#Cosmic Storyboard

[here-be-dragons-and-whatnot]

Here's the animatic for Jar Full of Cosmos. I've never made one of these before, but it's basically a set of storyboards with sound effects and timing. I didn't make this with an audience in mind, so the sketches are ✨rough✨. The substance in the mixing bowl and (later a jar) is meant to be a mini galaxy like the bottle in my prior post. Otherwise, I think it makes enough sense for people to follow? I will likely be doing another one of these to block out everything in 3D, but for now I have an idea of the shots I will need. This was literally the sketchiest thing I could make to get an idea for the animation.

I acquired every single sound effect by searching "free _____ sound effect" on youtube. Hopefully I can find a better low cost/free source moving forward.

[rockymountainqueen2]

Oh guys...

Look what I found!

Yes, these are storyboards from For The Future.

And yes, they do confirm that Camila and Manny met because of Cosmic Frontier! Really wish this had made it into the final product!

Source: https://www.hayleynwong.com/work/the-owl-house-samples

[theotherhappyplace]

Completed this storyboard

It's going to be a voice acted animatic too but here's the scene.

(Vinnie survives but she's having just the worst day)

[hannakdraws]

Summer Camp Island storyboard panels (and part of the title card for Mr. Softball)

From the episodes Mr. Softball, Cosmic Bupkis, Catacombs, and Tub on the Run

I was so excited about boarding Catacombs because I got to write lines for Saxophone who is voiced by Elijah Wood

[thecryptidwizard]

the sillys

[speedycroissantbagelfan-blog]

The payment and Man & Vatrigore war.

[flintfeatherrr]

Best way to improve your mental health is to create elaborate ten minute hand drawn pmvs for your gay characters

[j4gm]

SPOILERS!!! REFERENCES AND EASTER EGGS IN F&C ep. 4: Prismo the Wishmaster

This is the Drift from Distant Lands BMO! I wonder if Y5 is mayor yet. It's been about 23 years since the events of that episode. Overgrown Hugo-Mats can been seen in the background of some shots.

It's hard to figure out if any of these captured cosmic criminals are returning characters. The one in the middle looks strikingly like a catalyst comet.

Void Caster was one of the prisoners in the Citadel with Martin. He was also seen chronologically before that in Distant Lands BMO.

Martin's entry raises some questions. Was desertion the cosmic crime he committed which caused him to be imprisoned? Or is this a crime he committed after being freed? He's not marked as neutralized, despite the fact last time we saw him he discorporated and became one with the universe. Also, he's flipping the bird for real, which is the first time we've seen that in Adventure Time unless you count Shelby in Five More Short Graybles.

Wyatt keeps sneaking his way into things because writer Steve Wolfhard likes him a lot. Last time we saw him was in Together Again, when he was the only soul left in the First Dead World after Mr. Fox became Death, suggesting he did some pretty terrible things in life. It appears those dark deeds were in aid of his quest to reach the Time Room, presumably to wish for something creepy involving Tree Trunks. Luckily he doesn't get to make that wish.

The silent movie universe is fun. There is a very creepy Lich in this cave behind Princess Bubblegum. This could be the result of the Lich Hand that got pushed into every dimension during Crossover. The Snail is also there. I believe this is the Snail's first living appearance in Fionna and Cake.

Peps and Blaine are still in Wizard School, and they seem to have become good friends. They must be graduating pretty soon.

Susan and Frieda!

Simon mentions that Prismo was unable to bring Betty back, which is why he took things into his own hands. This is a reference to the scene in the finale montage where he attempts to wish her back but it fails.

Apparently the Misadventures of Flapjack is a universe within Adventure Time's Multiverse! This is a show that Pen Ward, Adam Muto, and Pat McHale all worked on as storyboard artists before they went to work on Adventure Time.

This is the alternate universe from Beyond the Grotto.

The shot on Prismo's laptop when he first creates the Fionna and Cake universe is from the original Fionna and Cake title sequence.

Fionna has her sword from the comics in this brief scene.

This obviously explains the red beam from Fionna and Cake and Fionna.

New cosmic entities! The one on the left is cracked. I wonder if that's an indicator of how long the Multiverse has left.

This depiction of the Multiverse is based on the depiction in Crossover, which itself is based on an illustration in an article from Scientific American.

This is the bed chamber from Is That You. This old man is actually an alternate Jake. Prismo has reworked the room into a GOLB chamber so Simon can perform the same spell that brought Fionna and Cake to Ooo.

