#Been really thinking about this lately

[mysteriesmuse]

Obsessed, Devoted, & Utterly Whipped Dipped (?)👀

A/N: thinking about spooky royalty Gomez and Morticia Addams this week and I want me someone as devoted and obsessed with me as they are 😭😭🖤

————

Katsuki Bakugou who loves to make you swoon.

Who is absolutely, totally, completely devoted to you . . . (and whipped for you) . . . I’m talking — frequently walks past you and gathers your hair in one large hand and twirls it around his thick finger just to expose your neck to the chilly air. Likes to duck his head and give a playful nip to your ear as you slap his chest with the back of your hand. Kats who leans back and walks away with a rumbling chucke, but not before giving you a warm apology kiss and then taking the time to fan and brush your hair back to its ethereal state behind your shoulders and tucked behind your ears.

Katsuki who has you pressed against the duvet just pouring melting with adoration all over you. Slow and sensual — only to pause in your undressing and slide down to cup the back of your knee and press wet kisses up and down every inch of your shin and calf — and then your other shin and calf — leaving you feeling all hot n’ bothered but also as light as a feather as he says, “it’s because this part of you doesn’t get enough love.” And you’re left with your toes curling and thighs clenching as he presses his puffy lips up and down every inch — especially every beauty mark.

Katsuki who takes every opportunity he can to whisk you out onto the dance floor. Takes you hand in his and ducks his head so that he stares at you, eyes slightly hidden from his bangs and presses a searing kiss right onto your knuckles that are firmly grasped in the sweaty, clammy, calloused adoration that are his. Who flirtatiously takes you into a dip on the dance floor as your finishing move. He likes having been able to watch you grow more and more comfortable in it, and it’s now as you giggle with your little smile turned upside down that his chest is rumbling with glee as well. He remembers the early days where you’d sheepishly smile with your chin tucked. Nowadays tho, you let yourself grow heavy in his hold and tilt you head all the back until your neck is exposed. And Katsuki can’t help himself but to press The Most “searing-toe-curling-kiss” into the juncture between collarbone and neck — prime real estate for a vampire. And the man is giving gleaming red eyes and a charming smile when you tilt your head back up at him with round eyes. And he’s following you with a boyish shrug as if he didn’t know that giving a good suck to your neck and jugular didn’t turn you on. So you drag him by the collar (bc he never wears a tie) back to the bathroom and immediately attacking him with some of The Messiest mosquito bites Katsuki thinks he’ll ever receive — and he’s never gonna be able to send this shirt off to be properly dry cleaned once he’s buttoned it up and ready to make an exit. Because it’ll be stained from the substantial amount of your dark lipstick smeared across his chest all the way down to the navel.

[inkskinned]

i know people are good because of this: the universe often assigns me side quests. in a circular strangeness; despite my inability to locate my-own-anything, i am almost-always finding someone else's lost things. dogs, coats, phones, cash, laptops. it happens so often it's almost tiring; suddenly being looped into a tiny amount of detective work.

but when i'm with other people who are not used to this: the response is almost invariably delight. yes, maybe they are simply thrilled by the mystery. it's just... they light up so much. i think maybe more... i think they like the opportunity to do something kind.

a few weeks ago, i was at a bar and i found a wallet as soon as we stepped outside. i felt nervous to ask for help, worried i would be holding up the night. i picked it up and said go on without me, i should help this get back to its home.

instead, three people pulled out their phones - to find him on facebook, to help cancel his credit cards. two people went back into the bar to tell the bartender, two others went calling down the street. group texts, facebook posts, instagram stories. people, without even seeing what happened, start offering help to me. fifteen minutes and: someone knows someone who knows the guy. the cheer that went up - just for finding him, just for this small thing. someone gets him on the phone. strangers dance around me, hopping on their feet - are you the girl that found that wallet? good for you, that's a good thing you're doing/same thing happened to me and somebody did what you're doing and i thank god everyday for people like you/i can't believe you found him so fast this is so exciting

i gave it back to him in a parking lot. i watched his shoulders sag with relief. there was cash in it still - he checked the pocket, and then sheepishly held the money out to me. i didn't take it. i held up my hands. "it's no problem, man. i know you'd do the same for me."

i don't know him, to be honest. i don't know if he is the same kind of person i am. but he nodded at me.

and i know people are good. i know people are good, because the way this story ends isn't surprising. we wave goodbye awkwardly. my friend loops their arm around me.

"i can't believe we got it back to him," they said. "i'm going to be riding that high for weeks."

