#Based on someone else’s writing

[raspberrybody]

The General Gets That Good Good Subspace 😉

Based on a yet to be published work by definedentropy. The first thing Ed does when the general gets home is shove his ignition gloves between his lips. The second thing he does is tell him to keep his mouth shut around them until he can think of a better use for it. And the third thing is not safe for tumblr.

I didn’t realize I was doing this, but I’m pretty happy with the fact that everything Roy sees is Ed colored.

[eddiestommy]

wait so apparently some people get mad if someone else writes fanfiction based on headcanons they shared on tumblr??? so now i got to ask

[aquaquadrant]

Philophobia

Word Count: 5,271 Warnings: Shipping, inappropriate/crude humor, paranormal activity, suspense/mild horror, descriptive kissing, mild language Summary: For architecture major and paranormal skeptic Grian, his friends’ after-hours ghost hunting group was just an excuse to spend time with his crush, Scar, without having to actually ask him out. But one fateful night, he finds there just might be things in this world that are scarier than emotional vulnerability… even if only by a very slim margin.

A/N: Did someone ask for a Phasmophobia-inspired Scarian au? Oh yeah, my friend @lunarcrown did! Inspired by the art she made here.

So this is kind of a modern-day college au (not set within the fictional universe of Minecraft), howEVER there are some fantasy aspects in that non-human species (like mob hybrids/monsters) still exist cuz they’re fun and I’m not giving anyone a normal modern name cuz that’s too weird. This is only Phasmophobia-inspired in that GIGS have a ghost-hunting group that functions the same way, but rarely find any conclusive evidence, and don’t have unlimited lives cuz they aren’t playing a game. With that out of the way, hope y’all enjoy, please reblog/comment if u do! - Aqua

~*~

Philophobia

~*~

“I think this is gonna be the one, guys,” Impulse says, turning their van into the driveway.

The suspension creaks as they roll over gravel, rattling the frame in a way that hums through Grian’s hollow bones. His arm is cold where it presses against the window; it’s almost sunset and Impulse has yet to get the van’s heater fixed despite his promises. Stupid demon blood keeping him warm while Grian shivers in the stupid custom pleather jumpsuit that Scar insisted they had made, for their stupid ‘brand’ as a stupid ghost-hunting group. Great, his stupid zipper’s come down again- he stubbornly zips it back up because unlike Scar, he doesn’t like constantly having his bare chest out on display.

Of course, he hasn’t got as much to show off as Scar, who must be getting up at 3 am every morning to work out in order to maintain all that muscle. No wonder Scar prefers to keep his zipper down to his belly button, and doesn’t seem to have ever met a shirt that fits him properly.

… Not that Grian’s ever paid much attention to that sort of thing. 

Grian gives an exasperated sigh. “You’ve been saying that about every case we’ve had for three years!”

“No, no, I really mean it!” Impulse insists. “I feel it in my bones.”

“Yeah,” Scar agrees, leaning forward so his shoulder brushes against Grian’s, “you know Impulse bones good!”

The earnest nature of his statement- and the unexpected physical contact- makes Grian flush. “Scar!” he shrieks, swatting Scar’s shoulder.

“What?” Scar defends. “What, he- he’s got big and strong bones, wonderful bones…”

He acts as if he’s got no idea he said something that could be taken the wrong way. And if it weren’t for the upturned corners of his mouth and the barely-restrained laugh in his voice, Grian might actually believe him.

“Dude,” Skizz chuckles from the front seat, “shut up, that’s awesome.”

Impulse sighs. “Anyway,” he says pointedly, “the place recently had a change in ownership. Previous owner passed away-”

“From murder?” Scar gasps.

Another sigh. “No, from liver failure.”

Grian snorts. “From all the drinking he did to forget about the ghostly hauntings?” he presses, exchanging a cheeky grin with Scar.

“No,” Impulse says, with the patience of a saint, “just normal old-age organ failure. The guy was ancient, and some kinda recluse. House had been in his family since it was built, but uh, he had no living relatives, no will when he died. So the bank took ownership and it’s been sitting off-market for like, fifteen years, til some hot-shot investor thought he could flip it-”

“Ughh,” Grian groans, tipping his head back against the seat. “Investors are the worst-”

“I know, I know,” Impulse soothes, “but um, he’d barely begun when things started happening. Contractors reported it day one, then the owner experienced an event himself and called us. So it’s basically still untouched.”

They haven’t even reached the end of the driveway yet, passing by seemingly endless rows of tall, gnarled pines. Admittedly, Grian’s curiosity is piqued. When he agreed to join this stupid ghost hunting group three years ago, he didn’t do so in the hopes of actually discovering any real paranormal activity. The whole idea is laughable. Ghost hunting is a pseudoscience, at best. Just a bunch of idiots scaring themselves silly in an empty house- and now they’re the idiots! Even their name is stupid: Ghost Investigation Group Services, or GIGS, embroidered on their ill-fitting pleather jumpsuits.

But despite his outright skepticism and dislike for pulling late nights in his already extremely limited free time, Grian’s got one very good reason for agreeing to join.

And his name is Scar.

Grian spent half a semester pining away at the fellow architecture major from across the lecture halls of their many shared classes. Charismatic and easy on the eyes, it was inevitable that Grian would develop a bit of a crush. But as they spent more time together during class projects and conversations in the hallway, he found out just how kind-hearted and passionate Scar was, and how easy he was to talk to, and how strong his arms looked in long-sleeved shirts…

… Yeah, ‘crush’ perhaps isn’t the right word.

So when Impulse- the engineering major who Grian was partnered with for physics lab- got the brilliant idea to start a ghost-hunting group with his best friend and roommate Skizz, and Scar expressed interest in joining, Grian made a split-second decision in a moment of weakness. He maintained his skepticism, claiming that he wanted to tag along just to prove how silly the whole idea was. Impulse was fine with it, while Scar said Grian had to wear the same uniform as them, and the rest was history.

(To be fair, that was before Grian knew it’d be a pleather jumpsuit.)

So here they are now nearly three years later, rumbling down a long gravel road in the dark and cold, up late on a Saturday night even though he still isn’t finished with his condominium model that’s due at 8 am on Monday and he’s fresh out of popsicle sticks. Moments like these almost make Grian wish he could just ask a guy out like a normal person, so they could spend time together without chasing pretend ghosts around dusty houses all night.

But that’d require him to talk about his feelings. Ugh, he’d rather let the ghosts get him.

“Alright.” Impulse slows the van to a halt. The doors unlock with a heavy clunk. “What do you guys think?”

Grian isn’t expecting much when he glances out the window. But the sight that greets him immediately prompts a hasty exit from the vehicle, scarcely noticing the sudden chill, his jaw dropping open in awe.

It’s a Victorian. Not a house that someone has mistakenly called ‘Victorian’ just because it looks old. A genuine, honest-to-goodness, Queen Anne’s style two-story Victorian manor with an asymmetrical facade and a rounded corner tower and a generous wrap-around porch, silhouetted against the fading light of the evening sky.

Grian reaches for his flashlight. Sweeping over the exterior, his breath catches. Knots of ivy creep up the walls, and there are a few places where the intricate wood trim has been lost to previous repairs and weather damage. A couple of the windows are bricked up. Most of the paint is faded and peeling. But overall? It’s beautiful.

“Oh man,” Grian murmurs, pushing his glasses back up, “look at the shape of it... look at the dormers!”

A second beam of light joins in; Scar’s emerged from the van. “Lots of character,” he says, sounding similarly entranced. “And still in great condition! Oh, it’s beautiful. It’s enough to make a man cry.”

Impulse hops out of the driver’s seat, chuckling. “I knew you two would like it. It’s an ‘85.”

Grian gives an appreciative whistle. “Look, I still don’t think we’re gonna find anythin’,” he says with a sideways look at Scar, “but I gotta tell ya… if- if I were a ghost… I think I’d haunt a proper house like this. Not those builder-grade boxes in the suburbs.”

“Right?” Impulse says, his forked tail flicking through the air. “That’s what I’m sayin’... I uh, I think this place has real potential.”

Skizz, who’s come around the van to stand with them, nods thoughtfully. “Definitely somethin’ special ‘bout it, that’s for true,” he says, exchanging a look with Impulse. Then he claps his hands together. “Alright gentlemen, let’s get movin’!”

Impulse and Skizz turn towards the van, heading to open the back.

Grian stares after them, squinting suspiciously. That wasn’t just any look. That was a Look. A Look that he knows all too well. They had that same Look on their faces at last year’s frat mixer, when they rigged the speakers at the Heta Kappa house to play ‘Margaritaville’ every time someone flushed a toilet.

It means that they’re Up To Something.

… Grian’s sure he’ll find out sooner or later.

“Well, Grian,” Scar says, hands on his hips as he surveys the property, “if it’s any connotation, at least we’ll get to study some real architecture tonight.”

