#Chinese women writers

[importantwomensbirthdays]

Xie Wanying

Xie Wanying, also known by her pen name, Bing Xin, was born in 1900 in Fuzhou, China. Xie was a poet, essayist, and children's writer whose work enjoyed immense popularity. She was one of the most prolific Chinese writers of the 20th century, and her writing style was both distinctive and influential. Xie was also an active participant in the May 4th Movement. In 1997, the Bing Xin Literature Museum was established in Changle, Fujian.

Xie Wanying died in 1999 at the age of 98.

[not-your-asian-fantasy]

Originally planning to interview other model minorities who had gone off-script about their experiences before realising that she needed to share her own story, Model Minority Gone Rogue promises to be a funny, sad, exhilarating, and thought-provoking true story about what happens when you want to live life on your terms, even when those terms go against everything you’ve ever known.

Now trusting that the universe will provide her with what she needs, and honouring her authentic self, Qin Qin is still kicking some personal goals – she’s been named a 40 under 40: Most Influential Asian Australian in 2020, is a past winner of the Young Australia China Alumni of the Year Award, has been shortlisted for Penguin Australia’s 2021 Write It Fellowship, and was a recipient of a residency at Varuna The National Writers’ House in 2023.

[asteriasgarden]

from chanellemwrites

“women poets of china”

[kisoran]

ik its bc im chinese that i notice it but why r ppl obsessed with twinks in chinese shows and novels and comics and stuff in such a weird way

[thebookbin]

Burning Roses

S.L. Huang

Publisher: Tor Genre: fantasy, retellings Year: 2020

Because god herself can’t stop me: I finished a second book today.

Burning Roses by SL Huang was everything I wanted it to be. It’s a blend of West and East and mythology so perfectly interwoven in such a short book.

The story follows two middle-aged women who fight monsters and avoid talking about their feelings: namely the wives they’ve lost. Hou Yi’s story is mysterious (if you know anything about Chinese mythology: YES! That Hou Yi! Except she’s female) Rosa has run so far, she’s run to the other side of the world. As a child she was wronged by the grundwirgen (people that can turn into animals) and made it her life’s mission to hunt them to extinction. Until she fell in love.

This story is told from Rosa’s point of view as a sort of Red Riding Hood figure. The more you know about mythology, the better the story is. When I met the hare I knew exactly what he was in regards to Chang’e and the way Huang weaves in myths from legend. The story follows the women as they face their final battle together: taking down the sun birds that have been terrorizing the land, but they find that Hou Yi’s son is responsible. This leads them to sharing their own tragic stories where they have each been the hero and the villain, and emphasizes the power of love both romantic and paternal.

storygraph | bookshop.org | local houston

★★★★★ moonlit stars

[rocketsagan-blog]

TIL there's a 29 by 29 character 'palindrome' poem called "Star Guage" from the Sixth Dynasties period (4th CE) in China by Lady Su Hui in which depending on which direction you read, there are nearly 3,000 unique poems that come out of it. The 29 x 29 block was originally woven on fabric and color coded!

The Star Guage Project has a digital version with hoverable translation of characters, and some of the ~3k poems translated to English with notes.

[skyetheprophet22]

Your Parents Chinese Zodiac

It’s fitting that it all started with a dragon. All valiant-red scales and storm-shifting eyes and a voice that could incinerate all in its path. The oldest of all creatures. A towering beast in total command of all it laid eyes upon. An untamable mountain of flesh and bone and fire. He rose out of the mountains. Out of the flames of hell itself to wreak havoc with his breath. Unintentional, for the most part. He never did seem to master that tempest of a temper. All bowed and cowered at his alabaster talons. Respect trembled from their lips, and the dragon was pleased. He was king.

One would think water is fire’s equal; its dominator. The tiger would laugh at such words. Her pelt was of sunset flame licked by stripes of shadow. Eyes of electric blue. Quiet and deadly as a lightning bolt, and never one to strike in the same place. She was a traveler. Paws itching for new lands, new conquests, new purpose. She did not wish for others to cower before her greatness. She was gentler. Benevolent. Some took advantage of this. Used her to gain gifts and favor and salvation. She would let them because she saw goodness in all. Deadly eyes that hardly ever struck.

[emcscared-whumps]

WRITING RESOURCES

This post will be updated with new entries Last updated: 23 Apr, 2024 See the Updated Version!

WRITING TIPS & RESOURCES

Disability Writing Guides (Another resource post)

Editing Service (by @concerningwolves)

Emotional Intelligence in Conflict

Ellipsus, the New Collaborative Writing Tool

Difficult Chapters

Drafting: Four Methods for Highly Anxious Individuals

Writing Disability: Overused Tropes

General Writing Resources Post (collaborative)

Lay or Lie

MS Word Shortcuts Guide

Platonic Relationship Development

Passive Voice Advice

Publishing

On Punctuating Speech

Scene Transition

Sentence Ending Pointers

YA MacGuffins and Games, A Trope Analysis

Your Readers Don't Know - The Truth of the First 30 Pages

Weirdly Specific but Helpful Character Building Questions

The Writer's Sus Resources Post

The Writer's Workbook

WHUMP

The Biology of Human Survival (Life and Death in Extreme Environments), by Claude A. Piantadosi

Whump Events (A linked Google doc by @whumpsday )

Whump Reference Books (A linked list created by @bump-of-whump )

Whump Resources (A resource post by @a-crumb-of-whump , how to start a whump blog, oc advice, advice on motivation and dealing with discouragement, and games

Iron Comb (Iron combs for processing wood/flax fibre used as a torture device in historical settings)

Mer Whump Bingo by @a-crumb-of-whump

The Whumpy Printing Press is Open for Submissions for Publication of Whumpy Novels!

WOUNDS, INJURIES, & TRAUMA

GSW Recovery - [A] [B] [C]

Malnutrition

Migraines

Passing out from pain

PTSD Dreams

Scar Tissue Info

Sleep Deprivation

Writing Traumatic Injuries Resources (Another resource post)

More Resources for Writing Injuries (Another resource post)

WEAPONS

Gun information

The Safety and Mechanism of a Bolt Action Rifle

Bolt Action Rifle Mechanism (Animated diagram)

Semiautomatic Rifle Mechanism (Animated diagram)

Pump Action Rifle Mechanism (Animated diagram)

CLOTHING

African Women's Fashion (Outfit examples video)

Lady's Clothes Guide

Men's Fashion Guide

Men's Suits Guide

Period Clothing References

Shirt types

Vintage Fashion Clips (Saved for scarf pin :))

MISC

African Hair Care and FAQ

Art Resources and References (Another resource post)

Creating a Chinese Name

Writing Deaf, Mute, or Blind Characters

Place Description Aid...?

