#But now hes much more purposeful about it

[creatingblackcharacters]

“The Ambiguously Brown Character™”- The Attachment to Eurocentric Beauty Standards

“maybe im petty but i wish people knew how to draw like different nose shapes. Sometimes I’ll see a character I like but im like that is not what their nose would look like.” @the-eldritch-it-gay

You’ve seen them before. The one character that has brown skin… And everything else about them is… an enigma. They’re not supposed to be white! You know that much… right? You can see what the designated white characters look like, so at least it’s not that. You could claim them as Black, if you want, and sometimes creators even demand that this character is Black. Depending on the quality, you’re either like “no, what the fuck is this” or you’re like “okay they’re cool, we’ll take them”. Representation is important. But… There’s a pit in your stomach that wonders… Are they really? Are they really supposed to be Black, is this really representation, or did the creators just toss a brown person in so all the Brown™ people could “have something”, so that they would look like they cared about “diversity” on their art resume?

Examples

Theseus, in my opinion, looks like a white man with a tan. Dionysus looks a little better with the similar skin tone, due to his purple hair coloration. Apparently people do think that at least Dionysus is a man of color. What’s interesting about both of these characters, is that they’re only about two desaturated browns lighter than Patroclus, a character in the game that we’re supposed to believe is Black (whom, in my opinion, also looks like a brown bucket tool character. I’m still claiming him, he’s my guy. But his design should have been more explicitly Black). Theseus and Patroclus are the two darkest-skinned dead humans in the first game. So… what was I supposed to think about these two? Was I supposed to think they are really dark white people, due to the thin textures of their hair? Are they men of color? Are Theseus and Patroclus supposed to be ashy because they’re dead, is Dionysus ashy because he’s dehydrated from wine? Why don’t the white dead people look off color? Hades was entirely too striking a game in use of color for the browns to look like… this.

Noe and Hibana are interesting. It was complete coincidence, the purple hair and eyes thing btw. Hibana is interesting because Ogun is an unambiguously Black character in Fire Force, and there are at least three other unambiguously Black characters in Soul Eater as well. So we know the mangaka knows how to draw Black people in their style! So… was this on purpose? Is this another of those ‘tanned anime girls with titties’ meant for shounen fan service? I’ve claimed Noe (Case Study of Vanitas) because Black French people exist and France has stolen so much from us already, but it is never actually specified what Noe is. He’s just the One Singular Brown Guy in this show, with regular, untextured anime hair. Are there more brown people in the manga? Is this explained? Because we know who is supposed to be white! If anyone else wants to claim Noe, they absolutely can, because we have no idea what he’s supposed to be. Hot Chocolate thinks he’s Indian, and I’m not going to argue that because… who knows! He very well could be!

My very first lesson addressed this, albeit lightly! There’s a reason that I said that if you gained nothing else from me, that’s what I want you to walk away with. Now that I’m on stronger footing with this blog, I can really get into the nitty gritty of what that really means.

Obligatory disclaimer: we are not a monolith!* As of 2015, it has been researched that African populations have the highest genetic variation on Earth*, with a lot of that genetic diversity in sub-Saharan Africa alone. This means that YES, there very well can and will be Black people with naturally thinner textures of hair, blonde, light brown, and red hair, straight, narrow noses, monotone lips, and lighter skin that comes more often with white people. There are enough genetic combinations within African peoples and of the African diaspora that I’m sure there are plenty of people that look the way people seem to want Black people in art to look, if those genes so express within them.

*as a scientist, I will say: while these papers seem fairly legit and I looked at many related articles and their sources, take Nature with a grain of salt. Though their vetting process has become much better, you can and should always do further reading on your own!

Here’s the thing: the possibility is not the issue here!

The first issue: I don’t have to teach anyone how to draw those features on Black people! It is evident, from the professional and fan art I’ve seen, y’all already know how to draw the features deemed highly by Eurocentric beauty standards. Those features are excessively focused on and promoted as part of “good art”.

The second issue here is that the average artist drawing a poorly done Black person is not considering things like genetic diversity when they draw them (and if they are, it’s usually as an excuse post-confrontation. Yes, I have seen it.) These creators are not designing these characters with the intent of them being Black with those features, they are designing “Black” people with features that they deem most aesthetic and are most comfortable with drawing.

And why do they deem those features most aesthetic? We’ve circled back to the point of this lesson!

Eurocentric Beauty Standards

Definition: beauty standards as defined through a white, western cultural lens, including but not limited to: straight, blonde hair, light eyes, pale skin, high cheekbones, narrow noses, thinness. It’s a way that white western people want other white western people to look to be considered classically attractive… and then enforced that on everyone else.

It affects people of color worldwide. Anyone that has ever had to deal with European colonization or imperialism has to deal with the interjection of Eurocentric beauty standards.

Examples

-Black women, standing at the intersection of Blackness and womanhood, especially deal with the constant pressure of Eurocentric beauty standards, being consistently told to hate ourselves due to our own ethnic features. It’s incredibly damaging to your self-esteem growing up; my mom told me that until I went natural at 17, I was determined to look ‘like a white girl’ because I thought it would make me beautiful, and it hurt her. And as for me, it was a stunning realization that at 17 that I had never really seen my own natural curl pattern before. My hair was in ponytails and such as a child, but as a teenager, growing into my identity, I had always wanted straight hair. I was in love with my coily texture, I couldn’t believe that I’d never seen it. An entire part of my own body, gone unknown, because I wanted to fit a beauty standard I would never reach.

-Kenneth and Mamie Clark: The “Doll” Studies: Black children- age 3-7 were shown white and Black doll babies, and were asked a series of ‘positive’ and ‘negative’ identification questions. Even by that young an age, most of the Black children associated things like beauty, kindness, and positivity… with the white dolls.

-“The Golden Ratio”: a survey was done in Britain (oh boy, here we go) to determine what people felt was the ‘most beautiful’ face, and apparently it all came down to “symmetry”. “International blueprints of beauty” they claimed, were applied, as humans “naturally seek symmetry”. In 2015, according to ye olde Daily Mail, this was the most beautiful woman. You'll never guess:

(It’s not even her natural hair color!)

-Another “research study” using E-FIT (Electronic Facial Identification Technique -- a facial recognition software used to create criminal profiles based on eyewitness descriptions; no WAY that THAT could get problematic!!) to determine what 100 people thought was the “most archetypal face of beauty”.

They came up with a figure similar to Kendall Jenner as the female option.

(Guys, we’re never getting out of here at this rate.)

-We’ve spoken about discrimination against Black hair before, and how natural hairstyles will be deemed less professional or appropriate for school, regardless of the brilliant mind that sits underneath it, and even the history of Black women having to cover their hair so as to “not steal the desire of white men” and ruin the status of white women.

Appropriation:

I try to have nuance on the Kardashians, but I have never liked Kylie, and it’s not because she’s not allowed to do what she wants with her body. I watched the world claim that she was so beautiful, that her kits were why her lips looked “so good”. Everyone wanted to have “full, plump lips” like the ones Kylie BOUGHT. But Black women’s full lips have been treated horrifically since racism was invented. In 2016 I watched racists dogpile and mock Ugandan model Aamito Lagum for her naturally full lips in her MAC campaign, after saying in just 2015 that Kylie’s lips were “top fashion and everyone wants them”. And she lied (not that we didn’t all know that)! She appropriated a look, and she lied about it to move product. And people who had no right to forgive her did so, and everyone moved on to make her a billionaire. Because full lips looked good… as long as they weren’t on a Black woman. I can’t even have my own lips, but she was rewarded with an industry for appropriation. No, I’m not getting over that.

I could go on, but I won’t. So what are some ways to address the existence of Eurocentric beauty standards potentially biasing our creation?

First thing: LET’S TRASH THE IDEA THAT BROWN SKIN AUTOMATICALLY MEANS BLACK.

Black people are not stupid, and we do have expectations. Splashing brown paint on your otherwise white character does not mean I’ll automatically think they’re Black. I’m going to look. When I see brown people in real life, I can usually tell when they don’t look like me. I don’t look at a South Asian similar to or darker than my shade and say “they’re Black”. Blackness is not just skin color, it’s an entire identity and sociological construct. Yes, you can tell us apart.

Acknowledge when you’re holding a bias:

For example: “Tall, dark, and handsome.” What did you picture? You must understand that different people had different ideas of what this meant, versus who it was actually meant to be. Because on its surface, that description includes tall Black men with dark brown eyes and dark hair! We’ve talked about this in lesson 3! Whoever came up with this phrase didn’t mean skin though, they meant hair and eyes- they meant white brunettes. Even in this, it was only meant to include whiteness. And we were all supposed to assume that, be damned anything else.

Part of that is knowing what things do and don’t fall under the category. They were listed off earlier: straight and wavy hair, blonde hair, colorful eyes, thin noses, high cheekbones, double eyelid with round eyes that “show youth and innocence”. People have been going the “aquiline nose” route lately to claim more diversity in nose shape but like… even that isn’t always going to be the case. Every Black person is not going to have an aquiline nose. It is not the “middle ground” of diversity. Draw us with some round noses. We look fine.

Often ignored (in depictions of Black people): afro/coily hair and natural styles, large, round noses, full faces, brown eyes, full figures that aren’t oversexualized, body fat. One of the characters from Craig of the Creek that makes me so happy is Nicole, Craig’s mother. When I look at her design, I see my own mother. I see a Black woman that… actually looks like Black mothers I know. It made me happy and comfortable.

White folk, you even do it to yourselves! I mentioned to a friend once that a good chunk of stories in our fandom with the blonde/brunette white character dynamic read like an Aryan fantasy: the blonde character will be treated like a god on high, the most beautiful of humanity, and then you’ll get to the brunette and it’s “my meek, mousy brown hair, my dull, brown eyes like dirt, and my tanned skin with freckles; no one would ever notice someone plain, nerdy, and unimportant like me until him” lmao like excuse me? Author, you okay there pal? Do you need a hug, lmao? I can’t take it seriously anymore. If y'all are being this mean to each OTHER about not hitting Eurocentric beauty standards, y'all are certainly not being nice or respectful about people of color- who never can- in your content! (and no, exoticizing Blackness is not respectful.) You should look out for how often this happens, and catch yourself when you’re doing it.

Creating with Intent (and the lack thereof!)

(This is so important I made the header larger)

You have to actually consider and reference REAL Black people when you’re drawing Black people. That seems like such an obvious thing, and yet it must not be, because these sorts of arts/the techniques used in them still happen.

For example:

credit to my friend @devilatelier; I asked for the worst Black art ever and he heeded the call!

I abhor art like this, and art that does varying versions of this. To the pit of my soul, hatred. I will not share your work if I catch even a whiff of it. Why? Because people know that this isn’t what we look like! If you get on the computer and type in “Black man with short hair”, option A is not even remotely on the first page. You’ll get nonblack men that show up, thanks to Google’s algorithm (another conversation), but the Black men don’t look like A. If you get on the computer and type “Black man with long hair”, you’ll even get Black men with all textures and styles of hair, including straight! And they still don’t look like B. Go ahead, I’ll pause- go type it in and see what you get. Have you ever seen a Black person that looks like these images? Be honest with yourself. Why do you let them slide, if you haven’t?

Why This Matters

So it’s not about the actual Black people in their lives that they’ve seen, that makes artists draw characters like this, nor a dedication to accuracy. Because if you were looking at us at all, you wouldn’t draw this. And yet, people draw it, and post it proudly. So there must not be any shame behind it, or they at least are comfortable enough with their target audience to think it’s presentable! That begs the question- who is your target audience, and do you include Black people in it?

It’s how people like Jen Zee can have a successful career at Supergiant despite drawing dark skinned people the way she does. It’s because studios recognize when their target audiences are not perturbed by, and therefore will still buy, their product. If poorly drawn Black people does not perturb audiences enough to affect the almighty dollar- or, in fanart situations, the value of popularity- then there’s no motivation to stop doing it! Who cares about the value and the demeaning of Black fans, right?

Think about it like this. You remember how everyone bullied the Sonic studio and they scrapped their entire reel? People do not get that much up in arms in solidarity about the antiblack treatment and depiction of Black characters. It’s how you end up with Wyll Ravengard on the drop of BG3. Because Larian could have stood on business, had some integrity, and said “this is a character we are going to develop, because there will be fans that look like Wyll, and deserve to receive our best efforts at inclusion.”

But instead, Larian said “this is what our majority fanbase wants, and apparently it is not a well-developed Black character” and released that game as it was. To rousing success. That was a choice. The antiblackness of both the fans and the studio, via their lack of concern about Black gamers, was involved in making that decision. We have to let go of the idea that antiblack racism is incidental, and not a part of the process- and that includes in character design.

I cannot tell you how much it shrivels my heart inside when I see a “Black” character with wavy hair. One, because I know the artist’s first thought was not to have a Black character with wavy hair, but because they draw white people with that hair and thought it was transferrable. Two, because if you wanted the aesthetic of hair down to the back… Locs could have worked! The same shape would be there! You can style locs in any way, and it would be fine! Even if you wanted them to have thinner hair, fine, but… I can see where the intent (and the lack thereof) is. We can see when you aren’t even trying for us!

I asked Angel how he felt about creating the “white man with the brown bucket” images, curious about how he felt given that he is more than capable of drawing Black people. His response was noteworthy, and consistent with my hypothesis:

“Thinking about it, these two drawings have been the most difficult thing I’ve had to draw, period. And it’s the first time I’ve actually felt nauseous during the drawing process from start to finish. I constantly felt like I was fighting off the part of myself that knew better, telling me that this is wrong. It felt like a betrayal, knowing what Black people actually look like and still choosing to be disrespectful. Especially because I worked on the first two and immersed myself in references and also Black youtubers, researching Black hairstyles. It felt like a betrayal to all of that to call these two (deliberately poorly drawn) characters Black, because they’re not. None of the Black people I found during my research (both photo references and videos) looked like these. at all. It felt cheap, it felt lazy. Creatively lazy in the way that you just take a white person and paint-bucket them brown and call it a day. In the way it makes you feel no pull to change what you do, or learn something new. Kinda like a thought terminating cliche. Unlike the first two, I used no references for them, but I mostly based them off of actual designs I’ve seen in fandoms, both fanmade and not.”

Conclusion

So what I want us to consider for now is: if we know that’s not what Black people look like, but so many people are willing to do and/or accept it without any mental dissonance… how much do they care? Why is this allowed to ‘pass’, if we recognize that it is not accurate, unless we think what we are being presented with is acceptable? Or at least, not worth fighting over? Why not? Why do you not think that this Black character deserves to be unambiguously Black? And why does that ‘better’ way to exist always come back to whiteness?

We’re going to get into this, as well as more into the other, more overt and equally harmful manifestation of these beliefs in the next lesson on Whitewashing! But I want you to simmer on this part, first.

When you draw a character that you want to be Black, not only should you keep in mind your intent of how you’re going to draw them, but it also means putting in the work to make sure you’re doing so. You do not put pen to paper and “accidentally” draw a white man lol, it came from somewhere- let’s shatter that connection that views white features as superior, as 'ideal for attention grabbing', so we can create better. Because remember, it is the thought that counts, but the action that delivers!

[akunya]

“a humans touch.”

pairings: malleus draconia x m!reader

summary: you’re curious about malleus’s horns, so he lets you touch them.

tw: frottage (?), dubious consent, touching, implied age diff., size diff, etc. sfw.

notes: some food after a year.. thank you so much for all of the messages you’ve left me in the meantime. i can’t express how happy they’ve made me.

this is sfw, but i promise next fic will be filthy. enjoy!

“can i.. touch them?”

malleus’s head cocks to the side a little, a bit puzzled over your request. you and him were just lounging around the diasomnia dorm until you spoke up, breaking him out of his reading session.

“touch.. what exactly?” the fae questioned as he watched you moved closer to him, until you were staring at the top of his head. “oh, my horns? is that what you want to touch, child of man?” he couldn’t help but chuckle, closing his book and putting it on the coffee table. you nodded silently. sometimes, you were too adorable (in his eyes) for your own good.

“sorry if it’s a weird thing to ask! they just look so.. intriguing?” your voice trailed, trying to find the right words to describe his horns without offending the prince. “we don’t have many fae or dragons where im from.” malleus smiled fondly. he nodded before leaning down. he was much taller than you, with your little form barely reaching his torso — and he adored it that way. it added onto your undeniable cuteness.

“i don’t mind. i trust that you’ll be gentle with them. touch as much as you like, y/n.” his deep voice made you feel warm, nodding as you sat up straight, a tad guilty that he was straining his neck to appease you.

and so, you started your little examination. your fingers lightly grazed upon the tips of his horns, slowly rubbing up and down. malleus gulped. his brow furrowed for a split second. not wanting to comment on your actions, his fangs digging into his lips to keep quiet. his horns weren’t extremely sensitive, but they did have feeling, and every time you touched — it sent a shiver down his spine.

however, you were too engrossed in his strange anatomy to care. mumbling to yourself, you let your hands travel further down his horns, paying attention to the little crevices and ridges on the sides. “amazing. it almost feels like scales, in a way. it’s a bit.. leathery..?” nails delightfully scraped the faes horns.

he hummed happily, almost purring at the special attention from the boy he liked. other than you shuffling on the couch to reach higher, the room was quiet — except for malleus’s little huffs every now and then. your fingers kept traveling lower, until you gently caressed the skin where his horns had grown from. careful hands followed the scales, eyes widening at the plethora of little ridges that adorned his forehead. “these were here all along..?”

“are you surprised, little human?” the fae chuckled, looking up at you. his cat-like pupils bore into your own, bright green irises making him all the more enticing. it was amazing how other worldly he was: you couldn’t believe that this wasn’t a dream. even with hair slightly disheveled, malleus still carried a powerful yet dreamlike aura to him. the dorm leader looked as if he stepped right out of a fairy tale.

“a little. i wasnt expecting them to be on your forehead, too.” malleus felt the corners of his lips curve into a smile, and before you knew it, he pulled you onto his lap. you gasped in surprise, his strong arms wrapping around your waist and moving you as if you were a feather, until you straddled him properly and looked down towards him. your face was red as the older man chuckled.

“you got to touch wherever you wanted, so surely you’d let me do the same to you, hm?” he laughed at your stuttering, speechless as his hands went lower. claws dug into the thick of your thighs before traveling back up, a careful index finger lightly traced around your crotch. he was teasing you on purpose. malleus would give you everything, but that didn’t mean he disliked being mischevious every once in a while, especially when your reactions were priceless.

“m-malleus—“ you tried to speak up, eyes scrunching shut when sharp nails circled around your crotch again. you were a toy in his hands, and that idea seemed to only spur you on even more. shaky breaths left your lips as he continued to rake and touch your frail frame.

soft lips grazed the shell of your ear before parting to speak. “sshhh, little human. you don’t want anyone to hear us, do you? some diasomnia students might still be around..” malleus chuckled, leaving a small kiss before nuzzling into your neck.

his body hunched over yours, as if he was caging you in his arms as much as he could. a hefty sigh made the fae relax, you scent letting him unwind.

on the contrary, the close proximity only made you feel even more antsy. never have you been this close to the dorm leader. what started as innocent curiosity led to something much more interesting, with you having no choice but to stay still and let him explore your own human body.

“i don’t want to waste any time, so behave, okay? let me really see how a human reacts to touch.”

[hoshifighting]

can't stop thinking about dumbification w wonwoo....he's one cocky mf and I just KNOW he'd be so filthy😩😩

what are your thoughts??

dumbification with wonwoo WARNINGS: smut, dumbification, fingering, squirting, dirty talk.

tbh you never expected this kind of shit to happen with him, least of all. wonwoo—who barely blinks when u flirt or tease, as if he's above it all. but now, fuck, he's got you on your back, legs spread wide and trembling, fingers pressing so deep inside you that your mind is starting to blank out, and all you can think about is how good it feels. you’re already a mess, whining and squirming, trying to catch your breath while he's got that stupid smirk playing on his lips like he’s enjoying every second of watching you fall apart.

“shit, look at the mess youre making of yourself baby girl, so fucking wet f'me” he mutters, voice raspy, fingers pushing in and out of you at a slow, agonizing pace. “can’t even think straight, hm?” you try to form a response, something snarky or witty, but all that comes out is a whimper, hips lifting to meet his touch, desperate for more. he’s dragging this out on purpose, you know it. trying to push you past the point where you can keep that sharp tongue of yours and turn you into nothing but a mess beneath him.

“wonwoo,” you manage to gasp, voice catching as he curls his fingers inside you just right, brushing against that spot that makes stars explode behind your eyelids. “please—" he chuckles, deep and dark, and you can feel the heat of his breath against your neck as he leans in closer. “please, what?” he taunts, fingers slowing down to a maddening pace, just enough to keep you on the edge but not enough to push you over. “you want more? or are you already too fucked out to handle it?” you shake your head, trying to clear the haze, but it’s impossible. the heat pooling in your belly is making you splash, fever spreading through your limbs and making your mind go blank “answer me,” he commands, his free hand coming up to grip your chin, forcing your eyes to meet his. “use your words, baby. or is that too hard for you now?”

your brain is a foggy mess, but you try to focus, try to form some semblance of thought. “fuck—more, please, i—” your voice cracks, the words barely coherent, but it’s enough for him.

“good girl,” he purrs, and his fingers speed up, pumping into you harder and faster, the wet sounds of your arousal filling the air. “see? you can be good when you try.” it’s embarrassing how fast you lose yourself after that. the pleasure is too much, too intense, and all you can do is lay there, legs twitching, hips bucking, completely at his mercy. you’re babbling now, words that barely make sense falling from your lips as you beg for more, beg for him to let you come, to end this delicious torture. “you like it when i make you stupid, huh?”

you can’t respond. not in any way that matters. the only thing you manage is a broken moan, hands clutching at the sheets like a lifeline as the heat builds inside you, threatening to consume you whole. you’re so close, teetering on the edge, and he knows it. “go on,” he whispers, breath hot against your ear. “show me how dumb i can make you. show me how fucking good i can make you feel.”

t hits you all at once. your vision goes white, body convulsing as the orgasm tears through you, so intense you barely register the flood of wetness soaking his hand and the sheets beneath you. you’re shaking, gasping, unable to form a single coherent thought as the pleasure washes over you. wonwoo watches you fall apart, “fuck, that’s it,” he murmurs. “look at you. didn’t think i’d get you this messy.” u’re still trembling, still trying to catch your breath, and all you can do is nod weakly.

[pearlessance]

Lust Among Thieves [part two]

[part one]

Summary: Fifteen years after escaping your captors, leaving them and the cabin in the woods behind, you end up in a community named Jackson and find yourself repeating the same old habits. Warnings: explicit sexual content MDNI, angst galore, mild infidelity (Tommy is with Maria but he and reader share one [1] kiss), canon typical violence, mention of kidnapping, mention of blood, angssssttt but with a happy ending. NOTE: this is a cowrite i've done with my BFF joelmillersgirlfriend!! make sure to go and read her other stuff on A03! thank you guys so much for all the positive feedback on this one, I'm glad you guys are liking it! let us know what you think about the ending <3 [MASTERLIST]

The sun is so warm that it’s beginning to melt the snow, turning it from soft and fluffy to a wet sort of slush. A comforting relief, because the winter holds memories you’re better off leaving behind. Memories of scowls and whittling knives, of the taste of whiskey and lighthearted laughter.

After fifteen years, you thought you’d grow out of the feeling, that you’d grieve the loss and go on instead to appreciate the recovery of your autonomy. But every winter, without fail, you remember your time in that cabin. You remember them. 

You’d never grown out of the feeling and you’d never grown into the now tattered canvas coat. If you closed your eyes and imagined the burn of the winter snow grazing your skin, you could remember how Joel smelled. You could remember how Tommy’s lips tasted.

