okay!! now that it’s not 2am for me, i’m going to post my selkie!jason todd hc’s straight up au apparently!
(uh. this was supposed to just be a list of hc’s but i got slightly,,,, carried away)
his selkie skin looks like an oversized red hoodie in his human form, and is just warm enough to help him survive new england winters.
when the summer heat becomes unbearable, he slings the hoodie around his waist
alternatively, he just coasts it out underwater. perks of living in a coastal city!
willis todd was a selkie. he used to tell jason stories of what it was like to swim through the big, wide ocean. of how freeing it felt. how different it is, from the smoggy, heavy air of gotham --- different, but both theirs, in their own right.
but to be honest, jason doesn’t remember much about the stories he was told, or really, anything about willis --- he had been in and out of blackgate for most of jason’s life, working for two-face to try and make ends meet, before dying.
what jason mostly remembers, are the warnings. don’t let anybody know you’re a selkie. don’t let anybody find your skin. they will find it, and they will use it to control you. even decades later, jason would still remember those warnings.
catherine is the one who teaches him how to swim, who helps him trial-and-error his way into putting his skin on, and learn how to make the transition seamless.
after she dies, jason spends three months as a seal, to just... exist. forget.
although jason technically lives on the streets, whenever he can;t find food, whenever he can’t find somewhere warm to sleep, whenever just being human becomes too unbearable, he spends the night as a seal. he ends up spending more time in the ocean, than on land.
that’s not to say he’s very good at being a seal --- he barely knows how to swim, has to learn how to fish the hard way.
when bruce finds jason stealing his car tires, he marvels over how nice jason’s hoodie is, soft and fluffy even after all of jason’s time on the streets, especially given the condition jason is in, ribs showing from malnutrition, and the worn and raggedy shape of the rest of his stuff.
jason is skittish when he goes to live in the manor, even after a few weeks. he always adopts an expression particularly similar to a cornered wild animal around alfred in particular, alfred, who keeps on trying to take his hoodie away, purportedly to wash it.
alfred eventually gives up on trying to force jason to wash it --- he figures that as jason becomes more comfortable living at the manor, he’ll wind up telling them why he’s so protective over that hoodie, and they can work something out then.
whenever wayne manor overwhelms jason with how big and how decadently expensive all the decor is, jason runs away, run to the ocean.
jason doesn’t actually end up telling alfred and bruce that he’s a selkie --- bruce just has a ridiculous amount of motion alarms, which are triggered every time jason ran off. he had followed jason the third night, and saw him transform.
bruce doesn’t tell jason that he knows, assuming that jason kept this a secret because he didn’t fully trust either of them. he would later learn that he was right in this assumption (a rare win for bruce in terms of emotional awareness)
except jason doesn’t fully trust either of them, even after a few months. bruce impulsively decides to do a few things --- a) tell jason about batman and robin and his crime-fighting secret identity, and b) tell jason he already knows about him being a selkie.
jason is absolutely bamboozled by the fact that bruce knows, and yet hasn’t tried to take his hoodie to control him, or to stop him from playing in the ocean for a few hours.
in fact, (under alfred’s encouragement) bruce offers to take him to the ocean during the day, so he can get “a proper night’s rest that a growing young boy such as himself would need”
jason remembers what his father told him, to never trust anyone, never let his guard down. but bruce has known about jason being a selkie for so long, and he didn’t take his hoodie or try anything. of course he can trust bruce.
and when he tries on the robin costume for the first time, it fits perfectly. just like his hoodie, his second skin. it fits just like magic.
oh, it’s a little loose in some places, the legacy of dick fucking grayson a little heavy sometimes, but he’ll grow into it. he’ll make himself, if he has to.
also, jason finds the fact that even though he’s a friggin’ selkie, his callsign is a bird (a robin, no less) incredibly ironic and funny
being a selkie is actually so useful for vigilantehood. the amount of people who talk freely, openly, and loudly about their drug smuggling plans near the ports is quite frankly, ridiculous.