Grian gives him a bemused look. “Consolation?”

Scar blinks. “Cono- what, what’d I say? Con- coronation?”

“Don’t worry ‘bout it, ey,” Grian chuckles, patting him on the shoulder. “Let’s go.”

~*~

“Check it out, dude,” Skizz calls excitedly, “temp’s dropping in here! Five degrees colder than the rest of the house!”

Grian makes a noncommittal noise. “It’s an east-facing room and the sun’s only just set, of course it’s colder than the rest of the house,” he says, idly passing his UV glow stick over an armchair. No prints, of course. “I doubt they’ve updated the insulation anytime within the last two decades.”

“And hey, look,” Impulse chimes in from the corner, “I’ve got EMF 1.3!”

Grian doesn’t even look up. “There’s an exposed outlet in here and I’ll bet the wiring’s older than I am. And in any case, it’s still below the recommended threshold.” Ew, okay, now that’s a suspicious UV stain on the floor, but not of the supernatural kind…

“Oh, it’s definitely not up to code,” Impulse agrees. He waves his EMF reader around a bit, making the pitch warble. “But I dunno, I think this must be the ghost’s favorite room. Might not be here right now, but I’m getting some real vibes…”

Grian rolls his eyes. “Sure…” 

Twenty minutes in, and despite the house’s hauntingly elegant construction, it’s been the same old story. The house is empty and quiet, as abandoned houses tend to be. Quite sparse, as most of the furnishings probably went to auction. The furniture that’s left is covered with tarps and every surface is coated with a fine layer of dust. He can smell mold somewhere in the floorboards and there’s apparent water damage in the ceiling.

The only renovation attempted thus far was the removal of some cheap linoleum tiles that were laid in the kitchen at some point- a renovation Grian can heartily agree with, there’s some absolutely gorgeous hardwood underneath- but they didn’t get far. The removed tiles are still sitting about in a haphazard pile, hammer and chisel abandoned on the floor beside them. Frantic footsteps smeared in the dust and powder paint the scene of a terrified contractor fleeing for their life from the reported ‘ghostly hauntings’. 

In any case, they haven’t heard any activity from the spirit box, nothing unusual has stood out on UV, and the salt Impulse laid out is still undisturbed. Surprise, surprise. Grian’s spent most of his time admiring the elaborate wooden trims lining every wall, scuffed as they are. What he wouldn’t give to properly restore this place…

“Hey, Dipple Dop?” Skizz calls suddenly. “Your radio working okay?”

Impulse gives him a curious look. “Huh? What, is there-” He pauses, glancing down at his radio. “Oh. Oh, yeah. Yeah, actually, mine’s on the fritz, must be overdue a battery change.”

“Oh?” Grian tilts his head innocently. “You don’t think it’s a ghoooost?”

Impulse purses his lips. “I don’t think everything is a ghost,” he says mildly. He clips the radio onto his belt, turning to the door. “I’ve got extras in the van, hang on…”

“I’ll go, too,” Skizz says quickly, slinging an arm and his wing around Impulse’s shoulders. “Buddy system! You know what, I- I’m tellin’ you, you never split up when hunting ghosts. That’s how they get you, dude.”

Oh. Oh, no.

Grian gives them a warning Look.

They give him a cheeky Look back.

“Yup, yeah, that’s true,” Impulse says with obvious feigned sincerity, steering Skizz out of the room. “So uh, you two keep at it, okay, and we’ll be right back…”

“Oh, okay!” Scar says cheerfully, busy setting up the tripod over in the corner and completely oblivious to their scheme. “Have a great time not getting murdered!”

Grian opens his mouth to protest, but Impulse and Skizz are already gone out the front door. Leaving him and Scar completely alone. Totally by coincidence, surely. Oh, he knew his drunken confession to Impulse at the school’s annual bar crawl fundraiser night would come back to bite him eventually.

It’s almost insulting, in a way. Like they think the only reason Grian hasn’t made a move is because he hasn’t had ample alone time with Scar. Like he needed them to give him an opportunity. But if he’d wanted to confess to Scar, he already would have. He’d have had it well done by now. They could give him a little credit.

See, the thing is, he’s thought about it. Plenty of times, in fact. But the issue he keeps coming back to is that if he tells Scar about his crush on him, then Scar will know about it. There’ll be no going back at that point. And if Scar doesn’t feel the same way- well, Grian can kiss their friendship goodbye. So yeah, no, he doesn’t think he’ll be making any dramatic love confessions tonight, strangely enough.

The risk of an awkward silence developing is astronomical, so Grian clears his throat. “Man… isn’t this place somethin’,” he says, then immediately fights the urge to cringe.

Scar, luckily, gives an emphatic nod. “It is, it truly is amazing.” He straightens up, dusting his hands off as he turns to Grian. “You know who’d really love this place, is Gem?”

“Oh, yeah, for sure,” Grian agrees. He busies himself with the UV, so he’s not just standing around. “We should take some pictures for her.”

“Oh, good idea!” Giving the tripod a final once-over, Scar wanders over to Grian. “So, any fingering goin’ on, yet?”

Grian nearly drops his glow stick. “Sorry- any what?!” he screeches, whirling around on Scar.

“You know, ghost fingers!” Scar says, perfectly innocent. He holds his hands up, wiggling his fingers in demonstration. “On the- on the glowy light?”

Grian takes a deep breath, face burning. “Oh Scar, buddy, you gotta think through your words better before you say them, alright?”

“Whaaat?” Scar pretends like he doesn’t know. “What, I’m just- you’ve got the stick, you know, little glow stick for when the ghost touches, uh-”

“Nevermind,” Grian groans. “Anyways, no, I haven’t found any ghostly handprints and I never will, because ghosts aren’t real.”

Scar folds his arms. “Well, hey, maybe the ghost is just polite! You know, he- maybe he’s just minding his business, not touching anything or- or anyone. Just because we don’t get anything on UV doesn’t mean ghosts aren’t real, I’ll have you know.”

Grian sees the challenge for what it is. “Alright…” He reaches into his pocket and pulls out his spirit box. Holding the transponder to his lips, he belts out, “Where ahhre yewww?” in his best imitation of an over-exaggerated pop-punk accent. If Impulse and Skizz are eavesdropping through their radios, he hopes he gave them a start.

Scar laughs. “Oh man, been a while since I heard that one! You-”

I’m close.

Grian jumps so badly he nearly drops the box, his wings puffing out involuntarily. “What?! Wha- who said that?” he demands, spinning around.

Scar blinks at him. “What? Did you hear something through the box?”

“I- I dunno?” Grian says uncertainly. The box seems to be working as normal; when he holds the receiver down, there’s a faint hiss of static, and the bulb remains white. No further noises come from the speaker.

After a couple seconds of tense listening, Grian feels silly. Way to play it cool. He switches the box off with an exasperated sigh. “No, of course I didn’t hear anything through the box. Like I said, ghosts aren’t real.”

Scar hums noncommittally. “Oh, Grian... you know, there are some things in the world that can’t be explained.” 

Grian snorts. “Oh, yeah? Well, I- I got a few explanations for ya.” He counts on his fingers. “It could’ve been this old house creaking in the wind, or an electrical surge causing feedback through the transponder, or- or, not to mention, Impulse and Skizz pranking us through the radio?”

Scar snickers. “That does sound like something they’d do, I’ll give you that.”

“Yeah.” Grian slips the box back into his pocket. “And y’know, being in a creepy abandoned house, after dark, out in the middle’a nowhere... it’s easy to think you’re hearin’ things.”

Scar rolls his eyes, but his expression is fond. “I know, I know, so you’ve told me. But one of these days, mister, you’re gonna eat your words.”

“Right,” Grian drawls. “I’m so scared…”

The front door slams shut.

That makes Grian pause. They always leave the front door open while out on a job. It saves time when they have to go back and forth from the van, and saves battery life on their radios when they can just shout to each other through the open doorway. Obviously this job is a little different, because Impulse and Skizz have clearly got it in their heads to try and get him and Scar together, but he wouldn’t think they’d go so far as to-

The lights suddenly flicker and go out. But in the split-second before they do, Grian sees a shadowy figure silhouetted against the door.

Pure instinct takes over. Grian spins on his heel, grabs Scar by the arm, and absolutely flies down the stairs to the basement. He knows they’ve disturbed one or two piles of salt but right now, he can’t bring himself to care. His wings are bumping against the walls and he’s certainly never tried carrying someone as big as Scar before but he doesn’t stop, doesn’t even process the ache of it rattling through his body. He bursts into the basement, feathers flying, and careens towards the back of the room, around a tall shelving unit, and into the corner.