But years had passed. The memory was now a faint one and one that you tried not to dwell on for too long. You have met a lot of people over the years and had dangerous encounters daily. Why was this one different?

Joel and Tommy had turned you into a new person within the four walls of that cabin. You weren’t the same afterward, now you were sculpted into a being with a sharp tongue and a toughed exterior yet… the core of you was soft. If you dug deep enough, the creature that Joel and Tommy had created was still inside of you, tender and vulnerable. 

For a while, you considered what you would do if you ever encountered them again. You were so far away from the outskirts of the Boston QZ, the death of your father and the weight of the situation turning into a calloused scar instead of a leaking wound over time. Over the past fifteen years, you had made your way across the country, searching for something. Whatever that something was, you weren’t sure of yet.

If you saw the brothers, would you be angry? Would they? They were heavy on your mind that morning as you made your way through the abandoned, ice-covered streets of Jackson Hole Wyoming.

You had left a compound back in Nebraska weeks ago. The people there weren’t bad, but it felt like another washed-down version of living under FEDRA. Constant patrolling, ridiculous rules. It was no surprise that you felt trapped because you had always felt trapped. It was only a matter of time before you ran away. It was the only thing that you were good at. 

You jumped from house to house in Wyoming, occasionally spending a couple of days if you were tired of the constant headache of moving every day. Most of your days consisted of you laying on an old, lifeless mattress, staring up at the ceiling and asking yourself ‘What if I never left?’ Would you have more of a purpose now? Would you not be alone?

You practiced your regular routine of bouncing through dilapidated houses, grabbing what supplies were still left, which was practically nothing. For an area where you had encountered absolutely no one, the houses were surprisingly scarce. 

It was getting late in the evening, and you had picked a house to settle down in for the night. The house had a rough exterior, similar to yours, but the inside was surprisingly still in good condition. You crept through the house, picking through each drawer and cabinet to once again, find nothing.

Truly, the master bedroom should have been an indicator to leave, but you were always a sucker for taking things that did not belong to you.

Just when you were about to call searching the house quits and crack open a book from your bag, you noticed a shifted floorboard in the bedroom. You hummed to yourself in curiosity, reaching down to investigate the suspicious piece of wood. It came out of the floor easily, revealing the contents buried inside. 

Ammo, water, packaged food, medicine. 

But most importantly, a bottle of Jack. Jesus, how long had it been since you had seen one of these? You laughed to yourself when you pulled it out of its hiding spot, half empty but still the perfect amount for a lone wanderer. 

You grabbed your pack, slipping all of the things you had found into it before you heard the voices. 

Fuck.

Moving swiftly, you grabbed everything you could before glancing around the bedroom. Footsteps and conversations were coming up the stairs, and you couldn’t believe how stupid you were for not checking the perimeter of the neighborhood before poking through the houses. 

“Jesse, go get the stuff from the master. Maria is gonna be pissed that we weren’t able to find more. Might as well bring back what we can,” you vaguely heard a gruff voice say. 

Into the closet you went, quietly tiptoeing across the room. Your hands were shaking as you grasped the straps of your bag, praying that luck would be on your side, just this once. 

The second you faded into the darkness of the shadows in the closet, a man stepped into the bedroom. You could see him through the panels of the closet door, especially if you squinted in just the right way.

He appeared young, with long dark hair that fell into his eyes when he glanced around the room. You held your breath when his sharp, determined eyes shifted to look over at the closet momentarily. It didn’t last long, which you were grateful for. You could feel your pulse ticking in your neck as he moved away to check the floorboards, knowing that he wasn’t going to be pleased with what he found. 

He was turned away from you so you couldn’t physically gauge his reaction, but his voice told you all you needed to know.

“Uh, we have a problem here. Stuff’s gone!” he shouted, standing back up quickly to unholster his gun. He glanced around the room once more, waiting for his partner to shout something back.

The voice was distant when it spoke, most likely still downstairs, waiting. “What do you mean, gone?”

The man who was only a few meters from you sighed, shaking his head. “I mean, it’s gone, someone must’ve taken it!”

You could hear heavy footsteps, every movement clearly laced with annoyance as he climbed the stairs. And then they stop a short distance away, and you hear the familiar click of his gun. 

In the holster strapped around your thigh sits your pistol. You have only two bullets—enough to kill a clicker in a pinch, but not enough to fend off two grown men who are also armed. You tighten your fingers around the handle of the old knife, leather now cracked with age, formed perfectly to the hills and valleys of your fingers.

Heart hammering, you know and accept the fact that you’re going to have to take your chances and run. You could already see the shadow of the man entering the room, grumbling at having to come up the stairs. His back was to the closet, approaching his partner.

“It was here two days ago,” he began before quickly stopping. His hand reached out, gesturing towards the ground. Your eyes squinted, following the gesture down until you saw what he found. Wet footprints.

You lunged out of the closet before anyone could even move, and latched onto the man's back like a starfish. You looked at the first man, Jesse, before pressing your knife against the second man's throat.

“Just let me leave. Let me leave and I won’t kill him,” you said coldly, the tip of the blade pushing into your prisoner. 

Jesse’s eyes widened, his hands spread in an attempt to calm you. “Hey, wait a second. We’re not looking for a fight. It doesn’t have to be like this,” he spoke, loosely holding his gun in his hand. You glanced at it with hesitation, which was enough time for your prisoner to grab your wrist and whip you around.

He was much larger than you, probably almost three times your size. There was no way in hell you would’ve been able to keep him restrained for long.

You whimpered in pain at the feeling of your wrist being twisted, the knife dropping out of your hand and clattering to the ground below.

“Stupid girl,” the man said, turning slowly to face you. There’s something about the way the words sound in his mouth that twists up your insides, a timbre that makes your hands tremble and shake. “Shouldn’t make threats when you’re outnum—” He stops. 

And your heart does, too. “Joel?”

He doesn’t say anything. Just narrows his eyes and clenches his teeth, jaw feathering. His hair has gone a little gray and there are defined wrinkles around his mouth and a scar across his nose that didn’t exist the last time you’d seen him, but you’re sure of it. As sure as you are of the ground beneath your feet, you’re sure that a ghost stands before you. 

His eyes soften as the realization hits. You know you’ve aged, too—though perhaps not as drastically.

Jesse is the one who speaks. “Do you know each other or something?”

“Yes,” Joel says, in perfect time as you answer, “No.”

“O…kay.” Jesse shifts uncomfortably on his feet before he closes the space between himself and the place you and Joel stand in what seems to be an eternal face-off. He plucks your knife up from the ground and hands it to you, hilt first. “Here. We don’t want any trouble.”

The shine of the blade catches Joel’s eye, and he scoffs as he processes what he sees. He takes the knife from Jesse’s hand before you get a chance to do so. He raises it in front of his face, no doubt inspecting the two letters etched into the metal.

“T.M? Tommy?” Jesse’s brows furrow as he turns his attention to you. “Is this Tommy’s knife?”

Neither of you answer him. Your tongue is stuck to the roof of your mouth and sweat beads your hairline. You can hear your heartbeat in your ears and every cell in your body urges you to run as far and as fast as you can. 

“Joel,” Jesse says, voice a little more firm. 

“Just let me go,” you plead, staring Joel in the eye, trying to hide your fear. Not of him, but of the feeling that rises in you upon seeing him. The yearning, the desire, the familiarity. You’d convinced yourself it’d be gone by now, eviscerated. But feeling the warmth of his skin, smelling the pine scent of him—it all comes flooding back with a vengeance. “Please. Just give me the knife and I’ll walk away and we can pretend—”

“She’s coming back with us,” he tells Jesse. “Feed her. Get her some new clothes. If she wants to stay, there’s that empty house over by the cemetery. Fixed it up last week.”

“Stay? Where?”

“A town,” Jesse answers. He smiles at you and it’s warm and inviting, something you haven’t seen in some time. “A community.”

Your stomach growls at the thought of a decent meal, but your fear has you shaking your head. “No, I can’t. I’m—”

“You what?” Joel’s voice cuts through you. “Don’t got anywhere else to go. God knows how long it’s been since you last ate.”

You want to protest, to argue with him, to prove him wrong. But you can’t, because he’s right, and that fact enrages you more than anything else. 

Still, you agree. One night, you tell yourself. A good meal and a good night’s sleep and then you’d leave, never to be seen again.

Jesse helped you onto the back of his horse, leading the way back to the settlement while Joel followed. Every time you glanced back, unable to prevent yourself from looking at Joel, you saw his icy gaze watching your own. You swallowed nervously, pulling back into Jesse. You wondered what Joel was thinking. If he remember everything, if it meant anything to him.

Jackson was huge. There was food and people and walls. It wasn’t like the QZ. People lived like a family, working together for the better of humanity. It brought tears to your eyes to see. 

You felt overwhelmed as you trailed through the streets of Jackson, still mounted upon Jesse’s horse. Random strangers on the street greeted Joel as he led the way like he was some sort of beloved member of the community. All you could do was force a smile and nod during the random greetings, wondering if they knew who Joel really was.

“That jacket looks real familiar,” Joel spoke, gesturing at the worn coat swallowing your shoulders. It was large and had outlived its life, but you couldn’t let it go. It had been with you during some of the coldest winters, keeping you warm. 

“Looks a lot like the one my daddy gave me before he passed. I went crazy, thinkin’ I misplaced it. All this time, it was just you stealin’ shit that don’t belong to you,” Joel scoffed, but without malice. You stuttered, closing it around your body to cover your chest, a habit stemming from pure nerves.

It had been your jacket for years, your only source of comfort during cruel winters. It belonged to you just as much as it belonged to him. You were the one who had taken care of it all of the time.

Joel chuckled at your reaction, grinning down at you. “Don’t worry, I’m not gonna ask for it back. I’m happy that you’ve gotten some use outta it.”

It was bewildering, how one sentence he spoke could come across filled with resentment, with ire, and the next be filled with something that felt sort of like relief.

But even back then, even fifteen years ago, you’d never been able to quite understand him. And though his anger was a kindred spirit to yours, Joel was so confusing. 

Once in the stables, Jesse helps you dismount. Before you even swing your leg over the horse, Joel’s handing his reins off to the stable hand and rounding the corner, disappearing from sight. 

Jesse sees your attention follow him, no doubt reading the expression of confusion on your face. “Don’t worry about him,” he says. “Joel can be a bit of an ass sometimes.”

You think that might be the understatement of the decade, but you keep that to yourself. 

“C’mon. Let’s go meet Maria to see where we should place you for housing and then I’ll let you get settled in.”

As Jesse leads you through the streets of Jackson, you can’t help but feel a bit of shock at the way things operate here. There are so many people you can’t keep their faces straight. Children of all ages, people your age, and elders. A rare occurrence these days.

There’s electricity powering lights strewn between the buildings. A carpenter and a grocer and a bar. It feels like something out of a dream.

Jesse leads you into what looks like a cafeteria. There are a handful of tables with hundreds of mismatched chairs around them, and a low chatter that greets you the moment you step through the doors. 

You notice him in a second.

Tommy’s laughing. His hair has grown out long enough that he can tuck the dark blonde strands behind his ear now, curling just slightly at the ends. 

He’s got a couple more freckles and wrinkles around his soft eyes. And seeing Joel was jarring, but it’s Tommy and his boisterous laughter and that wide grin on his face that makes your chest crack wide open. 

You love him, and you’ve always known it. You love them both, but it’s the loss of Tommy’s warmth you’ve felt the deepest since escaping from that cabin. It’s taken you a long time to accept it, but you have—and seeing him brought back a burning feeling that you thought was long gone.

Tommy notices Jesse, waving at him wildly, looking past you as if you were transparent. He didn’t recognize you yet, which wasn’t surprising. You were standing a handful of meters away, and from what it appeared, you seemed to be a ghost from a past life. One that he never anticipated seeing again, with how settled down he appeared to be now.

“Jesse! You have to hear this shit, man! Get over here,” Tommy gestured, a shit-eating smile still filling his face. You noticed the way Jesse looked at you first, evaluating your reaction, which was little to none. You’d grown good at hiding your emotions over the years, a calloused exterior being your own personal form of protection. A shell.

Your brain felt like it was pounding against the walls of your skull when you followed Jesse over to Tommy’s table. You kept your eyes glued down at your feet and prayed, that maybe, he wouldn’t notice you. But, of course…

“Hey, Tommy. I think I found an old friend of yours,” Jesse starts off with, the bastard. Tommy’s soft eyes move over to you, staring blankly for a couple of beats. The noise from the cafeteria droned out as you looked into his eyes, locked on those deep irises that you had dreamt about for years.

The sound of Tommy’s metal chair scraping against the floor pulled you out of your haze. His arms wrapped around you, engulfing your frame - swallowing you in his own body. He was so warm and firm. You hadn’t touched another person for so long, not like this. 

But you still were so uncertain. Your hands wavered, shaking nervously as you considered hugging him back. Things were so complicated, incredibly taboo, and filthy. You shouldn’t want to hug him back. You opt on loosely hugging his waist, too nervous to match the pressure of his embrace.

He pulls back, his large palms coming up to cradle the sides of your face. It reminded you of that night all those years ago when you first kissed him. You could still taste the bottle of Jack on his lips, warm and heavy against your tongue.

Tommy was contemplating kissing you, you had seen the look before. It was all too familiar.

His eyes were heavy, but the look left almost as quickly as it had appeared. He awkwardly shifted back, pulling out of your incredibly loose embrace. Jesus, Tommy was just as conflicted with you. His remorse for what had happened was clear on his face, those heavy puppy dog eyes searching your face desperately, praying that you would forgive him. Forgive Joel.

It was all too much - your head was spinning and your tongue was stuck to the roof of your mouth. Tommy glanced over at the table he had jumped up from, directly at a woman who was sitting next to his seat. Her freckled face was etched with a frown, one that was full of confusion about the situation.

“Christ, you’re alive?” Tommy whispered, wavering away from you. His disbelief wasn’t one that you had expected, nor had Jesse. The young man was still standing beside you, watching the events unfold with wide eyes. 

“I’m not really hungry, Jesse,” you turned and said, needing to get out of there immediately. Something was unraveling deep inside, what that something was, you didn’t know. Your palms felt slick with sweat, your legs unintentionally pulling you back, protecting you from the conversation.

“Please,” Tommy begged, “Let’s talk. Settle in, get used to everything, but don’t leave town without comin’ to talk. And for the love of God, eat .”

You nodded, backing away from Tommy like a scared puppy. The sound of your heart beating filled your brain as you turned and walked away, Jesse hot on your heels. You heard Tommy’s voice speak, “Maria, come on, we gotta go over some things.”

The air is cool against your heated skin, and you greedily swallow the icy air. You press your palm against your sternum, trying to will your heart to slow and your blood to settle in your veins.

“Hey,” Jesse says, placing a gentle hand on your shoulder that makes you jump out of your skin.

When you turn to face him, you don’t even remember unsheathing your knife from the holster strapped to your belt. He has his hands held up in surrender, that friendly smile on his face, and guilt begins to trickle down your spine.

“Alright, alright,” he says. “I’m sorry, didn’t mean to scare you.”

You lower the knife quickly, returning it to its rightful place at your hips. “No, it’s fine. I’m sorry, too. Uhm…instinct, I guess.”

“I get it,” he says, and for some reason, you believe him. There’s such understanding in his voice that it’s hard not to. “Jackson is a lot to adjust to. Doesn’t happen overnight.”

You nod slowly in response. 

“There’s an empty house over by the cemetery. I can show you, and you can rest or look around or…you know, do whatever you need to. There’s hot water, you can shower, and some staples in the pantry if you feel like cooking. I can run to the community hall and get you some new clothes and drop them off if you want some space.”

The words sound foreign in your ears as if he’s speaking a different language. Cooking, showering, hot water …the thought crosses your mind that you’ve somehow died and this is all some kind of strange hallucination. 

But a moment along sounds like bliss, and a shower sounds like heaven, so you find yourself nodding and following him through the streets of Jackson. Jesse tries to make small talk, but you’re not in much of a talking mood and he seems to pick up on it and doesn’t press for much more information.

He tells you there are towels in the linen closet in the hall upstairs and promises to return in less than ten minutes with a basket of clean clothes. “I’ll set them just inside the door,” he said. ”Take what you want. If there’s anything that doesn’t fit, I’ll bring it back to the hall later.”

The house is nice, bigger than any of the places you’ve ever holed up in for a few days, and more secure, too. Upstairs there’s a massive bathroom and before you do anything else, you turn the handle to the hottest setting. The water spits and spudders and is freezing at first, but the second it begins to warm you’re stripping off your clothes and stepping beneath the stream.

And you’re not quite sure why, but the sensation of it brings moisture to your eyes, salty tears mixing with the warm spray from the showerhead. The water that pools at your feet is dark and grimy, ridding you of the dirt that clings to your skin. 

You scrub your skin raw and still don’t feel clean enough. But when the water runs cold, you leave wet footprints on the wood flooring of the stairs and find that Jesse stayed true to his word. 

Just inside the front door is a laundry basket full of clothes; denim and fleece, cotton t-shirts and undergarments, socks, and even a half-decent bra. You settle on jeans and a hoodie that’s just a little too big, but still hold tight to the old coat you’d stolen.

He also left a plate of food, which you assumed was from the cafeteria. Even though you didn’t think you could’ve eaten earlier, not after seeing Tommy, you were suddenly famished. The food was gone in under a minute. You couldn’t even remember the last time you had something fresh, rice, green beans, onions. It was life-altering.

There’s a big bed in the center of one of the bedrooms upstairs, and you tell yourself you’ll rest just for a few seconds. A few minutes. But the moment your head hits the pillow, you know it isn’t true and you don’t have the energy to convince yourself otherwise. 

When you finally wake, the room is dark, and the rays from the rising moon are silhouetting the bedroom in a blue haze. You sigh, relaxing into the bed sheets. It was crazy to reflect on your current circumstances. Just a day ago, you were starving, sleeping on an old rotted mattress with a gun held tightly in your hand. Now, you could hear the laughter and shouts of children from the street outside your window.

You rubbed the sleep out of your eyes as you stood up, deciding to leave the house and explore. It would be beneficial to know where everything is, you think. If for nothing else than to know the best escape routes, to become familiar with the routine of the watchers on the walls.

You brush your teeth before heading out, the night air rushing against your face when you step onto the front porch. Even though it’s late in the evening, the streets are still filled with people; families walking back home together, couples holding hands. It almost feels unreal.

Walking past the cemetery, you notice some people crouched at the gravestones, crying. Even when you were somewhere safe, you could never escape the horrors of loss.

It felt like you were floating through the streets of Jackson, an outsider peering in. The closer you got to the center of town, the more people you stumbled upon. Icicle lights were strung across the powerlines and street before you, random strangers greeting you in passing. 

You finally grew tired of the attention, the stares, the forced conversations. You ended up pulling up the hood of your jacket over your head, shielding yourself from gazing eyes. 

A small church was planted near the center of town, and the doors cracked, allowing you to glance in. Though it wasn’t entirely full, many people filled the pews and watched the priest give his sermon. You could pick up a few words from where you were standing, but you didn’t really care to hear. You gave up on a religion a long time ago. 

A couple of meters away was an open space that had a bonfire square in the middle, with a handful of picnic tables spread across the space. The hum of the people talking drew you in, despite not knowing anyone, or so you thought.

“Settlin’ in good?” you heard from behind you, the voice making you jump in surprise. You turned back to see Joel, his dark eyes watching you from a couple of feet away. Those dark eyes still made your palm sweat and your cheeks burn bright. He had always held something in him that made you docile. 

You cleared your throat, subconsciously pulling at the strings of your hoodie. “It’s surreal here. Not like the QZ.”

Joel huffs, nodding in agreement. “Thank God it ain’t.“

There is an awkward pause where you stand shyly in front of Joel, uncertain of what to say next. Making small talk with him was never your forte, because typically he never even wanted to speak with you. Now, here he is, actively trying to pull a conversation out of you. He had changed. 

“You’re not like how I remember,” you say, your lips moving quicker than your brain was able to think. Joel stiffened, rubbing the scruff of his beard.

“Yeah? And how do you remember me?”

It’s a test, one to see how you would describe your relationship with both him and Tommy. A mutual romantic bond? Or something much more sinister, much more taboo? You don’t fall for the trap because you aren’t even sure how you want to interpret everything. Not entirely.

“Quieter. Less gray hairs too,” you said, not expecting the warm sound of Joel’s laughter to hit your ears. He smiled down at you, the grin boyish and full of hidden memories. It made you ache for something you never even had. 

“It’s been a long time. When you left…” Joel trailed off, his expression morphing into a dark cloud. You knew that leaving would hurt both of the brothers, and it felt shameful to admit that sometimes you regretted your escape. Yes, you were free, but what difference did it make? You had lost companionship. Love?

“We both hated to see you leave, but we understood.” Joel was no longer looking you in the eye but was instead staring down at his feet. “What happened there? It wasn’t right, the things we did with you. I can be the first to admit. It was the actions of two desperate, lonely men. But I’m not here to make excuses.”

His eyes moved back to look at your face, to gauge your reaction. 

“I’m sorry. Tommy sure as hell is, he beat himself to death over all of it. You don’t have to forgive me or forgive either of us. But, please, just hear him out. He wants you to come over to dinner tomorrow so you can meet everyone. Then maybe we could all talk?”

You stepped back, crossing your arms and shaking your head. “I don’t know if that’s a good idea,” you tried to explain. The idea of being trapped in a house with people you didn’t know didn’t exactly sound appealing. Joel had apologized for both him and Tommy, truthfully, there wasn’t much of a point to even go now. What more was there to talk about?

“Joel!” shouted a voice from where the bonfire was taking place. Both you and Joel turned to watch a young girl run over to where you were standing. When she arrives you’re able to get a good look at her - pretty blue eyes and a smattering of freckles across her nose that reminds you of the constellations.

For a moment you considered that maybe he had a kid. She looked no older than sixteen - it could be possible. But she didn’t look like Joel, much too soft in the cheeks. Joel had strong features while this girl was the epitome of a cherub, her rounded lips turned up into a smile as she grinned at you.

“Joel. Is it alright if I spend the night at Cat’s? I don’t have garden duty until the afternoon so I’d have plenty of time to get back,” she explained. Well, if she wasn’t Joel’s daughter then she was certainly Joel’s something. The sick thought crossed your mind that maybe something was wrong here, but the moment Joel reached over to tousle her hair, you knew that you were wrong.

“Of course not, El. Be back by dinner tomorrow,” he said, shooting her away, back towards the crowd at the fire. She gave you a farewell wave, one that you returned, as she ran off to find her friend.

Your face was warm when you thought about how you had considered that Joel might’ve been in a relationship with her. Joel noticed your embarrassment, watched the way you huffed into your palm, and shook your head.

“What?” Joel questioned, the distant fire casting a fire over his face. It reminded you of the cabin, of the fireplace. Of his warmth.

“You kidnap her too?”

The small grin that he had on his face disappeared in an instant, replaced with rage and disappointment.

“Of course not,” Joel sputtered, scoffing at the accusation. “I would’ve never- I mean, she is just a child,” he hissed.

“And I wasn’t?” you whispered back just as angrily, pulling your hood off of your head. You wanted him to look at you, to see you. 

“I told you, I’m sorry. I’ve had fifteen years to reflect and I can admit that I was,” Joel pauses before snarling, “a goddamn monster back then. But, Ellie, she’s like a daughter to me. She gave me a purpose. With her, things were different,” he sighed, shaking his head in frustration. 

Tears were burning the back of your eyes, but you forced yourself to keep it together. You weren’t going to show Joel that he had hurt you. That you had missed him. 

“And why wasn’t it different with me?” you questioned, a genuine curiosity behind the words. 