Wheelchair References for Art and Writing (features images)

Whump Community Directory (Tumblr blogs)

If there're any broken links, please let me know!

[hotvintagepoll]

Propaganda

Alla Nazimova (A Doll's House, Camille, Salomé)—She was a proud lesbian, she was a director, she was artsy and experimental, she was instrumental in the rise to fame of Rudolph Valentino, she had the worlds biggest strap on energy

Xia Meng, also known as Hsia Moog or Miranda Yang (Sunrise, Bride Hunter)—For those who are familiar with Hong Kong's early cinema, Xia Meng is THE leading woman of an era, the earliest "silver-screen goddess", "The Great Beauty" and "Audrey Hepburn of the East". Xia Meng starred in 38 films in her 17-year career, and famously had rarely any flops, from her first film at the age of 18 to her last at the age of 35. She was a rare all-round actress in Mandarin-language films, acting, singing, and dancing with an enchanting ease in films of diverse genres, from contemporary drama to period operas. She was regarded as the "crown princess" among the "Three Princesses of the Great Wall", the iconic leading stars of the Great Wall Movie Enterprises, which was Hong Kong's leading left-wing studio in the 1950s-60s. At the time, Hong Kong cinema had only just taken off, but Xia Meng's influence had already spread out to China, Singapore, etc. Overseas Chinese-language magazines and newspapers often featured her on their covers. The famous HK wuxia novelist Jin Yong had such a huge crush on her that he made up a whole fake identity as a nobody-screenwriter to join the Great Wall studio just so he can write scripts for her. He famously said, "No one has really seen how beautiful Xi Shi (one of the renowned Four Beauties of ancient China) is, I think she should be just like Xia Meng to live up to her name." In 1980, she returned to the HK film industry by forming the Bluebird Movie Enterprises. As a producer with a heart for the community, she wanted to make a film on the Vietnam War and the many Vietnam War refugees migrating to Hong Kong. She approached director Ann Hui and produced the debut film Boat People (1982), a globally successful movie and landmark feature for Hong Kong New Wave, which won several awards including the best picture and best director in the second Hong Kong Film Award. Years later, Ann Hui looked back on her collaboration with Xia Meng, "I'm very grateful to her for allowing me to make what is probably the best film I've ever made in my life."

This is round 3 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Alla Nazimova:

HOT as hell. GAY as hell. TALENTED as hell. Producer, director, writer, actress. A silent era superstar who is credited with having coined the term "sewing circle" as a code-word for gatherings of lesbian and bisexual women. Has been called "the founding mother of Sapphic Hollywood" and was the owner/operator of the Garden of Alla Hotel in West Hollywood, which she bought in 1919 and sold in 1928 after deciding she wanted to go back to Broadway. In addition to starring opposite Valentino in Camille, she also had an affair with BOTH of his wives (Jean Acker and Natacha Rambova). In her day, she was one of the most influential women in the business.

"Nazimova was primarily a star during the silent film era, and her career in film started when she was almost forty. She was openly bisexual, and was engaged in two lavender marriages during her life while she carried on relationships with women (including at least one, and possibly two, of Rudolph Valentino's wives). She was brilliant and an autodidact - when she first moved to the United States from Ukraine, she spoke no English, but taught herself "in about five months" and went on to work as a screenwriter (among other things). Her predilections lay in art film, and she's credited with starring in / producing / directing one of the first American art films, the adaptation of Oscar Wilde's play Salome (1923). She has an elegant and commanding presence in all of her films, and is an absolute sensation to watch in motion."

Gif link, another gif link

A great actress who also produced a great deal of her films, Nazimova is absolutely mesmerizing to watch. She was also bi and coined the phrase "sewing circle" for sapphic celebrities.

Xia Meng:

[lafaiette]

I've seen some people ask for comparisons between Pen's Chinese and English lines, so I made a small compilation to show the biggest changes that most baffled me.

There is a kind Chinese player, Yu, who offered the fandom much of the info and insight contained in this post, and she was the first to shed light on these differences! Without her enthusiasm, I doubt people would have started investigating Pen's original lines ;_;

Under the read more because this is long!

Brief premise: the Chinese dialogues in the game are often less "harsh" than the English ones. For example, Qi can sound rude and condescending in English, while he's pretty polite, if not a bit aloof, in Chinese. Justice's lines in English rely on the typical "hey pardner" cowboy accent, while in Chinese he's very professional, almost overly so.

That said, the English writer who worked on Pen made it no mystery that he based his characterization of Pen on Gaston from Beauty and the Beast. There is even a line directly referencing the movie: "[...] when I was a boy I ate four dozen eggs every morning to help me get large. Now that I'm grown I have five dozen eggs [...]"

As such, English Pen sounds much different from Chinese Pen. He's more patronizing and rude, and the writer added stuff that it's simply not present in the Chinese text. So while in English Pen can sound like a knucklehead obsessed only with muscles and training, surrounded by adoring women and fans when in Duvos, in Chinese he shows a different, almost more innocent side, as if he were a very tall and big child who has never had a day of legitimate and healthy fun in his life (and that's carried across in some of the English lines - that's why his English version is a bit contradicting sometimes).

Here are some examples:

One of his lines as a Good Friend is:

Here it's implied that Pen gives the Builder a hard time not only to push them to improve themselves... but also because he likes doing it, referencing his friendship mission where he admits he doesn't like teaching people anything, he just wants to fight them.

Meanwhile, the Chinese version says:

I keep calling you a weakling just to urge you and encourage you to exercise hard and break through your limits. If you won't have me to protect you in the future, you will have to become an eagle for me!

Here "eagle" is a reference to the way Pen calls the Builder in Chinese: 小弱鸡 "little weakling/little chicken" - and the latter is a rude way to call someone in Chinese, especially if they are a man and the "chicken" character (鸡) is repeated twice (but 鸡 by itself is also slang for "female prostitute"... so if you want to read it that way, Pen can call the Builder "my little slut" when in a relationship. HEH.)