honestly, towards the end of his robin years, jason remains genuinely surprised nobody catches on to him or his tactics yet. bruce is very proud.
even though jason is safe, has been safe for three years, and trusts bruce with his life, his skin, and everything, old habits are hard to break. so he has his hoodie on when he goes to find sheila.
and anyways, he wants to see if sheila is a selkie too. he’s taking biology right now, and they’re learning about punnett squares. jason’s never met another selkie before, other than willis who he barely remembers. there’s a possibility that sheila knows something, anything, so he has to try.
sheila gets a glint in her eyes when jason mentions that he’s a selkie, tells him that while she’s not one herself, she’s familiar with the myth. she has long suspected that willis was a selkie, she tells him, and she’s glad to have confirmation.
jason positively vibrates with excitement, can’t wait to ask, to pester his mother (mother!) with questions upon questions until.
until.
sheila doesn’t do anything after she gives him to the joker. she just smokes and smokes. and she doesn’t tell the joker about his hoodie, despite how it would have been much easier for the joker to destroy him that way. much more painful too.
small mercies, he supposes, in between hacking coughs that brings blood bubbling up his lips.
after he dies, his hoodie is ripped and in tatters from the crowbar, with burns along the edges from the bomb. bruce has to carefully peel it off his body.
when jason was alive, his magic kept the hoodie in perfect condition, always. even when the rest of him was covered head-to-toe in mud, or dripping sludge from the nasty gotham sewers.
bruce stares at the same hoodie, blood-soaked and mangled, so incredibly dissonant from how he remembered it on jason, when he was bright, whole, and alive.
he can’t stand it. the hoodie that was so precious to jason, that was jason, at the core of him, in this state. dirty and ripped and devoid of the magic jason had exuded.
in a moment of desperation, late at night, bruce asks alfred to teach him how to sew. he doesn’t dare to practice on jason’s beloved hoodie --- instead, he starts with the suits in his closet, grabbing the first one he sees, regardless of price. rips a hole and sews it back together over and over until he perfects his technique.
and then he washes the fabric gently, using baby fabric cleanser and scrubbing for hours upon hours until the last traces of the deep-set brown stain from jason’s blood washes down the drain.
he painstakingly sews the scraps of fabric back together with a red thread, carefully sourced to match the hoodie to try and make it flow seamlessly like it used to.
it doesn’t work, not exactly. despite his best efforts, the creases bruce had carefully sewn together are prominent and thick like scars, littering the soft fabric.
so he gives up. he hangs it over the grandfather clock entrance to the cave in his study. brings it with him every time he visits jason’s grave, because he doesn’t ever want to keep jason’s hoodie away from him, but he also can’t bear for it to get ruined.
dick visits him. a rare occurrence, these days.
dick yells at him, as he is wont to do.
these days, it feels like they spend more time angry at each other than not. dick says that this isn’t right. isn’t fair to anybody, not to alfred, not to himself, definitely not to jason. he rants, jason deserves to be remembered as he was in life, not frozen in death.
perhaps he is right. bruce is not unaware of the state of violent, cutting stasis he is in, this putrefaction of his life. and he is certainly not unaware of how it is affecting the people around him. dick. alfred. the neighbor’s kid, the one who wants to be robin.
bruce tries. not for himself, but for tim. for alfred, for dick. even for stephanie brown, who sometimes, when she smirks just right, or says something with just the right twang, he swears he can see jason in her.
he still can’t bear to put the hoodie away, because jason deserved better than to be forgotten, so he folds it gently and places it in his closet instead.
he also can’t bear to look at it for very long, so he forces himself to every single day.
it’s different from the glass case that houses robin’s tattered suit in the cave --- that, is a reminder of how he failed robin. this, this is salt in a constant, stabbing, festering would, reminding him of how he failed his son.