Joel only stood, looking down at you with his lips pressed into a frown. This girl, Ellie, had broken Joel, but you hadn’t. What was so special about her that she was able to receive his empathy?

The answer to that question was easy. You knew that deep down, it was never about you. It was about Sarah. 

You hated that you weren’t able to watch him grow and change, to help him change. He never gave you the chance. 

“I’m going to go,” you said, turning to leave both Joel and the conversation behind. Before you could walk off the sidewalk, you felt a familiar hand wrapped around your arm. A heat rose in your chest and settled in between your thighs just by being touched by Joel. 

His dark eyes softened as he took you in, his gaze tracing the lines of your face, your body, your palms. His large hands dwarfed yours when he pulled you towards him, wrapping you in a hug. It was different from Tommy’s, one that was full of surprise and longing.

Joel’s was tender and soft, his large palms moving in small, gentle circles as if he was afraid he’d break you. 

“Is this okay?” Joel questioned, one that took you by surprise. He had changed, that’s for sure. You nodded, melting into his touch, practically cemented between the pressure of his arms. It had been so long since you had been touched, focused purely on survival. It felt good, to feel wanted.

“When you left we searched for you,” he spoke into your hair. “With the raiders and all, we thought that maybe more had come and taken you. Took us a little while to realize that wasn’t the case. We understood why you left, why you felt like you had to leave, but… fuck .”

He had pulled back now, unable to meet your eyes. “I didn’t realize how badly I wanted to be by your side until it was too late. I fucked up. We both did. But it was me who treated you badly, who excused it. So, I’m sorry.”

It was Joel’s third and final apology of the night. You had decided that you did forgive him, for all of it. There was no point in wallowing in anger forever. You had to let it go.

“I know,” you whispered, reaching to hold his palm in your hand. He wasn’t a bad man. He had never been, and it hits you only now that maybe you’ve always known from the very first moment that he’s not bad …he’s just like you. 

Quick to anger, quicker to self-preservation. Neither of you has ever seen the best in others before the bad, your psyche molded always to expect the worst, tragedy burned in like a bad memory.

“I know,” you say again. “And I forgive you.”

His shoulders deflate as if setting down something so heavy he’d become accustomed to the weight of it after all these years. He gives you this smile, but it’s sort of sad and the sight of it quietly breaks your heart. 

But Joel regains his composure quickly, casting his eyes away from you and clearing emotion from his throat. Your hand still sits in his, a firm, warm hold on you, full of surety, devoid of hesitation. You try not to think about how much it feels like home. 

“So, would you think about dinner then?”

You don’t know these people. You know Joel and Tommy but everyone else remains a mystery, and though nothing about Jackson raises any immediate red flags, there’s still a nagging warning that rings in the back of your mind. Don’t get close. This is only temporary. You don’t belong here. Yet still, you find yourself nodding, pleased with the look of further satisfaction that finds its way onto Joel’s face. “Okay. Dinner.”

When he releases your hand, it feels like a loss all over again. You swallow it down, bury it deep, pretend it’s not there like you’ve always done. “I’ll see you tomorrow night, then,” he says. “I’m going to try and get some sleep. Been a long day.”

You nod and force the words out of your mouth even though all you want is to beg him to stay, to wrap his big hand back around yours and pull you into his side. “Goodnight, Joel.”

Even though it makes you feel a little pathetic, you watch him walk away. But he’s turning back to face you, slowly walking backward as he quickly says, “You’re free to take any leftovers, by the way. No, uh…no thievery needed.”

It makes you laugh, the joy of the tender moment seeping deep between your bones. “Good to know,” you say. “I’ll keep it in mind, but don’t be surprised if I pocket a silver spoon or two.”

You hardly sleep the entire night. All you can think about it the weight of his calloused palm, of the timbre of his voice as he told you they looked for you.

No one’s ever looked for you before.

Just before sunrise, you allow yourself a moment to regret running. It’s the first time in all your life that you think maybe flight was the wrong response. 

Tommy knocks on your door early. He’s got on a pair of Levi’s and a black and red flannel, and there’s a long-barrel rifle slung over his shoulder with a scope attached to it. “Morning, sweetheart,” he says. The familiar sobriquet sends a warmth slithering down your spine. “Thought we could go out today. Just the two of us. That sound okay?”

Before you have the chance to think better of it, you're stepping outside and closing the door behind you. Tommy chuckles softly at your lack of hesitation and throws an affectionate arm around your shoulders. You can’t resist leaning into him, can’t think of another place you’ve ever felt safer. 

But then you think of that day so long ago, with Joel wrapped around you, his strong arms encircling your waist, and you think tucked into Tommy’s side might be the second safest place in the world.

The streets of Jackson are relatively empty compared to yesterday. The sun is up, casting orange shadows over the puddles of melting snow, and the lack of prying eyes makes you curious. “Where is everyone?”

“It’s Sunday,” he says simply. “For one day of the week, no one’s got any jobs to do.” 

Truthfully, the concept of a weekday or a weekend has been foreign to you for so long you’d nearly forgotten its existence. “Oh,” is all you can rebuttal. And then a few moments later, “Where are we going?”

“Hunting trip,” Tommy explains. “Just like old times. Joel says you still got my skinnin’ knife.”

The words hold some accusation, making you flush, but there’s a proud smile on his face and you know he’s not angry for your stealing. You can feel the weight of it at your hip, and pull it from the sheath attached to your leather belt. Slowly, you turn it in your hand, polished silver glinting. 

“Figured you’d taken it when I couldn’t find it. Looked everywhere for that thing. Looked everywhere for you, too. But…I just hoped it kept you safe. Wherever you were, I kinda liked the thought of, ya know…just being able to protect you somehow. I’m glad you had it.”

His confession cracks your chest wide open and leaves you bleeding. You think of all the times his knife had done just that; protected you, fed you, saved you.

“S’alright,” he says. “Go on an’ keep it. S’yours now, sweetheart.” 

You slide the blade back into its home on your hip and follow Tommy as he feeds and speaks softly to an all-black horse in the stables. He saddles it quickly and with precision before pulling you up onto the horse behind him.

Instinctually, you wrap your arms tight around his waist and rest your cheek against his spine, inhaling the familiar but long-forgotten scent of him. The watchers on the walls let the two of you pass with only a nod to Tommy, and you ride slowly through the wet grass until you come to a clearing in the woods.

There’s a tree blind, hidden at the edge of the brush. Tommy ties the horse’s reins to the post and he lets you climb up the ladder first. 

Once you’re both safely inside, the horse grazing on the grass below, Tommy sits the end of his rifle on the edge of the window before settling into one of the rickety wooden chairs that have been hauled into the blind. 

You take the one beside him. Even though you know a big part of hunting is the silence, a million questions press against the back of your teeth. After a few minutes pass by, you can take the pressure no longer and ask, “Who’s Maria?”

A smile climbs onto his face. Unsure of what to expect, it surprises you as he answers simply, saying, “My wife.”

“ Wife ?” It raises a plethora of new questions. How long have they known each other? Did Tommy ever tell Maria about their time in the cabin? Did the two of them build Jackson together? Why does his answer sting?

He seems to sense the confusion and reaches across the open space to squeeze your hand in his. “After you left. Jesus, I think both Joel and I had a moment of realization. I missed you like hell, the feelin’ of you, the warmth. To think that you had gone back out there, with raiders and God knows what else, because of me and Joel? Christ.”

Tommy sighs, pausing before staring out into the wooded distance. You could see how much he had on his mind, an unbearable weight that he had been holding for years. It was wearing him down, weakening his bones. 

“I know Joel talked to you, but I really can’t explain to you how sorry I am,” Tommy began. You glanced down at his palm which was still holding your own, large and heavy against your skin. 

“There’s no excusin’ it. You were so young, and innocent. Something that we hadn’t been around for so long. We had seen horrible things, had done awful things. We took advantage of you. I took advantage of you.” He turned to look at you, a deep sincerity held in his eyes. “Please, forgive me. I don't know how I’d be able to keep livin’ with myself if you don’t.”

There wasn’t anything to forgive. You had wanted everything that happened, at the end of the day. You had missed both him and Joel. 

“I’ll forgive you if you forgive me for stealing from you,” you said in an attempt to break the ice. You knew it worked from the way Tommy’s face broke out into a toothy grin. 

“You’re forgiven.”

Tommy explained to you what had happened after you ran away from the cabin. How he had gone back to the Boston QZ in search of you, eventually abandoning Joel there to join the Fireflies. From there he had ditched the Fireflies, deciding that their methods were too extreme, and then, he met Maria. She had saved him, washed him of all of his sins, and gave him a purpose again. 

“She’s a good woman. An amazing woman, Jackson wouldn’t even exist without her,” he said, but it felt like he was convincing himself and not you. Tommy looked over at you, a dark lust behind his eyes that you hadn’t seen since the last night you shared in that faraway cabin. 

“She is,” he breathed. “But… sometimes I think about how different things would’ve been if I made better choices back then. I’m happy here in Jackson, beyond happy, but-“

You closed the distance quickly, knocking your wooden chair into his own. His lips were warm and soft, just like you had remembered them. It was easy kissing Tommy, like second nature. He hummed into your mouth and didn’t push you away. There was no huge rush of passion behind it, but something much more important. Catharsis. A conclusion.

“For closure,” you whispered into his lips. Tommy nodded, kissing you once more before leaning back in his seat, his hand still holding yours.

“For closure.”

On the way back, Tommy fills you in on Joel’s relationship with Ellie. They met in the QZ, where he agreed to take her across the country to Salt Lake City. When you ask why, Tommy insists it isn’t important, that if it was he would tell you. “It’s Ellie’s secret to tell, anyway,” he says.

You let it go, far more interested in something else entirely. Your arms are wrapped around his waist on the back of the horse and you’re breathing a little easier now as you ask, “Does she make you happy? Maria?”

There’s a moment of hesitation. Or rather contemplation, perhaps. But then he nods slowly and says, “Yeah. Yeah, she does.”

You’re glad to hear it. Truthfully. Even with all that’s transpired, you’re thankful Tommy was able to find this slice of bliss in the hellish affairs of the world. 

“Does she know? About what happened?” you asked shyly. Tommy sighed, nodding.

“She knew bits and pieces but not at all of it. After Joel and Jesse found you, I told her everything. It wasn’t fair for her not to know.”

You would’ve guessed that he told her. He seemed to really love her, to trust her. If Joel even trusted her, then that showed the strength in the relationship. It didn’t bother you that she knew. It was for the best.

“And…Joel? Do you think he’s happy?”

This time it’s definitely hesitation. Tommy’s throat bobs as he swallows hard. He lets out a long breath, misting in the cool air. “He hasn’t been the same since…”

“Since Sarah, right?”

Tommy shakes his head. “No. I mean, yes, but…”

There’s something he’s holding onto, and you’re not sure if it’s for your sake or for Joel’s. Either way, this is the secret you decide you need to uncover. “Tell me.”

“When you left…I mean, I know I already said it was hard but it was different for Joel. I had the Fireflies and then I had Maria and Jackson, all things that filled the emptiness but Joel…I don’t know. S’like he never came back from it. From losin’ you.”

You can see Jackson in the distance now. A silhouette of a town, of a home. Your stomach turns, thinking that all this time you’ve both been suffering from the same plight and the cure has simply been forgiveness. 

But can you live with entirely forgiving Joel? Completely? He advocated for your death, held you hostage, and shot you in cold blood. You can acknowledge and accept the fact that he’s changed, that you all have, that you’ve grown and matured and established a firm line between what’s right and what’s wrong, something the three of you once lacked.

You’ve finally found closure enough to move on from this, but if you let go of your anger, let it dissolve into nothing, what would be left of what you feel for him but longing?

If you let it all go…there would be nothing left inside you for Joel Miller but love, and you’re fairly certain that that would be even more difficult to navigate than your anger. 

Once back in Jackson with nothing to show for your hunting trip but ease in your shoulders, Tommy secures the horse back into the stables and offers to walk you home. You laugh and joke the whole way and it feels natural, just like old times but perhaps even better now that you’re here of your own volition. 

Once in front of your house, Tommy takes your hand in his and kisses your palm. “I’ll always care for you,” he whispers, dancing around a word far more intense. Once again, you’re not sure if it’s for your benefit or for his, or if it’s for Joel’s.

You lift his hand to your face and lean into his caress, feeling the warmth on your cheek, the roughness of his skin brought on by age and hard labor. “Me too,” you admit. And then quieter, “I’m sorry. I shouldn’t have kissed you. I know it was…”

Tommy shakes his head. “No, sweetheart—don’t you ever apologize for that.” He used his free hand to thread his fingers through your hair, not dissimilar to the way you’d first touched him all those years ago. “You needed it. I needed it.” 

He wraps his arms around you and you lean in close, soaking up his warmth, his safety.

You share so much in one embrace—longing, lust, regret, forgiveness. And when he pulls away, it all fades into the ether, leaving nothing behind but this deeply rooted fondness for him, a desire for him to be happy above all else. 

“If you need anything, and I mean anything, come and find me. We live next to the daycare. Maria said to be there after nightfall tonight,” Tommy spoke, knocking his shoulder across your own playfully. “I hope you’re ready for a home-cooked meal. How long has it been?”

You stand, truly considering his question. Eating in the QZ wasn’t exactly pleasant. Typical meals consisted of stale bread and watered-down soup. You couldn’t even remember your last fresh meal.

“Too long,” you sighed. Tommy smirked, his warm smile making the skin of your cheeks burn.

“Soon enough. See you tonight.”

The day goes by quickly. You fill the empty space with exploration, walking through the greenhouses, around the buildings, and through the one currently being constructed in the northwest corner within the walls.

The people begin to emerge a little after midday, socializing with one another, smiles on their faces and ease in their shoulders. You see Jesse at one point while you’re walking the perimeter, checking for weak spots, and he waves at you and it feels so strangely normal that it startles you. 

When the sun begins to set behind the heavy clouds, you find the house beside the daycare and stand a few feet away. You can see through the open windows that you’re likely the last to arrive—and for a second, you consider turning back and running as far away as you can. 

Because beneath the yellow light, they all look so happy. Maria, Ellie, and someone else you can’t put a name to, all work together setting the table, six place settings with mismatched cutlery.

Joel and Tommy can be seen in the kitchen, sharing a few concerned looks between warm smiles, once in a while knocking the neck of their glass bottles together. They’re all at home here and have all curated a routine, a familiarity. 

And you know without a shadow of a doubt that if you walk in there, you’re going to disturb it. You’re going to break the tranquility they’ve worked towards, you’re going to be the odd one out, the sore thumb in their causal, familiar cacophony. No matter what, you’re not going to belong. 

The only hope you have is trudging through the unfamiliarity until it becomes familiar, hoping to integrate yourself into their already established lives. 

But after all you’ve done since leaving that cabin, after all the blood on your hands, is that the sort of thing you’ve earned?

It’s not. You know it. You turn to leave.

The front door swings open, yellow lighting silhouetting his familiar frame.

He must see the terror in your eyes, must see the flight response kicking in because he’s off the porch in a second and taking your hand in his. 

You’re shaking your head and your breath feels stuck in your throat, amassing into a stone of instinct that sits heavy on your chest. 

“Tell me,” is all Joel says.

The words come spilling out, mechanical, one after another. “I don’t deserve it. I don’t deserve this. I don’t belong here. I’ve killed people. I’ve lied and stolen and—”

He takes your face in his strong grip and forces you to look at him, the sight of adoration in his eyes like a balm to your heart. “It doesn’t matter if we deserve it,” he says. “Do you want it?”

More than anything.

Tommy’s voice cuts through the intensity between you and Joel. “Dinner’s ready,” he says. “Come eat, sweetheart.”

You do. Maria’s made a whole platter; roast and vegetables and some sort of broth soup with rosemary. There’s red wine and whiskey and sweet tea. Joel sits beside you at the table. Ellie sits across from you, beside her girlfriend who you learn is named Dina.

They’re all incredibly nice, asking you questions about your life before Jackson, never pressing too much, sensing when a topic is brought up that you don’t particularly want to recall and quickly changing the conversation.

The chemistry flows far easier than you’d imagined it would. You find you even like Maria, and you especially like that fond look in her every time she glances over at Tommy. 

The food is delicious and you’re bringing a forkful of roast to your mouth when Dina asks, “So, how did you meet Joel and Tommy?”

The table goes quiet then, and Dina and Ellie share a confused glance. You chew slowly, hoping someone else will answer the question or, better yet, ask something else entirely. 

But then Ellie jokingly says, “What? Did guys kidnap her or something?”

You nearly choke, Tommy lets out a long breath, and Joel is stone still apart from the feathering of his jaw. Even Maria looks uncomfortable. 

Ellie sees the unsaid words and quietly mutters, “Oh shit.” She turns to Joel then, eyes narrowed into slits. “You kidnapped her?”

“It wasn’t like that,” you supply. “Not exactly. I stole from them first. Back when food was a lot more scarce.”

“So you held her captive,” Ellie corrects, unrelenting.

“A story for another day, maybe?” Maria suggests. “How’s the soup, El?”

You can tell she’ll circle back to the conversation the moment she can, but for now, Ellie lets it rest. And you’re thankful for it, because you’re not sure how to explain a moment of your time spent in that cabin even to yourself, let alone someone else.  

After dinner, you help Maria clean while the brothers drink beer out on the back porch and watch Ellie play guitar. From the kitchen you can see Dina stretched across the wooden floor, propped up against the rails of the porch. The sound of Ellie missing a couple of strings makes Maria hum in amusement. 

“Joel’s been teaching her for a couple of weeks now. She picks up quickly,” Maria informs you, taking a now cleaned dish from your hand to dry it. It didn’t feel weird, being around her, despite the fact that you had kissed her husband just a couple of hours ago. 

“Yeah. She seems like a good kid.”

Maria places the plate into the cabinet before turning to you. She leans against the counter, taking a moment to look you over. 

“You weren’t how I imagined you when Tommy told me about everything.”

Her words didn’t feel rude or passive-aggressive. They were more so honest, and revealing. 

“How did you imagine me?” you asked, continuing to wash the dirty dishes in the sink. Focusing on the soapy suds melting off the plate the more you scrubbed it distracted you from the conversation. You knew that Maria was trying to understand you, but it made you feel anxious either way.

Maria sighed, tucking a strand of hair behind her ear. “Not so quiet. Fiery, like Ellie. I suppose you are, deep down, especially if both the Miller brothers like you.”

You used to have more of a spark inside of you, but over time, it had slowly fizzled out. You had killed too many people, done too many awful things. After your father was murdered, you lost the majority of the fire that was meant to burn in your chest. You learned how to be a drifter and not get attached, because getting attached meant losing them someday.

The only exception were the brothers who you could hear laughing loudly from the back porch. Even after all this time, after leaving them, they had found a place to call home where they could love freely. 

“They both care a lot about you. You had Joel pacing back and forth, wondering if you’d actually show up.”

A warm blush washed across your face and didn’t stop until it reached the bottom of your spine. Joel was waiting for you? How was it that he had shut you off, practically hated you all those years ago, but now, suddenly was worried about you? What had changed?

As if she could read your mind, Maria spoke. “Ellie helped him open up a lot. According to Tommy, she’s got that same spitfire energy as Sarah. Maybe back then, it wasn’t the right time. Joel was too far gone. But now, it could be different. You could take advantage of his weaknesses this go around if you think it would make you happy.”

You understood why Tommy loved Maria. She had created this town, a haven, and even cares about people she doesn’t know. She allowed her husband’s people to be her own.

“Maybe,” you agreed, focusing your attention back on washing the dishes. Maria didn’t pry and instead moved back into the pattern of taking clean dishes from your hands. 

Once you finished, you followed Maria onto the back porch, trailing through the sliding doors. Ellie and Dina were so focused on singing a Foo Fighters song that you hadn’t heard for years (that you were sure Joel introduced them to) that they didn’t notice your approach. Tommy and Joel did, Tommy smiling at Maria before extending his arms. She walked to where he was sitting and joined him, sitting on the edge of his lap. 

You were glad that you didn’t feel anything but happiness to watch the intimacy of the couple.

Joel’s eyes were watching you, dark and full of thoughts you wished you could understand. You wondered how he would react if you closed the space and sat on his lap - not that you had nearly enough courage.

“I think I’m gonna get ready to head home. I gotta organize the pantry in the morning,” you said, glancing over at the two girls who had moved on to singing some song you didn’t recognize.

All three of the Millers looked disappointed in your confession. “At least let me walk you back,” Joel begged, but you shook your head.

“No, stay. Don’t wanna miss out on this,” you said, glancing back over at Ellie and Dina singing. 

There was something like hurt that flashed across his face, but it didn’t linger long. 

“Feel free to come back any time,” Maria said.

“For anything,” Tommy adds. 

Joel says nothing, even though you linger there on the porch for several seconds, secretly hoping he would. But you nod silently, thank them for all their hospitality, and compliment Maria on the food, before parting ways to the soft sound of Ellie’s strumming on the guitar. 

For several days, you find yourself grappling with a decision. Should you stay, or should you do what feels most natural and flee? 

Fleeing would be what you’re used to. A rehearsed, calculated event. Premeditated. You’d been thinking about it from the moment you set foot in this place. Take a backpack full of supplies; food, medicine, water. You’d probably even get away with taking a horse and a couple of guns from the armory.

You’d do it first thing before the sun rises on a Sunday morning when the whole of Jackson is sleeping apart from the watchers on the walls. You wouldn’t say goodbye because you know Joel and Tommy both would convince you to stay. 

Instead, you’d leave a note on the table in your kitchen. One Saturday night you even sit there with a pen in your hand, but all you can manage to scribble down are the words I’m sorry. 

You trash it before sunrise. And that morning, Ellie stopped by to ask if you’d help her tend to the greenhouse. “It’s an eight-hour shift,” she explained. “Four with an extra set of hands. They have that dance going on tonight, down at the community hall. Dina really wants to go.”

Of course, you agree. And as the hours tick by, you understand Joel’s attachment to her. Ellie is probably the funniest kid you’ve ever met. Intuitive too, and so smart it’s jarring. You like her, mostly because she reminds you a little of yourself when you were her age. 

She talks briefly about her journey with Joel to Salt Lake City. Says he started out as this gruff, overbearing man, but towards the end, he was the only source of comfort remaining in her grasp. She says Joel saved her life but then gets really quiet for a while afterward. 

You don’t pry. The silence is comfortable, the dirt between the creases of your palms and beneath your fingernails is warm, and you realize that fleeing is going to hurt an awful lot more than you thought. 

After your shift in the greenhouse with Ellie, you begin to consider staying. Jackson is a good place, a safe place. One without the tyrannical rules of a standard QZ.

The following weekend, a fight breaks out between two men at the Tipsy Bison. One is drunk and sloppy and he has a knife strapped to his belt. You watch from a far distance as the drunken man stabs his opposition between the ribs, blood pooling in the mud beneath his feet. 

You don’t see Joel right away, too focused on the commotion that breaks out over the event, but the moment he steps in he’s hard to miss. He has that strong, domineering energy about him. He breaks up the fight in a second and has the man with the knife unclenching his fist, silver glinting in the pool of blood as the weapon drops to the ground.

Maria and Tommy arrive a short moment later and the man with the stab wound gets carted off to the infirmary. Joel towers over the man with blood on his hands but says not a single word.

You’re not sure why, and you’re too exhausted to attempt unpacking it, but the way he just… controls the situation so easily has your thighs pressing together.

Joel and Tommy take the man someplace, but you don't stay around long enough to find out where. You half expect them to make some scene of it; whippings in the center of the town, a public execution as a display of power. You’ve seen such things before in the QZs you’ve drifted through. 

