVE

Episode 5:

Fucking kill me NOW!!! Dean's reaction to Destiel is PRICELESS!! And even before he learns what that is, he just looks at the girls playing him and Cas and... freezes for a moment (13:18) And the eyebrow raise thingy at (13:34)... what's going on in your brain, Dean?

I'd like to point out that the Italian translation for "You can't spell 'subtext' without S-E-X" is, for once, AMAZING:

"It's just that... their bond is so strong it has subtext of a... sexual nature."

THANK YOU ITALIAN DUB! JUST THIS ONCE, THANK YOU! (13:43)

Also at (9:44) Dean immediately reacts to the implication of Wincest subtext, shutting it down and telling the girls to take a step back, but with Destiel he is like... alright

... this is so fucking cute, (25:54) Dean adjusts the girl playing Cas' tie so that it's messed up like the real Cas'. ADORABLE

SAM SHIPS IT (13:57) and is teasing the SHIT out of Dean, who reacts like someone being teased about their crush. Just saying (14:08 - 14:52) [AND THIS HAPPENS IN FRONT OF A PINK-BLUE WALL]

"I know I have expressed some differences of opinion regarding this version of Supernatural." (26:44) ... oookay meta? *turns to "Cas"* "And I want you to put as much sub into that text as you possibly can." ... oKAY?!

Episode 7:

Cas being extremely uncomfortable with women is too fucking funny to me (5:03 - 12:51)

Episode 9:

(15:13) Alright, so, this is a date... what now? Anyway, nice bi flannel, Dean. And the little sweet smiles you two are giving each other? So fucking precious (16:01)

"I ain't exactly a role model." "That's not true." (16:07) how Dean looks at Cas right after that? BABIES!

"How are you, Dean?" "Fine." "*I-call-bullshit look*" "I'm great!" "No, you're not." (16:18) #MARRIED

As Cas is choke-holding a guy, Dean, clearly amused (almost proudly), says "I'd do what he says." (22:17) Like that time with Raphael in 5x03, Dean likes it when Cas gets rough

Episode 10:

Shut the fuck up and marry each other already so you can finally actually BE the old married couple™️ you ALREADY ARE (22:17)

This is the "My husband is so FUCKING STUPID" look (22:30)

"I was hoping you might reach out to her." "... Me? I'm probably the last person she'd want to hear from." [...] "All I know... is she won't talk to me." (23:03) #MARRIED, PARENTS, PERIODT

Shut the fuck up. Cas is the dad trying to figure out technology (23:36) "I'll text you her number. I like texting. Emotions!" DAD

Cas worries about Dean like a wife would with an alcoholic husband

Of all the things Dean could be MAD about at Metateon... the first thing he can think of is him stealing Cas' grace (31:33) (okay, maybe he is going in chronological order but STILL)

Episode 11:

[I AM SO SO SO SORRY BUT DEAN USED THE ALIAS "PRESLEY" (18:55) I AM NOT OKAY]

Episode 14:

Have this deleted scene: Castiel and Crowley bitching over Dean, and Crowley calling Dean Cas' boyfriend

This is some hell of a goodbye-eye-love-making scene (26:57)

Cain compares himself to Dean... and CAS TO HIS WIFE COLLETTE [PARALLELS]

"You're living my life in reverse [...]

First you'd kill Crowley. You'd get it done, no remorse. (Cain had been killing his descendants, for whom he didn't care much)

And then you'd kill the angel, Castiel. Now, that one... that, I suspect, would hurt something awful. [And than Sam is Able, bla bla...]"

AM I WRONG?! YOU'RE GONNA LOOK AT ME AND TELL ME THAT I'M WRONG??!!!

Dean gives the First Blade to Cas... oKAY (37:10)

Worried brother-in-laws (41:27)

Episode 16:

This is such a good source of hidden meanings scene! Dean starts his "confession" as a scam. Everything he says at first is to attract the spirit.

He starts talking about seeing lots of women, not being able to control himself, and being sick of it. Then the real confession begins...

Dean feels he's going to die soon, and fears not death itself, but what he would be missing from his life.

"There's things... people, feelings that I... I would experience differently than I had before. Or even for the first time." (25:28) and the priest believes Dean is talking about love.

Well... "people, feelings"... who could he be referring to? Does Dean want love all of a sudden? People he wants to experience for the first time... uhmmmm... Is Dean opening up to his attraction to MEN??!! Or one angel in particular?

ICWAW we would guess Dean was talking about Cas

"Who mixes their blood and bones into paint? No woman has ever done that for me." (39:19) UHM- Dean, what about

6x20 "He has bled, died bla bla bla for us",

7x21 "I'm always happy to bleed for the Winchesters" or

9x22 "You just gave up an entire army for one guy"

ICWAW we would ALL roll our eyes at this statement and scream CAS

THE GUY BLED, LOST HIS HOME, REBELLED, DIED FOR YOU!! HE REBUILT YOU PIECE BY PIECE FROM HELL- SAVED YOU DOZENS OF TIMES!!!

Episode 17:

About saving Dean from the Mark: "We won't- (free Metatron)" "Yes, you will... because you're desperate." (9:44) Hannah knows. Let's remark that

"All I'm getting from you is... colours." (14:26) bitch he is a walking 🌈PRIDE FLAG🏳️‍🌈

Notice how, when we get a Sam-Cas centred episode, we don't get the same interactions with Dean-Cas? Why this?

Dean is always ready to call Cas a "brother", but the only one true bromance here is Sam and Cas'. There are no longing stares, no weird sexual filled dialogue nor tension, NO LONGING STARES

Facts, my people. Facts

Episode 18:

"You killed my friend." "Oh, pff, Dean is fine, mostly. Can't you get past that?" "Never." (12:39)

Charlie being excited about meeting Dean's famous boyfriend is WHOLESOME (37:34)

To have Cas back, 100%, safe and sound, is a win for Dean (38:58) and the face Cas makes after Dean hits him with another no-homo "It's good to have you back, pal." is "UHH not this again". Charlie already ships it

Episode 20:

A #MARRIED couple and their daughter. NO ARGUMENTS VALID (7:06)

Look at how they enter the motel (16:22)

OH MY GOOOOOD!!! #PARENTS coming back home from shopping!! THE HAND ON THE SHOULDER!!! Also

"Happy birthday. I got it at the Hot Topical" DAD

Dean: "Imma head back over there." Cas: "I'm coming with you." Claire: "I'm coming with you too." (17:24) #FAMILY

A fucking family comedy about a dad confronting the daughter's boyfriend and the other dad scolding him:

"What did you do to him?" "I didn't lay a hand on him!" "Dean, that isn't exactly true." "... Well, I didn't kill the guy." (17:14)

Surprisingly enough, this is not the first nor last time Dean acts like a dad to a lost child (AND TWO OF THESE TIMES THE KID IS SOMEHOW RELATED TO CAS) (21:54)

Episode 22:

C: "Claire, you are not going out there. [...] It's too dangerous. I can't let anything happen to you." D: "Claire, you're not going." C: "You're not either, Dean." D: "What?" (19:29)

#FAMILY DON'T TALK TO ME!

"No fighting. [...] Both of you." AAAAAA

This doesn't fucking matter, but Dean just said "... for the ladies. Or the fellas. I don't judge." (36:23)

Cas' speech to Dean... wow. "So if there's even a small chance that we can save you... I won't let you walk out of this room." (39:20)

I hate this scene. (40:11)

Dean is overwhelmed by Charlie's death, Sam and Cas' betrayal, the Mark changing him and all the other shit.

The Mark is taking over, and Dean can't (and won't) help it. Cas knows it. He doesn't want to hurt Dean. He is not even resisting. Doesn't put up a fight.

And just like Colette with Cain, Castiel only asks Dean one thing: "Stop." (40:38) [9x11]

Parallel to 8x07:

The only thing that stops Cas from killing Dean, is him begging, clutching onto his sleeve.

"Dean... please..." (41:08) Cas pleading Dean, clutching to his arm, makes him resist the urge to kill him.

Episode 23:

You can find gifs and the script of some deleted (destiel) scenes in this post by @charlie-minion

As the Mark eats Dean... he starts feeling guilt for the people he hurt... first on the list: Cas (14:54)

(This gif is not mine)

Well... what a season.

[Season 11>>]

[notfeelingthyaster]

Imagine (Son of Hades! Percy; Godswapped! Big Three's kids) Mark of Athena AU Pt. 1 (3/7) or (8/12)

Hello!! MoA is freaking extensive, so you're getting it in two parts. What are y'all thinking about this AU? Do you like it? Do you have suggestions? Anyway before reading this, check on the masterpost - all parts are essencial for the understanding of this - PJO or HoO - and check on the warnings before proceeding :))

Before everything, everyone's ages. Malcolm is 20, Reyna and Octavian are 19; Percy and Annabeth are 18; Frank and Jason are 17; Piper, Leo and Nico are newly 16; Will and Hazel are 15 - everyone is older, because I can.