There’s a heap of boxes stacked up in this corner; Grian unceremoniously shoves Scar over top of them, dropping him in the narrow space between the boxes and the wall. He’s wedged in as far as he can himself, laying across the boxes, his double pair of wings preventing him from squeezing in beside Scar. He’s still got the UV light clenched in his fist, he realizes belatedly- he braces his forearms against the wall to try and cover it, fanning his wings out behind him to block it out from the rest of the room. Glancing back over his shoulder, he tries to gauge how much light is getting through when a noise makes him freeze.

Footsteps.

They’re soft and light- certainly not the heavy boots of Impulse or Skizz. No, they sound almost barefoot. And as they gently tap down the stairs, the sound of giggling fills the air. It’s a feminine voice. Young, like a child. Like a little ghostie girl is prancing down the stairs to murder them.

Grian thinks he might pass out. Can ghosts actually kill people? How would they do it if they’re incorporeal? He’s never considered the question before, he never thought he’d have to because it’s ridiculous, ghosts aren’t real, of course they can’t kill people-

The footsteps stop. 

Grian isn’t sure if he’s still breathing. He doesn’t dare move. A chill runs up his spine, making every single feather stand on end. He can almost hear the high-pitched violins that would be playing right now if this were a horror movie; the cheesy, overdrawn kind of horror movies that are always playing at the drive-in that the four of them watch while piled into the back of the van in a tangle of limbs and spilled popcorn and oh god he’s spiraling now because he’s about to be killed by a ghost-

Bye-bye!

The chill recedes. Somewhere in his peripheral vision, he sees the faint glow of light from upstairs return.

It’s over.

Grian’s mind is spinning. What was that? What was that? It seems impossible, it doesn’t even feel real to be in this situation right now but he is, there was a ghost, there was a ghost. It feels insane to even think it. But the residual adrenaline coursing through his body reminds him it was very real, he just encountered a ghost.

A ghost! Oh, after three years of very loudly decrying the entire concept as rubbish. He can’t believe it. He really can’t believe it, this is the absolute last thing he expected to happen tonight. Ghosts are real. Ghosts are really, really, real. He doesn’t know what to do, who would ever believe him? Is this how the others have been feeling this whole time? God, he can’t believe this-

“G...?” Scar’s voice pipes up hesitantly. “What... what are we doing?”

Oh, right. Grian glances down at Scar- and his heart jolts. He’d been so focused on getting away from the ghost, he’d acted without thinking, so only now does he realize the... predicament he’s put them in.

Scar’s slumped against the floor beneath him, head tucked just below Grian’s arms. His long legs are still draped over the box that Grian’s laying across, resting on either side of his waist. And due to the odd posture Grian’s in, his chest has been thrust rather close to Scar’s face, lit by the soft purple glow of the UV.

This is probably the closest Grian has ever been to sitting in Scar’s lap.

Grian’s not proud of the yelp that escapes him. “Sorry, sorry!” His wings flail as he struggles to push himself off of the wall, stumbling back onto his feet. It’s clumsy and uncoordinated and he nearly falls backwards, his heart pounding.

Scar manages a laugh, easing himself up off the floor. “No, no, it’s okay, I- I just... what- why’d you bring us down here?” he asks, dusting off his jumpsuit.

Grian catches his breath. “Wait, you... didn’t hear the creepy ghost on its way to kill us?” he asks, frowning.

Scar‘s eyes widen. “What? There was a ghost?”

No way.

“Are you-!” Grian throws his arms up. “Honestly, I- I know avians have better hearing than most but that’s insane. She was laughing! Laughing and skipping down the blumin’ steps! And you didn’t hear any of it?”

“No…?” Scar shrugs helplessly. “I’m sorry, okay! I- I don’t know, I was- a lot was happening, you- you’re grabbin’ me, pulling me down the stairs and into this little corner, I didn’t know what was going on! I didn’t know, I- I was all disconbodulated- disco- bobo, bobumated? I was a little distracted, okay. Jeeze, give a man a break…”

“Distracted?” Grian repeats incredulously. “You’re the one who actually believes in ghosts, here, how could you get distracted? What do you…”

He trails off. Scar is very clearly fighting to avoid looking at Grian, but for the briefest moment, his eyes dart down to Grian’s chest. Suddenly confused, Grian follows his gaze, and-

Oh, for goodness sakes. At some point during his frantic flight, the stupid zipper on his stupid jumpsuit came down again, exposing a frankly scandalous amount of skin. Not Scar-level of scandalous, but pretty close.

Grian immediately feels himself turn red. “Oh. Uh- right,” he hastily pulls the zipper back up, “sorry ‘bout that…”

Wait. Wait just a second. 

Scar was distracted from a literal ghost hunt going on... because Grian’s bare chest was showing? Does that... does that mean he liked it? 

Scar’s avoiding his gaze again. His cheeks are tinted pink.

“Scar...?” Grian ventures carefully. “Were you... lookin’ at my chest?”

Scar’s cheeks darken. “Ah, I- I- don’t- I mean, why would you- I didn’t mean to, it’s just...” He fumbles for the words. “What- what am I- hey, your pecs were basically in my face! I wasn’t trying to look, I- I just-”

“Scar,” Grian says, keeping his voice light and teasing, “did ya… did you like what you saw?”

Scar splutters for a moment. “Well, sure, Grian,” he tries to laugh it off, “I mean, anyone- anyone with eyes can see you’re uh, you know, you’re- you’re pretty attractive. I- I’m secure enough to say it, I don’t care, it’s- sure, of course, you’re very muscular! You’re a- you’re a muscular man, it’s just not always obvious with the sweaters you wear. Or- sorry, you call them jumpers in Britain land, right, they’re jumpers-”

“You been checkin’ me out, Scar?” Grian asks, caught somewhere between playfulness and utter disbelief.

“Uh...” Scar rubs the back of his neck. He exhales slowly, clearly debating with himself. “I... maybe? What... what would you say... if that were the case?”

Grian swallows. His heart is absolutely racing now, and he’s broken into a cold sweat that’s definitely not supernatural in origin. The air between them feels fragile; he’s acutely aware that a single word from him could swiftly plunge them back into the realm of safe familiarity, of casual light-hearted teasing between friends. Scar’s always said things that bordered on the flirtatious, and Grian can hide behind the plausible deniability of teasing. This entire interaction doesn’t have to mean anything. It can be easily moved past and forgotten.

And yet, strangely enough… Grian doesn’t want it to. Maybe it’s the post-haunting adrenaline or the fact that he could’ve died tonight, but all of a sudden, he feels like taking a chance. Like he could finally say what he’s wanted to say for the last three years. He managed to hold his own against a blumin’ ghost, for goodness sakes- he should be able to face his own feelings head on.

He takes a breath. “I’d say that’s a relief… ‘cause I’ve been checkin’ you out since day one of first year.”

Scar stares at him for a long moment. His expression is utterly unreadable. The silence draws on long enough that Grian feels a spike of panic, worried that maybe he’s mishandled the situation-

 “... oh my god,” Scar says finally. “Really?”

It sounds like the good kind of surprise. Grian offers a shy smile. “Yeah, yeah,” he admits. “I- Scar, I know I’m real good at playin’ these things close to the vest, but uh, I- I’ve had a massive crush on you since... basically since the day we met.”

“Huh.” Scar blinks. “You’re serious. You- you’re not pranking me right now?”

That startles a laugh out of Grian. “No! Scar, I don’t- we just survived being hunted by a ghost, I’m not pranking you!”

“Well, that’s- that’s amazing!” A grin spreads across Scar’s face- and man, oh man, does he have just the most wonderful smile. “Oh my gosh, G, I don’t- you don’t even know how long I’ve been waiting for this.”

The relief is almost overwhelming. “Yeah, me too!” Grian laughs, half-dazed and half-giddy, running a hand through his hair. “I- I even- look, the whole reason I even joined this group was as an excuse to hang out with you!”

Scar’s mouth falls open. “No way! That’s- that’s the whole reason I joined in the first place, too!”

Now it’s Grian’s turn to gawk. “Are you joking?”

“I’m not!” Scar insists, “I swear, I’m not- Impulse said he wanted to start the group and maybe we’d all join and get to hang out and I thought ‘hey, ghosts are cool and Grian is cool’ so I just-”

“Oh, I can’t believe this…” Grian groans, hiding his burning face in his hands. “We really are idiots, we’ve wasted nearly three years…”

Scar’s hands close around Grian’s wrists, lightly pulling them down from his face. “Well, I guess we’ll just have to make up for lost time,” he says smoothly, leaning in.

Corny, but Grian will allow it. He closes the gap, tilting his head up to meet Scar’s lips.

In that moment, everything else fades away. All the nervousness, all the second-guessing, even the bombshell discovery of the existence of ghosts- there could be one standing in front of them right now and Grian wouldn’t care. The way Scar gathers Grian in his arms, hands gently roving through his feathers- it’s bliss. It’s perfect.