But nothing like that happens, and all anyone can talk about is Rick’s miraculous recovery and what they plan to bring to him in the infirmary. 

You ask Jesse what happened to the drunken man who stabbed him, wondering if they killed him someplace away from prying eyes. 

Jesse laughs and shakes his head. “No, we didn’t kill him. He was exiled.”

You’re not sure why it surprises you, but it does. 

The next time you see Joel, he’s in the stables. The first taste of summer has presented itself, spring slowly giving way, the earth thawing further each day. He’s wearing a navy t-shirt that stretches tight across his biceps and a good-fitting pair of blue jeans, and you watch from a safe, non-conversational distance as he moves haybales from one end of the stables to another, making room for the new ones loaded into the back of Tommy’s truck. 

A light sheen of sweat coats his sun-kissed skin, and it makes your mouth water. All you can think about is that first time with him, how he’d gripped your hips with calloused fingertips, how he’d kissed your lips until they were swollen, how he’d pressed himself between your spread thighs.

You run home so fast you’re out of breath when you close the door, and the moment you make it up the stairs and to your room, you're slipping your hand beneath the waistband of your jeans to alleviate the ache that has settled and made a home between you legs. 

Telling yourself it was a fluke, you don’t think of it again. In fact, you try very hard not to think about that day in the cabin, you try not to think about the way he looked at you before leaving you and Tommy in the bed on that last day, you try not to think about the way his muscles flexed in the stables. 

You fill your time with chores. The greenhouse, watch, patrol, shifts at the Tipsy Bison. Anything that keeps your mind from Joel you greet with ready and willing hands.

But it happens again. Of fucking course it does.

It’s raining hard and has been for several days. The western wall begins to flood, and it’s an all-hands-on-deck situation, moving sandbags from one end of Jackson to the other. Everyone is running around, moving as fast as they can, piling them into the back of one person’s truck and then someone else’s the moment one pulls away. 

Maria woke you up in the middle of the night with a yellow raincoat in her hands, and of course, you didn’t waste a moment before you put on your sneakers and ran out the door with her. 

She stations you at the western wall with a handful of others, unloading the sandbags and stacking them as high as possible to detour the pooling water.

Joel stands two feet away from you, yelling orders over the sound of the rain, commanding the situation in that way of his. You’re shivering, even with your raincoat, and as Joel’s hand brushes yours when he helps you lift a sandbag onto the pile, it sends an electric jolt down your spine. “Jesus,” he huffs. “Here. Take off your jacket real quick.”

You do, in time with him as he removes his canvas coat, soaked through with water. He pulls his flannel off and hands it to you, and normally you would argue he needs it more considering your dry t-shirt, except you’re freezing.

The soft fabric is warm and it’s a little too big but it’s the most comfortable thing you’ve ever worn. It smells like him, like pine and rain and Joel. For a moment you consider not returning it back to him and adding it to your collection of clothes you’ve taken from him. But for now, you relish in its heat, in its softness. 

He goes right back to instructing others after shrugging his coat back on, as if the act of kindness was nothing, as if he’d give just anyone the shirt off his back. And maybe he would, but you’ve never stuck around long enough to find out. 

It’s still dark when you finish, sunrise still a while away. Maria and Tommy thank everyone for their help and send you home, telling everyone to try and get some extra sleep, that shifts will start an hour later than normal. 

You do as she says, noting the way the muscles in your back ache from strain but finding it strangely satisfying, feeling less like you’d lost sleep and more like you’d protected something that was worth protecting. 

Joel’s flannel remains on as you climb back into bed. And though you’re exhausted, all you can think about enveloped in his scent is how he would feel beside you, on top of you, between your legs. Heavy and warm, strong and so incredibly safe.

It doesn’t even feel like there’s a choice when you wiggle your fingers beneath the elastic of your panties. And even though it only takes a matter of minutes to make yourself reach the pinnacle of bliss, it feels unsatisfying. Like it’s not enough, like it’ll never be enough.

You still wear Joel’s flannel while on patrol with Jesse later in the day. You vow to return it, promising yourself this is your chance to change. To be a better person, to reinvent yourself here in Jackson, to stop running, to stop thieving. 

But you don’t return it. Several days go by and you practically live in the goddamn thing.

You lost count of how many times you squirmed against your pillow with the flannel pressed against your lips, imagining that Joel was there. 

“Just like that, baby girl,” Joel would say gruffly, his strong palms pressed against your thighs to make your hips rock. “Missed listenin’ to those little moans.”

If you squeezed your eyes closed just enough, you could feel him on you, guiding you. You prayed that he still thought about you, but you were scared to know what it meant if he did. It would mean that Joel reciprocated your lust, your feelings.

One evening you walked past Joel’s house after a long, tiring day of helping create concrete for the expansion of the South wall. The summer project was to create space for new houses. Jackson was growing day by day, getting stronger. 

You stopped outside the concrete steps, looking at the path to the front door. Would you have the courage to walk up that intimidating trail and knock on Joel’s front door? Would you have the courage to ask him to kiss you, to show you how much he missed you?

Your question was answered once Joel’s front door opened, and a dark-haired woman stepped out. She was turned back, telling Joel something that you couldn’t quite make out. The steps of your sneakers crunched across the gravel of the road, your feet carrying you as far away from Joel’s house as possible. 

One last glance back allowed you to witness the faraway silhouette of Joel passing something over to the woman, something that you were much too far away to see. You had done something stupid again - assumed that Joel was single. You weren’t trying to jump to conclusions but Tommy was married after all. It would make sense that Joel had found someone too, someone to settle down and raise Ellie with. 

The happiness that you felt seeing Tommy and Maria together was not what you felt when watching Joel with another woman. A big, ugly, green monster bubbled inside of you and threatened to crawl out of your throat. 

You hated this feeling. You hated it so much that you’d ended up going to Joel’s house later that, shortly after his bedroom light had turned off. The streets were completely empty except for the night shift patrollers walking towards their posts, the day saying its last goodbyes in the same way you meant to. A basket with Joel’s flannel and his original jacket from fifteen years ago was left on his porch. They were rejected and discarded, like how you felt. 

The basket mocked you when you walked away from his porch, a visceral reminder of what you were actually returning. Your devotion. 

It was impossible to sleep that night, too many rampant thoughts running wildly through your head. You stayed up the remainder of the night, a scratchy wool blanket tucked beneath your chin as you sat on the couch.

The moonlight streamed in through your living room window, painting colorful silvers and purples across the peeling walls. It was eerily peaceful to watch the earth sleep.

A stark opposite to the peaceful moonlight was the sudden rough knocks banging against your front door. You couldn’t help the way you jumped up, your bloodshot eyes glancing over to watch the wooden frame shake with each knock. 

You move over the back of your couch to glance out the front window to see who is pounding at your door. The top of your head peeks over the blanket, your eyes straining to see. It’s Joel, of course, it’s Joel, and seeing him with that frantic look in his eye has your heart in your throat.

When you open the door to ask what he wants, you see both his flannel and his coat clutched in a knuckle-white grip. “Is this your way of saying goodbye?” 

Your brows furrow. “What?”

“You’re leaving again, aren’t you?” You open your mouth to speak but he raises his free hand and stops you. “An’ don’t lie to my face, don’t…don’t look at me and tell me you’re staying just to disappear in the middle of the night.” There’s a kind of aggression in his voice you’ve never heard before, even when he shot you. “You’re leaving.”

It’s not a question this time. And you know he’s reliving it, remembering every moment in that cabin, the same way you’ve been since setting foot in Jackson.

The urge to comfort him rises in you, to promise to stay, but you can’t. Not when all you can see is that dark-haired woman on his doorstep. So, you swallow thickly and cast your eyes away, staring at the clothes you’d return instead. “It doesn't matter. Keep them, Joel.”

“It does matter,” he insists. “How can you say that?” He pushes into your house, this desolate place that suddenly comes to life with him in it. “After everything we’ve done, after everything we’ve seen… it matters. This place matters. You —”

Your breath catches at his near confession. It’s the first you’ve heard it from anyone, and the young girl you were fifteen years ago silently begs for him to finish it. She begs to be seen, cared for, and loved. 

But you’ve spent so long shoving her into a box in your heart that it’s second nature when you do it this time. Joel shakes his head. He begins to speak, stops, and tries again. “I…you…”

“What, Joel?”

He runs an exasperated hand down his face. Whatever it is he’s trying to say is bothering him, an irritation dug in deep like a tick. “Don’t…”

You know you shouldn’t. You know it’s none of your business, yet you still find yourself crossing your arms over your chest and saying, “Should you even be here right now? Isn’t there someone else you should be giving the pleasure of your company to?”

Confusion sinks in quickly. “What are you talking about?”

You roll your eyes. “Oh, so I can’t lie to you but it’s fine if you lie to me? Typical, Joel. You’ve always been a hypocrite.”

"Hypocrite? What are you talking about? I’m here, trying to convince you to stay in Jackson because it’s safe. Even if you want nothing to do with me, if you want me to…to stay far away, that’s fine. But this place needs people like us and we need it.”

“Jesus Christ, Joel—I saw her. Don’t fucking play dumb.”

“Saw who? ”

You throw your hands up, anger rising to the surface of your skin. “I don’t know! And I don’t want to know! She was leaving your house with a really big smile yesterday so I guess I should say congrats, right? To you and Tommy both, for finding whatever it was you were looking for in me fifteen years ago.”

Joel shakes his head. “No, no—you’ve got this all wrong. It’s not like that.”

“Right,” you say indignantly. “Because that’s believable.”

He closes the space between you and wraps his hand around your elbow, holding tight enough to bruise. Joel stares at you with his eyes filled with intensity, so much of it that you actually start to believe him when he says so quietly, “There’s been no one. No one since you.”

“Oh, so it’s just the start I interrupted then? My bad, Joel, should I apologize?”

“Will you stop?” His jaw ticks, and you can see his irritation as it rises, a near palpable thing. His neck flushes, and his eyes narrow. “She’s Dina’s mom. She came over to meet me formally since Ellie’s been staying over there so often. She doesn’t mean anything. Not like…”

“Like what, Joel?”

“Not like you,” he finally says. It feels like a breath of fresh air, and you think he must feel that way, too. Because his grip on your elbow loosens, his shoulders drop, and his eyes soften instantly. “You…you mean something. To me. An’ I don’t…I want you to stay. I’m…I’m askin’ you to stay. Please.”

In all your life, in all the places you’ve passed through…not once has anyone ever asked you to stay. Not once has anyone seen you like this, seen and known you well enough to know when you’re tempted and have enough time to deter your decision. 

Well, until now. Until Joel. 

“Don’t do that,” you say, shaking your head, trying to clear the moisture that pools in the corner of your eyes. 

He takes your face in his hands, calloused palms rough and warm against the tender skin of your jaw. “Stay,” he says. And again, softer this time, a plea. “ Stay.”

“Don’t say things you don’t mean, don’t give me false hope.”

Joel presses his forehead to yours. “I mean it,” he promises, and you want so badly to believe it, so you do. “Do you have any idea how long I looked for you? And even when I stopped lookin’ I saw you everywhere. Saw you in everything. That first winter without you…Christ, couldn’t think about anythin’ else.”

All you manage to say is his name like an escaped breath. Your skin prickles at his closeness, and you’ve never been good at resisting your impulses so you don’t even try to keep yourself from pressing your lips to his. 

His hands slide into your hair, pulling you in closer, his tongue running across your bottom lip. You grant him access in the form of a moan that he echoes the moment he tastes the inside of your mouth. 

You forget everything. Everything. All you know is the way this feels, and you suddenly think that maybe all this time you weren’t running from anything. Maybe you’ve been running to him. 

“It’s always been you,” he says against your lips. His hands trail down your spine, gently caressing your soft curves.

The pad of his thumb brushes against the bare expanse of your spine where the smallest bit of your shirt has ridden up, but you feel the touch like lightning skittering across your skin. You wrap your hands around his neck, anchoring yourself against him, and it feels like second nature when he pulls you closer and lifts you off your feet. 

In fifteen years nothing has changed—you still melt against him, defenses giving way, legs wrapping around his waist. You break the kiss long enough to whimper direction, saying, “The bedroom is upstairs, second door—”

“On the left, I know. Tommy and I fixed it up a couple months ago. Talked about you the whole time,” he says. And you’re not sure why but the knowledge has your heart flipping in your chest.

It’s almost like he knew, like they both did. Like they could feel you somehow, out there, wandering, finding your way back to them.

Joel lays you down and strips your clothes off slowly, fingers familiarizing themselves with every inch of your skin as if he’s learning it for the first time. He kisses your lips until they’re swollen, leaves marks in the shape of his mouth down your chest, and leaves moisture from his tongue over the hardened peaks of your nipples.

When he parts your thighs and tastes you, he’s still fully clothed. And you begin to feel exposed, like the two of you are standing on uneven terrain, but then he lets out a feral-sounding moan and you think maybe he’s suffered in your absence even more than you yourself have. 

His tongue is soft and hot and makes your back bend off the mattress. Twice he makes you come undone with nothing but his mouth. And when he rises to his knees, peering over you, he looks sated. Relieved, somehow. As if being this close to you has healed him, stitched up some long-opened wound. 

Unhurried, he begins to discard his clothes onto the floor beside yours. His flannel first, and then his t-shirt, and you let out a pathetic moan as you drink in the sight of him. His scarred, masculine hands working at the metal buckle of his black leather belt, his toned arms and his soft tummy, and that trail of thick, dark hair that disappears beneath the waistband of his jeans. 

Everything about him ignites you, calling to you like some sort of beacon. Your skin prickles as he discards the remainder of his clothes. 

And before you have a chance to speak aloud your fervent need, he’s settling between your thighs and pressing the head of his cock to your entrance. He cradles your face in his hands, gently smoothing your hair away from your face, and there’s so much devotion in his voice that it makes you tremble as he says, “You were made for me, little girl. Do you know that?”

You think you do. You think you’ve always known it, always known that whatever god-like, mystical being that resides in this world had crafted you with Joel in mind. All you can do is nod and bask in the moment, in the sanctity of your creation, in the wickedness of his. Carefully, he pushes his cock into you. 

The stretch is painful at first, even with how wet he’s made you. But it’s a bearable pain, a sweet ache, especially with the way he whispers in your ear and presses soft kisses to your cheek with each breath. “S’okay, you can take it. I know you can. See? There you go. So fuckin’ proud of you, baby. You’re so perfect. Perfect for me.”

Joel rocks his hips against yours at a gradual pace. There’s nothing rushed about it, no aggression in his movements. It’s so different from the last time but the change in him just brings the two of you closer. Your orgasm builds like a fire in your belly, burning more and more with each thrust, heightened by the gruff moans that escape him, by the pressure of his body on top of yours. 

He’s so warm and he feels like home. A sensation you’ve never felt since leaving that cabin, a safety like you’ve never known since. You love him. You forgive him. And so you tell him.

And as the words escape your lips, as you make that final confession that will alter the course of your life forever, his breath stutters in his chest, and that fire that’s been building in your belly reaches its full height, flames licking at your skin. He says, “I love you, too, little girl,” and it tips you over the precipice.

You reach the high of bliss together, at the same exact time, and everything but this feeling fades into nothing. All that remains is you and Joel and this otherworldly closeness. There’s nothing left to forgive, nothing left to navigate. As one, singular soul, you simply are. 

He takes the time to clean you up afterward. You shower together, and he massages body wash into your skin, relieving the ache from your muscles. You don’t ask him to stay because you don’t need to; he just does. Because he knows you like no one else ever has. 

You fall asleep quickly. It’s late and you’re exhausted, but for the first time in fifteen years, you feel stable. He holds you through the night. 

But when he shifts just slightly, it wakes you a few hours before sunrise. His eyes are wide open and bloodshot, clearly straining to stay awake.

Shifting on your elbow to lean up, you ask, “What’s wrong?”

Joel just shakes his head and gives you a small smile. “Nothing,” he says. “Just go back to sleep. Get some rest.”

It’s clearly a lie. Something is tugging at him, and you’re determined to fix it. “Tell me,” you say.

He hesitates for a moment, working over his words in his head. He opens his mouth to speak, closes it, and tries again. And then he says quietly, unable to look you in the eye, “I wanted to be able to talk you out of leaving. If you changed your mind again.”

The words break your heart, cracking open your ribcage and allowing a trace of bitterness to settle there. It’s your fault, you know. Your fault he worries about you leaving so much, that he allots time to talk you down from a ledge you’re not quite sure even exists anymore. You swallow down the tears that threaten and crawl into his lap. You kiss his face a hundred times, leaving no space untouched until you’re both quietly laughing. “You can sleep easy tonight,” you say.

He nods as if he believes you, but you can tell there’s still anxiety lingering within him. It’s quiet for a long time. He just holds you tightly, arms wrapped around your middle. You think he may have fallen asleep, but then he whispers into your hair, “I’ll take you anywhere you want to go. Just don’t leave me behind again. Please.”

It’s a plea. He’s begging, in his own way. You kiss him hard, and in only moments he’s snoring with his arms locked around you.

You only wiggle out of his grip when the sun rises, yellow and orange hues cast across your bedroom through the glass pane of the window. You pull Joel’s t-shirt over your head and make your way down the stairs as quietly as you can.

This will be the most difficult thing you’ve ever done. You know it will be. You know Joel will pull things out of you you’ve been shoving down deep, know he’ll poke and prod in an attempt to heal all within you that’s been broken. 

Because that’s the kind of man he is; one who takes care of those he loves, who sacrifices his own comfort for others. You don’t deserve someone like him and you know it. No matter how much you forgive, no matter how many times you try to wash your hands clean, you know it’ll never be enough for his devotion. 

You stand in the middle of the kitchen, eyes glued to the front door. It would be easy to leave, you know. Second nature. Instinctual. You wouldn’t have to face all you’ve done, wouldn’t have to unearth all you’ve buried, wouldn’t have to open that closet with all those skeletons. 

Hands trembling, you try to catch your breath. Try to make that final decision, try to forgive a little more. Not to forgive Tommy or Joel, but to forgive yourself. 

The longer you stand there in the kitchen, the less you believe you’ll ever possess that sort of absolution.

But it’s worth a try, isn’t it? To find mercy in a place it’s never existed.

You take a slow breath.

And then you put on a pot of coffee.

taglist; @arizonadreamingg @sirendyes @untamedheart81 @pinkiec6-rubi @galway-girlatwork

[emmcfrxst]

omg old man!logan with mom!reader and laura has me in TEARSSSSS i love them so much

he would never admit it because he's too proud but does get a little jealous when all your attention is on laura. it's nothing serious obv (who tf would be jealous of their child😭) but he is left with with a heightened sense of need for you and your touch. so when night time finally comes around, he's super happy to get you all to himself and just shower you with the love that laura showered you with during the day <33

(the concept of reader being both logan's and laura's favorite person to ever exist is so sweet aaahhhhh)

i’ve said this before i believe but something about laura really brings out logan’s inner child; he’s a lot more mischievous when she’s around, allowing himself to act like a kid and have fun— he’s provoking her on purpose (all in good fun, obviously! he wouldn’t say anything that could actually hurt her feelings, at least not once he’s gotten used to interacting with a child again, he’s accidentally hurt her feelings before by being a little too brash, but that was before he decided to make conscious efforts to let her in) and bickering with her any chance he gets, a grin on his face when she takes the bait and argues back (he’s not gonna lie, he’s pretty proud of just how vivacious she is, she does remind him of himself but he won’t admit that out loud) because he’s really never felt quite as youthful when he’s around her. they’re quite entertaining to watch honestly, because he absolutely will stick his tongue out back at her if she does it, and he will chase her around the house in playful anger if she insults him. he also likes to ruffle her hair when walking past her because she always lets out the most offended little yell, jumping on his back in retaliation and he walks around the house with her hanging off of him like a koala, despite the ache/discomfort the added weight brings him. he’s also the one who started using the nickname “monkey” for her, partly due to her most prized possession: a plushie you gave her (which i talked about here if you wanna read <3) and partly because she loves to climb pretty much everything she sees; including trees, doorframes, random furniture, fences and of course her daddy. anyways yes, since she brings out the youthful side of him he does allow himself to fight her for your attention, which quickly turns into a competition (honestly pretty much anything turns into a competition when it comes to these two, it’s kind of their love language) and logan isn’t afraid to play dirty despite the fact that laura is like 11— he will use his strength to untangle her from you, playfully throwing her on the couch away from you and grinning at her while wrapping his own arms around you, mouthing “my turn now” to her, making her look at him with the most offended expression ever seen on a human being. there’s never a boring moment with them, and you’re constantly showered in both attention and affection <3

[wanologic]

college au prequel: what happened to danny during junior year - 2940 words

Viscous green liquid sludges through a dry river bed, whetting the cracked ground and seeping deep into the void. Soil softens, becoming fat with nutrient. In the most basic definition, still itself, but filled with new matter, ready and accepting of more. This is what it was made for, its purpose. It has been sitting, dry and untended for too long. In this symbiosis it is more than it dreamed to be. Complete in the sense that it has been starved.

--

Danny wakes up, the dream lingering.

He’s been feeling odd lately, despite the fact that he is more comfortable in his skin than ever. He has a goal, he has support. 

A bridge, he called himself.

Even if he’s only sixteen and his influence is contextually small, he has time. People are listening. Ghosts are listening. Small steps over a long period will get you where you need to go, and he’s still just a kid. 

A kid who has to get ready for school.

He goes through the familiar motions, snags a quick breakfast and lets his parents know he’s headed out, that he’ll see them later. He’s out the door and on his way before he knows it.

Danny’s grades have improved since his freshman year. The pressure to keep things secret has all but alleviated and his family is sticking close. The world might not know that Fenton and Phantom are the same, but the people who matter do.

He’s managing. Thriving, even.

His extracurriculars are atypical of a high school junior, but he plays his role well. The Ghost Investigation Ward meets Phantom and the Fentons on neutral ground that evening, working their way methodically through a tangle of red tape. Teaching, learning. There’s always danger in compromise, but both parties are being two faced. It’s civil for now.

He’ll do this from the opposite angle on another day, playing border guard for the dimensional tear nestled into the fabric of his basement. Walker would be proud of him. He’s enforcing the Rules.

And it’s all going well as far as he can tell. Things are so much less chaotic than they were, his brawls feel like bonding, his head is no longer on a swivel.

For now, it’s off to his room. A space for himself to decompress after a long day's work.

He spends a lot of time thinking about a prehistoric past. What the future might look like once his job is over. This solid physical reality fed that swirling and infinite realm of emotion directly, once. It didn’t last, but time has passed. 

Danny is more aware of this fractured nature than most. He’s sure it’s why he’s had so much success. Why the responsibility falls on him. He feels it every time he calls upon his second self. 

And that’s what it is, isn’t it? Human first, ghost second. Humanity is the frame of reference he was born with. Everything new he experiences in this strange half-life is compared against it. Spectra once asked him what he was. But humanity is in his nature. He is a creepy boy with creepy powers. He’s sure of it. 

Going ghost.

Returning to humanity.

Not that he prefers one over the other. He’s made the choice. More than once. When his memories were erased or his powers short-circuited he always took them back. Felt the thrumming and euphoric energy pulsing through his being once again. His shape projected and unreal. Weightless. It feels incredible.

At some point, some late night discussion about feelings, whether it was with family or with friends, he realized his dual nature was more of a privilege than he could ever hope to fully comprehend. His human half feeds his ghost half everything. His ghost half is complete. No wonder he’s so determined, so strong. He has never once craved emotion the way the others have. He has intrinsic access to everything. Every failed test, every frustration, every joy, every thrill. He is comfortable and whole. Has no need to lash out. Two separate identities working together as two polar magnets, inseparable through the strength of their attraction, moving through the world as one.