Perseus is on a very uncomfortable toga praetexta, and he is late to the committee he has been organizing for at least two weeks now.

Planning for the greek commission - that he really hopes has planned a decent diplomatic mission, come on, Annie - is a very difficult job.

Mainly because Octavian is being a pain - and his direct superior, the Pontifex Maximus, is his grand-uncle, so nepotism is, of course, making Perseus life very hard.

They don't have any real say about the subject - the Vestal Virgins outrank them, and they're all for it because their Lady said so - but they still can protest every single one of the Alliance Committee decisions. Every single one.

They don't know how the greeks are getting here - it seems to be by ship, so they are keeping people at the closest bay, but no one is sure, so they are preparing for everything.

Hera gave him a date - July 8th, a Sunday - and they're working with that. Saturday is a day of rest, to the Roman people, so they organize everything on Friday - food, beverage, accommodations. Will they need garments? Perseus is not letting them walk around in those orange monstrosities.

Well. Hazel and Frank organize those - mainly helped by Questors and Magistrates - while Reyna and Perseus lock themselves up and review all the paperwork.

Because if they're not coming with their own mountain of paperwork, Perseus is kicking their asses, from Jason Grace - the previous Praetor - to Annabeth - she is supposed to be smart.

He also works on the mess that is the patrol rotation, the defense plans for the city, in the reconstruction efforts and in rising the wall at least 10 feet - getting it thirty feet tall, an impenetrable fortress for the upcoming war against the Giants.

Perseus has also made time for Iris Messaging his mother, - who is always overjoyed to hear from him - Persephone, - who he was only able to talk to once - Rachel, - who was not surprised to hear from him, and keep suggesting that he goes to the college closest to Parsons instead of staying in Nova Roma - and Calypso - who no Iris Messaging has been able to connect, nor can he find her location, so he guesses she is also in Olympus.

So back to the present - Perseus is late. It's 9h22 - he doesn't think that the greeks are getting here in the afternoon. He passes by Reyna's villa - with a cup of coffee and half their paperwork - and she is also late - a first when it comes to Praetor Arellano. Because they aren't Perseus and Reyna from now - they're Praetor Jackson of Styx and Praetor Arellano.

So they go to the courtyard - where the whole army is waiting, swords and shields gleaming with Frank in the head, plus the Consul, his two assistants, the Pontifex Maximus, Augur Primus Octavian, the six Questors and Perseus, and Reyna's assistants.

Perseus was never so grateful for someone as he was for Commander Sabina Artorius - the legacy of Pomona had been injured in the battle against Polybotes and lost her right leg and an eye - didn't make her any less valuable for him - but in the eyes of the prejudiced Roman people, she was a burden - so Reyna appointed her for the job.

She did everything Perseus wasn't able to - including proof-reading everything he wrote, teaching him the intricacies of Roman Politics, and giving him paperwork to sign.

Everyone who called her a useless servant was lying - Sabina was an amazingly competent P.A. and diplomat, and Perseus was very grateful for her, and her salary reflected that. Even if the Romans found weird a Praetor was paying for work - weird slaver fascist culture.

Reyna also has an assistant - a boy called Aeneas Nerius - a son of Virtus - who was born blind, so was relegated to poor-paying (or not paid at all, because housing and food aren't payment) jobs. Because Nova Roma is not only queerphobic and racist, no. It's also ableist.

The Pontifex - his name is Septimus Gavius, and he's a direct son of Phebus Apollo - looks at them angrily when they arrive late - but the Consul doesn't even notice the time - the man is too afraid of their conjoined power over the masses.

The Consul plays for the people as if Perseus would be a good successor - calls him Augustus and Imperator - even when everyone knows Reyna is the obvious choice - the man is as misogynist as all the older Senators are.

While Reyna tries her best to make her purple stola less constricting and Aeneas corrects Perseus toga with the practiced movements of someone who has been trained to do it - and that's when Perseus remembers that Aeneas was a servant to Octavian's family.

He pointedly avoids looking at the boy's hands - the demigod is no older than Percy, and his hands are burned and scarred. Perseus doesn't pity him - he rages internally against Octavian and his bigoted, slaver, prejudiced family.

They are talking - he is still seething from his realization - when the Greeks appear. And Perseus wants so much to kick their butts.

He has no words. He wants to scream. Reyna massages her temples with the face of a resigned person, and Sabina - the bloodthirsty woman that she is - snorts in amusement.

"Praetor Jackson. I fought beside you! I didn't expect your people to be... well... barbarians!" Whispers Reyna in his ear, in utter exasperation.

"I wasn't expecting this either! They have Grace, who is a roman! Why are they doing this?" He whispers back, as lost as she appears.

It doesn't matter - he tells Frank - Legatus Legionis Zhang - to make the troops stand down. This is not a fight - not yet, Lady Lupa whispers in his mind.

Hazel - Centurion Levesque - looks at him worried. She has been frenzied since her brother's disappearance the day after her birthday, but this is just the cherry on top. Are they fools?

The ship crosses their wall - and hovers in the air as, one by one, six people climb down. Perseus recognize almost all of them - there's Annabeth, Malcolm, Will, Jason Grace, and two other demigods, who he doesn't know.

At least Grace is wearing a toga. A makeshift, purple toga picta - as if he was a Triumvir or an Imperator - but a toga nonetheless, even if pretentious.

The Consul is the first to talk - the Greeks approach slowly, wary of the army behind them. The man welcomes them to Nova Roma - looking at Grace's toga with something akin to disdain - and then promptly passes the torch to the Praetors - the organization of this whole thing has been in their hands from the start.

"I am Praetor Urbanus Arellano" Reyna starts, in an official tone that no one questions "And this is Praetor Peregrinus Jackson of Styx. These are Pontifex Maximus Septimus and Augur Primus Octavian, Legatus Legionis Zhang, and the Twelfth Legion of Nova Roma. Please, follow me - let's continue our talking in a more private setting, I'm sure you're must be exhausted."

It's just an excuse to avoid the mocking looks the bigots are throwing them - Perseus can hear their voices in his head, calling him an ape, a savage bringing barbarians into their home.

The greeks - with their orange T-shirts and faded jeans and mocking purple toga - look as out of place in Nova Roma as Perseus feared they would. Reyna and he take them to the Praetor Villa - is as much as they can restrain themselves.

Annabeth - who knows him longer than anyone here - doesn't jump him - she just looks a little overwhelmed - Nova Roma is probably a bit much for her Athenian brain, which is now possibly being overridden with possibilities. It's Jason who makes the first move - and what a weird move at that.

"Reyna" He greets, and they hug briefly - and as manly as possible, for some weird roman reason about feminization - before the blonde turns to him "Perseus Jackson"

"Jason Grace" He answers back, and they exchange a handshake, but there's something weird in the inflection of his voice that Perseus doesn't necessarily care for "Annabeth"

Her greeting - when she gets off the subspace she dropped to - is much nicer - and warmer - he even gets a hug out of it.

They introduce him to Leo Valdez - who Perseus looks at once, remembers Charles Beckendorf, and swears to never let any harm come upon his baby brother - and Piper McLean.

"I know you!" They say at the same time - because that's where English gets you.

They explain that they went to Yancy together - two years, doing the same English tutoring. They give each other a high five for surviving the highs and lows of high school as monster bait. Malcolm and Will both hug Percy and greet Reyna with the same respect they give Annabeth - Praetor Arellano is terrifying.

The conversation eventually goes to how - how did they find Nova Roma, why they aren't surprised to see him here - and the answers are kind of obvious.

"I dreamed of you," Says Grace, still with a strange tilt to his voice. Perseus guesses he probably isn't okay with losing his place as Praetor - but he was kind of lost for eight/seven months. It's the gods' fault, really.

"Me too. Kind of - Lady Juno... I mean, Hera, she sent me dreams for about a month or so? It was all very weird - like basically the training I was doing at the day, you were doing at night. I think she was trying to tell me to follow in your footsteps. Helped me a lot - thank you, man."

Jason - and all of the greek entourage - seems a bit downtrodden - like he just gave a big miss. But Perseus has more important things to care about.

"Who had the brilliant idea to come for an alliance in a military flying ship?!"

Jason Grace wants to punch Hera, or Juno, or whatever is her name in the face. He wants to punch himself either - the gods never did anything good for him, why would they now?

