#BUT THATS NOT THE FUCKING POINT

[jellyjamheadobb]

Fucking listen to this. My friends and I. We playin Two Truths And A Lie. This was my fucking thrn

1 ”imagine being attracted to an old man twice/three times your age. Couldn’t be me”

2 “Imagine having been hit by a car twice in one week and being completely fine. Couldn’t be me”

3 “Imagine losing your virginity to a friend and then (casually) never talking about it. Couldn’t be me”

literally all four of my friends bro

friend 1: “1. You look like you’d fuck an old man”

friend 2: “yeah, 1”

friend 3 + 4: “old man fucker”

friend 2: “didn’t you say in 10th grade how you’d go down on our Economy teacher?”

they didn’t even fucking flinch. I got shot with a double barrel gun and then thrown in the pool of fire by them. Inconsolable. Fucking destroyed. I am. losing my shit. Sticks and stones can break my bones but fuck. Those words hurt me more.

[thorne1435]

I can't replace the processor in my phone and I can't afford to buy a whole new one so I can't play Monster Hunter Now.

Honestly? I'm angry.

[angstydiaz]

also just to try and cleanse my blog

if you are one of those "no kink at pride" please shut up and get the fuck off my blog. you literally use the same mindframe as anti trans and anti drag conservatives thank you and gn. They will frame anything queer as "deviant" and "predatory" and you are contributing to uplift that

(also dni with this post if you dont support trans ppl and ace/arospec ppl}

[7roaches]

sorry that took like an hour i stopped to eat dinner heres my idea

[caruliaa]

staff still hasn't given me polls, what should i do?

🟪🟪🟪🟪🟪🟪🟪🟪🟪🟪 their moms 69%

🟪🟪🟪🟪🟪🟪🟪 their dads 31%

grace image os i get to look at her

[puppyeared]

horrible truth bomb dropped on my head 20 min ago

[dreamstations]

i think using real animatronics really enhanced the experience of the film. not just in the charming yet uncanny way freddy + friends robotically stomped around but also when they finally reveal springtrap at the end of the film. the way he lumbers in, hunched over. immediately recognizable as an animatronic but theres something Wrong. he's moving too fast, too lifelike. that has to be a person in a suit. he found you, mike.

it was really effective idk guys

[monsterhospital]

the best part about being a Girl Who Knows A Lot About Star Wars is that you can fuck with dudes so much. no guy has ever been able to refute my backed claim that moff tarkin canonically had sex with a stormtrooper. why? because doing so would force them to admit they've never read 'of mouse droids and men' and therefore know less about star wars than me: a girls' girl who thinks that luke skywalker and the mandalorian "are probably in an open relationship".

[absolutechaosss]

The main critique I've seen leveraged at Saltburn is that is falls short of its message of "eat the rich". But like...I never saw it as as that. Saltburn (to me) is steeped in a specifically English class context of nobility. There is this gap that cannot be bridged. Oliver throughout the movie has this deep frustration that he does not permanently belong in the sphere of Saltburn. Multiple people specifically goad him with this fact. Oliver is privileged by most people's standards, but it isn't enough. It's not eat the rich as they're all terrible its eat the rich as consuming them, absorbing them, licking the plate clean. The film came across as less a class critique and a hornier knives out but rather a psychological horror story about desire and not being able to have what you want the most. Oliver will never belong truly at Saltburn. Oliver despite worming his way into the family never has physical intimacy with Felix. It's not skewering the rich, it's commenting on the deep desire to inhabit their skin.

[ramabear]

favorite part: when she clearly wanted to call him a motherfucker and yet restrained herself. incredible

second favorite part: she said dictators around the world would manipulate him with flattery and how putin could/would 'eat him alive'

i wished so badly she could have said that he was obviously easy to manipulate because she was clearly doing it the whole debate through. every single time she went after his ego (his crowd sizes, being laughed at by world leaders, etc) he ALWAYS had to jump into defend himself. every single time. she pushed his buttons all night long. this fucking guy

[sugarcoatednightshade]

thinking about how Humans Are Space Orcs stories always talk about how indestructible humans are, our endurance, our ability to withstand common poisons, etc. and thats all well and good, its really fun to read, but it gets repetitive after a while because we aren't all like that.

And that got me thinking about why this trope is so common in the first place, and the conclusion I came to is actually kind of obvious if you think about it. Not everyone is allowed to go into space. This is true now, with the number of physical restrictions placed on astronauts (including height limits), but I imagine it's just as strict in some imaginary future where humans are first coming into contact with alien species. Because in that case there will definitely be military personnel alongside any possible diplomatic parties.

And I imagine that all interactions aliens have ever had up until this point have been with trained personnel. Even basic military troops conform to this standard, to some degree. So aliens meet us and they're shocked and horrified to discover that we have no obvious weaknesses, we're all either crazy smart or crazy strong (still always a little crazy, academia and war will do that to you), and not only that but we like, literally all the same height so there's no way to tell any of us apart.

And Humans Are Death Worlders stories spread throughout the galaxy. Years or decades or centuries of interspecies suspicion and hostilities preventing any alien from setting foot/claw/limb/appendage/etc. on Earth until slowly more beings are allowed to come through. And not just diplomats who keep to government buildings, but tourists. Exchange students. Temporary visitors granted permission to go wherever they please, so they go out in search of 'real terran culture' and what do they find?

Humans with innate heart defects that prevent them from drinking caffeine. Humans with chronic pain and chronic fatigue who lack the boundless endurance humans are supposedly famous for. Humans too tall or too short or too fat to be allowed into space. Humans who are so scared of the world they need to take pills just to function. Humans with IBS who can't stand spicy foods, capsaicin really is poison to them. Lactose intolerance and celiac disease, my god all the autoimmune disorders out there, humans who struggle to function because their own bodies fight them. Humans who bruise easily and take too long to heal. Humans who sustained one too many concussions and now struggle to talk and read and write. Humans who've had strokes. Humans who were born unable to talk or hear or speak, and humans who through some accident lost that ability later.

Aliens visit Earth, and do you know what they find? Humanity, in all its wholeness.

[just-your-average-tangerine]

Autism is only an invisible disability because you fuckers don't want to acknowledge that a good portion of those freaks, weirdos, creeps, and 'idk they just give me bad vibes' are autistic.

[cynicallyneutral]

「coward」

[stefisdoingthings]

silence

also this is from Wolfwood's POV (in case it isn't clear) i have 0 normal thoughts (every song ever is VW)

[soupdreamer]

hey brennan what the fuck

[anakirui]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.