Scar kisses him strong and purposefully, with no trace of carelessness or haste. He doesn’t rush. There’s intent written into every single movement, jaw working to deepen the kiss. Grian curls against him, hands splayed across Scar’s chest. He can feel Scar’s heart pounding through his flushed skin, and it’s wildly exciting- to think Scar is just as breathless as he is. 

Growing bold, Grian dares to slip his tongue into Scar’s mouth, and the noise he makes- part surprise, part delight- sends pure electricity fizzling up his spine. His mind is starting to drift away from him, lost in the sensation of weightlessness, of floating, that almost makes him feel like he’s gone completely incorporeal- like his own spirit has become untethered from the mortal coil.

Then Skizz’s voice comes down the stairs.

“G-Sharp! Scarface! You down here? We just saw a freaking ghost on the cams, and- oh my god!”

Grian breaks away from Scar, but not quick enough. He turns to see Skizz and Impulse standing at the bottom of the stairs, expressions shocked. And then, as if they’d rehearsed it, they both break into massive shit-eating grins and spin around to high-five each other.

“Woo!” Impulse cheers. “We got ‘em! Ladies and gentlemen, we finally got them.”

“Yeah, baby!” Skizz pumps his fist in the air. “Oh, I love it!”

“Oh, would you two stop it?” Grian huffs, but he’s not really cross. Hard to be cross when he’s on cloud nine. “The ghost did most of the work, alright?”

“That’s right,” Scar sniffs, winding an arm around Grian’s waist. “You know, I- I’m startin’ to think you all were in cahoots! Cahoots, I say!”

“Dude, if only,” Skizz laughs, walking over to clap them on the shoulders. “Could not have planned it better, that’s amazing. Well done, gentlemen!”

“Yeah, it’s about time!” Impulse adds, crossing his arms. “I was starting to think we’d graduate before either of you fessed up, I- I had to take drastic measures…”

“Impulse,” Grian says warningly, “if you’re about to tell me you started this whole paranormal investigation group just as a way to push me and Scar into confronting our feelings, I swear-”

“No, no,” Impulse assures him, chuckling. “I really do like the ghost-hunting deal, don’t worry. But uh, we did deliberately ditch you guys in the hopes that something would happen.”

Scar waggles his eyebrows. “Oh, things happened, alright.”

“Scar!” Grian swats at him, but he’s laughing and it feels good. It feels right. After all this time spent worrying about worst-case scenarios, about denying his feelings for the sake of maintaining the comfortable mundanity of his comfortable life, it turns out the scariest part was the fear itself.

The irony doesn’t escape his notice. A bit on the nose, if he’s honest.

“But in even bigger news,” Impulse graciously continues, “you saw the ghost? And you believed it? You, Mr. Non-Believer in all things ghostly?”

Grian sighs. “Yeah, yeah, I know…”

“This is incredible!” Skizz claps his hands together. “Okay, okay, we gotta go cleanse the area and I wanna hear everything, got it? Don’t leave a single detail out!”

Grian slips his hand into Scar’s as they follow Impulse and Skizz back up the stairs. “Yeah, alright,” he relents. He supposes he’s due for a lot of ‘I told you so’s’. But really, it’s a small price to pay for the life-altering knowledge that ghosts are real… and for finally finding the courage to believe in something extraordinary.

Scar hums. “Wait, details about the ghost or about the kissing?”

“Scar!”

~*~

[mishy-mashy]

3 reasons I can think of, for why the first Three vestiges were too hard to find information on

[Reason 1]

The time they were born in.

Their births, and any records of them, could just be completely undocumented or non-existent.

They were born in times where systems and governments were down, and it's everyone for themselves.

People aren't going to register their existence, especially the Metas, when they all want to stay under the radar and hide from everyone else.

If you're in the middle of a war zone that spread to where you live, and your baby brother was just born, are you really going to go [Oh no! I have to register his birth for that sweet sweet child tax!]?

Or something like that. But still.

There are more important things, like survival, than registering a baby's birth and going through hospital paperwork. And it's been explicitly stated that the first appearance of Abilities caused a Great Depression all over Japan.

The government is gone. There's no point in registering anything anymore.

Yoichi was literally born at a riverside, and never went to a hospital. By the time the first Three are toddlers / young children, Japan is already chaos and up in flames.

Children are actively avoided because they're the most likely to be Meta Humans. No one wants anything to do with them.

Chances are, the records about the first Three never existed, or were destroyed in all the strife.

Or maybe, if some did exist, Kudo destroyed them. I can see him doing that, to protect themselves from AFO or anyone else having the chance to track their personal histories down.

It makes them ghosts. Exactly what would be best for not only their own survival, but anyone affiliated with them. Like family. It makes them untraceable, and invisible to bodies of old authority.

[Reason 2]

The three were a part of the Resistance. They could've kept information about themselves under lock and key, to protect themselves.

Like how Kudo is referred to as Leader, and never by his real name. Even in the void, up to the very end, Bruce still says "Leader" to address him.

I actually HC them as using codenames in the Resistance, exactly to protect themselves from each other, and outsiders. This makes Yoichi an anomaly among them, for going by his real name. Meanwhile,

Leader, Boss = their leader

Bruce = a reference to his Quirk

Codenames about their Meta Abilities, or roles in their cause, to better remember whose nickname belonged to who.

Outsiders won't know the Resistance members' real names. The Resistance can't betray each other by selling each other out for personal information as easily, if no one knows each other's actual names.

At the same time, this alienates them from who they are, and their humanity. They have to make tough choices that would classify them as monsters. And they're locking themselves under a false name.

They're protecting themselves from everything and everyone, including themselves. At least the person committing all these atrocities is [CODENAME], not me.

[Reason 3]

Bruce, when he was supposed to pass previous information to Shinomori, couldn't.

Maybe he didn't have enough time to tell Shinomori the whole story.

Or maybe he did, and passed on the previous holders' histories, but Shinomori didn't pass those on himself.

Or maybe reminiscing Yoichi and Leader as actual people just broke him, and he could only stick to the bare minimum of the history of this Factor.

Notably, the OFA story is known as "All For One's younger brother was sickly and frail, but he had a strong sense of justice."

We never, ever hear Yoichi's name in the spoken history of OFA. All Might couldn't even get their names. And since AFO hides himself so easily, and birth records just don't exist for him as an undocumented birth, Yoichi legally doesn't exist even as a birth.

Bruce is the first one to find the existence of Yoichi's "unformed dud". The Factor that let him pass on his current Quirk to others. How could the information of that dud be passed on, if not from Bruce?

Somewhere, the information breaks during Bruce or Shinomori's turn with OFA.

Bruce never passed on their names. Or maybe Shinomori didn't. But their names weren't necessary to pass on anymore. All Might only managed to dredge what he could, starting from the time society started trying to stand on its feet. Exactly because that's as far as the records went.

[Reason 2] could add credence to why the first Three's names were never passed on. Bruce could've kept quiet about Yoichi and Leader's personal details, not just to help himself stay together, but to protect anything they might've left behind.

[rearranging-deck-chairs]

if 9&10 were "dont wander off", and 11&12 were "the doctor lies", 13s rule #1 is "dont question me"

"have we not had a good time together" shes pointing yaz to the rule that yaz very well knows is there: we can travel if you dont ask me any difficult questions. yaz knows this is the rule - "because you ask too many questions", "this team structure isnt flat" - but she also was the one to invite the doctor into her home so im pretty sure she also knows shes not gonna kicked out that easily. she has some leeway. which she has been using between revolution and flux, which is why the doctor reminds her of the rules

i dont think she'd kick her out though. she wouldnt. i think it's just that the more you break the rule, the more unpleasant she becomes to be around, and eventually youre gonna walk out on your own. she doesnt want you to, she'd rather you stay and dont ask questions. but if youre gonna try to ask questions anyway, i think thats whats gonna happen

and yaz must think so too. because she does back off. because she doesnt want that to happen either. and it does anyway

[malacandrax]

I'd rather people didn't write fics based on my current sw AU! Obviously I don't own the idea but I am writing it myself through comics, albeit not in fic form. If someone else wrote it the same in a fic, and then continued writing from where I've gotten to...it would kinda kill my drive to make more.

[uter-us]

radfem help !!

2 of my little cousins (14yrs and 15yrs) are both girls dating boys right now, and together we are coming up with a "dealbreaker list" of things they will never put up with from their bfs! and also we are including positives, like so they aren't just looking for the absence of bad things, but actual positive things

what do yall think are the most important things to add? (i put extra info in tags)

Thank you so much!!!