it was stephanie, that eventually helped him figure out what to do with the hoodie. when she was young, young enough to cry at ripped pants and skinned knees, young enough that her mother hadn’t touched the drugs yet, her mother would dry up her tears, give her a hug and a kiss on the forehead, before patching her pants up.
what not many people know, is that before crystal brown set her mind on becoming a nurse, she wanted to be an artist, first. and so she grabs her old set of embroidery needles, and stitched little designs. dogs and cats. stars and planets. tools and gadgets.
bruce doesn’t react, doesn’t even move, even as stephanie finishes her story. she hangs there awkwardly for a second, stares up at jason’s suit, waiting for him to respond, before shuffling towards the exit of the cave.
thank you, spoiler, bruce manages to croak out.
ah, yeah, she says, shrugging lightly while slouching in on herself, any time, boss. she walks out, and bruce watches her go from the reflection on the darkened computer.
that night, he takes out jason’s hoodie, smooths it out, grabs his threads, and stitches.
he stitches on constellations, argo navis, for jason’s namesake in the greek myths he had loved so much. a tiny seal, playing with beach balls. little books, with quotes on the sides. a robin, big and bold.
he tries to make it as true to jason as possible, not just in death and in bruce’s memories, but as he was in life.
jason wakes up abruptly.
he wakes up in a coffin, cold, alone, and with a gaping hole in his chest. getting dipped in the lazarus pit only made it worse, only made him all the more aware of what he was missing, all the more conscious of it.
he doesn’t bother trying to learn how to swim with two arms and two legs, instead of two fins and a tail. it doesn’t feel the same. it only reminds him of what he’s lost.
sometimes, on sleepless nights that happen more often than not, he wonders what would have happened if he still had a hoodie, still could swim.
if he still was robin.
and he doesn’t have access to the cave anymore, or to the titan’s tower, or the watchtower, and his memory of the past is still patchy and shitty in some places.
so in a burst of impulsivity fueled by the person he no longer is, he prints out photos of robin’s costume from the internet and recreates it on his own.
if his skin is gone, then fine. fine! he’s perfectly perfunctorily aware that nothing about this resurrection of his is natural. if he doesn’t think too much about it, he’ll be alright. his hoodie, his skin, that was something he was born with, a birthright that died with him.
but robin, robin was something that he helped shape. robin was something that he worked for, changed himself for.
and the makeshift robin suit --- it doesn’t fit him, not anymore. no, it feels wrong, like a child playing with their parent’s suit. or --- he realizes, perhaps more accurately, like an adult realizing they no longer fit in their favorite clothes.
and --- and --- what was the point of it all? what was the point, of trying to make bruce proud of him, of getting dick’s approval, of trying to futilely save people over and over again from the same gallery of supervillains who keep on escaping from prison?!
and what was the point of carving out a space for himself if the joker was just going to beat him out of it, and if tim drake was going to insert himself in the hole he left behind?
and then the next thing he knows he’s in titan’s tower hitting tim drake over and over again because who let him? who let him take jason’s role as a son, as a brother, as a hero? how dare he?
but when he’s slit tim’s throat and torn the ‘R’ off his chest, jason doesn’t feel any better. the robin suit still doesn’t fit. his hoodie’s still gone.
he’s starting to think it never will, not again.
sometimes, when he gets tired enough to let his mind wander, he wonders what happened to his suit.
he’s pretty sure he died with it, so either the hoodie is with the joker, batman, or... gone entirely. (it’s not like they found willis’ skin after he died. maybe selkie skins just disappear in a cloud of sea foam once they die, or some little mermaid shit like that)
it’s a cold comfort, that nobody can manipulate him now. nobody can control him --- not even batman.
(bruce had thought about it. when he first had his suspicious regarding who the red hood was, before he knew there was any trace of the son he once had left. he thought about using the hoodie, using jason’s selkie skin to coerce him, at least to stop murdering people, to stop hurting their family.)