In any case the tone in this line of dialogue is much different from the one in English, and Pen sounds genuinely enthusiastic.

Another example:

At the start of the game, Pen asks the Builder to craft a Sword and Shield for Burgess, who apparently misplaced his own. It turns out Burgess hid them under his bed, so when the Builder tries to give the weapons they crafted to Pen, he will tell them to keep them.

As usual, the English version is mocking and patronizing ("Hah! That'd be rich!"). In the Chinese version, Pen first compliments the desert:

In this case, take it back and use it for yourself! Use it to explore the desert and fight those monsters - what a thrill! The desert is very dangerous, but it is also full of charm.

Then there is the line about Logan and his band:

Hey! Maybe you can still find traces of Logan's gang! If you subdue them, you will gain both fame and fortune! [Okay, see you next time] [not shown here]

Now, some romance stuff : >

This is the description for the Robo-Love Couch. In English it says:

Meanwhile the Chinese description:

Referred to as the "Love Sand Machine", Peng Hu specially built a loving sofa for you, pieced together from the remains of robot monsters in the ruins.

He specially built a loving sofa for the Builder. It seems like a silly detail, but wording is important!

And yes, Pen's full name is Peng Hu, 彭虎. Peng is his family name, Hu his birth name. Hu 虎 means "tiger", and now you can understand why Grace suspected him to be Tiger the spy. But that would have been too easy!

Peng 彭 is a common Chinese surname. Its original meaning is believed to be "sound of war drums" (sad implication), but it's also used as an adjective to mean "big". So Pen's full name can mean "big tiger" :D

Back to the couch! Lines are different during the date in Paradise Lost, too.

Come on, little weakling, come and sit next to me. Let's give this trophy a "kiss of victory"! Do you do this with everyone you date? Wait, it seems I'm regretting it a bit... Happiness comes too suddenly...... (Kiss Peng Hu)

In the English version, the Builder can ask "How many of these thrones have you built...?", implying that Pen has had so many lovers he can craft this couch in a matter of few seconds. But in Chinese, the Builder's question is much different, it's more like: "Damn, are you always so over the top when dating someone??"

One of the biggest differences is in this set of lines:

Okay.

Meanwhile, in Chinese:

Today's experience made me realize that love has used a deadly locking technique on both of our hearts. Let me no longer doubt the feelings between us. This love is true love! Now, I am even more unwilling to take my eyes away from you! Haha!

I MEAN.

Also, in Chinese Pen never mentions the infamous 12 girlfriends when the Builder and Grace question him in jail. Yu confirmed that throughout the game Pen doesn't brag about his love life or his popularity with women, probably also due to the negative way Chinese culture sees this kind of "bragging".

Not only Pen and many other characters are younger in Chinese Sandrock (Pen's age ranges from 25 to 27, while he's confirmed to be 31 in the English localization), but he's depicted as being not very experienced in relationships in general. He basically only knows how to fight, punch people, and destroy stuff. Anything else - having friends, being with someone who truly loves him and whom he truly loves, having a normal life - are something he never experienced before. He did date (see his final letter later), but he's not described being the Casanova of Duvos like he is in the English version. In fact, it seems people only liked him due to his body and status, and a remnant of this piece of characterization is left in the English text when he says:

Surely, you understand… I am quite the prize. I can’t take myself off the market just to become arm candy for you to show off at your little buildy guild awards or whatever it is! No, what I desire… is true love…

Furthermore,

In Chinese, he says during the Masterclass friendship mission: "To be honest, I never thought I'd be able to make friends, let alone with someone of your stature/body size! But here we are, with a sick relationship!"

In English: "You know, Skinny, I’ve never had someone I really considered a friend before. Furthermore, I always promised myself I’d never be friends with anyone who didn’t have an awesome cape, but… you made me break that promise."

"I never thought I'd be able to make friends" is different from "I’ve never had someone I really considered a friend before." In the first line, the focus is on Pen ("I don't know how to make friends; I'm not good at it; it's not for me; how do you do it?"), in the second it's on other people ("I've been surrounded by people all my life, but I don't consider any of them to be a friend of mine; yeah, I call this one 'friend', but... they are not really really a friend")

The Chinese line is much sadder, and it shows how lonely Pen's life has been. One of his main characteristics, after all, is being "special", "the strongest", "different from everyone else"; but more often than not, being special and different also mean being "lonely". ("I must say it gets lonely at the top… What I wouldn't give for a truly talented opponent who could really keep me on my toes! Alas...")

And now, the grand finale :'>

A screenshot from Yu's playthrough, Pen's final line:

Farewell, Yu. This time it's for real. You're free.

The Protector, the bracelet Pen will leave for the Builder in the cave, is called "Guardian of Love" (爱的守卫者) in Chinese. Its description says:

A very delicate bracelet that protects the wearer's wrist. Wearing it gives the wearer a feeling of being emotionally confined. Perhaps this feeling is similar to what Peng Hu often said, "Marriage is a boring bondage".

His letter in Chinese is also sweeter and sadder:

最近在这所谓的阿塔拉最高监狱，我也多了点时间思考，没法带你一起来陪我，多少有些遗憾。罢了，这事也怪我。不管怎么说，你也算是我交往过的恋人里最让我上心的，也是为数不多分手之后我还继续挂念的。所以，我打算原��你了。对——我原谅你了。我想我们也没有机会再在一起了，你也不过是做了你那个位置该做的事，没什么值得抱怨的。我应该一开始就努力把你“招安”了，让你跟我一起，才是最妥当的做法。当然我也没怨你，你确实很优秀。我还留了个最后的挑战给你。在某个遗迹里，有我最宝贵的几样东西，如果你能拿到，就归你了。运用我教给过你的一招半式，要去到那里应该很容易。我亲爱的小弱鸡，这是我最后一次这样叫你了，我相信你的能力。记住，不要怠慢了训练。我们，后会无期。