He talked - like a creep - about the dreams. And turns out? He is the only one having deep, emotional dreams about Perseus' past for months. He got a crush on someone he knows, like the palm of his hand - but that doesn't know him back, because really, why make this easy? Why give him those dreams at all - if they were doing this one-sided?

So he stays quiet, as Leo apologizes for the worst idea ever - coming with a warship to a military city - and, while Perseus and Piper trade stories, Reyna beacons him for a quick walk - to show him the development of plans they did together - their own way of catching up.

"You're infatuated with him," Jason says but is not an accusation, is just the truth, in the worst time possible.

"Can you blame me? You were gone." She retorts "Wait... It's not me you're jealous of. But how do you? You never met before."

He explains the dreams - the seven months of dreams, the only link to his past, the way Camp Half-Blood worships Percy - the way that they don't have rules about who you lay with. Jason feels Nova Roma around him - the decadence of water everywhere that CHB simply lacked.

"Well, we should open a club. Me, you, that blonde girl, Di Angelo, half of Nova Roma..." And they laugh, for it seems impossible to not fall for Percy's charm, just as impossible as making him notice any of them. "Now can you explain to me why are you wearing purple of all things?"

He is apologetic - it was the only toga they could find in short notice without leaving Camp. Then, she shows him the plans - Reyna can do multiple things at once, and her best friend's love life is merely a blip in her radar.

Reyna loves differently - she has known that, all her life. It doesn't make a difference where it comes to Perseus - she loves him, even if she can't imagine ever laying with him. Maybe that's why she hasn't made any moves under the course of three months. She should let him go - he has so many options, anyway.

When they go back, is to see Perseus and Annabeth in a heated debate about she wearing a chiton or a stola - anyway, no greek can go to Senatus in jeans and a T-shirt.

Eventually, they manage to get them all in togas - the girls refuse the stolas, but they are convinced to put on the chitons for diplomacy.

They didn't come with mountains of paperwork. But between Malcolm, Will, and Annabeth, by lunch they have outlined most of their possible contributions and what do they need - and what they're unable to give up.

Perseus and Jason - and possibly Nico di Angelo, who's missing - are the only ones who know the full information - how many battle-ready people both sides have, how many disabled people, how many children, healers, resources.

Nova Roma is winning - in everything. Except for power - because Camp Half-Blood only has, maybe, five legacies out of more than 150 campers, while Nova Roma is mainly composed of legacies, second-generation demigods, or minor gods' demigods.

The Greeks are composed of 63% Olympian's children, 36% minor gods' children, and 2% legacies - all children of two demigods, so second-generation demigods. They don't have Nova Roma's training - but they have powers the Romans could only dream of.

The Romans are composed of 12% Olympian's children, 39,5% minor gods' children, and 48,5% legacies - most who are at least a few generations diluted. They don't have Camp's power - but they have techniques and numbers the Greeks couldn't even hope to have - if you counted the able non-fighters - the ones who would fight either way for the sake of Rome - it was a number bordering on 700 hundred strong.

It is a gamble that could only bring destruction - for both sides. So Perseus and Jason exchange looks - and decide not to divulge all information. Egos are so fragile - especially between the older generations - so it's best they don't have material to plan in accord.

The Greeks and Roman heed together to the Forum Romanum. Is still weird to see the Romans - especially for Leo.

You see, Leo has been surrounded by a cult of Perseus Jackson over the last few months. Half the people he knows are infatuated with the guy - including the meticulous Annabeth Chase, his best friend, and even scary as hell, Nico "I'm bringing the thunder" di Angelo.

He is expecting a Batman-esque character. He is expecting the heroes from legends - the ones destined to fall. Leo is half-waiting from an automaton - or perhaps Lucifer himself. He isn't sure.

But the guy is... easy-going. He bears a striking similarity to Charles Beckendorf - with surprisingly green eyes. Perseus is wearing sheets - why, Leo can't phantom - and making jokes with Malcolm Cage like the guy wasn't perpetually boomed by something.

It isn't the only thing that surprises him: All his ships (the romantic ones, not the literal one) crashed and burned worse than Helen of Troy and Paris. Perseus is seemingly oblivious to romance - he is all about the job, making friends, rebelling against the traditions and their superpowerful angsty parents.

Well, Leo can get behind this. He can't stop looking at Nova Roma - a whole city, directly taken off a good Gladiator reboot. Leo is not an architecture crazy like Annabeth - but oh, the aqueducts!

Leo wants to take a peak at the place the chimneys are poking of - maybe a two or three hour walk from where he is - but Piper keeps a hand in his wrist, leashing him like a unruly puppy.

Annabeth is in a similar state of amazement - she came here for her best friend and crush - and is surprised.

Not by Perseus becoming some kind of military political person - he always had the potential - and the way he grew, somewhat, harder and prettier at the same time. Annabeth is only eighteen and still on sophomore year - blame the hormones.

But she is amazed by Nova Roma. They have such an intricate society, with traditions the greeks have long forgotten - who still uses clothes like that - and a military formation worthy of Julius Caesar.

Her best friend turned out to kind of be the Julius Caesar to Reyna's - Praetor Arellano - Augustus. Perseus - Praetor Jackson of Styx - is militar and rigid, a political conqueror - while Reyna is infinitely more dangerous - she is a king, a leader to be worshipped as a goddess for centuries to come.

Annabeth came in this mission for three reasons: Her best friend, the war, and the mission her mother gave her. But now, she looks at the politics, at the city - and wants to stay.

They enter the Senatus - Perseus and Reyna upfront, followed by Jason and the greeks - and take their places. Jason - for the anger of most romans - stay with the greeks.

The session starts as normal - titles, names, rankings, people bringing their issues, strifes, budgets, ideas of infrastructure that were authorized by the Censors, marriage licenses and research projects.

Jason thinks they are scarily good together. Reyna works most of the civil front - she is a master at law - but it's Perseus who separates most strifes and solves the money problems - he is the son of a fair judge himself.

He can see the looks - he is Propraetor now. Why doesn't he sit in his side of the Senatus, between his pairs? Does he think himself above them now - even between barbarians?

But Jason can't let his friends to the mercy of the romans - not alone. After all people come - some redirected to the Consul, some with their issues solved for better or for worse - it's their time, to state the case.

The Alliance of Ephesus - for a city that was both greek and roman in nature - is still in it's initial states. But they make their cases - the way Camp Half-Blood could help in the upcoming war against the giants, their own roles in the previous war against the titans.

It is a convincing argument - both Perseus and him are unmovable objects, and Reyna is an unstoppable force - but they do hit a rock in the way.

"If the best your camp has to offer is a healer of Phebus Apollo, a bulla-wearer of Flamen Vulcan, a daughter of Venus Verticordia and two children of Minerva - a virgin goddess - this Alliance is highly unfair for the people of Rome!"

It had to be Octavian, Jason thinks. It is good, then, that Perseus has the tongue made of steel and looks like a Basileus - sat on a throne, overlooking them, with a bored look upon his face, he could demand a crown and they would give him.

"You overestimate yourself, Augur Primus Octavian. You see yourself so mighty that you have no need for allies?"

It is mocking and there's a message behind it - "This is where I come from and I am your Praetor - do you challenge my power?" - it makes Jason shiver.

Perseus - Praetor Jackson of Styx - is his father through and through. Jason only met the god once - in the post-war council in Olympus - but he had the same imposing voice, the same luxury that seduced Proserpina to the Underworld.

Just like he looked leading the greek forces against Kronos, wielding his weapons of choice with a roar that made Manhattan tremble.

It seemed to work - for Octavian shut up pretty quickly. Jason is no longer in a position to do it - he is respected, technically, as a Propraetor, but he barely reached half of his term - after spending a year as Legatus Legionis - a position which Frank Zhang more than deserved.

Everything is going well - too well, for Piper's liking. Perseus is cool, Reyna is cooler, they have a whole government (!), Jason is making heart-eyes at dream dude and even prejudiced guy recognized her as a girl.

They have a feast - where they are introduced to Frank Zhang and Hazel Levesque - and Piper sure isn't keeping all those titles straight in her head, this is Annabeth's job.

Centurion Levesque - Hazel, a girl a little younger than them, but apparently already a general - keeps looking at Leo as if he is about to implode - a normal reaction to him. She stops once they are introduced - there's a forlorn air about her.

She catches up a little with Perseus - who is the most oblivious person to ever grace this earth, for so many look at him and he barely looks at anything but his paperwork - who finds it mightly funny to slowly eat a pomegranate while everyone freaks out at the implications.

Well - he thinks they are scared. But Piper knows they're just horny and waiting to pass winter cozying up in hell.