[bowenoke]

girl help the ocean was a recurring character motif in my third life grian fanfiction I've been writing on and off since 08/2022. girl the ao3 comments are going to correct me on when grian got obsessed with the ocean

[astralzeraphias]

[necrotic-nephilim]

in lieu of having posted any writing/headcanons/asks in the past few days because i have been *so* busy and unable to do anything fandom-related which is terrible and evil, i have a poll out of morbid curiosity and self-indulgence. i've been meaning to ramble here about how i feel about DC's lack fo Deaf representation and which Batfam members i would personally make Deaf, but i am mildly curious about the larger opinion and now i will subject you all to the question, i would love to hear thoughts/opinions/headcanons on any specific choices. (would love d/Deaf/HoH opinions esp but i'm mostly expecting this to reach the hearing crowd, so opinions from hearing ppl are ones i'm very curious about. if you've never given it thought before you are going to now or else /lh)

[cryptocism]

I love the comic book writing sensibility that Frequency has, like how Three and Five's ending is great for the story being told but if it were a published comic it would still leave them on the table for if a future writer wanted to use them.

whats funny is that despite doing my best to keep in line with dc comics/comic writing sensibilities throughout the fic (staying as comics-accurate as possible in terms of continuity/tone/characterization/story elements etc) that particular comic writing reality was one that was like. kind of a genuine anxiety that i didn't know i had until i started writing this thing.

ive said before that in the original concept for Frequency all of the clones (besides Thad) were going to end up dead. whether it was via killing each other or unintentionally being the instrument of their own demise (disney villain style). obviously it changed because creating an entire narrative about this one character's redemption arc and then not allowing any of the other villains to have a shot at redemption felt hypocritical and like. mean. not to mention antithetical to the whole ethos of the story.

but the reason why killing off all the other clones was my first instinct is partially because i had this kinda subconscious recoil to the idea that any of them would actually continue on after the story was over.

like, because i was trying to stick to canon so much, while figuring out the story a thought came up a couple times that basically went like, "okay, well, if this was a real comic, then...". and inevitably i had a realization that if this WAS a real comic, my original clone characters would be canonized, and therefore available to any future writer who wanted to yank them out of their respective endgames and inject them into other stories. which i Did Not Like the Idea Of.

classic "making up a guy to get mad at" except it was more "making up a reality to get anxious about". because obviously no matter how much it sticks to canon, Frequency still exists in a fan-created space.

but! i'd never made up original characters to put in my own fanmade stuff before and was definitely feeling protective. because all those original clones i made had yknow: a story purpose and narrative function to facilitate the actual key characters, Thad and Bart. the idea of them being removed from that context in any capacity, even if it was in the hands of a good writer, made me have this gut "no STOP you're ruining it!!!!" reaction.

they were all made for Frequency, and to foil Thad as a character, i didnt like the idea of Three being brought back as a one-note villain or Jude and Nathaniel getting folded into the wider Flash cast of allies. and none of them were made to be main character material. plus the character roster at DC is already uhh Extremely Stacked i genuinely did not want the takeaway to be "and here's the nEW ADDITIONS TO THE FLASH FAMILY!" because that wasnt the intention

anyway i got over it lol. i still did my best not to leave any loose ends, and have each ending be wholly satisfying on its own, and ideally the oc clones basically continue on offscreen while the true adventures are based around Thad and Bart. but yeah it felt right to leave off on that note (and served the story much better than killing everybody off)

[little-mouse-adventures]

A Timeline of Events in the Artemis Fowl Series

If anyone's interested, I did do an actual analysis for where I pulled some of these dates from. But because I cannot type succinctly to save my life, it's 5,000 words long, so that's below the cut. I also put the timeline there again, but in three separate images, so hopefully they load well enough to be fully legible if the above isn't.

A thousand thanks to @sadbitchapologist and @zahnie for their help and advice with this, despite neither of them having any more than the barest interest in the series and therefore having no clue what I was on about. Thanks also to @orangerosebush for fielding completely out-of-the-blue questions about the French school system, so I didn't have to attempt to navigate web search results to figure out what mandatory gym classes were like for the sole purpose of plotting Luc's birthday on here.

An Analysis of the Timelines in the Artemis Fowl Series

A Brief Introduction

The Artemis Fowl series is made up of eight books covering a range of years and events. I wanted to see how accurate the timelines present in the books were, as well as try and plot out some other details implied in the novels but not explicitly stated, to have a better understanding of the overall world-building. To that end, I went through the series and made the above timeline. I colour-coded it based on the relevance of the specific items to certain categories, namely Humans, Fairies, Villains, and the Series itself. This does mean that some things could have fit into multiple categories. For instance, you will see some items involving Opal categorized as Fairy-Specific (such as her college years, as those are fairly neutral to the main plot or her villainy), Villain-Specific (such as her setting up her emergency fund, as that is mostly related to her schemes as opposed to relevant to her existence as a fairy, or part of the main plot of the series), and Plot-Specific (such as her opening the Berserker Gate, the primary plot point for the final book).

Before we really delve into things though, we should establish the baseline assumptions I was working with. Firstly, I am only using the original series. I have not used anything written in The Fowl Twins trilogy, given that those books seem to ret-con a considerable amount of the original information, and that is far too many headaches to give myself. Any supplemental series information, such as the short stories found in The Artemis Fowl Files, or anything from interviews is also not included. The premise here is: using just the original books, what is the event timeline of the world? The second thing we need to establish is that I am using the North American releases of the novels. I did make notes on where each bit of information comes from, but there isn’t really a citation style for this kind of thing, so I’m not sure how relevant that is. The third assumption is that the first book takes place the year it was originally published. According to my copy, the original publication was 2001, with the first American paperback edition coming out in 2002, and the first mass market paperback being released in 2003. This means our starting point is in 2001.

For sake of clarity, this analysis will start with setting the dates of the books and continue on from there.

The Basics of The Books

With that out of the way, let’s talk about the first book, Artemis Fowl (AF). It is actually not until the very end of the book that we get a solid answer for when it takes place. It’s only in the last few pages of the novel that Angeline Fowl leaves her attic room after all the plot points are tied up and announces that it is Christmas Day. This might be cause for concern – Angeline had not previously been established as a particularly reliable narrator – but given that we are asked to believe that Holly’s ‘feel better’ mood booster worked, and that neither Butler nor Artemis balk at or question the pronouncement that is Christmas Day, we’ll accept that it’s true and move on. This means that, with Butler’s earlier announcement that he was stuck doing four months of stakeout, we can say with a fair amount of certainty that Artemis obtained and translated the Fairy Book in September 2001, and managed to capture a fairy in December of the same year.

Moving on to Artemis Fowl: The Arctic Incident (TAI), we are given a decent chunk of information, albeit spread out a bit. The first is the announcement that the ransom drop for Artemis Fowl I is to be held on the fourteenth. The fourteenth of what, you might ask? Well, we are told that Artemis is currently thirteen years old. Clearly, things are past September 1, 2002 (we know Artemis’s birthday is September 1 based on information in both the fifth and seventh books). We are also told that Luc Carrere has been trading with the goblins for six months, starting in July. That puts us in either December or January, but we can narrow it down further since Artemis gives us another helpful clue. He mentions they are not expecting to see the dawn while attempting to rescue his father in the Arctic. There are only a few latitudes on Earth where polar night (of any type) occurs, and at Murmansk, polar twilight occurs between December 10 – January 2. Combining all of this, we learn that TAI takes place December 14, 2002, give or take a few days to either side.

This can be corroborated by information in Book 3, Artemis Fowl: The Eternity Code (TEC). After Holly heals Artemis Senior, we are told that it takes over two months for him to wake up. Since we are specifically told two months, as opposed to two and a half or three, we can conclude that the events of TEC take place in March 2003. Mulch gives us some information that confirms this. He was living in LA “less than four months ago,” and since he was conscripted to help with the events of TAI in December, a March plotline fits the bill. We are given further confirmation as well: Spiro mentions that Artemis will be fourteen in six months. A specific date for Artemis & Co.’s attack on Spiro’s Needle can be pulled from the throw-away line that Pex and Chips are “burying” Mulch on the full moon. A quick web search tells us that the full moon in March of 2003 takes place on March 14, and the rest of the events in the novel take place roughly two days to either side of that.

In Artemis Fowl: The Opal Deception (TOD), the fourth book in the series, we are given several very clear indications of when the events take place. Firstly, Artemis is contemplating that at fourteen years and three months old, he is the youngest person to successfully obtain The Fairy Thief. Based on previously noted details that his birthday is in September, the events of TOD must take place in December of 2003. Additionally, we are told that things are the middle of winter and Opal has been in a coma for eleven months and counting as of the end of TAI, another December plot.