The credits scene is a bunch of yellow children's building blocks. Sort of like the Time Room.

[bee-sidebranch]

Moon witnesses the cosmic entity that is Gourmands crafting and is horrified

[i saw to it that the sfx aren't loud but just to be sure headphone users beware, it's the first time i use audio like this]

This is what i like to call my motivational storyboard, the minimum viable product to tell a story + color+ sfx because if i don't polish it at least a little bit at this stage it will never be fully finished

[sepublic]

TL;DR at the bottom... Even before the decision to include the Collector, I have to wonder if the writers always intended the backstory of a great war between the Titans and a group of celestial beings that descended from above, who smote each other and left only King behind as the survivor. The Season 1 finale alludes to other Titan corpses, with the Boiling Isles being the only fully intact one discovered; So there’s already that implicit question of What killed the Titans?

Likewise, there’s the angelic imagery surrounding Belos, that we also see introduced in S1. And while this could just be a reference to actual Christianity in-universe, I do recall speculating there having been a war between the Titans and divine beings from above during that time in response to this... Not to mention!

The Elsewhere and Elsewhen storyboards have Philip seeking a Song of Stars instead of the Collector, and we know there originally would’ve been three figures that cornered the Owl Beast in Knock, Knock, Knockin’ on Hooty’s Door’s storyboards. Sounds like...

I’ve speculated on these three as a motif since S1, with their first appearance being in Young Blood, Old Souls, where we first learned of the other Titans and their butchered state. Obviously, we must keep in mind that the crew changed the story after writing Eda’s Requiem, in response to the show’s shortening (this was told to them the week after Agony of a Witch aired, production takes a while), so K3oHD and EE’s storyboards may not mean much in regards to the pre-shortening plans.

But storyboards could’ve been written concurrently; They may have always intended an Angels vs Demons war between the Titans and visitors from the stars, that resulted in a mutual extinction. And the Collector and their backstory wasn’t totally made up in response to the shortening, either; Dana said they were a character concept the writers always wanted to explore.

So it could be that the shortening convinced the writers to make the Collector the face/representative of that extinct species, rather than a more conventional Archivist. And/or the Collectors would’ve remained purely posthumous characters in the backstory, the way Caleb and Evelyn are. The Collector was suggested as a kid of this celestial species to flesh them out, only to be truncated into just the trio; But with the shortening, the crew chose to actualize them as the lens through which we learn of their people’s genocide against the Titans, since they had so much fun with their concept.

Even before the show was shortened and the story changed, the writers might’ve always intended for the Titans to have been wiped out in a war against some celestial beings from space. They entertained the idea of a kid of that species, just as King is for the Titans; And when the shortening was announced in Summer 2020, Dana went F it and decided to elevate this cosmic child from the backstory and into the main story for our protagonists to actually deal with. Instead of an adult trio being this species’ representatives, the writers settled for the Collector.

Even if we didn’t get the Collector, that trio may have taken their place anyway. The background of their species’ genocide against the Titans would’ve remained; Philip’s plan would’ve been to use a leftover spell from that war, the Song of Stars, to enact a genocide upon witches as it was used for Titans (he may have mistaken the Collectors for literal angels whose mission he was finishing; Not unlike how he gets people to project divinity onto the Titan).

And since S1, he was always intended to be aware of and inspired by these celestial beings, who may have come in the form of a trio; Hence the Petrification statue, with the Owl Beast scroll as another hint. The curse is also red magic, which I compared to Belos’, and since he learned from the Collector...!

TL;DR I don’t think the Collector’s inclusion in the story changed it that much, since they’re just an extension of lore that was always planned, possibly filling a role originally intended for others of their kind anyhow; And it sounds as if Dana always considered the Collector, and thus might’ve gone through with them even if TOH hadn’t been shortened. Not that it really matters, because I find the Collector a legitimately compelling character in their own right, who in addition to their contributions to the themes, story, and other characters’ arcs, has justified their inclusion.

[here-be-dragons-and-whatnot]

An attempt at a color script

I was kind of dreading this at first, but after gathering references it didn't feel so bad. It's interesting how different the results feel than what I had imagined. I'll have to think about if I want to change the lighting to make this a bit... lighter? Anyway, I tried to capture important moments in the short where the lighting and color might be unique. I should be able to use this as a map/guide to lighting my scenes. Onto modeling!