Dear [name], I've had a little more time to think lately in this so-called Atara Maximum Prison, and I'm more than a little sorry that I couldn't bring you along to accompany me. Well, it's my fault. Anyway, you are still the most beloved lover I have ever been with, and one of the few that I continue to miss even after a breakup. So, I'm going to forgive you. Yeah - I forgive you.I don't think there's a chance we'll ever be together again. You're just doing what you're supposed to do in your position, so there's nothing to complain about. I should have tried my best to recruit you from the beginning, and it would have been the best way to keep you with me. Of course I don't blame you, you're indeed excellent. I also left you a final challenge. In some ruins, there are a few of my most valuable things, and if you can get them, they're yours. It should be easy to get there, using the tricks I've taught you. My dear little weakling, this is the last time I'll call you that, I believe in your abilities. Remember, don't slack off on your training. We won't meet again. (but 后会无期 can also mean "meeting at an unspecified/unclear date")

And finally, if romanced, Pen will leave for the Builder 5 pieces of gold, 2 diamonds, and 1 Protector. 521 (and 520) are a cute way to say "I love you" in Chinese, because when read aloud they sound like "我爱你, Wo ai ni, "I love you". But in some cases, 521 also means "Yes, I will [marry you]" - and Pen does drop a diamond ring after his final battle (apparently he drops it only if you romanced him, but it's unclear yet. I'm pretty sure he didn't drop it during my Fang playthrough, while he did drop it when I romanced him, but I'll need to check that).

WELP, this is pretty much everything I got on this! If the kind Yu will tell us more or I find anything else, I'll update this post!

[coochiequeens]

Because large-scale organising is “almost impossible” in China, women are turning to “all kinds of alternative ways to maintain feminism in their daily lives and even develop and transfer feminism to others,” she says. These may take the form of book clubs or exercise meet-ups. Some of her friends in China organise hikes. “They say that we are feminists, we are hiking together, so when we are hiking we talk about feminism.“ - Lü Pin

To find evidence that China’s feminist movement is gaining momentum – despite strict government censorship and repression – check bookshelves, nightstands and digital libraries. There, you might find a copy of one of Chizuko Ueno’s books. The 74-year-old Japanese feminist and author of Feminism from Scratch and Patriarchy and Capitalism has sold more than a million books in China, according to Beijing Open Book, which tracks sales. Of these, 200,000 were sold in January and February alone.

Ueno, a professor of sociology at the University of Tokyo, was little known outside in China outside academia until she delivered a 2019 matriculation speech at the university in which she railed against its sexist admissions policies, sexual “abuse” by male students against their female peers, and the pressure women felt to downplay their academic achievements.

The speech went viral in Japan, then China.

“Feminist thought does not insist that women should behave like men or the weak should become the powerful,” she said. “Rather, feminism asks that the weak be treated with dignity as they are.”

In the past two years, 11 of her books have been translated into simplified Chinese and four more will be published this year. In December, two of her books were among the top 20 foreign nonfiction bestsellers in China. While activism and protests have been stifled by the government, the rapid rise in Ueno’s popularity shows that women are still looking for ways to learn more about feminist thought, albeit at a private, individual level.

Talk to young Chinese academics, writers and podcasters about what women are reading and Ueno’s name often comes up. “We like-like her,” says Shiye Fu, the host of popular feminist podcast Stochastic Volatility.

“In China we need some sort of feminist role model to lead us and enable us to see how far women can go,” she says. “She taught us that as a woman, you have to fight every day, and to fight is to survive.”

When asked by the Guardian about her popularity in China, Ueno says her message resonates with this generation of Chinese women because, while they have grown up with adequate resources and been taught to believe they will have more opportunities, “patriarchy and sexism put the burden to be feminine on them as a wife and mother”.

Ueno, who found her voice during the student power movements of the 1960s, has long argued that marriage restricts women’s autonomy, something she learned watching her own parents. She described her father as “a complete sexist”. It’s stance that resonates with women in China, who are rebelling against the expectation that they take a husband.

Ueno’s most popular book, with 65,000 reviews on Douban, is simply titled Misogyny. One review reads: “It still takes a little courage to type this. I have always been shy about discussing gender issues in a Chinese environment, because if I am not careful, I will easily attract the label of … ‘feminist cancer’.”

“Now it’s a hard time,” says Lü Pin, a prominent Chinese feminist who now lives in the US. In 2015 she happened to be in New York when Chinese authorities arrested five of her peers – who were detained for 37 days and became known as the “Feminist Five” – and came to Lü’s apartment in Beijing. She narrowly avoided arrest. “Our movement is increasingly being regarded as illegal, even criminal, in China.”

China’s feminist movement has grown enormously in the past few years, especially among young women online, says Lü, where it was stoked by the #MeToo movements around the world and given oxygen on social media. “But that’s just part of the story,” she says. Feminism is also facing much stricter censorship – the word “feminism” is among those censored online, as is China’s #MeToo hashtag, #WoYeShi.

“When we already have so many people joining our community, the government regards that as a threat to its rule,” Lü says. “So the question is: what is the future of the movement?”

Because large-scale organising is “almost impossible” in China, women are turning to “all kinds of alternative ways to maintain feminism in their daily lives and even develop and transfer feminism to others,” she says. These may take the form of book clubs or exercise meet-ups. Some of her friends in China organise hikes. “They say that we are feminists, we are hiking together, so when we are hiking we talk about feminism.

“Nobody can change the micro level.”

‘The first step’

In 2001, when Lü was a journalist starting out on her journey into feminism, she founded a book club with a group of friends. She was struggling to find books on the subject, so she and her friends pooled their resources. “We were feminists, journalists, scholars, so we decided let’s organise a group and read, talk, discuss monthly,” she says. They met in people’s homes, or the park, or their offices. It lasted eight years and the members are still among her best friends.

Before the book club, “I felt lonely when I was pursuing feminism. So I need friends, I need a community. And that was the first community I had.” “I got friendship, I deepened my understanding of feminism,” Lü says. “It’s interesting, perhaps the first step of feminist movements is always literature in many countries, especially in China.”

Lü first read Ueno’s academic work as a young scholar, when few people in China knew her name. Ueno’s books are for people who are starting out on their pursuit of feminism, Lü says, and the author is good at explaining feminist issues in ways that are easy to understand.

Like many Ting Guo discovered Ueno after the Tokyo University speech. Guo, an assistant professor in the department of cultural and religious studies at the Chinese University of Hong Kong, still uses it in lectures.

Ueno’s popularity is part of a larger phenomenon, Guo says. “We cannot really directly describe what we want to say, using the word that we want to use, because of the censorship, because of the larger atmosphere. So people need to try to borrow words, mirror that experience in other social situations, in other political situations, in other contexts, in order to precisely describe their own experience, their own feelings and their own thoughts.”