He slips the familiar glowing rings across his body, the cool wash of ectoplasm coursing through his veins. Back again, blood pumps oxygen to his cells. Human. Ghost. Human. Ghost.

--

This time the dream is stranger.

The river craves the ocean. 

Danny feels the sand cake beneath his nails as he digs a trench, a violation of the river’s established bed. There’s a trickle as a thin and frothy stream flows out of sync with the current along the path he lays. It longs for the larger disconnected body ahead. A curious tendril seeking an easier path. He digs deeper, automatic, compelled by a force he doesn’t quite understand. 

Is this a bridge too?

He’s both excited and afraid to find out.

The liquid pools at his fingertips as fast as he can dig. Nudging. The sand is saturated and wet in front of him. He’s not sure how much further he has to go. But if he can claw his way through this dense barrier he’s sure it will pick up momentum even without him. The fluid mass can carve its own trench. Wider. Faster. Wider again.

He wakes up in a cold sweat. He somehow feels incorporeal. This isn’t right. He looks at his hands. His fingers in the dark. Clean. Spotless. He feels the sheets beneath his body, the press of the blanket above. So he’s still human then, wrong as it may seem. He clutches at his chest as he tries to calm his racing heart, quell the strength of an intense emotion that he cannot describe. It’s exhilarating. It’s terrifying.

He stops digging and fashions a dam, not yet ready for what the final connection could mean.

His head hurts.

Nausea tucks itself against his gut.

He takes a shower.

--

It’s Saturday and he has business in the Ghost Zone.

He shifts, expecting the weird feeling to subside. Instead it’s more of the same. Something is off. He ignores it. A thing to worry about later when he has less to do.

His work that day goes smoothly, another step in what he can only hope is the right direction. And it feels nice, giving in to the compulsion and focusing on what is in front of him, what is currently begging his attention, rather than the problems lurking beneath the surface. It is a learned behavior, one he falls back into easily.

Upon his return he feels like he is dragging a piece of the Infinite Realms back with him. The air seems to thicken, the cold steel walls of the portal are closing in on him. The exit is a pinpoint.  He’s being called back. He wants to move forward. He can feel silky fingers worm their way over his skin, hundreds of tendrils trying to pull him into their embrace. He stays strong. Moves with intent. The invisible hands can’t find enough purchase and he is finally welcomed back into the Physical World like the denizen he is. 

The caress stays with him much longer than he’s willing to admit.

--

Weeks go by and he only feels stranger and stranger. High. His attention slides off of everything so easily, his eyes blurring mid-conversation, a stuffy feeling, like a balloon that’s expanding well past the boundaries of his head. He loses time. Cancels appointments. He doesn’t feel well, sorry, he’s going to stay home today.

There is something Danny knows he needs to do. He can’t keep existing in limbo like this, his job only half-finished, pulled in two directions but choosing neither. His powers will wane once again in his indecision. His purpose sits unfulfilled.

He lays back and stares at the softly luminescent stars pasted to the ceiling of his room. Takes deep and even breaths as he struggles to remain present. His sister is worried for him, he’s sure. The best he can do for her is secretly practice what she has preached.

Danny eventually thinks back to that trickling stream. The slimy offshoot of the coursing river. He thinks of the dam he dreamed up all those weeks ago, sure it’s bigger now. His denial adds weight and height to the metaphor. Every day it feels less like a figment of his fucked up imagination and more like the worlds are trying to tell him something. What’s on the other side now, he wonders? Is the river still flowing? Are the fruits of his labor still there or has that little hand-clawed pathway dried up? How large is the reservoir pressing up against that sandy hill if it hasn’t?

He’s scared. 

He doesn’t want to know. 

But this isn’t what he promised himself.

A peek can’t hurt.

--

The dream comes easily, now that he lets it.

The funny thing about water is that it always finds a way. No matter what people do, how they try to tame it, erosion is inevitable. It starts as a dark wet splotch, the faint idea of a tiny breach in the all-but-permeable barrier between worlds—the river and the ocean. As the spot expands a dip forms on the horizon. The water moves. Under, through, over. Destructive. Alive. Danny shouldn’t have looked but he can’t stop what has already started. Equilibrium will be achieved one way or another. It was only ever a matter of time. He stands in the shallows, cowed as the wall comes down. Slowly first, then all at once.

The edges of panic are sharp and he realizes what is happening only a beat too late. 

The dam breaks.

He screams.

He was the dam, he is the trench, the rapid connection of energy flowing out of bounds and rushing along a new path. Lightning striking the rod to avoid burning down the house. The portal below him is a wound, a tear. He is something asked for, something natural. His mind can’t keep up as he struggles to regain ground and prevent being swept away by the violent current.

Dim awareness of his physical body comes back to him slowly as he writhes against the foreign dimension assaulting his senses. A second death. His double life was a conceptual marvel, a switch flipping from on to off, and back on again. He is the embodiment of two worlds, split, distinct. His quest to join them together requires this of him, doesn’t it? Whatever autonomy he has against the will of the universe cannot remain if he truly wants to serve his purpose. It’s a choice he has to make. One that he has been making. One that has been made.

He takes a deep and shuddering breath.

He tries to let go, and finds that he can’t. It’s like being electrocuted all over again, his nerves fried and his joints stuck rigid. It’s a feeling that is impossible to control, tense as he is.

His breath still comes ragged as colors around him saturate and the world warps. He can feel his fear, his desperation, feeding the momentum of whatever is happening. The exchange of emotion, osmosis through a rapidly deteriorating membrane. Thousands of overlapping inputs assault his mind as he feels the energy sliding around in the folds of his brain. He breathes through it. It’s not at all painful, but it is intense. His human points of reference aren’t working to help him conceptualize what is happening. His atoms are buzzing with newfound energy and the world is no longer solid. He tries once again to attempt the mindfulness ritual Jazz has been shoving down his throat, tries to name five things around him. The exercise fails him as he feels his brain liquefy in his skull. He gasps at the sloshing sensation, back arching. He’s going to be unmade.

Instead of loosening his grip, he tightens it. Remembering what it is to be human with all the force he can muster. His knuckles are white. Sweat slips down his brow. If he can’t let go, he has to hold on. He is gasping, thrashing. He’s hyperventilating, he’s sure, but no oxygen floods his system. He wants release, wants off this ride. The world outside of his perception ceases to exist. Flesh slips from his bones and it feels so, so good.

Then he sees it.

His eyes are blind, but he perceives it, somehow. The yawning void of the infinite realms is so much bigger, so much hungrier than he had ever thought. Reading that tablet, all that time ago, he thought his purpose was something simple. Easy in a way that a fourteen year old imagination could rationalize. The earth and the zone were two physical spaces that only needed to understand each other and hold hands to achieve that elusive harmony. 

He’d been wrong.

It’s not the earth that feeds the realms. Dimensions aren’t something that can be explained by an elementary understanding of mass and matter. They aren’t some static three dimensional points in time and space. They are universes of their own, expanding, interstitched in a nasty and sticky web of inexplicable physics folding over and back on themselves, forever too complicated to pry apart.

The realms are fed by the conscious universe perceiving itself, the soul, the spirit, whatever you want to call it. Emotions aren’t some grid of faces on a paper, they are infinite, they are cause and effect, the chicken and the egg, projecting forever in a möbius loop human understanding can never truly describe.

He’s going to go insane, he concludes. Here on his bed, on some random weekday, alone in his room. The magnetic pull of his two halves are phasing into each other, becoming imperceivable as the two separate forms he once knew. He’s not even sure that he really exists at this point. 

There is another choice to make.

He thinks back to what he knows about this buried history, Pariah Dark, The Ancients, wonders if they considered this connection, what they knew about how this should happen. Is there a way to do this that is objectively correct? If he knew more would it be easier? Or would it go down just the same? He has no desire to conquer. Only to be a bridge. A tether. An example. To show that this merging from two to one can be peaceful, a shift in perception rather than a violent overhaul. It is unavoidable now. His only wish is to remain recognizable as himself. 

He focuses not on his mind but on his body. He has to rebuild from the ground up or risk losing himself forever. Start small, a beating heart. Vascular systems. Skeletal. Muscular. Take a breath and pump blood into the empty cavern of his skull. Human is what he knows, though he’s never had to think about it quite this way before. His nerves lace through the structures he’s struggling to create, half intuition, half memory. It feels like being a ghost, all projection and thought, a deep and innate understanding. He knows this. He’s existed this way every moment of his short life and he can do it again. He’s alive, his blood is red, his flesh is tangible.

His brain slams back into his body and he promptly throws up.

--

The worlds are connected once again.

Danny’s hands shake as he tries to get a grip on himself. He’s been changed. He can feel it. The Infinite Realms has marked him as he has marked it. The world is flowing through and from him. Energy hums under his skin, and in it there is access to a well so deep he’s not sure it could ever run dry. 

He finally gets it. This is what being a bridge between worlds means for him.

He gets off his bed slowly. Half floating, half stumbling for balance. His instincts are scattered and his breath no longer sits in his body the same.

This change gives him the authority and the power, the perception and understanding to mend the bleeding fracture between dimensions. He will be listened to. He cannot be hurt. His appearance no longer matters, he is what he is, wholly and entirely. He exists as a linchpin. He is the keystone in the arch where one side is living and the other is dead.

Gravity feels so odd. Like someone changed the coefficient.

He sobs and grabs his dresser for support, woozy and unbalanced, a newborn deer walking on unfamiliar legs. He intends to make his way downstairs. Wants to fall into the embrace of his parents. Needs someone to hold him and tell him that everything will still be okay. He looks to the door.

And without moving, he is there.

Breath comes hard and fast as he steadies himself. His perception catching up to the new perspective. His hand is on the handle, he radiates a trail of semi-physical matter with every motion. It will take practice to appear normal again. He’s reminded of his freshman year.

When he finally opens the door, a swirling green wall is all that meets him. He stares at it, the cold vapor of the Realms slipping around and through him.

He knows the observants exist on the other side. He is sure of it as he is sure of anything. They are there to acknowledge the crown above his head. To observe what he has finally made of himself. 

He will tell him that he didn’t want this, didn’t ask for it.

They will tell him that he is lying.

He steps through the threshold.

[salmalin]

My sincerest apologies and warmest welcome to my rant about FF7: Crisis Core. Or, as I like to call it,

Propaganda: The Video Game

I say this with the utmost affection. Crisis Core ranks really high up there in my favorite Final Fantasy 7 installments. I played it when it first came out, borrowing it from a friend to play on a borrowed PSP. And, the more I learn about the game and the more I replay it, the more everything lines up.

This game is not about Zack Fair.

This game is about how Capitalistic Propaganda can sink into every aspect of life to the point where it is entirely indistinguishable from reality. And it’s very overt about it. So…

Here we go.

My treatise on Propaganda’s starring role in Crisis Core.

Part One: The Timeline

Something that a lot of people gloss over due to decades of Child Heroes in media—Japanese Shonen and Shoujo series in particular—is how young these protagonists are. We’ll hand-wave a lot of stuff in non-live-action series with just a little bit of suspension of disbelief. And that’s honestly just accepted these days. But here’s the thing about those hand-waves.

Final Fantasy 7 doesn’t do that.

Now, FF7 hand-waves a lot of stuff. For example, how far you can travel in a day by foot, the distance a man weighing approximately 165lbs can jump after being genetically fused with what might as well be a cocaine demon (Jenova), and how much hairspray one can reasonably carry on a cross-country journey while on the run from the feds.

Age is not one of them.

Exhibit A: Yuffie Kisaragi.

Do I really need to say more? She acts her age. So does Zack. And Aerith, even. Most of the characters in the original lineup were over twenty for a good reason. We see several kids in the series, and they all act their age, too—both the OG and the remake. Age is not a thing that FF7 really grapples with. It’s something they take relatively seriously.

Now, to the point.

Zack is 16 when Crisis Core starts…

… and he was 13 when he ran away from home without his parents’ knowledge to join the military.

Which accepted him.

At 13.

Without a parental permission slip.

Think about that for a second.

… Or for the next several parts of this breakdown.

Part Two: The Main Character

As I mentioned in the introduction, Zack is not the main character of the events of Crisis Core. Instead, he is the focal point of the second person POV. This is not the first time Square has done this. It was done most notably with FF9, FF10, and FF12. (I’m not going to go on an Akira Kurosawa rant right now, but please check out his film “The Hidden Fortress”. FF12 and Star Wars episodes 4-6 borrow heavily from this film.) The purpose and position of this character is such that they might best witness the effects the other characters make on the world as their stories unfold, usually in the role of a love interest. For Akira Kurosawa, it may have been told this way because these people are most effected by the decisions being made.

“Well, then, Sal,” you may be asking, “who would you say is the main character? Would that be Aerith, since she’s the love interest, like in the other games?”

No, actually.

It’s the antagonist.

And by that, I mean Genesis.

Hear me out. I used to hate Genesis, for I was once young, full of judgement for flamboyancy (thanks, internalized homophobia), and was led by the narrative to believe he was mean to his friends. Then I met my Lovely beta who loved him, so I wrote a fic for her as a gift. So for that I kinda just… read stuff. Because that’s the thing about Propaganda—you gotta read stuff to navigate it. I read the in-game emails. I re-watched all the scenes I could get my hands on with him. I read his wiki and tried to track down more information about him. Then I watched the scenes in Japanese and gained a better understanding of not just Genesis, but Sephiroth’s character. And I realized that Genesis was put on this road from the start. In fact, a big part of the fact that he’s seen the way he is in Canon—only at his most hostile and lowest points—is because the story is told through Zack’s point of view.

So before we get into the breakdown, here’s the hard facts about Genesis.

1. He was a test tube baby who may or may not technically be Angeal’s fraternal twin brother, which we are not going to unpack right now.

2. He was adopted by a relatively rich family.

3. He was a child genius (which requires not only resources, but drive to achieve), and at a tender young age of like… ten or something? He decided to mess around and literally invented pasteurization. Which is incredible, and really speaks to his knowledge of the world and ability to grasp complex concepts even at a young age. But, again, this is not the time or place to unpack that.

4. He was best friends with Angeal, who might as well have been the sweetest, kindest boy to ever walk the Planet. (I’m biased. I love him.)

5. As a teenager, he became fixated on Sephiroth, who had gained national acclaim as a SOLDIER despite them being the same age. (Please see part 1 and think about that for a second.) He then goes to join SOLDIER and brings Angeal with him. And Angeal brings his step-father’s puritanical “hard work is honorable” mindset with him. (On that note, Angeal and his father’s arc really are a wonderfully scathing letter to companies that overwork their employees and how toxic/unhealthy that line of thinking is. But. Again. We are not unpacking that right now.)

6. At one point he became consumed with LOVELESS, a series of poems with heavy prose and symbolism thicker than syrup. It got to the point where he was so well known for it that there was an entire fanclub dedicated to both him and analyzing the text.

7. While he was in SOLDIER, he repeatedly had his achievements publicly accredited… to Sephiroth.

Over and over and over again.

Everyone did, really. They mention it in the beginning of the game. Sephiroth even got public credit for Zack’s raid on the castle when he wasn’t even there. How much of his legacy is real? How much of it is made up? How much of it was faked? We don’t know. No one knows. But he keeps getting credit, anyways. And when Genesis confronts him about it, Sephiroth doesn’t care. In the Japanese version of their fight scene, you could even say he indirectly implies that he wants Genesis to take his place as the “hero”. In the English, Sephiroth’s line is, “Come and try.” But in the Japanese the line is closer to, “Wouldn’t that be nice?” Which, depending on how you take his tone, can mean wildly different things—from mocking, to earnest, or even admiration—which is especially to tell because he might be annoyed with Genesis at the moment.

Fun Fact: In Ever Crisis, Sephiroth explicitly says they are making up his achievements in the press to target boys his age for recruitment. (Thus why they accepted Zack at age 13.)

My theory on this line is that he is being cynical; that Genesis doesn't understand just how harrowing and even humiliating his experience has been. This only enforces my theory that the "come and try" translation in the English not only does a disservice to a line as wonderfully heavy as, "Wouldn't that be nice?", but fundamentally misunderstands Sephiroth as a character.

8. Genesis then took the fight to Shin-Ra. Inspiring a good chunk of their staff to leave the company, he then staged multiple attacks on facilities, staff, and the main building—which also spilled out into the city of Midgar. He murdered his parents, buried them, killed everyone in town, and… Yeah. It wasn’t pretty. A lot of innocent people died simply because they were vaguely associated with Shin-Ra. These are the actions of a villain. What’s more, this is clearly a sign that he has been acclimatized to death and violence by Shin-Ra to the point where he doesn’t even consider taking hostages.

Except.

Except the entire town was a Shin-Ra town.

Banora, canonically, was a Shin-Ra built town, which means everyone there was basically an employee of the company. No one was safe. Everyone was a threat. And that…

That was how he was raised. And he finally knew the truth—that every moment of his life was touched, controlled by Shin-Ra, all the way down to his very conception. He has never known freedom. He has never known his own identity. And now that very cage was killing him, slowly and painfully, and turning him into something that couldn’t even be recognized as human. He was watching himself rot in the mirror, and it was all because of Shin-Ra’s greed. And as he searched for salvation, he sunk into LOVELESS as he always had, hinging his entire life on Minerva’s Gift because he knew he was dying and that was all he had.

9. And then he died…

10. … but then it turned out LOVELESS was actually kind of a blueprint, and he did meet the Goddess, and he did get reborn without his degradation so he was rewarded for his journey in the end.

So why wasn’t Genesis the main character of the game?

Simple.

His actions challenge the status quo without being about the status quo. It’s a story about revenge. It’s a story about retribution. It’s a story about answering mass violence with mass violence and ultimately being rewarded by it. And while, yes, the series is an action-based violence simulator, the violence in the original FF7 was a guided, tactical effort. (For all that the characters aren’t the brightest bulbs in the sun lamps.) But the biggest, most obvious shift in the narrative happened when they realized their role as terrorists—bringing mass violence to the company via bombing and open aggression—was just resulting in increasing levels of retaliation against uninvolved people. They might as well have been a child beating the ankles of a giant. The goals and themes of the game fundamentally change when they realize that answering mass-scale societal violence with mass-scale physical violence was not only unsustainable, but also wasn’t going to solve their problem.

FF7 is about change and learning when violence—and what kind of violence—is appropriate in the face of different threats.

Genesis’ arc undermines all of that, and making him the main character would contradict the very heart of the OG game.

So, instead, we are positioned as Zack, connected to him through a mutual friend. From there we see all the damage and horror this vengeance brings to those living under the status quo.

But also, that plotline’s a major downer in a lot of ways, so they needed to lighten things up a bit to keep audience involved. And that’s why Zack is, well…

Part Three: Zack is a Himbo

Please, for the love of all that is holy, keep in mind that everything I say here is with the utmost affection.

Zack is dumb as a rock.

He is a charismatic, enthusiastic sixteen year old jock who ran away from home at thirteen years old to join the military. Which, please know, why I say “military” I mean “private security guard force with a standard-issue Death Baton and a license to kill”. The first scene in the game is him being excited that he gets to murder a bunch of people in a simulation, which he is immediately scolded for by his mentor. He is a glorified, souped up private security guard who is canonically only in it for the glory at first. He wants to be a “hero”, but doesn’t seem to fundamentally know what that means. And, over the course of the story, the definition of that clearly changes for him.

Which tracks, because the story takes place over a period of time with high stress.

Occasionally I see people saying they wish that Zack had more complexity to him, and honestly? The game. Would be. SO. BAD.

Full Disclosure: I am not the biggest fan of Zack specifically because he lacks a lot of nuance. I wish he was a bit more complex, too. But I also know that would break the game. What’s worse, if he was still on Shin-Ra’s side because he understood Shin-Ra’s mission… Well… That would make him a villain, or a cog at best. That’s not main character material. It would make the ending more messed up, though.

Anywho, Zack was thirteen when he left home. He had no formal education. He didn’t tell anyone what he was doing. He even joined without a permission slip from his parents. This means that Shin-Ra was accepting thirteen, possibly fourteen year olds into the military. (Some people will say this tracks because you can get a job at fourteen in many parts of Japan. But, and this is important, you aren’t allowed to be a security guard until you’re quite a bit older, and you need a specific license for it, much like in the US.) Clearly they didn’t teach this boy critical thinking skills. Not because he’s a himbo, but because having their Super-Powered Private Security Force With A License To Kill think independently would explicitly go against their interests. (EX: Genesis.)

Shin-Ra needs SOLDIERs to follow orders or the company would no longer be able to function. Seconds and Thirds aren’t even allowed to reject missions. (One could argue that sending certain someone on back-to-back missions would be a good way for them to eliminate undesirables within the ranks by sending them to their deaths, which… would make an incredible fic idea, actually.) We already know that First, Second, and Third Class rank assignments do not actually reflect the power of the SOLDIER. This is canon. I would instead argue that those who make the rank of First Class aren’t necessarily the most powerful, but are instead the most visible in the media, thus the easiest to market, and/or the easiest to manipulate and control. (For a great example of this, see The Umbrella Academy.)

The point is, Zack may have been elevated to his position as a first specifically because he is malleable and single-minded. Even after all he saw with Genesis, he stuck by the company to the very end, with the exception of the time Sephiroth was literally guiding him to fail a mission. Zack allowed himself to take Shin-Ra’s side every time, taking down their enemies and following their orders, preserving his “honor as SOLDIER” as he had been taught. The only thing that made him stop…

… was literally getting put in a jar.

It was when he was no longer a SOLDIER.

Part Four: Honor

There is no such thing as SOLDIER Honor.

I repeat: There is no such thing as SOLDIER Honor.

It is a fictional thing that is borne of an ideology based around hard work. It only has power because it is believed in. It is an intangible social construct similar to the law, mathematical order of operations, and gender roles. So why are Angeal and Zack obsessed with it?

Pretty simple.

Angeal’s step-father followed it.

Now, we know three things about Angeal’s step-father.

1. He was chill with the fact that Gillian was already pregnant when they started dating.

2. He was a very good father.

3. He worked himself to death trying to pay off the sword he bought Angeal.

This, of course, says a lot about Angeal considering he rarely uses the sword. He essentially sees that sword as the symbol of his step-father’s life. Everything he uses it for, he sees as more important than his step-father’s life. That thing is usually Zack.

Zack, who is the child who joined the military based on stories of heroes.

Zack, who rises against Angeal in the name of his own step-father’s ideology and tries to talk him down, even at the very end. But Zack fails because he fundamentally doesn’t understand what’s going on, partially because “Soldier Honor” is just one more aspect of this narrative he was given. It is a narrative that Angeal has had to step away from, even though he doesn’t want to leave the memory of his step-father behind. He was a good man. He was a good, hardworking man.

And that is why he died.

Corporations will use you up until there is nothing left, then honor your memory/sacrifice. Shin-Ra was doing the exact same thing the company his step-father worked for did; using up SOLDIERs until they outlived their usefulness. And Angeal was horrified to realize that his “SOLDIER Honor” wasn’t honor at all.

It was willingly submitting to control.

But, unlike Angeal, over time, this meaning changed for Zack. Partially because he didn't understand it fully in the first place. It became about acting with integrity. It became about helping people. It became about not lying down and watching the abuse Shin-Ra handed out in exchange for literal money; for maintaining the status quo.

At the very end, Zack understood what it meant to be a hero.

Part Five: The Conclusion

To sum up, Zack believed in and idolized the propaganda spread by Shin-Ra at such a young age, and was so convinced by it, that he ran away from home at thirteen to join the military.

He was their target demographic, so they happily took him into their ranks. What’s more, people think this is normal enough that we see no one opposing this, because the only people who oppose Shin-Ra are “extremists” or “violent terrorists”.

Zack then became their loyal puppy, groomed to fill his role as super-powered attack dog to sick on anyone they deemed appropriate, and he filled the role. He believed he was doing good. He didn’t think they were invading another country, because that’s not what he was told.