And of course, here are my reference images. I think they look pretty :]

[elasticitymudflap]

If Betty returns in season two, what kind of plot lines and character arcs would you like to see for her? Which characters do you want to see her interact with?

oh man. okay buckle up because you are about to endure my full frontal autism.

first you're going to have to go into this post knowing that i am insane about betty grof. i am aware of this. but they also called me crazy back in 2012 when i said simon and betty probably loved each other very much despite the fact she disappeared, and that she was probably a huge chaotic badass, AND I WAS RIGHT so.

all of this aside, here are a couple things i think would be epic and sexy of them to address:

~betty's past~

GIRL WHY ARE YOU LIKE THIS.

no, seriously. i hate that the cut content from the storyboards revealed so much about her that didn't make the final 'jerry' cut. betty is passionate, intense, and liked simon's work because he was this weird little guy who proudly had all these "out there" theories. she even stated that "ancient magic" was once her major, so it's no fucking wonder she was so jazzed to find the one other guy who studied and believed in the strange things she did.

how did betty come to have these strange beliefs, and to the point of pursuing it in fucking grad school? was she just always like this? did her interests and beliefs put her at odds with others when she was growing up, little miss dig-her-way-down-to-the-devil, and that's part of the reason she wanted all the more to support simon?

reading that scene in temple of mars where magic betty laments "what remains" of her original self after spending so long dedicated to simon, even if you take into account the way MMS is warping her perspectives and cranking her obsessive tendencies to 11, i find it hard to believe betty didn't grow up with some kind of instability or trauma that made her more prone to throw herself completely at someone who showed her genuine love and kindness. this isn't necessarily a fault on simon's part, he probably didn't even clock it because he was so caught up with trying not to fuck things up with her (he's got his own issues). but it definitely seems like this is something deeply coded into her being, especially when you consider she was willing to leave everything she knew behind in an instant for him.

and i NEED to know more about the wacky shit she was up to in ooo, before and after becoming magic betty. did she ever go to wizard city? did other wizards even know about her? what does she think about her time as magic betty? moreover, how the hell did king man even get betty to agree to his weird idea of cognitive behavioural therapy?? how did she actually go from literally willing to kill herself via time travel to actually accepting that she needed help getting over simon?? did prismo and the cosmic owl get involved?? what is their connection to king man and mars anyway, i mean we know grob gob glob grod hung out with them?? do you think betty knew at any point about simon's head holding the fionna and cake universe?? SO MANY QUESTIONS RAAARRGHGHHGHH

also, not to get super sappy, but i want to see the enchiridion expedition from her perspective!! i want to see her progression from 'hell yeah im going on an adventure with that guy whose research i admire' to 'oh my god i love his stupid ass help????'.

~betty's guilt (feat. regrets)~

i don't care what the alternate bus stop scene said, you will never convince me betty grof has "no regrets". i think she has 'no regrets' in terms of loving simon, and she would never want him to think that she regrets their relationship because of what it "did" to her (turned her into a kaiju). i think this scene was betty trying to give simon a modicum of closure by reassuring him of that fact, and trying to help him reckon with the fact that there's no going back and changing how things ended up for the two of them; from here on out they can only move forward.

that being said, we know that betty will often push simon into doing things she thinks are best for him, whether he wants these things or not, such as not getting held up by snakes or not dying. she's a quick thinker and a risk taker who doesn't like looking at the 'big picture', and these are things she's probably very aware about herself.

i think, in the 12 years that they were apart, betty probably had a lot of time to reflect on her decisions after the crown came into their lives. how her hubris in trying to study magic ended up in her becoming "magic betty", how magic betty nearly ended/condoned the end of the world multiple times, how she ultimately did cure simon but almost killed him in the process. most of all, you cannot convince me betty wouldn't agonize over how her split-second decision to jump into the future affected simon. you really think betty fucking grof would've have been totally unaffected by the revelation that simon spent nearly ten human lifetimes agonizing over driving her away?

in her last interaction with him, magic betty's recklessness cured them... only to then be grotesquely crushed to death inside of golb. but he didn't get upset with her, he didn't panic, he didn't even fight it, he just... gave in. there's this air of acceptance to him, an acceptance that comes after prolonged and complicated grief, that i'd argue, wasn't the culmination of being cured, but the culmination of his long and painful battle over losing her; he was content to die as long as he was with her. that must have been... really something for her to mull over.