There are so many people who are new to the feminist movement, says Lü, “and they are all looking for resources, but due to censorship, it’s so hard for Chinese scholars, for Chinese feminists, to publish their work.”

Ueno “is a foreigner, that is one of her advantages, and she also comes from [an] east Asian context”, which means that the patriarchal system she describes is similar to China’s. Lü says the reason books by Chinese feminists aren’t on bestseller lists is because of censorship.

Na Zhong, a novelist who translated Sally Rooney’s novels into simplified Chinese, feels that Chinese feminism is, at least when it comes to literature, gaining momentum. The biggest sign of this, both despite and because of censorship, is “the sheer number of women writers that are being translated into Chinese” – among whom Ueno is the “biggest star”.

“Young women are discovering their voices, and I’m really happy for my generation,” she says. “We’re just getting started.”

By Helen R Sullivan

This is the third story in a three-part series on feminism and literature in China.

[cartograffiti]

An intro to the historical Zheng Yi Sao

Ruibo Qian's character in Our Flag Means Death is based on a real person, though like all its real pirates, she is a loose interpretation. In particular, the real Zheng Yi Sao wasn't born until 57 years after the real Blackbeard died!

In real life, she lived from 1775 to 1844. She was known by a variety of names; her birth name is usually given as Shi Yang. Zheng Yi Sao is the name most often used, which literally means "the wife of Zheng Yi" (more on him later), and you may also see variations like Ching Shih or Madam Cheng, depending on transliteration. Calling her Zheng, as Oluwande does, is good, or ZYS in fandom chat, but if fic writers crave a more personal connotation for a scene, Yang is a good choice for a given name consistent with the real woman. It's like the difference between Mr. Buttons and Nathaniel.

She was born in the Guangdong province, and many bios of her claim she worked on one of the boat brothels there, but this is speculation only.

When she married Zheng Yi, he was a successful member of a pirating dynasty, working as a privateer for emperors of Vietnam. The couple collaborated to unite six different pirate fleets operating off the Guangdong coast into a confederation, sealed with an agreement signed by the captains of each. Zheng Yi was informally recognized as the overall leader of the confederation until his death in a storm two years after the signing.

Zheng Yi Sao had the respect of other key figures in the alliance, and her smooth assumption of leadership was followed by a period of huge success and expansion for the pirate confederation, driving the Chinese government to desperation. This is where her reputation as a pirate "queen" comes from in real life, though I'm excited to see where the show goes with her fictional conquest of China!

In 1810, Zheng Yi Sao recognized that the confederation faced internal fractures and additional opposition, as Portuguese and British military forces allied with Chinese ships, so she led the confederation to bow out on a high, and use their immense power to bargain for a peaceful retirement, surrendering ships and weapons for pardons, supplies, and money. Although it's fictional that her crew was predominantly women, when Zheng Yi Sao surrendered, she did so accompanied by a delegation wholly composed of women and children who belonged to the confederation. At that time, the confederation consisted of 226 ships, 24 of which personally reported to Zheng Yi Sao.

If you're doing the math, she was only in her mid-thirties, and was far from done with life. She remarried, to one of her former captains, Zhang Bao, and accompanied him to the Penghu Islands, where he commanded a garrison. After his death, she returned to Guangdong and had another career of twenty-odd years, becoming the owner of a casino until her death at age 68 or 69 (nice).

She was one of the most successful pirates in history, both because of her power and her ability to survive it. I think she's neat as hell, and so have a lot of fiction writers! You might have encountered versions of her, or characters inspired by her, before, in things like Pirates of the Caribbean, the Bloody Jack novels, Assassin's Creed, and Doctor Who. It's fun to see a form of her in this! We can expect her arc to progress differently, but I hope having some context will help.

The most helpful things to note for the rest of the season for ofmd fans will be that Zheng is her surname, she wasn't really a contemporary of the other historical figures, and that her connection to sex work should not be treated as a fact, whether you want to include it in this fictional interpretation or not.

[canonmisogynyvictimstournament]

PRELIMINARY ROUND - DC COMICS

PROPAGANDA

Cassandra Cain

1.) essentially her character premise is that shes more or less an unbeatable martial artist due to the way she was raised. in the comics, she's the second batgirl and had a very popular solo series from 2000-2006. However, essentially DC editorial really didn't like that a teenage chinese girl was a better hand-to-hand fighter than batman, and so mandated that she be turned into a extremely random (also remarkably racist, as she was more or less turned in a 'dragon lady' stereotype) villain, which completely derailed and destabilized her character enough for her to almost entirely disappear from comics for the next decade. this is a far more detailed write up if wanted: https://www.reddit.com/r/HobbyDrama/comments/pdue0e/american_comicsdc_comics_the_saga_of_cassandra/

2.) Following the events of One Year Later, Cass was turned into a homicidal villain who led her own league of assassins and wanted to force Tim Drake into murdering people. This was later retconned as her being drugged, brainwashed, and manipulated by deathstroke.

3.) Literally canonically a better fighter than Batman and probably most of the DC universe. Killed one person once and because of the way she grew up (never taught to speak, learned to communicate by reading body language, in order to make her the ultimate weapon), saw what he experienced as he died and then refused to ever kill again. Had an awesome initial run… And then got hit with "evil mind control" that made her go completely OOC, depopularizing her character so much that a lot of people don't even know she exists.

Barbara Gordon

1.) Was shot as angst value for Bruce and her dad, implied to be sexually assaulted in The Killing Joke with absolutely no respect for her long career as Batgirl. When Alan Moore asked if he could, the editor said "cripple the bitch." She became paralyzed from the waist down. THankfully, an actually good writer picked her up from there and then wrote one of the best stories ever written (Oracle Year One: Born from Hope). Was one of the most iconic disabled characters in comic book history, hell, as Oracle, she was definitely up there as one of the most iconic disabled characters ever as well as a fantastic character, period. There were a few moments where people kept trying to make things out of her disability and had her be shitty to other women for no reason but for the most part, she was awesome. During her time In 2011, Dan Didio and some other misogynistic/ableist comic book writers were responsible for "curing" her disability and forcing her back into Batgirl, despite her having shown absolutely no desire to do so, as part of the New 52. They also made it an editorial mandate that she couldn't have glasses, a cool secret base, and her time as Oracle couldn't be referenced. This was because those writers were nostalgic for the 60s Batman show where Babs was played by an actress they all had the hots for and couldn't accept she'd grown up and moved on. That was bad enough, but over time, she's been increasingly deaged and reduced even further to just Dick Grayson's on and off again girlfriend and a generic girlboss. Batgirl of Burnsides burn in hell.