[leonardcohenofficial]

there’s a great write up by someone on here that i will have to search for in which they discuss how the ultimate evil for david lynch is sexual violence against women (even more severe than murder, which is often auxiliary to that type of specific violence); twin peaks is incredibly soapy—on purpose! lynch and frost are playing with form and content on purpose to examine incredibly difficult subject matter through a (for lack of a better word) more palatable format—which most of the time i think works to its advantage and makes those moments of visible horror so much more effective (i use “visible” rather than “true” or other similar adjectives because the horror is always there, it’s embedded in the entire town, shows up in every generation we see in screen and we watch them grapple with it in different ways, but that’s a separate post)

however—and i’ve talked about this before—i find that once you’ve watched fire walk with me it is so much harder to watch the show because the ignorance of nearly every single member of the town (yes, including cooper) pervades the way the action unfolds. twin peaks viewers knew the premise of the show going in and we get to discover details and information alongside the characters. when albert rosenfield comes in as the only voice of reason and reality, it’s set up to be jarring to both the townspeople and to the viewer. why?

sheryl lee said in an interview, “fire walk with me was very difficult for me to watch… and, emotionally it’s a reminder: this is a movie, but this continues to happen every day and how can we stop it? when i watch fire walk with me now, as a mother, i watch it and i think look at all those signs that were being exhibited. this girl was in danger, and look at all these people that were in her life. what would have happened if someone, somewhere, somehow could have helped or stopped it? that’s hard to watch.”

much has been discussed critically about fire walk with me and whether or not it’s exploitative in the ways that it portrays sexual violence against women. while lynch does not shy away from making that violence visible, it is done so in an attempt to make the viewer examine their own relationship to that violence and how it shows up in their own lives. the audience is forced to think about the ways that they are complicit in how and why these violent acts occur and what they can do to stop it, which is why for many it is an uncomfortable watch. for others, it is a painful (and speaking from my own perspective) necessary watch because lynch didn’t make a horror movie, he made a documentary.

fire walk with me is necessary (in my humblest of opinions) to understand why the pieces that lynch and frost put into twin peaks work. there’s so much backstory to how they weren’t originally going to reveal who laura palmer’s killer was until ABC made them, lynch wasn’t around during much of the second season so things got a little off the rails storytelling-wise, etc. etc. but fire walk with me allows them to tie difficult, often horrifying threads (ben horne unknowingly attempting to have sex with his daughter, the townspeople’s distancing of albert, the hands of random townspeople trembling as BOB attempts to claw back into the material world, the list goes on and on) back to the central thesis of “sexual violence is the ultimate evil, it is completely avoidable, and you have a responsibility to recognize the signs and stop being complicit”

[ruporas]

feast (ID in alt)

[sysig]

Good skeles, like you lots (Patreon)

[sheepwithspecs]

i don't normally make posts about things myself but i keep thinking about how the whole point of EW was that the strength you needed didn't come from a god, or a supreme being, or a primal or anything: it all comes from you

your love for this world and your friends and everything that you allow purpose and meaning- that is what gives you the strength to climb to your feet, even when you feel utterly alone at the end of the universe

In Shb we had Ardbert who gave us the strength to take that next step, but in EW we are alone (save for Zenos i guess but this ain't about him). That's why even though I agree that "it was the ancients" is becoming an extremely stale take, I still forgive MotR and the Twelve because it's hammering in EW's theme of being enough to handle what life throws at you without needing to rely on something much larger than yourself

EW's plot- and even the Omicron quests -point to the fact that dynamis alone does nothing. It has to be moved to action by feelings/emotions for it to work. As N-7000 says, "all [dynamis] requires is for us to ask "what if?""

Zodiark did not save the Ancients. Hydaelyn cannot save Her Children. The Twelve do not answer your cries. Primals are bound to the prayers of those that summon them.

The Warrior of Light is an imperfect being. More talented than most, but imperfect yet. EW does not make you a god. It shows that change can be wrought by anyone, at any time. You need not do it alone: there are others willing to come to your aid. But when you are alone, at the end of your rope, facing insurmountable odds: the strength you need can only come from within.

[aro-goddess-artemis]

Margot Robbie saying Barbie is asexual because she doesn’t have genitals has the same vibe as robots/aliens being non binary because they don’t have the human concept of gender. It feels like it’s based on a technicality. It feels like they don’t understand how real people experience these identities.

[gentlenotes-moved]

hey, you guys. life gets so much more fun when you let yourself enjoy the small pleasures of life, love your friends loudly and wholeheartedly, and let yourself be loved.

[royalarchivist]

Pac: Oh, Nenê... How cute... 🥺💕

After dying to an atomic creeper in a cave and stressing over potentially losing all his items, Pac returns home to set his spawn and receives a sweet surprise:

His cat falls asleep on top of him and purrs when he goes to bed :')

[royaltea000]

You guys ever like “I could draw this better” but by the time you finish drawing it you’re like I could draw this better cuz it took so long that you’ve improved even more 😭

[valeffelees]

some quick snowbaz sketches for the soul :)

and also this lmfao

[sunlit-mess]

I can only take so much, but lately, they have replaced my reflection. And realize I'm just as bad as them.