Perseus explains to her (finally) why they give the gods different names - Venus Verticordia, Genetrix, and Victrix; Juno Moneta, Regina, Lucina, and Populona; Mars Ultor, Pater, Quirinus, and Gradivus, etc. He explains they are epithets - different forms of each god.

Different from the greek to roman transition, these are the same gods - in very different facades. Like, for example, her mother could either be Venus Genetrix - the maternal one - Victrix - the war one - or Verticordia - the romantic love one.

Greeks used to have this - but some of their aspects got too jumbled, so they started rebirthing - evolution. Zagreus became Dionysus. Hermes split from Pan. Helius merged with Apollo, Selene merged with Artemis. As their cult changed - so did they.

Children of Venus Genetrix and Verticordia are different from Children of Venus Victrix - still brothers and sisters, but their powers are different - where the first lean towards priesthood and the second towards charm speak and magic - almost all the third's are warriors of the same caliber of Mars Ultor's children.

Everyone here is so different though- Perseus' P.A., Sabina, is a total badass and Piper would be all for her... but wouldn't that invalidate her? She spent her whole life trying to prove she is a girl - to now go pursue sex with other girls? Piper is confused - she should IM Ariel before sleeping

It is all going very well - minor accident when someone mentioned Perseus' decision to send the harpy Ella away days ago - probably to Rachel - until Octavian decides to see the ship. And, of course, Leo just has to go.

Jason is proving to be very smart - for while Leo is occupied above with Octavian, he insists to also be on the ship, with Will and Malcolm as his backup - no one here trusts the drowned rat.

They take with them Frank and Hazel Levesque - two possible candidates for the mission on the Roman side - evening the sides - three Romans, three greeks, and Jason - a medium.

Perseus stays on ground - he is the host and can't leave the party - with Reyna - who is talking to Annabeth in hushed whispers - and her - who is starting to get a little tipsy.

Well. She should've known better.

Leo attacks the camp - it's not him, but it's enough. Perseus - at the first cannon bomb - whispers something in Reyna's ear, and escort her and Annabeth to the ship before Roma can react.

He jumps on board, pops an unconscious Octavian out of the ship, and tells Annabeth to get out of there in the next ten minutes or he won't have an alibi. They do - but look at him like he is either crazy or drunk, still in laurels and a toga, a goblet of wine precariously between his fingers.

"I'm Praetor Peregrinus Jackson of Styx - and this is an espionage mission with the objective of rescuing Legatus Legionis Zhang and Centurion Levesque while finding who is the greek traitor. At least, officially - I'm here because I am not a big fan of the woman encroaching in my territory, trying to kill my friends."

Leo - who is still disoriented of what Frank explain is an eidolon, they had a run with those when the attacks on Nova Roma started - starts laughing and takes Annabeth's place steering the Argo II. After a minute of silence, everyone starts laughing - the man is a genius.

So they go after decent clothing - because just Hazel and Frank are in battle appropriate clothing, and Perseus just noticed that they're floating and he can almost see the equations around his head - he wants so bad to talk to him because he has the same numbers around him all the time.

After everyone is in pants and shirts - Perseus, Frank, and Hazel take the loose shirts - Annabeth brought a stash of clothes in more or less their size, in Jason's word - but, while Frank tugs on a pair of sweatpants, the other two look at each other.

Leo is not really surprised when Hazel is in a skirt - but he gasps when Perseus walks in Frank's roman military skirt. He looks uncomfortable at the mere idea of pants.

No one says anything - not only they lived in CHB, but he has the Minotaur dagger that pair perfectly with Rachel's strapped to his tight, while his ax and Warhammer are crossed in his back.

Leo can see Jason drooling - he isn't the only one. Leo is newly sixteen - the youngest bar Will, and, perhaps, Hazel - and generally more interested in machines but he is not blind - the guy is hot.

Perseus gets hotter when he comes to Leo - still with a resting bitch face that would give Chiron a run for his money - and starts asking questions with the excitement of a puppy - about the ship, about the plans, how the aerodynamics work.

Hazel is roped into the conversation when they try and test if she has any control over the wind - almost nothing, but Perseus thinks he can hone her eventually - while Will and Malcolm start grilling Frank and Jason over Nova Roma.

Perseus mentions Nico - which Hazel supports. He hasn't be seen in either Camp since Perseus recovered his memories - said he was going to make up for it, but Percy knows the guy is a little self-destructive - he is too prideful to know when to just stop.

Piper and Annabeth are on patrol - no one is really sure the Romans aren't going after them. It doesn't serve for much: they are attacked.

Not by Romans, but by griffins. Between Jason, Piper, and Annabeth, Perseus and Leo don't even move. The ship does suffer some damage - which prompts Leo to give the Romans a tour of the Argo II.

Perseus is fascinated by Festus - while Hazel is fascinated by Leo - And Frank is seriously just marveling at the greeks by now - Nova Roma is pleasing to the eye, but they don't have automaton dragon ships.

They go to Salt Lake. Jason, Frank, and Piper go get tar, while Leo, Hazel, and Perseus go to the Celestial Bronze. Annabeth, Malcolm, and Will stay, to protect the ship.

It's the first time Perseus has touched land outside of Roma with his memories back - and he can feel a pressure in his chest: His link of empathy to Grover, never completely off.

They encounter Nemesis - who talks to Perseus about Ethan and Domitia, for which he retorts she has no rights. She took Ethan's eye, and his choice was not worth it - she asked for too high a payment.

Nemesis, or Invidia, laughs. Says the world isn't fair - look at Perseus and Jason, Leo and Sammy, Hazel and Nico, the marks in Roman's backs. She doesn't explain anything - but they understand.

Perseus understands Hazel and Nico - it's not fair, that her brother is missing, probably captured if his dreams have an ounce of truth. Leo understands Perseus and Jason - for Jason confided in him for months. It's unfair that Perseus doesn't know as much about Jason - and that Jason knows way too much about him.

Both Hazel and Perseus muse about Sammy - the one from Hazel's flashbacks. They hold hands and keep silent - this is not the moment. Leo doesn't ask about the marks - he saw Jason bare-chested once. He doesn't need to know more.

Invidia gives the fortune cookie to Leo, and promptly disappears - Percy wants to punch her. For Alabaster, for Ethan, for Domitia and the punishments that she has to dole out.

They meet Echo - who Perseus pity and rages, for it's the gods's fault. She couldn't refuse to help Zeus - neither could she flee from Hera's punishment, or Eros' arrows. It's their fault, that she stands now, alive again, but incapable of happiness.

Narcissus is a dick. And Hazel thinks that both Sammy - Leo - and Percy - who looks just like Pluto, and not in a bad way - could surpass him in both looks and personality.

Percy and Leo distract the nymphs - in different ways. Perseus plays his father well, and the dryads flee to Leo, in search of protection from a hero. A black makeshift toga Echo gives them, and that's it: The god of the Underworld coming to kidnap someone else.

Hazel retrieves the Celestial Bronze - the energy in it is strong enough, with Perseus opening the earth sideways for it to pass. They don't need to run back to the ship: Percy keeps evoking skeletons, which scares the nymphs, and in a fit of fury for Echo, Leo breaks Narcissus' nose - which sends him into a panic.

While getting tar, Piper feels her dagger heating up - Katoptris shows her a man Jason recognizes as Dionysus, in Topeka.

When everyone is back to the ship, they relay their stories. Perseus briefly asks Annabeth about Grover - who she tells him is occupied in Maine this year, but never gave up on looking for Perseus. Then, they leave for Topeka - they have a god to meet.

"I know a friend who could help us get down" Starts Perseus, looking at the emptiness under them with worry. The daughter of Aphrodite sympathizes.

"I thought you couldn't shadow travel more than one person at a time" States Jason, with all the creepiness of the dream stalker that he is. Piper is laughing - while Jason flushes and tries to explain.

Perseus ignores it, for the sake of his sanity, and asks if Jason has a Pegasus: Thalia has Porkpie, and he is right, Perseus couldn't possibly get three of them down and up without draining himself.

Jason doesn't have a pegasus - he does have Arion, the son of his matron, Ceres, and Neptune, his father. It doesn't fly - but Hazel has a venti that does.

So it goes Hazel and Jason on Tempest, Piper, and Perseus on Blackjack. Bacchus is waiting for them, a two-liter bottle of Pepsi in one hand.

While many of the roman aspects of greek gods are mainly more rigid, Bacchus is the complete opposite. Dionysus is a god of madness and, in his older iterations, Zagreus, a god of the Underworld.

Bacchus is a god of drunkness, sex, excess, and parties. He has none of the darker sides of his counterpart - nor the austerity of his aspect as Bacchus Liber, a god of freedom, fertility, and protector of people.