(he would never go that far, in retrospect, or at least, he doesn’t think he could ever. to do that to jason, betray his trust so thoroughly and completely... but it would be a lie to say that he didn’t consider it.)
bruce reflects on this as jason reveals himself, the joker tied up at his feet with a gun pressed to his head, and venom spitting from his son’s mouth.
but when he lifts the batarang to hit jason’s gun, or wrist, or anything that’ll force him to drop the gun, he realizes that his hands are shaking.
and when he throws the batarang, he knows a millisecond after he’s let go, that he’s miscalculated the ricochet.
so when jason escapes that night, bruce knows he’s fucked up.
jason goes off the maps, completely. bruce doesn’t know where he is, if he’s safe, if he even made it out of the explosion that night.
it takes weeks. weeks for bruce to track jason down, from meticulously documenting the dropped threads of where the red hood was pulling strings in the gotham underworld behind the scenes, to tracking security cameras with facial recognition.
once bruce manages find where he’s staying, make sure he’s safe, he knows what he wants to do. and, he knows what he needs to do.
jason gets a package in the mail, five weeks after his disasterous meeting with batman and the joker. unmarked, unsigned, no return address.
when jason opens the box gingerly and carefully, he holds on to his skin for the first time in years. and then, and then, and then --- something right slots into place. his fingers brushed gently over the tiny spotted seal he knows he used to look like, the books he remembered ranting to bruce about for hours on end.
the robin, on the top left, over his heart, big enough to have changed him, yet small enough to not define him.
it’s not perfect. it doesn’t even fix anything, not entirely. he still fights with bruce most times he sees him, tries to punch dick in the face, steadfastly ignores tim and steph the entire time.
but it’s something. it’s something, and the next time nightwing, batman, spoiler, and robin fight a gang on the docks, the red hood gives them a helping hand before jumping back into the ocean and swimming away.
fin!
wow this got long
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Belobog was my fave main quest but a lot of it is so. Contradictory. It's like they had multiple groups doing different shit and none of them checked in with each other for consistency. And you see this so much in Gepard's profile.
So in the main quest, they made him unfailingly, unquestionably loyal to Cocolia. Gepard's character arc is him learning to question authority etc etc. And this isn't even a bad thing; that's a story worth telling! It makes good conflict between him and Serval! And I love that we got Gepard as a boss battle and I get to see him all the time in SU!
But then you look at his character stories and it's like. The complete opposite.
According to his profile, Gepard has already HAD this awakening, long before the Astral Express, and he'd already decided Cocolia sucks. Even outside of his stories, there's a pretty damning readable between him and Pela.
He even disobeyed direct orders right in front of her- he has been disobeying orders for a while now!
So I've decided I'm marrying the two different sides of this into a 1.5k fic-ish thingy, because I think there's some fun potential there with Gepard not trusting Cocolia, but still having to pretend to be a good obedient little soldier.
Anyway. I love to think of it as like. Gepard knows Cocolia has sunk into her apathy. He can see it in her eyes every time he looks at her. She doesn't care. Not about him, not about Pela, not about all his soldiers on the frontlines giving their lives to protect the citizens. And that's... It makes him bristle a bit, but ok. Gepard can deal with this. Even if Cocolia no longer cares, as long as she does her job then it's fine. Having compassion behind an action doesn't matter as much as the action itself. If Cocolia's heart is no longer swayed, then he'll just have to care twice as hard to pick up the slack. He considers it part of his duty as a captain of the guard anyway. It's fine. Gepard can deal with it.
And then, Cocolia starts coming down to the restricted zone. Issuing direct orders.
And Gepard realizes he is in way over his head.
Because Cocolia orders him to stay back and issue commands from the ramparts, away from all his comrades, away from where he can protect them.
Gepard had thought nothing could be as bad as watching a fellow guard die right next to him. But the first time he watches someone struck by a killing blow, so far away, it hurts. Every defensive scar across his arms itches, his fingers curl in want of a weapon, the cold cannot numb his hands enough as they desperately ache for his shield. It hurts.