2.) Famously fridged in 1988, which was so popular with misogynists it became canon. After almost 2 decades of being one of the only disabled characters, was rebooted to a younger, more fun version of herself whose only history is that she was fridged but not disabled by it.

3.) The Killing Joke is one of the biggest comic examples of a female character getting hurt to motivate male characters. Also tbe way different cannons will trade off who her romantic intrest is out of Batfamily is pretty disturbing ranging from Bruce Wayne in Batman the Animated series universe (ew) to Tim Drake in the Arkham games (ew). Not to mention DC now is not letting her grow out of being Batgirl taking away her legacy of other young female heroes taking up her mantle and her getting to mentor them instead forcing her into a Batgirl cycle of purgatory when she was always better as Oracle (Its a little more complicated in the new Batgirl book but its still not solving the issues in a way that feels meaningful enough to make up the damage).

[ddollfface]

𝐀 𝐋𝐨𝐧𝐠𝐢𝐧𝐠 𝐅𝐚𝐥𝐥𝐚𝐜𝐲

𝙆𝙖𝙩𝙨𝙪𝙢𝙞 𝙊𝙧𝙤𝙘𝙝𝙞 𝙔𝙖𝙣𝙙𝙚𝙧𝙚 𝙃𝙚𝙖𝙙𝙘𝙖𝙣𝙤𝙣𝙨

Warnings; bad writing, might be ooc (don't come at me lol), not proofread, obsessional behavior, idk if this is really Yandere tbh, honestly, this is just be dipping my toes into fanfiction... If I missed anything, then please let me know ♡ I've only watched the tv shows, so all of my information comes from that and the wiki. If anyone knows where to read the manga, then please message me! Also, this is inspired by @mothwingwritings and @yandere-writer-momo ♡

Throughout the series, Katsumi is shown to be loyal to those he deems close and important to him. One of these people is Karate (I suppose, it's a thing, but whatever). Even when faced with people he respects, like Retsu, he refuses to give it up, to deny the power it has. This is shown during the tournament saga where Retsu demands that Katsumi admit that Chinese Kenpō is superior to Karate, of course, he denies it.

Now, what does this say about Katsumi? Well, it shows that when he feels loyalty towards someone/something, he'll cling to it and fight for it until his last breath. Katsumi is strong-willed, and never gives in without a fight; he fights for others' honor. He's been shown to have a vengeance streak, where he'll seek out those he's deemed to have defamed the people he holds dear to him.

He's very smooth with his words and has a boyish charm to him, allowing you to drop your guard when you really shouldn't. His sheepish smile and constant cocky appeal cause you to feel relaxed and underestimate him, forgetting that he's a dangerous man who could snap you in half with his pinky. It's really too easy for him to find where you live, sneak into your apartment, and watch you. All without you noticing; how sweet of you. You don't even realize that Katsumi has grown so attached, not noticing how close he sticks to your side or how his eyes darken whenever you talk to Retsu or Katou (if he ever comes around).

I can imagine Katsumi with most types of darlings, but I think he'd lean towards darlings who are a Good Samaritan. How they show that empathetic behavior solely depends on their personality. You don't have to be energetic and bubbly to be a good person and to help others, instead, you can be quiet and timid. You can be a little colder, but as long as you're willing to step in and help others when they're in need, even if you might put yourself in danger, Katsumi will ultimately find you attractive and court you.

I think that the empathetic characteristic is the root of his attraction, seeing you be so kind and caring just makes his heart swell. He knows you're a good person, and that's what makes you so attractive. Well, you're appearance is also a key factor, but ignore that.

Katsumi just wants someone selfless and willing to put themselves on the line for others, no matter if they know the person or not, as he knows that they'd make a good partner, a good mama. That's ultimately Katsumi's goal in life: to have a family. I subscribe to the headcanon that Katsumi has a breeding kink and he loves children; I don't care what anybody says.

There's no doubt in my mind that he's a loverboy who just wants someone to love, but things go wrong when that love isn't recognized or reciprocated. Not only that, but Katsumi's love can be... overbearing, to say the least. He can get a little too excited, especially when he's around you. And that's when his boyish nature comes in. He becomes too aggressive with his courting tactics (this is similar to Ali Jr. and Baki, me thinks).

These three guys, especially Katsumi, have been shown to be a little blinded by arrogance and their youth (not saying that other characters, who are older, haven't). They're all in their early twenties, and Katsumi being twenty in the Pickle saga, meaning they don't have a lot of experience with women.

Now that we're on the topic of experience, I think that Katsumi has been on dates with women, talked to women, and flirted with women. I mean, look at him. He's attractive, both physically and emotionally, and he's in the prime of his life. Not only that, but he's the adoptive son of Doppo Orochi, though I doubt that matters to most girls, but whatever. This means that he's got money, a lot of it. Doppo's wealth has been reiterated throughout the series that Katsumi is a spoiled kid, and I see that point.

So there's no denying that girls are attracted to him, and I think Katsumi isn't afraid to go up to women; he's quite charismatic. But why doesn't he have a girl? I think that's partially because of his dedication to his martial arts, making it difficult to maintain a relationship, and most girls wouldn't stick around for that. Now, that factor wipes out half of his dating pool, making it difficult for him to have anything but a one-night stand or a few dates.

He can't help but long for someone deeper, long for someone who truly cares for him. Katsumi wants someone who needs him, and relies on him to be provided for, and cared for. He wants to be acknowledged for his hard work, how calloused his hands are, and how good of a leader he strives to be. He just wants someone who'd be his cheerleader, someone who'd support him the way he'd support them.

This drive and desperate need for someone causes him to act irrationally when he finally finds someone even close to his dreams. It doesn't matter where or when you meet, whether it's before or after he's lost his arm, as long as he feels that recognition, he's lovestruck.