No, this was Bacchus in his most simple form: a deadbeat drunk. Piper is so tired - why couldn't she be born in a serious pantheon? Egyptians seem pretty focused.

Bacchus wishes for Ceres' presence - says it's not his responsibility to deal with plants - this is the dominion of Liber, and he can't be Liber without Ceres here. He asks Jason or Perseus to call for the matron - she should listen to them - but Ceres doesn't answer their prayers.

Perseus is as done as Piper and just rolls his eyes. At the presence of a fertility god, even if he only has a bare connection to it, vines start growing around the son of Hades' ankles, like if they're coming to play. Perseus is not only a son of Hades', Piper remembers, but he is also a champion of Persephone.

And while Jason's only blessing is his magical horse, Perseus was trained and has some mild control over plants - Piper thinks he got the better goddess in the deal.

Bacchus - drunk in Pepsi, if that's even possible - don't answer much. He tells them about Phorcys, and paying tribute - Liber would probably answer to it. He then flees.

Jason and Perseus hold a brief conversation about holding evening prayers - Piper doesn't understand much, but Hazel is nodding along, so it can't be bad: The girl is pretty level-headed.

Perseus is a son of the Underworld, he cannot be possessed by spirits, and fight them off easily, and Jason does too - mainly because he knows Perseus way too much to attack him.

But then the spirits turn to the girls. Jason has to throw a wave over Perseus to wake him from Piper's charmspeak so that he can exorcise them. It works, but Perseus has a small panic attack over drowning, is immediately drained and faints on his arms.

So Jason hauls Piper and Hazel over Tempest, so the venti takes them up first, before he bride-carries Perseus into a hurricane and over to Argo II, and promptly passing out from exhaustion and scaring the hell out of everyone on board.

Jason thinks it's worth it - Perseus asks him to start calling him Percy, and, in the Mess Hall, each takes one head of the table. He feels like he should be bothered - he isn't one to share leadership, but they all know the true head of operations here is Annabeth, so.

Percy tells them what he told Reyna - to stop any from following them, for this was a special ops mission. It's his role, and, later, Jason and he can strategize what Perseus will say in the Iris Messages to the Senatus.

And how they're going to spin crossing the Mediterranean Sea without using Julius Caesar's journey as a comparative too much, least they think Jason and Perseus are planning a coup.

They totally are. The two of them and Reyna would be the first triumvirate to work.

That evening, they sit together on the deck and talk. Not about Jason's dreams, not about Perseus's fear of drowning. But the joke about the Forum, and trade anecdotes of campers both know - and it feels like something.

Perseus dreams of drowning on earth and trashes around in his sleep - just until he starts dreaming of Nico again.

Nico is locked up in a cage - like a bird trying to reach flight. Ephialtes and Otis taunt him - two eagles come and try to attack him. He fends them off - feeding off electricity in the sky - but Perseus knows he won't be able to keep this for a long time.

Perseus goes to the deeps of the ship, just close to the motors, and cuddles up to Blackjack - the Nico situation will have to wait until morning.

In the same night, Leo catches Frank sleeping as a dog - and his crush on the guy threatens to swallow him whole.

It's Will who finds him, twelve hours later. Everyone is pissed that Perseus disappeared - so they don't let him go search for Phorcys with Jason, sending the blonde boy with Frank and Will, claiming the son of Hades is still exhausted from the past day.

Perseus stays on board. He tries to decypher his vision with Piper and Hazel, while Malcolm and Annabeth trace the route to their own mission. Leo is steering the ship and finishing the repairs.

Hazel is worried about what Percy saw. The two eagles match a dream she had, a little over a week ago: Prometheus. If those eagles reach Nico, when Nico gets too weak, he will have his liver ripped off, and no magical powers to regrow it.

Jason's mission is also giving bad results. They meet Keto - who Jason is pretty sure he already killed once - and is uncooperative as she takes Will in a tour. Phorcys is much more open - after a little flattery, he tells them all about the twin Giants, the prisoner in a cage - bait for Perseus Jackson and Hazel Levesque - and a map that would possibly lead to the Athenas Parthenos.

They escape when Will kills Keto with a well-positioned arrow, before breaking the tank together and fleeing to Argus II.

In the way to Charleston, they discuss where could the map be. Perseus trade his first Iris Message with the Senatus - in his room, faking that both Frank and Hazel are helping him, and that the greeks have no idea what happened - that there is a traitor in their midst, but the Alliance continues.

Perseus hopes they can win this war with minimum bloodshed, and then he can claim the traitor was controlled by Gaia or something because that's not his main preoccupation. He trades information with Reyna - she tells him to go to Battery.

Annabeth remembers her meeting with her mother - for this time, she was accompanied by Malcolm. Athena told them they were failures - wasting their time searching for a son of Hades. But that they should have a chance at proving themselves - and gave them the small silver coin. To "avenge" her.

Athena raged and bristled about Annabeth and Malcolm helping the Romans, but that's where Annabeth would not relent. Would her mother prefer destruction over her pride? Oh, how wise.

Annabeth feels ashamed she still craves her mother's approval, while the goddess simply saw them as pawns, even after the war raged by the rejected children - she was one of the Olympians with most children on the opposite side.

This time, they play with the finger trap all together - in the mess hall - and Annabeth looks at them and decides this is her family, not a bitter goddess that never bothered with her. She wasn't doing this for Athena - she was doing this for Camp, and her friends.

Annabeth, Hazel, and Perseus go to the Battery, while Leo, Frank, and Malcolm go to the museum after the map. Jason goes to the bay with Will, to try and free the animals at Phorcys aquarium, and Piper stays on board to patrol the ship.

Aphrodite is flickering between her greek form and her Venus Genetrix aspect, but ends up settling as Venus Verticordia - the closest she can get to greek between a roman, a greek, and Perseus, who, according to her, is both.

"You shall tread carefully with love, Annabeth Chase, for your heart lays elsewhere; You are locked up between two ways of the heart, Hazel Levesque, and shall thread both; And you, Perseus Jackson of Styx, when it comes to the heart, you are my crown jewel."

Perseus would punch her, but he knows better: Verticordia means "the changer of hearts", she is a manipulator, a player. It's this aspect who caused the Trojan War, who tossed Aeneas right and left for Lavinia.

He much prefers Venus Victrix, who appears when they're about to leave, to warn then about the importance of the statue and the location of the map, in Fort Sumter.

Octavian - who was conspicuously missing from the Senatus meeting - is here - against the orders of both Praetors. He tries to attack them - but Perseus makes the earth tremble and they run away. Jason and Will join the fray, and they send a message to Leo's group for them to regroup.

Annabeth gets the map - again fighting against spiders and the voice of Lady Earth - but this time there's no Reyna to confront her - this time, Roma is on their side.

Perseus asks if killing Octavian would be so bad, after all, but Hazel stops him from making the earth swallow the Augur - he is still a person, after all.

They change their minds pretty quickly once Reyna IM's Perseus, saying that Octavian poisoned the minds of the Senatus against the greeks and that she was unable to do much. She says the Augur is claiming that Perseus, Jason, Frank, and Hazel are mind-controlled by Piper - and that he tried valiantly to rescue them, but failed.

Perseus is pretty sure that he should've made the earth swallow him, send him directly to the Punishment Fields so he wouldn't be able to leave the Underworld never again, the lying rat.

It takes three days for them to reach the Mediterranean Sea. These three days are spent most with training and planning - while the children of Athena plan for their mission, Hazel and Frank train their powers, Perseus and Piper spar, Annabeth and Leo steer the ship, Perseus and Jason spar and patrol, Jason and Annabeth trade ideas about the two sides, Will mends a lot of people up.

Leo, especially, admires both Hazel and Frank from afar - since the Narcissus situation, he can't keep his eyes off the girl, and Frank is just adorable - he feels like he just watched Pirates of the Caribbean all over again.

The group becomes pretty tight - especially after Will walks in Percy without a shirt on, and immediately manhandles him into the infirmary. He does the same with all Romans - trying to figure an answer to those scars.

Will has a boyfriend - Jake Mason, seventeen - who has the same bad habit of hiding scars from him. But since he lost his foot - Will has discovered a thousand ways to find someone's health problems.

Piper and Leo are not surprised - they are the closest to Jason after all. Malcolm and Annabeth are up in arms - and they call the greeks barbarians?

Jason blames himself - for he has a guilty streak a mile wide, and apologizes to them - as if is his fault Juno had this godawful idea. Perseus punches him in the shoulder and tells him to stop with the bullshit - they have bigger problems than that.

They meet Heracles - and their best speakers are Piper, Perseus, and Will - the charmspeaker, the Praetor who actually finished high school, and the son of the god of poetry - maybe some flattery would help.