Gepard tries to find any reason to stay. Because surely... He knows Cocolia has lost her love for her people, but surely... She wouldn't...
One day, Cocolia orders for their gunners to advance 20 yards. There are no survivors. She almost looks like she smiles.
Gepard doesn't sleep that night.
Pela brings him the report at the end of the first month; and then the month after that, and the month after that. A significant uptick in losses, and all of it started on that first day Cocolia started overriding his authority and issuing her own orders. The ends of Gepard's pens have all been nearly chewed off. Pela outright calls Cocolia an idiot, and Gepard corrects her. Cocolia isn't an idiot. Gepard had known her through Serval, knew her through all her college years and then some, and he knows how intelligent she is. It's not that she's stupid, and it's not that she's inexperienced, it's nothing of the sort.
Cocolia knows exactly what she's doing.
She must, there's no way she could make such a horrible mess of things so badly by accident. And Pela, quick as a whip, sharp as a tack, always too smart for her own good, catches onto the meaning behind Gepard's correction without any further prompting. The tent goes deathly quiet, nothing but the wind howling outside.
"...She's trying to kill us," Pela whispers, her voice swiftly suffocated by the silence.
Gepard swallows. He can't bring himself to correct her this time. There is nothing he could say that he would actually mean.
His gaze drops, back down to his desk and the reports on it. The names aren't listed, just the numbers, but Gepard knows them, knew them, and there must be something wrong, something he's missing, because why, why would she-? What could this possibly accomplish-?
“Gepard! Focus!” Something snaps right under his nose, and Gepard startles, eyes instantly honing in on Pela's irritated face as she leans over his desk. She holds his gaze for a moment before she huffs and begins to pace, wedges a knuckle between her teeth and bites like Gepard hasn't seen her do since cadet school.
Pela angrily strides from one end of his tent to the other, words hissed between her grit teeth. “What are we going to do?” In the dim lighting, Gepard can just barely see the damp spot of blood weeping under her gloves. “We need a plan.”
“A plan?”
“Wh- Yes, a plan! Unless you want more people to die!” Pela rounds on him then, all the wrath of a blizzard, winds roaring and snow sharp enough to cut.
“We don't even know-”
“What does it matter?! She killed-!!” Pela cuts off with a garbled noise when Gepard leaps up from his desk, hastily shoves his hand over her mouth. The prosthetic, not the flesh one, because he knows better than to assume Pela won't seize the opportunity to leave teeth marks in his skin.
“You're right. I'm sorry, I'm sorry; you're right. But you need to keep quiet.” Pela quirks an eyebrow at him and Gepard can read the question in her face. “Because we both saw what she did to Serval,” he hisses.
It's amazing the snow plains haven't thawed out yet, the amount of heat Pela can put behind a glare. The mere mention of Serval, and the smoking ruins Cocolia had made of her life and career, have her bristling up like a riled cat. The sudden hot breath she takes fans fog across his metal skin, and Gepard wisely keeps it in place until Pela finally sighs and reaches up, taps her fingertips against the back of his hand.
The second she's free, Pela bats him away and then her knuckle is right back between her teeth again, Gepard leaning back against his desk with his arms crossed to watch her resume her pacing. “If we spread the word, she'll have us discharged and make sure we can't even touch the frontlines,” Pela's voice seethes like an open sore. Gepard nods but keeps his silence. He knows better than to get in her way.
“And if you and I are both out of the picture, Belobog is fucked.” A little harsher than how he would have put it, but there's no denying that they're both important to the city's survival. Pela has the restricted zone running as efficiently as ever, and Gepard had become the youngest captain on record for a reason. “We need to keep this tight under wraps, at least for now… It can't leak to anyone higher up the chain.” Another nod. “Serval might know other discontents…” Another n-
Gepard's head snaps up. “No.”
“No what?”
“No. We're not involving Serval in this.”