[theladyyavilee]

I know we've talked about this season thematically being a bit of a s4 speed-rerun, but the more I think about it the more it feels so real (I mean it follows similar beats not even just for buddie, with the mid-season jee-birth/wedding parallel for madney and the juxtaposition of giving up nia/taking in mara for henren, and presumably Bobby's arc now having similar beats to the lead up to his and athena's fight at the end of s4 and Bobby in peril, as well as the bathena mud slide and bathena cruise ship parallel 👀😌) and I am just over here like 👀👀

with the way "this doesn't change a thing" felt similarly foreshadowy/famous last words as "the universe doesn't scream" and the way the will reveal invoked the Diaz parents and now we get actual Diaz parents and everything is pointing to Eddie (and/or Chris tbf) in serious peril, I kinda can't help but to expect the ghost of Shannon (in whatever way she appears, be it a lookalike or family member or hallucination/dream/memory) to give an equivalent to "make sure you are following YOUR heart, not christopher's" and I am sooooo 👀👀👀 over that possibility

(also man I keep coming back to remembering convos about the shooting scene and how hard it'll be to top that scene, but if any show could do it it'd be 911, and like buck in the room and the lightning strike and the kinkley kiss came close in feeling monumental as scenes, but had not quite this same feeling of every single frame and choice being a masterpiece and so full of intention, but they haven't done a scene quite like it since and now I can fucking TASTE the fucking potential for a scene that will be an equivalent and will top the shooting scene and IT IS SERIOUSLY HAUNTING MY EVERY WAKING THOUGHT)

[feroluce]

I've only recently started having my own thoughts about Emanator!Sampo and I think my favorite version of this is that he is technically an Emanator, it's just that he doesn't talk about it because Aha is a dick who only blesses people that don't want it and Sampo hates it here dkjxkdkdck

Aha blessed the Mourning Actors! A whole faction of people who have specifically made it their life's mission to resist Elation! They made a literal worm their Emanator just to see if it would be accepted into the Genius Society! And when it wasn't, Aha just as easily killed it and tossed it aside! So I feel like there is a good possibility that Aha looked down at Sampo, this little oddball who doesn't seem to even like Epsilon or a lot of the Masked Fools and was like.

Hey.

You know what would be really really funny.

And I feel like being an Emanator wouldn't even be a plus for Sampo, because of how he operates. Sampo excels at blending in; he managed to smuggle himself onto a planet

that had been isolated for 700 years,

with only one (1) single city on it,

and going even further, he snuck himself into the Underground,

where the population is even more sparse,

and STILL. Not a single accusation of him being an alien! Not even after the Astral Express lands and proves that interstellar space travel is possible! Sampo is so thoroughly ingrained into Belobog that yeah, some people admit they don't know his origins, but none of it ever comes with the question of whether he actually is a Belobog native or not. Sampo knows exactly how to blend himself into his surroundings in the most subtle way possible. And being an Emanator, something far more powerful than any normal human or Pathstrider could ever hope to be, would only throw in a massive extra variable for him. Sampo would have to be so so careful to keep a lid on his Emanator traits, to keep up the appearance of being totally normal and average at all times. It doesn't help him at all.

And this part is pure indulgence, but I love taking Aha's closeness with mortals, and THEIR tendency to take human form, and twisting it into a case of THEM using Sampo as a vessel.

I want Aha to look at Sampo the same way all of us look at Sampo. A chew toy. A plaything. Something to shove through the meat grinder. Aha thinks Sampo is hilarious and a funny, silly little guy, and THEY want to put him in Situations just to see what he does. Sampo is not a fan.

This though, this is what makes Sampo so wildly entertaining as a vessel. Because Aha knows that Sampo does not want to be a vessel, does not even want to be an Emanator, and THEY find it SO much fun to watch the mental gymnastics he has to pull to convince himself he's ok with it, this is fine actually, because he's not exactly about to tell off a literal god. He doesn't feel like getting a smiting today, please and thank you.

Because squeezing yourself into a human vessel is so different than merely adopting a human disguise, there's already a human soul in there, it's kind of a tight fit. If Sampo doesn't make room, doesn't all but dissociate right out of his own body, it could cause. Consequences.

And so, Aha always gives a warning, just to watch him squirm.

It begins with the sound of bells.

Just little ones, at first. Small, clinking little sounds that could even be considered nice. Something almost gentle, like a wind chime in a pleasant breeze on a warm day. This is the signal for the countdown.

Sampo breathes in, breathes out. Makes himself as small as possible within his own body.

The bells rise and multiply, tinkling wind chimes give way to sleigh bells, to shopkeepers bells, the sound of something inevitable approaching, something entering.

Sampo breathes in, breathes out. Dilutes himself, weaker and weaker concentrations.

The bells rise and rise, multiply and multiply, celebration and tragedy resonating in the sound of church bells, ringing bright and loud, the sounds of weddings and funerals both the same.

Sampo breathes in, breathes out. Becomes like smoke, like vapor. Hollows himself out.

Empty, empty, empty until he echoes, like a bell, like something with the sole purpose of being shaken and rattled around, a thing to be struck, the sounds jarring and punched out and gasping and piercing the air, the lung, the eardrum.

Sampo breathes in.

Beaten he rings, bashed in he sings.

Aha breathes out.

[key-rk]

THEY ARE SO SIMILAR DYNAMIC AND CHARACTER WISE HEHE

Marbles; lost

[sualne]

got hyped by the opening