Heracles is a complete ass - no, he is a creep. He leers on Will - who is fifteen and he calls eromenos, yes, like a pedophile - then on Piper - who is utterly unimpressed - but don't try on Perseus - his eyes are as dark as the Pit, and he looks ready to punch Heracles.

They don't mention Hera - because the three are smarter than to mention the woman who turned the god's life miserable - but, after Piper refuses to kiss him, he gives him the mission to get the horn of Achelous anyway.

The Achelous is suitably afraid of Perseus - and it's easier to break his horn. They fight against the god - Will punches the guy in the face, while Perseus has no qualms about swarming him with skeletons and melting his armor.

Jason - who is keeping a keen eye on them from the deck - raises a wave for them to go onboard. Will - dripping and utterly mad - starts throwing curses at Heracles - he shines with the power of his father.

Percy is trembling - he hates water, he hates the feeling of drowning, he hates water in his face. He feels weak.

Hercules throws stones at the ship - but fail to hit anything, even if he almost gets Jason - who is pushed to the ground by Perseus, who grounded himself on the blonde.

For now, they have a cornucopia and managed to pass Heracles - so they just hug and laugh breathlessly at Will's increasingly ridiculous curses.

In the midnight patrol, while keeping watch for Stymphalian birds (Perseus hates those), they talk. Perseus tells him about drowning in his own element, about his distaste for both air and water - explains why he never gets close to the margins of the ship.

"Y'know, I dreamed of you" Percy nods, but Jason shakes his head "Not for a week or two, but for seven months. I thought it was Juno..."

Percy seems tense as if he is about to flee at any moment. High-strung. He looks anywhere but at Jason, and finally, he murmurs, almost too low for the silence that expands between them.

"How much?" "Everything."

He tells Percy about his dreams: Luke, Ethan, Alabaster, Persephone, Hades, Sally, Annabeth, Clarisse&Connor, the Labyrinth, the Sea of Monsters, Bianca, Nico, Zoe, Thalia, the weight of the sky, the Styx, the last defense of Olympus.

There are a lot of pieces missing - Percy Jackson is not a puzzle, but a giant Rubik Cube with ten sides - but Jason saw the worst parts of Perseus, his friends, the betrayals, the deaths, the bitterness that threatened to swallow him whole.

Percy doesn't answer - he flees. Back to his room, to conciliate that someone has dreamed about him, for months. That someone he is barely friends with knows so many deep details about him, things he never told anyone, and didn't plan to, ever.

It's not the only difficult conversation that night by far - Hazel and Leo are having a similar one.

You see, Leo is, by all means, closer to Jason out of all romans, and the least close to Frank - who is Hazel's best friend. Leo is pretty friendly flirty with Hazel since the Narcissus situation - because she is cute and just a year below him - but he also has been nursing this massive crush on Frank - who is a hunk of a man with the attitude of a puppy.

But seeing that Frank is straight as a board and Hazel only sees him as his grandfather, apparently, he is out of luck in this department - nothing new. At least he has a bunch of friends.

"Are you my friend only because of my grandfather?" "Of course not." Leo doesn't believe her, but he lets it go - it's the fatal flaw of Hephaestus' children: Lack of self-worth.

Perseus sleeps fitfully - and wakes Hazel to tell her about his vision of Otis and Ephialtes, for she is Nico's sister. They go to the deck, and he plays with her hair as they watch the sunrise.

Jason - looking at them from the other side of the ship - suddenly has a bad feeling - there's something coming in their direction. He makes Leo - who is steering this night - stop, but they are rammed and overrun by dolphin warriors.

Chrysaor disarms Jason - and his crew manages to tie everybody up - except for Perseus, who managed to flee into the shadows, and Frank, who hid away.

It's pretty simple from there - Hazel and Piper trash around when Chrysaor says he is taking them to Circe, Jason says their Captain is Dionysus, and Chrysaor says he is a roman, and Bacchus is weak in comparison to his greek form.

To prove Jason's point, Frank turns into a dolphin while Perseus makes vines appear and hold Chrysaor into place. Their enemies throw themselves overboard, including Chrysaor himself - and Jason sinks their ship by filling it with Diet Coke and Pepsi and burning it to Dionysus and Bacchus Liber - both of the serious sides of the god.

Perseus sleeps on the deck under the fickle rays of the midday sun and dreams of Gaea. Jason wakes him. They spend an awkward moment looking at each other before Jason hugs him.

"I'm sorry" "It's not your fault, stop blaming yourself for everything, Water Boy" "Sure, Death Boy"

They laugh - and for a second, they feel their own ages - eighteen and seventeen - without a care in the world. They mock-wrestle before giving up and just laying in the sun.

Perseus looks at Jason and thinks his beauty under the light of the day might be a good reason to tolerate the brightness.

It's Leo - with a knowing smirk - that tells them to come to mess hall - they need to plan.

Annabeth and Malcolm are going together to the Tiber River - but the children of Athena aren't leaving without a proper send-off - so they're having lunch together first, all together.

They pile around two tables in a little restaurant. This time is not Percy that asks for pizza - it's Leo and Will.

They eat and joke - and forget they are demigods in a mission that might bring the end of the world. No, for a second they're just teenagers - Malcolm is the oldest at twenty, and Hazel and Will are the youngest, both fifteen.

The group jokes and fools around, spending more or less an hour at the little restaurant. The old man who manages the place has a warm smile upon his face.

They go to the park close to the river to walk around - they are stalling the time they'll have to go back to their hardships. Annabeth and Perseus walk together, apart from the others - she says she wants to catch up.

Annabeth has a crush on Perseus since they were both fourteen. She studied with him for a year - he as a senior, she as a freshman - and this crush only grew. She looked for him for months, he is her best friend and she loves him.

Annabeth still remembers after the war - when she thought they would get together. They were both too caught up in mourning - Perseus even more than her - even if she always knew he corresponded. But this... this might be her last chance to tell him.

So, she kisses him.

Perseus is shocked. He is shocked, and speechless.

"Annabeth..." He says, but she takes this as iniciative and goes back to kissing him "Annabeth!"

Kisses have to mean something to him. And Percy only feels friendship with Annabeth.

She stops, and there are tears in the corners of her eyes. But Perseus just hugs her and says, slowly and as kindly as possible.

"Annabeth... We can't do this. It's been... it's been months. I-... I love you. But we-... I-... Not that way, Annie, not anymore. We spent months apart, and before that, I was too busy with school, and before that..." He takes a deep breath, and clear her tears with his thumbs "I'm sorry. I don't think I can do this."

Annabeth doesn't cry. She doesn't scream and rage with jealously and ask "Who else? Who else if not me?". She wants to because she knows, she knows he loves her, and Annabeth has never been wrong before.

Because she remembers Aphrodite. Her heart doesn't lay with Percy - her heart lays elsewhere. It still hurts - but she just nods and asks him if they can still be friends, for which he answers an enthusiastic yes.

There's a little voice in her head, that keeps comparing her to Reyna Arellano, Jason Grace, and Nico di Angelo, their powerful heritages and legacies. A sliver of poison in her heart, that shows her Rachel, Calypso, and Piper - their beauties far beyond hers.

Then she takes a deep breath, finds her brother, says goodbye to everyone, and leaves with Rhea Silvia and Tiberinus. Annabeth has a mission.

Annabeth and Malcolm pass by the same challenges - she with a broken ankle and him with a twisted wrist - and both fall again in the hands of Arachne.

While the children of Athena fight their way through the underground, Perseus, Hazel, Frank, and Leo embark on a mission after Nico di Angelo, and the rest of the demigods go back to the ship.

Hazel - who is almost sentient to Perseus moods at this point - takes one look at Annabeth's rushed departure and Percy's wistful face, and, when their group takes off, takes the demigod aside, leaving Leo and Frank to walk side by side.

"I'm telling you, Hazel, because you won't tell anyone else - and I don't have anyone else as close as you on board. I would've said yes, perhaps, had she asked this question before... before everything. Had she told me this when I was fourteen or fifteen, I would be overjoyed. But it has been two and a half harrowing years since... since Luke. And I cannot love her - there's too much history."

He tells Hazel what she cannot remember from what Perseus told her in the Fields of Asphodel, and she nods and calms him - she became a kind of his little sister in the short four months that they have known each other alive - and the year and a half they knew each other dead. Closer than most, aside, perhaps, from Rachel (who he still managed to talk to once after this mission started), his mom, Calypso (who he still hasn't be able to contact) and Persephone.

Leo and Frank are behind them - far behind them, so to not accidentally eavesdrop in their conversation. They talk - a little stilted - but it quickly picks rhythm, as Leo is such a charming person - and Frank is a weak, weak man.