(This is where I go off on a tangent, I'm so sorry)

I've read a book called Blink, by Malcolm Gladwell, and it's all about humans and how we think as a species. He goes on and on about this thing called thin slicing. Thin slicing is an ability that all humans have, something we've developed through years of evolution, and it's the ability to make a split-second decision (on a situation or person) based off of little information. According to Gladwell, we do this every day. Thin slicing is fueled by our fight or flight response, more so whether or not we fight, fight, or freeze.

Gladwell says that the moment we make eye contact with someone, or speak a singular word with someone, we've already decided whether or not we like them or not, whether or not we'll befriend them. In multiple studies, Gladwell cites, he says that you can determine whether or not a couple will have a long-lasting relationship just based off of one conversation, a conversation that's no more than a minute long.

It's all about subconscious cues we give off when we speak, much like the phrase 'actions speak louder than words.' Certain cues attract people to each other, unknowing actions that we do that pull others toward us.

Honestly, it's a really interesting thing, and I think that because a lot of Baki men rely on their instincts, and they use thin slicing in every one of their fights, they'll use their instincts to determine who their darlings are. If you were to ask any of the Baki men, in this hypothetical world where they have a darling, I think they wouldn't be able to answer. That they wouldn't know. And that's because it was an instinctual decision, something they knew subconsciously the moment they met you, you, you.

There was just something about you that drew them in, and they would be able to give a broad definition, but they wouldn't be able to tell specifics. And that's the beauty of attraction, so if you think about it, love at first sight is a real thing, yeah?

End of tangent

Because of this, he'll take any one of your interactions and dramatize them. You say that it's cold outside? Now, he thinks you're trying to hint to him that you want his jacket (you don't; you were making small talk). You say that you think his hair looks nice today? Welp, that means you must want to play with his hair, right (Natsue just told you he got a haircut). Hell, your shoulders brush against each other while you two are walking? You're practically telling him that you want a hug! (No, you just were too close to the street).

The point is that any normal reaction or conversation is used to fuel his obsession with you. Within a few weeks of knowing each other, he's thinking that you're going to be the mama of his children. There's no doubt in his mind that you're meant to be. Katsumi will even look at your zodiacs. Did you know that you two are compatible? What a coincidence. It must be fate.

[specialagentartemis]

Black Women writing SFF

The post about Octavia Butler also made me think about the injustice we do both Butler, SFF readers, and Black women SFF writers by holding her up as the one Black Woman Writing Sci-Fi. She occupies an important place in the genre, for her creativity, the beauty and impact of her writing, and her prolific work... but she's still just one writer, and no one writer works for everybody.

So whether you liked Octavia Butler's books or didn't, here are some of the (many!!! this list is just the authors I've read and liked, or been recommended and been wanting to read) other Black women writing speculative fiction aimed at adults, who might be writing something within your interest:

N. K. Jemisin - a prolific powerhouse of modern sff. Will probably have something you'll like. Won three Hugo awards in a row for her Broken Earth trilogy. I’ve only read her book of short stories, How Long ‘Til Black Future Month? and it is absolutely story after story of bangers. Creative, chilling, beautifully written, make you think. They’re so good and I highly recommend the collection. Several of her novels have spun out of premises she first explored through these short stories, most recently “The City Born Great” giving rise to her novel The City We Became. Leans more fantasy than sci-fi, but has a lot of both, in various permutations. 

Nisi Shawl - EDIT: I have been informed that Nisi Shawl identifies as genderfluid, not as a woman. They primarily write short stories that lean literary. Their one novel that I’ve read, Everfair, is an alternate-history 19th century that asks, what if the Congo had fought off European colonization and became a free and independent African state? Told in vignettes spanning decades of political organization, political movements, war tactics, and social development, among an ensemble of local African people, Black Americans coming to the new country, white and mixed-race Brits, and Chinese immigrants who came as British laborers.

Nnedi Okorafor - American-Nigerian writer of Africanfuturism, sci-fi stories emphasizing life in present, future, and alternate-magical Africa. She has range! From Binti, a trilogy of novellas about a teenage girl in Namibia encountering aliens and balancing her newfound connection to space with expectations of her family; to Akata Witch, a middle-grade series about a Nigerian-American girl moving to Nigeria and learning to use magic powers she didn’t know she had; to Who Fears Death, a brutal depiction of magical-realism in a futuristic, post-war Sudan; to short stories like "Africanfuturism 419", about that poor Nigerian prince who’s desperately sending out those emails looking for help (but with a sci-fi twist), and "Mother of Invention" about a smart house taking care of its human and her baby… she’s done a little bit of everything, but always emphasizes the future, the science, and the magic of (usually western) Africa.

Karen Lord - an Afro-Caribbean author.  I actually didn’t particularly like the one novel by her I’ve read, The Best of All Possible Worlds, but Martha Wells did, so. Lord has more novels set in this world—a Star Trek-esque multicultural, multispecies spacefuture set on a planet that has welcomed immigrants and refugees for a long time, and become a vibrant multicultural planet. I find her stories rooted in near-future Caribbean socio-climatic concerns like "Haven" and "Cities of the Sun" and her folktale-fantasy style Redemption in Indigo more compelling.  And more short stories here.

Bethany C. Morrow - only has one novella (short novel?) for adults, Mem, but it was creative and fascinating and good and I’d be remiss not to shout it out. In an alternate-history 1920s Toronto, scientists have discovered how to extract specific memories from a person—but then those memories are embodied as physical, cloned manifestations of the person at the moment the memory was made. The main character is one such “Mem,” struggling to determine who she is if she was created from and defined by one single traumatic memory that her original-self wanted to remove. It’s mostly quiet, contemplative, and very interesting.  (Morrow has some YA novels too. I read one of them and thought it was okay.)

Rebecca Roanhorse - Afro-Indigenous, Black and "Spanish Indian" and married into Diné (Navajo). I’ve read her ongoing post-apocalyptic fantasy series starting with Trail of Lightning, and am liking it a lot; after a climate catastrophe, the spirits and magic of the Diné awakened to protect Dinetah (the Navajo Nation) from the onslaught; and now magic and monsters are part of life in this fundamentally changed world. Coyote is there and he is only sometimes helpful. She also has a more traditional second-world epic high fantasy, Black Sun, an elaborate fantasy world with quests and prophecies and seafaring adventure that draws inspiration from Indigenous cultures of the US and Mexico rather than Europe. She also has bitingly satirical and very incisive short stories like “Welcome to Your Authentic Indian Experience” about virtual reality and cultural tourism, and the fantasy-horror "Harvest."