He went after Genesis, because that’s what he was told, and he wouldn’t let Genesis’ actions shake his faith in the company.

Then he went after Angeal, hoping to get answers, only to become more confused. Angeal taught him about SOLDIER honor. He taught him about a higher calling. He was the one who made Zack truly loyal to the company. This challenged everything Zack knew.

He went with Sephiroth, planning a small rebellion of their own (a white lie on paperwork) to get answers, only to find things he wasn’t ready for and couldn’t fully understand.

Zack is shaken by each of these events. Horribly. At times, we even watch him grieve. But time and time again, he doesn’t leave the company. He sees the damage they do first hand, and he doesn’t leave the company. The company isn’t the problem, to him. He reads their emails, does their dirty work, and “maintains his SOLDIER honor”.

Zack swallows what they give him right up until what they give him is torture.

Zack swallows what they give him until he becomes their victim.

Every step of the way, Zack is fed a story of how the world is. He was raised on it. He lived it. He became part of it. He was paid peanuts to enforce the status quo Shin-Ra installed in the world by force, and he was proud of it because it was, to him, something to be proud of.

Zack believes the propaganda whole-sale, and we get to watch, from the point of view of an outsider, as it slowly destroys his life before killing him.

Propaganda has the power to make suffering normal. Propaganda has the power to make murder righteous. Propaganda has the power to take a thirteen year old boy out of his home so they can give him a sword, and when they point him in the direction of their enemies he charges of his own volition, because they made him believe in their cause. And he believes in their cause because he believes that it makes life better for everyone.

But that’s not what’s actually happening.

That’s just what he was told.

Crisis Core is about propaganda, and the depths to which it can affect our lives. It changes our belief systems. It changes our perceptions of reality. And when it’s torn down around our eyes, it can make us go insane. It can make us violent and unreasonable as we realize just how much violence is being forced upon us—violence other people just plain do not see. It's just a a piece of paper. It's just a law. It's just a job.

It's just a war.

Final Fantasy 7 was about Fascism.

Crisis Core is about the propaganda that built it. It is told from the point of view of a boy, then a man, steeped in it. He watches until the people suffering around him—Sephiroth, Genesis, and Angeal—are twisted into villains by the truths and lies around them. Genesis and Angeal are tortured by truths, Sephiroth is transformed by lies, and Zack is subsequently hunted down to conceal them.

Crisis Core is Propaganda: The Video Game.

[gemviews]

[   RAFE CAMERON  ]         ―         OH , LITTLE MISS KOOK PRINCESS !   ━━━ PART ONE !

pairing: kook princess!black fem!reader x postseason3!rafe cameron.

summary: another party at the country club—one of your favorite spots to frequent. rafe, as usual, is there too, but this time, he’s fed up. your attitude, the one you always throw his way whenever you cross paths, has finally worn thin. but something’s different tonight. the usual playful banter between you two stops abruptly, and it pisses you off more than you care to admit. little by little, you start realizing it’s not just silence—it’s a game, and without even knowing it, you’re slowly playing right into rafe’s hands.

warnings: just pure sexual tension from rafe, craved attention from the reader. bratty x ignoring asshole.

"he’s with his coke whores again," y/n muttered, grimacing as she swirled the crystal tumbler filled with tequila and a hint of orange juice.

her two-toned, glossed lips parted slightly as she brought the thin black straw to her mouth. rafe hadn't even glanced her way after stepping into the island club, his focus elsewhere as he strode past her at the bar without so much as a nod. she had glared at him, and he had seen it—but chose to ignore her.

he did it on purpose.

now, rafe was lounging in the open seating area, his laughter echoing across the room as the usual crowd of kooks girls fawned over him, each one desperate for his attention.

they gathered around him, preening and giggling, all except y/n—the one girl who hadn’t fallen at his feet the moment she arrived in the outer banks.

that defiance had earned her the nickname "kook princess," a title once reserved for his sister, sarah cameron, before her relationship with john b. routledge became public knowledge in figure eight.

y/n, however, never seemed to care about the label, though she certainly lived up to it. her grace, her effortless elegance, and most of all, her humility—it was almost as if she hadn’t come from money at all.

and that’s exactly what infuriated rafe. how could the so-called "princess" be so kind to everyone else, yet reserve all her icy indifference for him? he wasn’t used to women turning away when he spoke to them, let alone ignoring him entirely. it gnawed at him in ways he didn’t want to admit.

rafe could feel the icy glare from y/n long before he turned his head in her direction. when he finally looked at her across the room, her bare back was to him, her posture tense, almost defiant.

what began as a passing glance quickly turned into a locked stare.

after downing her tequila sunrise, y/n moved away from the bar and drifted toward the catering area. she picked up a small slice of tiramisu, her fingers delicately wielding a plastic fork as she cut into the cake and brought a bite to her lips. she slid the fork into her mouth slowly, savoring the taste.

in rafe’s eyes, everything unfolded in slow motion. his gaze followed the curve of her toned brown legs, up to where her skinny heels wrapped around her ankles. the light pink dress she wore flared just above her thighs, its puffy hem contrasting with the way the fabric hugged her slim waist. the dress dipped low in the back, held up by thin straps—straps rafe wanted to slip off her shoulders so badly.

as y/n licked the frosting from the corner of her mouth with the tip of her tongue, rafe’s breath hitched. every bratty remark that left her mouth only made him angrier, but god, how he wanted that mouth on him.

“rafe?” one of the girls’ voices broke through the haze, snapping him out of his daze. she held up a small ziplock bag filled with a white, powdery substance, grinning. “wanna turn this club up?” she asked, her smirk full of suggestion.

surprisingly, rafe had been sober for two weeks. he sucked his teeth, battling the familiar itch crawling up his spine before waving off the offer. “not tonight,” he muttered, excusing himself from the group with a forced smile.

meanwhile, y/n, having noticed him staring earlier, mentally rolled her eyes. with unnecessary force, she stabbed her fork into the middle of the tiramisu, leaving the plate behind on the catering table before spinning around with attitude, as if anticipating rafe’s approach. she knew he was creeping closer, just like always.

there he was. rafe wore that same cocky smirk she’d always wanted to slap off his face. “nice dress,” he teased, letting his fingers graze the puffy hem of her dress. “didn’t know you were attending an elementary school graduation.”

before he could pull away, y/n swatted his hand, her glare sharp enough to cut. “oh, mr. cameron,” she shot back, her voice dripping with sarcasm, “shouldn’t you be on your third line of coke by now? or are we saving the overdose for later?”

rafe’s jaw clenched at her words, his jawline sharpening as he swallowed down the sting of her remark. she always knew exactly where to hit, and he hated how much it got to him. “okay, princess,” he bit out, the usual arrogance in his tone replaced with something heavier, something resigned.

y/n’s perfectly arched brows furrowed in confusion. usually, rafe would fire back with something about her mother marrying into money or call her a skank in front of everyone. but this? this felt different. and for a moment, it threw her off her game.

her eyes darted around him, tracking his every movement as the tall frame of his body loomed over her, casting a shadow that seemed to shrink the space between them.

without breaking eye contact, rafe reached behind y/n, effortlessly grabbing the tiramisu she had abandoned on the table. the subtle scent of his expensive, woodsy cologne filled the air as he leaned in closer, brushing the edge of her personal space.

despite the intimidating stance he held, y/n refused to back down. “okay, princess?” she repeated, her voice laced with a dry laugh.

“don’t tell me you’re getting tired of me already,” she teased, her eyes glinting with challenge.

rafe responded with a low, sarcastic laugh, running a hand over his freshly buzzed hair. before y/n could brace herself, he did something unexpected—he picked up the tiramisu she had been eating, calmly cutting off another piece with the fork and taking a bite from the very same utensil she had used. his eyes never left hers as he chewed, the audacity of it all catching her completely off guard.

she couldn’t believe it. rafe was deliberately toying with her. he had gone from ignoring her to refusing to engage in their usual back-and-forth, and now this? he was pushing her buttons, and it was clear what he wanted.

he wasn’t just teasing her—he wanted her to crave the attention he was withholding. he was determined to make her fall at his feet, and he wasn’t going to stop until she did.

“tired of the kook princess? hm, never.” rafe smirked as he set down the plate after indulging in her tiramisu. “that’s good tiramisu. you should finish it.”

he turned as if to leave, but stopped just beside her, his presence lingering like a shadow. her tightly curled bundles cascaded down her back, and without hesitation, rafe reached out to push a strand away, his fingers lightly grazing her skin. he leaned in, his lips dangerously close to her ear.

“this little thing? it’s done. so watch your mouth from now on,” he whispered, his voice low and edged with warning, before casually strolling away, hands slipping into the pockets of his tailored slacks.

y/n stood frozen, the warmth of his body still lingering in the space he left behind. her gaze flickered from the half-eaten tiramisu to rafe’s retreating figure, watching as he effortlessly melted into the crowd of the country club.

she scoffed under her breath, momentarily dumbfounded. had that been a genuine threat? she couldn’t be sure, but something about his tone lingered in the back of her mind, like an itch she couldn’t ignore.

one thing was clear—y/n didn’t know what game rafe was playing, but if he thought he could intimidate her, he was wrong. whatever this was, she was determined to come out on top.

y/n felt a rush of embarrassment wash over her, even though only a few familiar eyes were watching. she needed to escape, to find a moment alone to process what had just happened. her heels clicked sharply against the polished floor of the country club as she made her way back toward the entrance.

motioning to one of the staff, she requested her coat. the luxurious white mink slipped over her shoulders effortlessly, providing a brief shield against the chilly evening air that greeted her as she stepped outside.

her reliable mercedes benz was in the shop yet again, leaving her with no choice but to summon ubers one after another. not exactly fitting for the kook princess, was it?

standing on the concrete sidewalk, she forced polite smiles at the members passing by, whether they were arriving or departing. “where the hell is this ride?” y/n muttered to herself, tapping her phone screen impatiently as she checked the app for updates.

as the minutes dragged on, the unmistakable roar of a high-powered motorcycle engine filled the air. without even looking, she knew who it was.

there he was—the same buzz-cut brown atop a sleek black motorcycle, his arms flexing beneath the fitted v-neck polo he wore. a small gold chain glinted against his exposed collarbone.

he pulled off his tinted helmet, revealing the all-too-familiar smirk. what other kook would ride dangerously on a motorcycle if not rafe freaking cameron?

“c’mon,” rafe said, his tone short and demanding.

y/n scoffed, rolling her eyes as she turned her gaze back to the parking lot, hoping her uber would appear at that very moment. the last thing she wanted was to be roped into another one of his games.

“i wasn’t asking. get on.” rafe’s blue eyes bore into y/n, an unwavering intensity that made her heart race. still feeling bratty, she tossed her clutch at him, expecting him to catch it. slipping her phone into the pocket of her mink coat, she grabbed the helmet, fitting it onto her head with a huff.

with a cautious movement, y/n swung her leg over the seat behind rafe, settling down but keeping her hands stubbornly behind her. she refused to wrap them around him, even as the tension hung in the air.

rafe noticed her defiance, shaking his head with a low chuckle. he tossed the clutch aside, watching it sail into the parking lot, where it probably hit a nearby car. y/n’s eyes widened in disbelief. “you asshole! what the hell is your problem?”

she contemplated jumping off the bike, but before she could voice her anger, rafe revved the engine. he gripped the handlebars firmly, pulling back on the throttle as the motorcycle roared to life. y/n let out a startled yelp as they shot forward, the rush of speed immediately silencing her.

as they sped out of the country club parking lot, her arms instinctively wrapped around him, clinging tightly. rafe couldn’t help but chuckle at how quickly she capitulated.

“you have plenty at home. now be quiet, princess,” he teased, the thrill of the ride clearly delighting him.

“you’re a fucking psychopath! i want to get off!” y/n shouted over the roar of the engine as rafe swerved recklessly around cars, earning angry honks from irritated drivers. he ignored her, as usual, pushing her closer to the edge of her patience—and sanity.

y/n whimpered, her plump lips trembling as her arms tightened around him out of sheer fear. she hated motorcycles, and the way rafe was handling his made the experience unbearable.

rafe noticed the shift. her sharp remarks had faded into silence, replaced by the desperate grip around his torso. he felt the weight of the helmet pressing against his back, a clear sign that she had softened—fear had taken over. surprisingly, he didn’t want her like that, so he eased off, slowing down to drive more like a regular civilian under the night sky.

the rest of the ride around figure eight, leading to the y/l/n estate, was quiet. no more banter, no biting remarks from y/n. for once, the tension between them was replaced with an uneasy calm.

but deep down, he knew better. y/n wasn’t scared enough to lose her fire. the craving for attention still lingered beneath the surface—he could feel it. she just needed a moment to catch her breath.

rafe steered through the iron gates as y/n punched in the code, guiding the motorcycle up the long, empty driveway. her parents weren’t home—when were they ever? y/n exhaled in relief, grateful to have survived the wild ride back.

“ugh,” she muttered under her breath in mock disgust, realizing her head was still resting against rafe’s back as the bike came to a full stop right at the granite doorstep.

with a soft sigh, she straightened herself, pulling off the helmet and running her perfectly manicured fingers through her bundles to smooth out any potential frizz. “thanks,” she said, her voice quiet, almost as if the word was dragged out of her unwillingly.

rafe glanced over his shoulder, his fingers idly playing with the gold rings that adorned his slender hands. his eyes followed her carefully as she swung her leg over the motorcycle to stand, nearly catching a glimpse of the delicate white lace panties peeking beneath her dress. he quickly turned his head away, pretending not to notice the fabric, but a sly smile tugged at the corner of his lips.

"you like white, rafe?" y/n teased, catching his gaze the second he turned away, having been caught in the act of sneaking a glance.

the sly smile faded from his lips, replaced by a casual shrug. "depends on who's wearing it," he retorted smoothly.

y/n smirked, shoving the helmet into his arms as she stepped closer. "so, me," she answered for him, her confidence palpable.

this time, it was rafe who had to look up. y/n leaned against the bike's handle, the scent of her signature ysl perfume swirling around him, intoxicating. his eyes trailed down to her chest, noticing how her breasts were perfectly pushed up beneath the fabric of her dress. finally, his gaze lifted to meet hers-soft, inviting, and utterly captivating.

for a brief moment, the thought crossed his mind-he could take her right there, out in the open, letting the entire gated community witness that rafe cameron had finally tasted the kook princess. while others begged for her, here she was, close enough for him to claim.

pushing aside his exotic thoughts, rafe smirked. “in your dreams, princess,” he shot back, effortlessly dismissing the confidence y/n was radiating. her lips twisted into a soft pout.

that face—that fucking pouty look—it was driving rafe into a mental spiral. the image of her beneath him with that exact expression was quickly taking over his mind, clouding his resolve.

y/n began to think that maybe he was serious about withholding his attention, but she had no idea—this was exactly what rafe wanted. he wanted her to crave it, to realize that he wouldn’t make it easy for her. she’d have to earn it, and he was going to make sure she knew just how hard that would be.

y/n refused to let her ego show any cracks. turning on her heel, her heels echoed loudly against the grand staircase leading up to the entrance.

“you owe me a new clutch, cameron!” she called out over her shoulder, before swinging the door open and slamming it shut behind her. in a final act of defiance, she flicked off the exterior lights, leaving rafe standing in the darkness of the driveway.

rafe ran a hand down his face, stifling a groan as he glanced down, noticing his helmet conveniently hiding the growing bulge in his slacks.

he needed to hurry—taking down little miss kook princess was becoming more urgent than ever.

part two coming soon — comment to be in included in the taglist!

[kurishiri]

alfons v.s. ring . . . ring schwartz epilogue 💍

— this translation may not be 100% accurate or contain creative liberties due to characterization or narrative flow purposes. if you enjoy, please consider reblogging, but don’t repost these or claim these as your own!

— cw: suggestive undertones.

Kate: If it’s come to this... then let’s do it! I mean, pretending to do naughty things!

Ring: Y-yeah, I do know that’s our only choice here, but... there’s no way I could do it.

R: Um, those kinds of things... I’ve never actually done them before!

R: But... s-since you’re really cute... I’m sure you have plenty of experience and whatnot...!

Kate: W-what do you mean, ‘plenty,’ there’s no way I have that much experience! Anyway, forget about that, we need to do something about this...

K: Ring, you go shake and push on the bed to make it creak!

K: And I’ll listen in on the other room and make sounds to match!

Ring: ...That seems more doable.

Ring went atop the bed and started to jump on it.

The bed did start creaking, to be sure, but it also was making some jarring noises that made me think the bed was really about to break down.

Kate: Could you be a bit more gentle though, Ring? It’s too much...!

Ring: Oh, umm, then... how about this!?

He briskly stepped off the bed before he put both hands on the bed and started to push down.

By doing so, he could create a good creaking sound that didn’t go too far.

Woman’s voice: The bed from the room next door has started creaking.

Man’s voice: In that case, they’re probably just a pair of lovebirds. Guess we were worrying ourselves over nothing.

Woman’s voice: ...That said, don’t you think it’s strange that there’s not a peep from the other side?

(Oh, that’s right! I have to make noise too.)

Kate: Ah, ahh... ahhn...

Ring: H-hey, um. I can’t say I’ve heard others doing you-know-what before, so I may be wrong, but...

R: When women do, you know, the deed, do they really sound this monotone...?

Kate: I mean, we’re not actually doing it, so that makes it harder...

Woman’s voice: The panting from the room next door sounds a bit strange, wouldn’t you say?

Man’s voice: It sounds real flat...

(First Ring, and now the two in the next room over are doubting me too...! At times like these, then...!)

Kate: I-I’m really, really sorry! I’ve been told by a lot of partners that my panting sounds suuuper flat!

At this point, I decided to play into the role of ‘a woman whose pants sound flat’ as I raised my voice.

Ring: N-no matter how you are, I won’t mind at aaalll!

While continuing to push down on the bed, Ring returned a fitting line in response.

...Very monotonously, may I add, for the both of us.

Woman’s voice: ...Huh, I guess they really are just one odd couple.

Man’s voice: I mean, seeing as they’re using a room of a strange manor like this, that would be a given, probably.

Kate: Oh, thank goodness, it seems they’ve bought the act...! Let’s keep this up then!

Ring: Alright... but, sorry, I’m a bit hot, so I’ll take my jacket off.

Seeing as the bed is hard, having to push down hard enough to make sounds continuously must have taken a considerable amount of stamina.

With that, Ring casually took off his top layer and put it aside.

(...)

Maybe because of the way his clothes fit his body so well, his well-trained muscles were brought to the surface.

The sweat that came from shaking the bed moved traced the back of his neck, making him quite sexy.

Ring: ...Kate? Is there something wrong?

Kate: N-no, not at all! It’s nothing——

Taken aback at having become more conscious of Ring, my legs buckled suddenly,

and, preparing for the impact, I closed my eyes then and there.

Kate: ...!

(Hm? Wait, it doesn’t hurt...?)

Ring: Are you okay?

When I slowly opened my eyes, there Ring was, nearby, as he asked with a touch of worry in his voice.

(So Ring is the one who saved me and stopped the fall...)

Our bodies were touching, and I could feel his body was a bit warmer than mine, and he gave off a pleasant, earthy scent.

(Even though he’s holding me in his arms, he seems completely unperturbed... his appearance hardly betrays the fact he must be training regularly.)

(...Wait, what in the world are you looking at, Kate!?)

Kate: T-thank you for saving me. I’ll let go now.

Ring: ...Wait.

Kate: Huh...

When his earnest voice stopped me stiff, Ring’s hand gently slid to my cheek.

(W-what the...!?)

Ring: Your face is all red. Did you hit it somewhere?

(Oh... so he was worried for me.)

Kate: N-no, I didn’t. I’m fine.

Ring: But...

Kate: It’s just... we’re so close together that I’m a bit nervous... is all...

Ring showed no sign of pulling away himself, so I opted to give him an honest answer then. And when I did, Ring also turned red, as though it had moved over from me to him.

Ring: I-I see... then, umm, I’m glad if you’re okay.

R: Sorry for keeping you like that. ...And should we continue then? What we were doing before, I mean.

After that, we continued our act of panting and shaking the bed until we exited the room.

Ring looked exhausted as we exited the room, and there was Alfons, waiting out in the hallway.

Alfons: Thank you for your hard work. Now then, were you able to listen in for what we needed?

Kate: Yes, all of it and everything...

Alfons: My word, is that a hoarse voice I hear? And not only that...

A: I see Ring has stripped his outer layer off and is positively sweaty as well.

A: Would it be safe to assume... you two have gone aaall the way, by any chance?

Ring & Kate: “No!” “Absolutely not!”

Fin.

will vs darius jude vs nica alfons vs ring

← prev fin

END NOTES: this story was so silly and makes me smile whenever i read it, haha. ring seems to be the most popular of the vogel trio, seeing he has gotten a dark mafia design, and it’s not hard to see why. his charm is in his innocence, and it’s like a breath of fresh air in this game, and i hope i could capture it too.

i’m overall curious about all the vogel members and feel this story event is a strong debut for all three. thank you for reading, and hope you enjoyed! i’d love to hear your thoughts as well ♡

full masterlist 🪞💍

[ninyard]

Thoughts on Kevin ending up nonverbal after Baltimore and everyone’s reaction

God. I love this.

Neil comes back, everyone - even Andrew, especially Andrew - is focusing on him, and listening to him talk, and Kevin kind of... sinks off into the background.

He doesn't mind it, really. Yeah, it's weird that Andrew has hardly looked at him, it's weird that Neil hasn't said much to him at all yet, but it's okay. He sits back, and listens. But the more time that passes, the more this feeling creeps its way up into his chest, around his heart, around his throat.

What will the Moriyama's do now that the Butcher is dead? Has Neil implicated them in it all, did he rat them out to the FBI? If the Moriyama's name finds itself involved in the investigation, how long is it until Day is mentioned? How long is it until someone starts questioning the hand, and the nest, and how long is it until all of these loose ends and messy leads find their way right up to Riko's feet?

There's a hundred questions in his head, but all he can do is sit and stare at a drink in his hand as the stories about Nathaniel Wesninski find their way around the room. Usually at this point Andrew would turn to him, and look between his eyes, and send him some sort of comfort, but he was too involved to care. But that's okay.

Kevin isn't sure he would be of much comfort right now, anyway - he thinks of his hands around his throat, he thinks about how scared he was to lose Neil, how quickly he turned on Kevin to keep Neil safe. Kevin doesn't blame him. But he doesn't forget about it. He knows what it means.

He sleeps that night without saying anything, he's not even sure anybody noticed him leaving early the next morning. He goes for a run as the sun comes up, and the dorm room is still empty when he returns. He makes a coffee. He sits by the broken window. He thinks of all the things he could say to Neil, the things he wants to say to Neil, but nothing feels right. Everything is half formed, and worthless, and when he imagines the words leaving his mouth, they lose their meaning. They lose their purpose.

Andrew texts him sometime before 10, later than Kevin expected him to text, but earlier than he expected him to be awake. It's not much, but something that doesn't require much effort to answer - you good? Kevin doesn't respond. Instead he takes a shower, pulling on the most comfortable and loose fitting clothes he can find afterwards, and he finds himself under the covers of his bed before he could find the energy to convince himself to be productive. He pulls the sheets tight around his head, hugging himself to keep the fabric from loosening.

He thought Neil was dead. He knew Neil should be dead. But he wasn't. And somehow, for some reason, it felt like he was next.

It felt like Neil had dodged certain death time and time and time again, and Kevin had just gotten off lucky. How could he explain that? How could he explain to anyone that he was glad Neil had survived, but he didn't understand it at all? How could he explain to anyone that he was afraid he was next - perhaps if he'd spent more time listening to what Neil was saying the night beforehand, he'd know more about what he'd told the FBI. Instead he'd spent most of that time exhausted and anxious.