Artemis Fowl: The Lost Colony (TLC) requires the most math and interpretation so far to figure out when it takes place. We know Artemis is still fourteen, so the main events clearly happen sometime between January 2004 and September 2004. Beyond that, we are using a fair amount of context clues. Artemis and Butler have evidently been traveling for four months looking for demons, so we are dealing with events in at least May. But that still leaves us several summertime months to work with, so to establish a timeline here, we will need to look forward a bit. In the sixth book, Artemis Fowl: The Time Paradox (TTP), it’s noted that Artemis is not yet fifteen, and has, on multiple occasions, spent the full moon in the study. Ergo, he’s spent at least a few months back from Hybras. If he has been back for two months and not yet turned fifteen, he would have had to have returned by July at the latest, and since he returns almost three years later than he leaves, we are looking at him returning in either May or June. This would have him disappearing to Hybras – and by extension, dealing with the earlier events in the book – in June, July, or August. After his conversation with Minerva, he notes to Butler that they “are planning a June wedding,” which wouldn’t make sense to say if they were currently in the month of June. From all of this, we can extrapolate that the first three-quarters of TLC take place in late July or early August 2004, with the triumphant return of our intrepid heroes occurring in June 2007.

As previously stated, TTP mentions that Artemis is still not fifteen, but is nearly there. He has also been home again for at least two months. This would put the events of the sixth book in August 2007. At least, the events set in the current time period. TTP does bring back time travel, and with it some problems. We are told that Artemis and Holly jump back nearly eight years to Artemis being ten and trying to fund searches for his missing father. This would put the events of the past in early 2000. However, other details presented regarding Artemis Senior’s disappearance, which we will discuss later, make that impossible. Artemis also admits, in TEC, that he was eleven when his father disappeared, not ten. If we take a bit of creative license with our interpretations and base the time-jump to the past on other presented information as opposed to the dates given in TTP, we can say that Holly and Artemis instead return to early 2001. This lines up with further details, such as the sinking of the Fowl Star (as calculated a few paragraphs down in this analysis) occurring in December of 2000, and the textual confirmation in TTP that it’s barely two months past that sinking when Artemis brokers the deal(s) regarding the silky sifaka lemur. Since, at the end of the day, the time jump impacts very little in the grand scheme of things, and the year 2001 actually fits in better with other textual evidence and events, that’s what I’m going with for this timeline.

The seventh book, Artemis Fowl: The Atlantis Complex (TAC) gives us a very helpful base point! It takes place on Artemis’s fifteenth birthday, September 1. From our previous results on setting dates for book events, that would be September 1, 2007. The sections in which Butler and Juliet are fighting mesmerized wrestling fans and meeting up with Mulch are noted in the novel as happening “the day before,” which would fall on August 31, 2007.

Artemis Fowl: The Last Guardian (TLG), the eighth and final book in the series, creates some problems. If we assume that Artemis starts receiving treatment for his Atlantis Complex immediately after diagnosis in TAC¸ that would put him receiving treatment in September 2007. We are told he is certified as cured after six months. Yet we are also told that the rest of the events of the book take place in the week or so leading up to the Christmas holidays. Everything so far has said that the Artemis Fowl series follows the current calendar, in which case there is no way that six months can fit between September 1, 2007 and December 25, 2007. However, the only reference to Christmas is in two lines noting that the Fowl parents were planning on holidaying with their children on a foreign beach. If we simply say that six months have passed, and they are instead planning on spending the Irish school system’s spring holidays in the French Riviera, everything else lines up much better. So that’s what I’ve done. This would also put the resurrection of Artemis, after the events of the book and a further six months have passed, at roughly September of 2008. There is a pleasing symmetry to Artemis being born and then re-born in September, though if you want to get really technical and say the events of TLG take place during the 2008 March full moon as Opal claims (as noted in another web search as March 28), a six-month wait time for the clone to grow would put the resurrection in October. Still, there is something to be said for having a boy’s ghost haunting a clone of himself close to All Hallows. Since it’s the last plot point of the series, you can choose which you’d like; it doesn’t have to lead to anything else after it.

Let’s Talk Timelines: The Beginning of the Line to The End of The 19th Century

Now that we have our baseline book time periods established, we can get into the math used to determine some of the events in the timeline above. Several events are easy; we are given specific dates for them. Turnball Root meets Leonor in 1938, Juliet wins the Miss Sugar Beet Fair beauty contest in 1999. Other things are based on some basic math, such as Artemis claiming his parents got married fourteen years prior to AF¸ putting that event in 1987.

The majority of the items on the above timeline, however, do take some mathematics, extrapolation, and interpretation to plot out. To try and keep everything organized, we’ll start at the far left of the timeline, and work our way forwards, looking at events oldest-to-newest to explain why they are where they are on the graph. I won’t be getting too in-depth on everything in the graph, since I’m not sure how relevant the notes on the very minor side characters such as Carla Frazetti are, but I’ll at least try to touch on some of the more relevant points.

To start with, the Battle of Taillte was noted in the 2000’s as being ten thousand years ago, putting that at 8000 BCE. Similarly, the last dome breach at Atlantis was apparently eight thousand years ago in the 2000’s, so that would be 6000 BCE. Troll sideshows were legal in the early middle ages, which implies they were not legal after that. A quick web search says the early middle ages ended around 1000. The first crusades were in 1096-1099, and as those crusades are the start point of the Butler-Fowl working relationship, a point for noting that comes next on the graph.

From there, we get into more modern – relatively speaking – events. Briar Cudgeon and Julius Root are noted as attending the LEP Academy together and being raised in the same tunnel, as well as having about 600 years of history together. If one assumes “being raised in the same tunnel” is similar to the human equivalent of “growing up in the same neighbourhood,” we can assume the two were born roughly 600 years ago, in the 1400’s. Vinyaya is portrayed as being of a similar age to Root, so her birth can also be put in the same general era. We are also told that Fowl Manor was originally a castle built in the fifteenth century, that in the early 2000’s the theories of timeline corruption were first introduced over five centuries ago, and that cloning has been banned for over five hundred years, so those three events are also tossed into the 1400’s.

Julius Root is noted as doing his LEP basic training 500 years ago in Ireland, so that would have to be in the 1500’s. He would have attended the Academy before then, putting that in the mid-to-late 1400’s. As previously stated, he was in the Academy with Cudgeon. Opal also met Cudgeon in college, and competed with Foaly for science prizes there, so they were all in school at the same time.

Mulch now enters the picture. We aren’t ever given a specific age range for him, but we are told about his career. He has, apparently, spent three centuries in and out of prison after a couple centuries of success as a thief. This would make him at least five hundred years old. There is a brief mention that he tried the athletic route at college before becoming a thief, so he would have to be an adult at that point, putting his age at roughly 550 years during the events of the series.

We then enter a period filled in from one-off lines throughout the series, presumably added to give some depth to the world. Things about the wine cellar at Fowl Manor being a seventeenth century addition, Captain Eusebius Fowl and his crew dying in the eighteenth century, and Mulch first faking his own death over two hundred years ago.

Time Marches On: The 20th Century

There is nothing of much relevance to linger on between the 1550’s and the 20th century, so we’ll jump ahead to the 1900’s, when we have Holly Short’s birthday. She is in her eighties during TLC, and her father died “over twenty years ago” when she was “barely sixty” as of TAI. Based on that, she would have been in her early eighties in 2002, putting her birthday sometime in the 1920’s. What a doll.

A few more birthdays now appear, and we’ll ignore, for the most part, some of the irrelevant ones. I don’t think we are at all concerned with Gaspard Paradizo’s birthday, or Mikhael Vassikin. We are, however, rather more interested in Jon Spiro, Domovoi Butler, and Artemis Fowl I.

Jon Spiro enters the series in TEC, as a middle-aged American. A quick search on the Internet says that middle age is generally noted as being between the ages of 40 to 60. We are told that Spiro has worked in three main industries over the past two and a half decades. Additionally, we are told that law enforcement has been “trying to put [him] away for thirty years.” If we assume he entered the working world at twenty, spent five years developing his professional self, and then started going down a path of questionable legality to get the police after him, that would put him at fifty-five in 2003, and born in the late 1940’s.

It was a bit easier to determine Domovoi Butler’s age, and we can get more specific with his actual birthday. We are told that he is forty at the start of TEC, and he is still forty during TOD. From that, we can assume his birthday is not between March – December, which means it has to be between January – March. Now, we can just leave things there, but contextually, Butler says in late March 2003 that “a lot of people know [him] as a forty-year old man.” Since I doubt he’s the kind of person who introduces himself by announcing that his birthday was last week, we can assume that his birthday is not in March. Since about half the books in the series take place in December, and there is never any mention of Butler’s birthday coming up soon, we can likely assume it isn’t in January. We can therefore conclude Butler was born in February, 40 years before 2003, which puts his birth year in 1963.

We then have Artemis Fowl I. This one took the most extrapolation to determine. We know he has run an ethical empire for a few years as of 2007, which coincides with his return to his family after being kidnapped by the Mafia. He apparently ran a successful criminal empire for two decades before that, though, so in 2007 he has been working for at least 25 years. Based on the interactions he had with his own son, I’ve assumed he was also taught to take over the family business from a young age. If he started working at his age of majority at 18 (as possible in the 1980’s in Ireland, based on a web search), we can assume he was born in roughly the mid 60’s.