Micaiah Johnson - her multiverse-hopping novel The Space Between Worlds plays with alternate universes and alternate selves in a continuously creative and interesting way! The setup doesn’t take the easy premise that one universe is our own recognizable one that opens up onto strange alternate universes—even the main character’s home universe is wildly different in speculative ways, with the MC coming from a Mad Max-esque desert community abandoned to the elements, while working for the universe-travel company within the climate-controlled walled city where the rich and well-connected live and work. Also, it’s unabashedly gay. 

And if you like audiobooks and audio fiction (I listened to The Space Between Worlds as an audiobook, it’s good), then Jordan Cobb is someone you should check out. She does sci-fi/horror/thriller audio drama. Her works include Janus Descending, a lyrical and eerie sci-fi horror about a small research expedition to a distant planet and how it went so, so wrong; and Descendants, the sequel about its aftermath. She also has Primordial Deep, about a research expedition to the deep undersea, to investigate the apparent re-emergence of a lot of extinct prehistoric sea creatures. She’s a writer/producer I like, and always follow her new releases. Her detailed prose, minimal casts  (especially in Janus Descending), good audio quality, and full-series supercuts make these welcoming to audiobook fans. 

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Nalo Hopkinson - a writer who should be considered nearly as foundational as Octavia Butler, honestly. A novelist and short story writer with a wide variety of sci-fi, dystopian futures, fairy-tale horror, gods and epics, and space Carnival, drawing heavily from her Caribbean experiences and aesthetics.

Tananarive Due - fantastical/horror. Immortals, vampires, curses, altered reality, unnerving mystery. Also has written a lot of books.

Andrea Hairston - creative and otherworldly, weird and bisexual, with mindscapes and magic and aliens. 

Helen Oyeyemi - I haven’t read her work but she comes highly recommended by a friend. A novelist and short story writer, most of her work leans fairytale fantastical-horror. What Is Not Yours Is Not Yours is a collection of short fiction and recc’ed to me as her best work. White is for Witching is a well-regarded haunted house novel. 

Ashia Monet - indie author, writer of The Black Veins, pitched as “the no-love-interest, found family adventure you’ve been searching for.” Magic road trip! Possibly YA? I’m not positive. 

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This also doesn’t include Black non-binary sff authors I’ve read and liked like An Owomoyela, C. L. Polk, and Rivers Solomon. And this is specifically about adult sff books, so I didn’t include Black women YA sff authors like Kalynn Bayron, Tomi Adeyemi, Tracy Deonn, Justina Ireland, or Alechia Dow, though they’re writing fantasy and sci-fi in the YA world too.

And a lot of short stories are out there in the online magazine world, where so many up and coming authors get their start, and established ones explore offbeat and new ideas.  Pick up an issue (or a subscription!) of FIYAH magazine for the most current Black speculative writing.

[punkeropercyjackson]

Related to my prev post:

I don't give two shits if Bruce is written like a bad dad if it means we get good writing for everybody else since i think minorities are more important than a white cishet male nepotism baby unlike his butch lesbian counterpart who's judaism is an actual fundamental part of her character and since he's been written as abusive so consistently over the years it's in-character anyway

Dick can be both bi/pan and demisexual and there's more evidence for the latter than the former so making him be sexually loose is aspec erasure and mspec stereotyping and he dosen't have a thing for redheads,he has a thing for black women and to me the only guy he seems to like romantically is Roy and that adds on to his demisexuality since they're childhood best friends

'Catholic guilt Jason' is a shit headcanon that misses the major and critical part of him being Red Hood that he didn't feel the slightest bit bad about killing people and the point of his redemption was learning remorse,afrolatino Jason isn't based on stereotyping but him filling out so many black and latino cultural aspects and if any hcs for him are stereotyping it's the one that he's a slut because he's a very handsome and hot and cute goth punk man

Tim is perfect the way he is and dosen't need power ups or to get 'punished' for the oh so horrible crime of being a realistic teenage boy,he's not JUST huge a loser or a super cool dude but both at once and it's bad writing and fetishistic to ignore his wide range of relathionships that consists of mostly of women to make him a 'guys guy'

Stephanie is heavily autistic and bpd-coded so she's far from a 'normie',much less an 'it girl' but people see blonde hair and blue eyes and throw away everything else about her because that's all she's worth to them or call her an abuser and a pick me just like they do irl bpdtistic women and she's also canonically pastel/indie punk and a Team Mom but gets her presentation switched to basic and made out to be a womanchild instead

Cass had a million times more moral conflict than Jason ever did,would never in her LIFE wanna be feminine even in the chinese way and would be butch in it instead,turning her scattered speech into sign language is ableist not unlike(but not on the same level as)changing Babs' type of wheelchair disability and she'd be a better Batman than any male character in existense

Duke is only a golden child in the sense he has a yellow motif and is as disruptive and authentically quirky as his siblings,We Are Robin is a better team than the canon Outlaws,his powers are cooler than any Al-Ghul ones you could come up with,he has more femme energy than Tim does and Carrie Kelley ain't shit and only gets brought back to replace him because DC is antiblack

Damian's introduction mentality was a result of not only child abuse but also psychological grooming to get him to dehumanize himself and all his bigoted comments are explained either by him being like 12 or his writers trying to demonize brown people and anybody who thinks he's a bad person is a super-sized pissbaby with no sympathy for kids of color,shipping him with Jon is making a bisexual man into a ped0phile and Jay is good even if aging Jon up wasn't and he should be friends with Maya,Suren,Nell,Colin,Kathy,Maps,Tai and Miles,Gwen,Peni,Pavitr,Hobie and Margo from Atsv and Nico and Hazel from Pjo instead of Billy Batson or Danny Fenton or ANY Mcu characters

Talia is super hot but should be drawn in accurate arab clothes instead 'sexy assasian gear'(not that these two can't co-exist but you get what i mean),her personality is extremely rich and her stories are mega interesting,she's a good mom to Damian and literally never 'took advantage of Jason' seeing as That Scene In Lost Days was decanonized by it's writer who said it was ooc for her on his part,she should've been a mom figure to Stephanie in her Robin Days too since they would get along and she deserved her own run where she takes over Lexcorp to transform it into a force for good and become Superfam-adjacent to free herself from having only male connections