You see, while Leo pines from afar for both Hazel and Frank, Frank himself is dealing with the fact that, since leaving Nova Roma, those improper feelings towards inappropriate people resurfaced - now, together with something even worse.

Frank doesn't want just men anymore, like the clear aberration that he is. He wants a boy and a girl - and at the same time, at that! Not only improper - for he is two years older than Hazel and Leo is a boy - but they are clearly infatuated with each other.

And Frank doesn't really think he could be happy with one of them - he wants both, together. Selfish, something in the back of his mind says, so selfish. Let them be happy, they don't need you.

So he hoards this little conversation with Leo in his chest, like a precious treasure he won't ever get the chance to hold again.

Perseus and Hazel eventually go to the underground - while Frank and Leo still talk - about life, about their mothers, even about Frank's stick. Leo wants to hold the boy and never let go.

The Eidolons appear, forcing Leo and Frank down the hole, where they meet back up with Hazel and Perseus. They find a workshop - full of stuff that makes Leo salivate.

While exploring the workshop, the Eidolons take control of the automatons, quickly knocking out Hazel and Frank. Perseus is able to banish them - but by now, the automatons are out of control - it's the Bianca situation all over again.

He and Leo escape into a control room and lock it. Leo finds a control sphere for everything in the shop but they're unable to find the right password. Leo uses the fortune cookie Nemesis gave him to ask for the password, allowing him to take control of the machines and deactivate them forever. Perseus seethes inside - the little manipulative bitch.

When Perseus questions why his efforts with Hazel lead them to this workshop, they find Nico's Celestial Bronze and realize it was a trap. 

Gaea appears in a mirror and taunts them, but Leo burns the mirror - "I thought Mother Nature was supposed to be cool but this is what we got? Sheesh, this is almost Aztec-levels of crazy man" - and they leave to go search for Nico.

[aros001]

Going in blind: Watching season 1 for the first time. Random thoughts.

This show is kind of nice because I have no memories of the original She-Ra show, or even any of He-Man, honestly. I'm not sure if I ever watched the original, so I have no frame of reference for how the series is "supposed" to be. I can just take it and judge it as is.

Of the bat, all I know is that supposedly She-Ra and Catra get together as a romantic couple later, but I'm also a huge My Hero Academia fan and the fandom around me ships every character with every other character, so for all I know that might just be shipper wishful thinking I've been seeing and hearing. Given fandoms for Gravity Falls, Thor, and Supernatural ship even siblings together, I've learned not to trust anything except for what I see in the series for myself.

By the way, this isn't a review, just random thoughts and comments I'm having as I'm going through season 1 for the first time.

Episodes 1 and 2: Right off, I really like Catra's "No duh" response to Adora about the truth of the horde. She knows they've been lying to them and have been doing terrible things, she just doesn't care. If she and Adora play their cards right they could end up being the ones in charge and then they'd have all that power. Not necessarily to make things better but enough to where they could do whatever and live however they want. That's a good build for an antagonist. Not ignorant to the fact what they're doing is wrong, just simply so selfish that they don't care.

Episode 3: It really feels like there was no good reason why Glimmer didn't just outright introduce Adora to her mother and every reason she should have known it was a bad idea to try and hide her for a surprise. Being a former horde soldier she'd probably get treated with hostility if Glimmer brought her to the front gate but you'd almost guarantee Adora would get arrested or outright killed if she got caught while no one else knew she was there.

On the other side, we have Hordak being pretty intelligent in promoting Catra. He probably knows Shadow Weaver already doesn't like him, so it's not like he's losing anything making her upset with him, and it's clear she favors Adora way more than Catra, so that little bit of advancement towards Catra probably goes a long way in earning her loyalty to him and a person on the inside with Shadow Weaver.

Also, I'm not the only one who saw Madam Razz and immediately thought Adora had found her Yoda, right?

Episode 4: I don't know how it was in the original She-Ra and He-Man series but I kind of like She-Ra being this title from legend. Adora is not the first She-Ra, given what Razz was talking about with a Mara, so instead of being something new, impressing everyone with abilities they've never seen before, and creating the legend, Adora is placed in a position WAY over her head where she's having to live up to what came before her.

Episode 5: Calling it now, as long as her personality is genuine I think Scorpia is going to be one of my favorite characters in this show. She's...endearing, I think is the best word. She's like a mix of Kronk and a nicer Shego.

For a little bit I thought Mermista was voiced by the same actress who played Poison Ivy in the Harley Quinn animated series. She's not but they do have the same kind of Daria-ish inflections, thus by confusion. Given the prom episode, Sea Hawk feels kind of like her Kite Man.

Episode 6: Okay, now it's between Scorpia and Entrapta who are likely to be my favorites by the end of this. She's fun and quirky.

Episode 7: Quite the lore drop. Shadow Weaver was once a Mystacor sorceress known as Light Spinner. I like to imagine we'll get more on that later. Her haunting Adora reminded me of the Teen Titans' episode where Robin was similarly haunted by Slade. This didn't go as far as that but that's probably for the best, since TT had two and a half seasons to build that dynamic up with Robin and Slade while we're only now halfway through the first season.

Episode 8: Well dang. Again, I don't know for sure if Adora and Catra do end up together but boy do I buy why they're shipped together after that dance. Also, good on Bow for standing up for himself. It's clear that he'll always be Glimmer's friend and this won't change that but that doesn't mean he has to just accommodate her. I understand where her issues stem from but I am still glad he gave her a reality check. It helps him feel a little more like his own character.

Also, another nice little bit of lore and worldbuilding. Scorpia's a princess, the horde landed where her people lived, and they seemed to join them willingly.

Episode 9: Surprisingly don't have a lot to say about this other than I don't buy for a second that Entrapta is dead (EDIT: She's not). This was mostly action.

Episode 10: Not going to lie, this one kind of annoyed me a little, at least the first half. The conversation between Glimmer and her mother saved it a bit. It was a bit of a trifecta. You have the alliance breaking apart, saying that the loss of Entrapta only happened because they were all together...even though Entrapta only "died" because of her own machine obsession that caused her to deliberately walk back into the purging chamber. You have Entrapta who might be turning to the horde's side because she feels abandoned by the other princesses...even though they thought she was dead, and again it was her fault they got separated. And you have Glimmer refusing to tell her mother that Shadow Weaver's dark magic has caused her powers to go on the fritz and is causing her great pain. It just feels like none of this would be an issue if most of these people would stop being self-absorbed for three seconds and talk like any normal person would. It feels very CW drama, like something I'd see in a bad season of Arrow or The Flash. The only person whose issues I buy is Adora, who is basically a soldier who was never properly raised to deal with emotion or loss and is already struggling with the burden of being She-Ra, the legendary savior. I get why she's beating down on herself for not being able to do more even if nothing that happened was her fault.

Episode 11: JEEEEEEEEEZZZZ, that was such a good episode! Focused entirely on Adora and Catra and their past together. Like, just showing someone this episode alone could probably get them to want to watch the series. That was everything you needed to know about their dynamic and history together.

Also, that moment when Catra and her past self are looking at each other, while obviously Catra takes the opposite lesson, it reminded me of this fanart I'd once seen of Jason Todd, the Red Hood, looking at his past self as Robin. The past says to the future "You ruined everything". Catra could be happy but, ironically for someone who hates Shadow Weaver, she's probably going to be a lot like her, sacrificing everything for power and ambition.

Given the way she looked, I'm guessing Shadow Weaver is either addicted to the power of the Black Garnet or she suffered some kind of past injury and its power is the only thing keeping her going. Or both.

Episode 12: I'll be honest, Swiftwind being able to talk kind of gobsmacked and I needed a moment to recover. What a great voice they chose for that character.

So She-Ra is kind of like the legendary heroes from Rising of the Shield Hero, coming from a long line of people chosen to wield the sword. I tend to dislike chosen one types of stories because I think prophecy takes a lot of weight out of the character's actions, so this and Avatar are more what I like. The MC is special but not the only one who's ever been special and they can still easily fail. Their destiny was only to be able to use the weapon, not that they would succeed in any specific purpose.

And dang, Catra's turn against Shadow Weaver happened faster than I thought it would but I'm not complaining. That great "This is what you've really been preparing me for" speech and Hordak, again, being an intelligent villain. "Oh, this experiment could net me a MASSIVE gain and all it could potentially cost me is this rock I already gave away to someone who lately hasn't been producing any results and has been consistently disobeying me. Yeah, I'm going to let this play out."

Episode 13: That was kind of a brutal fight between Adora and Catra. Not the worst I've ever seen even in other shows for this age range (Samurai Jack, for example) but those punches are connecting and those claws are leaving marks.