i could easily see her developing a bit of a complex over it. i think it would be fascinating to see a betty who now, after all the dust as settled, has looked at their history and concluded that she was the common denominator in all of this, that she is bad for simon, that in a way she is a "curse" to him. and that it would be the perfect justification for her staying away from him all these years, thinking without her influence he could finally move on from her and live the rest of his human life happily with his new magic future friends.

i don't think betty has necessarily "moved on" from simon, i think she still loves him dearly... but as i said, thoroughly convinced she'll only damage him further if she keeps trying to pursue him, and that simon's breakdown during season 1 was only more evidence to that fact.

i think she's trying to lead him to get over her 'for his own good', and that she's purposefully being vague and simplifying conclusions about their relationship so he doesn't try to fight her on it like he always does when she makes these huge decisions for them. she's not bringing any of the stuff she actually regrets up with him because only betty sees it as a problem. simon is so enamoured with her he probably wouldn't even entertain the possibility that she had negative effect on him, but he would believe the reverse in a heartbeat.

this isn't me saying they're ""toxic"" at all, i'm saying that these are two very damaged people who would benefit from multiple types of therapy. and that, as they are, they currently are more likely to keep going in loops with unhealthy behaviours and blaming themselves ad infinitum rather than try to reckon with how they can change, and how it is a problem that they'll always do it for the other, but never for themselves.

even if all of my above ramblings turn out to be bunk: betty grof needs some kind of therapy for her pre-existing self sacrificial tendencies and self worth issues, a space for her to process and work through all of the things that happened to her in ooo, couple's counselling, and the biggest blunt known to man.

you might be wondering "emery, why are you talking about her like she isn't beyond such things? she's golb now, the embodiment of chaos! her ""arc"" is over."

~golbetty conspiracy theory time~

i'm not entirely convinced betty is golbetty as we've come to understand her. i stand by this with my crumbs of a conspiracy theory in that when simon first did the ritual, it was ORIGINAL golb's face that flashed over the scene (not golbetty or even the statue's face), and how golbetty seemed to transform back into Golb Classic after she blew simon away into the void. there's also this weird thing where golbetty had these holes or rips on her leg when she rotated; i thought it was an animation error but then it was also in the storyboards so idk what to believe...

plus the boards ive seen seem to only refer to them as "GOLB", never 'GOLBetty', which i just find... interesting

and i keep thinking about simon info-dumping about golb to betty in the 'come along with me' flashback and the specific wording that was used: "imagine if we could somehow harness all that dank energy..." and then comparing it to the specific wording of betty's wish "... however it has to happen, I wish for the power to keep Simon safe"

there's a couple lines in 'you forgot your floaties' regarding betty's work before becoming magic betty that i feel often get overlooked, one being how tiny manticore describes the situation as "she thinks she can save her BF, Simon, by finding the source of magic," and in betty's own words: "studying [magic madness and sadness] could lead me to their underlying cause, and then I'll control the forces that hold sway over Simon"

i've always wondered if part of the reason betty's wishes to "banish golb from this world/for golb to disappear" didn't work was not just because they didn't tap into her heart's deepest wish (keeping simon safe), but because a wish like that would also require some kind of fundamental change to the laws of the universe first in order for it to work. magic betty even references golb as "the most powerful force in the universe," so how would the crown ever hope to compete with that? according the ancient candy elemental, wish magic has the potential to cause "irreversible damage to the very structure of existence". maybe the crown itself couldn't banish golb with a simple wish, but it could restructure the world to create someone who was powerful enough to control even golb, if only it were structured through the correct wishing language.

and it would make total sense for betty to become that person.

i've been thinking about the way the candy elemental tries to warn evergreen from using the crown: "this wish may see things in you you cannot see yourself, can you truly say you know your heart's truest desire?"

i wonder if there may have been two elements to betty's wish, and the part of it that betty "didn't see in herself" was her worded in the language of "power"; betty's desire to gain control over forces of the universe no human could ever hope to fight against, let alone win.

she spent her human life fascinated by ancient magic, fighting to get her's and simon's work recognized as valid and worthwhile. then, she's suddenly in the future, fighting to stop simon from dying, physically fighting at times, and fighting to find a way to gain control over these "forces" that held him prisoner. she essentially is fighting to become the conqueror of magic, madness, and sadness... and she fails, becomes a victim of it. and it all goes downhill from there, the loss of control over herself, over her mind, over her goals, yet the most 'betty' thing about her is that she's still fighting, albeit a bit crooked and to the detriment of all else. in the end, she's even fighting with herself, fighting to remember who she even is without the fight, not even sure if that person exists anymore.