Somehow, even the same tone that leaves entire squadrons shaking in their boots has never worked on her. “You're not deciding that for her, Gepard.”
Pela hadn't seen the worst of it, though, back when his sister had just been banned from the Architects. Serval's pride hadn't allowed it. Pela wasn't the one to find her passed out bottle still in hand, hadn't been the one to wash the sick out of her hair or carry her to bed.
Serval still has trouble thinking clearly when it comes to Cocolia, still can't quite bring herself to be objective. And Gepard maybe doesn't want her to be purely objective- but he would worry a lot less if she thought twice before she acted more often.
“At least let me be the one to bring it up to her.”
“Whatever, fine,” Pela gestures affirmatively at him as she paces past, and Gepard sighs. Good, at least that's one thing he can help.
From there, it's a lot of hemming and hawing and frustration. Cocolia has them under her boot, and Gepard and Pela both know it. Even with the way she's been cracking down on freedoms lately, Cocolia is still, overall, liked by the people. It's unlikely anyone would believe them. They don't even have solid proof, because most people don't know Cocolia as well as they do and won't see the clues in the same light.
The Fragmentum has been ramping up in recent years, too. Everyone is struggling just to survive as is, they can't afford a fight on two fronts. Gepard is a damn good captain, one of the best for that matter. But they're at a massive disadvantage, his experience is narrowed to fighting a defensive battle against monsters, that's all he's ever done. That's all anyone there has ever done. He has no way of finding first-hand knowledge for taking the offensive against a human opponent, and if he goes at this blind, there's no way he'll get everyone out unscathed. He's going to lose people. He's going to lose a lot of people.
He'd never thought before that Cocolia would have it in her to have someone killed. And with this new knowledge, he has no guarantee she won't go after Serval or Lynx if she decides to retaliate.
Gepard has to remind himself to breathe when he realizes this.
Pela writes down every name the two of them can come up with. Lists and lists of names and groups and anyone they can think of who might be an ally in all of this. They memorize every bit of it, make their plans of who to talk to and when. Gepard watches the sparks reflect off Pela's glasses as they burn the evidence together.
Pela finally leaves, far too late to make it home, but says she wants to stay in the restricted zone anyway to investigate. Gepard watches her make her way in the direction of Dunn's tent, watches her back until she's out of his sight and squashes down the urge to follow and keep an eye on her. His tent feels empty.
In the morning, Gepard is up before the wake up bells. He drags himself out of bed, leads his soldiers through their morning training. The same people gravitate to each other everyday. Friend groups and training partners. There's an ongoing rivalry between a few squadrons that everyone bets on. Some of them have lockets around their necks, keepsakes, mementos. Some of them wear wedding rings.
Gepard is suddenly, painfully aware of something acidic clawing at the inside of his throat, of a heavy weight low in his chest that blooms, takes up room until it threatens to spread his ribs. His mouth tastes of bile and blood.
He rearranges the schedules. Puts himself down for every open patrol into the Fragmentum, makes sure he'll be on the frontlines every single time Cocolia visits.
He only hopes that it's enough.
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Both my parents actually suffer from HORRID emotional dysregulation and are prone to snapping and going into rages. My sister is the same way tbh. I am now realizing this is why they are constantly baffled by the question of whether or not I am mad at them.
I don't have external meltdowns.
I could. I don't let it happen.
I keep my rage on the inside and stay pretty quiet about it. It's just as strong as theirs [physically shaking nose bleed from high blood pressure kind of bad], but like as a kid I saw how terrifying it was to be around [dad breaking dishes, mom putting our lawn chairs into walls] and I just internalized that I wasn't going to wear that anger on the outside.
So my mother genuinely cannot tell if I am just being quiet or if I am silently hearing the dial-up noises of pure rage. This has lead her to both making strong and confident statements like "You are a pacifist who would never hurt a fly U.U" but also acting like I am secretly dangerous maybe... It's because she has never seen me snap.