He tried to tell himself it was jealousy, for a while, to shame himself into stopping this selfish feeling, but that wasn't true. Jealous that the attention wasn't on him, jealous that everyone cared so much about Neil. He wasn't jealous of anything Neil had been through. For a minute he wondered if it was the attention, but Kevin had never cared much for the attention of his teammates. He'd lost most of their desire to be his friend quite quickly into his arrival to South Carolina, and Andrew was the only one who seemed in anyway interested in dealing with his bullshit. Even then Kevin knew it was a chore, an obligation. Was Andrew his friend? Was he his friend anymore?

Do I keep going? Do I keep thinking about Kevin going into this hole of not knowing what to say, not knowing who cares, not knowing what matters? There probably isn't much of a reaction at all - the only reason people notice being that it's been suspiciously long since Kevin has bitched to them. Neil notices as quick as Andrew does, but he has so much recovery to do, so much mental energy to recoup.

I just picture the trip to the cabins, and Kevin still hasn't said much at all, but nobody really notices. Andrew can't be bothered trying to pull it out of him, so he just accepts that Kevin's gone quiet, and he doesn't say anything about it. It's not that he doesn't care, he just doesn't see a point of trying, because when Kevin goes quiet, he has to come out of it himself. So Andrew knows there's nothing he can do. Neil notices it too, but Andrew just tells him that he's fine.

Then them telling him about Kengo? About Jean? Him finding out where Renee has gone?

[creatingblackcharacters]

on the topic of fandom racism.. wanted to ask an outside opinion on this.

so without much detail bc i don't wanna get this person harassed or something, i'm in a fandom where most of the characters are japanese and look pretty similar, so the diversity is Not Great. recently i saw an artist, who is white, draw a character with slightly darker skin than the rest of the cast as Black, where he was ambiguously brown before. my problem with this as an outsider is that i think that plays into a ton more stereotypes than if he was just tan or something. this character is regarded to be misogynistic, overly sexual, and especially to his #fffff white japanese (girl) friend.

i, as a white person, would like to approach this artist and ask if that's really the message they wanna send, but god forbid i do not want to sound like those people that believe in "black-washing" or just hate to see more diversity in an anime lineup. would it be white knighting to point this out, or approach that, hey, maybe your only person of color in this cast shouldn't be the one that acts Like That...

Hm. I see what you're saying. I'd suggest a few things, which is really my go-to for everyone white fighting fandom racism:

1) first, look out for the voices of Black fans in that space and see what they're saying. If they are perturbed by what they see, then I would amplify their voices and support them first. Let them know they're not crazy. They're the ones experiencing the harm, let their voices be the ones prioritized. If no one Black has said anything, that could be a sign that this entire fandom isn't safe for that kind of feedback (which... Often.)

2) look at that person's page to see how they treat this character. Do they actually offer them depth? Are they a fan? Have they shared anyone's good perspective of him? Do they actually care about him, and think his being Black serves a better narrative? Or is it really just this character is a douchebag and now he's "Black" because they wanted some diversity points without thinking about it. Hell, does the original media do right by this ambiguously brown character lol? Because that can often be the larger issue too.

3) does this person positively interact with Black people at all? Like people, opinions, topics, politics, anything at all? Or is this their Token Black Blorbo Barbie™? Because that's a red red flag lmao.

4) if you still feel strongly about it, send them a DM. I'd say make sure to be genuinely polite, not because you should be respected more because of it, but so that it's on record that you wanted to give them the space to amend ("Hello, I mean no harm, but I was worried that this may-") You're white too, so it'll be safer. DMs are really a kindness, a last chance for grace; sometimes people are just like "fuck it, that's a racist and imma treat them like it". And I don't begrudge them that, this shit is exhausting and enraging.

5) accept that you may very well approach with the best intentions, and this artist may very well act a complete asshole* about it. They may make excuses, the classic "I would never be racist", they may accuse you of all those things that you just said, try to cast you as the problem, and their friends may very well make you out to be the racist for pointing out the racism. Welcome to fighting antiblackness and racism in fandom 👍🏾 it's a minefield out here.

*keep in mind, even if they "respond sweetly", the whole "thanks 💕" schtick is still them being an asshole. Racism in sweet words is still racism.

6) if they do respond like an asshole, it is not a reflection of you, but of them. 👍🏾 They are now purposely choosing racism. Block them and move accordingly.

[scary-grace]

Somewhere in the Crowd- a Shigaraki x f!Reader fic

Tomura tells himself he's content with singing backup in the band he founded, and most of the time he is. But when he takes a song request from you during the biggest concert the League of Villains has ever played, he realizes that there might be a few advantages to claiming the spotlight. 4.1k words, no quirks, band au. the League sounds like Lord Huron because I want them to and all songs referenced are from LH's discography.

this fic is for the lovely @scarlettcryptid's birthday! she offered me free rein to write a Shigaraki x reader fic, and true to form I have produced a band AU. happy birthday Scarlett! sorry it's a little late.

Even midway into his second tour with the band he started, Tomura still hasn’t fallen for the supposed romance of being onstage. It’s hot under the lights. The entire venue smells like sweat. And if it wasn’t for the earpiece jammed in one ear and the earplug jammed in the other, he wouldn’t even be able to hear what the rest of the band is doing. Not Twice on drums, not Toga on violin or musical saw or whatever weird instrument she dug up, not Dabi on piano or Spinner on guitar, and definitely not either Dabi or Spinner’s singing. Without the goddamn earpieces, the League of Villains would fall apart.

And at the same time, Tomura doesn’t hate it quite as much as he used to. Since the League got signed with Deika Records, they’ve been playing sold-out shows in increasingly larger venues. Tonight’s venue has three thousand people. Three thousand people paid money to get in, and some number of them paid more money to meet-and-greet with the band afterwards, and right now, all of them are focused on the stage.

They’re mainly focused on Spinner and Dabi, who are singing, or on Twice, who’s always doing something weird and destined to go viral, or on Toga, who’s better at playing to the crowd than anybody else in the band. Tomura, off to one side of the stage with his bass and a mic in front of him, might as well be an afterthought. And that’s fine with him. He’s the one who formed the band. He’s the one who writes the songs. His music is in the spotlight. That’s good enough.

They’ve just wrapped up a crowd favorite, one of the songs from the first album, and they’re officially in the back half of the set. Tomura glances down at the set list, sees the blank spot, and feels a wave of apathy sweep over him. It gets even worse when Spinner, his handpicked lead singer who’s all about keeping things fair, steps up to the mic and announces it to the crowd. “We’ve got space for one more request, so send it on over to Shigaraki! It’s his turn to pick.”

When it’s Dabi or Spinner picking the request, people rush the stage, and people rush it this time, too – so they can try to get the poster they made or the picture they want signed right up and personal with Spinner and Dabi. Tomura sidles awkwardly over to the edge of the stage, wondering if anyone will try to request something from him. Tonight there are two dozen or so, all with big posters asking for the band’s most famous songs. Someone wants a deep cut, one that Dabi sings solo, and Tomura’s feeling like an asshole, so he skips that one on purpose. And then he spots something else.

It’s not a poster or a photo for signing. It’s a piece of folded-up notebook paper, held up by someone who doesn’t look like the type to be right up front at a League of Villains concert. It’s hard to get a good look at your face with all the posters in the way, and somebody keeps bumping into you, almost knocking you over. You keep your arm up, your piece of notebook paper flapping, and Tomura reaches out to the absolute edge of his balance and snatches it from your hand.

“We have a winner,” Toga calls out, and a bunch of people cheer – because it’s Toga talking, not because Tomura grabbed a request. “What’s it gonna be, Tomura-kun?”

Tomura unfolds the piece of paper. Three words. Play your favorite.

He knew he grabbed the right one. “Lost in Time and Space,” he announces, to the tune of a collective “huh” from the audience. “Spinner. Move over.”

Spinner’s grinning as he steps away from the center mic. “We haven’t done this one in forever,” he says, too quietly for the crowd to here. He swaps his guitar for Tomura’s bass. “Whoever did the request must be a fan of yours.”

Tomura doesn’t think you are, really. He’s not even sure you’re a fan of the band. If you were, you’d have requested a specific song, not just requested that Tomura play his favorite song. Tomura feels a surge of nerves as he gets set at the center mic, then pushes them aside. Just because he hasn’t sung lead in a while doesn’t mean he’s forgotten how. Everyone might rather look at Spinner or Dabi, but for the next three and a half minutes, they’re going to have to put up with looking at him. Tomura cues the rest of the band, adjusts his grip on Spinner’s guitar, and plays.

It’s an old song, off the League’s first LP. That LP became their first album, with the weird character songs and story arcs the League is famous for, but neither Spinner nor Dabi wanted this song. Tomura doesn’t blame them. He was pretty depressed when he wrote it, and it’s a little too mopey for the LP and for what the League usually plays. But it’s his damn song. He hasn’t played it on tour at all. He’s going to enjoy it.

He does enjoy it. Not enough to make him miss singing lead or being the star of the show, but he enjoys getting to play a song that’s his, one he didn’t write to play to anybody else’s strengths. And at the end of the song, once he’s stepped away from the center mic and gone back where he belongs, he picks up the notebook paper off the stage and tucks it into his pocket. Whoever you are, he hopes you got what you were looking for out of the show. As he slogs through the rest of the set, Tomura wishes he’d gotten a good look at your face.

After three encores – a record – Tomura and the rest of the band get a break, hanging out in the green room before the meet-and-greet. Toga beelines for the fridge, but instead of opening it, she hauls out a can of air freshener from the floor next to it and starts spraying it everywhere. Twice gets a blast in the face and sneezes through his mask. “Hey, what the hell? That’s the best thing I’ve ever smelled and it sucks!”

“It smells like boy sweat in here,” Toga says. “I love you guys, but you stink. The girls at the meet and greet won’t like that.”

“Some of them are into it,” Dabi says, and smirks. Spinner grabs the air freshener from Toga and sprays both armpits. “Quit simping so hard for your fans, lead singer. It’s supposed to be the other way around.”

“They paid to come talk to us. We shouldn’t tear-gas them with our body odor.”

“So you’re going to tear-gas them with air freshener instead?”

“They’re his fans. He can do what he wants.” Tomura shakes his head when Spinner offers him the can. Deodorant exists, and it’s not like anybody’s going to want to talk to Tomura anyway. “That goes for everybody. Do what you want. But if you break Magne’s rules, you’re on your own.”

Magne’s been the tour manager since halfway through their first tour, and she’s strict as hell. In fairness to Magne, they earned it. Halfway through their first tour, one meet-and-greet turned into one party and turned into five separate scandals, one for each of them. Spinner’s was the smallest and Twice’s was pretty funny, but Dabi and Toga both spent a night in jail over theirs, and although it upped their cred with the fanbase, it also tanked a possible record deal. Kurogiri showed up to bail them out, and he brought Magne with him.

The door to the green room opens, and Magne steps in, like Tomura somehow summoned her by mentioning her name. “They’re all lined up,” she says. “I’m sneaking you in the back way. Does everybody remember the rules?”

Tomura mumbles agreement along with everybody else. Magne’s smile takes on a dangerous glint. “There are only three important ones,” she says. “First: The bus leaves when it leaves, regardless of who’s on it. I don’t care how hungover you are. Get your ass on the bus.”

When Tomura’s hungover, he usually sleeps on the bus, just to make sure it doesn’t leave without him. “Second,” Magne continues, “remember that whatever you do with a groupie is going to end up all over the internet. And don’t bring any groupies on the bus unless the rest of the band okays it.”

That’s happened exactly never. Tomura uses the bus trips for writing or for naps, and too much groupie bullshit makes it hard to do either. “And finally,” Magne says, “if I find out that any of you were hooking up with a groupie in a goddamn koi pond again, I’m taking you to the vet and having you neutered before you sober up.”

“That was one time!” Twice protests.

“Yeah, and we’re still getting therapy bills from the fish,” Tomura says. Toga cackles. “Can we get this over with?”

“Yep! Right this way.” Magne leads them out the door and down a hallway, then ushers them through the door into the venue’s VIP lounge. Tomura’s last in line, and she grabs his arm before he can go in. “I got a call from the big boss at Deika. He says to try not to look like you’re in pain the entire time.”

“Tell him to stop looking at me, then.” Tomura shrugs her off, steps through the door, and skulks over to the far corner of the room. “Nobody else is.”

Back before he made it in any capacity, Tomura used to daydream about meet-and-greets, getting all wound up over the idea that people would pay to talk to him about his music. A few years into his career, the reality’s set in: Meet-and-greets are for photos and autographs and fans throwing themselves at the artists, and nobody throws themselves at Tomura. Kurogiri thinks it’s his stage presence, or the fact that he doesn’t interact with fans on social media, or that he doesn’t look very approachable. Tomura’s pretty sure it’s about how he looks, period. With a face like his, approachable doesn’t matter.

The fans start filtering in, beelining for the others, and Tomura digs his notebook out of his pocket. He might as well write a bit.

Compress, who handles production and merchandising on the tour, swings by at one point to give Tomura the figures. They’re doing well, which is a surprise. “Even the new stuff?”

“The K-pop strategy is working,” Compress says. He lifts his mask to take a sip of water, then lowers it down again. “Everyone’s trying to collect them all – the photo cards, the different editions of the albums, the replica costume pieces. The fans on Twitter are competing to see who can get an autograph on every piece of merchandise first.”

The fans on Twitter are really stupid. “If it works, it works.”

“It’s working very well,” Compress says. He pauses. “Somebody did come by looking for something I didn’t have. They wanted a copy of Vide Noir. Not the album – the LP.”

“The LP? Why?”

“Because the album doesn’t have Lost in Time and Space on it,” Compress says. “I’m not kidding, Shigaraki. Those were her exact words.”

Tomura has a hard time believing that. He’s pretty sure Compress is saying it just to build him up, because they’re halfway through the meet-and-greet, and nobody, not even the autograph hunters, has come to talk to Tomura. Whatever. It doesn’t matter. Tomura didn’t start writing music so people will talk to him. That’s what he’s been insisting on since he started the band. Midway through their second tour, it’s almost the truth.

Compress leaves, and Tomura keeps writing, scratching away at a verse that’s not coming together. He’s just starting to wonder how much longer this thing is supposed to go on for when a shadow falls across his notebook page. “Um,” a girl’s voice starts. “Hi. Are you Tomura?”

“Dabi’s over there.”

“Yeah, I saw,” the girl says. “Are you Tomura?”

“I’m Shigaraki.” Tomura doesn’t look up. “You want to talk to Spinner? He’s over there. He likes the shy ones.”

Tomura’s not sure if Spinner likes the shy ones or if he’s just less scared of them than he is of the others. For a lead singer, Spinner’s unusually spooked by his fans. “Is Spinner the one who writes the songs?” the girl asks. “I wanted to talk to the person who writes the songs. If the liner notes are anything to go by, that’s you.”

Tomura looks up at tonight’s misguided, irritating fan, and stops at chest height when notes the lack of a backstage pass around your neck. He notes your breasts, too, and the fact that you’re not showing them off. “Nice work on sneaking in here without paying. Dabi will be impressed.”

“I didn’t sneak in,” the fan says. “The woman at the door let me in when I showed her this.”

Tomura doesn’t look up, and the fan sticks a notebook into the middle of his eyeline. A notebook with lined paper and the remnants of a torn-out page still clinging to the binding. Tomura fumbles in his pocket for the request he took and unfolds it, lining it up to match the torn edge of the page. The request is a little crumpled, but when Tomura smooths it out, he can see that the edges match.

His heart skips an awkward beat, then another. He’s not talking to a random fan. You’re the one who gave him the request. He hands you back the notebook without the request sets his own notebook aside, and gets to his feet, so he can finally get a look at your face. You’re pretty, and you’re dressed like you came here straight from an office job, and you came to talk to him – and he’s been a dick. “Sorry,” he says, the word feeling awkward and unwieldy as it forces its way out of his mouth. “Thought you were here for somebody else.”

You shake your head. “I was hoping to talk to you,” you say. “Sorry about the first-name thing. That was – awkward.”

You used Tomura’s first name, and Tomura was a jackass to you. That makes it even, in his opinion.  “What did you want to talk about?”

“I wanted to thank you for taking my request,” you say earnestly. You remind Tomura of some of Spinner’s fans. “And I wanted to know why you picked the song you did.”

Now you sound more like one of Dabi’s fans. Dabi’s fans get kind of direct when they want something. “I’ll tell you that if you tell me why you gave me that request instead of a normal one.”

You look at Tomura, and Tomura looks back. “Can we sit down?” you ask. “I took an elbow to the knee trying to get through the mosh pit, and my leg’s still kind of numb.”

Something about that strikes Tomura as funny, but he doesn’t realize what it is until you’re both sitting down on the floor, leaned back against the wall. “Did you just make a Skyrim joke?”

“Don’t get too excited. I only know the one.” You glance sideways at Tomura. “Want to see the bruise?”

Usually when Dabi’s fans ask him if he wants to see something, they mean their tits. Or their ass. Tomura nods, and you hike up your pantleg. Tomura gets kind of fixated on your ankle, then your calf, but then you pull the fabric up over your knee, and Tomura winces in spite of himself. “Are you sure it was an elbow and not a hammer or something?”

“Maybe it was. Your fans are kind of crazy.”

“The band’s fans,” Tomura corrects. You let your pantleg fall back, covering up your calf and your ankle, and Tomura feels weirdly disappointed. “Are you going to answer my question?”

“Why I gave you that request?” You tilt your head back against the wall. “You write all the songs, but you never sing lead, and songs sound different when they’re sung by the person who wrote them. I thought if I asked for your favorite, you’d pick one you sing lead on.”

And you were right. Tomura feels weird about that. Weird enough to answer your question before you can ask it again. “I picked that one because it’s the only one I still sing lead on. I have favorites for the band. But I always pick those. I just thought it might be – fun.”

“I liked it,” you say. “When Dabi and Spinner sing, they’re telling a story. It’s a good story, and they’re telling it well, but – when you sang it, it sounded like it was about you. Do you feel like you’re writing about yourself when you write songs?”

“Do you usually get this personal with people you just met?”

“I don’t usually meet my favorite songwriter,” you say. “So no.”

Your favorite. “I’m not your favorite. Don’t lie.”

“I don’t lie about stuff like that,” you say. “I wouldn’t take an elbow to the knee for my second-favorite songwriter.”

Tomura snorts. “I didn’t know people had favorite songwriters.”

“I’m weird,” you say comfortably. Now you sound like a Toga fan. Or one of Twice’s. Their fans don’t take themselves too seriously. “And I’m a writer, so I know the good stuff when I see it.”

“You write?” Tomura asks. He wouldn’t have guessed looking at you. Then again, he wouldn’t have guessed that you’d be at a League concert, either. “Poems or something?”

“No, stories,” you say. Tomura’s a little bit relieved. “Stories have arcs and plots, just like your songs do – and the band’s albums – but you do it in a lot less space than I have to work with, so you’re much more efficient. You can define a character in two lines, and it’s compelling. People connect with it. They must, or they wouldn’t dress up in those outfits.”

Tomura tries not to pay attention to the outfits. Sometimes seeing what people took away from his songs is a little upsetting. Listening to you talk about what you like about his songwriting style is a different kind of upsetting, the kind where he wants to believe it and knows he shouldn’t. “What’s your favorite?”

“Meet Me in the Woods,” you say without missing a beat. “I was kind of sad you all didn’t play it.”

“We need a female vocalist,” Tomura says. “We rented one for recording it, but Toga doesn’t sing, and Magne wouldn’t do it even when Twice dared her to. And Dabi said his balls shrink every time he puts his falsetto up that high.”

You laugh at that. Tomura likes what it sounds like. “Spinner says the song gives him the creeps,” he adds. “I sang lead in the studio.”

“You should sing lead for that one,” you say. “And find a female vocalist.”

Tomura shrugs. “Job’s open if you want it.”

Your face flushes instantly. “I bet you know better jokes than that.”

“Can you sing?” Tomura asks. You look away in a hurry, the flush deepening. Now you look like a Spinner fan again, but you’re not saying no, either. Now Tomura’s interested. He gets to his feet. “Let’s go.”

“Where?”

Tomura holds out a hand to help you up, and after a long second, you take it. “Let’s go.”

Tomura doesn’t let go of your hand, and you don’t pull away. It’s not until Tomura leads you back out onto the stage in an auditorium that’s now lit only by a ghostlight that you put the brakes on. “No.”

“There’s nobody in here but me,” Tomura says. “You said it’s your favorite song. Try it.”

“Would you try it, if you were me?” Your hand is shaking a little bit. “Faceplanting in front of my favorite songwriter was not on my agenda for this evening.”

“I’ll sing, too,” Tomura says. “I could always faceplant in front of my biggest fan.”

Maybe that was a dumb thing to say. Maybe you don’t want to be Tomura’s biggest fan. He waits for you to protest. Instead, you take a deep breath. “Start singing, then.”

The first verse is Tomura’s, and his joke about faceplanting in front of you gets a little too real in a heartbeat. There’s something weird about singing in front of just one person, someone he can’t see even though you’re right next to him. It’s a relief when you join him on the tag at the end of the verse, even if you’re quiet. And Tomura was right – you can sing, at least enough to harmonize, and to match his tone so your voice doesn’t clash with his. The real test will be the chorus, if you can keep pace with Tomura there.

And you can. Tomura knew you could, but he’s surprised by how good it sounds. By the last line of the chorus, you’re confident enough to screw around a bit, putting a turn on the last three notes of the third line instead of hitting them straight. Tomura’s not projecting his voice all that hard, and neither are you, but the auditorium’s empty. There’s nothing for your voices to hit that will deaden the sound, and the acoustics bounce it back in an echo that sends chills down Tomura’s spine.

When the echo fades, it’s silent. Next to Tomura, you shiver. “Maybe this was a bad place to sing this song.”

“Yeah, maybe.” Tomura will admit the line about the endless night hit a little harder than it was supposed to. “Tomorrow night, try not to stare into the lights.”

“I told you not to joke.”

“I don’t joke about stuff like this,” Tomura says. Now you’re reminding him of Spinner, who took way too much convincing before he’d believe that Tomura not only wanted him in the band, but wanted him to sing lead. “I told you. The job’s yours if you want it. Do you want it?”

It’s quiet for a second. “Where’s your next show?”

“A couple hours from here. Are you worried about your job or something?”

“No,” you say slowly. “Tonight was the last night of a business trip. I’m remote most of the time.”

“So you can work anywhere as long as you have internet access,” Tomura says. He hears you make some kind of distressed noise. “It’s your favorite song. I’ll put it in the set list and I’ll sing lead. You just have to sing it with me. Are you in?”

“This isn’t why I came here,” you say. “I just wanted to meet you and talk about your songs. I wasn’t trying to, like – get on the bus or something.”

“That would be a hell of a long con,” Tomura says. “I don’t think you’d go for that. Too many moving parts.”

“Yeah.” You make that distressed noise again. It’s sort of cute. “Is there a reason we’re still holding hands?”

“Yeah. It’s dark in here and I didn’t want you to fall of the side of the stage.” Tomura starts back towards the wings, pulling you along with him and trying to get his stupid grin under control before he steps back into the light. “Look at it this way. Even if you faceplant tomorrow night, it’ll be something to write about.”

“Are you going to write about this?” you challenge. “You never told me if you feel like your songs are about you.”

Tomura doesn’t, usually. He writes about characters for a reason. Most of the things that happen to him aren’t worth writing about. You, though – you fought through the mosh pit to give him your request, and then you came to find him after the show, and you like him as a lead singer and you can sing and you sound damn good singing with him. And you’re still holding his hand. Most of the things that happen to Tomura aren’t worth writing about. He met you half an hour ago and you already are.