Billy Kong, born Jonah Lee, is one to touch on. He plays a large role in TLC, during which we are given possibly the most backstory of any villain in the series. He was evidently born in the early 1970’s, and was eight years old in the early 1980’s. Mathematically, that can only lend itself to so many birth years, so it’s easy enough to put his birthdate somewhere in 1973, and his brother’s death date in 1981.

While we’re here, let’s talk about the 1980’s. A lot of things happen in the 80’s, so we’ll be here for a few paragraphs. Butler would have graduated Madam Ko’s Academy in the early ‘80s, Artemis I would have started working in his family’s business and stolen some warrior mummies (of note, the theft is only noted as being in Artemis Sr.’s “gangster days,” but if you are a young, rich criminal, you’d likely commit a wild theft in your early years as opposed to your thirties, which is why this is put in here). Additionally, in the mid 1980’s, Holly graduates the LEP Academy and her mother dies, as noted in TTP when she is contemplating missing three years of her friends lives.

Butler would have started his five-year stint in Russia with an espionage unit in the mid-to-late 80’s, and become a big brother in 1985. Juliet is noted at being four years older than Artemis in AF in 2001, and he is twelve then, making her sixteen at the time. We can extrapolate the month from TEC, wherein she is apparently eighteen when she is called regarding her brother’s apparent death. At the time, we are told what gifts she received for her birthday, implying it was fairly recent. Additionally, Artemis was only thirteen at that time, which would make Juliet five years older than Artemis. If, however, we trust that acolytes at Madam Ko’s start their training on their tenth birthday and get one chance to graduate per year, it would make sense for that one chance to be on their birthday, or within a day or two to allow for as much training time as possible. Since Juliet was in the midst of this one graduation evaluation when she gets the phone call and joins the crew for the March heist at Spiro’s Needle, she’d have to be born in March. (We can also corroborate this with some details from AF: if AF  takes place in mid-September, that would be just after Artemis’s birthday, which puts the 4-year age difference back into play.)

Spelltropy begins for the People in 1987, if it appeared 20 years ago from 2007. Artemis I and Angeline Fowl would get married in 1987. They would have their first child, Artemis Fowl II, in 1989, as calculated by Artemis being twelve during the initial siege of the Manor in December 2001. Artemis II’s grandfather was noted as having been dead for over ten years at that point, and it was mentioned in TEC that Angeline married her husband before he really took over the family business, so those events would likely happen when Artemis was but a baby in 1990.

The ‘90s are a period where a lot of things are happening, but few are particularly important. Spelltropy has a cure found, Minerva Paradizo is born, Juliet begins her bodyguard training and her brother refuses to let her shave her hair. These, and other events in the 90’s, are mostly calculated by math along the lines of “Event A happened X number of years ago,” but since the 90’s was mostly a time of worldbuilding events rather than plot events, we’ll just skim over the specific details.

‘You Are Here’: The 21st Century, and Where The Storytelling Begins

Welcome to the 2000’s! The kick-off point of not only the 2000’s, but also the entire series, is the sinking of the Fowl Star. We aren’t given a specific date for this, but we are given enough information to extrapolate the date. Specifically, in September 2001, in AF, we are told Fowl Sr. has been missing for almost a year. In TAI, in December, we are told he has been missing for almost two years. That does have the potential to have the ship go down in either December or January, so we need to use a bit more details from TAI to make a final determination. Mikhael Vassikin and Kamar were told to dump Fowl’s body in the Kola if he didn’t wake up in “another year,” so they’ve been looking after him for one at that point. Fowl Sr. wakes up two weeks before the deadline, and as noted earlier, the ransom drop for him takes place December 14, after he has been awake for perhaps a week. From that, we can tell that the deadline for “another year” was mid to late December, putting the initial sinking of the Fowl Star in late 2000.

The analysis gets a bit confusing at this point, because 2001 is when future Artemis and Holly join the party via time travel, as well as having their regular selves in the timestream. Essentially, we’ve established the timeline for the events of TTP above, so we know the whole lemur fiasco takes place in March 2001. Artemis wakes up at the end of that book thinking about fairies, which ties in rather neatly to him then dragging Butler across three continents for six false alarms (with an assumed approximate 3 weeks between each jaunt) before striking metaphorical gold in Ho Chi Minh City in September. During their time-traveling, Holly also gets a chance to talk to Root, who wonders why she isn’t in Hamburg, which was noted in AF as Holly’s first major failure as a Recon officer and was nearly preceding the events of AF. The time-traveling would also mean that Opal would have had to harvest her DNA for future diabolical plans before March 2001, when her younger self travels to the future. Since it takes up to two years to grow a clone to adulthood, and her clone has to be ready in September 2003, we are a few months off in the time requirements, but really, for a practice that’s been outlawed for 500 years, I can offer a bit of leeway.

We are now well and truly in the thick of the main events of the series. Most of this will be tied into the initial assessments we made way at the beginning of this essay, where we established when each book occurs. Because of this, we aren’t going to spend time on anything plot-related. However, a brief note on Turnball Root and Artemis’s Atlantis Complex is likely in order. Artemis was, as previously stated, dealing with his return from Hybras and the after-effects of stealing magic during July and August of 2007. His Atlantis Complex, and Turnball Root’s plan to escape the Deeps prison, are in full swing in September of that year. We have a brief note in TAC during the evacuation of Atlantis, that Turnball had, a month before, spied on Artemis and noted his Atlantis Complex developing. Therefore, Artemis’s Complex likely came into play in late July or early August 2007. This is close enough to Artemis’s magic theft to make sense for the deterioration of his mental health, and enough time for Butler to have started to notice something was wrong, as he did. We can therefore assume that Atlantis Complex, at least in the case of magic-stealing humans who have a propensity for time travel and getting involved in supremely complicated and improbable plots, develops relatively quickly.

This leaves just one major discussion point from the last few books: the age of Artemis’s twin brothers, Beckett and Myles. The twins are first introduced at the very end of TLC. They are written as being two during the events of TTP, three during the events of TAC, and four during the events of TLG. Regardless of the time-traveling shenanigans of their elder brother, it is impossible for the twins to age two years in the eight months between Artemis’s return from Hybras in June 2007 and the finale of the series in March of 2008, so we need to look at what makes sense.

Myles has already potty-trained himself, and done so at fourteen months, so they must be at least that old. Their other behaviours would make sense for them to be two in TTP. Diapers are still a part of their lives, and their language and vocabulary fit what a two-year-old would have, at least in Beckett’s case. Since Artemis was surprised by their existence, it doesn’t seem likely that  Angeline would have known she was pregnant, or at least not have told Artemis yet, when he went to Limbo. Ergo, they can’t be any older than two, since (one would hope) Artemis would have noticed his mother’s pregnancy if the twins were any older.

Additionally, in TLG, we know Artemis gave his brother a birthday present, so he had to have been around during the twin’s birthday at least once. With this fact, the twins cannot be born between March – June, which just leaves the question of when are the twins born?

 The most logical answer is February 2005. If Angeline was early on in her pregnancy, say six weeks (which is when most women start noticing symptoms), when Artemis disappeared in July 2004, she wouldn’t necessarily have told him yet. Then, if we assume that since most twin births occur around the 35-week mark, that would math out to having the twins be born in February of 2005. Fast forward, and they would turn one in February 2006, and two in February 2007, which puts them at the correct age for the events of TTP. [One could argue, of course, that a twin pregnancy in an older woman (unfortunately, there is nothing in the series to indicate Angeline’s age) and in a woman already dealing with significant stress could result in a very premature birth, thereby voiding any of this math and leaving the whole question of the twin’s birthday unanswered. However, since I’d rather not subject the Fowl parents to the strife and misery of having one son missing and presumed dead, and their younger children in the NICU with a low survival rate, I’m working with the assumption that the pregnancy was a healthy and normal one.]

The brief comment from Juliet in TAC about the twins being three can be passed off by them being a little over two-and-a-half and Juliet not being around as she is touring in Mexico. By the time TLG takes place, in March of 2008, the twins would have had their third birthday, allowing for Artemis to give Myles his chair as a birthday present, Beckett to be old enough to no longer need diapers, and the behaviours to act more like children than infants. While this doesn’t quite allow for the repeated textual confirmations in TLG that the twins are four, we’ll go with what mathematically makes sense.

That brings us to the end of the timeline! Not everything is touched on in the timeline, and not everything in the books is plotted (we are never given enough context to know Foaly’s or Opal’s birthdates, for instance). But the main events of the Artemis Fowl series are all analyzed, mathematically or logically or textually corroborated, and plotted out, for use or ignoring as personal preference dictates.