Also, maybe I'm just misunderstanding the exact situation but shouldn't the good guys' side be called the Resistance instead of the Rebellion? Being a rebellion would imply they are rebelling against an established power or rule over them, but the actual conflict we are shown is the established power and rule that is the kingdoms of Eternia resisting an outside force that wishes to establish a new order over them.

Season 1 verdict: I'm into it. I'm definitely more invested in the villains' side of things but that's not a fault of the series, that stuff is just way more geared towards me than the current princess stuff. I actively am at attention whenever the horde main characters are on screen. For the good guys it's mostly Adora and the She-Ra stuff I'm invested it. That isn't to say I have any real dislikes for that side. Bow especially I'm liking much more than I thought I might. He has kind of this gravitational pull around him. You will be his friend regardless of how much you might want to resist. He's definitely the rock for everyone else to hold onto.

Minor side note, kind of like Korra in Legend of Korra, I love how even when her powers aren't active Adora is shown to still be pretty strong physically with how easily she was lifting people up at the prom.

And I was right, Scorpia is my favorite side character.

On to season 2!

Original Reddit post: https://www.reddit.com/r/PrincessesOfPower/comments/nyll2e/going_in_blind_watching_season_1_for_the_first/

[oliverdant]

"Prochnost" takes Oliver and his newfound family (his adult kids just arrived from the future, no big deal) to Russia to track down a way to going up against the Monitor and deal with the impending Crisis, and that apparently means several things: 1) The return of Oliver's (Stephen Amell) good ol' frenemy Anatoly (David Nykl), and 2) Oliver and Mia (Katherine McNamara) get to show off their fighting skills in an underground fight club.

That's no sweat for Mia, since that is, after all, how we met her in the first place. She spent most of her life training with Nyssa Al Ghul, and she's pretty much a pro-fighter. And her dad's the Green Arrow, so basically this should be a piece of cake. It's those long-buried emotions that are going to be the tough part to deal with.

The whole cast is also dealing with their own emotions in real life, as the show just wrapped production on its series finale last week. We hopped on the phone just a couple days after wrap with McNamara to get the scoop on all of it.

E! News: Is it really strange for you guys to have fully wrapped production?

McNamara: You know, it's funny, 'cause yesterday we had one more pickup day where I shot one scene for episode nine and then insert shots and all of this, and yesterday was just such a short day. It was just fun play time with the crew. But the day before was the big day, the last official day of production when Stephen wrapped, and Emily wrapped, and everybody else. There was one scene in particular that we had so many people in that they series wrapped about 10 people when we finished the scene. And that's when I cried, because there are so many possibilities for the future of what the Arrowverse could be, especially for me, but it will never be the same. This is special, this is unique, and you know, the people are what made that show so iconic, and that was really special to be there for that moment.

This next episode is heading to Russia and it looks like there are some really good family moments for Mia and Oliver. Can you talk about what's happening in Moscow?

It's really great for me, because when I found out who I was on the series, I watched the entirety of the show. At that point, it was six seasons worth of Arrow, and one of my favorite moments was Russia. I was absolutely head over heels for David Nykl. I just think he does such a brilliant job, and Anatoly is so fun. He's a fun character where his loyalty is always switching. They're always wondering whether he's going to appear as a friend or as an enemy, and when I found out I was going to get to work with him, I was simply over the moon. I just think he's absolutely brilliant.

Anatoly is such a huge part of Oliver's past, so what can you say about how that factors into the father/daughter bonding? How much is Mia going to learn about his life?

The thing about this is that Oliver is very aware that if he's bringing his children to Russia, there's a lost of his past that could get exposed that he may or may not necessarily want his kids to be aware of. And he struggles with that, and he tries as any parent would to shield and or protect his kids from discovering his dark past, and whether or not he succeeds will be another story, because he happens to have two very smart, strong-willed children who kind of don't follow instructions all the time.

But what's great about it too is you get to see Mia follow in his footsteps in many ways in this episode, and you saw a few moments in the trailer that are very indicative of what the entire episode has in store. It's my first episode where I really got to work with Stephen in an extended period of time and a lot of one on one stuff with him. It's such a great episode to get to watch him and be a part of the story in so many iconic ways.

When I talked to Ben Lewis, he was saying that you guys didn't really know Stephen that well, so the actors were kind of going through the same thing the characters are going through, getting to know this person they knew so much about without actually knowing them. Did you have that same experience?

Absolutely. Most of my interactions with Stephen up until that point had been social interactions or show gatherings or wrap parties or things like that, and that's a different experience than when you're spending a day on set with a person. And it was kind of a wonderful way to get to bring the story to life in getting to know Stephen and getting to know the character relationship and getting to build that very organically. And I think it played out really beautifully on screen, and Mia and Oliver have very similar sensibilities, but also there's a lot of Mia's sense of humor that mirrors Felicity. So you get to see quite a bit of banter between the two fo them, and Oliver's trying his best to be a good dad, but Mia will only accept so much help and direction, and she has a mind of her own and Oliver very quickly discovers that, much to his chagrin.

Mia has quite the past too, and so far she hasn't been very willing to share that with him. Is she going to get to that point where she feels comfortable opening up to him?

I mean, at this point Mia isn't very good at emotional conversations. Her childhood was spent Nyssa Al Ghul, who is also not the best at emotions, so it's interesting to get to see that. But what Oliver does get to see in Mia and what she does get to show him is her fighting skills. It's the first time that Oliver really gets to witness Mia do what she does best, and I think it surprises him, and it's definitely a sense of pride for Mia that she gets to show her father, this is what I do, and this is how I do it, and this is my domain. And it's something that the two of them can connect on and relate on, but it's also...she wants to impress her father. She wants to make him proud, and she has many opportunities to do that in this episode. Whether or not she succeeds is another story, but that's to be seen.

How does he react to finding out his daughter is this badass fighter?

I mean, I think he's worried for her, right? He wants her to be safe and wants her to be OK and to not have to fight for her life, but when he sees it, I think it makes him proud. I mean I can't speak for him, but I would like to think that he sees a lot of himself in her and uses this opportunity for the two of them to work together and to build a future together even in the limited time they have. Because of course Oliver knows that his time, at least according to what the Monitor says, his time is potentially coming to an end, whereas Mia doesn't exactly know that or know the exact timeline of that. I think he has a little bit of reassurance that she's gonna be OK no matter what happens.

Are Mia and William at all worried about the fact that they were just thrown into the past and they left a whole future behind?

There's so much going on that they don't really have time to think about that. All they can do to make the future better is to worry about the present or past or whatever...whatever verb tense we're using. Future, past, present, whatever it is, the time that they're currently in is the time they are concerning themselves with, and that's only by nature of the fact that in the hopes of changing the future, maybe they can affect something while they're helping Oliver complete his mission. Plus I think both of them are overwhelmed by the fact that they're actually having a chance to bond with their father in a way they never had the opportunity before.

Can you talk at all about the backdoor spinoff you filmed? How much more are we going to get to know Mia?

I mean, I can say it's very exciting, and very different, and there's really not much else I can say.

Can you talk instead about the journey that Mia is on for the rest of this season, since we're now halfway through?

We see Mia grow quite a bit this season, and she's very sure of herself in certain aspects of who she is as a person. She knows she's a fighter, she knows she's competent in that realm, and that is where she finds her strength. It's the other side of who she is, the emotional side, the human side that is underdeveloped at this point, and time and time again—we've seen it in the last couple episodes and we'll continue to see it for the rest of the season--she is, and so is Oliver, they both have a lot to work through when it comes to their relationship. His choice to leave her, her having to grow up without a father, her having to grow up in his shadow, the effect that it had on her mother and on her brother, the fact that she never had a chance to have William in her life because of her father's choices. And there's a lot of resentment there.

The one thing she's always wanted in her life has been her father, but in her mind, he's also the reason that her life wasn't what it could have been, and being confronted with him and having to deal with that is a lot for her. And it forces both of them to deal with that uncomfortable elephant in the room. And with the tensions as high as they are given the greater world conflict, it brings things to a head over the next couple of episodes, and it forces them both to deal with it in a very direct way and you get to see aspects of their character that you otherwise wouldn't have. And it definitely leaves a mark on both of them.

Can you tell me everything about the crossover?

That's the one thing I can't discuss, but it is so epic. I was definitely fangirling quite a bit while shooting the crossover.

Seems like a dream if you're a fan of this kind of thing to get to be on five shows at once.

It was pretty great. I mean, I got to kind of have this tour of the multiverse, as it were, while shooting it, and getting to work with everyone and kind of witness everything...it was really amazing. It's something I'll never forget.