You don’t try to let go of his hand, and you don’t hit the brakes again until you’re just outside the meet-and-greet room. “I want to know,” you say. The shellshocked look you had on when you got back into the light has faded. Now you just look pretty and stressed, and like you’re not going to take no for an answer. Tomura likes that. “Are your songs about you?”

“This one will be,” Tomura says, and he pulls you into the room to meet the rest of the band.

[the-upside-down-umbrella]

The Smallest Man Who Ever Lived

Part 3

Five Hargreeves x Fem!Reader

(Booth Five)

Summary: After finding out about the seven years Lila and Five spent together, reader walks in to a diner in between all time and space and finds exactly what she didn’t know she was looking for

Warnings: Some cursing, angst

A/N: They’re may be some major grammar errors because I’ve had a massive migraine for several days now but I wanted to get it out as soon as possible ❤️ I hope it’s up to expectations. I had so much fun writing it. This is the last part and then there will be a short epilogue!

Also, Five is still very much alive and dealing with the consequences of his choices. Everything else is left up to interpretation

————

“Come on, there’s someone you need to meet,” Y/N said, holding her hand out for Five to take, “Blink us to the subway.”

“Y/N, what are you-“

“My God, Five, for once in your life would you just do as your told,” she snapped, frustration bleeding from every word, “Blink us to the subway!”

He looked taken aback for a moment before he finally relented, taking her hand and blinking them to the terminal.

She immediately started in the direction she knew the Deli would be in. Five followed her, more than a little confused by her behavior.

He trailed behind her down the stairs but stepped back in surprise when the marquis lights of the deli came in to view.

His steps faltered and he knitted his eyebrows together in confusion, “Max?”

“Max,” she confirmed, “You are, in fact, seeing your name. Come on.”

He followed behind her cautiously but she did not hesitate to open the door of the deli, stepping in like she was a frequent patron of this place in the middle of all of time.

Five instinctively put a hand on the small of her back, ready to protect her if necessary but she inched away from him. She acted like his touch was the equivalent to an white-hot, iron poker. She was also incredibly too comfortable in this new environment.

And he realized why as soon as he was over the threshold. It was like looking in to a shattered mirror. He saw himself all around the room, in various positions as both patron and employees of Max’s deli.

A Five in the middle of the room stood up as soon as he noticed them, a look of sheer surprise on his face. Y/N strolled forward without hesitation and met him half-way. This Five, this him, held out his arms towards her and she fell in to them, welcoming his embrace. All the while his eyes glared over her head, straight in to Five’s skull. If looks could kill.

“What are you doing here?”

“We need your help.” She explained, “Things are going south topside and I figured when it comes to apocalypses, the more Fives, the merrier.”

“I’m sorry, does someone want to explain to me what the actual fuck is going on?” Five interrupted them.

Booth Five bared his teeth, “What’s going on, asshole, is that you left her down here on her own after you fucked-.”

“Hey, no!” Y/N put a hand on his chest to urge him to stop talking, “Come sit down, Five, and we’ll explain.”

She gestured to Booth’s usual table.

“You’re giving him far too much Grace, darling,” Booth growled in her ear as she slid in to the seat beside him, completely ignoring her Five’s pleading eyes as he realized that she was not going to take take the place next to him.

Y/N placed a gentle hand on Booth’s thigh under the table, giving it a soft squeeze in attempt to keep him calm. She didn’t need them going after each other before she even got the first word out.

Booth took that as his cue to move closer to her, closing the small space between them, purposely brushing his thigh against hers. She ignored him, but couldn’t help the goose-bumps that erupted across her skin at his close proximity. It was crazy what reactions he could bring out of her, even with her timeline’s version of him sitting across from them.

Five eyed them, his mouth set in to a hard line like he was trying, with great difficulty, not to say something.

“Explain,” he demanded, “What is going on, Y/N?”

“It’s a waypoint,” she told him, “they’re all you from different timelines.”

Five looked around the deli, taking in all of the different versions of himself. Most of them were lounging, enjoying lunch or a newspaper, while others seemed fresh out of whatever hell their timeline had to offer. A version of him was obviously very drunk, attempting to drown his sorrows in a bottle of something hard.

“How did you even know about this place?”

“I found it when you brought me down here after…everything.” She recalled, “Or more like it found me.”

Waiter Five stopped at the table, sitting two black coffees, two pastrami sandwiches and a cup of tea in front of them.

She smiled up at him, “Could you please tell the kitchen that they’re going to burn the brisket this afternoon and that they should be extra vigilant about it.”

Waiter Five seemed unperturbed by her prophecy, as if he had witnessed them a thousand times. Which she realized, he probably had. “Sure thing, sweetheart. Thanks for the heads up.”

“You’re welcome.”

“You’re not going to like that,” Booth said as Five reached for his cup, pulling a pastrami sandwich towards himself simultaneously.

“Can we stay on track, boys?” Y/N chastised, “We have a lot to figure out.”

Booth launched in to his explanation about how there was never supposed to be multiple timelines. And how their existence was the very problem they’d been trying to solve this entire time.

“When you look ahead, what do you see, Y/N?” Five questioned her.

She closed her eyes, trying to block out the various clattering and background noises of the deli, but try as she might she was met with nothing but a solid, unyielding, darkness. She expected it to feel cold or maybe lonely, but it didn’t feel like anything at all. There was nothing there.

“I don’t feel anything,” she concluded, opening her eyes to find two identical, worried faces watching her closely. “I can’t see anything. Usually I can at least gather little glimpses of things I can piece together but it’s dark.”

“If that’s what you’re seeing, then that means my plan will work.”

————

Five bolted out of the deli so swiftly, she didn’t have time for a proper goodbye with Booth.

She was thinking about going back when Five grabbed her arm, stopping her in her tracks, “What the hell was all of that back there? Is there something going on between you and…me? Him?”

She pulled herself out of his grip, “And why would you care if there was, Five?”

“Because I love you,” his voice cracked, “You know I love you.”

“You didn’t love me enough to not fuck Lila,” her voice wobbled, but she wouldn’t cry. Not over this. Not anymore. “You didn’t love me enough to not fall in love with her too.”

“It was seven years, Y/N. We…we didn’t think we were going to find a way home. We were alone. We were tired. You have to understand that.”

“No, I really don’t,” the anger in her chest flared up once again, red hot and burning, “You spent forty years alone, looking for a way back to your family, and you did everything you could to do so. But you’re telling me that this time you gave up after just seven? I know you, Five, and I know that deep down you always knew that you’d find a way. But you got comfortable with her and you just stopped trying.”

“What’s worse is that I could understand if it were just the three of us mixed up in this mess, but it’s not! Lila is MARRIED! Lila is a MOTHER! Lila is married to your brother and the mother to your nieces and nephew. You drove their marriage apart. You knew you would be breaking up a family and that still didn’t stop you. You weren’t alone anymore, Five. I was there. I’ve been there. I’ve always been there when you needed me and that still wasn’t enough. You aren’t this sad little boy lost alone in the apocalypse anymore. You’re a full-grown, adult man and it’s time that you own up to your mistakes. And this is a big one.”

“So what you’re saying is that I’ll never be able to fix this?” He asked, “You’re never going to forgive me? You won’t even try?”

“How could I, Five?” She took a deep breath, steadying herself, “How could I when all I can see when I think about you, is her? You kissing her. You fucking her. You loving her. And that’ll always be there. It might dull over time but it will always be there playing in the back of my mind. So, no, we can’t fix this and I don’t want to. I won’t put myself through it just to come out the other side burned again. I respect myself too much.”

“And him?”

“That’s none of your business.”

“He’s literally me. It’s very much my business.” Five was trying to sound casual, but she could tell that her words were eating at him. That it stung more than he would ever let on.

“But he’s not you, not really,” she said pointedly, “And he loves me, Five. In a way I’m not sure you ever did. Why else would we spend all of these years together and never actually move forward with our relationship? But none of that matters anyways. If we do this correctly, we’ll be gone and so will every other timeline. We’ll all cease to exist. And maybe that’s for the best.”

They stared at each other for a moment, a silent standoff.

“I do love you, you know,” Five’s voice was barely above a whisper, but his tone shattered her heart all over again, “But I never felt like I deserved you and I’m so sorry that it took me this long to realize that you’re the best thing that could have ever happened to me.”

“I’m sorry that it took you that long, too,” she said, “And I’m sorry that things have to end this way, but they are ending. In more ways than one. And we have to face it whether we’re ready for it or not.”

————

They did it. Not only had they restored things the way they should be, but they had managed to save themselves in the process.

They had lost their powers again, for good this time, but she didn’t care. If she was being truly honest with herself, she never wanted them back anyways. It was nice to look forward to the future without tiny glimpses of what was to come. Glimpses that usually set her on edge and kept her from truly living in the present.

She and Five had gone their separate ways. It was better that way. They both moved out of their shared apartment and she moved in with Allison, Claire and Klaus for a while until she found her footing again. Eventually that footing came in the form of a steady job downtown and a small studio apartment she could call her own.

As for Lila and Diego, they were continuing to try to make things work for their family. Lila had personally come to her and apologized once the dust settled. She told her that she and Diego were now attending couples counseling and were trying to move past things.

As much as she should hate Lila, she couldn’t. They would get along for Diego’s sake. Things were never going to be the way they were before, but they didn’t need to be.

Despite her newfound contentment, she thought about Booth Five often. It saddened her to know that it was likely that he no longer even existed somewhere out there.

She thought about how every Five in that deli had fought so hard to make things right but none of them had even come close to an iota, a fraction, of the happiness that they deserved.

———

It was a rainy Sunday morning and she was spending it curled up on her couch with trashy, mindless TV and a cup of tea.

She was just contemplating the idea of a nap when a soft, hesitant knock sounded at her door.

“Hold on!” She called, pausing the tv and wrapping the blanket around herself to hide the fact that she wasn’t wearing a bra and her pajamas had seen much better days. She hadn’t been expecting company.

She looked through the peep hole, her heart dropping a bit at who she found on the other side.

Five stood there, his hands in his pockets, rocking on his heels, as he waited for her to open the door. She hadn’t seen him since an impromptu family brunch over a month ago. He typically made himself scarce when she was around. Not that she blamed him.

She did a small round of the breathing exercises her therapist taught her before undoing the chain and padlock.

She had barely cracked the door open when she realized that something was just slightly off about her visitor. His eyes found hers and her breath caught in her chest. Those green eyes, as familiar to her as her own, did not belong to the Five she had expected to see.

“Booth?” She gasped, her head spinning.

He looked utterly perplexed by her nickname for him, but a grin spread across his face anyways, “You call me Booth?”

“How?” She squeaked, throwing the door open, “It is you, right?”

“It’s me,” he confirmed, “God, I’ve missed you.”

She threw herself at him, blanket forgotten, and he caught her with a surprised grunt, steadying her on her feet as she peppered his face with kisses. Wherever she could reach, she planted her lips there.

“How?” She breathlessly questioned him between kisses, “How are you here?”

“It’s a long story,” he told her, unwilling to let her go now that he finally had her in his arms, “One I promise I’ll tell you later, but right now, please don’t stop kissing me.”

She complied, stepping back just long enough to yank him in to her apartment by his collar, slamming the door behind them.

As soon as he heard the latch click, his hands were on her, starving for affection. Y/N returned those affections tenfold, scaling him without reservation.

Caution be damned.

“You’re here,” she repeated over and over, still unable to wrap her mind around it.

“I’m here,” he reassured her, running his fingertips along her spine, taking in the feel of her, “And I’m not going anywhere, if you’ll have me.”

She pressed her lips to his in answer, her fingers threading into his hair, pulling him closer.

“As if I would let you get away again.”

He chuckled against her lips before deepening the kiss, moving his hands to her waist. He dug his fingertips in there, oh so deliciously, and she melted against him. Everything with him had always felt so right, natural, from the moment he first held her in the deli.

Fated. Meant to be. Call it what you will, but she knew that being with him was worth all of the inherent risks that came with it.

They were lying in her bed, wrapped up in each other, as Booth drew lazy circles up and down her arm.

“You don’t mind me calling you Booth, do you? It was just easier to differentiate between the two of you in my head that way.”

He laughed, pressing a kiss to the crown of her head, “Sweetheart, you can call me whatever you want as long as you call me yours.”

Her cheeks warmed and she buried her face in his neck, taking in the scent that was uniquely him. Uniquely Booth.

“I love you,” she hummed.

“I love you too,” he tilted her chin up so that they were nose to nose, “Thank you for giving me a chance.”

Tag List:

@hydrationqueensworld

@mangoshorthand

@isabelcor3

@heyyitsreign

@mrfeenysmustache

[lilly-chou-chou]

The whole NewJeans thing just made me realize that in a homogenous, conservative and sexist country being a man is your only way out for literally anything.

It really sickens me to see how people went from hating NewJeans to full on supporting them just because Jungkook posted about them supporting silently, while I do think that it's such a great thing for other artists to support each other during these trying times but what also sets me off is that fact that before Jungkook other many female artists were also showing their full support to NewJeans but they were called "company pleasers" or "they have no idea how much Min Heejin manipulated those girls" and there was only really few support from them but the moment Jungkook talked about it everyone switched their flip and started praising him instead of talking about the mistreatment of NewJeans.

Now, i'm not saying praising him is wrong but when you put all of your energy to praise him on how "great" of a man he is then that defeats the whole purpose of him and millions of other artists even speaking OUT about their mistreatment.

I am happy that because Jungkook spoke up about this, many more people are supporting NewJeans but i'd also like to say to NOT forget the real purpose of why he spoke out. On X app all i could see was Jungkook trending but the news about NewJeans was no where to be found and that kind of bumped me out because whole reason Jungkook even spoke out about this was to bring some light towards mistreatment of NewJeans.

I am most certainly not hating on Jungkook instead I am so happy he spoke about it but I'm kind of sad to see that it took a man to bring change in Netizen's views on NewJeans instead of many other important women in the industry who have been very vocal about this whole situation since the news of girls no longer being allowed to work with Ditto's MV director.

[nino-rox]

KEEHO x Male Bottom Reader | S

Content Warning : NSFW Gay Smut, sexual themes, Top Keeho and Bottom Male Reader, unprotected sex (please use protection)

Disclaimer : This is a Fan-fiction story written for entertainment purposes only, no part of the story implies or affirms anything regarding real world events or individuals. Please be of the appropriate age ( i.e, Adult as per your country’s stipulations and regulations) before interacting with this post

(NOT PROOF READ)

My eyes were still tired, even though the sun was beaming through the blinds. I had the worst headache ever and felt so sick, as if I were in a hangover.

I groaned, turning on my side to grab a pillow, an action that unexpectedly hurt. My whole body ached. I slowly opened my eyes, looking over to the window, I squinted my eyes, as I felt an arm drape over my side.

What?

I looked over and saw an unfamiliar figure lying in bed beside me.

A man?

I blinked.

This has to be a dream.

I rubbed my eyes and turned around, the pain from my bottom made me gasp.

My stomach dropped, I didn't have a single clue what happened last night. I remembered going to a frat party with a couple of friends and then...

Oh god.

I had sex with him, didn't I?

The realization came to me like a wave.

How much did I drink last night?

I had a feeling I would never remember.

I was naked, the other man was also naked, and he was so close to me that I could smell his sweet scent. We were both now laying facing each other as he slept soundly.

He looked peaceful, and honestly, he was kind of crazy hot, but I had no idea who this was or why he was in my bed.

I tried to wake him up but was too scared to shake him.

I slowly removed his arm from me and got out of bed. I looked down and winced at the pain, my thighs were covered in purple and blue hickies and my bottom had the same coloring, only, they were bigger and redder.

I sighed and turned around to find my phone. It was on the nightstand. I went to grab it but accidentally bumped into the table, causing the lamp to fall off and the other man to jump awake.

I yelped, and we both froze, staring at each other.

I felt the blood rush to my cheeks as I realized that he had a morning wood.

The man sat up, the blanket falling off his body and landing on floor.

We continued to stare at each other, unable to move or say anything.

"How was your night sexy?" He finally asked.

I hesitated, "Oh, uhm...,” his very visible hard on wasn’t helping. I didn’t know what to say or what to do.

The other man chuckled, "Don't tell me you don't remember. You were pretty drunk last night.

"Did we-"

"Fuck? Yeah, you were quite loud. I don't think your neighbors will be very happy about it."

I didn't know what to say.

"Do you not remember?"

I shook my head, "No."

"Damn, I wanted you to remember," the other man sighed, "well, since we both woke up like this, why don't we help each other out? Help you remember,” he said smirking, "come back to bed."

"Wait-"

But before I could finish, the other man grabbed my hand and pulled me back into bed.

I gasped as he kissed me, his lips were so soft, and the feeling of his warm tongue exploring my mouth sent shivers down my spine.

He pinned me down and I could feel his morning wood rub against me.

He smirked at my reaction, "you’re so hard, you want more, huh? Then let's have some more fun," he whispered, and started kissing my neck. As if instinctively, I tilted my head, and the man started biting and licking the spot where he did last night, making me moan.

"You liked it here right?" he mumbled, "I could tell by how loud you were screaming."

I moaned as he continued kissing and biting my neck, his arm snaking its way to my cock as the other grabbed my hair, pulling it and exposing my neck even more.

My body just gave in, getting turned on by the other man and letting him do whatever he wanted, as my arms wrapped around his neck.

He started stroking my dick as he rubbed his own against me.

"Mmm," he moaned, "I want to fuck you, lets go for round 2 baby? Huh?" he said as he bit my ear, "let me hear you say it."

I moaned, "yes, fuck me please."

He smiled, "that's what I like to hear," and kissed me. He let go of my dick and inserted his fingers into my mouth, "suck."

I looked at him but obeyed, and he continued stroking himself with his other hand.

I sucked his fingers and he removed them from my mouth and placed one of them at my hole.

He looked up at me and grinned, "ready?"

I nodded and he inserted one finger, and another.

I moaned as he scissored his fingers, stretching me, and began stroking his own cock. “Fuck baby you’re still loose from last night. You ready to take me now? Huh?"

I could only nod, my mind was in a daze.

"Then come milk me baby, you did such a good job last night, and now, I want to see you do it again."

I couldn't believe that this was happening. I didn't even know the man's name, yet, I was already moaning beneath him, waiting to take his cock.

He lined his cock at my hole and slowly slid in, and I groaned at the sensation.

He thrusted into me and we both moaned. He continued thrusting and I moved my hips, matching his rhythm.

"Fuck," he groaned, "you feel so fucking good."

He lifted my legs and put them on his shoulders, his cock hitting a different angle, and I couldn't help but scream, "oh fuck, oh fuck, don't stop, don't stop, mmm fuck,"

"I won't stop," the other man moaned, "but tell me your name."

I whimpered, "Y/N, and yours?"

"Keeho," he said, his thrusts becoming faster and deeper, "you like that ? Want me yo go faster Y/N?."

I moaned, "Ah AH, oh god, yes."

He grinned, "such a naughty boy."

He pulled out, making me whine, but then flipped me around and entered me again, and I screamed.

He gripped my hips, his thrusts becoming more aggressive, his skin slapping against mine, as he grunted.

I could feel myself cumming, "oh fuck Keeho, I'm gonna-"

"Not yet," he growled, and he slowed his pace, and started rubbing my nipples.

I moaned, as he bit my ear, "you gonna be good for me?,” he said as he groaned into my ear, and started pinching and pulling my nipples.

I could only whimper.

"Answer me."

"Yes."

"You want to cum?"

"Yes."

"Want me to fill you up?"

"Please."

"I'm almost there baby, but not yet."

Keeho continued thrusting slowly, making sure that the head of his cock hit my prostate with every thrust, and his fingers played with my nipples.

My body was on fire, his rod stretching you out, as it went in and out, his hot breath on my neck, and the way he was teasing my nipples were driving me crazy.

I couldn't take it anymore, "Keeho, I-,"

"Now," he moaned.

His hands left my nipples and he gripped my waist, his cock sliding out, and then entering, and he continued to fuck me hard, making me scream.

"Y/N, fuck," Keeho moaned.

I could feel him cum inside me, as I orgasmed.

I fell on the bed and he collapsed on top of me, breathing heavily.

"You are so sexy," he said, his voice still husky, "I could fuck you again."

“Let’s.”

Keeho kissed me, and we laid in bed, holding each other.

He smiled, his eyes sparkling, "I want to see you again," he whispered, his fingers tracing my chest, "would you be interested in seeing me again?"

[starryficsfinishwen]

paradise — xiangli yao x reader

Imagine kissing XIANGLI YAO.

A clumsy grip on his robotic shoulder, his hesitant hands on your waist. You’ve never felt more at home than the way you were in his lap, comfortably nestled in his arms. Warm, soft lips on yours, the slight tremble in his breath when he tilts sideways, deepening the kiss.

You don’t remember how or what happened. All you can think about is how warm he is—careless hands lightly trailing from his broad shoulder, your thumb along his clavicle. You find the bob of his Adam’s apple, every rumble and vibration felt like thunder, an echo underneath your fingertips straight to your own thundering heart. You gasp for air in between your kiss, but never quite pulling away, the tremble of his lips still present on yours.

“Rover,” Xiangli Yao speaks, voice husky that it rumbles in your ear, “[Y/N],”

He says your name with reverence you mistake it for a prayer—it takes your breath away.

“Mm, yes,” you lull, high and heavy in the small space he encloses you in, “‘m sorry, is it…is it too much?”

Xiangli Yao holds you closer, your legs now wrapped around his torso, your arms wrapped around his shoulders, bodies touching too intimately. To prove his point, he dips you lower, making you open your eyes. One hand holds the small of your back, the other reaching out to touch your cheeks, his fingertips purposely grazing your skin.

“No, no,” He breathes a plea in between your lips, begging, “Never. You are never too much.”

You’ve long believed first kisses are the flutter of butterflies on flowers, the shy kiss of the autumn air on your cheeks. But your kiss with Xiangli Yao is more than that: the loud crash of the waves on the shore, the confident sunshine dancing on your skin in the summer—Xiangli Yao kisses you, although his first time, fervently, passionately, devotedly on your lips, an exploration that he is unafraid to take.

He leans forward to capture your lips once more. Unlike the sweet taste of innocence from the first time you’ve kissed, it is hungrier, it is raw—evident in the way the hand on your back dangerously treading uncharted waters that slips lower, and the other one cautiously cupping the nape of your neck.

“Xiangli Yao,” you pull away slightly, unable to go from the warmth of his lips, “Breathe, I need to–”

“Warm, you are overflowing with warmth, [Y/N].” He says, “I can never get enough.”

You open your eyes to find shimmering amethyst irises with orange-hued tints looking back at you. His lips curve into a small smile, urging you to act on your mind.

What were once trembling hands found confidence in the way you held onto his shoulder blades, caressing every skin you could touch, tenderly cupping his cheeks. Xiangli Yao leans to the heat of your hands, his lips leaving butterfly kisses on your palm.

Every action leaves thunder in your hammering heart, every pulse a reverberation that mirrors both of you. In the heat of the blind room with the sunshine your only light, you mutter words only meant for Xiangli Yao, only those that represent your affections for him.

“I adore you,” you say back, “Xiangli Yao, I adore you.”

With your confession, Xiangli Yao smiles. Amidst his lust-shaded eyes, they reflect the same feeling as yours.

“I adore you, too, [Y/N].” He nuzzles closer to you, leaving light kisses on your jaw, “I adore you, far more than you could imagine.”

Imagine kissing XIANGLI YAO, who captivates your heart, on one summer afternoon.

I am down bad for him (hes nearly fully built)

— starry