She knows what her temper is like [throwing chairs through walls], she knows what my father's temper is like [pick up child and toss out door], and she can tell I am being tested, but she doesn't know what happens when I snap or where that breaking point is.
Her -perhaps unhinged- solution to this, my whole life, has been to do things that should obviously enrage me or shut me down completely, like ignoring important boundaries, repeatedly, punishing me for expressing emotions or needs at all, etc... And then to constantly ask me if I am angry with her when I get too quiet [right after near directly telling me to shut up].
It has occurred to me now, they have never once seen me lose my temper, so they literally just can't tell if I am angry at them. My sister is easy, my mother fights and screams with my sister constantly, my mother understands this. My mother doesn't have any grasp of feelings or boundaries that are not screamed at her [apparently, and I fear my sister is the same way]. Her and my sister are close despite constant fucking fighting because they understand each other.
They are trying to get me to engage the same way and it is not working. I realize now that this has been hard for them.
I was so successfully taught to suppress my emotions, by being punished for any outburst, that rage quiet looks the same as any other kind of quiet from the outside. To them anyway.
I did tell her. For the record. I used my words. I did tell her very calmly that my response to rage, in order to avoid doing the things that terrified me as a child, was to simply leave [the autistic urge to GTFO]. When a situation or person causes too much of the dial-up rage noise, I simply extract myself from that situation, up to and including never speaking to a person again. I explained this calmly. I explained it calmly 100 times and I explained that I explain myself calmly as my rage response 1-5 [also pretty much every other negative emotion tbh], and I told her that what came next was me simply opting out and fucking off. I told her this. I couldn't understand why she never took me seriously, or why she never fucking understood.
I couldn't understand what made her like this.
But it's the same problem I have with everyone else multiplied by a factor of 10.
If I am explaining myself calmly, they can't understand that it's actually serious or that I am actually upset. ESPECIALLY because they read me as "female" and women "aren't that rational" so if I am not screaming and crying about something, which I never do, people assume I can't be upset and it isn't serious.
And then after having my boundaries ignored too many times despite having calmly explained how and why it's a problem [shaking inside or not]... I leave. I leave and everyone gets upset like this is unexpected behaviour, even though I told them 50 times that is how I would respond if they kept doing *the thing.*
And for neurotypical people especially, they are expecting there to be a disconnect between what someone says they need or feel and what their actually boundaries and feelings are, and they expect the latter to be demonstrated with emotions. Telling them bluntly you do not function that way somehow never helps?
My mother isn't just looking for normal yelling or a few tears to know I am serious, whether or not I do those either [I don't], she's looking for an explosion to know there's a problem at all.
Fucked if I know how she proceeds through life this way in general or if this is just her expectation of her own kids???
And I couldn't get why my mother couldn't read my emotions and didn't seem to think I have any. It's because she's testing for the rage limit to see where my 'actual' limit is instead of taking my word for it. Never the fuck mind that she could simply *not* test at my boundaries instead of letting me have them. Separate issue.
I couldn't figure out what made her *like this*
She's expecting me to throw a giant meltdown violent tantrum at people when I have 'actually' had enough. Maybe she got away with those being like 5'4" in another time, but I am the size of the average man, I do not get to have giant screaming rages, whether or not people perceive me consciously as a woman, and least of all because a lot of people -at least unconsciously- read me as 'masculine' or at least always "they guy" of the situation compared to all other women and some men [bigger stronger and more rational, more able to just absorb the damage and let it go so the less rational screaming/crying one doesn't have to be dealt with]. Even if it was in me to be willing to terrify people [usually never], there are such limited instances where it wouldn't just blow back on me. Potentially very dangerously.
I am going to be the quiet calm one. You are going to have to let me use my words, bitch.
So she kept ignoring my boundaries until I had to cut her out of my life, and she probably doesn't understand and probably thinks it feels sudden -after 36 long years of bullshit- abrupt and unfair.
But I told her hundreds of times.
I probably should have just screamed at her.
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