and then she's freed, suddenly, from the confines of MMS to the literal confines of a quickly shrinking prison. when you watch the two of them in that scene, she isn't fighting to escape the same way finn is literally fighting the wall, but you can tell she's not giving up. part of her is still fighting to think of a way out, even when it feels like there's absolutely no hope left.

her desire "for the power" could mean, in a sense, to have the ability to be in control of all that she couldn't at one time or another: time, fate, magic, life, death, chaos... but this was articulated through her love for simon, because it's the only way she probably even recognizes it within herself.

this is why i don't entirely think betty and golb are fused, or that betty is solely "golbetty". i think being "fused" with no possibility of escape would be antithetical to the language and possible wider implications of her wish. this is why i think she's something above even golb, like a being with the ability to possess/harness the power of other deities. and i think she does this specifically in scenarios where simon is in immediate danger and she needs to control them or harness their power in order to protect him.

i'm ready to be proven wrong, and i probably will be. still, i rotate these thoughts in my head at a dangerous velocity, and none of you can stop me.

~ok i'm done ill stop being insane now (lying)~

so to... actually answer your question, i REALLY want betty to meet fionna and cake, because it sounds to me like they remind simon a lot of her. i would just love to see the absolute fucking tornado they'd be when put in a room together.

also, obviously first and foremost, I NEED BETTY TO TALK TO MARCELINE!!!!!!!!!!!!!!!! PLEASE!!!!!!!!!!!!!!!!!!!!!!!

anyway, as far as season 2 goes, something is definitely up with prismo. and since he's guardian/creator of multiverse entities, who the fuck knows what that means for the fabric of existence if he's glitching out.

all im saying is, i wouldn't be surprised if our main trio end up having to save the multiverse and have to do so with help from other... entities. bettities, even. (hehe. bettity)

[theotherhappyplace]

You alright? You seem a little woozy!

(almost done with this animatic!!! but i really liked this part and wanted to show you)

[beautifulterriblequeen]

*based on Aaron's impromptu Q&A on Twitter, writer comments during the official TDP discord watch party, and publicly available storyboarder info

[ciotogdemon]

Cool Ideas for Wish Movie

Otherwise known as some ideas I have for just funny and cool concepts.

The entire thing with the star is it gives you the TOOLS you need to pursue your dream but you need to do the work yourself.

Asha has a character arc where she asks for help specifically, and when Star Boy comes down, she is like, “alright, you can just magic the wishes away defeat Magnifico, and everything will be awesome!” :D

Except that doesn’t work, and star boy eventually gets captured weakened or temporarily killed, prompting Asha to realize “Wait a minute, star may be the one with magic, but I have doing all of these crazy brave things, making my own choices, so what I really need to do is believe in myself and my community, take charge, and START A REVOLUTION!!!!” Which she does

Valentino has a gag where instead of just saying random stuff, he actually has a very deep and rich vocabulary and debate topics, which speaks to how his real wish wasn’t to speak, but to be able to communicate his complex ideas to people, in which case Star’s magic is a conveyer of that wish.

For example, maybe Valentino, Asha, and Star boy are running away from guards, Asha says, “turn into something that scares them!” Star: I don’t know what scares people! Asha: Spiders, snakes- Valentino: OUR COSMIC INSIGNIFICANCE AND THE INEVITABILITY OF DEATH!!!!!

Also a different scene where Asha and star need to break into the castle and need her friends to distract the guards, and they don’t know what to do, so star silently conjures and accordion for Hal, smiles, and flies away. Gabo says they’re all going to be arrested. The guards run into the room and are like, “what are you all doing here?”. And Hal awkwardly says, “…a birthday party?” And one of the guards in the back is just so excited “oh my gosh guys you remembered?!” And everyone just goes along with it and are forced by social obligation to stay at the party giving Star and Asha the time they need, until Magnifico breaks up the party because he is a jerk.

These are just a few ideas for the time being and I will definitely post and maybe storyboard more. Have a great day!

[weirdzano-and-co]

Ugh

Just random Spongebob storyboard.

That was based on listening awesome ost from spongebob cosmic shake game:

And Prawn (this funny shrimp guy also from game).

He cool, because like BOMBS AND EXPLODES AND PIES (also cool moustache)!!! Pizzno and Prawn could be friends :3