[skrunksthatwunk]

you go to a lesbian blog and find it says women only!! no men allowed!!! and go oh! excuse me, um, what about other lesbians? plenty of lesbians are genderqueer... and they go well, okay, go fuck yourself tim chop off your sweaty dick and stop calling yourself a lesbian. you do not have a dick, actually. you think about that fact often, even though it does you no good. you do not tell this person that.

you go to another lesbian blog and it says women only and you try again, and this time they change it to wlw + nblw only (non-men who love non-men :D). and you'll say hey i appreciate that but gender's not really that cut and dry for a lot of people. someone could be both a man and nonbinary, for instance. i just worry that you're looking at nonbinary as a generic third gender, or an extension of womanhood. i mean yeah you include nblw in your tags but all your posts are about pussy-havers exclusively. what's with that? and they say go fuck yourself you pervy man pretending to be a lesbian. you tried to sneak in but i won't let you.

so you go to a lesbian blog with a dozen or so posts about queer people needing to be more weird about it and you sigh in relief. but you still see the men dni. that's odd. hoping for the best, you say hey! i know you mean well but please maybe don't put men dni at the end of the lovely posts on your lesbian blog bc some lesbians are men. and they'll be like ok!! well you're allowed ;) and you say no that's not. no. some men are lesbians not just me. you think about your own dicklessness and wonder if that's why you were given entry. and you add that even if male lesbians are allowed, there's no indication of that. how would anyone know without asking? and they're like ohh gotcha gotcha well men dni + this is for sapphics only!! and you'll be like ok well that treats the concepts of men and sapphics as mutually exclusive identities and i just told you that's not true and you agreed with me so.. i don't think that solves our problem. and they're like. ok. fine. men dni but genderfluid and multigender people are allowed! and you're like no see that's. that's still the same thing.. you're saying the same thing just with different words. if you don't want men to interact but you're fine with multigender/genderfluid/etc ppl interacting then you either don't see them as Real Men (because they don't reach a standard of Full Manhood) or Complete Men (because they're only Part-Time Men), both of which suggest that they are, in some way, not men or less-than men, which is invalidating and defeats the point of the exception in the first place (accommodation) OR that you don't really mean the dni which is confusing and inconsistent and makes guydykes feel weird and uncomfortable and excluded from the lesbian space you're trying to cultivate. and they're like um. ok. so. cishet men dni? and you're like well i think that makes more sense, but what if someone identifies as both a cishet man and a sapphic? again, if we're trying to accommodate the genderfucky populace then that has to be a possibility that is considered. and they say god you people are never happy. what do you want me to do? what am i supposed to say to keep the right men out? and you pause. you empathize with the need for a space free from dudes trying to fuck you straight and feminine. dudes who watch lesbian porn and joke about what they'd do if they were allowed into girls locker rooms. who look at you like a piece of meat, and like someone who looks at women like pieces of meat in the same way he does. you get it. you know. you want a space where you can be sapphic, too. that's why you came to these blogs in the first place. you brace yourself and you say well i don't know that there are "right men" to keep out. i don't know that there's any single label that would accomplish whatever it is you're trying to accomplish. you could go for "sapphics only" or "queers only" and i think that might be the closest thing to what you want, but it's never going to be perfect. creating any exclusive space is going to shut out people you didn't account for, and the broader the label, the more people will be shut out that you didn't want to shut out. and what about people who don't know if they're allowed? what of questioning transbians, where are they supposed to go? and, frankly, i think i might rather my dykey posts get read and appreciated by a gay guy who sees me as a man than a woman who only sees me as a sacred womb, pure from male perversions or violence or whatever. i think community might just be more complex than a dni can handle. and they look at you and say i don't want to not have a dni. i think you're too permissive. you can't just "what about" or microlabel your way into everything. go fuck yourself, i bet you're not even a lesbian anyway. go find a real problem to get mad about.

you go to a lesbian blog. you ignore the men dni because you know you probably don't even count to them. or maybe you do count and, out of respect for your manhood, they'd shun you accordingly. you try to feel okay about that. you scroll past dozens of posts about mediocre men and gagging at straight friends' boyfriends and how gross and undeserving men are of the beautiful women they couple up with and how all women should be gay so they can get treated right and and and and and. you finally find a post about curling into someone you love and feeling at peace and try to lose yourself in it. you know that feeling is what unites you, what makes you belong. you try to focus on it. you think about carding your hands through a butch's hair or lacing fingers with a femme and feeling warm and loved and more yourself than you ever have before. like this is who you're meant to be. you read about lesboys and butch boytoys and genderfucky dykes and big hairy deep-voiced wonderful women (like you want to be someday, like you wish you could make yourself) and you try to ignore the men dni underneath each and every post. and you daydream about meeting someone kind and earnest at a lesbian bar even though you don't think any such bars exist within three states of you and you can't drink and don't want to drink because you need to be in control of yourself at all times so you don't fuck up like you're always about to and here in the nonexistent lesbian bar you feel wanted and safe and in good company. you picture your ideal, happiest self. it is a mistake. ideal-you has a goatee. not the mascara one you smear on and call drag even though you know it's not drag, not really, the beard you call drag because you think everyone would look at you sadly if you told them it was just to pretend you had something out of your reach. a beard that's soft and that you grew and that cannot be smudged away if you get too comfortable with it. the dream shatters. your people pull away from you, their scoffs mixing with the mind-numbing gay girl bedroom pop you learned to settle for just to have something that almost resembled you, they all pull away and turn their backs and do not look at you. you're too close to being a man now, even though you're the same amount of man as before. and they know you're not supposed to interact with men, not as you would with dykes, at least. and it sours. it's all your imagination, all in your head, but it sours.

you sigh. you think about how small you are. how short, how narrow, how feeble. how your voice pitches up when you talk to strangers because it's easier to speak quietly when it carries more, and because you're nervous. because it's a chore to talk, like everything is. you think about testosterone. you think about how your family would look at you, the questions they would ask, your answers they would only pretend to accept. the uncomfortable glances and whispered questions they'd try to hide from you. you think about how small you are, and how small you will always be. how you don't know of a way to fix it, but even if there was one, no one would want you anymore. you'd be the only one thinking it made you a cooler dyke. you think about how you don't even want a T-voice all the time, how you'll never be able to switch it at will, because you don't know how and can't bring yourself to figure it out. you think about how your throat closes around every hint of your own attraction. how wanting is perverse, how wanting is invasive, how wanting is embarrassing and too vulnerable so it must stay anonymous, as an online witness, and how you can barely manage to form or maintain friendships because your brain makes you pull away, always spinning out and struggling to recover from the simplest of interactions. how they'll all leave you and you won't chase after them at all and how that will hurt them. how stuck you get. how it looks like nothing's holding you back, how that frustrates everyone who thought you were going to be more than you were. the people you love who understand except when it comes to being ghosted, being shut out. how you don't want to hurt them. how you can't tell them that because you're stuck. how you turn to stone when touched, how you never reach out, how you lose your speech and can't look at people, how your autism is fun and sexy until it becomes real and you never see them anymore, how much you longed for someone who knew everything without you having to explain, and who loved you anyway. how unreasonable you know that is to expect of anyone. you think about that not-even-real lesbian bar. you think about how you still can't drive. how you can't leave your home on your own, without dragging somebody into helping you. how you can't leave your body. how you can't leave your manhood behind.

you think about finding another lesbian blog and ignoring everything. about skimming it for the parts you can juice some meaning from. the parts men ignore and don't understand, and how typical of you it is to do so. or the parts where you're not welcome and you should accept that, because it's for lesbians only. how you are a lesbian anyway. how you're meant to choose lesbian or man, how each is a betrayal of some kind to yourself or your people, your family, your lovely strangers, your rare friendly acquaintances. about the parts that tell you you're not wanted, that you're ugly and lazy and gross and insert yourself everywhere without even asking. about the parts that tell you you are hated, and how lesbians are above it all by rejecting men. how lesbians are each blessed miracles. about the parts that say you should be ashamed of being whatever twisted confused freak you are, of everything, of looking and wanting or not looking or not wanting, of picking and choosing instead of taking it all in with a smile. after all, shouldn't you take it? or is your ego too fragile, as men's so often are? aren't you tired? good. we're not here for your consumption. and we sure as hell don't want your company or "community" or whatever. didn't you read the sign? no boys allowed. and if you want to come in you have to make up your mind. as if you haven't told them the only answer you have. you're both. you're both.

you know you broke the rule by interacting.

but it gets lonely sometimes. you wonder if they know.

[kyokutsu-sama]

I have come to the conclusion that I want to become a "personal writer"🤔

[milfygerard]

gerard way ur simultaneous love and resentment of popular commercial culture and ur place/complicitly in it is so INTERESTING can i PLEASE eat ur pussy

[lostlegendaerie]

As I keep working on my novel and wanna start divorcing my real face/name from my author persona... I'm gonna have to slap SOMETHING on those books, so I'm looking for suggestions!!!